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#its like when i draw me and sans and people say nice things like 'your self insert is so cute!!!' n its like
cherry-shipping · 1 year
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ALSO. sorry for being lame but i think its fun to think about watching all these stupid romantic kissy scenes with my f/os 😀👍
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akihabaradivision · 5 months
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ARB Birthday Special: Keiko Yumi
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~~ December 22nd ~~
"The first draft is just you telling yourself the story."
Login Lines:
*Sighs* "Finally done! Hopefully once I send these in, my publisher will get off my back for the next month or so. ...And in record time too! Once I drop these off I can head to work and see what assignments Nemu-san has for me. ...Hmm? A message from... Nemu-san? 'Work is canceled. Enjoy your birthday.' My... birthday?!"
"How foolish can I get? I've been so busy with work I neglected to notice today was the day of my birth! I messaged Nemu-san back thanking her, though canceling work was unnecessary. ...She didn't message me back, but I assume it was because she was busy with work of her own. ...But still, what am I going to do with this free time I have?"
Voice Lines:
"I received a lot of 'happy birthdays' and such from the people of Akihabara, which is nice. ...You know, it's funny. Back when I was younger, nobody really paid me any attention. I was just another face in the crowd, so to speak. And if they did pay me attention, it was usually always negative. I can't count the number of times I got bullied back in high school. I definitely don't miss those days."
"...I don't believe it. Otome-sama, herself, sent me a 'happy birthday'! I don't believe it! I always figured that I wasn't worthy enough to be in the Prime Minister's shadow. That I was just one of the many people working under her. I mean, not that I don't mind working for Chuohku, but... too be recognized by the Prime Minister, herself. This is an honor I don't take for granted!"
"What the...? Where did all these gifts come from?! Are these all for me? Most of them are from my friends at school. ...Ha. Like I mentioned earlier, when I was younger I was used to being ignored or bullied. But now, I'm adored. I don't know if its because of my manga or just because I'm in the D.R.B. ...One thing is for sure, I definitely don't miss high school. Uni beats that place any day."
"Sheesh, it's going to take a while to get through all of these gifts. Here's a fancy one! It says it's from... my mom. Tch, great. What did that hag have the audacity to send me for my birthday? ...Some cash for my birthday? How original. And what's this now? ...A photo of my high school graduation? ...Tch, I won't ask how she managed to take a photo of me like this. Probably asked grandma for it. The nerve of her! She thinks me so soft sending me this will make me forgive her?! To hell with that, and her!" *Throws the present in the garbage, not giving it a second thought*
"Criss? What are you doing here? I mean, not that I'm not glad you're here, but I thought you mentioned in your last letter you were stranded on Hokkaido exploring a haunted hospital or something. ...You hitched a ride with someone? How many times do I have to tell you that's not safe? There are a lot of dangerous people out there, Criss. Any one of them could do something to you if you're not careful." *Sighs* "Well, I suppose the important thing is you're back home and safe. But please be more mindful next time."
"...You got me a birthday gift? Not that's it not unappreciated, but how? I thought you were out of money? ...Ah, that explains it, I guess. So, what is it? ...A hoodie? Oh, and it features a manga artist on it. Cute. It looks really nice. Plus, you got it in pink, my favorite color. Thanks Criss. This was really sweet."
"Nikki? You're here? Wow, someone alert the papers! The recluse actually left her room, for my birthday, no less! I'll definitely have to mark this date down on calendar! ...Haha! Sorry, I couldn't help myself. But really, I'm glad to see you've gotten out of your room, at least, once this week."
"Anyway, are you here to wish me a 'happy birthday' too or... A gift? From you? ...Wow, I'm definitely going to have mark this day down. ...A drawing tablet? ...Wait, this is a Wicom Cintiq Pro, isn't it? Do you know how expensive these things are, Nikki?!" *Sighs* "Fine, I'm not going to look a gift horse in the mouth. But I really find it disgusting that you earn more than I do when you work far less. ...Yeah, whatever."
Criss Lines:
"Hey Keiko! Happy birthday! ...I was stranded, but thankfully, I managed to hitch a ride with some nice gentlemen who gave me a lift back to Tokyo! Oh, come on, Keiko! They were really nice gentlemen! Trust me, I have an inkling if I feel someone is dangerous or not. ...Alright, I'll be more mindful, but I'm really okay, as you can see."
"Anyway, here's your birthday gift! ...Oh, my check came in from my YouTube videos! It wasn't as much as usual, but it was enough to get you a gift. Ta-da! It's a mangaka hoodie! I saw it on the way here, and thought it would really suit you! ...Thanks Keiko! Glad you like it. Promise me you'll wear it, okay?"
Nikki Lines:
"Hey Keiko. ...Are you quite finished? ...You know, if you're going to act like this, then I'll just leave. I don't have to stand here and be ridiculed for my life choices. ...Whatever. Anyway, here's your birthday gift. ...Yes, it's a drawing tablet, one of the most expensive ones on the market, FYI. The guy I ordered it from said this would help with artists who draw digitally. ...Look, if you don't want it, I can always return it and get my money back. ...What can I say? Video games are my bread and butter and they earn me money."
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regarding-stories · 1 year
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Roundup of the backlog...
I realized I watched more stuff than I even can keep up with writing about. So let's do a speedrun...
given ("Can't Say Goodbye, I'm Still Drifting With Your Echoes")
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So, I got into this one because it was about musicians and being in a band. It also seems to be a boy-on-boy love story... as such, I don't mind. The characters are all drawing me into the story. And as a musician I can't resist the loving attention to detail - as an aspiring guitarist you could learn some things from this show. I certainly didn't know more than this as a teenager myself...
I'm just a few episodes in, and I like what I see.
TONIKAWA: Over The Moon For You
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An unlikely beginning - a boy promises a girl to marry her. Once he's of age, she shows up on his doorstep, ready to go. From this premise unfolds an incredibly cute story of two people figuring out life and romance together. She's probably a legendary character from a Japanese story, too. These blushing newlyweds are simply adorable.
Don't Toy With Me, Miss Nagatoro
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A loner artist second year runs into a gaggle of trendy first year girls - and one just won't leave him alone. I gave it a chance because I was curious, and I don't regret it. Frankly, what happens in the first episodes would probably count as bullying, but very soon it becomes clear that there is something between especially these two characters, and Nagatori-san is not nearly as cool or experienced as she wants her Senpai to believe. Over time he also becomes friends with the whole gaggle. The show is changing from funny to cringe to adorably cute constantly. It's certainly entertaining.
My Love Story with Yamada-kun at Lv999
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Girls gets dumped for another girl, gets drunk, runs into young hot dude (who doesn't say much) and realizes he's the popular streamer her ex adores. Ends up passing out on his bed, too. She joins the MMO where he hangs out with his friends. Initially a very one-sided crush, but as the cast expands it becomes a rather chill and nice story about misunderstandings and friendship, plus a slow-burn romance. Airs on Crunchyroll once a week - and I find I look forward to every episode.
Tomo-chan Is a Girl!
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Oh, I'm definitely sold on this one! Tomo is a high school girl that confesses to her childhood friend, except he doesn't seem to understand and only see her as his best friend. Over time both cast and backstory expand so by the end of the series you will understand why things ended up this way. Very satisfying, doesn't overstay its welcome, supposedly better paced than the original web manga. Wraps up in a single season.
First show where I recognized a Japanese voice actress again. The boyish Tomo has the same one as the not-very-girlish Anzu from Romantic Killer. Just listen when she is surprised or weirded out - you can't miss it.
Skip and Loafer
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Very nice coming-of-age story, airs weekly. Girl from remote rural community joins Tokyo high school to realize her ambitious plan to become a public servant. Ends up being friends with laid-back guy whom all girls adore. Frankly the first episode is some of the best-paced funny stuff I've ever seen. The show then grows its cast organically and settles into high school life, plus it's a love story, of course, but not in a hurry.
Waiting for the next episode is hard...
To Every You I've Loved Before
Without knowing I watched a sequel! A very satisfying story on its own, this one is about parallel worlds and how we constantly skip between them. A boy is the son of the guy who's researching how choices create parallel worlds, and the first major branch in his life is when his parents divorce. Continuously throughout his life he is confronted with the impact of his choices as his life unfolds together with a girl that he ends up marrying and growing old with.
A story about love, loss, choices, grief, happiness... Very satisfying, told at the right pace, always engaging, and not afraid to go in a new direction even in its last half hour.
As I said - the story of a boy who makes a choice. But guess what? There's another movie, "To me, the one who loved you". Telling the story of the same boy, but making the other choice. I haven't watched it yet. Maybe I have spoilered myself by doing this in the wrong order. But even if only this movie existed, I would have been very happy with it. Fun detail: It may be sixty years into the future with pocket watches that measure parallel universe shifts and holograms everywhere, but apparently people still do the thing where they wear "belly pouches" diagonally over their chest. I guess they didn't make up a "future look" for all the filler pedestrians...
Alya sometimes hides her feelings in Russian
This was a chance buy - it's a light novel series. High schooler sits next to very pretty "solitary princess" - the platinum blonde Alya who's half-Russian. And sometimes she says the most outrageous things to him, thinking he does not understand - yet he does.
First novel was rather good, but then you can tell the author tries to drag it out. Protagonist ends up knowing all the most pretty and popular girls in his elite academy... yawn. Still, the story is at times rather charming and funny. Too bad it tries to keep the cat in the bag - it didn't have enough substance for what we're getting. Stuffed to the hilt with light novel tropes... she's probably secretly his childhood love he got separated from and learned Russian for in the first place, his sister has the hots for him (they grew up separate after some family fallout), student council this and that, let's obsess about girl's exact bust size, hints of harem, the works... and the artwork does not do a good job of keeping some of the girls apart except for the title heroine. Also, outrageously dumb hypnosis scene?
Still, the author can write and largely delivers an entertaining story with that nice little twist. I started disliking the protagonist because of his habit to prank Alya... not charming. Usually he's a very upright and forthright guy, and completely oblivious of his feelings for Alya.
Not exactly recommended, but readable.
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sukifoof · 2 years
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Okay I said I only got one so I'm a lot luckier than you but FUCKING MOOD.
Also. Rant incoming feel free to to skip and delete the ask. But!
If I say I do not want a relationship! It is not a personal insult directed specifically at you, my guy! It comes from me spending YEARS considering myself and if I want a romantic relationship, and concluding that I do not! Rejecting you is the happiest outcome! I'm not stuck in a situation burying my feelings to make someone else happy for an indefinite period of time, and you don't need to waste your time on a relationship I KNOW will never go anywhere! Some people just do not wish for romance! GAH!
...The worst part is, engaging in an activity me and a friend mutually enjoy and then getting dinner does sound very appealing to me. I like food and a variety of activities that can be shared with other people. I just don't like the other expectations attached to a romantic date.
Moving from Depressing Real Life to Projecting Onto Fiction. This is why I wish I could find more stories where Toriel is both a lead and not shipped with anyone. She's one of the few characters I've found who are allowed to draw firm boundaries about romantic relationships, doesn't get paired up with anyone, and it isn't treated as a flaw. There is a small number of ships I enjoy, but I very specifically hope Toriel doesn't get paired up with anyone in Deltarune later on.
...Welp. Hope you enjoyed my rant?
oh my god i am so delighted by this is ask thank u for this
i also have a quick Aro Rant. for SOME reason so many guys in highschool took me being nice to them as "omg theyre in love with me i have to never leave them alone and find out where their classes are before they show up and corner them in the hall and Be Incredibly Inappropriate And Manipulative So They Never Stop Talking To Me" and it was. SOOOO bad.... it got to a point where i needed a slip to be able to go to guidance to Escape The Creepy Guys,, i would talk about it but it was Awful. sorry guys i am just Not Interested In Anyone the idea of being in a romantic relationship makes me Unbelievably Anxious
but anyway!! ur SO right about toriel.... i can definitely see her as aro or demiro or something like that,, im not a big shipping person cuz i just dont Get It so i can definitely relate to the struggle of trying to find content of a specific character and theyre always paired with someone for some reason...... i hope u can find some Good Toriel Content soon 🙏
oh another thing,, i think one of the reasons i love ut so much is cuz ive always related to flowey feeling like he cant love and its okay that he feels that way cuz that doesnt mean he deserves to be shunned or hated,,, something about that always really touched me Especially cuz i got into ut right at the time i started questioning if i was aro and when i was having a really hard time relating to people.... i think it took me a lot of time to come to terms with it but recently ive been a lot more comfortable with it and i wouldnt be surprised if that was thanks to good ol flowey the flower..... anyway concept what if. what if deltarune asriel. aro. also what if sans and toriel good aro friends What If
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luccettis · 3 months
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brain not want to write so bullet points
- simon meets monalisa like right before he decides to make abouthat
- or beginning of senior year but probably before
- monalisa new student at school and it's so weird she is virtually unsearchable and it makes him insane. no pictures of her online, and the only ones that do exist she doesn't even look at the camera or they're blurry. she has an instagram @monalikethepainting
- she moved from northern california! she's in a band! she plays electric guitar! she's artistic! she paints, writes, draws, sings, dances, yearbook! she's like all the muses in one!!
- simon knows she's coming and looks!! and digs anything he can about her but he's mad. he can't find anything!! only school journals about a band with her in it named hopeless romantics and it's so annoying he complains to janae and janae is like leave her alone she's good and simon is like no she has to be shitty everyone is. also what kind of name is monalisa like she's a fucking painting
- but he meets her and they have lunch together because he wants to know clues to look for her but she's so. nice and offers her lunch and they talk about having a peanut allergy "is that peanut butter? thanks but i'm okay" "it's not. i actually have a billion allergies" "oh okay. weird you'd offer me your lunch" . also okay maybe she is a painting. whatever. shut up
- either she knows absolutely nothing or she hears things and is like oh well. i don't know i've known you for like five minutes i think you're okay i guess . i do hear you're an asshole though but i don't think so
- they have journalism together and they talk sometimes. it's sickening now nice she is but it's such a genuine change of pace to have someone so disconnected from the 'typical high school experience' of being online
- but simon is horribly depressed and has been. janae knows this and also thinks it's annoying how bright and sunshiney mona is but simon was somehow less insufferable after journalism sometimes. and janae feels like she has been talking him off the edge for years
- "i literally can't find anything about her. it pisses me off" "why can't you fathom every nice person isn't fake" "because it just can't be right"
- mona invites him to poetry reads or to hang out at her house and usually no one is home because they work. they watch movies or she teaches him to play music or they write. she absolutely insists she isn't in love with him but she is. her sister is a senior and her boyfriend also hates simon (threatens to kick in his teeth regularly) (her sister's name is ginerva. monalisas full name is monalisa demoiselle hughes. humiliating)
- she is his biggest cheerleader and hates that she makes him think. (abouthat route) asking him why he does it and why it matters so much because high school is so small and trivial but he hasn't known anything else. he was never popular but when he wrote people hated him. and he's been so mentally unwell. and then there's her. but he can't fathom the idea of admitting it out loud
- he abandons abouthat partially mostly because his time is. occupied with her and he isn't around other people (in the route he does keep it or do it)
- people bug him about not writing anymore and he says he's busy. he picks up guitar and sings with her and their little band is just the romantics. he says because he doesn't feel hopeless with her. they're just """"good friends""""" . she tells him she felt the same way at a point where he wanted to die like he did. it makes them both really unwell and. it makes him mostly unwell because living past high school feels surreal and now its summer.
- summer to san franciso. mona apologizes in advance because its gross but they go to san jose and santa cruz and meet her other bandmates. weird. he feels out of place but in the right place at the same time. everything feels right!!!???
- simon and mona senior year. homecoming. janae clowns on simon because they match. janae warms up to mona but only because they're polar opposites. she never wears darker colors but they wear dark green and people are like god who is this guy. is this not the same guy that leaked the post about everyone cheating on each other or started fights . homecoming just as friends. it's getting harder now.
- simon mona talent show with their little band. simon mona spending more and more time at each others houses. mona's sister's boyfriend no longer wants to kick his teeth in (most of the time). they're so grossly comfortable with each other it's second nature to follow each other home but more often than not they're at her house because his house feels cold and unwelcoming . he sleeps on their couch because her sister would blow up a building if they shared a bed
- janae is like dude. are you okay and he's like no oh my god i have not felt love or compassion from anyone except you and you're gay. this girl is ruining my life and i can't make it stop because she makes me wanna throw up and delete social media and never touch it again and lay in the sun and think of nothing else and i can't imagine killing myself now because i don't know how i can think of leaving her and our little band and heaven knows i'm miserable now because she's all i can think of
- janae clowns on him. edgelord . please tell her you like her. he's like no that's the problem i am in love with her and it makes me nauseated
- no. i'm good. what the fuck do you mean you're good you are not well simon.
- abouthat (if that's the route) gets wiped off the face of the earth and he like clears his entire social media and it's similar to mona's. no notifications. he doesn't bother with anyone's business. people still beef with him. but. he's like yeah that was douchey. i thought it was better to have people know the truth rather than not and i didn't approach it right. (i also think this would be the apology tour if he kept it a secret that he wrote for abouthat and she found out but this is his enlightened apology tour)
- mona simon applying to colleges together. haha what if we went to the same one. haha i would be so happy. haha. ha.
- senior trip to disneyland!!!! ahahah!! janae is like not thrilled to third wheel but . she's like just tell her. oh my god you both make me sick.
- simon says no thank you. fireworks with mona before they go. i'm really glad i met you. i'm glad i met you too. they both feel it but no one will take the plunge. they fall asleep on each other on the bus
- prom prom prom. they know theyre going to the same college. they opened their acceptance letters at the same time. prom!! she convinces him to wear florals and they look so cute together. janae can come too. she wants to throw up. cheesy prom pictures. she keeps asking when is the time right and he's like i don't know.
- they drop janae home late as hell and he comes to drop her off and shes like. just stay. it'll be like any of our other sleepovers. but it really isn't and they share her bed and fall asleep face to face holding hands. wake up. oh my god
- he leaves because he's like dude fuck this is too close. graduation is soon. we have exams and i cannot admit to her i like her. she wakes up really sad because she can't admit to him because it'll ruin their friendship. things are weird. janae is like why are you being emo again dude what the fuck
- i slept at her house and held hands and fell asleep talking about our feelings but i don't want to fuck it up. bro you are fucking it up right now
- finals and exams. nervous glances in journalism looking at each other. she is SAD. sad. like she cried sad. she cries easily and he knows that from movies and talks but she looks like she had been crying for days. janae bullies his ass again. go fix this or i'm gonna put my foot up your ass. ok fuck
- meet me at our spot. cafe bookstore called writers block. she doesn't answer he just shows up snd hopes she comes. he waits. and waits. granted he was early. she comes and she just looks sick. hey. hey. are you okay? i don't know. why did you leave? i was scared. scared of what? waking up there with me? no. then what simon. what. i don't know. i have never felt cared about the way you and your scary ass sister snd her boyfriend care about me. there's janae but you know. yes she's gay. i know simon.
- okay well. you make things not hopeless and i really do think i was going to kill myself and now i don't or can't imagine doing it now. and it's weird if you told freshman me i'd be in some two person band or picking colleges and going to dances i'd tell you you're fucking insane and that isn't who i am because everyone is fake and nobody can be honest. but you were. you were honest. and nice. and shared your stupid edamame with me and told me you were allergic to peanuts. our epipens looked the same. i thought you were too good to be true and i think i love you
- i love you. i hate that you left and i've been waiting for over a year to tell you i liked you or loved you because i didn't want you to think of me differently if you didn't like me that way. i was sick to my stomach you left without a word.
- i know. i'm sorry. i love you.
- i love you.
- graduation and college!!!!!
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chimielie · 2 years
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implicate
summary: Akaashi x F!Reader. i now pronounce you officially unofficial
word count: 2.4k
cw: nothing except the deadly combo of yearning and the honeymoon phase. and a requisite blink-and-you’ll-miss-it jealousy scene
a/n: idk man this was supposed to be like 500 words i lost the plot so bad i don’t even think it’s funny anymore
You’re not sure when you first heard the phrase “work wife.” You know where, though — in the breakroom of your workplace, one of the most high-profile manga publishers in the world, from the lips of one of your coworkers.
“Oh, are you new?” One of the mangakas peers at you, her conversational partner having stopped to greet you when you entered the room. “Nice to meet you.”
“Actually, I’m—”
“Don’t you know, Naoko?” The other woman, who you recognize as Hasegawa Moto, a secretary often shuttled between the literary and manga departments, throws an arm around her. “This is — Akaashi’s work wife!”
You choke.
Akaashi Keiji was a new hire around the same time you were, although he worked in manga editing and your field was in literary publishing. The two of you had been drawn together quickly, first by proximity (it was much easier to ask him questions like “where are the band-aids” than to ask anyone who might judge you for not knowing) and then by personality. He had been your first friend in the new landscape of your life and remained the closest even as you met and befriended other people.
“I’m not— we aren’t— huh?” Hasegawa laughs raucously as you try to recover your bearings, wondering when you or Akaashi might have given the impression that you were together.
“Don’t worry,” she says after a few more moments’ friendly teasing at your expense. “‘Work wife’ or ‘work husband’ don’t really have any implications like that. They just refer to a coworker you’re close with. That’s why she’s down here so often,” she explains to Naoko. “She’s a good work wife, always bringing Akaashi coffee and things.”
“Sometimes he comes up to complain to me,” you say thoughtfully. “But he always leaves a note with a little doodle and a nice message behind. I can never catch him actually drawing it.”
“And you never will,” says Akaashi, the door swinging behind him. “What are you talking about?”
“Oh, hello,” you say, smiling at him. “Did you know that we’re work spouses?”
He pauses, his always-fidgeting fingers stilling for maybe the first time since you met him. Akaashi just has one of those faces, his thoughts completely inscrutable from his expression.
“I didn’t,” he says, “but I can’t say I’m opposed to the label. So you’re...?”
“Your work wife! And you’re my work husband.”
“You may now kiss the bride,” comments Naoko, laughing along with the rest of you. You’ve seen Akaashi laugh plenty of times, but surely never as hard as this. His cheeks are pink from... exertion, surely?
You change his contact name in your phone. He signs off his well-wishing notes with “Your dedicated work husband.” Your mother gets entirely too excited when you reference him in conversation, and Akaashi tells you that Bokuto-san (a man you’ve heard a lot about, but never met) nearly booked a plane ticket when he first used the term “work wife” to describe you.
Then you quit.
You hadn’t expected it. You were happy where you were, mostly; you were looking forward to what the life you were living offered you. Still, something of your ambitious spirit whispered not yet. Akaashi was sitting next to you, his laptop balanced on his thighs, when you clicked submit on the application; his surprisingly strong arms that hugged you when you dove into his chest once the deed was done. You hadn’t expected anything of it, afraid of getting your hopes up, but then you’d gotten an interview, and another, and then you’d gotten it.
Your dream job, just a few blocks away.
You linger in Akaashi’s office, your own (very) recently cleared out of all its furniture, all its personal touches. The bobblehead he’d bought you, the free poster you’d received after ten consecutive trips to the onigiri restaurant around the corner together, the collection of books he’d worked on are all packed into cardboard now, ready to find a better home at your new company.
The plasticky couch you’d eaten so many late-night instant meals on suddenly feels ten times more comfortable.
“I don’t want to leave,” you complain up at Akaashi, who sits in his chair, looking at you with his usual reserved fondness.
“Yes, you do,” he says, contradictorily encouraging.
“I mean here,” you say. “This couch.” You.
“You can come back.” He taps his feet, wiggles his fingers. If he were ever still, he’d look like a painting.
“It won’t be the same,” your voice pitches dramatically.
“It could be better,” Akaashi points out.
“That’s uncharacteristically optimistic of you.”
“No, see? We have two paths. We could work divorce...” He holds out his right hand, skin still well-conditioned even though it’s been years since the vanity of a setter was foremost in his life. “Or we drop the work and become husband and wife. Just husband and wife.”
His left hand opens, revealing two origami rings, folded meticulously into the shape of circlets capped with a heart “stone.”
“Akaashi,” you gasp, spirits lifted. “Did you make these?”
“Only if you think they’re funny and not embarrassing,” he says drily.
“I think they’re amazing,” you say, plucking one from his palm. “I might cry, honestly, this is too sweet.”
He shakes his head, standing up. “Let me.”
His hands are bigger than you realized, fingers astonishingly long and graceful. They slide the ring onto your left fourth finger, twisting it around before setting the heart upright. His hair falls into his eyes as he puts his own ring on, and you reach up to brush it back while his hands are occupied.
Akaashi’s eyes are a feature you haven’t paid too much attention to so far, often hidden behind the flashing of his glasses or the heaviness of his eyelids. Up close, you realize that they might be the most arresting shade you’ve ever seen, reflecting blue from a source you can’t find. They’re sharp and penetrating; you get the sense that he sees beyond what most people do.
His hand comes up and those lithe fingers wrap around your wrist, and the moment breaks.
“See?” He murmurs your first name for the first time. “It’ll be okay.”
You haven’t known him to make an inaccurate prediction yet.
The first time he comes to your workplace, you’re thrilled to show him around. While he insists that he only meant to drop by and that he mostly intended to make sure you were eating properly, you drag him around the building to show off.
“This is my husband, Keiji,” you tell one of your new work friends, Jia. The two of you had gone out for lunch together on your first day, and you had told her all about him and your little inside joke.
“Oh, your husband?” Another of your coworkers’ heads pop up to take a look.
“We’ve heard so much about you,” gushes a third. Keiji greets them politely, then shoots you a look. You only grin at him and take his hand to show him to the rooftop.
Keiji visits often, for many of the same reasons he used to make the trek up to the third floor for you. Often, you take meals together, knowing that the other will forget to eat if you don’t, spending the little spare time you have with each other because it’s just so nice. Keiji is an easy person to be around, gentle and witty and a great navigator of public transportation. You learn the latter on a trip to Osaka:
It turns out that the Bokuto-san who is Keiji’s bestest friend in the entire world is the same one you see on magazine covers at the grocery.
“Keiji,” you say, impressed, as he leads you into the back of the pro gym that might be larger than your apartment building. “You have connections!”
“Not really,” he responds, looking embarrassed. “Just—”
“Akaashi!” The biggest man you have ever seen absorbs Keiji in a hug as he lunges out of some hallway door. Goodbye, you mourn your friend inwardly. Who knew you would go this way. Eaten by a mountain.
The man-shaped planet releases Keiji after some squirming, and chooses you as his next target. You find it actually pleasant, being crushed to death by a man with muscles like boa constrictors. You hug back, as best you can.
“Bokuto-san, please let go of my wife,” says Keiji, putting a steadying hand on your waist as you topple out of Bokuto’s gravity field.
“Nice to meet you!” You beam up at him, watching his hair ruffle into two points. “You’re even cooler than you look on magazines!”
Keiji groans as Bokuto swells into an unidentifiable mass of ego.
During a highly energetic interaction that Keiji watches spiral out of his control with some degree of despair, you are convinced to meet the rest of the MSBY team, who are a blur of loud voices and curious faces. Mostly, you remember Shōyō, a stocky man who moved so fast you could barely keep up, his energy (along with Bokuto’s) infectious and intoxicating. Even the emojis he uses in the groupchat you find yourself, Keiji, and Bokuto added to seem to match his exuberant personality.
At the end of the day, you slump against Keiji, exhausted.
“Tired?” He murmurs, lightly amused.
“Yes,” you say, reaching blindly up and behind you to pat at his head, feeling the bounce of his hair under your hands. “Let’s go home, Mr. Akaashi.”
“If you insist, Mrs. Akaashi,” he says, twisting you around to stand you upright. You laugh a little, too tired to give the joke the gumption it deserves, and lean into his side again.
You hate how dark it gets in Keiji’s office.
“C’mon, Keiji,” your hands are planted on your hips. “You need a vacation.”
“I don’t want a vacation, though,” he says. “I want to stay here, and edit panels of Zombie Knight Zom’bish, until I die and become inspiration for Udai-san’s next series.”
“You are the worst,” you huff. “If you’re not going to use your vacation days for yourself, at least use them to come with me while I’m on my work trip. It’ll be like old days; we can even be work spouses again.”
“I like being your husband outside of work,” Keiji grumbles. You kick the back of his chair.
“I went to Osaka with you to meet MSBY,” when guilt doesn’t work, you try another tactic. “It’s in the same town as that onigiri place you like,” you say, dangling the words in front of him like bait for a fish.
Keiji graciously agrees to show you around and to take you to Onigiri Miya, which is apparently related to Miya Atsumu.
“Oh, I liked him,” you say thoughtfully when he mentions it. “We didn’t talk much because he was busy with Sakusa-san, but he’s definitely one of the best-looking athletes, I think.”
Beside you, Keiji tightens up; his hands fist in his pockets, fingernails digging cruel half-moons in his palms.
“His brother Osamu runs the shop,” Keiji says. “They’re twins, so you’ll probably like the way he looks, too.”
“Maybe,” you say. “Mostly I hope the onigiri is good.”
“I mean, we don’t have to go here, actually. Plenty of places sell specialty onigiri. We don’t even have to get onigiri if you don’t want to, I didn’t mean to—”
“No, no, it’s okay,” you smile reassuringly. “We came all the way out here to meet Miya-san. We should say hi at the very least!”
You can see Miya Osamu through the window of his small storefront, rearranging chairs and whistling through pursed lips.
“You were right,” you whisper to Keiji. “He looks just like his brother.” Your friend only hums in response.
“Hey, Akaashi,” greets the restaurateur. “Didn’t expect to see ya ‘round here anytime soon! Glad to have you, though, what can I get ya and yer...?”
“Wife,” Keiji supplies quickly. “This is... my wife.” A beat passes before he expands by saying your real name and the words come out stilted, but you don’t notice, too busy trying to cool your cheeks at the sound of the words.
“Great,” says Miya, clapping his hands together. “Nice to meet you, call me Osamu.”
“Thank you,” you bow to him. “You have a lovely setup. Keiji mentioned you were thinking about opening a branch in Tokyo?”
Osamu is easy to talk to and attentive, even as he multitasks behind the counter; you enjoy your conversation with him greatly. Eventually, though, business picks up and you find his gaze flickering over and over to the growing line of people his employees are dealing with.
“We’ve kept you too long,” you say. “We should let you go work.”
“No, no, it’s been a pleasure,” says Osamu politely. “Come on and visit anytime.”
“I’m sure we will,” you wave a little goodbye to him, and he salutes as he disappears into the back of the restaurant. As you stand and exit, Keiji wraps an arm around your shoulders, the wire of his glasses barely poking you.
“Alright, Keiji?” You ask, rubbing a hand absentmindedly up and down his side a few times.
“Of course,” he takes a deep breath and you can feel his smile more than see it. “S’all good.”
Going out with people from your old workplace comes after you return to Tokyo, playing a game of catch-up with some familiar faces and some unfamiliar ones before you have to return to the neverending grind of employment.
“You know, I don’t know if Keiji ever dated anyone,” you say, chin in your hand as you ponder. The man in question is currently in the bathroom, while you commence talking behind his back.
“You mean no exes or anything? You were the first?” One of the editors you don’t recognize inquires eagerly.
“First what?”
“First, you know, girlfriend?” You laugh uncertainly.
“I mean, I don’t think that really counts? It’s not like we’re dating or anything.”
“But you did date, yes? Or did you just move really, really fast?” Someone else asks. “My husband and I were engaged a week after we met.”
“I don’t understand what you mean,” you shake your head. “Keiji and I have never been in a relationship.”
Three people simultaneously say “what?” Out of the corner of your eye, you see Keiji weaving between tables, steadfastly journeying back to you. Help, help, help.
“I mean, we joke, but—” Keiji reaches the table just in time for one of your aghast work friends to spread her arms wide and say loudly—
“What do you mean you’re not even dating? I thought you were married!”
798 notes · View notes
burnedbyshoto · 3 years
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for want of a bento box
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– It’s plain and simple, you see, someone is stealing your bento boxes and you will find your lunch thief! Or, in which Todoroki Shouto keeps taking your bento box and you declare war. 
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pairing: todoroki shouto x reader
warnings: fluff, cursing, shouto is a bad chef, I believe I made reader pretty gender neutral but I whipped this out in two hours and I can no longer remember if I used any fem!pronouns but im pretty sure I didn’t
word count: 3,060
a/n: this is for the wonder coworker bnharem collab! I had intended on writing a completely different theme and storyline but was very overwhelmed by how much time it actually needed to be written compared to the amount of time I actually had. that version will be out another time! but for now, enjoy some pure flufffffff!!!!
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Having a normal, functioning, well-paying job was probably the most desirable thing to you. It wasn’t to say that you were slacking or that you were homeless, broke, and never to be seen again because you were that in debt. But it was nice having a job!
When you entered the prestigious Toshinori Company, you joined not as an entry-level job employee but as a senior representative. You thought it was crazy.
It had to be crazy.
You had no prior experience, and now you were going to be in charge and the lead in certain areas?!
“And that was the entire layout of the office!” Mina chirped happily, throwing herself onto the desk chair across from yours with a big smile. “Any questions?”
“I don’t think so,” you mutter, brows creased as you look around the room again. 
The office space was ample, sleek, open. Each desk has its own grand computer that you currently could not afford with your own money, comfortable chairs, and beautiful wood desks. It was elegant, far superiorly fancy, and yet, you didn’t feel out of place. Strange.
“Oh!” you say with a roll of your eyes as you reach below your desk to bring up your packed lunch. “Where was the break room again? I need to refrigerate my food!”
“Omg, of course, come this way!” Mina grins, standing up and motioning you to follow her. You smile gratefully and do. 
The entire way to the office, Mina takes the time to point at the many different people on the floor and give them names. Everyone so far had sort of acknowledged you earlier as Mina was giving you the official tour. Some were much more open and friendly, and some had sneers or blank stares that left you dumbstruck. 
Definitely a personable group.
“Hm, well, I guess Todoroki-kun isn’t here today?” Mina mutters as you enter the break room that has couches and comfortable-looking chairs. “Such a shame! You would have loved to see the office hottie!”
You snort at that, lips curled into a granulous smile as you place your plastic container with food into the fridge. “I’m sure I’ll live,” you brush off the fact that there was an absent person on your floor today.
“That’s the thing, though,” Mina points a finger at you, a lone eyebrow raised and a confident smirk on her face. “You won’t be thinking that again the moment you see him!”
You laugh, eyes crinkling as Mina joins your laughter. Eventually, she motions for the both of you to leave, and you nod in understanding. And with a weird sense of comfort and belonging, you realized that this job was going to be good. 
.
.
Eventually, you had been working at Toshinori Company for two months.
Sixty-two days to be precise, and in all that time, you had only met Todoroki Shouto once. Even then, you had only seen the man walking through the office with a blank face, fingers in his pockets as two other men were walking in front of him, bickering lightly.
Had Mina not quite literally thrown herself across the table and gripped the collar of your shirt and twisted your head to look at him, you would have never caught a glimpse at the man with red and white hair. The three of them walked into the break room and came back out with their own lunches before leaving.
And that was it.
You had learned that the three of them (Todoroki Shouto, Midoriya Izuku, and Bakugou Katsuki) were within your department but worked very closely with the very high up members within the company. Many rumors pointed at one of the three taking over the company when the current CEO stepped down. They were, however, on the roster for your floor; they just never appeared except to pick up their lunches. Something they seemed to come to grab whenever you were a) way too fucking busy or b) not in the room.
You weren’t too bothered, though.
It wasn’t like you were trying to date one of them! You had only wanted to say hi.
.
.
.
Now, at ninety days, you had your first and probably most crucial evaluation. 
Toshinori Yagi, the man who founded and currently ran this company, sat before you, looking at papers within a folder with tired but kind blue eyes. He nodded, impressed (hopefully), making small comments about the work you had been able to accomplish, a smile becoming a warming grin as he looked up.
“I’m impressed by the performance you’ve managed to attend to despite the short while you’ve been here, y/l/n-shojo,” Toshinori spoke, his fingers threading together and placing them onto the table. “I knew it was an excellent decision to put you in that position, and you exceeded my entire expectation!”
You flushed at that, lips twitching as you attempted to suppress that smile of yours. 
“Thank you, Toshinori-san,” you practically wheeze as he waves off your thanks.
“No need to thank me, you’ve done all this work!” he laughs, tired eyes closing with a glorious supply of crow's feet blooming at the corner of his eyes. “Typically, at these evaluations, I ask a bunch of questions because there isn’t too much anyone can do in their first ninety days, I must admit.”
“Oh?”
“Mhm, but because I am curious, is there anything that has been happening as of late that you feel needs to be addressed with me?”
You felt yourself stiffen but knew your one and only complaint was not something to bring up in this setting.
“No, nothing,” you shrug, and Toshinori beams.
“I’m glad!”
Now, the problem.
The big, fat, stinky, hooligan, wanting to throttle someone problem.
For the past sixty of your ninety days, someone has been stealing your lunch.
Yes, you heard that correctly; someone was stealing your damn lunch! Every morning you woke up and prepared a delicious bento box for yourself. Some days you went as far as cutting shapes into your fruits and veggies just to make yourself grin. You weren’t the best chef in the world, but your bento boxes were pretty enough to make up for it, in your opinion. But the thing is, every day when you went into the communal fridge, you noticed two things.
One, your bento box was no longer in the same place, and two, the bento box was not yours at all.
The food was disastrously organized. Rice and lettuce spilling out in every partition in the box. The fruit and veggies often packed in this box had multiple cuts in them, implying that whoever did this was less than ideal with a knife. The meat was often oversalted, the sushi never sitting together, and everything was just… not it.
The first time you had sighed and eaten it, grumbling about how your precious lunch was stolen. But you had quickly figured out that it was inedible, and Mina, Uraraka, and Yaoyorozu thank god, offered to share their meals. 
Seeing that you were distressed about how someone stole your egg and octopus sausages one day, Mina declared that they would watch the break room for whoever was stealing your light blue bento box. The first day you staked out, you had done it with Mina. But ten minutes into waiting around, you needed to pee. So you stood up and left in a hurry, leaving Mina alone.
But when you returned, Mina was gone, instead standing by Kirishima’s desk with a bright grin and a stance that screamed that she heard something she liked (gossip, possible in-office romance, a love confession?). Her jaw dropped as she noticed you and Kirishima had turned and waved in your direction as you raced into the break room to open the fridge, and sure enough, your bento was gone.
The next time, you staked out with Uraraka. Your arms were folded, your bladder cleared, and your lips twisted into a pout as you glared and stared down every single member who entered the room. Uraraka whispered to you her guesses about just who might be the thief, every other person rating an 8/10 likelihood of stealing your lunch.
But as the both of you sat there, your eyes narrowed at each passerby, no one came to collect your bento today.
“Deku-kun, no packed lunch today?” Uraraka asked as the green, curly-haired man you had only met once previously raced into the break room, grabbing the extra chopsticks meticulously hidden in the third bottom draw.
“Ah, Uraraka-san, y/l/n-san! Uh, no,” Midoriya greeted you both, who apparently responds to the nickname Deku, laughs off as he grabs a handful of napkins. “Todoroki-kun left all our lunches in his car by accident, and well… they spoiled… Kacchan’s pissed, so I ran off to get lunch for us today!”
Uraraka laughed, shaking her head, “Leave it to Todoroki-kun to act that way.”
Midoriya laughed, bright and clearly in agreement, “You should have seen his face when Kacchan asked for his lunch! I swear–”
“HOW LONG DOES IT TAKE TO GRAB FUCKING CHOPSTICKS, SHIT-KU! I’M FUCKING STARVING!” a voice roared from nowhere near the entrance of the break room. You did, however, jump a bit, eyes turning toward the break room entrance to see the blond man (Bakugou? Kacchan? You had no idea which was correct) near the entrance of the floor. 
“It’s only been a minute, Kacchan, relax!” Midoriya laughs, completely unaffected by the startling shout as he waves goodbye to both you and Uraraka before leaving, joining Bakugou as the both of them seem to talk comfortably… well, maybe more like bickering.
“Why are they–”
“Childhood friends, apparently,” Uraraka sighed, but the smile on her face betrays her exasperation.
No one stole your bento that day.
Yaoyorozu took up the third stake out, the two of you idly chatting about tea. You honestly had no idea what to talk about with Yaomomo; she was often just so elegant and mature despite being your age. When you learned that her family was in charge of the Yaoyorozu Corp, it had been strangely easy to accept that. 
It made sense.
So as the two of you stood at the kitchen sink, boiling water for tea Yaomomo swore would be the best matchup for your packed nigiri, the both of you missed the man who walked into the room, opened the fridge, and took your lunch.
“I… I am so sorry,” Yaomomo apologized, head bowed dangerously low as the both of you looked at the sloppily cut salmon in your not actual bento. “Please eat my food in reparation.”
“No, it’s okay,” you sigh, chewing on the somehow still warm salmon. “I deserved this loss.”
Luck was just on this man's side, it seemed. No matter what you did, you could never catch the man in action, and you were ready to give up.
But this was the last attempt you said to yourself as you returned to your office floor, the evaluation done, and the rest of your life coming to light. You could do this. No! You WOULD do this!
.
.
“Why don’t you just put your name on your bento box?” Bakugou asked, a lone eyebrow raised in what you could only assume was judgment and pity. The explosive man was standing in the doorway of the breakroom, watching as you and Mina were trying to climb up the counters of the breakroom to grab the camera you had previously planted. “Obviously, it doesn’t have your name on it.”
“Um,” you squeak, having been obviously caught by someone who intimidated you just the slightest bit. “That’s a good idea, thank you, Bakugou-san.”
“Tch, whatever, just clean up the damn counters, fucking nasty standing up on there. Some people prepare their food there.”
“We would never forget to do that!” you argue, desperate to not leave a bad impression on this man.
“I don’t know much about you, but I know raccoon eyes over there would.”
“MY NAME IS MINA!”
“Like I care.”
He left without so much as a wave but did seem to nod with his departure. You sighed as you hopped off the counter, Mina grabbing the cleaning supplies as she cursed out the long-gone man under her breath. 
But you were looking at the fridge with your missing bento box.
“I can’t believe I never put my name on it.”
“It’s okay! Not even Yaomomo thought of it, so I say we are still smart!”
.
.
.
It was the next day, you were at your desk, anxious as hell as you did your work, trying not to focus on the fact that it was lunchtime and you were actively avoiding the break room. You wondered if they wouldn’t come and collect it today. If somehow they were an asshole and wouldn’t care if your name was on it! What would happen then? What if it was someone like Bakugou who was taking your lunch? What then? You were sure you would cave in slight fear and major intimidation if he said that your lunch was his now.
“Want a cutie while we wait, cutie?” Mina asked, waving the small tangerine in her fingers as she grins.
“Please,” you say in gratitude for the food because you were starving. “Thank you.”
Eventually, you lost track of what was happening, becoming all too invested in the conversation that Mina was telling you about that involved Kaminari, Kirishima, Bakugou, Midoriya, twenty-seven Red Bulls, fifteen Monsters, and five shots of sake. It seemed that the former two were quite big instigators when they wanted to be, and the latter two were unable to back away from challenges, especially when the other was involved.
“Y/l/n?” an unfamiliar voice called from behind you, and you turned partially in your chair as you looked behind you.
Standing behind you was a tall man with red and white hair, and from this distance, you noticed immediately that his eyes were a deep grey and brilliant blue.
Todoroki Shouto.
“T-Todoroki-san!” you greet him back, voice unable to keep from trembling as your nerves shot up. What was going on? You two had never interacted before! He was always gone, never present, and whenever he was in the office, it seemed that you weren’t there.
He cleared his throat and raised up two identical bento boxes.
“It seems… I have apparently been stealing your bento boxes,” he concludes, pressing the blue bento box with your name written on it into your hands.
Your jaw drops as your fingers curve around the cool plastic, eyes blinking up a storm as you try to abstain from laughing high pitched and ugly like. 
“It was you?!”
A pink color blooms onto his cheeks as he averts his eye contact with you and nods slowly, “I am so sorry.”
“I just… how?!” you exclaim, exasperated, this man obviously being a bit dense if he had no idea he was taking your bento box!
“I prepare my bento boxes the night before, and I don’t really remember what I put into them….” Todoroki explains slowly, his hand rubbing the back of his neck, his tongue clicking the roof of his tongue. “I just thought that my cooking was improving and that I was somehow doing an amazing job.”
The grin that overcomes your face is one of subtle, strange fondness and soft warmth. “I can tell you that you probably haven’t improved much,” you tease, opening your bento box to see your prepared meal for the day. 
Cucumber salad, bulgogi beef, rice, and some fruit.
It was packed exactly how you remembered.
“I can’t believe I finally get to eat a meal I prepared,” you continue to tease, your eyes moving up to meet Todoroki, who was also looking at your bento previously. “Thank you for returning my meals and apologizing.”
“It was nothing,” Todoroki waved off with a single hand before opening up his own disastrously assembled bento box. It looked worse than usual today. Everything was just thrown in, it seemed. You saw egg and rice, but everything else in there was indescribable. He smiles at you before sighing at his bento. “This looks more like my stuff.”
You laugh, shaking your head, “You want to share my bento box? I’m sure you probably don’t want to return to that.”
“No, it’s okay,” Todoroki gently declined, although he looked at your bento with great want. He cleared his throat, gaze moving to lock on yours, and you swore his cheeks were still pink but no longer from embarrassment. “I just wanted to come and apologize for stealing your lunch for so long and to thank you for the meals; they were all delicious. Especially the soba you had made.”
“It’s all good; it’s in the past now,” you say gently, somehow finding yourself falling for a man you’ve barely just begun to talk with. The both of you stare at each other, and your skin feels warm. You chuckle, gaze averting for a moment before returning as you tease him. “Although, if you steal from me again, I’m not so sure if I’ll be so lenient.”
“It won’t happen again, promise,” Todoroki smiles, and you feel your spine melt. “But I would love to make it up to you somehow. I can make you dinner one night or something?”
You laugh, head shaking, “No, absolutely not; I don’t trust your cooking skills just yet. But you can definitely take me out to dinner.”
“Yeah, I can definitely do that,” Todoroki agrees, and the both of you fall silent as the shy stares continue. “Does, um… is Friday at seven okay with you?”
“That works,” you say, and Todoroki smiles.
“Good, I’ll uh, see you then?”
“See you,” you agree with a sweet smile before turning around, your fingers raised in a small wave. 
You turn to see Mina, Uraraka, and Yaomomo staring at you, eyes comically wide and so very intrigued.
“Oh… my… GOD!” Mina shrieked as Todoroki walks away, and you shriek as she jumps across the table and shakes you, screaming about office romances and meet-cutes being entirely too underrated. “PROMISE ME I’LL BE INVITED TO THE WEDDING!!!!”
“MINA!”
.
.
.
.
.
It would take about three years of dating, several months of teaching Shouto how to cook, which resulted in a few bellyaches. Still, eventually yes, Mina would be invited to your wedding.
636 notes · View notes
tenshidayo · 2 years
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Satsuriku no Tenshi: 6th Anniversary Q&A, Part I – [Translated]
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Part Two
Satsuriku no Tenshi recently celebrated its 6th Anniversary with a virtual ticketed event that included a Q&A with Makoto Sanada (creator) and Kudan Nazuka (mangaka), and a live script-reading with Haruka Chisuga (Rachel), Nobuhiko Okamoto (Zack), and Mariya Ise (Cathy). 
I managed to purchase a ticket to the event (I had to jump through so many hoops ಥ‿ಥ), and recorded it, but it’s illegal for me to show my recordings. I can try to answer any questions through DMs!
Throughout the event, the camera focused mainly on the interviewer and Sanada’s hands. They were both holding Zack/Ray dolls that they would shake around as they asked/answered questions. The interviewer held Zack’s and Sanada held Rachel’s. (The dolls looked exactly like this, but were probably on a stick-like contraption because they were being held up):
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Beside them, Kudan was drawing autographed shikishi artboards of Rachel, Zack, and Cathy. The artboards also included chibis of Rachel/Zack/Cathy that negiyan had doodled and autographed prior to the event. Afterwards, Sanada doodled on them as well. These are the artboards:
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Below is the translated Q&A. This is a summarized version because a lot of the dialogue consists of unrelated small talk and Kudan and Sanada complimenting each other, lol.
Interviewer: This message is from the username Rina: “Congratulations on Satsuriku no Tenshi’s 6th anniversary. Zack and Ray’s illustrations this time around were drawn very nicely. I loved them. How did you come up and decide on these illustrations? P.S. I also want to get a “kamadon” from Zack.”
TL Note 1: The image being referred to is the promotional art for the 6th Anniversary, which is based on the “don’t let me kill you just yet” scene:
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TL Note 2: A kamadon makes reference to a kabedon (a pose that usually involves trapping a person and slapping your hand on the wall beside them). Instead of Zack using his arm, Rina is hoping for him to use his scythe (“kama”) to do the trapping.
Sanada: This question is for Nazuka-san, isn’t it? I also loved the illustrations this time around so I also want to know why she picked that one.
Nazuka: Thank you very much. In this case I got an order for the key visual from the person in charge of producing the original work. I was commissioned to do the “kamadon” illustration, a full body illustration, and another one that gave off a more theatrical feeling. I often struggle whenever I get those kinds of requests, but it was very easy to picture this time around, so I was able to draw everything very smoothly and according to the proposal.
Nazuka: I had to be very conscious of the light and shadows under the spotlight to make it look more “theatrical.” And I also heard they were planning on using the illustration on some goods, like t-shirts and books so I also wanted to make them look cool. 
Sanada: It’s very cool. And I can walk around with this shirt normally.
Nazuka: I’m very happy. It looks very fashionable so I’m glad I drew it.
Interviewer: All right let’s read the next one. It’s from the username: Towasada: “Makoto-sensei, Kudan-sensei, thank you for all your hard work. My question is: Which of the characters in “Satsuriku no Tenshi” do you think you guys resemble the most? I would also be glad if you told me the reason why you think so.”
Sanada: I see... A specific character doesn’t come to mind, but actually, in Episode.0, when they are in Cathy’s past, there is this girl named Lucy and I think I relate to her the most. 
Sanada: I think it’s because she gets drawn in by powerful personalities. I think she likes strong and confident people and that’s also how I am. If we were in the same school as Cathy, I would also like to stick with her. That’s what I think.
Interviewer: Nazuka-san, how about you ?
Nazuka: Yes, Sanada-sensei chose Lucy, but for me―and I’m just saying this on my own―I would say I’m more like Cathy.
Sanada: Oh my!
Nazuka: Yes, she does fun things in fun ways; she’s very earnest and straightforward, and she has lots of fun, even though her type of fun veers towards cruelty...
Nazuka: I think drawing is similar to that. And just like Sanada-san, I would have played together with Lucy.
Sanada: Of course, of course. It really fits you. In my mind Nazuka-san is very energetic and has this cool aura to her. I totally get why she chose Cathy. Nazuka-san is very earned and powerful. Like a divine artist. She’s very cool.
Nazuka: No, not at all! Sanada-sensei too... She’s got Lucy’s cute side. I also love Lucy, you know.
Sanada: Thank you. 
Nazuka: She’s a very memorable character.
Sanada: That’s right, she comes up in a lot of stories and I think Nazuka-san has done most of her drawings.
Nazuka: That’s right, she comes up in the main story's flashbacks. And in Episode.0. She’s a character that comes up often.
Interviewer: Now let’s move onto the third question from the username Hisato: “How did you come up with this story?”
Sanada: Ah, right... How did I come up with it...? Right around the time when the production of Kirisame ga Furu Mori came to a halt, I had around a year of free time. At that time I was thinking of doing something else, so I ended up doing the base concept Satsuriku no Tenshi on the side.
Sanada: Kirisame ga Furu Mori was a more quiet and spiritual horror game, so I wanted to make the exact opposite type of game and that’s how I ended up with the story of Satsuriku no Tenshi. At the time I only had a rough idea of how it would end, but even back then I knew, or rather, I had the feeling that this kind of story would be trouble and that it might get pushed off. So I had the story hidden away until Game Magazine contacted me.
Interviewer: So you, the author, sealed the story away and said: “You don’t have to come out yet.”
Sanada: I might have been uneasy because back then I might have thought that I wouldn’t be able to do it well.
Interviewer: And what resulted from unsealing the story is 6 years of getting dragged around.
Sanada: I don't know if I would put it like that, but all the staff, including Nazuka-san, have stuck around and we’ve had 6 years of fun and hard work. Nazuka: Yes!
Interviewer: You enjoyed your time with all the creators and with characters like Rachel. 
Nazuka: Yes.
Interviewer:  Now let’s move onto the next question. It’s from the username Naho: “I’m so glad to be in my first Satsuriku no Tenshi event. Thank you so much for all your wonderful work. Here is my question: I would like to know how the characters of Zack and Rachel came to be. Please tell me all about it.”
Interviewer: This question is similar to the previous one. Sanada: Right. As I previously said, I came up with the base concept when Kirigame ga Furu Mori wasn’t yet finished. But in the truest sense, Rachel and Zack first came to life in the serialization.
Sanada: Zack’s personality ended up being quite different from what I had imagined it would be at the beginning stages. At times you can see a more funny side to him.
Interviewer: At times...?
Sanada: For example, in the first episode, he calls Rachel ‘ojouchan.’ He tries to play it cool. Kind of like a nihilistic and mature adult.
TL Note: This occurs after Zack slices Danny near the end of episode 1 in the anime. Ojouchan is translated as “little girl” in this scene, but the way Zack uses it hints at him trying to be casual and friendly with Rachel even though he’s obviously threatening her. In the manga, this line is translated as “little miss.”
Sanada: In the beginning, Zack was more of an adult. So the Zack at the start of the first episode ended up being quite different. 
Interviewer: With a feeling of authority, right?
Sanada: That’s right.
Interviewer: But by the second half he would just go: “I’m stupid!”.
Sanada: Right! That’s why I think Zack was smartest in episode one, haha Interviewer: So as he moved up the floors...
Sanada: He kinda... what should I call it... I think his spirit started getting better. But ultimately I think that Rachel, Zack, and the other characters truly came alive in the serialization. Thank you for the question!
Interviewer: Now let’s move onto the next question. From Konomechan: “Regarding each character’s birthday, do they have any special meaning at all? Please tell me all about it.”
Sanada: At first, at the beginning, the characters didn’t have birthdays. And well, we had to add everyone’s profile in the fanbook, which led us to think about the birthdays. I felt that picking a birthday was a huge responsibility, so I was very nervous when I picked them.
Sanada: Nonetheless, I just picked the dates by imagining the season they would have been born in. I could picture some of them being born in spring or summer and so on... Aside from that, I also came up with some of the characters’ birthdays by researching birthstones, zodiac signs and even birthday flowers.
Sanada: For example, with Rachel, her birthstone is the moonstone. And I think that for June there is also some alexandrite in the mix.
TL Note: Sanada notes in the manga that one of her favorite lines in the series is from Danny when he tells Rachel, “My eye is alexandrite.” While June (Rachel’s birth month) is related to moonstones and alexandrite, Danny’s birth month (September) is related to sapphire, a blue shade similar to Rachel’s eyes. This is meant to create a connection between the two. 
Sanada: I just thought it was interesting and it fit with what I had imagined. And I did the same with the other characters. It might be fun if you guys want to do some research on this.
Interviewer: Please check it out if you’re interested. This work gets tastier the longer you chew! Everything is very well thought out and you can really feel Sanada-sensei’s love for the characters.
Interviewer: Now let’s move onto the 6th question. It’s from Touka: “What kind of woman will Rachel become when she comes of age? For example, what will her height be or her hairstyle, or how will she dress? I’d like to know if any of those things have crossed your mind.”
Sanada: Rachel’s adulthood?
Interviewer: Right, the adult version.
Sanada: She's talking about a grown-up Rachel, an adult Rachel?
Interviewer: That's right.
Sanada: I think the adult Rachel would actually just get pretty tall. As for her clothes, I don’t think she would wear anything that distinctive. When I created her I imagined her wearing clothes for people in their teens, just like what this doll is wearing (TL Note: she’s referring to the Rachel doll she’s been holding throughout the interview). So maybe Rachel would wear a plain sleek one-piece dress, or she might even wear a white t-shirt with jeans.
Interviewer: I see, kinda like a tough American woman.
Sanada: That’s right! Just like a tough American woman. I always imagined Rachel as one of those girls that appear in horror movies that don’t have too much fashion sense. In my mind, there are a lot of girls in horror films that wear the plain white t-shirt and jeans combination. Especially in foreign horror films. I think that impression comes from those films.
Interviewer: Rachel is already pretty tall at the moment so her figure would get even better.
Sanada: That’s right. If I remember correctly, a lot of people were very surprised when we revealed her height (5′1″ / 156 cm). A lot of people were saying things like: “She’s taller than me!” I just pictured an American teenager and thought she would be around that height. But everyone thought she was way smaller because Zack is really tall. So, in terms of perspective, they might have thought she was a bit smaller.
Interviewer: Let’s move onto the 7th question, from the username Namin: “At the end, Zack and Rachel have their fateful reunion and they manage to escape the hospital. What do you think happened to the two of them after that?”
Sanada: Let’s see, first of all, thank you for the question. I actually touched a little bit on this topic in the fan documents. With regards to the ending of Satsuriku no Tenshi, I welcome as many scenarios as everyone can think of. And likewise, I have my own little ending for both of them. But since I am the writer of the story, if I say what my ending is, everyone will end up accepting it as canon, so I will refrain from answering this question at this moment. It doesn’t matter if it’s just a rough idea, but everyone should appreciate their own ending. So, Mr. Namin, it would make me very happy if you cherished your own ending.
Interviewer: In a sense, the ending was made that way for a reason.
Sanada: Yes. That’s right.
Interviewer: Now, let’s move onto the next question. It’s from the username Iriya Tsukishiro: “Thank you for hosting this online Satsuriku no Tenshi event. I found out about the manga just before the anime serialization and I fell in love with it. I would like to thank you for the wonderful writing and illustrations. I would like to ask a question regarding some of the things I found interesting from the manga and anime. How many days or months have passed between the time Rachel gets sacrificed and the day Zack comes back at the end of the main story?”
Sanada: I think enough time had passed for a 13-year-old girl’s heart to break. Time passes very quickly when you’re an adult, doesn’t it?
Interviewer: That’s right.
Sanada: But I think that that amount of time would feel really long for a 13-year-old, middle school girl. Also, on another note, if you think about it realistically, it takes a while to get a verdict on a death sentence.
Interviewer: Right.
Sanada: I tried to make it as real as possible where Rachel would be an adult at the end of the game. There must also be some traces of Rachel’s life as an adult somewhere in the art gallery or the fan book. And well, I actually made that as a mockup for the ending. After playing the game and making the escape with Zack and Rachel, it was pretty far away from what I had previously imagined. So I just gave that up.
Sanada: Up to that point, I had been spending all this time with Rachel in the game and having her wait that long. And after becoming an adult, she... how should I put it... The editing team actually mentioned this too. They said: “Isn’t she just becoming a ‘waiting woman’?” And of course, I didn’t feel too great about it.
TL Note: The term “waiting woman” (まつ女) means “someone who has lost a man’s affection or interest.” Here, Sanada is trying to say that if Zack were to keep Rachel waiting until she reaches adulthood, it would seem like he has lost interest and abandoned her, making Rachel seem weak and pitiable and Zack seem fickle and neglectful.
Sanada: Ultimately, the time it took for them to reunite was much more based on fantasy rather than on reality. I think it took around 6 months to 1 year and that probably isn’t realistic. I think it’s okay to create new developments with elements of reality and fantasy whenever you’re trying to tell a story.
Interviewer: And now, for our 9th question we have another question from the same person. This person actually bought several tickets, so we’ll be answering his question for a second time. 
Interviewer: “To take Father Gray’s test, Rachel goes back to the B3 area where, as per Cathy, Father Gray had laid a lot of traps. I wonder if he was being wasteful or just trying to be amiable. So here’s my question: How expensive was Cathy’s floor? I’m also very interested to know how expensive the other floors were. Where did all that money come from? Was it Father Gray’s money? This is what I was thinking after reading the manga and watching the anime. Thank you for your answer.”
Sanada: Expenses... right. That’s interesting. Such an interesting question. I think the money probably came from Father Gray. Now, as for how expensive it was... I wonder how much it was...
Sanada: Cathy always has the newest equipment. She’s always asking for the newest gadgets. She’s always like: “The performance of this new display is much better,” or “This weapon is great!” or “I can use this to execute someone.” So I think she’s the type of person that just hoards new stuff. She’s always spending money. At least that’s how I imagine her.
Sanada: He also asked how much each floor cost. If you think about it... Even though Cathy’s floor has the newest weapons, if you compare it to the other characters’ floors, it doesn’t seem like it needed at lot of interior decorating expenses. That just occurred to me...
Sanada: I mean, the other floors, they are recreating whole towns like with Zack’s floor. Even the back alleys... It’s the same for Eddie, he had to drag all that dirt into the building. Carrying all that heavy stuff must cost a fortune. Gray has that massive church-like temple, and Rachel has her own house.
Sanada: Now that I think back on it... I’m like: “Huh?! Everyone has spent way more money than Cathy on their interiors!” I mean, just on the initial investment. And as I’ve said, Cathy didn’t spend much at first. Instead, she keeps buying additional equipment. She’s probably wasting her paycheck on all that stuff. That could be seen as wasteful, since she just kept on buying more and more stuff. She’s like: “I want this,” and she’s begging for stuff. I wonder what floor was the most expensive... Everyone, please tell us what you think!
Interviewer: If you had to take a look at their receipts every month. Let’s just pretend Gray didn’t build that massive church and shed some light on Cathy’s lavish lifestyle, haha.
Sanada: Right, he’s got that stainless steel pipe-organ.
Interviewer: How much does that cost?
Sanada: It makes you think...  Interviewer: You guys can try to calculate it if you want.
Sanada:  We would be happy if any of you guys could tell us.
TL Note: Although it depends on size and the number of ranks, the average pipe organ is around $30,000 - $75,000. Some can cost as many as a million dollars, but Gray’s doesn’t really look that big considering Zack and Rachel can push it by themselves.
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nagipops · 3 years
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hii I love your blogs sooo much you're really talented (I just needed to say it sorry) so straight to the point, I already made 2 requests to you and I really enjoyed your writing so I would like to make another again. As I'm clueless about what to request I'll just ask for random hcs for konoha 11, idk if it's too much but if so then you can do with Neji (I love him so much), Kakashi and Naruto. Thank you in advance and sorry anything ^^
RANDOM KONOHA 11 HEADCANONS!
FEATURING: naruto, sakura, shikamaru, ino, choji, neji, rock lee, tenten, kiba, hinata, and shino
WARNINGS: mentions alcohol, drugs, food, bugs, and the tiniest nsfw mention if you get the joke. hehe
A/N: AHHHH ANONN this seriously made my day, im so so glad you enjoy my work!! 💖
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NARUTO
you know how we all have “the chair”, where we throw all of our dirty clothes onto?
yeah, imagine that, but from the seat to the fricking ceiling
its just a GINORMOUS MOUND of clothes, you wonder how he even goes through that many clothes so quickly???
definitely shoves it under his bed whenever guests come over (somehow)
holds chopsticks really weirdly. but it works.
asked tenten to put his hair into space buns to mimic his sexy jutsu and went around flirting with the village
jiraiya was so proud of him T-T
comes up with the WORST pickup lines
they’re so bad, its almost charming. almost
has gone AWOL multiple times, disappearing from everywhere, just everywhere
it scared you a little, so you searched the entire village for him
you finally found him sitting on the ledge of a cliff, gazing out at the vast sea
concerned and panicked, you cried out to ask him what was wrong
he turned to you with a crestfallen, devastated look on his face and said,
“i bought shrimp ramen instead of chicken ramen.”
you’ve never searched for him after his disappearance ever again.
SAKURA
100% makes origami shurikens and chucks them at you
they are deathly precise and deathly sharp. seriously, how are these not illegal weapons yet???
writes threatening motivational notes to herself on the mirror
“u got this!” “make sure to smack naruto today!” “ino sucks!”
her backpack would always be way too high up on her back. idk why but. it would
does her hair all nice and pretty before she goes out but once she arrives to her destination SHE KEEP. TAKING. IT OUT. and redoing it over and over and over again
like it’s impossible to make eye contact with her because she’s holding a bobby pin between her teeth while braiding her hair
her guilty pleasure would be hostess treats
ding dongs are her favorite. don’t ask me how i know, i just know.
eats the yellow starbursts just to spite naruto and all her haters
loves small lap dogs, she think’s they’re so cute and cuddly
but she especially loves chihuahuas
they’re so feisty and naruto HATES them, so of course she had to go and get one for herself
dresses the poor dog up in little bonnets and jackets and ties its tiny fuzzy hairs into pigtails
she and the chihuahua are not that much unlike <3
SHIKAMARU
this man is a god at shogi but he absolutely SUCKSSSS at cup pong.
is this an ick? idk. but he is absolute trash at this game.
it gets even worse when he’s got a couple drinks in him
tries to calculate the velocity and acceleration and angle and shit but his shot is always a good two feet off BYE 😭
just mutters an “aw, shit” before awaiting his turn again
hates checkers, loves chess
“checkers is for WUSSIES” - shikamaru nara
i said this in another post, but he is Very Good at whistling
like that’s his hidden talent
can copy any tune with the perfect pitch and rhythm
speaking of, he can do really cool tricks with his tongue
like making a four leaf clover, touching the bridge of his nose with it, flipping it upside down, you name it
he has slanted, scrawled handwriting, to the point where it’s almost illegible
wbk he cheats in school SO OFTEN. but he never gets caught. he’s not stupid, he just couldn’t care less about his classes.
thinks weed and e-cigs are stupid, cigarettes are where it’s at
you just can’t replicate the feeling of taking a drag from a cig after a long, tiring day
plus he looks hella cool while doing it B)
INO
teaches the boyz™️ how to braid their hair
like they all gather in a circle around this feisty fashionista and fail attempt to braid their hair
sakura was just fuming in the sidelines
“OI, INO-PIG, THAT’S A DUTCH BRAID, NOT A FRENCH BRAID!!”
yeah, ino 🙄
the only one that can actually do it is neji because a) this man is talented af and b) he’s got the long hairrr
ino probably envies his thick, sleek hair because hE’S a bOy
also asks everyone for their blood type and zodiac signs and tells them if they’re compatible with her or not
and definitely judges you for your sign 😣
“oh, you’re a gemini? hmm, what a shame...”
makes bouquets for her favorite people and kin assigns everyone a flower
only assigns the pretty nice ones to the people she likes (sorry sakura, you’re out of luck)
one of her favorite hobbies is crafting! she’s really good with details and small things so she loves making those miniature dollhouses and stuff
also really good at watercoloring. especially painting flowers and landscapes
also i feel like she would be really good at playing any instrument because of her skilled hands
can play a badass flute solo. period.
CHOJI
would honestly rather die than get anywhere NEAR an asparagus
he just thinks they’re so gross and bitter and NOT SALTY
he always eats his yakiniku a little bit undercooked because he’s way too impatient to wait for it to cook fully. who do you think he is??
whenever he cloud gazes with shikamaru, when asked what he thinks a cloud looks like, he just says some sort of food
“oi, choji, what does that one look like to you?”
“a... yakiniku grill... with... pineapple rings on it! ooh, and a wagyu steak right there!”
he thinks pringles are an abomination to society. where’s the crisp? where’s the grease? where’s the saltiness?!!!
asks ino to teach him how to do his hair all fancy and the two of them devote an entire day learning different hairstyles
it’s his new favorite thing to do now :D
he really likes crayons!!!!
like he’ll write with them, draw with them, color with them, do everything with them
he’s even tried to eat them. he said they tasted good.
definitely had the 128 crayon pack WITH THE BUILT-IN SHARPENER, and everyone thought he was the coolest kid in town
he ate it UP, he even scored some bbq dates with the ladies
i also feel like he loves basketball, and he has a MEAN slam dunk
like his vertical isn’t that high, but the man can REACH
he loves when people laugh at him when he challenges them to a 1v1 and then proceeds to absolutely destroy them <3
NEJI
he seems like a cucumber kind of guy.
just cucumber
like i feel like he puts it in everything; soba, salads, sandwiches, his face, yeah
it’s mellow and cool, just like him!
speaking of, i feel like he lives for spa days and facials
it just lets him be alone in his little cucumber scented world for an hour or two and he gets damn clear skin from it as well
seriously he has PERFECT skin. flawless. not a single blemish. his cheeks feel like baby butts they’re so smooth.
i feel like he’d be a god at solving rubik’s cubes, don’t ask me why
like if anyone scrambled theirs on accident they would just take it to neji and he’d solve it in the blink of an eye
CAT PERSON!!! loves the little meow meows
who are we kidding, neji basically is a cat; agile, aloof, does silly things without trying to, very cute
he just feels akin to the little fuzzballs and he thinks petting cats are extremely therapeutic. good for the soul
he is a golf man. he would take his juniors golfing and everyone thinks he’s uncool. cmon neji let them go to the skate park at least T-T
also very good at karaoke, definitely surprised everyone once he got a few drinks in him since he started serenading you
LIGHTWEIGHT!!! do not get more than one shot of alcohol in him. he will go berserk.
i also feel like he’d really love photography; not taking pictures of people, but of nature
he loves taking a quiet stroll through a pretty forest and snapping pictures of all the unique flora and fauna
it’s so serene ︶ ‿ ︶
ROCK LEE
100% milly rocks everywhere
gai got in on it too once he asked what lee was doing
“is that what all the youthful cool kids do these days!”
they also dab together. a lot
DO NOT BE SEEN WITH THESE TWO!!! you are not associated with them.
definitely is the one breakdancing in the middle of the dance circle at a high school party
he’s mad skilled at it too
headspins and windmills galore
challenged naruto to a dance-off and completely OBLITERATED him
lee then asked if naruto wanted a rematch, this time with one hand tied behind lee’s back
naruto obliged, and he STILL lost
RIP naruto and his fangirls, they all scrambled to lee afterwards T-T
i feel like his favorite subject is science
not the boring physics equations and laws and theories but the fun EXPERIMENTS
definitely has singed all of his hair off one time and he went to gai blubbering to help him grow back his precious hair
but he loves experimenting with different combinations and chemicals to get different reactions each time
created a potent love potion and carried it around with him all day one day
and it was actually working
girls were flocking to him left and right, staring at his lips and his face
he was so abashed at the sudden attention
heck, it even worked on sakura
“oi, lee-san!”
“hehe, yes, sakura-san?”
her eyes shifted downwards to his lips and his heart thumped harder
“hey... lee-san?”
“what is it?”
“you have something on your lip. we’ve been trying to tell you all day but you just winked and blew kisses at us.”
legend has it lee has still not recovered to this day.
TENTEN
has THE prettiest handwriting. and she can write SUPER fast
it’s like a superpower
like she transcribed five pages of a report in less than two minutes with perfect handwriting
naruto is so jealous.
she is also super good at origami! those diligent, accurate hands aren’t just for throwing things
taught sakura how to make shurikens but does NOT endorse any violent uses of them
she can replicate all of her weapons with paper and they can actually function, it’s so cool
made paper kunai knives one day and the wholeee village wanted to get their hands on them
i feel like she’d listen to mitski. idk i just get those vibes
LOVES BIG DOGS!! especially fluffy wuffy samoyeds
like man’s best friend?? no, GIRL’S BEST FRIEND!!
hugs and cuddles and squishes all the big dogs
she thinks small dogs are spawns of satan
sakura and her have definitely quarreled over this
but at the end of the day, all dogs are adorable fur babies, so she lets it slide :,)
KIBA
kiba always looks SO GOOD in photos you take of him, candid or not
like you could just whip out a camera and snap a photo of him at any given moment and he would look perfect
you framed a picture of him yelling at akamaru for peeing inside the house
it’s pure artwork
i feel like he tries to swagger around with his hands shoved in his pockets but it fails MISERABLY and the girls are wondering if he broke his leg or something 😭
kiba just walk normally. for the love of god please just walk normally.
he tries to slump back in his chair really low but one time he slouched way too low so he slipped off of his chair and onto the ground LMFAOOOO
he just wallowed there... in shame...
also.. he LOVES when the girls put makeup on him!!
he tries to act like he hates it. but it secretly gives him so much confidence
not to mention the girls hyping him up are a huge ego boost
okay the inside of his jacket hood is the warmest. thing. EVER!!!
seriously, no wonder this dude is so happy-go-lucky all the time, he’s living in literal heaven 24/7
it’s like you’re sleeping on a cloud inside a warm, cozy bed during a cold winter morning
10/10 would recommend letting him give you his sweatshirt when you’re chillin with a hair tie ❤️
HINATA
always smells like lavender soap. always
also has the cutest pencil pouches with little puppy faces and kawaii things
oH and she has those mini yoobi highlighters, she thinks they’re so cute (and functional!)
everyone flocks to her to try them out and marvel at the cute tiny highlighters
and they try to steal them from her but she doesn’t even stop them because she’s too timid to 😭
naruto goes BALLISTIC over them
she lets him have all of them <3
tennis girl!!! tennis girl.
all of her opponents always underestimate her because she’s so timid and shy and quiet
but she has a KILLER serve
and then she takes her opponents to the slaughterhouse with a complete shutout ;)
she’s really athletic believe it or not, she can beat most of the boys in a mile run and she has incredible endurance
i feel like she really loves velvet scrunchies
she just thinks they’re so pretty and they keep her hair soft so they’re cute and functional
also takes the PRETTIEST notes!!
color codes, dividers, headers, you name it, it’s all super readable too its insane
everyone asks her for her notes, not to study but just to appreciate the pure artwork that it is ^w^
SHINO
shino is SO easy to prank
“how do you catch an eyemaster?” *cue naruto and kiba snickering*
“eyemaster bait. that is because—”
even when everyone’s laughing their asses off, he still continues to explain his answer since he does NOT GET THE JOKE
tried his hand at writing haikus
here’s his best one so far:
“Bugs are amazing. That is because they are bugs. Bugs are very nice.” - Shino Aburame
VERY proud of it, since it took him weeks to perfect
praise it, pls
had one of those ant farms and bug-catching kits as a kid
and he would fill the kit TO THE BRIM. LIKE IT WAS HEAVY BECAUSE THERE WERE SO MANY BUGS.
he loves the little chitters of the different bugs
he had jars of different bugs all lined up on a wall shelf in his room
collects silkworms off of trees and sticks them into his pockets (no i definitely did not do this as a kid...)
HELP I FEEL LIKE he would record a timelapse of his ant farm growing and upload it to youtube with a movie maker title screen that says
“my ants”
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if you enjoyed this post, likes and reblogs are much appreciated :) feel free to request here, and make sure to read the rules first! have a lovely day everyone <3
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undertale-data · 3 years
Text
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[Image Description: An Undertale chat box that has “WHY FANS LOVE UNDERTALE” at its center. Next to it are a line chart and an Egg from the Dating Hub on its left, and a CRIME measurer (also from the Dating Hub) on its right. End I.D.]
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[Image Description: a pie chart titled, “LEVEL OF LOVE FOR UNDERTALE.” The textbox on the top right reads, “On a scale of 1 to 10, 1 being the least and 10 being the highest, how much do fans enjoy Undertale?” From the top going clockwise, 12 or 0% chose 5 and below; 23 or 1% chose 6; 98, or 4%, chose 7; 325, or 12%, chose 8; 529, or 20%, chose 9; and 1664, or 63%, chose 10. End I.D.]
It’s clear from all of the data analyzed so far that fans who took the time to answer our survey love Undertale. It is unlikely that they would have taken the time to answer so many questions if they had not, and even less likely that they would have come across our survey in the first place. Naturally, it comes as no surprise that 63% of our responders gave their love for Undertale a score of ten out of ten. 95% gave their love for Undertale a score of eight or higher, and only 12 responders responded with five or below, a number so small that their responses had to be lumped together to be visible on the pie chart. Of those, only 3 responders gave their love for Undertale a score of 1, and based on those responders’ other answers, it is likely that they were only intending to troll. We are very fortunate that the vast majority of responders took the survey seriously, enough so that responses like this are barely a blip in the data.
Now, for our final analysis post of the event, we will delve into the reasons that fans love Undertale so dearly.
(Essay and highlights under the cut.)
There have been countless essays on the impact that Undertale has had on people’s lives. I can hardly add more on the subject than what has already been said, but I hope this summary can provide a brief overview of what stood out among the over two thousand answers given in response to this survey. That said, due to the sheer volume of answers, I could not read every single one in depth—however, I did skim all of them, and some that stood out or were representative of several responses have been highlighted below. If you would like to see what every fan who consented to share their response had to say, you may view the full list of responses here. Note that these responses have not been edited in any way. This document may take a long time to load, as it is over 100 pages long.
(Warnings for mentions of suicidal thoughts in the following essay.)
Several responders loved the theme of choices mattering in Undertale. Whether people played the pacifist, merciless, or neutral routes, they enjoyed how the game reacted to their actions. For some, it even made them consider their own morality. One touching response explained the impact that the theme of mercy made on them. “I realized that Mercy isn't something that's given to those who deserve it. Flowey didn't deserve it. I don't deserve it myself. Shoot, we ALL need Mercy in our lives.” Many fans left similar comments about how the themes of Undertale made them better people.
Undertale changed how its fans treat others, and it also changed how fans treat themselves. The theme of staying determined and the messages of hope in the game were a light to a very large portion of fans. I cannot list all of the fans who said that Undertale helped them out of a dark place, or that they would not be alive if not for Undertale. “DETERMINATION became a metaphor for not killing myself at a really rough time in my life and I’ll always cherish that. Undertale isn’t afraid to go to really dark places but at the same time holds on so tight to its hope.”
Undertale brought fans together in unexpected ways. Some said they met friends or significant others through the fandom. “I wouldn't have met my now husband without Undertale,” one fan said. A different fan who is non-native English speaking mentioned that the game and the fan community helped them to learn English.
It would be impossible to discuss Undertale without mentioning the fan community. Whether for good or bad, many responders mentioned the fandom in their responses. Overall the feelings towards the fandom seem positive, though many made references to “toxic” parts of the fandom without specifying which parts they consider toxic. Others rejected the idea of toxicity in fandom. One response said: “[SLAMS FIST ON DESK] I KNOW MOST PEOPLE SAY THE FANDOM IS TOXIC AND CRINGE OR WHATEVER BUT OH MY GOD. The Undertale fandom, both the UTMV and the actual UT fandom, has been so much fun to be a part of. I've met countless friends because of our shared interest in something related to the game! The art people create can be breathtaking and so inspirational, and the fanfics are so so good!! I've seen people write incredible things for this fandom and it's what made me continue writing!”
One thing that makes the Undertale fandom unique is the way it embraces various AUs. Some fans are tired of AU content, but the majority of responses show a love for the creativity behind AUs. “Roll your eyes at the 50th AU Sans all you want, it's encouraging people to step outside the boundaries of fanart and pushing people to make their own ideas! I mean, hell, it was how I gained the confidence to start making my own original content.” The lack of a judgemental atmosphere seems present in the AU community, according to the responses we saw. There is an interesting balance between AU and canon (sometimes referred to as “classic”) content that another responder pointed out: “The fandom helped keep the game alive all these years, with all of its AUs. Although personally, I always enjoyed AUs that kept characters as close to the classic material as possible (dancetale, outertale) I do appreciate the creativity of the fandom. They almost created entirely new stories with new characters of their own! If it weren't for those people, the Undertale fandom would have probably not been as active as it is now. I do feel like we're getting a resurgence of classic content now too! (In 2021)”
Regardless of the many AUs the fandom has created over the years, the original game of Undertale still feels like home for many fans. They wished they could reclaim the feeling of playing the game again for the first time, but even though we can’t reset time in real life, there is still a special feeling for fans each time they play Undertale. One fan said, “Even the best fics I've read can't capture that feeling of nostalgia/almost-"coming home" that comes with hearing the music and talking to the characters.” This feeling is one that can be cherished time and time again. In the words of another responder: “It always feels welcoming like home or like comfort food that I never grow tired of no matter how many times I go to it.” Others pointed out the strength of the found family trope in Undertale, which likely contributes to this feeling of “home” as well.
As mentioned briefly earlier, the music is part of what makes Undertale feel like home for fans. Even when responses focused on other aspects of the game, many would throw in a comment about the soundtrack at the end. One comment focused on the music said “IT'S SO GOOD like I will literally go through the entire thing over and over and not be bored with it. It makes my monkey brain so happy you have no idea.” Like with the game itself, the music has incredible replay value, an amazing feat considering most of the tracks use the same few motifs. “I think what I like the most about Undertale is how the music attaches you to the story,” another responder said. “They're simple melodies that stick with you throughout the whole game, and they can remind you of both good and bad times.”
If the music sticks with fans in their hearts, then the game’s lore sticks with fans in their minds. Even six years after the release of Undertale, fans are still creating new theories and digging up new secrets. The way the game breaks the fourth wall in particular intrigued many fans and has stuck out through all these years. The awareness that the game shows for the RPG genre makes it memorable. The game plays with the player’s expectations and turns them on their heads, all while reminding the player that they’re in a game. There are few other games that do this on such a large scale, so it’s no surprise that fans cite this as one of their favorite things about Undertale.
Lastly, the LGBT+ representation in Undertale has been a huge draw for fans. Especially in 2015, the sheer volume of non-cishet characters was unprecedented, as one fan pointed out: “It's practically unheard of to see so MANY from just one source, especially during its heyday in 2015-16. Hell, you can't even GET the true pacifist ending without helping two gay couples hook up. It's really nice to see all of them being accepted for who they are and not judged for their sexuality or gender, at least in-canon.” The LGBT+ cast including Frisk, Chara, Napstablook, Monster Kid, Mettaton, Alphys, and Undyne each connected with fans in unique ways. It’s clear how important this is from responses such as: “There are canon nonbinary characters 🥺. i have never seen representation of myself before.” “It made me gay and trans so thanks for that.”
Once again I am overwhelmed with just how much there is to say about Undertale. One responder really understood when they compared Undertale to an iceberg, explaining that there are so many layers to the game that there is something for everyone: “everyone can find something to enjoy in the lore/game regardless of what kind of fan they are! Being able to appeal to various types of fans—from simple happy shipper people to deep dive lorediggers—is the mark of the coolest games!” I would have to agree with them.
It’s been six years, and despite everything, it’s still you. Thank you for reading, participating in this survey, and above all, staying determined.
Highlights:
DETERMINATION became a metaphor for not killing myself at a really rough time in my life and I’ll always cherish that. Undertale isn’t afraid to go to really dark places but at the same time holds on so tight to its hope.
I think the coolest thing was having the opportunity to watch the AU community grow from its bare roots. It's nearly insane how big and complex it's gotten, unlike anything I'd ever seen before. Roll your eyes at the 50th AU Sans all you want, it's encouraging people to step outside the boundaries of fanart and pushing people to make their own ideas! I mean, hell, it was how I gained the confidence to start making my own original content.
i love how the lgbt rep is so naturalized... there are just gay people! and its nobodys business!
The music is my go to answer, but what I really really REALLY love is how the minor characters have so much personality to them when you talk to them. They aren't incredibly important to the overall story, but they're all so likeable and diverse that you just can't help but like them immediately!
I think it was the first videogame I have played that broke the fourth wall that much. Of course there has been other videogames that broke it but just for one or two tongue-in-cheek jokes. The guilt of killing mama goat was also something intense as well that I appreciated as an experience and that I didn't think a videogame could cause on someone.
I love how no character can be seen as completely bad! Everyone builds up Asgore as some horrible villain, but he turns out to be a 'fuzzy pushover' who's broken and just wants his family back by the time you meet him. Then you think Flowey's an irredeemable killer who engineered the suffering of the monsters across many timelines, and he is... but he also used to be the kind and beloved Prince Asriel Dreemurr, traumatized by his death and subsequent rebirth, projecting his best friend onto you.
The fact that choices matter in the game. Your first playthrough and getting the golden ending for the first time. I can never replicate those feelings again, wish I could erase my memories and replay the game from the start.
I wouldn't have met my now husband without Undertale.
(Toxic parts of the fandom aside) The community is possibly one of the kindest I've ever met. Cringe culture is completely dead, and I feel like I can be myself. I felt a very close connection to many of the characters, and I loved consuming content about them when I was in a rough patch in my life.
just everything, the whole game has just impacted my life so much. i know it sounds really lame, but when the game first came out, i would purposely put my hands in my pockets and sway slightly, like sans' idle animation. of course i dont do that anymore haha, but undertale still really impacts me to this day, and i wouldnt have it any other way :)
it made me gay and trans so thanks for that
I realized that Mercy isn't something that's given to those who deserve it. Flowey didn't deserve it. I don't deserve it myself. Shoot, we ALL need Mercy in our lives.
The thing I love most about Undertale is no matter how many times I play or watch a playthrough it always makes me genuinely happy. It always feels welcoming like home or like comfort food that I never grow tired of no matter how many times I go to it. Toriel still makes me feel all warm and cozy in her home, the Skelebros always make me laugh, and I still cry on the inside watching Frisk comforting Asriel. And on the flip side the No Mercy run still invokes the negative emotions in me as well. In short Undertale just feels like a second home to me and I always wish I could stay.
The reader inserts are my favorite way to decompress after a hard day
I think Undertale helped me discover my love for 8-bit games, and made me realize how IMPORTANT music is in video games.
the worldbuilding and character design are my favorite parts of the main game apart from the music! I’m also a huge fan of the random AU music- not for like underswap or underfell i like the stuff where someone makes a megalovania for a random au where gru from despicable me replaces sans as the character. i think its funny
Just... the vibe, honestly? Even the best fics I've read can't capture that feeling of nostalgia/almost-"coming home" that comes with hearing the music and talking to the characters.
there are canon nonbinary characters 🥺. i have never seen representation of myself before.
[SLAMS FIST ON DESK] I KNOW MOST PEOPLE SAY THE FANDOM IS TOXIC AND CRINGE OR WHATEVER BUT OH MY GOD. The Undertale fandom, both the UTMV and the actual UT fandom, has been so much fun to be a part of. I've met countless friends because of our shared interest in something related to the game! The art people create can be breathtaking and so inspirational, and the fanfics are so so good!! I've seen people write incredible things for this fandom and it's what made me continue writing!
There's a scene where Frisk (the player) is going towards what is presumably going to be their death. They will fight Asgore and he will use their human soul to break the barrier and free his people. The music, despite the player's impending doom, is... triumphant. You are not the triumphant one here, and yet, the score invites you to experience the monsters' joy and happiness as they tell you the tale of their subjugation. The monsters are going to be free. This is their victory, but they don't hate you or want you to die. They're just... happy. That scene has always struck me very deeply. I feel it represents the best parts of Undertale.
I loved how well thought out the Geno route was. It really made me feel like I was doing something horrible, and the characters were very obviously reacting to dire circumstances.
I dunno? I like Undertale for it's characters, story, music, secrets and many more. I am not good with Headcanons but I also like the neutral endings and how different they can depending on who you spare and kill
I was very bad at english before, i thought i couldn't progress because i was very shy and not confident. But my sibling and i wanted to have the best experience with this game so we wanted to play it in english. It's this game and the fandom which helped me to make huge progress in english !
THE SOUNDTRACK. IT'S SO GOOD like I will literally go through the entire thing over and over and not be bored with it. It makes my monkey brain so happy you have no idea.
to avoid writing an essay i will say one word. Mettaton
It is like Toby specifically made the games to fit the iceberg meme and it's awesome, everyone can find something to enjoy in the lore/game regardless of what kind of fan they are! Being able to appeal to various types of fans - from simple happy shipper people to deep dive lorediggers is the mark of the coolest games!
I love almost everything about Undertale as a game on its own. The music, the art and especially the characters and how they interact. They made me feel at home. Undertale means a huge amount to me. (I even got a tattoo of the castle when you and MK walk together!) The fandom helped keep the game alive all these years, with all of its AUs. Although personally, I always enjoyed AUs that kept characters as close to the classic material as possible (dancetale, outertale) I do appreciate the creativity of the fandom. They almost created entirely new stories with new characters of their own! If it weren't for those people, the Undertake fandom would have probably not been as active as it is now. I do feel like we're getting a resurgence of classic content now too! (In 2021)
the mystery. toby fox refused to give answers to anything and i think thats very sexy of him.
I just feel guilty for liking it so much when I'm in my 30's. But I recently got diagnosed with ASD, so I guess it explains things a bit. Many ppl consider Papyrus to be neurodivergent, and some adult fans are too, so seeing that makes me feel a bit better.
i think about "Despite everything, it's still you" everyday of my life.
I like how it's just as funny as it can be serious. All routes are this way. I laughed as much as I cried when I played the Pacifist route and then once I opened the game again and Flowey was telling me to let them be happy, I immediately turned off the game. I somehow felt bad.
The Found Family Trope
The True Pacifist Ending is just...man. And the fanworks about saving everyone even when the game doesn't let you? MANNNNNN
I think what I like the most about Undertale is how the music attaches you to the story. They're simple melodies that stick with you throughout the whole game, and they can remind you of both good and bad times.
there's honestly a LOT to love about this game, but i think one of my favorite things about it is just how many lgbt+ characters there are??? i can think of alphys, undyne, frisk, chara, mettaton, napstablook, monster kid, asgore, mad mew mew, the dress lion, the royal guards, and arguably even papyrus off of the top of my head, but im sure i'm forgetting a few from just undertale alone (there's even MORE in deltarune)!! it's practically unheard of to see so MANY from just one source, especially during its heyday in 2015-16. hell, you can't even GET the true pacifist ending without helping two gay couples hook up. it's really nice to see all of them being accepted for who they are and not judged for their sexuality or gender, at least in-canon.
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[Image description: A wordcloud in the shape of the capitalized word UNDERTALE. The text is white on a black background, and uses the font found in the game. Some of the most visible words are: Game, Love, Music, Life, AU, Store, Friend, and Feel, which represent the most common words in the essays people wrote about their love for the game. End of ID]
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d-criss-news · 3 years
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Nine Songs: Darren Criss
When Disney, Phantom Planet and Mr Hudson collide: Glee star, Emmy and Golden Globe winner and musician Darren Criss talks Andrew Wright through the pivotal songs in his life and the unexpected ways they found him.
“When we are younger, our gateway drugs to a lot of popular things don’t come from the sexiest of places. It’s up to you how proactive you want to be with your curiosity from there, and how far down the rabbit hole you want to go, if you go down at all.”
Choosing the songs that define you is a tricky business to say the least, especially when the power of song has provided an ongoing soundtrack to your life. “When you’re as avid a music consumer as musical artists are, trying to pin down Nine Songs is difficult,” Darren Criss laughs. So much so, his final choices only really crystallise as our conversation draws to its close. “It’s hard for me not to see the value and joy in literally everything,” he explains. “The curse of the creative person is that your ideas and your interests always move way faster than your body can execute.”
Criss is a creative par excellence. As well as his Emmy and Golden Globe winning performance in The Assassination of Gianni Versace, where he played serial killer Andrew Cunanan, to his upcoming role in Muppets Haunted Mansion Halloween special as The Caretaker, he’s also a prolific musician. Criss enjoyed a decadent musical consumption since childhood, so “this was a bit of an archaeological dig,” he admits. As such, everything from jazz standards, to 808s, punk rock, ‘90s teen pop, and musical numbers are excavated in the course of our extemporaneous journey through the music he loves.
Equally on his mind is how to go about approaching the task of creating his Nine Songs, full stop. “The interesting social experiment is: Are my answers going to be songs that actually shaped my life and were formative to me as an artist? Are they songs that were formative to me as a human being? Or am I picking songs that I think represent who I am to people that do not know me? All three of those things aren’t necessarily the same thing.”
He reaches a conclusion of sorts. “For the purposes of making some kind of decision, I’m gonna lean less into trying to look cool to your very cool readership, and more into the literal, ‘What made me think about music in a different way? And hit me in a very emotional way?’ I think that’s probably the healthiest route.”
Embracing the accessibility that characterises Criss’ picks - or at times the initial touchpoints that led him to them - are something he vacillates over during our chat. “I’ve seen a lot of other people’s Nine Songs and they’re super cool. It’s like Leonard Cohen B-sides and old opera records and stuff. I’m gonna be pretty honest with the pop culture zeitgeist of how I grew up but explain why there is so much value in those moments.” His contemplation continues into the next day, Criss’s publicist passes on his regrets at being tentative to admit how he encountered one of his song choices via the Shrek soundtrack.
A yearning to reinterpret accessibility and the value attached to it drives Criss, however. He tells me that a festival performance that applied the anarchic verve of punk rock to a more refined Great American Songbook number remoulded his perception of music entirely. His love of the fusion of these two genres in particular symbolises the salient musical backdrops of his childhood - the guitar bands he played in with friends, and his musical theatre endeavours that led him to Broadway and multiple Ryan Murphy juggernauts, including his breakthrough playing Blaine Anderson in Glee.
Criss employs these contrasting musical lexicons, and other areas in between, on Masquerade, his new EP. Comprising five stand-alone “character-driven” singles, it sees Criss donning different musical personas. “I’m leaning into people that might know me as an actor,” he explains. “Because if actors can do Shakespeare, romantic comedy, and then do a horror movie and wear a prosthetic nose and a wig, I didn’t understand why I couldn’t just do that with music.” The song “walk of shame” draws on jazz-standard chords interlaced with hip-hop production, “i can’t dance” looks to new-wave, and “for a night like this” is the product of Criss’ goal to create the ultimate end-of-the-night crowd-pleaser for a new-year bash, wedding or bar mitzvah. “This is all of the parts of me as a lifelong fan of these genres, trying my hand at servicing the pieces of them that I love.”
“I really love all styles of music and understanding what makes them unique and special and what makes them really pop. There are so many things that really make things sing - for lack of a better verb - and I like acknowledging those things and celebrating those things.”
“So, let’s begin. I have runners up and shit, and I have artists, I don’t just have the songs, so we might have to pick them as we go.”
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“Part of Your World” by Jodi Benson
“When people read this, they’ll go ‘That’s cute, he likes Disney songs’, but it’s more profound than that. Some of the most formative pieces of music to hit me at a very early age would have been any of the songs that were coming from ‘The Disney renaissance.’ The early-mid ‘90s explosion of The Little Mermaid, Aladdin and Beauty and The Beast.
"One of the through lines between the three of those musicals was Howard Ashman, who is one of my all-time heroes. Dramaturg, songwriter - he really was the voice behind what made those songs great. I have always loved Howard’s lyrical sensibility and also Alan Menken, his partner who wrote these songs with him. There was a musical structure to a lot of the songs which I would unconsciously pick up in my own songwriting, not just musically, but the idea that not only did somebody make these songs, but they wrote them for a story.
“There’s a clip of Howard Ashman vocal directing Jodi Benson, who was the original voice of Ariel. It’s a wonderful example of his genius, where not only was he songwriting but he was storytelling in the way he would tell her how to perform it, and you can really see the song coming to life in that clip. That’s when you cross the street from ‘It’s a song’ to ‘This is an experience.’
"There are certain ingredients that are required to elevate music that goes beyond just a nice melody, a beautiful orchestration and a good voice. There are things that are required to really give a performance a characterisation, context and a vulnerability, that he architects in real-time with Jodi Benson. You see that what he’s doing is what makes the record so special, and that’s something that’s always been inspiring to me.”
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“MMMBop” by Hanson
“I think my love of Hanson was because some people didn’t like it, so I was like ‘Fuck you, I like this, how do you feel about it?’ But this is difficult for me, because you know, I’m speaking to The Line of Best Fit and we’re trying to be cool! Although, do you know what’s cool? Being accessible! Writing a pop hit when you are 10 years old. Being in a band with your brothers and you’re all below the age of 15, you have a record contract where you are writing, producing and performing songs that are doing well.
“I was 10 years old when their first album Middle of Nowhere came out, and I remember reading somewhere that there were these kids that had a record. At the time, I was playing guitar and I was writing songs, but in my mind I was a kid, and that was it. I couldn’t be on the radio; you had to be a grown up to do this.
"This was the first time where I realised ‘Holy shit, kids can do stuff!’ It’s the value of seeing yourself in the media - that’s a whole other conversation to talk about - but there’s an immense value in feeling like there’s a piece of you out in the zeitgeist and doing well because it’s encouraging. You go, ‘Holy shit, maybe I can do this as well.'
“When you see children doing things, you’re ‘Wow, this is so cute and fabulous’, but then when you actually look at it you go, ‘This is miles above what most people in this age group are capable of,’ and that’s all I saw, because I was in the same age group and I was so inspired by that. This whole album was really a turning point for me, where I was like, ‘I can do this, I can do music too, because these guys can.'
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“Ooh La La” by Faces
“This song really blew my mind. It became my own theme. It’s that ‘Make your heart sing’, nostalgic moment when you’re a teenager, driving in the car listening to it, playing guitar with your friends and you’re singing “I wish that I knew what I know now / When I was younger.” You’re like, ‘because I’m an adult now, I’m 15-years-old. If I only knew what I know now.’
“I was doing theatre from a young age and I was part of a young conservatory called A.C.T. in San Francisco. By way of somebody who knew somebody, I had an audition for a movie. As a kid not being near New York or Los Angeles it was really exciting, and this audition was for a film called ‘Max Fischer’, which would become the movie Rushmore, which would become one of my favourite movies of all time by the now very distinguished Wes Anderson.
“Separate from my own objective love of Wes Anderson, when this movie came out I was just around the age of getting into my own sort of identity with music, but also movies - indie movies - and trying to assert who I was. So, I see this movie Rushmore and I love it. I love the soundtrack, I love it so much, it’s one of my favourite albums ever. This song is the end sequence, and the way it made me feel - the vocals on it, I could play it on guitar and it was part of a cool movie - it really represented a lot in my life.
“And because of the acting thing, and Rushmore being great - it’s about this kid in high-school who's misunderstood but has his own agenda - everything about it was just so fucking cool to me. To this day, I cite that song as one of my favourite records of all time.”
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“Recently Distressed” by Phantom Planet
“A guy that really formed the way I would sing and write songs is Alex Greenwald, the frontman of Phantom Planet. I went to see Phantom Planet because I loved Rushmore and I found out that Jason Schwartzman [who had been cast as Max Fischer] was also the drummer for a band called Phantom Planet.
"So, when I saw their name on the bill I went, but I didn't know their music. I was barely 14, but their set blew my mind. It was Rock and Roll, but I loved Alex Greenwald’s voice. I loved everything, and I would follow their career from there. I always tell people that my voice is a combination of me trying to be Alex Greenwald, Paul McCartney and Rufus Wainwright, but failing. Alex was incredibly formative for me.
“One of their biggest records was a little while after I first saw them, which was the song for The O.C., "California." That was more of an Elvis Costello thing, and they employed a lot of stuff that sounded to me like The Beatles and a lot of ‘60s mod/pop-rock. But later they would employ things from Fugazi, Radiohead and harder shit, and that eclecticism, again, only accelerated my love for Phantom Planet.
“Recently Distressed” is from their 1998 album Phantom Planet Is Missing. This was a cool rock song that employed these George [Harrison] and Paul [McCartney] background vocals and included all of the things that I loved. It was harder but melodic and employed minor 4th chords and more complicated chords than I was used to. I had grown up with power chords - which are very Gregorian - on a lot of alt. punk rock, like Green Day or Nirvana, and if Kurt Cobain was using power chords then that’s how I was playing guitar. Hearing this music was like ‘Oh, I’m using full chords, not sevenths, minor 4th chords, diminished chords’, shit that I would learn to use more and more.
“When you haven’t experienced much, anything that gives a hint towards possibility, even though it’s probably always been there, you’re like, ‘I like this, I’ve always kind of liked this, but it’s very encouraging to hear somebody else do it and it’s gonna make me reconsider my possibilities.’ That was literally the moment that my power chords turned into full barre chords.”
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“Cigarettes and Chocolate Milk” by Rufus Wainwright
“I forgot the other day how I got into Rufus Wainwright, because all of this stuff I was getting into quite young. It’s like when I talk to 11-13 year olds, it’s funny to think that this was when I was really starting to build my musical identity. But then I remembered, and I didn’t want to say because I didn’t want to sound uncool, because he is such a revered artist who exists in a much cooler place than what I’m about to say.
“I loved soundtracks and I would always buy soundtracks for movies that had cool playlists. I had the Shrek soundtrack, and there’s a cover of Leonard Cohen’s seminal “Hallelujah” that Rufus does and he smashes it, and I’m like, ‘Who the fuck is Rufus Wainwright? What a beautiful voice.’ Then I saw that he was going to be at the Virgin Megastore in San Francisco one week, so I go and he’s there promoting his new album Poses. I remember I didn’t have enough money to buy the album that day, so I had him sign my sneaker and I saved that shoe.
“The first song on Poses was “Cigarettes and Chocolate Milk”, which is a very dark and reflective song about his own battles with addiction, but he’s singing it over this really beautiful, whimsical song that has a lot of really great wordplay. I always love when artists, especially lyricists, can encapsulate an idea with not exactly what they’re talking about. The song’s called “Cigarettes and Chocolate Milk”, it’s not called “Addiction”. Its talking about things that he craved and how that’s representative of other things that he’s gone through. There was a sophistication and elegance to that that I really gravitated towards, that I didn’t possess but wanted to shoot for. So when I saw him, that was a big one for me and he would also continue to influence me later in my life.
“I’ve become friends with Rufus since. I’ve performed with him and we’ve made records together, which is crazy. His songwriting was very complex and punk-rock, but he had this classic cabaret voice, the kind of voice that I don’t have. I was fascinated that there was somebody that could write this really dark material but have such elegance on top of it. He was virtuosic on the piano, which I thought was very cool because musicianship is always the thing that gets me going the most about artists.
“You know what? People say, ‘Don’t meet your heroes.' I completely disagree. Chase the living fuck out of your heroes. I’ve spent a lifetime doing so, it’s made me a better artist, and I’ve sometimes got to meet them and work with them. I’ve worked on music with Alex Greenwald of Phantom Planet. I’ve performed with Hanson. I’ve performed those Disney songs with Alan Menken at The Hollywood Bowl.
"This is all because there are people that I love who I have put on my vision board, and the things that they have done are the things that are bringing me to them. So it is nuts, but at the same time you’re like, ‘Well, what else did you think would happen?’ They did stuff that some part of me connected with, so obviously there’s a magnetic pull towards that person.
“Rufus Wainwright is one of my absolute favourite artists of all time and like I said, me trying to sing like him and failing is a big part of my own journey as an artist.”
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“3x5” by John Mayer
“John Mayer’s another guy that came around when I was 15. I heard a song of his on a middle-of-the-night, singer/songwriter college radio show. This is where I used to get music. You would listen to these carefully curated playlists that you wouldn’t be able to hear anywhere else, and the host played “No Such Thing”, a new song by this young kid who had just dropped out of Berklee College of Music - John Mayer.
“I’m listening to this song and I’m like, ‘Not only is this guitar playing really interesting, but the lyrical value and everything that is going on here ticks all the boxes.' It was jazz, but it was pop. And he did something that all these other guys and girls I’ve mentioned did. They made something very unique and very accessible.
“I immediately went out to buy this album, Room For Squares, and I listened to it over and over again. It was an album that was really formative for me. "3x5” is a really beautiful song that employs a lot of chord structures and melodies that blew my fucking mind at the time, and it made me wish that I could write songs like that.
“That album was a huge turning point in the way I played the guitar, because it was the first time in my life where I would look up tabs. Up until this point in my life, if I heard a song I could play it instantly. It was like a party trick, I would get how it worked if I heard it, because most of the songs I would hear on the radio - especially those that involved a guitar - were [centred around] power chords. And now I’m hearing all of these ninth chords and thirteenths, and I’m like, ‘What the fuck is this?’ So I’d have to look up tabs.
“I think any young artist can attest to this - when you try and learn other people’s shit, it’s the best tool for educating yourself. Playing other people’s music really helps you lock in what your own style is. Trying to learn these songs - and sometimes pulling it off and sometimes not - really changed the way that my hands moved around the guitar and considered chords and voicings that I’d never really thought of.
“There’s another tie to musical theatre here, where I remember seeing Audra McDonald, who is a very venerated theatre actor, and she did a cabaret. If you’re familiar with cabaret culture, it’s more about performing the story of the songs – ‘Life is a cabaret’. She did a John Mayer song because she thought it was from a musical theatre show, and I was so tickled by this, because I was like ‘Yeah, if you really think about it, I don’t think he knows this and I don’t think his fan base even thinks about this, but there’s a number of his songs that feel very theatrical in the way that the lyrics play with each other and the way the chords move’.
"When I saw this I thought, ‘That is why I like John Mayer’, because yes, he’s an amazing guitar player, but he’s also a really strong songwriter.”
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“Cabaret” by Me First and the Gimme Gimmes
“Also, around this time growing up in San Francisco, as a guitar player playing music with your buddies, the number one thing that you play is punk rock. There are different parts of the spectrum of punk rock, there's the NOFX, Swingin’ Utters, like real punk, punk. And then there’s the pop-punk thing that was happening at the same time, which was also equally influential - blink-182 and Green Day.
“Fat Mike was the frontman of NOFX. I loved NOFX, and Me First and the Gimme Gimmes were a supergroup of different members from different punk bands, of which Fat Mike was one of the main architects. They would cover songs and turn them into punk rock songs. They have an album of hits from the ‘60s, and they also have an album called Me First and the Gimme Gimmes: Are a Drag, and that record is just a tonne of musical theatre covers that are done through punk rock.
“That was completely in line with everything I loved at this time of my life but didn’t really know how to articulate. I loved punk rock but I also really loved musical theatre. Not only the performative element of it, but there was a real musicality to musical theatre that wasn’t as present in some of the other shit that was popular at the time, just harmonically, or where chords would go. There was a sophistication I loved that seemed to not exist in punk rock.
“Then hearing Fat Mike at The Warped Tour going ‘Alright, which one of you Motherfuckers loves Julie Andrews?’ and hearing a mixed bag of reactions, because people were ‘What? I was not expecting that from you, sir?’ And then they start playing “My Favourite Things”, a classic Rodgers and Hammerstein song which is very accessible, but sophisticated nonetheless. And I am just living. I’m like, ‘This has got the attitude and simplicity of punk rock, but the sophistication of a beautiful song.’
“That was the first time in my life where I went, ‘It’s just all music. All these categories and boxes are completely arbitrary.’ So I thought, ‘I can do that.' I was playing power chords in punk bands but I realised that you can take chords and make them into other rhythms and voicings and have the same song. I could take a punk song and make it jazz. I could take a jazz song and make it country. So, quite providentially, I would end up on Glee, where they took popular songs and would sometimes do their own versions.
“By that point, I had been doing this my whole life. The first time this ever became a possibility for me was seeing Me First and the Gimme Gimmes, and that way of thinking about music and genre. I’ve put that into Masquerade, and it’s all born from that moment of ‘Oh my God, nothing has to be one thing. It’s just about how you look at it.'
“Cabaret” is from a pretty famous musical that I would’ve probably heard about later in life, but I first heard that song as a punk song and then I went back and heard the original. It doesn’t matter how these things happen, the inspiration happens and then you can go from there. But Me First and The Gimme Gimmes were a huge gateway drug and I play “Cabaret” now every year at my festival. That’s why the festival is called Elsie Fest, because it covers the song.”
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“Modern Nature” by Sondre Lerche
“One of the great joys of being a younger brother is that you get to inherit the music of your elders. My brother and I were both really proactive consumers of music, so we would share stuff with each other all the time. But then he would come home from college, which is like coming home from a music festival essentially, right? He was in a new time zone with new people, so he’d bring home these mix CDs that he’d made from people that he’d heard about, and he brings home this guy named Sondre Lerche.
“Hearing this guy blew my mind, because he also was using jazz chords and drawing on musical theatre. Musical theatre’s a massive category, so I can’t just say that musical theatre sounds like one thing, but when I say this, I’m referring to The American Songbook, the jazz standard songbook. “Modern Nature” was a duet that I would go on to play many times with one of my oldest musical collaborators, Charlene Kaye. When we got to college and we both found out that we loved this guy.
“There was a much more whimsical way to how he wrote these songs. And what’s crazy is that loving this guy meant that we also loved Rufus Wainwright, that we also loved these other artists. But Sondre was the first time I considered that I loved that type of music, but I didn’t know that you could be a singer/songwriter and put out music that sounded like it.
“I don’t know if ‘twee’ is the right word to use, but with “Modern Nature” there was a playfulness about it, and again, a musicality that I really gravitated towards. There is a through line - there was a sophistication that was accessible, and me trying to learn those songs did make me rethink the way that I was writing music. The structures were weird and different and I liked that.
“To this day, I find myself writing songs that I think might be difficult for people to ingest, because they’re a little too left of centre, and I realise that I’m trying to write like Sondre Lerche, or I’m unconsciously just copying him.”
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“Everything Happens to Me” by Mr Hudson & The Library
“I was in an H&M in Stockholm when I was 21, and I heard this really cool groove and the lyric was “Why must I always play the clown?” It was sung with a really thick British accent, had an 808 feel on it, and lyrically it had an attitude. Who would say something that sounds so like you’re in a Gilbert & Sullivan musical, but it feels hard? It was cool.
“I went home and looked this up and it was off the record A Tale of Two Cities by Mr Hudson and the Library, which would really, really fuck me up. I bought the album immediately because I loved this song. I had to order it on the internet because I couldn’t find it. It was doing well in England and he was on the festival circuit in the early-mid 2000s, but the first song on the album was a musical theatre cover with 808s.
“It was a pared-down, sort of a hip-hop version of “On The Street Where You Live” from My Fair Lady, and I’m like ‘No fucking way, this guy gets where my head is.’ I’d thought about punk rock musical theatre, but I never thought about 808s and 909s scoring these beautiful songs. I go down the track list and he has “Everything Happens to Me”, which is another very famous standard, and he had this really cool, what we would now call chill-hop, ‘study beats’ version of this song. I was like, ‘This is it. This guy gets that good music is good music and you can reinterpret it to offer it as a new song.’
“I would later become great friends with Mr Hudson. I got to meet him years later when I was with Columbia Records, and they said to me ‘Who do you want to meet?’ He was at the top of my list. I went to London and we’ve been friends ever since and have created all kinds of music together.
“He told me a story where Tyler the Creator went up to him once at Coachella and said, ‘Oh man, “Everything Happens To Me”, that’s like my song.’ We both wondered if Tyler the Creator knew that it was a Chet Baker cover. And we were thinking how cool it is that you can offer these songs to a new audience through a different lens. Tyler’s a smart guy, he’s very cultured, and I’m sure he did know. But it’s more the idea that if someone experienced this song and didn’t know that it was a cover, and this is like the first time they ever get to experience it.
“Mr Hudson would go on to do his own thing with Kanye and was on 808s & Heartbreak and has had his own career. I think “Supernova” was a hit in the UK, it didn’t really cross over here to The States, but before that moment for him, that Mr Hudson and The Library album changed my life. People use that phrase willy-nilly, but this literally was a turning point in my life. It all had to do with the same thing that happened with these other songs, where I saw someone do what I always wanted to do but didn’t really know how to pull off. Where he had this fusing of old songs delivered through a contemporary lens, but also laced it with his own original material that also employed the things that made that old songwriting interesting.
“It’s like changing the font of a great essay but finding the font and figuring out that that font is its own art form. He really displayed that marvellously on this.”
The Masquerade EP is out now
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demonslayedher · 3 years
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Buriko-Senpai! This is such a wonderful blog to read, and I love your art so much! It's so nice to see other traditional artists out there! What's your thoughts on the demon slayer marks and their affects after Muzan's defeat? Do you think they're a purely physical effect, or a supernatural curse like Ubuyashiki's? It seems like in the latter case it would be lifted? In Tanjiro's status report, he mentions wanting everyone to be happy "when he's gone", and hints of preparation for the future...
Thank you for the kind words on my art! (≧◡≦) Glad to know people like the style, I like the feel of trad art both for the final product and how the pen feels in my hand, haha~. I love all the additional possibilities in digital art, but will leave that to the people who are good at it. Glad you find my blog a good read too, because we’ve got another lengthy read ahead.
As for the mark and whether it works in a purely physical sense or a curse sense, I'm ok thinking of it in either way, depending on its purposes in post-canon fanwork (but of course, you can do whatever you want in fanwork totally inventing the mark or completely ignoring it too). As Gotouge never states exactly what becomes of Tanjiro, Giyuu, and Sanemi, I don’t feel we can declare it working one way or another. We'll consider it from both angles, but in general, I think canon evidence leans toward an avoidable physical impact. Even that, however, leaves room for interpretation on strict "25" might be or not.
If we approach the curse direction first, the worldbuilding surrounding the Ubuyashiki curse gives a lot of framework for the mark being a curse. The second fanbook even gives us more circumstance and age-related perimeters that seem very arbitrary, like how only one male will survive each generation and how the daughters will also die young by sudden illness or accident if they don’t marry out. As the curse is tied to Muzan’s/demons existence, it is completely lifted once Muzan is eradicated, but Kiriya still anticipates dying in his 20’s and does not feel relieved that it’s gone until he’s in his 30’s. This would put Giyuu and Sanemi in their 50’s if they’re still around, and with their own curses effectively gone, they’d probably have spent the past couple decades insisting to Kiriya that he can relax.
If the rebound of the mark is a supernatural curse, there are a couple other things that make sense about this to me, in the light of cosmic justice at play in this universe. First, it’s a general rule in a lot of philosophies and other works of fiction that to gain something powerful, you must pay the price and sacrifice something. Second, the Ubuyashiki family is cursed to carry the sins of one of its members until they can stop that demon member. While Demon Slayers may not necessarily be carrying the sins of demons, we see demon marks at play in this series first, though its effects are not clear until we see how Nezuko is stronger when her vines appear. A Demon Slayer also gaining extra strength like this is, perhaps, taboo.
As for the mark being a purely physical effect, I think the emphasis on physical effects of the mark (especially how in Chapter 129 Muichiro analyzes its effects on body temperature and the heart), and how throughout the manga it is continually stressed that the Demon Slayers are mere humans even if Breath helps them push the natural limits of human ability, lend to a more physical interpretation that in order to push so far past normal limits, it has to borrow against the natural human lifespan. This is how the characters in-universe also interpret its effects. If we look more into what Muichiro says:
Muichiro: The anger was too strong for me to have any handle on my emotions. I believe that in that moment, my heartrate exceeded 200 beats, and my body felt as hot as though it was burning. My temperature would had measured at least 39 degrees or more. Shinobu: !? Could you move like that? That would be life-threatening. Muichiro: Right. That’s why I think it’s a matter of falling into one category or another. Whether you die or survive that moment is what determines whether a mark will appear or not. Amane: A heartrate of over 200, and why a temperature of 39 degrees? Muichiro: That’s because when I was received treatment at Kocho-san’s place I was running a fever. When my temperature was taken, the thermometer read 39 degrees. At the time I would have been said to have a mark appear, my body was just as feverish.
(For reference, according to searching with the same terms used in the original text, your top heartrate is 220 minus your age, making Muichiro's 206 beats per minute. The average for someone in their 20's is 120~140, somewhat hard exercise would put it at 150, and hard exercise puts it at 170, according to the Borg scale. Normal body temperature in Celsius is 37 degrees; while 39 C = 102.2 F.)
If we look back at when Tanjiro is first facing off against Daki, he considers how he gets more power out of Hinokami Kagura than from Water Breathing because it suits his body better, but he is not yet physically capable of the switch between them. As he psyches himself out in Chapter 77, we see that he has physically been trying to prepare himself for this, and he’s shouting at himself to set his heart ablaze. Clearly, Tanjiro is leaning into that advice from Rengoku-san, and if he’s on his way to getting the mark, he’s been taking that advice somewhat literally.
In Chapter 78, as he purposely raises his own temperature to fight the side effects of switching to Hinokami Kagura, we get a flashback that Kiyo-chan was very worried that Tanjiro was running a temperature of 38 degrees (100.4 F) for three days, but Tanjiro begged her not to tell Shinobu yet because he felt fine in that sustained feverish state, and was able to put more power into Hinokami Kagura that way. (This may also be part of why the mark seems to have a different effect on Sun Breath users, as their body draws from this power in a more sustained way.)
We can probably think of most of the other Breath Users who attained the mark as having gotten it in a similar way to Muichiro. In a fit of high emotion and desperate battle, their body pulled from its natural reserves, and similar to a human and/or demon being exposed to lots of Muzan’s cells all at once and either dying or quickly adapting, they attained a mark and relied on that temporary extra burst of strength. While it either happens or doesn’t happen for the others (Muichiro plainly states he was unaware of a mark’s appearance) based on being the flow of tense battle, Himejima seemed to have gained enough ability that he could choose when he wanted to tap into that power. When we’re first left not knowing what else Amane told the Pillars, Himejima openly wonders what would happen in his case (seeing as he is over the age of 25). In the third light novel, we get a brief scene of Himejima pulling Muichiro aside after that meeting to ask if he’s alright with this, since he’s just found out that he has no chance already of living a long life. Muichiro is fine and wonders about Himejima, who is also fine with this. They both are willing to do whatever it takes to fight Upper Moons and know their survival has never been assured. Himejima goes on to say similar things to Kokushibo in Chapters 169 and 170, when we the readers are finally told about the limited life expectancy. The two of them both sort of expect Himejima to drop dead that night because of his limited stores to draw from. Himejima would had preferred to not raise his temperature so much until facing Muzan (seeing as he knows he’ll be racing against time), but knows he has no choice but to start while facing Kokushibo. Kokushibo is somewhat impressed with his control of getting a mark and his preparation to die, and he finds it a waste of Himejima’s ability and likewise is like, “why not preserve your flesh as a demon” because, as we find out in Kokushibo’s flashbacks in Chapter 178, this was part of what motivated him to accept Muzan’s blood. He couldn’t handle the frustration of his polished techniques being wiped out by a short life span, especially since it would mean he was soon out of time to match or best Yoriichi. If we go back to that conversation between Himejima and Kokushibo, Kokushibo loses his cool (hahaha, that feels like a bit of a pun here) the moment Himejima is like, “there was one exception to the rule though, wasn’t there?” I suspect that Yoriichi was the exception partly due to Sun Breathing being a more perfected, sustained form of pushing the limits of human capability, and Yoriichi being born naturally perfect at it, so his body didn’t need to scramble looking for extras sources of power like hastily (or slowly) borrowing against his lifespan. What’s very interesting about Kokushibo is that he also regularly sustained his mark, so perhaps it’s possible he could had lived past 25? Here's what really key: We also don’t know about these early marked users. Did they regularly sustain their marks, or did they only show up regularly when they battled demons, repeatedly borrowing against their future lifespan? Or was it a one-off thing for each of them, like it was for Giyuu and Sanemi? It’s possible that even if Giyuu and Sanemi are doomed to shorter lives, since they both only had the marks for relatively short periods of time on a single night, they might well exceed 25 years. The fact that Gotouge gave them descendants (as opposed to only implied reincarnations), and because they are both characters generally written as dense in the ways of love and close personal relationships, that sort of implies they needed some time before leaving behind offspring, and I hear a lot of voices in the fandom displeased with the idea of them leaving children behind when they know they won't be around to raise them. Since we don't know any canon details on this, let's cut the boys some slack and say they took a chance on being happy. After all, all their time in the Corp already teaches them tomorrow is never assured.
Side note while we’re on the Sanemi topic, he attains his mark right after Himejima brings his own forth (because Himejima is a badass who can just be like, “ok, now”). While he comments to Himejima what a good idea it was to do Pillar Training so he could attain that powerful state, it’s also possible that being in the presence of someone who already had one was part of what triggered Sanemi’s body to access that state as well. The nature of the mark’s spread from person to person is another tick in the “supernatural curse” box if people like that interpretation more.
Let’s take a look back at Tanjiro, though.
Tanjiro, our special Hinokami Kagura boy, was already a special case for his own knowledge of Sun Breathing (however imperfect), and his own sustained mark (though as Genya notes in Chapter 134, it tends to transform slowly, and as Tanjiro remarks in response to Shinjuro’s comments in Chapter 81, his mark was not something he was born with like the original Sun Breath user was, it was but a childhood injury which took on a different shape when he was injured at the Final Selection). While Amane cites him as the one who started the trickle of marks appearing again, we know in the Pleasure Quarter arc than Tanjiro was been unknowingly training himself to make the mark appear, like the Pillars later tried to do in training.
Tanjiro also, however, has the very unique experience of undergoing repeated cruel and unusual suffering in battle against Muzan, basically dying, turning into a demon with more of Muzan’s cells than any other demon in history, and turning human again with man-made medicine all in the span of about two hours.
We can’t really compare Tanjiro’s case to Giyuu’s and Sanemi’s very easily. Besides the slightly different nature of his mark (which Muzan says will still kill him anyway if he becomes human again, but whether he says that based on a cosmic rule or historical precident, we don't know), we simply don’t know all the details of how Tanjiro's flesh has been affected by everything that happened to him in that two hour period. It seems safe to say that becoming a demon is what saved his life since it rebuilt his flesh and supercharged life back into him, but since he wasn’t a demon long enough to have fully integrated those new cells, the entirely reconstructed parts of him (his left arm and right eye) are essentially lifeless. However, there may still be some amount of reclaiming that his body did during his demon minutes, for the whole right side of his face should be paralyzed (yet he can still use it expressively), and there was probably internal damage throughout his entire body and other various injuries (like stabbing himself) which were repaired enough for him to survive. Had he been a demon longer (long enough that his body with Muzan’s memories likely would had broken down the medicine Kanao gave him), my guess is that he would had fully integrated these body parts, like how Nezuko gets to keep her legs despite all the times they were blown or chopped off.
But we also know that Tanjiro had to take a few months to recover (his visitors looked like they waited the whole three months before getting permission to see him), and that his condition allows him to live and work, but he generally is in a weakened state. Again, rather than only having borrowed (on multiple occasions) against his own lifespan, we don't know the extent of the damage and repair he's undergone.
While he’s got 25 as a historical benchmark to anticipate, and as you mention, he does seem to fully anticipate that early demise, his case is so unique that it could go in any direction. Tanjiro might live longer than 25, as this would give him time to pass on Hinokami Kagura to at least his eldest son, but like Tanjuro, he’d probably have a pretty weak constitution for the rest of his dwindling life. But also worth noting, the phrase is that they die by at least age 25. That means some of the Warring States era swordsmen probably died before that age. (。•́︿•̀。) I don't feel this is likely for Tanjiro, Giyuu, and Sanemi, but it is worth noting as a possibility.
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iwantutobehapppier · 3 years
Text
We Will Wake Up
Pairing: Dark!Steve Rogers x Reader Summary: Steve and Bucky seemed to be everywhere you looked, certainly this familiarity between the three of you would only bode well when you seek refuge at their place during the Shutdown.  Warnings: 18+ Only, Dark Steve Rogers, somnophilia, dubcon bordering on noncon. Please if any of this bothers you read no further. There will be more fics for Festival of Smut with little to no dark themes.  Word Count:  2,536 A/N: Happy 2nd night of Chanukah! I give you some dark/creep Steve. I have been tinkering with this one for a long time now. @sapphirescrolls​ really helped fuel this along with Tyler by the Toadies.
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You know Steve’s there. He’s always there now. He knows you know. He parades around as if his presence is pure coincidence. It is equal parts laughable and concerning.
Looking out the corner of your eye you catch the tall bulky frame of his best friend Bucky beside him as they wait for their coffee. Bucky a man of little flourish in coffee grabs his cup and sits right across from you at the table outside of the little coffee shop. Outside seating more comfortable for you given the current pandemic. But your two shadows didn’t have any worry about the pandemic with the Super Soldier Serum.
Steve and Bucky were great people. Working with them when it came to PR had its challenges but overall a joy.  Not only that but you were pleased to become friends with them. That was months ago. Now they were showing up everywhere you went outside of the regular
Compound encounters. However, you had noticed Steve was sans his pal more often than not in recent encounters.
“You should stay in the compound with us,” Bucky offers a solution to your current dilemma. You frown at his suggestion. Steve’s waiting for his drink inside of the coffee shop they both happened to show up to this morning.
A coffee shop you had never gone to before in an attempt to test your theory about being possibly followed. The results, worrisome
“I mean,” Bucky leans over his cup keeping eye contact. “You’ve said it yourself, they’re starting the shutdown soon and you’re not sure how long you can spend being completely alone.” You look away at his intense gaze only to catch Steve’s eye as he sits next to you at the four top.
“What are you two talking about?” An easy smile falls over Steve’s face before he takes a sip of his coffee.
“Just that she should stay with us,” Steve nearly spits out his drink, and Buck chuckles at his expense. “You know, staying with us would be much more entertaining than being alone.” Bucky leans over the table looks at Steve directly when he stops.
Steve nods his head, taking the lead.
“You know the Compound ground fairly well,” Steve continues. “It’ll be fully stocked to last the shutdown and then some.”
Nibbling on your bottom lip in equal worry and contemplation you worked out in your head, ways to refuse the offer without coming off as a heinous bitch. 
“Wouldn’t you guys be coming and going during missions?” You scrunched your face up. “I think that would put me at risk of contagion.”
“That’s the greatest part about it,” Bucky leans back in his chair, crossing his arms behind his head. “We’ll be there too. Unless the worst happens, and then we’ll get testing to make sure we’re not carriers before we come back home,” he pauses looking at Steve then you, “to you.”
Steve clears his throat shifting in his seat you tilt your head to the side watching him. “Are you okay Steve?”
“Mm?” he looks directly at you for longer than fleeting seconds. “Yes,” he pauses. “I really think you should consider the offer.” His hand rests on your knee, the heat emitting off him almost too much for the end of March in New York City. 
“We have a spare room in our apartment there,” He watches you nibble on your lip once again, he shifts to Bucky who just nods his head towards you. “We’ll get it set up just the way you want and I swear we won’t leave dishes in the sink.”
Bucky chuckles, “I agreed to no such thing,” Steve cuts his eyes at his pal. “Fine,” Bucky huffs folding his arms over his chest pouting.
You can’t help but laugh at the two of them, much like a married couple. Maybe having their banter around would be helpful to ease the worrisome a pandemic causes? Perhaps the following was because the two had so few friends outside the compound as is and they’ve often said how welcoming you make them feel. Without letting yourself fret any more over the decision you made your choice.
“Okay,” you nodded your head, Steve’s hand on you clasping around your knee. “When can I move in?”
The smile that illuminates Steve’s face bright enough to light up the sky of NYC you were sure of it. However, the grip on your knee makes something in your hindbrain whisper “Be careful.”
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You had been doing so well, it was a month in and the situation was proving rewarding for all parties. You had a nice state of the art abode, they had a personal chef in you and you all had each other for company. 
Working from home was not an issue at all, they left you alone when you were working. You only saw them when you’d pause for lunch, where they always seemed to in the kitchen waiting for you. After work would normally be some type of movie to watch for them to catch up, sharing music or the rare occasion Steve drawing you as you read. 
It was nice and oddly domestic bliss but it seemed to change one drunken night when you kissed Steve. It wasn’t meant to be anything, you were drunk feeling good and he was making you feel good. With his compliments and attention before you knew it your lips were on his. He didn’t respond which left you feeling completely foolish. 
Not that you wanted anything to happen between you and Steve, you didn’t, right? He was handsome, and god knows he was packing with what your eyes have beheld when he comes back from his work on in his grey sweats. So maybe you did? Or was it the cabin fever?
However, after that, it’s a fat chance anything would happen as he avoided you the next day. Bucky told you it was just his nerves that “He’s never had a hot dame like you into him.”
Luck was on your side two nights later when Steve ventured out of his room for a movie night. A romance on no less, and Bucky suspiciously dipping out early claiming he was exhausted. That left you and Steve miles apart on the couch until Steve slid down to your side, his arm wrapping around your shoulders. He pulled you close and when you tried to pull back for some space for civility you couldn’t budge him. 
When the romantic duo of the film finally kiss you can’t help but look at Steve from the corner of your eye. Steve is staring at you, a light blush on his cheeks. He leans forward, and before you know what’s happening his lips are on yours. You’re quite shocked given the drunken kiss you gave him.
It takes only a moment for your lips to soften on his. The pleased sigh he emits warming your body up almost more than the kiss. With tentative movement, his tongue trails only your bottom lip, and your open your mouth on reflex. Then the flood gates are open, he’s pulling you into his lap, arms holding you secure as you both make up for the last quarter of the film.
As the credits roll you finally part, lips chapped and swollen. You feel your cheeks warm as you look away. Well, this certainly wasn’t your plan. Steve clears his throat and you look back at him.
“I had wanted to do that for a while,” You give a shy smile in response.
“I think,” you pull yourself off his lap. “It was worth the wait and just enough.” Needing to keep your distance before you let this go farther than it should. Sleeping with someone who was kindly housing you rent-free was not the smartest move in your opinion. 
Steve nods in agreement though his brow furrow with agitation. He was fairly certain his night would go somewhere else and the uncomfortable tightness of his pants had to be dealt with.
“I suppose you’re right,” he shifts on the couch and you pretend not to see the bulge in his pants that you had without a doubt felt just a moment underneath you. “I say we call it a night.” Steve veining confidence to take control of the night.
Nodding in agreement. “Good night Steve,” as you go to turn he stands up and grabs your wrist pulling you into him capturing your lips one last time. 
Letting you go when you pull apart he smiles. “Just had to have one more,” tucking your hair behind your ear you can’t help but smile, “Sweet dreams.”  He releases your hand as you turn once more to retreat to your room.
His eyes glower at your disappearing figure, eyes tracing the flare of your hips and lush back side. He wasn’t sure he could wait for another night to continue this path you two were on. One he desperately wanted. 
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You were awake and abruptly so.
You felt, full? Oddly so? An ache and stretch in your lower abdomen the first sensations as you wake up. Then it’s the way you feel your pelvis flex against something. Eyes opening the room is still dark, your eyelids feel heavier than usual when awoken in the night. Are you sitting upright? What’s the warmth radiating at your back?
Warm muscular arms wrap around your body from behind, you yelp in fear. Your bareback is forced against a fuzzy chest. Wait, are you naked? Thick thighs flex below you and that ache in your lower abdomen is clearly all the way to your pelvis becomes clear. Your gasping for breath as panic sets in, your voice cracks in your attempts to call out for help. Who is this?
“Ssshh,” lips press against the shell of your ear. You’re cocooned in warmth and you’ve never been more afraid in your life. This sensation should be comforting but-
“Knew you’d feel so tight around me,” You’re bounced up by the thighs beneath, and the moan that pulls from your lips is involuntary. The thick cock lodged so deep inside you feel too good. It shouldn’t feel this good. The bulbous cock head brushing against that special spot with each re-entry. 
“Ste-Steve?” you get out between your shock and pleasure. He holds you down, still as can be, you can feel the steady thump of his heart against your back. Lips the press against your ear slowly trails down your neck resting at the nape. His breath pushes hot air across your bare chest with a forceful exhale.
“It’s me,” His words a whisper on your skin. “I’ve got you, sweetheart.” You try to find his words comforting, recalling how gentle he is with you, how attentive and soft the first kiss was earlier this night. How had it escalated so quickly?
Your nails dig into his forearms, his large hands holding your waist lifting you up and down as if you were light as a feather. It was disorienting. He drops you down and as your mouth opens his large sweaty palm mutes your scream.
“Normally,” Steve grunts pushing up into you. “I’d want to hear your beautiful voice,” He lifts you once more, his hands so warm and tight against your skin. His super strength made you feel like a sack of potato at the most. Slowly lowering you down his pulsing shaft you can feel the way he pulls at your walls, the sponge feel of the tip of his cock hitting your cervix.
“But I don’t want Buck to hear.” He grunts pushing his hips up and down, his thighs moving you without your aid. “These noises are mine.” He growls. His hand slips from your mouth to between your slick folds to rub softly against your little nub.
When you inhale to moan Steve shushes you, resulting in you bitting your lip trying to muffle your moans. “That’s my good girl,” his words warm against your skin as he sets a steady pressure on your nub in a circular motion.
Your walls fluttering around him he muffles his groan. “Fuck, baby girl,” his fingers digging into your hip. Steve’s hands move to lift you up, almost completely off his cock the wide tip sitting at the opening. For a brief moment, you think it’s over whatever this violation of your body is.
Then you’re falling, the push of his thick and long shaft into you makes your head jerk back. His chin resting on your forehead. Steve’s bulging arms wrap around you resting under your breast. “You feel me here?” a hand slips down to push on your lower abdomen. A soft moan pulling from your lips at the feeling. 
Looking down you gasp seeing the slight bulge, no wonder it felt like he was splitting you in two. Watching the hand slip down further, two fingers slide down to capture your clit, giving a gentle squeeze. Your body shakes, biting your lip to hold in a moan tilting your head back once more. 
Your hands grip his large forearm trying to pull his hand back. The sensory overload too much from being woken up in such a jarring manner. Trying to get hold of whether you wanted this or not was becoming difficult with each touch. 
Steve tut’s in your ear, his hand pulling back to slap your pussy. Your whimper following the slapping noise. “Don’t hide how much you’ve been wanting this.” He bends his head, lips resting on your forehead. Then touch intimate and far more gentle than what he is doing with your body. 
“I know you’ve been waiting so patiently for me to fill your pussy,” His crass words scrap against your forehead. You go to shake your head but pause when he rotates his hips. 
“It’s okay,” his tone saccharine, “We’ve got plenty of time to make it up before Bucky wakes up.”
573 notes · View notes
silhouetteofacedar · 3 years
Text
Fox Mulder, Closet Romantic Ch. 12: Capsaicin
Previous Chapter - AO3 - MSR, rated E
Maybe he wrote her address wrong.
The odds of that happening are pretty damn slim; Mulder’s had it down by heart for years, but he’s grasping at all possibilities right now.
He had sent the letter through the postal service in an attempt to keep himself from stressing out over its delivery, but that plan backfired the minute the envelope left his hands.
He dropped it in the mail on Saturday evening. It’s now Wednesday, and Scully has made no mention of it. There’s been no indication in her demeanor at all to suggest that she’d received any revelatory mail-pieces.
He might live the rest of his life in this horrific limbo, a purgatory of his own construction. He’s been on pins and needles all week, filling the basement office with nervous energy, furtively glancing at Scully in attempts to read her facial expressions. Did she get the letter and throw it out? How is she so calm? Maybe it got stuck in one of the sorting machines…
Before he knows it, Scully’s bidding him a friendly “goodnight” and shutting the office door.
Say what you will about anxiety, but it sure spices up the workday.
Mulder drives home in a fog; he’s exhausted from the mental exertion of thinking in circles and jumping to conclusions. Inside his apartment he flops down on the sofa and calls for takeout from the Thai place down the street that has his order memorized.
The next time he confesses his undying love to somebody, he’s going to use e-mail.
A knock on his door shakes him from his reverie.
“How much do I owe-” he begins as he opens the door, then freezes.
Scully is standing at his doorstep, a high flush on her cheeks. She looks somehow startled, as though he surprised her by opening his own front door.
“Scully,” he says, concerned. “Are you alright?”
“Mulder,” she replies, voice cracking on the edges. Her big blue eyes are full, ready to spill over her lower lids.
Oh.
“You read it,” he says softly. He feels his chest tighten into a tight knot of anxiety, and he swallows hard.
She nods. “Can I- I need to come in.”
He stands aside, ushers her into his living room.
She’s vibrating with nervous energy. Mulder motions to the couch. “Would you, uh, like to sit down?”
“I’d prefer to stand, thank you,” she says, voice tight. She grips her elbows.
“Well, I guess I’ll sit,” Mulder says softly, lowering himself to the couch. “Scully, I-“
She holds out a hand. “You got to say your piece, Mulder, now it’s time for mine.” Her lower lip crumples slightly, and he wants to get up and hug her.
She takes a deep breath, pulling herself together. “Mulder, when I received your letter today…” She blinks back tears. “I was completely overwhelmed. I’m not even sure how I managed to drive here,” she admits. “And I appreciate that in it you acknowledged the inopportune timing of your confession. Things just keep piling up,” she says. “But now I just want to know, need to know… why the hell did you wait so long?”
There’s pain in her voice, and he aches in return.
“I didn’t know how you felt,” he says simply, “and then Mark happened.” It’s so insufficient, but it’s all he has.
“I wish you’d told me before,” she says. “I wish I’d known. I dragged you into this mess with him, and the whole time you… you felt that for me.”
“Scully,” he says slowly, “If I had told you I loved you, would you have still gone out with Mark?”
She doesn’t answer right away, and his heart falls into his stomach.
“How can you ask me that?” she says, voice a rough whisper. “What do you want me to say?”
Say no. Please. “I’m only interested in the truth, Scully. You of all people know that by now.”
A tear spills down her cheek, and she wipes it away roughly. “I… I don’t know. Do you have any idea how long and hard I worked to not feel? I’d wake up every damn morning thinking about you. I’d scrub myself raw in the shower so you couldn’t smell me, sense how much I wanted you all fucking night. I’d come to work and turn my heart off, bury my feelings so deep that even now I can barely scratch the surface of them. I did it for years, Mulder.” She takes a deep, shaky breath. “So when my mother introduced me to a nice man with a little girl, I decided to go for it. And I almost forget how to really feel something. But you… you never let me forget. And the rational choices cease to make sense.” She sniffs noisily. “You turned my entire world upside down.”
He hangs his head. “I’m sorry-” he begins.
“No,” Scully interrupts. “No, Mulder. I don’t want your guilt, or your pity; I don’t need it. I want you, and me. I want us to be the two broken people we are, healing. We can’t keep hurting each other with misguided attempts to protect each other.”
“What do you mean, then? How do we stop?”
“By being honest,” she says, coming around the coffee table and perching on the edge of the couch. “We start here. Right now.”
“I-I don’t know how much more clear or honest I could possible be,” Mulder stammers. “The letter spelled it out. My cards are on the table.”
“They are,” she agrees, “But you wrote under the assumption that I wouldn’t reciprocate. You left no room for alternatives.”
“Alternatives being…”
Scully’s eyes are pleading. “Mulder,” she whispers, beseeching.
There’s a knock on the door.
Mulder glances over his shoulder, startled out of their moment. “I ordered Thai,” he explains. “If you’re here, then that must be the delivery guy,” he says.
Scully nods. “Likely.” She gets up from the sofa and crosses to the desk, fetching the tissue box there. “You should-”
“Answer the door, yeah,” Mulder agrees absently, standing and feeling his pockets for his wallet.
The bored teenager on the other side of the door holds the bag out. “Sixteen forty-nine,” he says.
“Give him a twenty,” Scully instructs from the living room, blowing her nose.
Mulder digs a bill out of his wallet and hands it to the delivery guy. “You and the Mrs have a good night,” the boy says, stifling a yawn as he shoves the money into the pack on his waist.
“That tip was what, twenty-five percent?” Mulder grouses, setting the bag on the coffee table.
“Oh, so you can do math,” Scully says, dabbing her eyes with a tissue. “So what’s your excuse for being a lousy tipper, then?”
“Spoken like a former waitress,” Mulder mumbles.
“You’re goddamn right,” Scully says. “Best IHOP server in San Diego.”
Her bravado contrasts sharply with her puffy eyes and watery voice, and Mulder wants to pull her into his arms and never let go.
“You want any of this?” he asks, pulling steaming cartons out of the bag. “There’s plenty for both of us, and if you don’t eat I’ll feel like a crappy host.”
She sits back down on the couch, setting the tissue box on the coffee table. “If you don’t mind sharing,” she concedes.
“I’ll grab you a fork,” he replies, giving her knee a squeeze.
They eat quietly, passing cartons between them, migrating together until they’re shoulder to shoulder in the center of the couch.
“So,” Mulder says, “Before the food got here, we were talking about something pretty important.”
Scully nods, turning her fork to wind noodles around the tines. “That we were,” she agrees.
“About honesty,” he prompts. “Alternatives.”
Scully sets her fork down, closes her eyes. “This… this is difficult for me, Mulder. It’s surreal; I didn’t expect this outcome for us. For you to… to feel the way you do,” she clarifies.
“On the contrary,” Mulder says, “I feel like this was always going to happen, from the day we met. Somewhere deep in my mind I knew I was going to fall in love with you.”
Scully looks at him then, eyes wide.
“Th-that’s the first time I’ve said that aloud,” he says in realization, eyes not leaving hers.
Scully nods. “How’d it feel?” she asks softly.
Mulder licks his lip. “Kinda depends on how it felt for you,” he responds, voice low.
She takes a deep breath. “Call me crazy, but I think I need to hear it again.”
He nods, then on impulse leans in until his mouth is next to her ear, strands of coppery hair tickling his cheek. “I’m in love with you,” he murmurs.
Scully reflexively grips the edge of the couch cushion. “Don’t,” she warns, voice husky and breathier than he expected. “I’m not ready.”
He draws back. “Ready for what?” he asks.
She smoothes her hair behind her ear. “You,” she says simply, looking him up and down out of the corner of her eye. She picks up her fork and takes another bite of noodles. “I’ve spent so long in denial, Mulder, I feel… flammable. Like the smallest spark could just…” she motions to herself. “Destroy my equilibrium, or something.”
“Is this the official medical terminology? Because I’m not familiar,” he quips.
She huffs a laugh. “No, Mulder. What I’m trying to say is that I think we should go slow. Whatever ‘going’ means, in this case.”
“But we are a we,” he clarifies.
“Yes, I think we are,” Scully says tenderly, facing him again. “I… I want to be. But I’m processing things, so I need you to give me time.”
You can have my whole life. “That’s fine by me,” he assures her. “So you think we have a spark, Scully?”
She licks her upper lip, nodding. “Oh yes,” she says, eyes flicking down to his mouth. “Yes, we do.”
He leans back into the couch cushions. “Well then,” he says, eyeing her lazily, “When you feel like starting some fires… I’m your boy.”
103 notes · View notes
ghxstlike · 3 years
Text
how karasuno met their s/o part 2!!
characters: yamaguchi, tsukishima, asahi, yachi, kiyoko and coach ukai!
TW: mentions of a panic attack!! be safe <3
for kiyoko and yachi, the reader is female :))
asahi
SCARED THE LIVING SHIT OUT OF U IN THE LUNCH LINE
he just wanted some lunch!! he didn’t want to scare u :(
you heard a scary voice saying:
“move.” behind u
BUT HE SAID “can you move please!!!!! it’s my favorite lunch and i’m scared it’s gonna run out :(”
you looked at his face, it seemed dark and menacing. with that little stubble and man bun.
YOU YELPED AND WAS LIKE WHAT THE FIXKDOXKXKCK
he freaked out and was SWEATING
“i didn’t mean to scare you!!!!”
you sighed in relief, “it’s okay, i thought you were gonna kill me.”
permanent :( face
HE IS A GIANT SO LIKE
HE HAD TO LOOK DOWN AT U
AND U HAVE TO CRANE UR NECK UP AT HIM
he thinks ur adorable
HES SEEEN U IN THE HALLWAYS AND LOOKS THE OTHER DIRECTION
u always have ur hair in a ponytail, so you blew ur hair out of ur face
YOURE SO CUTEHEHEIEKDOEK
“YOURE CUTE.”
ASAHI WHAT THEENKDKDKDKDKDKX
HE BLUSHES SO RED
you GIGGLED LSSKSKSKSKS
“thank you, gentle giant.”
he’s whipped over u and he’s just speaking to you for the first time
YOUR NICKNAME FOR HIM WHEN U GUYS ARE DATING IS GENTLE GIANT
yamaguchi
you were singing in a empty band room
“i’m mr. loverman.”
he thought you had a GORGEOUS SINGING VOICE so he stayed near the band room for a bit
he just needed to get a drink so
your voice had so much emotion, he thought it was lovely.
you started crying and screaming
“i miss my lover, man.”
he, of course, heard, and was like NO NO NO
BURSTS INTO THE ROOM
yOU SCREECHED SO LOUDDUISJDND
“ARE YOU OKAY???”
yes, yama, they’re fine.
the song ended, and you wiped the tears off your cheeks
“yes, i’m okay. just a bad day.”
worried baby :((
“can i help??”
“what’s wrong?”
you chuckled, “what’s your name?”
“yamaguchi tadashi!” his cheeks are pink
“you also have a great singing voice 👉👈”
“what’s your name?”
HE JUST WORD VOMITS CUZ HES SO SCARED KAALKAKAAK
he’s talking to a cute person omgomg
“y/n.”
YOU SMILED SHYLY UR SO FRICKING CUTEHEHEJNDDK
“can i sit with you? and you can talk about your feelings????”
he’s so scared of what ur gonna say
“okay yama-san,” HE BLUSHED MORE CUZ THE NICKNAME
“sit down with me.”
tsukishima
u guys are in the same class :D
BUT you are so fricking shy so all you do in class is doodle
tsukki sits right next to u
he thinks ur doodles are cute but shhhhh no one but him will ever know ;}
he’s a peeping tom cuz he wants to see ur drawings
ONE DAY YOU LOOKED OVER AT TSUKKI AND AND AND
the sun was shining, the brightness coming over him in the most beautiful way. he was paying attention to the teacher, writing down notes.
YOU SAW A PIECE OF HIS HAIR FALL INTO HIS EYES HES SO CUTEHEHEJEKDKD
HE BLOWS IT AWAY THATS KINDA HOT SIR
why he so pretty for UGH
you decided to draw him :D
AFTER UR DONE THE BELL RINGS
ur like AH SHIT SHIT
ur packing up so quick that you don’t notice the tsukki drawing on the floor
you run out of the room, going to ur next class.
he thinks ur the cutest when he sees ur little body shuffle out the classroom door
but when r u not cute um!!!
tsukki sees your paper fall on the floor
YALL KNOW WHAT HAPPENS NEXT
looks at the drawing and he’s ASTONISHED
leaves a note on the piece of paper and gives it to the teacher
he’s very careful that he doesn’t smudge it 😌
the next day the teacher hands you the paper
compliments u on it and you’re just like
“uH tHank yOu???”
UR SO EMBARRASSED OMG TSUKKI SAW IT UGGHHHH
you read the note;
“i like this drawing. you make me seem nice. - tsukishima.”
very blunt but you BLUSHSHAHSSJ
THERES AN EXTRA THING AT THE BOTTOM?????
HIS PHONE NUMBER?!??!
“you’re cute.” [ enter phone number here ]
kiyoko
THE NEW MANAGER
she approached you and of COURSE you said yes
honestly you didn’t know what she was saying you were just like
prettÿ lädîe
“so happy that you’re joining!!! i’ll see you after school near the gym!” she sounds so EXCITED
you were sweating
fuck
SHES SO PRETTY AND FOR WHAT I SAY
should u ask her out?????
the answer is yes.
you saw her near the gym and approached her
she had her karasuno volleyball club jacket on
WHEN SHE SAW YOU HER EYES LIT UP
“i’m so glad you came!”
YOU KINDA SPLUTTER OUT;
“we should go out on a date.”
YOU SURPRISED YOURSELF
WOAH WOAH BALLS ON YOU YES YES
she looks at you with wide eyes
smiles and says “i would love to.”
y’all are babies 😡😡
yachi
you were having a panic attack :(
she heard you hyperventilating and crying in the handicap stall
“is everything okay in there?”
she sounded so worried, but u were surprised cuz why would anyone care (PEOPLE CARE ABOUT U!!!!! I CARE ABOUT U!!!!!)
especially a stranger
you squeak out a “yeah” but she’s not convinced
“can you stand?”
she’s so caring omfg
you stand, your legs shaking, your breath quickening and your thoughts racing.
who was this girl?
you walk over to the stall door, opening it slowly
you looked into her eyes for a breif second and you saw the worry and care in her beautiful brown eyes
“hi, i’m yachi,” she said softly
you melt at the softness of her voice
“i’m y/n..” you whispered
she smiles, raising her hands to your shoulders
“is it okay if i touch you?”
you nod yes, taking a deep breath in before she touches your shaking shoulders
she does a couple breathing exercises with you, calming your heart rate.
she asks you if you wanna have lunch with her and ofc you say yes UMMMM???? she’s an angel!!!
coach ukai
YOU SLIPPED ON A WET FLOOR IN HIS STOREBSJSKSKSKX
THERE WAsnt A WET FLOOR SIGN WTF SIR
he hears a loud BONK and a bunch of commotion
“what the hell?”
goes to the aisle you’re laying in
HE CACKLES WHAT A DICKCKXKC
you glare at him
“i could sue you.”
“but i won’t since you’re gorgeously hot.”
you didn’t say the last part tho 🙄
STOPS MID CACKLE
“PLEASE DONT 🥺”
NOW ITS UR TURN TO LAUGH
you get up, balanced on the slippery floor and look him straight in the eyes
“did you not realize there was a wet floor?”
the SASS ON U
HE LOVES UR SASS
and in love with everything else about you
he’s a simp for you and he doesn’t understand what that is but it’s okay
still makes fun of u for slipping on the floor LMAO
KARMA GETS HIM WHEN HE SLIPS ON ICE IN THE WINTER AALALAKAKAKAAKKAAKAK
464 notes · View notes
nxrthmizu · 3 years
Text
love in bubble wraps.
fandom | haikyuu!!
pairing | kuroo tetsurou x reader
genre | fluff
w.c | 1.9k
author's note | based on a real life experience... :)
Love, you think, comes in many forms. Sometimes love is a warm, home-cooked meal that is now cooked at least once a week because you told your mother you liked it. Other times, love is laughing and crying alongside the friends you’ve known since pre-school because everyone passed their highschool finals with flying colours. Throughout our lives, we gradually come to meet the different forms of love, because it comes in all shapes, colours, and sizes.
First, we learn that love is a roof that you can always turn to when a storm blows in. Then, we learn that love is knowing that there are people who will drop everything to help you when your car breaks down in the middle of nowhere. Lastly, we learn to interlock our fingers with the one we wish to walk to the end of time with.
Then again, love varies from person to person— Just like how the goddess of love, Aphrodite, looks different to every soul that sets its sights on her; Beauty truly lies in the eye of the beholder. For some, love comes in the form of a warm body to cuddle next to on a rainy day. For others, love comes in the form of a jewelled ring. For you, love comes in the form of a 6’2 man who still doesn’t know how to tame his bedhead.
Tetsurou is often too busy for his own good, always running around here and there to secure contracts, ensuring that Japan can make a name for itself during the Olympics. He books train tickets to opposite ends of Japan at least once a month, leaving before the sun rises and returning after it sets. The sun never dictates his work day, because while his coworkers work from nine to five, Tetsurou works until he finishes his tasks.
Okay, so your husband is a bit of a workaholic. And maybe not just a bit.
“L/N-san,” Your colleague asks one day out of sheer curiosity. A group of women are gathered around the snack station, sipping on cheap, machine-produced instant coffee as they gossip about their marital lives instead of working. “Now that I think about it… I’ve never met your husband, have I?”
“Ah,” You sweat-drop nervously at this. Wonderful— Your parents are already pressuring you about how Kuroo rarely visits with you— And now your coworkers, too? “He’s quite busy. He works very hard to make sure that we’ll be well-off in the future.” You respond, knowing that your reply is just a thinly-veiled way of saying ‘He’s rarely home,’.
“Oh, that’s awful,” Wherever you go, there’s always a middle-aged lady who has nothing better to do than to prey on the weak spots of your life, “It must feel lonely. You must feel so sad when you see my husband pick me up from work.” A smirk dances up her lips as she waits for you to walk into her trap, smiling as widely as a spider watching its incoming meal.
“Not really,” A practiced smile counters hers as you take a sip of your coffee. “I know Tetsurou loves me— There’s an unbreakable trust between us. He might not be home often, but I know that he’s working hard so that we can have a better tomorrow… And that’s sort of comforting, in a sense. Knowing that Tetsurou wishes for a future where we’re financially stable, where we can just spend a whole day doing nothing in each other’s presence…”
A chorus of ‘awws’ makes you blush. Out of the corner of your eye, you see the middle-aged coworker huff in failure. You mentally fist-pump the air at your victory.
“Anyway, I heard that you got engaged last weekend, Shiho-san,” Changing the topic quickly, you smile when the attention of all the ladies instantly redirects to the said woman, who blushes fiercely as they all coo at her ring. “Congratulations!”
“Oh my! He bought you such a beautiful ring… Ah, Shiho-san, you’re so lucky!”
“My husband also bought me a new bag last week,” The middle-aged woman chips in proudly, cocking her head towards her cubicle, where the leather handbag sits atop a tower of documents. “It’s very expensive.”
“That’s nice of him! It’s been forever since my husband bought me something.” Sighs another lady. Most of the group hums in agreement, sharing sympathetic looks with those that share the same fate.
“At the beginning, when we were still dating, Hayato used to buy me so many things, now…” The coworker that brings homemade cookies every New Years’ party says, looking dejected. “It’s like once we’re married, they don’t have to worry about making us happy anymore…”
“Ah, what about you, L/N-san? Does your husband buy you things often?”
You groan internally when the attention shifts to you once more. Honestly, you’re just there to listen and enjoy your coffee— Must you keep getting dragged into the conversation? “Well, personally I don’t really need my husband to buy me things to keep me happy, but… He does bring back trinkets whenever he travels.” You think about it for a while, then brighten when you remember the latest thing Tetsurou brought back for you.
“What is it?” Your change in expression isn’t missed by your coworkers, who preen with curiosity, excited to know what made you brighten up.
“Ah, it’s nothing… I promise, you’ll be disappointed if I tell you.” You chuckle.
“Come on!” “Be a good sport, L/N-san!” “We’re curious now, you can’t not tell us!”
“Oh, fine.” You sigh, “But don’t say I didn’t warn you.”
──────── ⋆⋅❉⋅⋆ ────────
[ Three days ago, Saturday ]
You were on the couch, binge-watching Grey’s Anatomy with the Netflix subscription Tetsurou got for you to occupy yourself with while he was out of town. Your cat, Kazume (nicknamed after your husband’s best friend) lazed on your lap, yawning once in a while and swatting at the stray threads from your sweater.
Somewhere in between your fifteenth and seventeenth episode, the front door chirped with the sound of someone inserting a key into the lock. You perked up at the noise, Kazume yelping in protest as he almost slipped off.
“Oh, sorry Kazu.” You said quickly, a smile widening your lips as the front door opened.
“I’m ho—” Before your husband could finish his sentence, you were already at his side. Kazume meowed loudly from the couch, complaining about you abandoning him for another man. Tetsurou’s eyes softened, the edges of his hazel irises worn down by exhaustion. You took his laptop bag from him, as well as the folders he has in hand, balancing them like how you would balance your three grocery bags when Tetsurou wasn’t around to help. “I missed you too, but are you sure you can carry all of my files with one hand?”
“Yes!” You replied confidently, showcasing your balance as you wobbled through the living room with all of your husband’s stuff. Tetsurou’s laugh echoed through the apartment as he followed you, his reflexes coming into play as he dived for a falling file. “Oops.” You giggled, helping him up after he practically hurled himself at the floor.
Tetsurou shook his head, sighing fondly while he hugged you from the back, taking comfort in the familiar smell of your hair shampoo. “I missed you.” He mumbled.
“Me too.” You hummed, reaching back to stroke your hands through his still-untamed bedhead.
“Oh, before I forget,” Tetsurou leapt up suddenly, chucking his backpack onto the ground. “I brought back something for you!”
“I already have like, twenty-five keychains from Hyogo,” You reminded him, “Please tell me it’s not a…” Your voice trailed off when Tetsurou proudly whipped his gift from his backpack, hazel eyes shining for your reaction.
“... So?” Tetsurou grinned widely, like a five-year-old child holding up his drawing for his mother to critique.
“Oh my god, I love you.” You declared in your 80 sq ft kitchen, grabbing the gift from him. “I’ll clean up your stuff, go take a bath and we can have dinner while watching the…'' You pursed your lips as you try to recall the information that kept evading you like an annoying fly. “... 15th? 16th episode of Grey’s.”
“You started that without me? I said I wanted to watch that.” Tetsurou pouted petulantly like a child.
“I finished all the other stuff I wanted to watch,” You told him unapologetically. “And Kazume wanted to watch it too. Now hurry and take a bath or I’m starting without you.”
Twenty minutes later, you were cuddled up to your husband, who did not bother to comb his hair (“It’ll just be messy later anyway,” His reasoning was). Every few seconds, he would scoop some cold mash potato out of the giant bowl (The two of you were too impatient to heat it with the microwave) and feed you. All throughout the episode, there was the constant pop-pop-pop of you working your way through the giant piece of bubble wrap Tetsurou had brought home for you.
“You know, I was thinking,” You hummed as Tetsurou pressed ‘Next Episode’. “If It were any other woman, they might have slapped you for bringing just bubble wrap home after a whole week away.”
“Well, then I’m lucky that you aren’t ‘any other woman’, am I?” Your husband smiled, pressing a gentle kiss onto your lips before picking up the mash potato bowl again. “Are we just going to have mashed potatoes for dinner?”
“I bought spicy instant noodles yesterday, we can have that later if you want.”
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[ Present, Tuesday ]
“That’s actually so sweet of him!” Your colleague coos as you finish your story. “Wish I had a husband like that…'' Even the middle-aged lady begrudgingly nods in agreement. For a moment, you feel a surge of pride— It was your husband they were talking about— Your sweet, hardworking, dork of a 6’2 bedhead.
“You wouldn’t be able to survive.” Another lady snorts. “That guy is away for weeks at a time.”
You hum. “Well, at least he calls back every night, regardless of how tired he is.” In the corner of your mind, you remember that he makes sure to call his grandmother every weekend, and that he sends his parents (and grandparents) money every month, that he visits your parents the first Sunday after he’s back from his trips— Not to mention that he always brings a gift of wellness products (The most recent one was a box of abalone).
The group of women swoon once more.
“Well, I guess we should get back to work,” You dispose of your paper cup in the trash, brushing your hands off. “See you ladies later.”
The moment you’re back at your desk, you take out your phone to text your husband, who is, no doubt, going to be very, very confused.
[ y/n ] 2.37pm
— we have a problem
[ tetsu <3 ] 2.39pm
— what’s wrong???
[ y/n ] 2.38pm
— i may have accidentally caused 20 women in my office to fall in love with you
[ tetsu <3 ] 2.38pm
— what ???
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you know it's love when your dad comes home with this giant piece of bubble wrap and your mom literally squeals and snatches it to immediately start popping it on the couch while browsing facebook on her ipad
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