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clowningaroundmars · 2 months

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punkflower hcs bc i need to see more of them being cute teen boys together.... like, playful and creative and stuff

looong long wall of text under the cut (no nsfw)

♡ miles and hobie definitely exchange art often, even collabing on some punk zines and graffiti pieces occasionally. hobie also makes mixtapes on cassettes and slaps a million stickers on them just for his bf. miles appreciates the kind gesture but reminds hobie that he doesnt have a cassette player. "yet," hobie tells him with a wink :)

♡ miles draws a million little doodles for hobie on scrap paper, post it notes, hobie's gear, hobie himself. ofc hobie loves them all, esp when he gets to go home with his arms and chest covered in stars, cartoons, graffiti, and hearts

♡ miles is a lot more shy about dancing in public than hobie is, but whenever they manage to have any downtime at all hobie will wrap his arms around miles and sway them around. if music is playing anywhere, hobie will bop to it and get miles to join in

♡ hobie's love language? touch. any kind, anytime, anywhere, for any reason. words of affirmation come next

♡ miles' love language? quality time, and he's big on kissing. hobie isnt much of a kisser but loves his sunflower just the same, and does not complain at all when miles places little kisses on his hands, ears or his back

♡ sometimes hobie will be a lil mean to miles just as a flirty thing. just usual teenage boy stuff like kicking miles' sneakers, manspreading to get into his space if they're sitting anywhere together, using his height to bully miles into a corner away from everyone so they can flirt some more, crashing into miles on purpose just to be annoying

♡ anytime they get to go on multiverse missions together they somehow manage to get into the craziest shenanigans. breaking into a zoo to stop a villain from mutating the animals, saving a group of schoolkids on a field trip from a killer robot (?), one time hobie even drove a runaway car to stop it from crashing right into jamaica bay and miles was scarred for life

hobie tries to control the car as he haphazardly swerves it around pedestrians and barely manages to miss a group of elderly people.

miles clings onto his seat for dear life. "HOBIE!! you're gonna kill us man, where'd you get your license from!?" he yells.

hobie scoffs. "license?! i said i could drive, mate, i aint mention nuthin' 'bout no license!"

♡ hobie's universe is set in the 1970's and living in a dystopian police-state means it's too risky to bring back a phone with him, so he's often left out of spiderkid groupchats. miles still tries to keep him up to date on the latest memes and inside jokes though. they also have their own inside jokes too

♡ hobie wouldn't bring a smartphone with him anyways since he's so mistrusting of tech in general. video games, laptops, and "smart" tech mystify him, and smart watches? forget about it. when miles gets one for christmas one time, hobie clowned on his bf so hard the watch was never seen again

♡ that being said, they love exchanging music often so the only piece of technology hobie ever brings back to his dimension is an ancient half-busted ipod (it was probably rio's at one point) filled with music miles managed to download for him that week. spiderman-ing and living as a homeless teen means hobie doesn't get much time to explore genres outside of the UK punk scene and listening to brand new genres is often a trip! hobie finds out he loves drum n bass, grindcore, industrial techno, UK drill, deep house and 90's hip hop

♡ hobie gets miles to make him cool posters for whatever venue he plans on (or doesnt plan lbr) playing at every now and then

♡ rio LOVES hobie. hobie is the perfect gentleman (gentlespider?) around her and often tries to help her around the house when he can. miles... does not enjoy how much his mom favors his partner. jeff is also not so crazy about this smart-mouthed punk

♡ miles and hobie absolutely swap clothing as often as possible, with hobie "borrowing" miles' clothes more often. miles' parents keep commenting on how much of a rockero he looks with all the punk stuff and hobie never returns clothes without having altered them in some way (pins n bits everywhere, a mysterious rip or two here n there, pinned-up sleeves, etc)

♡ miles is absolutely horrible at cooking and feels left out when he sees hobie helping his mom in the kitchen. he desperately tries to learn, but it's a wonder how he hasnt sliced his fingers off yet trying to peel and cut platanos so they can make tostones

♡ for a person who's built like a lamppost, hobie is shockingly graceful with his movements. he always slips around a room like a cat and miles is so jealous of that. long gangly limbs should be a deterrent from moving like That and yet here he is, practically pirouetting around miles for fun

♡ which is a total TRIP when they go out swinging around a city. once the mask is on, every movement hobie makes is chaotic, frantic and unpredictable. spiderpunk and hobie are very different people sometimes

♡ rio often points out hobie's thinness as a typical hispanic mom does ("jóven, pero tu 'ta tan flaco, hobie honey come eat! i have leftovers here!") and miles also agrees that hobie could eat a lil more too. he is always sneaking bits of food into hobie's pockets or bags, saving fries and last slices for his partner. sometimes hobie brings home armfuls of tupperware filled with caribbean food back to his boat

♡ in return, hobie is like a magpie and brings back shiny gifts for them, some handmade stuff too. miles' drawers and nightstand are filled with jewelry, bottles, knickknacks, and other handmade accessories. his walls are filled with collages and zines hobie makes for him and rio bought frames for some of the pieces he makes her

♡ the first person to say "i love you" was miles, but by accident. after realizing it, he was nervous as hell worrying that hobie would clown him to death since he didnt seem like a big romantic. instead, hobie went nuts about it in his own hobie way, writing lyrics about miles' face when he said it, doodling them together more often, teasing miles about it often but lightheartedly. he flaunts miles' love whenever he can

♡ miles has a lethal puppydog face and he KNOWS it! one 🥺 look and hobie immediately folds and gives miles whatever he wants. but not before hemming and hawing about it first, playing up his hesitation just to make miles laugh

♡ speaking of laughter, hobie does Thee Most just to see his bf laugh or smile. he will always goof off in the bg, crack jokes every 2 secs and pretend to get hurt sometimes. hobie is naturally sarcastic and goofs off in general anyways but around miles he dials it up to 200

♡ hobie tries to get miles in on the whole anarchism thing but 1. the texts and manifestos from his dimension are different than miles' and 2. miles is a teen boy. he doesn't know anything about the theory of alienation or effective mutual aid and won't really care at the moment. "mm, you'll learn all 'bout it soon enough, though... eventually," hobie muses

♡ miles is not as big on pet names as hobie is. hobie has like 24984 nicknames for miles but miles mostly sticks to just calling his partner by his name. one day during history class tho a lightbulb moment happens, and when they meet up again miles is excited

"hobie!! guess what, i really got it this time. i have a nickname that i know you're gonna love!"

"spill," hobie says as he throws an arm over miles' shoulders.

"so you always call me sunflower all the time, right? and your name is ho... bee. get it? so i was thinkin' i'm gonna call you 'honey bee' now. y'know, you're not the only one who's got corny ass nicknames! it's good, right?"

hobie has to fight not to grin like a jackass

♡ hobie's sleep schedule is atrocious so whenever miles can manage it, he tries to wrestle his partner into any bed and tucks him in. hobie is touched that his sunflower cares so much about him ♡

♡ miles almost never gets permission to sleep over other friends' houses but on the rare occasions he does, he leaps into portals and goes to visit hobie in his dimension. his fave part of New London is hobie's boat, bc they set up a big hammock for them to lay in, feeling the sway of the boat and letting it lull them to sleep. not to mention that the boat itself is totally badass, and hobie more often than not encourages miles to cover it in graffiti

♡ hobie lowkey (but highkey) loves when miles gets a little bossy, forceful or stern. he loves ribbing miles about it (the "ill do it, but not cuz you told me to" line in mumbattan was a total joke from hobie btw LOL) and saying corny shit in response to a demand, but he loves seeing miles being confident and calling the shots every once in a while. it makes him proud

♡ if they can, miles and hobie try to gather up as much food as they can and take it over to the F.E.A.S.T. that's in hobie's dimension. miles meets hobie's "family" there and gets to know the community, which feels so much more tight-knit and welcoming than Visions. once miles gets over the major jarring differences between his world and hobie's, he finds he LOVES New London

♡ miles and hobie teach each other slang from their countries and time periods, you can't change my mind. miles walks around saying shit like "bloody 'ell" and "septic" all the time. the one time hobie said "deadass" completely unironically, all of the spiderkids DIED laughing

♡ miles learns that EVERY spider is a total dweeb in some way shape or form. even hobie! hobie's awkwardness comes out when theyre in big groups of people. hobie is oddly comfy with performing in front of crowds but when he's invited to parties and tries mingling, it's so... sooo awkward. miles secretly rejoices when he finds out hobie's weakness

♡ i'm an adhd hobie truther and i hc that miles buys hobie the weirdest fidget toys he can get his hands on. along with his switchblade, jewelry, and whatever he stole that day, hobie carries various different fidget toys in his vest to keep boredom at bay

♡ hobie definitely writes songs for miles but takes a very very very long time to actually admit it. miles finally finds out when one of hobie's songwriting notebooks falls open when hanging out in his boat, and hobie comes clean about it. with miles' encouragement tho, hobie makes the decision to add some of those songs into the usual setlist his band performs

♡ if miles ever has time, he tries to attend whatever gig hobie and his band has going on. he loves to see hobie perform on stage, his energy and stage presence is always electrifying

#mine #across the spiderverse #punkflower #miles morales #hobie brown #stupid ass tumblr posted my 1st draft completely randomly while i was in the middle of writing this #so uh if theres any mistakes its cuz i had to rewrite ALLLL of this in my notes app #hope yall enjoy tho ♡#i am relatively new to this fandom.... kinda? well specifically punkflower #so if these hcs are basically fanon i wouldn't know lol i just skimmed the tag on tumblr recently #im going purely off of Vibes and movie/comic canon #ive seen some good takes in the tags as well and those inspired me too!!#so ye hehehe #these 2 are giving me brainworms my god i havent even written hcs for my other OTP #i should.... probably get started on that since i kinda had fun writing this!#and uh if theres mistakes you noticed at all i also wrote most of these while.... zooted as well. so. yeah lol #spiderverse

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mudstoneabyss · 3 months

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actually. the specific phrasing that boy Kevin wants to kill older Kevin with "I must disassemble him, piece by piece, so that everything inside of the Old Kevin comes out. Only then can the New Kevin truly begin." is so incredibly the idea that to heal from trauma and "improve" you have to destroy every "wrong" part of yourself, that everything "tainted" by it has to somehow be replaced by something untouched (which isn't possible)

#reading back that phrasing I do think that'll be the way brinknor takes it #this arcs seeming like it'll be so. breaking the cycle of abuse and violence and coming to terms with yourself #and maybe understanding that you can never remove the parts of you impacted by trauma and start again completely ''pure''#but you can treat yourself with the kindness you should've been given #which i hope it is that because. and understand i am biased. but i'd love that direction for Kevin #it feels much more satisfying than any more. angsty way this arc could go imo #like he's been through enough!#because of the way Kevin is portrayed in fanon. not as frequently anymore but still pretty common. I worry about coming off as woobifying #by saying I want him to heal I want him to have nice things I think he deserves them #when he's also simultaneously Not A Good Person #yknow the poor little innocent cinnamon roll baby etc etc fanon #but. well for one im Not Like That about him. but my main point of bringing that up is. him not being a good person is why I want to see hi #get better and generally have a good life. why does someone have to be good to deserve to heal from trauma #especially when trauma is a big reason for the way they are #like its fiction yeah yeah i'm still tired of mentally ill people having to be ''good'' to ''deserve'' to get better yknow #i mean especially in fiction you tend to either see mental illness as the poor traumatized one who's allowed recovery because they're nice #or the insane psychopath who cant be ''fixed'' so ''deserves'' bad things-up to deserving to die!- for it #i didnt mean for this to be a rant erm. oops #wtnv #wtnv spoilers #joyousposting

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yellowocaballero · 10 months

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At this point you've written at least four different roleswap AUs, so I was wondering if you had any thoughts or takes about how a roleswap AU should be? - someone who's planning on making a roleswap AU

Please don't remind me. I'm embarrassed about this. I know I need to write other things. I don't know why the AU concept is so incredibly fun to write. I can't explain it. Roleswaps are very easy to write and a lot of fun and involve being a freak about everything. Who wouldn't write 10 of those bitches.

But yes, as someone whose roleswap AUs are like 9 out of her 51 fics, I feel qualified to talk about this. These are just my own opinions and takes, and other people might do it differently - if you write roleswaps too, feel free to add in your two cents!!

Before sitting down to write literally anything I always figure out the rules of the story. Writing is little more than a nonstop series of decisions, and if you abide by the rules of your story or characters then your decisions will be coherent and cohesive. By rules I don't mean worldbuilding - I mean the internal logic of the story and the characters. "X character will never explicitly say how he's feeling" or "the leads have to both win and lose every encounter".

I find establishing writing rules for roleswaps especially important - it's figuring out exactly how the roleswap works. Here are the ones that I find important, and kind of the process:

Decide what is swapped. Is it more of a universal swap, personality swap, backstory swap, chronology swap, or alignment swap? No matter which one you choose, all of these things are probably going to change anyway, but there has to be one central point for each character that guides your decisions. Are you actually swapping the narrative role in the story, or are you just changing it? You have to be really precise and have a very good idea of what exactly is swapped, and it has to be consistent throughout the story. It can't just (just) work on what you'd like to see, it has to be exactly the same between characters.

Decide the point of divergence. Sometimes that point is pretty abstract (She's a teenager in the 90s instead of the 20s). Sometimes it's much more specific, just one moment (He developed his superpowers at this moment instead of that). The point doesn't have to be immediately obvious, but you should know it - I did a backstory swap ages ago, and it seemed like a complete change, but like 150k in I dropped that a character dropped out of the police academy instead of completing it and that her entire life changed from there. If the swap is more abstract, then maybe it's just a series of smaller decisions - character A has these seminal points in his story, and I'm swapping him with character B, so here's what character B did during these seminal points instead, and how it changed him and his narrative.

Decide who the character is. This might be more personal, but for me, I think of the character as...there is a central tenet of them, of who they are as a person, that does not change no matter what. That's three or four traits of who they are, that you will not change, and that's what makes their swapped life their own instead of the OG dude's. But there's a lot of traits and behaviors around that core personality that's the result of their environment, backstory, and experiences. That's what should change. It's about figuring out how these essential traits + what is swapped + the point of divergence = an entirely different character and story. The roleswap you'll end up with will be a combination of all of these things: how the essential aspects of a character mix with what's swapped to create an entirely new environment and set of behaviors, which cause a chain reaction to create something new. As a writer, you sit down and say, "I'm keeping these parts of the character, I'm swapping out those parts, this new mix changes these points in their backstory, this results in this new person".

This is more of a guideline, but it's the most important to me: your characters have to be recognizable as the character. The reader shouldn't go, "this OC is making some weird choices". The reader should go, "I don't know how, because he's the exact opposite of his canon self in every possible way, but somehow he still feels like my favorite character". This is why you isolate those basic traits before changing the rest - so long as your character is still who they are deep inside, then they still feel like that character. And that's the fun of the story. You're selling something insane, and the reader is buying it.

It's a lot of really heavy character work. You have to really understand the characters you're writing - the less I get the original character, the more issues I'm perpetually having. I tend to fly fast and loose with characterizations, but when writing roleswaps I have to refer back to canon and the source material a lot ("In canon he did X thing, with his newly different backstory how would that decision change?"). The more you're rooted in canon, then the funkier and more divergent you can get.

Personally, I like to play a fun little game I call: how exactly opposite can I make this character until he stops feeling like this character? I Sometimes my goal in writing is "how deeply can I ruin this story". This is not a good game and people should not play it. I find that the lazier I get about getting in touch with the canon character, about keeping track of the canon decisions, and about following these guidelines, then the more difficult a story is to write. If you structure a story well then it's easy to write, and roleswaps are pretty easy. Thanks for the question!

#my asks #my writing #ok I have no idea how to politely say this #so ill say it in the tags where the rude words live:#if you only think about fanon characterizations when figuring this stuff out #or if you write a characterization based on their role in the relationship dynamic #then youre not gonna be able to do this stuff well #if you write a good guy as a bad guy then you have to #honestly engage with their flaws and their terrible decisions #you can't just swap one archetype for another #and people work so backwards in characterization that. ajksldfjsadf it's 9am too early for salt #sorry I was thinking about my tma roleswap while writing this and #its giving me tma fandom trauma flashbacks #never been in a fandom so completely uninterested in any of its characters. at all. it was insane.#anyway the way im seeing ppl write vash im getting the impression that #people aren't registering that he's the biggest compulsive liar in anime #he is nonstop lies. all of the time. stamp's closer to deflection but. pure lies this man.#i read ppl writing vash and im like MAN you bought what this guy was selling hard huh #anyway roleswap vash has a bridge to sell you and gaslights to girlboss

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earthbovndmisfit · 7 months

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I've been seeing lots of takes lately with people feeling hatred towards part 2 Speedwagon for being a greedy capitalist who probably exploited people and done some shady stuff to become wealthy because there was '''no way he could have become rich just from oil money'''... thoughts?

it's so disappointing to see some bad takes about the Speedwagon Foundation being some "acshually nasty organization" and about Speedwagon supposedly becoming some heartless rich man popping up again. And like, I shouldn't even be surprised at this point considering how the average "Jojo fan" mistreats Part 1 and 2 and alllll the misinformation they love to spread about them and about some characters in particular, often bastardizing them into wildly out of character versions and pretending those fanons are canon for whatever reason (being Speedwagon one of the characters that gets bastardized like that the most), sometimes just to make Blorbo Of Their Choice look better by throwing every other character under the bus, sometimes just because people can't be bothered to pay attention to the og if there are no punching ghosts on sight (and even then, Jojo parts featuring stands get misinterpreted a lot too).

This is gonna be long, so let me start by saying that if y'all really believe that Speedwagon somehow became some nasty ass rich man, then you're completely misinformed and you (and I say "you" in general and not specifically you anon) might benefit from rereading/rewatching the source material and actually paying attention to the plot and details this time.

Like, I've seen people assuming that the Foundation only researched the stone mask and eventually stand stuff, and completely forgetting that one of the literal main goals and also one of the biggest things the Foundation does is seeking for the betterment of the planet as a whole (preserving nature, wildlife, etc) as well as for the betterment of medicine and health care, actually seeking for the best for all humankind, this in addition to all the secret branches it has for the research of supernatural phenomena like stands, stone masks, pillar men, and so on in order to prevent as many incidents with them as possible and prevent the loss of as innocent lives as possible.

Sure, the people working for those latter branches might get into deep trouble sometimes whenever some jerk with a stone mask or a stand starts some shit, but, another thing jojo fans tend to conveniently forget is that those employees are working for the secret/non-public branches of the Foundation. We as audience know about them because we are let into seeing them working as part of the narrative, however, the public in general within the story DO NOT KNOW about the existence of those branches or what they do. Pillar men, stone masks, stands and the research around them are kept in secret in order to prevent any sorts of chaos and ensuing panic, among other safety reasons.

The people working for those branches are specialized or at least have some prior knowledge on those fields they work in (you'd think it is a MUST considering they are being let in on sensitive information that could be super detrimental for the planet and for humankind if it fell in the wrong hands), meaning that those employees already know and are fully aware of the kind of stuff they're going to deal with there from the start. They weren't deceived into it, and the fact that the employees remain loyal to Speedwagon from start to end and respect and follow his will, even long after his death, denotes that there was some deep and mutual respect and appreciation there, something you can't earn through exploitation, and definitely something these people wouldn't have done had Speedwagon been the heartless tyrant rich old man some people with a lack of media literacy want to believe and make others believe he was.

If people paid just a wee bit more attention to earlier Jojo parts, they would have realized it was all spelled out from the beginning too! Speedwagon expressly states from the very start his disgust and hatred towards the rich, being the Joestars the only exception to that due to them being genuinely kind persons, unlike most other wealthy people out there. He was also implied to have been dirt poor for most of his life and was also stated to have lived in the slums at least up to PB's main timeline. There were never any indications or signs that showed that he ever betrayed those roots of his by siding with the rich against the poor over the years. Instead, he's been using his funds to make the whole world a better place for everyone, not only by improving health care and access for all people as well as the environment (which would actually show a sense of duty from him as he is counteracting whatever negative impact his oil company may have had on the planet), but also providing all the aid he can against supernatural threats.

And not just that, but he's also kept some of his connections with the crime world over the years. However, rather than using those connections for selfish goals, he makes use of them to workaround the system in cases like Lisa Lisa's, where he used all those influences he had to help her go successfully into hiding after killing the zombie that murdered George (an undercover zombie that was actually a higher up within the army and who everyone believed to be a regular human, hence their chasing after her to make her pay for that "crime" she had supposedly committed). Additionally, if you know anything about big companies and organizations, you'll know that the law is also not always there to protect regular people, and sometimes, it will cater to the more profitable goals, as well as some businessmen actively being shady af and "hindering" their rivals for their own benefit. The Speedwagon Foundation being an organization that vouches and actively works for the wellbeing of people would have probably ruffled countless feathers among those who seek for a personal gain, to say the least (think of the hijackers that tried to kidnap him, as shown in the flashback in BT, i.e). This is also where those connections he keeps with criminals come into play, as there are never any mentions about Speedwagon doing shady stuff through them nor using them to pursue some personal goal, which hints at the fact that he keeps and uses those nexus as means of protection against actual enemies. Defense rather than offense, if you will.

Also, lets not forget that Speedwagon found his reason to change his ways when he met Jonathan, and that a lot of the things the Foundation does are things Jonathan himself would have gone into had he not passed away (the archaeological research, the deep studying of the stone mask -which eventually led to the discovery of the pillar men just in time before their awakening-, all in order to prevent more incidents like the whole thing with Dio from happening, and so on). It's downright silly to think Speedwagon would even think of betraying Jonathan and his memory by using not only the second chance he received from Jojo himself, but also using the literal monument Speedwagon built to honor the deep bond and mutual affection the two had back when Jonathan was alive for some selfish goal.

And also, lets not forget how disgusted he was with Dio and every single vile thing he did to everyone. Do you really think he would want to follow a path similar to his, in which people are just another step for him to walk all over?? If so, then you sure are completely wrong about who Speedwagon really is like.

Those "he became some nasty capitalist lol", pretending that Spw became some heartless and selfish wealthy man along the way for no reason, all despite the heaps of constant evidence the canon has presented, even long after Speedwagon's passing away in the story, that shows that that was never the case only go to show that people are lazy and that paying attention to the story and the details in it is just something some Jojo fans will actively refuse to do and then will make the worst bullshit takes up about it.

Also?? People do realize that it's possible to become rich and not be some piece of shit?? Like, sure, I do agree that most wealthy people irl ARE shit and scummy af, but there will always be a few exceptions, you just don't always see them because the real kind ones don't go around telling everyone about every single kind act they do, they just put their money to good use to make their own employees lives better, or invest/donate money every chance they get to some organization of their trust and so on. Adding to this, do you all even realize people can't just throw money out of the window and that as a business person you always need to keep some capital to actually make your business thrive and so you can continue helping other people out in this case where BIG SUMS of money are being put to use in favor of actual civilians and people from all walks of life??

((Edit to add yet another Very Obvious display that Speedwagon never sided with the rich, not even in his older years: Smokey Brown! The kid is literally a mirror of Speedwagon’s own younger self in that both were criminals from the streets in a large city (London in Spw’s case, NY in Smokey’s), immersed in crime and poverty and most likely having to resort to crime as a mean to survive in a society that was even more classist (and also racist, and this can actually be seen in BT when one of the mafiosos starts spewing shit towards Smokey due to his skin color) than it is nowadays, both having no known parents or family either and having been most likely orphaned/abandoned. Had Speedwagon been this nasty ass rich man, he could have simply ignored Smokey or treated him poorly, or could have even turned him to authorities, considering Smokey’s criminal record just for the sake of “preventing him from stealing from him” or whatever. There was literally nothing Spw could benefit himself from by keeping Smokey around like he did, which is a core trait in abusive/exploitative people. However, he never did any of that. Instead, and despite the reigning classism and racism at the time, Speedwagon along with Erina always embraced Smokey from the start and basically became his godparents, never letting the kid go back to his life in the streets, providing him with everything he needed and making sure he received a proper education, which was something very few people of color (black people, specially) could receive. And yet, Speedwagon and Erina made it happen, very likely using some of Spw’s influences to allow Smokey go to the school (and eventually college too) of his choice without any stigma or trouble at all and covering all expenses for him. -end of edit-))

If this was, idk, the Metal Gear series or some other media that revolves around the topic of politics, then the whole "cRaPiTaLisM!!! >:O" thing would have some weight and be plausible as it directly impacts the main plot of the story. But here?? In Jojo's?? Where the main focus as stated by it's author himself is the strength of the human spirit overcoming obstacles in the face of actual evil??? Try harder.

And, before I get That One Type of fans yelling at me that "people don't just get rich without exploiting people in real life!!"… do you guys realize we're talking about animanga series where vampires, funky stone masks with spooky powers, pillar men, stands, people who can use some ancient sunpowered martial art, plankton that can turn into a sentient person, and so on can happen, right? And yet I don't see anyone whining that "tHaT DoEsN'T hApPeN iRl!!".

And like, if this whole claim stems from disliking Speedwagon, just say you don't like him and move the fuck on. You don't need to try to justify your disliking for him or for ANY other characters, let alone making up wildly out of character bullshit about them to try to prove to yourself and to everyone else why according to you the character is "bad". I promise you it is not a big deal to simply not vibe with a character.

#the lack of media literacy among some jojo fans is overwhelming i swear #its sad to see people constantly and completely misreading and bastardizing speedwagon into something he's not #like all those LAME takes about him being some soft pure uwu innocent scaredy bby #or the 'topkek reddit funni meemz XD!' abt him that some ppl lazily/unironically take as canon #or these silly and also wildly ooc takes on the foundation and him in part 2 #really wish more people took the time to actually see and appreciate his character for what he actually is #sorry this got so long but i wanted to get this out of my chest bc i too saw one of those posts again and was like #BRU not this shit AGAIN #also.if i sound bitter its because i am genuinely sick and tired of the speedwagon slander and people completely misreading him #and turning him into something he is not and often completely ignoring him bc of that fanon image ppl have made of him #along with completely disregarding the fact that he's actually one of the most important characters in all jjba #and instead pretending or wrongly assuming that he was just some 'hehe funni meme uwu guy'#jjba #long post #bit of a vent / rant too #robert e o speedwagon #speedwagon #jojo #character analysis: speedwagon #phantom blood #battle tendency #speedwagon foundation #jojo's bizarre adventure #analysis: speedwagon foundation #character analysis #meta #ok to rb

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quietwingsinthesky · 6 months

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Let Jack do some biting and exploding as a little treat. He needs it for enrichment in his environment! Alternatively this is his “hormone driven teen age rebellion/angst” phase. Or he’s threatening to run away and live with Sam.

Assuming you’re referencing my anti-domestic destiel au: yeah 🥰 jack is in just the worst situation here, and he put himself there, sure, he agreed to it, thought it would be okay. but crucially, to me, he also thought it was temporary. and that the love he would experience as Dean & Cas’s actual baby wouldn’t differ that much from what he gets as himself. And when it actually is different, when they treat him different, (maybe there’s more kindness in Dean when he’s holding someone that looks more like a child, maybe Castiel’s more attentive and knows how to handle him better because after all, he planned, he took classes, for a baby) that’s rough! horrible and frustrating!

and since they’re all pretending this is fine and makes them happy, he spends more time than he should playing along and feeling worse and worse about himself. I think things should start breaking around him. His toys all crack and twist into terrible shapes. Blood stains show up on his baby blankets. He cries and glass shatters. (He’s trying so hard to keep it in, but it’s not working, he’s upset and he doesn’t even have an outlet to talk about it or anything because Dean and Cas are fully treating him like the toddler he’s taken the shape of.)

I really think Sam would be his saving grace here because Sam is a reprieve from having to keep up that appearance and act. Sam treats Jack as his son, yes, but also as an adult, because that is what Jack is, fast growth cycle and odd birthday count or not. He doesn’t want to be a child. The window for that has passed. He’s grown up.

(I swear that Jack’s part in this isn’t just me being frustrated with his literal infantilization in popular fanon as a character who’s very obviously (to me, anyway) coded as autistic. I swear. It’s not all that. Just. Most of it.)

Jack running away with Sam would be such a way to kick off the falling apart of this “perfect” life that Dean and Castiel have constructed. Their son up and fucking leaves, goes to live with Sam because he can’t stand how neither of them look at him and actually see who he is rather than who they’d prefer him to be. Maybe jumpstarts a few realizations about the fact that they aren’t seeing each other truthfully either, that they’re both miserable and need to split up before they lose their friendship that’s so important to them as well.

(and of course, for extra drama, Jack should burn their house down. What better way to signify that the Normal Apple Pie Life is coming to an end then a housefire. Dean walks in to check on Jack during the night and instead of a baby, there’s Jack standing there next to his small bed, eyes burning gold and neither of them can say anything before the whole room explodes into flame. (Which Jack is very upset about. He didn’t mean that to happen. (He’s glad that it did.) He just lost control.)

but also just in general even outside of this au, jack should be allowed to bite people <3 it’s good for him <3 he gets his bloodthirsty urges to tear out people’s throats from his dad! (sam)

#anti domestic destiel au #<- if you cant tell from how i talk about jack and the whole. name. here. this is really me deconstructing that whole idea that’s been #created in popular fanon. because it frustrates me. the weird pushing of sam to the sidelines for pure focus on romance and the near #ubiquitous infantilization of jack and the way it tends to flatten dean and castiel both to fit the romantic roles.#you know. it frustrates me. what if this was horrible instead. what if this was a glue trap and dean and cas and jack are all suffocating.#jack kline #dean winchester #castiel spn #sam winchester #spn #like i dont want to tag this destiel because it is Not. the whole point of it is that its Not.#but at the same time their relationship is the focal point so????#ask

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kaleidoscopic-quiddity · 1 year

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as someone who's personally never been a big dad for one fan, why don't you like it? 👀

obligatory disclaimer that ppl can headcanon/theorise whatever they want, im fully aware that AUs are just ppl having fun and dont necessarily reflect what they want to/think will happen in canon, etc etc

okay so, to me dad for one is fundamentally antithetical to who midoriya is as a character and his position within the narrative. midoriya is not a chosen one. yes he was literally chosen by all might to inheret ofa, but midoriya is different from a lot if shounen protagonists in that there was nothing inherently special about him other than his heroic spirit. he doesnt have a demon inside him like naruto, or saiyan abilities like goku, or even a hyper genuius intellect like senkuu. midoriya is literally Just Some Guy who happened to get noticed by all might. which is actually what makes his story all that more powerful. yes, midoriya being quirkless ends up working to his advantage with ofa and the whole 'last holder' thing does kinda feel like destiny but ultimately, all might chosing midoriya wasnt predetermined. there wasn't some grand prophecy or legend, there was no fates whispering in all might's ear, its just that in that moment with the sludge villain, all might saw midoriya be a hero and knew that he was the right person to inheret ofa.

objectively i get the appeal of 'ofa, a quirk born out of defiance to afo, is passed onto his hero son who takes him down' as like this cool narrative parallel but to me it undermines the whole basis of midoriya's character. he didnt get involved with ofa and afo and all might because of some hidden deeper connection between them all linking their destinies or whatever. midoriya is involed with everything that hes involved in because regardless of the circumstances of his birth, regardless of whether or not he got a quirk or met all might or got into UA, he was always going to be a hero no matter what.

with shigaraki, the whole sereniputous narrative thing of 'the grandson of one of the ofa users is groomed by afo to be the 'next him' and is the super villian nemisis of the current ofa user' works because shigaraki's defining character trait, his core theme, his 'origin' if you will, of hatered, is literally a product of the relationship between ofa and afo. shigaraki would literally not be the character that he is without his life, before it even began, being shaped by ofa and afo. but midoriya's origin is completely seperate from that, his origin is that of being a hero, no matter what, before he even knows a single thing about ofa and afo, before his life is shaped by them in any meaningful way.

i think there are two moments in bnha that make it blatantly obvious to me that dad for one was never going to happen.

first is back during the sports festival when, after hearing todoroki's backstory, midoriya kinda breaks the 4th wall a bit and thinks 'if we were in a comic book, he'd be the main character'. and the thing is? thats totally true!! yes 'kid with no powers in a world where everyone has powers' is a quintessential shounen manga story set up, but its not a super-hero story set up, as far as western hero comics (which horikoshi obviously takes massive inspiration from) go, todoroki with his tragic backstory and special dual-power would be the main character, which is what makes it all the more poignant that midoriya is instead. yes he inherets this great legendary power from the greatest hero ever and gets embroiled in this centuries long battle between good and evil, but prior to that, theres nothing about midoriya, other than his overwhelming heroism that made all might choose him, which is a choice wholly made by all might rather than some predetermined destiny thing, that makes him a main character.

the second is during the paranormal liberation war when afo tries to steal ofa and critises all might and the other vestiges for allowing the quirk to fall into the 'wrong hands' by ending up with midoriya, who he deems as weak, only for yoichi to defend all might's choice in selecting him as successor and his + the other vestiges' choice to remain within him. that has nothing to do with midoriya being some perfect, narratively appropriate, parallel inspired chosen one, hell its even before the 'you'll probably be the last user because your quirklessness makes you perfect for ofa in a way that quirked people arent' reveal. yoichi and the other vestiges' support and defence of midoriya, just like all might's chosing of him to be his successor, comes from nothing other than the understanding that midoriya is a true hero through and through.

'but leo! doesnt the fact that midoriya is a true hero mean it would be even more poignant if he were the son of the greatest villain ever' i hear you all cry, and the answer is no.

because if midoriya is all for one's son then it makes too much sense that he inhereted ofa. he goes from being this true hero who embodies the will of everything ofa and its users stand for, who is ready to carry on their legacy and offer the world hope in a time of despair, to being the ~perfect~ narrative choice to inheret ofa to fulfil a circle of fate and break a generational curse.

in the canon universe, if all for one is midoriya's dad, midoriya goes from being this character who's sheer conviction to win and save, to be a hero, despite his non-suited circumstances, and nothing else about him, makes all might, who had already planned to go to UA and select a student to be his successor, pick him, out of all possible people, to inheret ofa, to suddenly being the only possible successor. if dfo is true then it doesnt matter that in another life mirio or bakugou or someone else couldve been the 9th user, because by being all for one's son midoriya is put in such a narratively perfect position to inheret ofa that its obvious it was literally never going to be anyone else. which to me, wholly and completely undermines all the poignancy and narrative weight in midoriya, who had absolutely nothing to do with ofa and afo but who was such a genuine hero that all might and the ofa vestiges chose him regardless, being the one to inherent ofa.

so yeah, i dont like dad for one, (and villain deku AUs for pretty much the same reasons), and thats why im convinced it'll never happen. because for all his many flaws horikoshi definitely knows how to craft a narrative, and i think hes both too smart and too good a writer to undermine his own protagonist's origin like that.

#bnha #bnha meta #midoriya izuku #all for one #dad for one #bnha theory #one for all #also i think that if dad for one WERE going to happen then horikoshi wouldve teased it more by now if not already done the reveal #the identity of midoriya's father has literally never been narratively important at all and its something that purely fanon decided to note #idk what to tell you guys sometimes ppl just dont have dads #we should really be used to this from shounen jump protagonists by this point #og post //#long post #if u know me irl and see me writing critical analysis of midtier animanga no u dont

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