~ Monthly BL Breakdown: April 2024 ~
🌷 Happy May!!! ☀️
Disclaimer: ALL shows can be streamed here or here, as well as on Youtube and other platforms. For more info on where to watch what, check out this post!
New breakdowns are coming at the end of every month - feel free to add stuff! -> previous breakdowns
What came out this month? (green = seen/currently watching)
🌟 Love is Like a Cat - April 1st (South Korea / Thailand)
🌟 We Are - April 3rd (Thailand) ✅
🌟 Memory in the Letter - April 6th (Thailand)
🌟 Living With Him - April 11th (Japan)
🌟 Gray Shelter - April 11th (South Korea)
🌟 Beating Again - April 13th (Thailand)
🌟 Blue Boys - April 15th (South Korea)
🌟 At 25:00 in Alasaka - April 18th (Japan)
🌟 GMMTV2024 Part 2 (lineup event) - April 23rd (Thailand) ✅
🌟 Boys Be Brave - April 25th (South Korea)
🌟 CHANGE2561 2024 lineup event - April 25th (Thailand) ✅
🌟 My Stand-In - April 26th (Thailand) ✅
🌟 City Boy Log Vol. 3 - April 30th (South Korea)
New series & movie announcements
🎥 The Fridge - Date TBA (Thailand)
🎥 Flavor of Us (starring Benjamin B., Dome W. & others) - Date TBA (Thailand)
🎥 Children's Day - Date TBA (Taiwan)
🎥 Blue Time - Date TBA (China, possibly censored)
🎥 Bad Guy My Boss - Date TBA (Thailand)
🎥 Oriental Magician In The Ent. Circle - Date TBA (Taiwan)
🎥 Under the Oak Tree - Date TBA (Vietnam)
🎥 Invitation - Date TBA (Thailand)
🎥 The Love Matter - Date TBA (Thailand)
🎥 I Saw You in My Dream - Date TBA (Thailand)
🎥 I Wish You the Best - Date TBA (Thailand)
🎥 Impression of Youth - Date TBA (Taiwan)
🎥 Meet You at the Blossom - Date TBA (Taiwan)
Other news from the BL world
❗️ The production company Studio WabiSabi announced that their actors Boun N., Prem W., Santa P., Sammy C., Yacht P. and Stamp P. have terminated their contracts and will no longer be artists under the company on April 15th. Shortly after, GMMTV announced the 6 of them as newly signed artists, along with the disclosure that BounPrem's upcoming BL Vampire Project is now being produced under GMMTV, who now also own all broadcasting rights; WabiSabi will function as a co-producer. New S. stated on Twitter that the decisions had been long in the making, as well as the fact that WabiSabi no longer functions as a management agency for actors and is now a mere production company. He also denied the rumors that the company is shutting down. Shortly after the transfer of the Wabi Sabi actors, actor Fluke Jeeratch (formerly Pongsakorn) joined GMMTV as well.
❗️ The Filipino BL Gameboys is getting a third season. An air date has not been confirmed.
❗️ P Ekkapop and Pan Jirachot, the lead actors from Kiseki Chapter 2, have announced a new project together. Details are unknown.
❗️ Actor Barcode Tinnasit has announced his departure from his agency Be On Cloud.
❗️ After some confusion, the Korean production company Studio X+U announced that their upcoming series Fragile - which was initially advertized as a Korean SKAM remake - is in fact not connected to the Norwegian web series and is instead a standalone series, which focuses on the life of a group of teenagers. According to ZUM News, there was supposed to be a Korean SKAM remake based on the Norwegian original, which was however cancelled due to unknown reasons. Fragile was created as a substitution.
❗️ GMMTV held their 2024 part 2 event on April 23rd. The following BL projects were announced:
The Heart Killers (starring FirstKhao & JoongDunk)
Perfect10 Liners (starring ForceBook, PerthChimon, JuniorMark)
Heart That Skips a Beat (starring EstWilliam)
Revamp (starring BounPrem, formerly known as Vampire Project)
Sweet Tooth, Good Dentist (starring MarkOhm)
The Ex-Morning (starring KristSingto)
❗️ The production company CHANGE2561 held their 2024 lineup event on April 25th. The following BL projects were announced:
This Love Doesn't Have Long Beans (starring SailubPon)
Goddess Bless You From Death (starring PavelPooh)
I’m The Most Beautiful Count (starring PingSupanut)
Pit Babe Season 2
Upcoming series & movies for May
👉🏻 You Made My Day (starring Tar A. and Bom T. from I Will Knock You) - May 3rd (Thailand)
👉🏻 Inverse Identity / Upside Down - Mary 3rd (China)
👉🏻 Wandee Goodday - May 4th (Thailand)
👉🏻 A Balloon's Landing - May 10th (Taiwan)
👉🏻 City of Stars: Special Episode - May 10th (Thailand, cinema release)
👉🏻 The Time of Fever (Unintentional Love Story spinoff) - May 15th (South Korea)
👉🏻 Blossom Campus - May 16th (South Korea)
👉🏻 OMG! Vampire - May 19th (Thailand)
👉🏻 Manji Reverse - May 24th (Japan)
👉🏻 My Biker 2 - May 28th (Thailand)
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I was joking a while back that the actor they have playing KDJ for the orv movie was too handsome for him and a friend who's read orv was like "KDJ is actually secretly attractive!!" And I just felt my soul leave my body right then
SIGHS...
Okay. Buckle in. I'm gonna finally actually address and explain and theorize about this whole...thing.
I'm not gonna cite any exact chapters cause it's like 11:30 and I've got an 8 hour drive in the morning but I'll at least make an approximate reference to where certain things are mentioned. Also, this post is just my personal interpretation for a good bit of it, but it's an interpretation I feel very solid about, so do with that what you will. Moving on to the meat of things:
There is one (1) instance in the web novel that I know of which describes specific features of Kim Dokja (especially ones other people notice). This takes place when members of KimCom are trying to make Kim Dokja presentable to give his speech at the Industrial Complex (after it's been plopped down on Earth). This is when they start really paying attention and focusing on Kim Dokja's appearance since they're putting makeup on him; I still don't think they can interpret his whole face, but they can accurately pick out and retain more features than usual. If I remember correctly they reference him having long eyelashes, smooth skin, and soft hair. These features can be viewed as (stereotypically) attractive.
Certain parts of the fandom have taken this scene and run with it at a very surface level, without realizing (or without acknowledging at the very least) that this scene is not about how Kim Dokja looks. This is, in part, due to not realizing or acknowledging why Kim Dokja's face is "censored" in the first place, and what that censoring actually means. I think it's also possible that some people are assuming the censorship works like a physical phenomena rather than an altered perception.
I'll address that last point first. The censorship of Kim Dokja's features is not something as simple as a physical phenomena. It's not a bar or scribble or mosaic over his face. If that were true it'd be very obvious to anyone looking at him that his face is hidden. But his face is not hidden to people. They can look at him and see a face. If they concentrate on his eyes, they can see where he's looking. They know when he's frowning or grinning. They see a face loud and clear. But what face are they seeing? Because it's not really his, whatever they're seeing.
No one quite agrees on what he really looks like. And if they try and think about what he looks like, they can't recall. Or if they do, it's vague, or different each time. We notice these little details throughout the series. Basically, Kim Dokja's face is cognitively obscured. Something - likely the Fourth Wall, though I can't recall if this is ever stated outright - is interfering with everyone's ability to perceive him properly. This culminated in him feeling off to others; and since they don't even realize this is happening, they surmise that he is "ugly."
Moving on to the other point about what the censorship means: To be blunt, the censorship of his face is an allegory for his disconnect from the "story" (aka: real life, and the real people at his side). The lifting - however slight - of this censorship represents him becoming more and more a part of the "story" (aka: less disconnected from the life he is living and the people at his side). The censorship's existence and lifting can represent other things - like dissociation or depersonalization or, if you want to get really meta, the fact that he is all of our faces at once - but that's how I'd sum up the main premise of it. (The Fourth Wall is a larger part of the dissociation allegory, but that's for another post).
So you see, them noticing his individual features isn't about the features. It's not about the features! It doesn't matter at all which features got listed. Because they could describe any features whatsoever and it would not change the entire point of the scene. Because the point isn't what he looks like. The point is that they can truly and clearly see these features. For the first time. They are seeing parts of him for the first time. Re-read that sentence multiple times, literally and metaphorically. What does it mean to see someone as they are?
This is an extremely significant turning point dressed up as a dress-up scene.
---
P.S. / Additionally, I'm of the opinion that Kim Dokja is not handsome, and he is not ugly. He is not pretty, and he is not ghastly. Not attractive, nor unattractive. Kim Dokja isn't any of these things. More importantly, Kim Dokja can't be any of these things. The entire point of Kim Dokja is that you cannot pick him out of a crowd; he is the crowd. He's a reader. He's the reader. Why does he need to be handsome? Why must he be pretty? Why is him being attractive necessary or relevant? He doesn't, he doesn't, it's not. He is someone deeply deeply loved and irreplaceable to those around him, and someone who cannot even begin to recognize or accept that unless it's through a love letter masquerading as a story he can read. He is the crowd, a reader, the reader. He's you, he's me. He's every single one of us.
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One of the absolute worst things in my opinion about the live action ATLA remake is the removal of Sokka’s sexism. “Oh the things he said were ‘questionable’ so we ‘updated’ his character”
Wow it’s almost like the character. Had a flaw. It’s almost like he was raised in an extremely patriarchal society where what he was saying was the norm. And it’s almost like he had to unlearn these behaviors as he traveled and became exposed to more ways of life.
Yknow
Like a character arc or something
And don’t even get me started on what this does to the Kyoshi Island events. In the original, it’s meaningful that he wears Kyoshi’s uniform, a woman’s dress, after being so certain that a woman could not be a skilled warrior and did not deserve the respect afforded by the uniform.
And I’m absolutely CERTAIN the new show runners will see this scene and think it will be enough to pay lip service to the ‘woke’ idea of a man in a dress as like a “wow a man in a dress how woke” moment to try to garner the goodwill and sympathy of a younger hipper audience. Except ITS GOING TO RING ENTIRELY HOLLOW because Sokka is not learning anything by doing it! He’s not growing in any way!! It’s literally just. “Haha what if Sokka wore a dress” which is the OPPOSITE of what the original conveys!!!!!
I am BEGGING you absolute sheeple to let this piece of shit flop. It’s disrespectful to the original and honestly just cheap, lazy writing. If you want a good Avatar the Last Airbender: JUST FUCKING WATCH THE ORIGINAL!
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Dungeon Meshi Spoilers/episode 11 + manga discussion.
The fact that the dungeon meshi anime skipped over namaris and kikis and kakas convo about reviving is still so frustrating to me ahhhhhh
Ive been watching peoples episode reactions and they arent feeling the tension and fear that those in the manga felt from having the rules set up about what can and cannot be done and them having the reveal of falins skull, thus making people think the whole journey was for naught, only to have the rules subverted/violatedwith marcilles reveal that she can ressurrect falin. (And also adding impact for marcile being like
Like some people are like oh shes gonna be ressurrected cause they dont know the rules. They arent feeling as much worry/ devastation as they could have.
They didnt have that dwelling dread that those who learnt the rules had. Nor the oh fuck moment of the skull reveal.
Like they might still add the convo but it hasnt had time to ferment over a few episodes/chapters like it could have. The impact will be greatly lessened.
—-
God the fact that we have to wait a week for the next episode pain pain pain
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it's difficult to even say I'm an anime fan in general bc the vast majority of them are so bad it's unreal. I've been thinking about this lately since I've been doing hxh rewatch #5 due to having 0 new shows to watch bc for every remotely decent well executed show that comes out there's like five hundred of the following: stupid light novel adaptations (always pervy), shitty isekai series that are virtually identical from each other aside from one stupid gimmick like "I got reincarnated in another world...but as a toaster oven?!" (also always pervy), disgusting harem series (pervy goes without saying), boring unfunny moeblob slice of life where literally nothing interesting ever happens, ecchi series full of the most degenerate fanservice you can imagine, b-list shounen that treats the female characters like shit, low budget poorly animated copy paste yumejo/fujobait show (nothing like the elite fujobait shows of MY day), etc etc.
like it's obviously bc they pander to the ones who spend the most money on merch and dvds and stuff (so hardcore otaku who are almost always total freakshows) & prioritize quantity over quality, but its annoying bc the medium has so much potential if they would just stop paying the animators sweatshop wages & focus on making series that appeal to a wide audience instead of pumping out slop for loser men who just want wish fulfillment, waifus & fetishes that completely alienate any other audience. I feel like this has been getting worse lately, I used to be able to watch a small handful of enjoyable shows every season (not all of them were masterpieces obv but just fun stuff that wasn't totally disgusting lol) now it's like maybe 2 a year. bah.
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Hello there 👋
Can you talk about why you feel the way you do about the female bsd characters? (including the female characters you like) and while I don't think the author doesn't know how to write female characters I think the biggest problem with the female characters is that they're underutilized and barely have much screentime ( the most one we saw recently having screentime currently in the manga is teruko)
Hi!! I love you all SO much but seriously I don't have the mental stability to talk about why the bsd female characters are badly written ahah. Here's my best attempt at it:
I hope it's enough for me to say there's a female / male characters proportion of like 1:10, and no female character has any real repercussion on the plot– literally. Besides from Kyouka and Lucy and maybe Yosano? you could hypothetically erease every other female character and... Realistically, nothing would change. That's just how much irrelevant all but three female characters are, and there's already very few compared to the rest of the male cast. The four main / most popular characters are all males. Dazai is openly sexist and it's just kind of there never to be addressed. Akutagawa is repetedly violent with his female coworker and it's treated as a gag (like you DO realize how repulsive it is to write a character who is obsessed with her abuser and never be intentioned to elaborate on that because I guess that's what women are supposed to do according to author? Like. okay). But honestly the main issue for me is how each of them literally gravitates around another male character. God, it's SO annoying. And I mean every single of them!!! Every. single. Every single!!!! I struggle to come up with even one exception to the pattern. Kyouka has Atsushi as her savior, Lucy has Atsushi as her savior, Higuchi is obsessed with Akutagawa, Naomi is obsessed with Jun'ichirou, Gin literally exists because of Akutagawa, Alcott is just there to aid Fitzgerald, Margaret's only role in the story is to save Hawthorne, Elise is just expression of Mori. Teruko is a person in the body of a child who literally drools over her 50-something superior, like we hadn't as a society come to the common agreement that the “not as old as she looks” trope was disgusting pedophilia apologism like ten years ago (but it's okay though, because pedophilia was established to be okay in this manga at like, chapter 15 or something) (is this the good time to bring up that time Aya asked Kunikida out? No? Okay let's just collectively pretend that never happened). Do I need to go on? I haven't read Gaiden, but do I really need to read it to know Tsujimura gravitates around Ayatsuji? Oh wait, I was just remembered about Gaiden's full title: Bungou Stray Dogs Gaiden: Ayatsuji Yukito VS. Kyougoku Natsuhiko, and if that doesn't speak of the consideration author gives their female characters, I don't know what does. It's just– no female character is ever going to have their own novel. No female character is ever going to be protagonist. They'll just keep being treated as they've always been so far, like flat and personality-less disposable plot devices.
Now. I love Yosano's backstory, I really do- I think it was the best executed arc of the manga, reading those two chapter still gives me chills. But you do have to acknowledge, Yosano herself has no agency in the entire arc development. It's okay, she was eleven, it's natural; but she is just tossed one way to the other by other characters. That, and I can't stretch it enough, is not a bad thing on its own; not all stories have to scream #womanpower to be good stories. It's a good story. But you need to acknowledge it does nothing to empower female characters' role in this manga; it just speaks once again of it being a systematic problem, how author can't write female characters like they were masters of their fate if their life depended on it. And it's not that just because there's one (1) mini arc that happens to have a female character as its protagonist, author knows how to write female characters with depth, or agenda, or an objective, or personality, because... They clearly don't.
Like. I probably became annoying by now but like. When was the last time you found any bsd fan whose favorite character was a woman? When was the last time you found people describing themselves as a Lucy kinnie? If you ask me, it's not a matter of fans' fault for overlooking female characters; the female characters in this franchise are meant to be overlooked, because they're abysmally less stretched out and complex compared to their male counterparts– because male characters are distinctive and unique, while author can't go outside the range of one-dimensional femme fatale, letal woman (Yosano, Kouyou, Teruko, Christie, Gin / Lucy / Elise too to an extent) and woman who's just there to obsess over a male character (Alcott, Higuchi). But do not fret, because author will sometimes go outside that scheme by making a letal femme fatale who also obsesses over a male character! (Naomi). Also this
(Have you ever wondered why I never talk about Beast Gin? Yeah.)
Okay but you see the problem here? You see how it's impossible to make the same kind of argument for the male characters, because they're all diverse and various and multilayered as much as their little screentime allows? Higuchi doesn't exist outside Akutagawa, Lucy doesn't exist outside Atsushi; but it's not like you can say the same goes the other way round. That is, crossing out the various parallels drawn between male characters, but that only speaks more of how precisely curated male characters are, while all female characters... I'll be honest, aren't written as people. Author really sounds like your average Washington Post best selling psychological thriller author of the week that writes women like an alien species from another planet. It would have spared me having been writing this whole post for an hour (two hours? Which is definitely not the time I wanted to spend on this, man) if only author would have formed the thought, at the start of the serialization: “perhaps! Perhaps I should write women as people instead of writing them as female characters (whatever that means)”. Alas, we ended up with the infamous Naomi description from Untold Origins (what the fuck. who in their right mind would ever think of writing something like that. what the fuck.)
Now, I know if you're here reading this you most definitely like bsd. It's okay, really. Unpopular opinion, but people are perfectly allowed to like things that are flawed (and this is a big flaw). What's extremely important, seriously, I'm on my knees begging you, is to be critical of the media you consume. All kinds of media. Even if you end up disagreeing with me on this matter, really!! Just be able to tell apart the things that make appealing a series for you from whatever kind of agenda / worldview the author is pushing through, and peacefully acknowledge you can like something despite it having issues (because bsd has issues). I don't know who needs to hear this, but someone definitely does: “I love s/kk!!” “the bsd storytelling has many compelling aspects!!” and “I recognize the bsd writing has flaws some of which actively harm an already disadvantaged part of society” are statements that can and should coexist, and if anything - and I know you hate to hear this, I'm sorry, I'm sorry - it should be kept in mind when deciding to support the franchise by buying its products.
One final note is that like... I'm sorry if this comes off as pretentious but I seriously feel like people have NO idea what media with well written female characters look like, because for people to even question bsd being sexist is just insane to me (in the way: do we really need to to talk about it, isn't it obvious like ten seconds in the show??). And this is probably the least good place to advertise things, but please do yourself a favor and read The Promised Neverland and learn what well written female characters read like.
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