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#it's not their fault but they won't necessarily see it that way and i love it
novelconcepts · 27 days
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One of the most fundamentally interesting things to me about YJ and writing fic, specifically, is how the blame changes hands depending on the story. On whose perspective you're writing from. On whose story it is at a given moment. The very thing I dislike about viewers missing the point becomes so fascinating to me from within the narrative. Who are these characters when seen through the eyes of their peers?
Who does Jackie become? If you're Shauna, she's the love of your life, and your greatest rival, and the other half of your soul, and the person you blame for your dead dreams. If you're Van, she's the respected captain who earns none of your respect in the woods, the one who left you to die without blinking, the easiest target for teenage malice. If you're Natalie, she's competition for affection, the blabbermouth who can't leave well enough alone, the hands putting themselves to no good use. If you're Jackie? You're just a girl. You're so tired. You're so scared. You're losing face a little more every day, and you're made of despair, and you can't even trust your best friend. It's not your fault. It's not your fault. It's not your fault.
Who does Lottie become? If you're Natalie, she's your direct foil, the splinter under the edge of your thumbnail, the smart mouth to match your own, the confusing amalgamation of normal friend and mad ritual. If you're Misty, she's the first shred of obvious power in months, a leader who might need to be nudged back into line, a fascinating exercise in hitching your wagon to the right star early on. If you're Taissa, she's flat-nuts and endlessly frustrating, she's got your girlfriend's full attention, she's incredibly dangerous. If you're Lottie? You're just a girl. You're so tired. You're so scared. You've built a pedestal you can't keep your balance on, and you're not sure if you're right or going crazy, and you didn't want this. It's not your fault. It's not your fault. It's not your fault.
From outside the narrative, there is no bad guy. There is no blame. It is no one's fault. It is Man v. Nature, they are doing the best they can with an impossible situation. They're all trying to contribute what they can to the story, for better or worse.
From inside the narrative, you are a teenager trapped in a society constructed entirely of bare-bones-survival with the wildest assortment of girls. From inside the narrative, to stay human, you have to love and fight, respect and judge. Every story changes the game. Every story shifts the blame. A hero in one has the bloodiest hands in the next. And that, to me, is such a thrilling sandbox to play in.
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aphroditelovesu · 1 month
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I love your greek mythology work! Do you have a headcanon for hermes please?
''You run as much as you want but I will always catch you.'' — Hermes.
❝ ⚚ — lady l: thank you very much, anon! Here are Hermes' hcs, I don't know why it took so long to do it but I finally wrote it and I hope you like it! Forgive me for any mistakes and good reading! ❤️
❝tw: obsessive behavior, manipulation, stalking, mention of death, Reader is put in a dangerous situation on purpose, toxic relationships.
❝⚚pairing: yandere!hermes x gender neutral!reader.
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Hermes is a very playful and calm god in his obsession. He is not demanding and will not demand that you love him, he does not need your love. All he wants is for you to stay with him and let him adore you completely. Hermes doesn't really care about trying to control you, he prefers to let you roam free for his own interests. Just because he knows you will be his at the end of the day.
He is known for his carefree nature and his ability to adapt to different situations. He values freedom and autonomy, both for himself and others. That's why Hermes won't try to restrict you or force you to stay with him. He wants you to choose him willingly and he knows you will.
Hermes would value your freedom, but at the same time he would subtly manipulate circumstances to ensure that you were always close to him. He would use his ability to travel quickly to appear in the most unexpected places, always keeping a close eye on his darling. You could never escape the god's gaze.
There is no one for you but him, Hermes knows that. He is a god, after all, and he knows you will be his. There's no way you can't be, everything is calculatedly planned so that he gets you in the end. And you will accept everything because it is your place next to him.
Hermes is a stalker, however. He likes to chase and will always be wherever you are, just in disguise. You will never notice the eyes of the god of messengers upon you, shining with what appears to be hidden amusement. The god could use his ability to travel quickly to monitor and control his darling, and his communication skills to maintain constant contact, sometimes in an intimidating manner.
He would not be the controlling type in the traditional sense of a god, but rather a constant observer, always present in your surroundings, discreetly accompanying you in all your activities. His ability to adapt to different situations would make him a master at hiding his true intentions, while maintaining a façade of lightness and friendliness.
Hermes would not necessarily be aggressive, but his constant presence and obsessive desire for his beloved could create an atmosphere of discomfort and insecurity. He could use his communication skills to maintain constant contact, sending messages and gifts in a seemingly innocent manner but with an underlying aura of intimidation.
His gifts and gifts may seem harmless at first, but Hermes wants to make it clear that he will not tolerate being ignored or left in the background. Expensive and magnificent gifts can become body parts of people close to you. He doesn't want to scare you, but he has limited patience.
He's not exactly possessive or jealous because Hermes knows he's the only one for you. The god sees no reason to be jealous when he knows you belong to him, but that doesn't mean he doesn't get jealous. Hermes feels jealous in a very subtle way and you will hardly notice it unless you are very observant.
Hermes would be a master of subtle manipulation, never appearing threatening at first glance, but always ingeniously orchestrating circumstances to keep you close to him. He can put you in dangerous and desperate situations so that he can save you, acting as your hero and savior, without you knowing that it was really his fault.
He would use his communication skills to stay in constant contact, flooding you with messages and calls, creating an underlying aura of intimidation. His communication methods can range from playful to threatening, depending on his mood and your response. Hermes may have a controlled temper, but he can become easily angered if he doesn't get what he wants. And he wants you.
Hermes would love to travel with you, he would take you anywhere you wanted, be it the human world or the gods and mythological creatures, he would take you wherever you wanted in the blink of an eye. Seeing your smile when you visit a place he's always wanted to is the best gift he could ask for.
The god is a born stalker and a master at manipulating you in subtle ways, but he is not overwhelming or possessive. All he wants is you, to have you and if you run, he will catch you. You are his in every sense of the word. Hermes will take good care of you, don't worry, once he has you attached to him, he will make sure you are happy and satisfied with life by his side. It's not like you have a choice.
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eldritch-nightmare · 8 months
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do they have deal breakers?
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a/n: idk i just thought this would be an interesting thing to write.
synopsis: what are some deal breakers for them? what can they not tolerate?
includes: slenderman, jeff the killer, eyeless jack, laughing jack, jane the killer, nina the killer, the bloody painter, candy pop, the doll maker, jason the toymaker, dr smiley, nurse ann, the puppeteer, clockwork, zalgo, hobo heart, ticci toby, zero, kagekao, nathan the nobody, homicidal liu + sully, tim wright, brian thomas, jay merrick, jessica locke, and alex kralie.
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SLENDERMAN doesn't have a lot of deal breakers, to be quite honest. it doesn't have any preferences when it comes to romance. i suppose if it had to pick something, it would say that it would rather avoid dating people with a disdain towards nature. it literally lives in nature, so... it would also probably avoid people who have children in their life, be it a parent or a teacher.
JEFF THE KILLER has a two off the top of his head. firstly, he will never date a Fangirl capital 'F'. if he even gets the slightest inkling that someone might be a fan of his, it's an immediate no and that person very well may lose their life. and secondly, he refuses to date anyone who hates his brother. yeah, he and liu don't get along and liu wants him dead but in his mind, liu is still the most important person in jeff's life. people who commit arson are on thin fucking ice.
EYELESS JACK is fairly lax when it comes to 'deal breakers'. he doesn't have anything he dislikes, and there isn't any type of behavior that he necessarily avoids either. people who aren't fond of cannibalism would be difficult to date, he supposes. he doesn't really like people who may try keeping his as a pet either. and... maybe people who are in cults...
LAUGHING JACK is one sick and twisted bastard so deal breakers are very unlikely. realistically, his partner being around kids should probably be a deal breaker but that's... literally the only way to meet him. he's incredibly complex so he really won't know his own deal breakers until he's like... in the situation, y'know?
JANE THE KILLER has one immediate deal breaker. if you like jeff the killer, she immediately feels immense disdain toward you and she will never even acknowledge your existence, not unless she's forced to. jane richardson is also lesbian, so men are an immediate no.
NINA THE KILLER has one immediate deal breaker as well. if you dislike jeff the killer, she will not get along with you. she and jeff have a love-hate relationship but at the end of the day, he's still her idol and she looks up to him a lot, so.
THE BLOODY PAINTER barely interacts with people to really know if he has any deal breakers. perhaps people who dislike art? though, he can't really fault someone for not seeing the beauty held within the multitudes of art all around the world.
CANDY POP isn't the biggest fan of people he deems to be annoying or boring. now, i know what you're thinking, candy pop literally finds joy in annoying people, so wouldn't he be delighted to have a partner who behaves the same way? absolutely not. he likes to be the one terrorizing people; he does not want to be terrorized.
THE DOLL MAKER is immediately hesitant around older men, so if you are a guy and you're older than him then just know he'll avoid you like the plague. also, due to his pyrophobia, arsonists and people fascinated by fire get an immediate no from him. anyone who may poke fun at the dolls he creates aren't welcome either, and he'll probably end up turning them into a doll.
JASON THE TOYMAKER has one goal only and it is to find 'the one for him' so like... not many deal breakers here. just fall in love with him and never ever reject him and everything will be good! you'll be turned into a wax doll, otherwise, and that's a terrible fate to suffer.
DR SMILEY also rarely interacts with people, though he's not the biggest fan of people who so desperately cling to life and believe that death is something to be afraid of.
NURSE ANN just doesn't like people in general and only has like... three people she enjoys being around so the likelihood of her growing to like someone is small. that being said, something that immediately makes her dislike a person is when they mock her for not speaking often.
THE PUPPETEER has major disdain for people he cannot control. unless he's already grown attached to (ex. emra) or reliant on them (ex. zachary), then disobedience is not something he can tolerate. he's also not the biggest fan of super-duper cheerful people, though that's only because it makes killing them harder.
CLOCKWORK by default cannot stand anyone who reminds her of her past. she wants nothing more than to forget the pain and hell she went through, so to find a person who reminds her of all that trauma? yeah, no, they gotta go.
ZALGO literally hates everything and everyone but on the very slight chance that someone manages to worm their way into the essence of his being, then so long as they don't mind humanity's downfall then they're fine. bonus points if they're good with kids because holy shit he doesn't know how to be a dad. and if they dislike kids then like... that's fine, i guess, but he'll be a bit bitter.
HOBO HEART is fairly hesitant when it comes to love. the one time he fell in love, she threw his heart away. he's hesitant to fall in love again, but he could never fall for anyone who would so willingly leave him behind. he's not the biggest fan of liars either. simply put, he could never love someone who doesn't value their own heart.
TICCI TOBY already keeps people at a distance, but it's an immediate deal breaker when someone starts making fun of him. if someone makes a bad comment about lyra or his mother, then that's also an immediate no. anyone who heavily drinks alcohol is a no. anyone who 'teases' him about his tourette's is a no. anyone who doesn't take his CIPA seriously is a no.
ZERO could never be in a relationship with someone with the mindset of 'i can fix her' because she doesn't need to be fixed. honestly, you should consider yourself lucky that she's somehow managed to grow an attachment to you considering her disregard for everyone around her. do something to make her hate you and you'll regret it.
KAGEKAO is gay, first and foremost, so if you're a woman then it just won't work out. he's fluent in english as well so you don't necessarily have to know japanese, though he'd love for you to learn. people who make comments about his wine habits or tell him to cut back on drinking wine will be disposed of immediately. he also isn't fond of boring people.
NATHAN THE NOBODY tends to believe that most people are in the organization that took away his sister, so by default, it's an immediate no if he comes to believe that someone is in the organization. he can't come to terms with his sister's death, so he'll get rid of anyone who tries to make him see that she's dead.
HOMICIDAL LIU hardly ever gives romance any thought because he's so caught up in his goal of trying to kill jeff that it rarely ever crosses his mind, so deal breakers aren't something he's given much thought. people who aren't fond of arson probably won't like liu, so they're a no. anyone who thinks he should forgive jeff is an immediate no. anyone who is a fangirl of jeff or idolizes him the way nina does is also an immediate no. people who aren't fond of smoking most certainly won't like him so they're also a no. anyone who sees no harm in mocking and bullying other people is a no.
SULLY has deal breakers relatively similar to liu. if you're a jeff groupie then he honestly wants nothing to do with you. if you are a threat to liu in any way shape or form, then he's already planning a way to dispose of you. other than that, he's pretty laid back with this sort of stuff.
TIM WRIGHT has a habit of smoking so people who can't stand the smell of cigarette smoke should probably avoid him. he isn't close to a lot of people so when someone betrays his trust, it really hits him hard so people with a habit of lying are an immediate no.
BRIAN THOMAS is a bros before hoes sorta guy in the sense that if his partner doesn't like his friends then suddenly he doesn't have a partner anymore. he can't date someone who dislikes the people he's closest to, it just doesn't work that way. especially if they dislike tim, like... that's his best friend there, dude.
JAY MERRICK is a gay man so if you are a woman, then... yeah. it won't work. you stand no chance with jay if you don't believe him when he tells you that something is seriously wrong. he doesn't like people who avoid telling him about an issue because it stresses him out a lot so he would rather prefer people who can openly tell him if something is wrong.
JESSICA LOCKE is lesbian, so men simply just do not have a chance with her. she doesn't really have many deal breakers though, to be honest. at least none that come to the top of her head. she'd probably have to experience something to decide whether or not that's a deal breaker for her, y'know?
ALEX KRALIE is like... deeply unhinged in every way possible and will try killing his partner no matter what, so. let's just use the alex before all the operator stuff happened! he can't be with anyone who doesn't support him or his passion project, marble hornets. and in the midst of marble hornets, he will try to kill his partner. there's no avoiding that. he, himself, is a deal breaker, gotta be honest here.
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dialovers-lover-xoxo · 5 months
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Subaru's relationship alphabet! Other diaboys linked at end!
Under a cut cuz it's long
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Alphabet Credit: @snk-warriors
A - Activities (What activities do you do as a couple with him?)
There aren't really activities you do with Subaru. You'd walk in the garden and throughout the mansion but Subaru would rather just take a walk and talk. You might be able to get him to do other things like at the vandead carnival and he'd probably end up enjoying it and even suggesting things but he'd never admit to it.
B - Beauty (What physical attribute do they admire about you?)
Your face. He often stares because he's so in awe at how beautiful you are. Your chest, not because of your breasts (though also that) but because it's where your heart is.
C - Comfort (How would they comfort you when you're upset or having a panic attack?)
Subaru panics and believes he's at fault
D - Dreams (Do they picture a future with you? If so, what does that future look like?)
Subaru can't imagine life without you and he lives in fear you'll one day think he's a monster and leave him for good. He's so scared of that and genuinely believes that that it prevents him from hoping for a future. As time goes on he'll see you in his future.
E - Equal (Are they dominating/dominant in the relationship or passive?)
He's pretty dominating, he likes being in charge, but he sees you as an equal. He's not like Reiji or Ruki where he demands things of you to keep you in line. In this regard Subaru is probably the most normal diaboy, he won't demand anything out of you the two of you just date and spend time together
F - Fight (Do they forgive easily? How do they fight?)
He yells and punches walls, but he never lays a hand on you. He forgives easily and more than that he hates himself for yelling and being an angry. He thinks he's a monster and he doesn't want to be one to you.
G - Gratitude (How grateful are they in general? How do they show their gratitude?)
He'll say thank you for normal things and every once in a while like when you're cuddling and you fell asleep he'll think about how much better his life is because of you and then the next day he'll be extra affectionate but when you ask him why he's being more sweet and affectionate than usual he'll blush and get super tsundere lol
H - Honesty (Do they share everything with you? If they do keep something from you, why?)
Subaru is terrified of losing you, and he's torn between doing everything in his power to keep you, even if it means lying, or doing the right thing and letting you know everything because you deserve to leave him. Ultimately he'll be honest and then surprised when you consistently choose him.
I - Inspiration (Did they get inspired to change by you? How so?)
He'll never stop being hot-headed, that's just his personality, and his trauma is so deeply engraved in him that it'd be unrealistic and way too idealistic for me to headcanon that one day he'll learn to love himself. But he will treat himself better and learn that his childhood was not his fault and he will learn to be nicer to himself
J - Jealousy (Do they get jealous easily? How do they act when they're jealous?)
He's jealous, but he's also scared. He can't stand the idea of losing you. Behind the anger in his face, is the fear in his eyes. After he's done screaming at the guy flirting with you he'll whirl around and his eyes are full of fear and trepidation
K - Kiss (Are they a good kisser? What are their kisses like? What was the first kiss like?)
Yes, very good kisser. Not into tongue, nice open mouth and tilting heads. He just kinda kissed you and said he felt like it and "whatever"
L - Love Confession (What was their love confession like?)
It was more you confessed your love to him and then he broke down in tears and said he loved you
M - Marriage (Do they want to get married? How would they propose?)
He doesn't necessarily need marriage, he knows the two of you will be together forever, but he would definitely want marriage if you wanted marriage. On his knee, in the garden
N - Nicknames (What do they call you as a term of endearment? Where did the nickname come from?)
He tried calling you sweetie once. It was awkward and then he turned red and locked himself in a room for 10 hours. His brothers still tease him. Nicknames are either "love" which comes naturally to him unlike sweetie did or some variant of your name or something based off your name
O - On cloud 9 (What are they like in love? Can other people tell?)
He stares at you with love and adoration but there's a hint of fear or sadness. His brothers can definitely tell. Surprisingly, they're supportive. Sure they'll tease him for being a tsundere or whatever, but the relationship itself they're surprisingly supportive
P - PDA (Are they shy or upfront about their relationship with you? Will they kiss in public?)
He's not shy in the slightest. As much of a tsundere as he is, he'll make out with you no problem. Holding hands? He's a red blushing mess
Q - Quirk (Something random about them that's beneficial in a relationship)
He's very cuddly and despite how hot-headed and impulsive he is, he's actually a really good listener. He always knows where to touch you to make you feel nice, like your hair or rubbing your wrist.
R - Romance (How romantic are they?What is their idea of romance like?)
Not exactly textbook romance. The two of you do what makes you guys happy, you don't let the definition of romance get in the way
S - Support (Do they help you reach your goals? Do they believe in you?)
Yes, but again, there's that fear; the fear of you leaving
T - Thrill (Do they like trying new things in a relationship? Or do they prefer routine?)
Not really. He's happy just being with you in the garden or his coffin.
U - Understanding (How well do they understand you?)
Very well. As said before, he's a good listener and he's surprisingly sympathetic
V - Value (How important is your relationship to them?)
More important than anything
W - Wild card (A random fluff headcanon)
He tends to stare at you when he doesn't think anyone's looking.
X - XOXO (Are they affectionate? Do they like to kiss and cuddle)
Yes, he gets shy a little but he loves kissing and cuddling
Y - Yearning (How will they cope when they miss you?)
You are the light in his life. Without you, he is numb and dark. Coping isn't really a thing any of the diaboys are great at.
Z - Zeal (Are they willing to go to great lengths for your relationship?)
Yes. Absolutely anything except hurting innocents. He won't give up on getting you, but he'll figure out a different way
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the-badger-mole · 9 months
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You know what's interesting to me? How many people seem to think that Iroh owed Azula what he gave to Zuko. As if he could have stopped Azula's spiral somehow. Azula had been out of reach of everyone since she was a very young child, and she embraced it! She was Ozai's favorite, and she was proud of that. The tragedy of Azula isn't just that she was a victim of Ozai's golden-childism, it was also that her own hubris didn't let her see that the way she operated was a problem. Zuko's saving grace, aside from being rejected by Ozai, was his natural capacity for empathy. Something that Azula didn't have (which, btw, was not necessarily a fault. A lot of people aren't born naturally empathetic. It's something many people have to learn, but Azula never even tried to learn).
With Zuko, Iroh had something to work with. Despite his anger and hardheadedness, Zuko's nature wasn't to be ruthless. Yes, Iroh was a protective, guiding presence when Zuko needed it, but the foundation was already there. Still, had Ozai decided to keep his son at his side and raise him like he raised Azula, there is little Iroh would've been able to do for either of them. Not only was Ozai their father, he was also the most powerful man in the nation. There was no getting CPS involved. There was no calling Ozai out for his abuse and favoritism. The best Iroh could've done was stay close and tried to do what he could to counteract Ozai's influence. Which, to be clear, would've probably been even less than Ursa was able to. He couldn't even stop Ozai from burning Zuko, and had he not been banished, Ozai probably would've killed him eventually. The only reason Iroh was able to help Zuko was because Ozai had thrown him away.
Another thing is that Zuko made different choices than his sister. Azula's choices are what take her from an abuse victim who needed saving to a villain whose tragic backstory won't stop her from deep frying anyone who stands in her way. One of the biggest criticisms I see of Iroh was that he said that Azula was "crazy and needed to go down", forgetting the context that she had just nearly succeeded in killing him, and that she had tried to kill Zuko just a few episodes earlier. Iroh wasn't there when she threatened her crew with death if they didn't sail their ship through dangerous waters, but the audience saw and did have that context when Iroh said that. If there was ever a chance for Azula to change, it would have to begin with her wanting to change. She had people she could've practiced empathy with. She had people who would've loved her if she gave them half a chance. She had people she could've practiced empathy with. No, she didn't choose to be Ozai's golden child, and she wasn't in any way responsible for his abuse, but she was responsible for how she treated others. Iroh had no chance of helping her because she didn't want it.
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yanderes-galore · 1 year
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The Stick Of Truth concept of Kyle with a human darling that doesn't hate the elves, but is strictly loyal to humans overall not necessarily to Cartman, and won't betray them no matter what whether they reciprocate Kyle's feelings or not? Thank you!
Sure! I had to rewatch Stick of Truth's cutscenes as I finished it YEARS ago :) Takes place in a fantasy AU inspired by SoT. Aged up as usual. Feels rushed but I struggled on what direction to take it :(
Yandere! Elf King! Kyle with Human! Darling
(Stick of Truth Fantasy AU)
Pairing: Romantic
Possible Trigger Warnings: Gender-Neutral Darling, Stalking, Kidnapping, Murder/Raiding, Forced relationship, Blood and death mention, Isolation, Implied brainwashing, Forced marriage mention, Fantasy AU so feel free to imagine him more elf-like.
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Kyle is devastated at the fact his darling is a human.
You are from two different factions.
Not only are you on the side of the humans... but he's THE Drow Elf King!
By normal means you'd never like him or his kind.
However, you don't hate his side, according to his scouts.
Despite being loyal to your kind... you don't enjoy the fighting between the two races.
You may not be fond of your leader, The Grand Wizard King Cartman, but you're loyal to your side and people.
Kyle falling for you frustrates him.
He loves that loyalty of yours... yet it's directed towards the wrong side.
Can't you see Cartman is using you?
Blind loyalty will only hurt you.
Kyle's obsession leads him to send scouts to watch you.
He hates that he's unable to watch you himself.
Kyle feels you'll make a great ruler alongside him once he manages to obtain you.
Obtaining reports about you is the best he's going to get for awhile.
The more he hears about you and your personality... the more he sinks into his obsession like quicksand.
The issue is your loyalty to the humans....
His feelings towards you become obsession due to his inability to court you properly.
You see, if you were already part of his group or were an elf yourself, Kyle could simply claim you as his betrothed.
As a human... that isn't easy.
A conclusion that drives the king insane.
There's only one way to obtain your feelings if you won't leave the humans.
Kyle, as a king, knows to plan things out.
The Elf King gathers his forces in preperation for a raid on the human's keep, where you reside.
There is no reasoning with a king like Cartman.
So be it.
Kyle knows this... the humans will only listen to violence.
First, Kyle gives you an out via messenger raven.
If you do not give yourself up to the elves... the human keep will fall. You can come willingly to prevent the violence. That, or, allow the elves to pick you up from the wreckage.
This could go two ways.
You give yourself up for your kind... or you defend them with your life.
Kyle would prefer the first option.
He knows you care for the humans as much as he cares for his elven kin.
You hate fighting and this would give you a choice....
If you do pick option one, Kyle welcomes you to his home.
You'd be able to live in luxury with him and enrich yourself in his culture!
There would be no jail cell for you and you'd share a room with him....
He's loved you since he saw you with the humans in battle, now he can properly court you.
Then there's if you decide to defend the keep.
Kyle is disappointed, although that does not stop him.
Very well... the humans shall die.
Kyle approaches the keep with many troops.
He isn't backing down without you.
Since you refused his request, this attack is technically your fault.
Although it might have happened anyway for one reason or another... you feel like it's your fault.
After all... your home is set aflame, blood coating the walls with corpses piled high.
All because you said you wouldn't go to the elves.
You'll be crying in the middle of it all while the Elf King himself approaches you... lifting up your chin.
"I told you, didn't I? Your loyalty is misplaced... after I kill the wizard myself, we're going home. OUR home."
This route would result in you being thrown into a jail cell in elven territory.
Just until Kyle can retrain your mind through enchantment and spells.
Kyle doesn't mind how he gets you in the end, as long as he has you in his grasp.
You may not be happy with this... but you've forced his hand.
Kyle is a king, a king who's chosen you for marriage.
You may not reciprocate as much as him at first... but over time he's sure you will.
His bard will play the both of you songs, you'll be defended by his loyal warrior...
You'll enjoy it here with him.
Kyle tries to understand your culture and what you like/dislike.
The best way to convince you that he's your perfect partner would be to understand you, right?
Kyle's patient for the most part.
He's trying to cultivate your feelings for him, acting polite and nice towards you.
No matter how much you resist you won't be let out of his kingdom.
You have no home to run back to... they either think you're a traitor or are already dead from a raid.
You have only Kyle and his people to look for comfort in, now.
Surely you'll want to marry him after he casts a small spell, right?
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diejager · 7 months
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I’m not brave enough to say this on my account but I love it when you post/reblog freaky weird shit it really butters my bread and I think it’s great that you understand the line between “this thing is bad in real life” and “people can make and consume content without supporting, partaking in, or condoning its action” I think not enough people get that difference so thank you for your service 🫡
Awww that's sweet of you! Thank you 🤗
Ps. I think sending this to my ask box might've been safer for you?
And yeah, people should understand that writing it doesn't mean you support it, not necessarily unless the person outright says it. Plus it's a bit presumptuous of them to think that someone's like this or like that because of the things they write or consume. They don't know what the person's life is like and what they go through, so reading dark fics could be their way to detach themselves from reality, from the hardships of life and the shits that's thrown at us. An escapism, essentially.
Or, some people who have darker fantasies and don't want to act it out feel it through dark fiction. It speaks for itself, FICTION, it's there as a way to feel something without reenacting it.
Or, maybe it just tickles your brain, to be able to see something through fiction and fantasy that might be too morbid or dark to happen/that you don't want happening.
Like, I wrote incest and stepcest, but I don't support it, it's some fucked up shit but I won't judge someone if they get off on it, it's none of my business. Kidnapping and dub-con/non-con's (non-con and rape is the same thing, pls) the same, bad but this is a fictional world.
Though what bothers me the most is when people come and complain about some dark fic being too dark, if that's even possible. There are warnings, tags, but people still click on the keep reading button then go on the comments or the writer's ask box to complain about the dark fic. They don't understand that if you skipped the warnings and kept reading, it's entirely your fault, not the writers, and that if they don't like it? Either block the writer, block the tag you don't like or read the warnings. Or harass the writers about supporting this or that even though they don't say they do or not.
So, if I like the fic, I like and might reblog it, doesn't mean I support it irl, I just like the fictional world of it. Anyway! That's all for my rant, sorry about it!
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palestinalibre · 1 year
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did you guys have a good time? what happened?
heeeey love I know you sent this yesterday but I'm gonna use it as an opportunity to explain what happened with harry's team and why I'm super disappointed and angry about how we were treated. I personally had a great time because I got barricade just infront of the B stage and I manage crowds and this sort of thing very well. But the whole thing was pure chaos. I'm not going into details with the camping for days some people did and the pushing like crazy once in the pit because that's on the crowd. Toxic af. Never seen such toxic fans before and I've seen a lot.
But harry's production. Outrageous tbh. As I said I was barricade just by the paramedics and security so I could talk to them and see what was happening. People were fainting like crazy since 5pm, the show was at 9. They opened the gates at 3pm so that meant we had already been there under the sun in fucking December for 2 hours. I know that's not necessarily harry's team fault but I know for a fact harry's production team had had a meeting with the chilean team and the police the day before about people camping and the queue. Apparently no one thought about how if they opened the gates 6 hours before the show, that meant that people would be at least 6 hours standing and being crushed under the sun. So of course people were fainting since before the first opener came out.
Then the first opener came out and people pushed insanely. There was literally no space but they didn't give a shit. Again, this is no one else's fault but the crowd's but I saw at least 50 people being carried away, some unconscious, even before the second opener came in, so we started asking the production to do something about it. To please not start Koffee's set until they said something through the speakers and please ask people to take a step back and stop pushing. Chilean production wanted to do that but at that point harry's production team came out (because the situation was too out of control) and said they wouldn't stop the show nor say anything through the speakers. They said they knew how this worked, knew how to take care of the situation and that was it.
When Koffee came out it got worse and worse. Again harry's team was there (I know because they've been shown as part of the crew and also dah english speakers) and I asked to talk to them again. Hundreds of people, most of them teenagers, fainting. I asked to please say something through the speakers after Koffee's set and before Harry's show because it was so so bad already and it was gonna get worse once H came out. The chilean production was literally asking them to intervene through the speakers and they didn't let them. I told them that if things continued this way and nothing was done Harry would have to stop the show. It was as easy as trying and saying harry was aware of the situation and if people didn't stop pushing and fighting like they were, the show was gonna be cancelled for safety reasons. This one guy told me "no, he won't stop the show. This happens all the time, we're used to it. We will just ask for more paramedics. We won't talk through the speakers, it's on the crowd".
I had this conversation with more than one person from harry's team and they all told us they wouldn't do anything to prevent people from fainting. We were so blatantly numbers to them and not people it was shocking. They didn't give a shit about people's wellbeing and much less about a good experience. Of course Harry had to stop the show, I can't even explain to you how bad the situation was. But he never said anything. He looked very concerned but I think he was highly advised by his team to not talk through the microphone, which is fucking stupid. Only when people got scared he wouldn't come back to the B stage the situation got a bit better. I told security from the first moment to say harry was asking for people to stop pushing and they never listened. Not to be comparing and shit but I was there when Louis asked his fans to please take a step back and stop pushing and he said "do it for me" and guess what. It fucking worked.
Of course me writing this won't fix anything. It's never been more obvious to me that they just don't care, but I'm just super angry and sad with how they didn't manage the situation. Honestly we were lucky no one got killed. And I repeat, Harry's team was very aware of this and not only they didn't do anything about it but they refused to.
Please don't repost.
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I have this angsty idea that won't leave me alone. Damijon's been dating since their earlier teens and now they're in their college years and Jon suggests they take a break to "experiment" or "see what's out there" to figure out if this is something they want for the long run. Damian is absolutely livid. He has a hard time letting people in, he wouldn't want to experiment with other people at all. He feels like Jon is just leaving him. So he is kinda like "fuck you and don't come back". Flash forward they don't talk or see each other for a while and Jon feels like he maybe fucked up.
I can't write a fanfic to save my life so this is it but I'd like to think that they find each other again and have a happy ending.
(this may be ooc for Jon, but I have the hc that a Jon who didn't suffer bendis would have a pretty normal life with normal experiences, outside of heroing part time, and trying to figure yourself out in college, outside of a relationship you had almost all your life is something I found pretty normal, if a little assholery for the other person)
I could absolutely see Jon being talked into 'taking a break' by some outside party. Because he's confident in his love for Damian, but not necessarily confident in himself? So is very easily convinced to try other things.
Damian is livid that Jon would let someone else influence him like that, and is also just so hurt by the idea that maybe Damian isn't as into him as he actually is? That maybe Jon doesn't trust him?
But then Jon DOES realize he fucked up, but he can already see Damian's walls all the way back up. Not only that, but he can see how other Batfam members look at him, and scowl at him. They won't let Jon near Damian. Tim even shoots him out of the sky once when he got too close to manor airspace.
(Jon also learns incredibly quickly that no one compares to Damian, and lashes out at the person who convinced him to see other options in the world. He wishes he never did. No one is good enough.)
But Jon is nothing but stubborn, and knows this is his fault. Knows he has to fix it, and do it the right way. So it's slow, and a lot of two-steps-forward-one-step-back kind of things. But when he gets to kiss Damian for the first time again in almost a year, he knows it's all so, so, so worth it.
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cat-of-starlight · 5 months
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I DO have a long Project Moon Universe post/mini-essay(?) I wanna make (Well. focused on Limbus, but also the other games as well), but I want a few more Cantos to go by first for references to prove my point,,,,
Spark Notes draft below the cut if anyone's interested in the premise: "The City, and its relationship towards those who are too gentle for it's cruelty"
Ok great, for the people still here- The sad little essay I wanna eventually make-
I think it's. TRUELY heartbreaking how much kindness as a concept seems to be punished in the city, to the point where its often an active point that the truly kind (or at least notably non-violent) characters always seem to get the shortest straws.
I won't get into too many specifics till I make the Whole Real Post, but- It feels like a few things typically happen to "Kind" people in this city
They distort
They flat out die
They become an outcast
The city beats the kindness out of them by force until they are forced to conform to cruelty
And tbh? Not loving how the community collectively treats some of them.
I mean, one one hand, we have people like Yuri- People LOVE Yuri. She never did a single thing wrong, and we can all agree-
But those who distorted or conformed? Seem to be collectively treated worse, while other OBJECTIVELY worse characters get off scot free
(*Note: Final essay will include more examples, these are the main ones I have off the top of my head)
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For an example- Think back to Runia- I CRIED through Philip's plotline. I could clearly see the story of a man who- maybe wasn't the most courageous- who TRIED to help how he could- Got pressured so hard that he snapped and distorted under the pressure, becoming something that was beyond his own feelings, letting his distortion bury his heart to not feel that pain again- I LOVED that storyline, and then I come online and see him mocked for being some useless dipshit coward- THAT'S JUST SOME GUY- It's not his fault for being caught up in horrors beyond human comprehension (*Note: I checked his wiki for details. that man was only 24. He is younger than me. This man is barely an adult, no WONDER tbh)
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Or my most... controversial character opinion, considering how I feel about Dongrang. Let me start with a disclaimer- I didn't read the books, and my opinion of him has exactly NOTHING to do with whoever the real life counterpart apparently is- I'm EXCLUSIVELY talking about the FICTIONAL character.
Limbus went out of their way to show that he'd, at least at some point, been a guy who was SO KIND that he was actively wasting his own money to help people/animals, and his co-workers ACTIVELY berated him about it- He wanted his tech to be healing, just so he could save people-
And then, of course, like every kind deed in The City, it didn't go unpunished- And to survive, he adapted. I'm not saying his actions weren't wrong- they were. I am, however, saying that I don't necessarily BLAME him for snapping.
He never WANTED to become like the other cruel people in the city, and even the cutscene images of him complying with it show him in visibly agony over it, and one image even shows him in tears- He never WANTED to be another cog in that awful machine, but when faced with that or utter destruction, he made a choice to survive.
Hell, half of him distorting himself was due to how guilty he felt for doing all of that in the first place-
Meanwhile, online, 90% of posts about him are "teehee I hate this piece of shit-"
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For both of these that HAVE committed questionable acts in some way, I'm not saying I condone the things that happened. Because I don't. But I CAN feel sympathy and pity for them over the things that happened to make them what they became.
I can only imagine what the city would be like if kind people like them and others had been ALLOWED to be kind, without being punished for it.
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And with all of this, all these characters who DARED to be kind, who DARED to fight back, even for a little bit, before inevitably being either physically or emotionally destroyed by the sheer weight of how this city works at its core- ...Some of the TRUE villains are treated better by the fandom then they are.
Canto III? Kromer- People go nuts for her- Some people even ship her with Sinclair, despite it all. She gets so much fanart. She gets SO many people ogling "ooo evil lady pretty", only for her to commit atrocities with a smile, and without a single slimmer of remorse.
Canto IV? Alfonso. Batshit insane, evil as hell- at least half the reason that characters like Dongrang ended up as fucked up as they did. You'd think "Wow- this is the person that made the person we hate the way they are, lets hate her too!" right? WRONG. Again, she gets the "pretty evil woman" treatment and people brush off her atrocities to ogle her. She also gets love by at least part of the fanbase.
And to that, WHY? I don't get it, genuinely. - Their actions?: horrible, terrible, not redeemable in the SLIGHTEST - Appearances?: You know what, I'll be honest- I think ladies are pretty (I'm Demi, but I can 100% enjoy a view) but I think these are actually two of the least attractive women I've laid eyes on. (Not the point of the post, and that's just opinion, but anyway)
And I'm not sure what causes it, honestly.
There are moments where at its worst, it almost makes me feel like the distant cruelty of The City isn't so distant after all- Those who are mostly kind, but fell into despair and tragedy, and turned into something worse get overwhelming hate-
Those who are evil, yet a bit more charismatic in approach become beloved?
Overall- Its a strange, curious tragedy of The City that the kind are often scorned and punished, and the evil stay beloved and in power-
It's just odd to see the mirror of that in the fanbase's reactions.
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ALRIGHT GANG- That concludes my EXTREMELY rough draft of my eventual thing about The City's weird relationship with people who try to be kind, and the overall mirrored reactions of the fans-
If something in here is just rambling, or doesn't make sense, sorry- again, rough draft, but I thought it was worth sharing anyway
--
EDIT: Ok before anyone notices them not being included, I purposefully left out main LCB sinners and ESPECIALLY Dante, because though I could write about them forever, I want a little more canon content to work with before rambling about them in this post- They are a GREAT midpoint as someone who can't remember the cruelty of The City, and is now clearly struggling with the urge to stay kind in the face of The Horrors™- Honestly they were my main inspiration for this, but I DO want more info before writing about them fully, thanks <3
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rogueddie · 1 year
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oh my god season one steve defender, hello
am i glad to find you because i’ve ben rewatching stranger things and the fanon version of steve before the upside down seems on the harsh side now. and the way the show was comparing him to jonathan who was dealt a shitty hand in life made people a bit biased.
like, he was asshole, not refuting that! but also he was a moody teenager who didn’t know better and peer pressure is a bitch even without people making assumptions about you and your big empty house. (i think a big part of steve being so gone on nancy was because she didn’t treat him like he was an asshole. unlike others who made it seem given.)
also he tried to rectify his mistakes. didn’t try to run from that. went to jonathan to apologize, even when his face was still fucked up from the beating he got and not knowing what jonathan was doing with nancy, exactly. he trusted nancy. he was jealous and lashed out in the worst way possible but he chose to trust her—like she trusted him before he went and hurt her. didn’t want to disappoint her again.
also he made the right choice at the most important time. running back to nancy after she threatened him with a gun and a literal monster jumped out? most teenagers—hell, even adults—would not do that, not even the kind and mature ones.
he wasn’t involved with the interdimensional monster shit, unlike nancy and jonathan who each had a person they lost to it and were in deep. he chose to be involved. like. people seem to think that the upside down and its subsequent trauma was what made steve a good person. he was good to begin with, he just needed a push. the upside down didn’t happen to steve, it was the other way around. that’s a big part of why i love his character: his choice to be involved. a lot of people understate that. like.
steve isn’t connected to anyone in the party. he’s there for them all nonetheless. a rich kid just inserted himself into danger to save people, how come he catches so much heat from others?
he wasn’t bad, is what i’m getting at. he acted bad. he was innately good and just had to practice that goodness outside the influence of mouthbreathers.
Oh, people are definitely too harsh on Steve. But that's entirely the Duffers fault, I'm convinced. Most people won't have watched s1 for a while so things like Robin insisting that Steve used to be an asshole will be informing their perceptions of early Steve, or Steve telling Nancy that he really needed that knock to the head like he was the worst person before that.
He was definitely problematic, majorly so. It was his friends who were the assholes but he didn't try that hard to stop them- we see him trying to scold Tommy for going too far, but it's only after he implies that Jonathan is responsible. He initiates it too, even if his comment isn't necessarily that bad.
And trying to make up for his mistakes? That was almost immediately afterwards as well. With the implication of his father cheating, obviously he's going to be paranoid about that type of thing happening to him just like his mom. It makes sense that he'd overreact and went way too far. He was upset and a kid!
Plus, on the point of him choosing to go back- isn't he the only one who really chooses to keep getting involved in the Upside Down, even though he doesn't really have any personal stakes in it?
Like, s1 he's given an out. Nancy pointed a gun at him and Jonathan isn't exactly a friend, but he goes back anyway. And in s2, he could've told Dustin no. He didn't need to babysit or agree to help him, he had no real reason to and it's heavily implied that the two aren't close at all. Then in s3, he could've turned Dustin away too. Why would Steve want to waste time on translating Russian? He had a job! S4 is the only time he has any personal stakes bc at that point he's good friends with Dustin and it's a clearly dangerous situation.
He's always had a very clear pattern of behavior that is the same now as it was in s1. Considering he's a rich kid, it would make sense that hed get stuck in a certain crowd too and of course theyd be assholes.
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hoardingpuffin · 4 months
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Over the Garden Wall Fable AU Concepts
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Okay, so - when I was across the pond to see my partner, them and I watched Over the Garden Wall. @the-uninformed-zennial had never seen it, and it's so very much their vibe so obviously we had to. And, as we are both Fable nerds, we ended up talking about potential AU ideas. I'd had two possible concepts for AUs floating in my noggin for a while and we fleshed them out together a bit.
Now, between (hopefully) finishing Three Wishes, and the holidays, and that pesky 30+ page bachelor thesis paper, I won't have time to write them as actual fics anytime soon, so I figured I'd at least put out the concepts somewhere, and Tumblr seemed like a good choice.
For anyone unfamilar with Over the Garden Wall: It's a mini series by Patrick McHale that aired on CartoonNetwork a while ago, focussing on two brothers stuck in the mysterious Unknown trying to get home and experiencing wacky halloween-y hijinks on the way. The Unknown is often interpreted to be a sort of afterlife/limbo, and the series has a lot of themes of that direction, but it's still quite charming and cute and funny (as it is made for kids).
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Concept 1 Icarus and Rae are in the place of Greg and Wirt – they got into some sort of fight in the real world and ended up in a situation that made them enter the Unknown as a limbo between living and dying. In this case, the characters from the Unknown would be remaining a lot more like the ones we know from the show, so the Woodsman is just The Woodsman, the Beast is just The Beast, and so on. I’m not sure who’d be in the place of Beatrice, but there are a few possibilities. If we’re going with the popular interpretation that the Unknown is a form of the afterlife, then it could be someone from canon who has passed already (if we wanna be angsty, it could be Haley maybe? I am not sure if I want her to be though), or alternatively Beatrice could just be a random soul who, like in OtGW Canon, is trying to free their own family.
In this AU, the story would probably progress similar to the one in OtGW – Icarus and Rae trying to get home and through the Unknown, getting into more fights along the way, until Icarus ends up losing faith in being able to get home completely. Rae – much like Greg – would offer himself to the Beast in order to get Icarus home, and Icarus in turn would have to step up and be a responsible older brother and save Rae from turning into an Edelwood.
There’s a lot of similarities between Icarus and Wirt, I feel like, though Wirt’s anxious poetic nature seems more alike Rae. But both Icarus and Wirt have this streak of blaming their younger brothers for stuff that those brothers weren’t necessarily responsible for, and lashing out at them, so I can see Icarus in Wirt’s place rather well. Plus, well, Rae, like Greg, going on a whole arc of “maybe this is actually my fault so I’m gonna go with the Beast to try and fix it” seems fitting for him to me.
Concept 2
Now, the other concept I might actually like more by just a little bit – in this, the people lost in the Unknown would likely be Athena and Jamie, who (due to something other in the real world) are finding themselves in the woods, where they meet the Woodsman – who would be Rae. I can just see Rae being someone to devote themselves to being the Lantern Bearer for the Beast, if it meant to keep the soul of a loved one alive (though in this case it wouldn’t be the child, but likely Aax and Caspian) – plus, the Beast has the whole antler aesthetic going on, so that can overlap neatly with the warden in my opinion. Maybe it’s just cause the Woodsman is such a tragic figure already in OtGW canon, but I think it would be a neat spin to see that character lead the ones lost in the Unknown instead of just sending them on their way, to make the idea that he might be the Beast even worse of a betrayal, which I always thought OtGW was a bit light on. I wish they’d have given that betrayal as much weight as Beatrice’s betrayal. And then, once revealed to the Woodsman that the Lantern holds the Beast’s soul, not anyone else’s, the big fight feels in character for Rae to me, too. Rae’s devotion to the ones he loves is immense, and him fighting the monster that deceived him so – especially to also keep two innocent souls safe in the process – would not only be in character, but also give a quite triumphant turn for him in this AU. Plus, he’d get the happy ending he deserves once he actually slays the Beast and returns home to see that his loved ones are actually there and likely have been all along. The unfortunate side to his AU idea is that most of the characters in the Unknown, like Rae, already being dead and likely for a long time. However, Zenni presented an alternative idea, where the inhabitants of the Unknown aren’t always actually the souls of the deceased, but might also be sort of mirror-verse representations of them. I’m not sure how Athena and Jamie would get to the Unknown then, but it would be an interesting concept to explore, and give more detail to the world – plus, give Athena and Jamie both more of a reason to trust the Woodsman and either for the believed betrayal to hit even worse or for them to not believe it because they know Rae so well in the real world.
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Now, obviously, these are just concepts, not nearly as fleshed out as I would make an actual fanfic - and some stuff might be jumbled as I've not actually written it out before and the whole Putting Things In Your Writing Brain Into Actual Writing thing is difficult as fuck.
Anyways. Those are the two ideas I came up with and have been mulling around my noggin. I don't know if I'll write them, gonna be honest, but - they are concepts alright.
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omg!! i loved your eddie headcannons so much <33 would you consider doing a pt 2 for little ole me *bats eyelashes*
Happy to make you happy! Sure I can do a part 2
[Missed part 1? Check it out >>HERE<<]
🫀REQUESTS ARE OPEN🫀
Dating the Riddler - Headcanons Part 2
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Regularly buys you flowers and I don't mean single plants but like whole bouquets with raffia and decorative paper
The florists at the shop are lowkey invested in the love story they know nothing about
An absolute sucker for you standing up for him
Like when someone claims you're "dating down" or "settling" for him and you can't keep your tongue behind your teeth
Are you normally this nasty or are you trying extra hard today?
Always up for trying new things with you, no matter what they are
You picked up a habit of doing crosswords in newspapers
Eddie's always there to help you with more difficult words but he has a secret: he checked the answers to the ones even he didn't know
Watching Jeopardy or Who wants to be a millionaire gets competitive but still fun
The mutual "WHY WOULD YOU KNOW THAT??"
If you take any medication, you can be sure Eddie is going to remind you to take it
Tic-tac-toe with fridge magnets on days when you two are busy and rarely get to see each other even while living together
If you're gone for the night, visiting someone maybe, he cuddles your shirt while sleeping (it smells of you, so...)
Don't ask him an opinion about your outfit because it's always going to be the very same "You're perfect"
If you like scented candles, you might have just ruined a certain smell for Eddie. Oh, you buy vanilla-scented candles? Congrats, whenever and wherever Eddie smells vanilla, he thinks of you
Nothing you ever do, think, say or feel is in any way weird to him
Watching cartoons together (Scooby-Doo slaps at any age)
Polaroids of you two just hanging about and being two idiots in love
You bought him a mug with a question mark on it and now he won't drink out of anything else
If you have long hair, Eddie definitely would learn how to do braids
He makes random remarks about you to his followers
Maybe he remembered something thoughtful you said or something you like that was relevant to the topic he was rambling about
Matching necklaces!!!! Nothing over the top, thin chainlink and a small yet meaningful pendant
Because he (most probably) doesn't have a dish that he associates with childhood, you regularly make him something that someone used to make for you
Whatever you're currently obsessed with, Eddie listens with genuine interest
He probably keeps pictures of you in multiple places: his wallet, on his phone (obviously), inside the bedside table, on a corkboard among his planning and research
If you're away from each other, you get on a video call and just sit kind of together. Not necessarily talking to each other, just doing your own things but being in the other's presence as much as possible at the time
If you're upset with him about something, he's either going to deny his agency ("I had no choice/It wasn't my fault") or is seconds away from getting on his knees and begging for forgiveness
You're probably a lot of his firsts
Before moving in together, he keeps your favourite drink and/or snacks at his place, just in case you come by
Whenever he speaks negatively about himself, you shoot him with a nerf gun
Avantgarde cognitive-behavioural therapy
He tries his best to cook for you
Lowkey considers breaking up with you when the whole lark with Batman starts
Just to ensure that you're as far away from that ordeal as possible
But you told him that you're in this together and he can't do anything to make you change your mind
You nag at him to take a break once in a while, go for a walk, clear his head
If English isn't your first language, you can be sure Eddie will study your mother tongue
He'd definitely be into being called pet names in your first language
There's always some homemade dessert in your fridge
Your compliments always make him giddy
Despite you openly supporting his Riddler persona and everything that comes with it (maybe not the murder part), Eddie doesn't want you to actually know what his planning
For your own safety
He's the type of person who'd pick up a phone call at 3 AM and be at your front door in record time
If you're insecure about something, he's just straight-up confused because how?? why??
Always gives you a bite/sip of his food
Learns weird skills just in case you need help with something one day
The first time he's hanging out with you and your friends he's genuinely surprised that they're nice to him and are friendly and curious about their friend's boyfriend
Because he's never had lovely friends like that?? He thought people are in general shit??
But it makes so much sense that you have open-minded, easy-going, welcoming friends
Super awkward about periods but willing to buy pads/tampons, snacks and painkillers
You need his help so of course he's going to deliver
Carries your bag for you
You often catch him just staring at you with that deep-in-thought look
He's admiring, okay
At some point, the ex-lovers talk has to happen
Eddie gets visibly uncomfortable thinking about you possibly being more experienced than him and comparing him to other people you've been with
You have to remind him several times that it doesn't matter as much as he thinks. Now you're with him, it's him you want to be affectionate with. Besides, no one's born with knowledge in the dating/relationship/PDA department. You have to be inexperienced and awkward before you know what you're doing
The most important thing, you tell Eddie, is the willingness to communicate and learn. And the enthusiasm!
Oh, that he definitely has when it comes to you
Whenever you feature him on your social media, there's a cringy amount of heart emojis but who cares
He's got a bit of chub, so you love to lay on top of him
Tabletop game nights. Not Monopoly tho
Playing Mario Kart on stormy weekends
He hates losing and is really fast at coming up with successful tactics
Back hugs when you're doing something around the kitchen
You, on the other hand, give him back hugs to calm him down when something's not going the way he wanted to
You pack his lunch and no matter how many times he tells you that you don't have to, you're reminding him that you want to
Sharing desserts
Making him healthy food and he discovers a whole new palate
He can be a little pushy when you're clearly upset about something, wanting you to finally tell him what's up
Eddie's messy let's be honest
You nag at him about keeping the place a little clean and he's trying his best
He never cared for plants, cushions or fairy lights but since you moved it, he realized that they make the flat a lot more homely
Now your existence is just written all over the furniture and you're there even if you're physically gone
You visit him regularly at Arkham and he's on the verge of crying when the visiting hours are over and you have to go
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57sfinest · 1 year
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i'd love to hear your thoughts on klaasje
i love klaasje soooo much she's so interesting to me and i really love how they made her parallel harry in a lot of ways, but i think that specifically could be a separate post
one of the things that ruins me about her is like... she's so young to be in this situation. she's only 28 and she's become a fugitive from entities that she's not even sure are actually chasing her, which is a special kind of hell. in her eyes, her life is over, and it had barely begun. this wasn't even her plan, she was dragged into everything as a result of the capitalist machine: she did odd jobs until a banking firm picked her up and found out she was really good at corporate espionage, and because that was what finally gave her life stability, she stuck with it. she caused people to lose their jobs- some, their lives- and helped these larger companies destabilize smaller competitors and corner the market. she only did it a few times, but she tangibly ruined people's lives, including her own. and she clearly feels terrible about it, but she can't undo what she's done.
she came to martinaise to hide because no one cares about martinaise. she was staying in a hotel room, pretty much constantly on drugs to numb herself, fooling around with the odd resident, but she wasn't doing much to permanently establish herself- we see no evidence that she was trying to do any work or find someplace to live in the area. martinaise was never meant to be a place to start over, off the radar; it was just supposed to be a place where she could self-destruct in peace. when she tells harry that martinaise isn't the kind of place that calls the cops, that had been a deciding factor in her move there. she wanted that- she wanted a place hostile to people asking questions, hostile to anyone with an outside agenda. she knew that even if the residents wouldn't be particularly sympathetic to her situation, their outright hatred of outside enforcement would go a long way towards keeping her hidden, and her looks and charm and manipulation could fill in the gaps. she wanted to stop looking over her shoulder. she thought she could finally stop causing harm, and then lely gets killed and she thinks it's because of her, and because she leaves before the end of the case (or gets arrested), she *may never get to find out that it wasn't*. (yes, you can argue that dros killed lely because he was obsessed with klaasje so it's ""her fault"", which is how klaasje would probably see it if/when she found out, but it's NOT klaasje's fault. it was not something she wanted or intentionally did or even knew about. she is not to blame for dros' obsession.)
she's manipulative and a chronic liar and she'll throw anyone under the bus to save her own skin, and she'll feel bad about it later, but she won't hesitate to do it again. as we see her, she's deeply selfish: the things she talks about, she talks about in the context of how it serves her. the freedom of revachol, for example, she brings up because in a free revachol she wouldn't be extradited, not necessarily because she has some great love for the city. i think she shares some of harry's ability to know what buttons to push to get people to do what she wants: she'll exploit anything she can to throw harry off her. disco, his attraction to her, his love for the city, potentially his hatred of capitalism and/or the moralintern- she'll grab anything she can find and twist until he lets her go. and here's the thing: we're seeing all these traits when she's at her worst. she watched a man she liked be murdered right on top of her while she was already paranoid that extremely powerful people were out to get her, cracked under the stress of watching him rot outside her window and got the cops involved, then immediately realized her mistake and tried her hardest to slither out of her own mess just one last time. as much as we can joke about her being a girlboss and all that, she's a terrified, emotionally scarred young woman who (rightfully!) has NO idea how to handle the situation she finds herself in. and ruby's immediate fear of harry- so intense that she, the ex-madre drug runner and current union thug, immediately ran and hid upon hearing of his arrival- couldn't have helped reassure her. we can say all of these things about her, and i wouldn't say anyone is wrong to dislike her, but i think it's important to view her through a sympathetic lens if you want to truly understand her.
all of this kinda boils down to the fact that she's become a creature of fear. if she had a signature skill i would argue that it would be half light, or something like it. everything she's doing in the game, she's doing for self preservation. even the overwhelming amount of *partying* is just fear management. and she's good at hiding it at first, but the more you press her the more you watch her break down. she's traumatized. her wounds are freshly reopened. she's scared. of course she's scared: you're a cop with a horrible reputation and she's a fugitive who was the only witness to a convoluted murder, and the murder happened to be of a man she really liked, if only briefly. you'll have to forgive her if she's not squeaky clean. it's hard to be, in revachol.
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Characterizing Ted Tonks
As many of you know, I've been on a Tedromeda kick lately (I happily blame @merlinsbudgiesmugglers aka my inspiration for Tedromeda/ kick-ass beta/co-mod). When it comes to Tedromeda, we have so little in canon that we've got to do some extrapolating to fill in the blanks for minor characters. Ted Tonks, unlike Andromeda, has some lines and scenes in DH, which serves as part of his characterization for me. However, as I characterize him in Supernova, my current longfic AU, it's taken me some work and time to build him as he is.
What I love about AUs is taking canon characters and personalities and then testing them in another situation. It's stripping the characters down to who they are at heart and then throwing them in the deep end to see how they cope. This means that characters won't always act like their 'canon' selves, because they are NOT in canon in an AU. And that's OKAY! That's why AUs exist. A good AU, to me, is one in which canon characterization is close enough that you can recognize the canon character, even if they don't say or do exactly the right thing. As in, 'would he say that?' The answer for canon might be no, but the answer for an AU is 'it makes sense for this situation.' The answer for non-canon/OOC is 'in no AU would he say this.' Anyway.
When it comes to lesser-developed characters, it's more challenging in one sense to keep what little canon we have, but it's a ton of fun in another way to develop a character deeper than canon could.
I've actually written Ted many times before. I wrote him for the first time in Collide, and as I kept writing and reading (always read! the more you read, the better a writer you become, I promise), I got a better idea of who he was. With him being a central character in Supernova - and his flaws coming out in all their glory - I thought I'd make a post on how I characterize him.
After all, in canon, Andromeda runs away with him. She left her wealth, privilege, and status for him. That means, at the very least, that he's not just a pretty face. Andromeda doesn't strike me as the type of character to do things on a whim. Ted had to be worth it.
So, with that intro bit out of the way, this is how I characterize Ted Tonks, particularly for Supernova:
Ted is loyal and kind. Andromeda wouldn't have run off with someone who wasn't going to be ride or die with her, much less someone who wasn't good to her.
Ted expects loyalty from others he loves and trusts. It will hurt him deeply to be betrayed. Once he's pledged his loyalty to someone, it would take heaven and earth being destroyed for him to go back on his promises.
Ted's kindness is as much a weakness as it is a strength. He is kind to a fault: he doesn't like hurting people. It's one of the reasons he can be dishonest, because he would rather lie than hurt someone. If you're reading Supernova, you'll see how that works out for him. When he does lash out, it's because he's hurting badly, but he feels guilty afterwards.
Ted is giving and generous. One of the reasons I HC him as a Healer (not only because he patched up Harry at the beginning of DH) is that he's kind to Dean in DH, and he seems to be really good with people in general. He seems like a helper, and with his healing skills, I see him as a Healer, which is a natural complement for being giving and generous.
Ted doesn't necessarily expect generosity from others, but he does like to be acknowledged for what he can do. In Supernova, he's repeatedly hurt by Andromeda rebuking him and his attempts to get to know Dora.
Ted is passionate and wants others to be passionate with him. He sees more possibilities than roadblocks. He gets frustrated when possibilities disappear, or when they're shut down by someone else.
Ted is determined. The upside to this is that he's a hard worker, but the downside is that he can be unreasonably stubborn.
Ted is a man of integrity. This is tied to his loyalty. However, under severe stress, his integrity can come into question when promises conflict with one another and his loyalties are tested to more than one party. In Supernova, he'll have those loyalties tested repeatedly.
Ted is sharp/clever. He's got a good mind and he keeps it open to new possibilities. He sometimes overestimates his abilities.
Above all, Ted is a good person and tries to be good to those around him. When he's determined to do right by someone, he'll do his utmost to be devoted to them. This is one of the biggest reasons why Andromeda falls for him - that intensity of being devoted to her is the kind of intensity she has too.
Next up, I'll make a post on characterizing Andromeda!
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maddy-ferguson · 10 months
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controversial opinion but i dont think the duffers set up byler well, lets be real most of the fandom outside of our echo chamber doesn't think byler is going to become canon. and like idk but i agree that they should have at least broken up mlvn and resolved the monologue issue (preferably not include it even) if they were going for the byler route. same for will's importance or even mike's importance for the plot. removing them from the show's main narrative doesn't make a good case for their importance in the story in the penultimate, esp when they received minimum screentime in this season. it's not the audience's fault to think mlvn is endgame or will or mike are unimportant when the way they've been handled were lackluster and when cali plot.... Was Like That. plus they gave it all to el's character lol. ofc ppl gonna think she's the protagonist when she was the one who opened the gate and created vecna and when mike spends the entire season talking about her. redpill but it's not making much sense here when the narrative is criticized in the byler fandom, acting like the writers did a perfect job in terms of setup is just being wilfully blind atp.
i think people not expecting it is the point though. like yeah it's obvious because when they did the same thing on a smaller scale with nancy's love triangle at the end of season 1 (her spending most of the season with jonathan them bonding and her and steve fighting but then still being together in the epilogue) most people could see that jonathan and nancy were gonna be together and not one person was called delusional for thinking that. but i really think the juxtaposition is the point, it's a queer couple so even with a similar storyline people don't expect it because of heteronormativity etc which is kind of depressing but it's also what's gonna make it happening even better...#imho
for the monologue, obviously i don't ENJOY IT but i don't hate it because i think it's interesting for el? whether you think she believed him or not, whether or not you think she was gonna break up with him at sbp, i think having him tell her he loves her makes it so no one can be like "but if mike had said he loved her everything would've been fine!" i like them going all the way in that sense. i think it's good for us as an audience to have that, this way there's no what ifs. it makes it apparent that their relationship couldn't be fixed by mike saying i love you and also that their fight in lenora wasn't only about mike and about their relationship, like mike never thought she was a monster that was all el, and him telling her that she's not a monster won't fix that internal struggle for her. and it also won't help her grow beyond the monster/superhero dichotomy.
i don't like will and mike being away from the supernatural plot either but yk i do think it's because they're important for the resolution of that storyline and that that's also supposed to come as a surprise. for mike well i don't actually know that he is, but i certainly know will is and i think they did set that up pretty well. he's not in episode 7 but they reveal that the upside down is frozen on the day he disappeared, he's in hawkins for five minutes but the season ends with him talking about his connection to vecna and everyone and their mother is reminded of the fact that will is a vital part of the supernatural plot. people don't necessarily think he's gonna be the key to resolving the upside down and vecna thing for good (no matter what that looks like, i'm expecting it to be both el and will because it kind of is the el show + we'll fix it together + lucas and erica (siblings) being the mvps of the basketball game and the dnd game that has a lot of foreshadowing in episode 1 etc) because el's the one who's always done it pretty much by herself...but it's also never worked. not for long anyway. i would say that like byler (but not as shocking because it's not someone assumed to be straight turning out to be gay) it's supposed to make people go oh why have i never thought of that of course will would be an integral part of the ud resolution this makes so much sense!!! when it happens. and characters also always expect el to be the one to fix it just like they don't expect byler to happen. meta.
and again i don't LOVE mike and will's thing being the conversational roadtrip only in season 4, but i get why they did it like i see the vision. i see where you're coming from and i agree that most people not seeing byler coming isn't necessarily their fault (even though i said it's similar to nancy's s1 triangle and everyone expected it then. nancy never gave steve an i love you i've loved you forever i'll love you forever speech, major difference), i really think it's NOT supposed to be that obvious. even though it is kind of. i get wishing they had broken up mlvn in volume 2 and i certainly would've liked not having to see bylers be called delusional 24/7 but i think mlvn breaking up would've made byler endgame wayy too obvious and if they wanted it to be obvious to the girls that get it only i think they've accomplished that. same with will and the supernatural plot. and everyone is free to not like it still, i just don't think that means the set up isn't good.
very last paragraph. i don't think everything they've ever written is perfect. i don't even think every decision that's been made by the st team regarding WILL's queerness is perfect like (this is another conversation) having noah deny the gay allegations on will's behalf a month before having him say oh yeah he is gay it's obvious is crazy to me it's no surprise that people feel like it's an afterthought and like byler is never gonna happen. even though i obviously disagree with them. fin.
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