hi i'd like to know about your transfem fuuta thoughts please. if that's ok
"if that's ok" as if I haven't been rotating transfem fuuta in my mind for a long time and dying for an excuse to post something 👀👀👀 Thank you so much Ah!! I was able to format my little ideas and headcanons into an actual write-up, I just love this concept so much! All the big murderous twists in the series and I’ll never get over it is what it is...
So, as much as I enjoy headcanons about some big revelation moment, I think that Fuuta Terminally Online Kajiyama has been very aware of his identity for a while. He just never really got the motivation to do anything about it. He knows he's not completely satisfied with his gender, but isn't constantly suffering over it, so he thinks telling people/transitioning would be way too much of a hassle at that point in his life. He also struggles with people taking him seriously given his height, attitude, etc -- unconsciously he's also worried it will only make matters worse in that area.
He wouldn't dare say anything to his parents, and wants to avoid hassle with his friends. People paint them as judgy incels sometimes, but if they were really calling out ‘bad guys’ online, I always got the vibe they were those annoying type of progressives who will harass people for not being accepting in the perfect correct way, you know? They'd be outwardly supportive but there's still a level of high expectations and performance that comes with it, and so deep down Fuuta understands there'd be a "hassle," but can't really define why.
I mentioned in another hc post that Fuuta and his sister have a silent supportive relationship. I feel like she's the one person in his life who knows everything and is super accepting -- this is understood even though neither have said anything out loud. (When he was younger, she definitely forced him into skirts, dresses, and accessories "to check something for her beautician work.") She's noticed all the times he's picked a female avatar in games, or cosplayed in ambiguous outfits.
Then, Milgram. Thinking his life will be over soon anyway, he opens up to a few of the prisoners about himself. Their unexpected openness keeps it on his mind more often than before. Still, nothing changes. Through some rocky verdicts, he's declared innocent and released.
Back in the real world, he's pretty fucked up from the whole ordeal, and starts off extremely isolated. He's in touch with his family, but distant. He maintains contact with some of the other released prisoners, but it starts off only over the phone. He changes schools or maybe drops out completely. Having deleted all online accounts after the incident, he gets to work setting up a new online presence. He was planning on using an alias anyways, and goes with something gender neutral. "To be extra safe that no one guesses it's me," he tells himself.
Letting his hair grow out begins as an accident -- just a side effect of never going out or minding his appearance. One day he realizes how long he's let it go and grabs some scissors to cut it. He makes a comment in his chat, and someone begs him to send a picture first. He goes to take it, but is suddenly disgusted and ashamed of his self-neglect. He's forced to make himself selfie presentable first: brushing his hair and throwing on something clean real quick. When he goes to take the picture, he realizes it looks good. It feels good. He puts the scissors away.
Soon, the prisoners/some new online friends coax Fuuta to hang out more. That's when she decides to reintroduce herself into society as someone new. She ventures out with the name of a favorite video game character. (I'm going to continue saying Fuuta because I genuinely can't name a single popular character from games she'd play, but just picture the most painfully obvious one you can. The kind you hear and go "oh okay. You play X too much, huh." And please send me your thoughts so I can work them into my own personal canon 👀)
She doesn't have any hatred towards her deadname, it's more the pain of association: she remembers it said accusingly from the mouths of ex-friends. She remembers that name being called a murderer. She's not trying to deny/run from that past, she just wants to be someone better. Well, some days it is her way of running away, but most of the time it's a healthy separation from the past.
Encouraged by the positive reception and abundance of privacy in her isolation, she finally starts to explore her appearance more. Mikoto left behind some earrings during a visit -- she pierces her ears herself and tries them on. (If she doesn't like them, the holes will just heal, right? She's not weak, she can take a little pain...) Yuno/Mahiru stayed over once, and left a bit of makeup in the bathroom. She tries that on too. With a beautician in the family, this self-styling comes very easily. Fuuta's cowardly tendencies have her torn between embarrassment and her typical 'fuck you' attitude that she can do whatever she wants.
You know when you solve a tiny problem and suddenly you're smacked with how much of a huge problem it actually was? Fuuta never believed she had any issues before, but all of the sudden she's happier. Every day is easier. She has more friends. True friends. She does better with school/work. Her personality is still fiery, but it's more passion than irritability now. Self-hatred she didn't recognize starts melting away. She smiles more. She laughs more. She has plans for her future. She's excited about her future.
(Shameless art plug hehe, before I had the timeline nailed down I did a little drawing of that selfie Fuuta takes when she realizes she's satisfied with this appearance, and now has newfound motivation to move forward in life.)
Over time she experiments with other elements of transitioning, and maybe changes her name to something a bit more subtle lol.
Unfortunately, I don't think it would go over well with her parents, but she never much cared for their opinions, anyway. One day a bit in the future, she bumps into her old friends in the street. Once recovering from panic, she's pleasantly surprised that they don't recognize her. Fuuta thought her appearance/fashion wasn't that different, but to fair, the friends figured they'd remember a stunning redhead with a very noticeable eye injury if they'd met before...
And just a few quick prisoner reactions (because in my heart they're all making it out ;--;):
Yuno has similar relationship as Fuuta's sister, offering immense help without unnecessary words. She's Fuuta’s go-to contact for trying new things and asking questions.
When Mahiru first finds out, she goes a bit overboard with a makeover attempt. She and Muu provide their most frilly, glimmering outfits. They paint her nails and do makeup. They style her hair. This obviously turns out to be way too much, earning them a Fuuta-typical rant. Still, she's secretly moved by their enthusiasm and kindness.
After that, designer Mikoto tries his hand at helping. Fuuta had been really worried the two of them would lose their guys nights out and relaxed friendship, but their relationship never changes.
Shidou is very accepting and very awkward. He's trying!! He gets excited, sending her all this information and help for medically transitioning.
Fuuta invites Kazui to their first pride parade <3
Though there's no return address on the package, Fuuta receives a gift of miscellaneous earrings and piercings in the mail with a note that they'd suit her well…
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the man who falls – secret origins (1989)
[ID: Two cropped comic pages of Bruce Wayne as a child after falling into a cave and being ambushed by a swarm of bats. There's multiple narration boxes over the pages:
Page One: a three panel sequence of Bruce being rescued by his father. In the first panel, Bruce is screaming with his eyes squeezed shut in fear. He has his fists clenched in front of him and is wearing a reddish pink turtleneck sweater. The narration says, ‘Again, he shrieked — not in terror, but in despair...’ In the second panel, Thomas Wayne is shown from behind in a low angle. He's wearing a red sweater similar to Bruce and is holding a flashlight as he jerks Bruce into him. Above them is bats surrounding them and the broken wood floors that Bruce fell through. The narration continues, ‘The arm curled around him, muffling his voice, and his cheek rubbed against the rough wool of his father's jacket... He squeezed his eyes shut, willing himself to be away from here—’. In the third panel, they're standing outside. The narration reads, ‘When he opened them, he was in the area behind the mansion, in the pale light of the autumn afternoon, and his father's words pounded at him—’. Thomas is kneeling down in front of Bruce in front of the hole he fell in. He's gripping the child's shoulders as he scolds him, “Idiot! I told you never, never to go off alone. Didn't I? Didn't I?” Martha Wayne is behind them with her hand on the side of her face as she looks at them with relief that Bruce is okay.
Page Two: Martha is defending Bruce as Bruce has his head down. Thomas is still squeezing Bruce's shoulders as Martha tells him, “Thomas, he's frightened.” Thomas replies, “He damn well ought to be. He could have been killed.” Martha replaces Thomas's spot in front of Bruce, kneeling to gently place a hand on his upper arm and using a handkerchief to wipe his forehead. Bruce is standing with his fist still clenched and grimacing as Thomas angrily says, “He's got to learn.” Bruce is shown in a low angle, looking up at his mother with wide eyes. The narration continues, ‘He listened to his father's boots crushing the dead grass, and when he could no longer hear them, he dared to ask:’ “Mommy, was I in hell?” Martha soothes, “No, baby, that was just some old cave. You're safe now,” as she hugs him. His cheek is pressed against hers and she has her eyes closed as Bruce still looks uncertain. END ID]
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NO SERIOUSLY THE SMILE CAN BE SOMETHING SO SPECIAL... because the concept originates in violence, intended as a last resort when you're cornered, a psychological bluff that might give you the upper hand... so for Arakawa to be able to recontextualize that as part of how his family communicates (along the lines of what we've talked about with regard to their language) is really something.
Especially because like, while he has varying degrees of success instilling the concept into his men, it's pretty safe to say they would all know what a smile from him means, right? They're family to him. So if there's this mix of Arakawa starting to smile more around Jo subconsciously and Jo picking up on it, maybe there's this period of consciously pulling back and of not wanting to read too much into it, respectively...
But Eventually it's this wordless affirmation of Jo having a place in Arakawa's family. Maybe he can't really put it into words in a way that doesn't make Jo feel awkward (I mean, he can't even manage that with Ichiban, much less someone with issues around that as deep-seated as Jo's, right). But he can do that much.
And I know I KNOW this bitch never has any reasons to smile but if Jo ever smiled back..................................
Anyway. Happy birthday to your bro and I'm glad you had a good day yesterday! You deserve it :) Come to think of it, my dad was born in July... and my Bestie Group Chat (ft. my friend who initially encouraged me to get over myself and send you an ask lol) was founded on Tsutsumi's birthday...
THAT'S WHAT IM SAAAAYING LIKE FUCK MAN it can be something SO personal and something SO confusing at first so when everything Clicks....... bruvv.....
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