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#it was insulting garbage writing and a complete slap in the face to fans not to mention gross false advertising
iamnmbr3 · 2 years
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damn. disney really will put anything in the loki show except for loki huh?
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jamaiskookie · 4 years
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mutuals (pjmxreader) [bonus:celibacy]
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~mutuals~ [youtuber!reader x idol!jimin] social media AU
synopsis: park jimin is a (slightly problematic) idol singer, and he becomes completely smitten with a youtuber after stumbling upon her dance cover to his own song.
genre: fluff, a good dosing of cracK, literally two seconds of angst blink and u miss it
word count:  2.3k
[A/N]: thank you for all the love you’ve given mutuals! can’t believe it’s only been like one week since this blog has been up hehE enjoy this drabble of thirsty!jimin after he found your video. if you have no idea what i’m talking about gO READ THE FIRST CHAPTER
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           When JinHit first hit record sales with the success of Jimin’s mini album, and RAPLINE’s first title single a couple years ago, Jin finally gave in to Jimin’s begging and gave all the artists their own personalised studio in the JinHit building. It’s where all the greatest hits on the charts are written. It’s practically the modern eighth wonder of the world, considering the names and talent that have graced the walls. 
          Jimin, Yoongi, and Namjoon all have their separate studios to write, produce, and record in, and all three of the small rooms are located next to each other. Partially because of design and common sense, but also so all three friends can conveniently annoy each other when needed. Jin’s office isn’t too far away either, just across the floor. Usually, if they’re all working in the studio, they’ll walk over to Jin’s office during lunch hour and leech off his amazing personal pantry in his office. The office is much, much bigger than their studios, and Jimin never fails to remind Jin that. 
          All three artists have grown a little attached to their studios. It’s where they do what they all love most, after all. Yoongi barely lets anyone into his ‘Genius Lab’, and ever since a staff member accidentally messed with his coffee machine, he hasn’t let anyone step foot in. Nobody’s even allowed to come inside Namjoon’s studio during what he calls his ‘namjoon talent time’ which is basically just a period of time before comeback season where he locks himself in the studio, writing music 24/7. 
          He occasionally asks Jimin to listen to his unreleased files for suggestions, but other than that, noone except Yoongi goes inside his studio during ‘namjoon talent time’, and Namjoon only reluctantly lets him in as his bandmate. Not that Jimin minds, he hasn’t been let inside since he accidentally mistook Joon’s studio for his own and brought one of his one-night-stands over. Joonie was horrified, and made Jimin sanitise, wash and clean every part of the room, all while he cried about how his ‘baby was molested’. It was traumatising for both parties. 
          Out of the three, Jimin’s the least protective over his studio, even though he’s the one who put the most effort into it. He’s spent years perfecting it, making it the best place for inspiration and writing music. Everything in the studio has been personally chosen and thought out by him. The snacks and custom mini fridge, the wall of his entire discography, trophies, music awards, and his personal favourite, the official JIMIN logo sign above the couch. 
          It lights up in purple.
          Despite being a pretty stereotypical assholey partying douche idol, Jimin’s likes to think he’s actually quite talented. He’s been named ‘Most professional idol’ on every single online survey he can find (He’s also always voted for ‘Most handsome’, but that’s besides the point), and it’s true. Jimin never sells himself short. He is a professional musician, singer, and producer. He writes his own music, choreographs his own dancing, and uses his platform to spread positive, meaningful messages. There’s a reason he’s so internationally successful, and it’s because he’s talented. 
          Maybe right now isn’t a great example of his talent. Jimin was in his studio, holding his head in his hands. Sure, he’s a globally recognised and accomplished songwriter, but to be honest, he hadn’t written a single piece of original JIMIN music since he wrote ‘Filter’ with Namjoon months ago. He was in the biggest creative slump in his entire career. He had tried almost everything, co-writing, exercise, music samples, playing around on instruments. Hell he even tried music therapy. Whatever melody he tried to create, whatever lyrics he tried to write, it all came out sounding like garbage. 
          Yesterday was a little bit of a blow to Jimin’s ego. It was three in the morning, and he’d been in the studio for seven hours, with only one verse written. 
I love to let loose,
Have you ever tried eating moose?
It’s all so bananas,
Tony fucking Montana. 
          Yeah, it’s pretty embarrassing. It’s not even a verse, it looks more like a kindergartener’s attempt to write poetry. For the first time in his life, he doesn’t really feel like writing music or putting his thoughts in a song. Jimin is just plain out of ideas. He has nothing to write about. And if he doesn’t have good content to put out, he’d rather not put anything out at all. 
          But he still hates it. All his life, he’s coped by writing, singing and dancing. This writer’s block has been too frustrating. Too many sleepless nights and crumpled papers have been wasted over it, with no progress or music in result. Plus, Jin might be one of his closest friends, but Jin was also a boss, and he still needed more tracks for Jimin’s big comeback, happening end of the year. 
          He can’t help it. Jimin has nothing left to write about. He opened one eye when he heard the distant ding of his phone coming from somewhere in the studio. Grumbling incoherently, he opened the notification, to find… you. 
          Jimin’s mouth was hanging open the entire video. His eyes twitched the tiniest bit and he almost dropped the phone when you said his face was “decent”, but he had to watch it again, because the first time around, he didn’t hear a word that came out your damn mouth. He was otherwise… preoccupied. No matter how much he tried, he just couldn’t tear his damn eyes off the screen. Curse Min Yoongi for sending him this. 
          He even cringed when he had to bring his sleeve up to wipe the tiniest bit of drool off his face. Practically salivating. What the fuck? How old was he? He was Park Jimin, why was he popping a boner from watching some stranger on the internet dance to his songs? He’s been in the industry for way too long now, he was practically immune to scantily clad women prancing around him. So why he completed concentrated on your stupid little crop top? Not to mention, you were practically insulting him at this point. What was so special? 
          For one moment, Jimin forced his eyes off the screen, wondering if the sleep deprivation had really affected him that much, or if this was another side effect of the writer’s block he’s been having. It’s the partying ‘clean act’ ban Jin’s been forcing me to go on, he thought, even though Jimin wasn’t totally convinced of that. (Despite swearing not to, he looked straight back to down at his phone afterwards to reply the video.) 
          He was so fixated on the screen, he didn’t even notice when Yoongi flung the door open and walked inside. Jimin only lifted his head when he heard Yoongi’s obnoxiously loud groan. 
          “What- When did you get here?” Yoongi recently went back to a fan-favourite hair colour of his, and Jimin was still not used to seeing him with bright mint coloured hair. In his opinion, he looked like a highlighter, but Yoongi seemed to not mind it. 
          “I’ve been standing here for the past two minutes, drinking my coffee. The fuck you watching on your phone that’s got you drooling?” 
          “NOTHING.” Yoongi narrowed his eyes, and before Jimin could even move away, he managed to snatch the phone away from Jimin’s hands. 
          “What the fuck- how? You know, this is why your fanbase thinks you’re a cat.” Yoongi ignored his words with ease. “Oh my god,” He said. “Are you watching the video I sent you? I didn’t expect you to actually watch it.” 
          “I always watch my fan’s videos after a comeback!” Jimin insisted, clawing upwards to steal his own phone back, but Yoongi kept slapping his hands away. 
          “Yeah, but this isn’t a fan. This is just like, one of your fanboys and a girl roasting you.” Yoongi stared back at Jimin suspiciously when he tried to defend himself. “Why were you watching this girl dance like a starving man, Chim?” 
          “Just, because- what- I was nOT watching her like a starving man. Don’t look at me like I’m some kind of a pervert!” Jimin finally managed to grab ahold of his phone again, and he threw it behind him on the couch, away from Yoongi. 
          “Hyung,” He sighed. “I think maybe it’s Jin’s new ‘clean, good boy’ rule. Along with this stupid fucking slump I’ve been having these days, I just don’t feel great, okay? So don’t be so fussy with me. I can’t write, I can’t party… If I want to ogle over some random girl on the internet, I will.” Jimin cringed once the words came out of his mouth, but Yoongi slowly nodded, sitting down on the couch. 
          Min Yoongi may be a little too gay to understand Jimin’s womaniser ways, but the frustration behind not being able to write music, that, he understood. “You’re trying to justify being a perv by using your mental problems, but I’ll talk to you about that later on.”
          “Chim, we all have our slumps. It’s honestly a wonder that this is your first serious creative block. Me and Joon, and every single artist in the world, is bound to go through that at some point. It’s not the end. You’ll still be able to write good music soon, you’re a good writer.” Jimin refused to meet Yoongi’s eyes, even if what he was saying did make a little sense. He just chose to stay silent. 
          “You just have nothing left to write about. You can’t keep living like this though, Chimmy. It’s unhealthy.” 
          “What do you mean, unhealthy? I’m perfectly fine, thank you.” 
          Yoongi stared at him deadpan, gesturing to the entire state of his studio. “It’s a complete mess in here,” He said. “Plus, I don’t think you’ve left this studio for days. The others may not want to say it to your face, but we’re all a bit worried about you. Stop forcing yourself to ingest all these redbulls to try to keep writing.” 
          “When inspiration comes, it’ll come. You can’t force it, it doesn’t work that way. What you need, is a break. Go back home for once, maybe visit your mom. And for god’s sakes, take a shower please. Trust me, okay?”
          Yoongi doesn’t like admitting it, but he’s the most caring one out of their friend group. Anyone can tell from the look in his eyes right now, that he’s genuinely concerned about his friend. He’s also the one with most sense, but Jimin will never tell him that, because his advice, no matter how sensible, is useless. 
          All he’s known is singing, writing, and throwing himself in work. To just stop? Even if it’s to take a short break, it doesn’t feel right to Jimin. Instead of telling Yoongi his problems, he just poked his tongue in his cheek. If lightbulbs actually popped up above people’s heads when they had a good idea, a massive one would’ve appeared on top of Jimin’s. 
          “I’ve got it!” He said, excitedly. Yoongi sat up straight. “You’re going to take my advice for once?”
          “No, of course not, Hyung. Don’t be silly.” Yoongi slouched his back again, closing his eyes. 
          “I’ll just hit this girl up!” Yoongi’s eyes snapped open. 
          “What.” 
          “Yeah! Who knows, y’know? Maybe I’ve been keeping myself to Jin’s rules a little too well. It won’t hurt the company if I let myself go just once. Blow off some steam, come back fresh and recharged.” Jimin rubbed his hands together like a bad Disney villain. 
          “It’s too early for this.” Yoongi whispered, pinching the bridge of his nose.
          “It’s three in the afternoon.” Yoongi ignored him. 
          “You really aren’t going to take my advice, huh.” 
          “Nope!” Jimin said, popping the ‘p’ annoyingly. 
          “You promised Jin you’d go celibate.”
          “I said I’d clean up the partying act. I don’t recall taking a vow of celibacy.” Yoongi just sighed, and fell back down on the sofa, mindlessly sipping at his coffee. 
          Jimin hesitated. “You’re not going to… tell me not to? Or give me another one of your eco-feminist speeches again?” Yoongi shrugged. 
          “You’ve heard it too many times. Plus, I have a feeling this is going to be funny.” 
          “Funny? Hyung, what part of this could possible be funny to you?” There was a brief pause filled with awkward silence, before Yoongi blinked slowly. 
          “When she rejects you, of course.” Jimin threw his jacket, aimed straight for Yoongi’s head. His stupidly fast cat-like reflexes managed to dodge it, but Jimin scowled at him nonetheless. 
          “She’s not going to reject me.” Jimin walked over, picking up the very same jacket he threw at Yoongi, before plopping his sunglasses back on his face. “No woman has ever managed to reject me before, and I intend on adding her to that list.” He pursed his lips. 
          “Plus, she’s super hot. Great ass. Attractive people attract attractive people.” Jimin turned his phone back on once more to sneak one last peek at you in the thumbnail of the video, before stuffing his phone into his back pocket. “I just need to get it out of my system. This might be what I need to get me out of this creative rut!”
          He could’ve sworn Yoongi muttered something under his breath, something along the lines of ‘fucking asshole’, but he chose to ignore it. 
          “Alright, well, see you, Yoons!” Jimin practically skipped out of the studio, startling the producer’s assistant outside with his slightly disturbing enlarged grin. 
          “Don’t come crying to me when she refuses to get in your pants, you fucking diva!”
          Jimin continued walking towards the elevator, but he threw up his middle finger behind him. 
“DON’T RUIN MY EXIT, BITCH!” 
[taglist:] @notmontae97​​ @lucedelsole97​
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jbuffyangel · 6 years
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Bored Now: Arrow 6x19 Review (The Dragon)
What in the ever-loving hill tops of Olympus was THAT?
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I was exhausted Thursday, so I missed the episode. However, I waited until Sunday because I wasn’t motivated to watch given the fan reaction. But I figured it couldn’t be that bad right?
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Yes. Yes it can.
I would rather watch Oliver pontificate about his super-secret plan to stop gun violence (without revealing his super-secret plan to stop gun violence) than “The Dr*gon.” I would rather watch L*urel earn her BC suit (without really earning it) by hallucinating her dead sister. I could watch Oliver and Sara bang fifty times over. Yes, I know what I am saying. 6x19 is worse than all the terrible 13th episodes combined! After six years and 134 episodes I am bestowing “The Dr*gon” with the title of WORST EPISODE EVER.  Congratulations. We have a new low.
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I flitted between enraged and bored watching “The Dr*gon”, so I feel Evil Willow’s iconic expression conveys my emotions nicely.
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Let’s dig in… it won’t take long. I promise an excess of snarky gifs.
Felicity Smoak and Curtis Holt
This is the first week post Oliver firing Felicity. Yes, he can dress it up any way he likes, but that’s exactly what he did. Felicity chooses to devote her extra free time to her company and reaches out to Curtis for a truce. A truce in these writers’ minds means FELICITY APOLOGIZES TO CURTIS. 
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Liz Kim, who co wrote the episode, explained:
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Let’s pretend we live in a world of rainbows and unicorns where the main governing body is the Girl Scouts and instead of paying taxes we get free cookies. 
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We must live in this kind of world to understand what Liz Kim is pushing. Fine. Felicity isn’t holding a grudge. She’s being the bigger person and is sorry for her role in the fight. If we look objectively at all six characters Felicity has the least to apologize for, but that’s just details. 
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What infuriates me is Curtis just stands there and glowers at her. He oozes moral superiority, contempt and arrogance. 
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Why, dear writer, didn’t Curtis then apologize to Felicity? If this is all about being the bigger person and not holding a grudge, why didn’t Curtis step up to the plate next? Last time I checked, Curtis has as much to apologize for if not more than Felicity. Instead, we get Felicity apologizing to yet another man on this show and Curtis just stands there like a condescending lump. 
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UNACCEPTABLE.
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Then Curtis cannot hide his glee over Diggle quitting the team. He wants to skip around the room and sing, “Nananana boo boo” while Felicity is distraught about her husband being alone in the field. CURTIS HAS THE NERVE TO TELL FELICITY HE MUST FIGHT THE DESIRE TO GLOAT. But sure, what an amazing friend. 
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Listen asshat, if you tell someone you are trying not to gloat that’s the same as gloating.
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Why is Curtis the only “friend” Felicity is ever allowed to speak to? Why couldn’t she have gone to Lance or even Diggle. Diggle has a beef with Oliver, not Felicity. I don’t see how going to Curtis is any better than going to John in Oliver’s eyes. Hell, I’d take a phone call Thea over this. I don’t need to hear her side of the conversation.
How does anything Curtis says correlate to real friendship? He states the obvious – Felicity is using work to distract her from worrying about Oliver. OH MY GOD. THANK YOU SO MUCH CURTIS. WHAT WOULD WE HAVE DONE WITHOUT YOU HERE TO EXPLAIN THAT COMPLETELY OBVIOUS PLOT POINT TO US ALL?
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Then, he almost laughs in her face about it, but can control himself enough to only gloat. Wow. Felicity’s friendship cup runneth over. And last, but not least, he refuses to take any responsibility for his role in the team breakdown. How magnanimous of him. What a petty little prick.
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Also, why is Curtis always the one to fix a problem with the Helix tech? JUST ONCE I would like to see Felicity solve something tech related to this company without Curtis’ help. Felicity Smoak can program and hack anything. SHE INVENTED THE KEY PIECE OF RAY’S ATOM SUIT. But whenever Curtis is around she is forced to be clueless and rely on Curtis’ brilliance to save the day because LOOK AT WHAT A GOOD TEAM THEY ARE. She is a shining example of a genius female character and now she’s being used to prop Curtis’ man baby brain. It’s nauseating and unbelievably insulting to my gender.
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If this is the route Arrow chooses to fix the breach between the two teams (OTA members apologizing while Newbies gloat) then I can safely say I will not forgive the newbies for anything they’ve done. They will be on my list of “Characters Who Need to Die” for the remainder of the show. Starting with my number one spot – Curtis Holt.
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Olicity
At least the writers knew the only way to get Olicity fans to watch this garbage pile of nonsense was to stick a 3 minutes Olicity scene at the end and promo the crap out of it.  Unfortunately, the scene didn’t give me “all the feels” the writers intended. 
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Felicity comes home in a panic after watching a news report stating the Green Arrow is probably dead. 
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Source: @oliverfelicitygifs
Oliver pops up behind her and a very relieved Felicity throws herself into his arms. Any gooey feels I have over Felicity’s concern and emotional hug are about to be obliterated. Felicity informs Oliver this set up doesn’t work for her. When she’s in the bunker, and knows where he is or can see what is happening, it’s easier to cope with her worry. Oliver condescendingly implies there’s very little Felicity can do to help him while she’s in the bunker.
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Excuse me, but is Oliver a pod person now? How do we get from THIS
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to THIS 
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to THIS. 
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Do the Arrow writers watch Arrow? This is why people get so fed up. We can go from one episode to the next and characters act completely OOC to push a storyline along. Oliver “You’re My Partner” Queen is now saying Felicity can do very little to help? 
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Let’s just unravel the entire basis of the show and the reason the character exists in the first place 
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for another bullshit Oliver Queen regression that makes no sense. 
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All I am asking for is a modicum of character cohesion and storyline consistency. Is it so much to ask that the Arrow writers know the show and characters they are writing for? I think not.
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After Felicity correctly argues she can and HAS helped Oliver many times, he does another 180 and tells Felicity she can never be helpless. Cool bro, but you stated the exact opposite 15 seconds ago. 
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Oliver decides it’s time to placate his wife’s legitimate fears by telling her he will always come home.
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Source: @oliverfelicitygifs​
Sure, it’s a nice foreshadow for the future since Oliver is probably going to land himself in jail. This scene can serve as reassurance for all those terrified Oliver is going to do 25 to life. I take issue with the promise, however. Do you know why Oliver didn’t make that promise to Felicity in 2x09? 
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Because he respected her too much to lie to her. Oliver knew then he doesn’t always have control over what happens to him in this line of work. Accepting death and not being afraid of it is part of the job description. Oliver knows this is a promise he can’t keep because NOBODY CAN. The tiny look of hesitation and resignation his face after hugging Felicity proves it.
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Source: @oliverfelicitygifs​
We tell our children little white lies to ease their fears because sometimes they aren’t old enough to understand the truth. Was the promise Oliver made to William completely true? No. Should he have made the promise? Probably not, but I understood why he did. Oliver was trying to ease his son’s fears because William is a child.
But Felicity is a grown woman. Oliver doesn’t need to tell little white lies to his wife so he can continue his deeply stupid need to regress. The only reason Felicity needs to buy into this obvious lie is so she can function while Oliver is out in the field by himself.  How about Oliver LISTENS to his wife and acknowledges the truth – he can’t do this without her. Even emotionally stunted Oliver Queen understood THAT. 
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We’re really supposed to believe emotionally evolved Oliver doesn’t? 
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I MEAN GIVE ME A FRIGGIN BREAK.
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This is why viewers get so frustrated with Arrow. The characters can change personalities like the show changes writers. 
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Things we know to be true, and are the backbone of the series, are tossed aside to make an illogical plotlines work. It does nothing to service the characters, show or viewers. All that’s left is a terrible hour of television.
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The Dr*gon and Bl*ck S*ren
The function of this episode is to make us give a flying flip about the Dr*gon. However, we are given a sloppily slapped together back story that doesn’t connect to any of the main characters whatsoever – particularly Oliver.  
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Di*z grew up in an orphanage and was bullied by an older boy. This is the reason he’s become a menace to society. 
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He named his fear “The Dr*gon” and tattooed it everywhere because he’s so tortured and intense.
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He’s been trying to move up the criminal ladder to conquer his fear and be respected as a legitimate crime lord. Ummm… okay? Good luck with that. WHY DO I CARE? Oh, that’s right. I don’t. 
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Ultimately, Di*z gets a seat on the Quadrant (Season 7 villain set up for sure) and revenge on the kid who bullied him as a child. The moral of the story is don’t be a bully because someday the kid you tortured might show up on your door step and light you on fire.
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I thought this was supposed to be the season of many villains. Weren’t we doing away with the singular Big Bad? Why are we suddenly zeroing in on the lamest villain in the group? He’s so lame the writers had to come up with an entire episode to mitigate the lameness.
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Di*z and Sir*n spend 85% of the episode sitting in a car trading fortune cookie sayings with one another. They go on and on and on about power, control and not being a dog. It’s a lot about not rolling over, bellies, tails... maybe an ear. Think of every single villain cliché you’ve ever seen and that sums up “The Dr*gon.” 
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Di*z’s moves are utterly predicable and I’ve heard the dialogue in about fifty other shows/movies. I wish they had just gone full throttle with plagiarism and stuck, “I’ll make him an offer he can’t refuse” in there. It’d feel more honest.
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BS spends the entire episode asking the big strong man how to be a big strong villain. So, a win for feminism all around. 
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BS is so busy telling Di*z not to “roll over” she fails to see she’s following him around like a lost puppy.  
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Di*z is the lamest Arrow villain in history (Yes, even worse than Sebastian Blood), but BS is his henchman. So, what does that make her? Nothing good! I’ll tell ya that much. 
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In C*ssidy’s defense the dialogue is cringe worthy, but she didn’t make it any better with the over the top acting.
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BS tells Di*z not to be a wuss, but when he listens she acts like she has a problem with violence. YOU JUST TOLD HIM NOT TO ROLL OVER. HE’S DOING WHAT YOU ASKED, KEVIN. 
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Yet, her eyes cannot behold the horror of Di*z beating a man. Her soul withers at the sight of Di*z killing. She blinks, sighs and turns away in disgust. SHE IS SO CONFLICTED.
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Oh, holy hell. Are you kidding me with this crap? This is the same character who killed a security guard begging for his life. This is the same character who screamed in another man’s ear until his veins popped. She’s tried to kill the team multiple times. It’s a little difficult to believe BS has a hard time watching someone get punched. But we’re supposed to believe it because REDEMPTION. Sorry, Imma gonna need a little more than excessive blinking from C*ssidy to sell me on that one.
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Di*z’s need to be a legitimate crime boss doesn’t mean the character translates as any more than the common street thug he is. His backstory is intended to make him look complex, but it does the direct opposite. We’ve seen “a villain is made not born” trope a thousand times, including on Arrow. Unfortunately, “bullied in an orphanage” doesn’t hold up against the backstories of Slade, Merlyn, Ra’s Ahl Ghul or Prometheus. 
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BS has the nerve to compare Di*z to Adrian Chase and I laughed out loud. 
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BS spent all of 15 seconds with Chase, but she knows his anger consumed him? Okay, cupcake. Whatever you say. Comparing the genius ways Chase inflicted pain and revenge on Oliver to the Dr*gon’s hum drum plan of vertigo and the Quadrant is just wrong. Why didn’t they do this villain focused episode with PROMETHEUS? That would have been a good time.
“But Jen, you didn’t like Prometheus at first. You thought he was boring and then you loved him.” Sure, that’s true, but by episode 19 we were full throttle on Adrian’s crazy.
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There’s nothing to unmask with Di*z. This isn’t Josh Segarra going to another level. If it was those things then 6x19 was the episode to do it. All that’s revealed is more boring on top of boring.  I can tolerate a misfire in the 10-15-episode range, but we’re rapidly approaching the end. It is incredibly late in the season to be telling us why we should give a flying fig newtin about Di*z. The writers need to come armed with a hell of a lot more than bullied and power hungry for a chair.
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Stray Thoughts
It’s safe to say it’s going to be a terrible episode if the writer is tweeting as a PR defense strategy. We shouldn’t need episodes explained to us, but if we do then the answers should make a modicum of sense.
Oliver was in episode 3x10 more AND HE WAS “DEAD.” There’s a reason why Stephen Amell is the star. He carries the show. Don’t ever bench him, writers.
This wins Twitter:
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Disclaimer: Any gifs on the blog are not mine. If you would like a gif removed from my reviews, please message me. 6x19 gifs credited.
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