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huskersbooze · 3 months

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Bambi

Alastor x Reader

Summary : Alastor returns from his outing one day, finding a guest lying on the floor, unconscious, in front of the Hazbin Hotel. Untrue to Alastor fashion, scaring most of the staff members, he decides to keep the fascinating creature in his broadcasting studio, and when she wakes up, she's forgotten everything, even her name. And when Alastor starts calling her nicknames in the mean time, he accidentally gives her one that she ends up growing attached to..

Warnings : N/A

Pairing : Alastor x F!Reader (Gn!Reader here, M!Reader here)

Additional tags : Fluff(?), mentions of amnesia, Alastor actually being nice?!

Word count : 1.06k

“Wonderful, just wonderful! You’re awake!”

A staticky voice drew you out of your thoughts. Surprised, you snapped your neck towards the sound, and a rather tall and slim figure was right at your face.

“Charming, I haven’t seen you around here before!”

You flinch as the figure leans closer, causing them to back away slightly.

“Who.. who are you?”

“Pleasure to meet you, dear, just a pleasure! I'm Alastor, the Radio Demon. And who might you be?"

"I..” You reply. “I don't know."

He seems taken aback by your response slightly, but his smile doesn't falter. Instead he cocks his head to the side and blinks at you.

"What's your name?"

You stay quiet for a while until you give an uncertain head tilt back to him.

"I don't know.."

The grin still very much glued to his face, he leaned a bit closer to you, voice dropping to a more hushed tone.

"Darling, you don't remember your name, or you don't know your name?"

"I.. I don't remember." You fight the urge to start fidgeting with your hands, looking down to the ground as your memories become a hazy blur.

"You don't remember? Your name? Anything?"

"No.."

He doesn't seem to let his bright smile falter at that, although his expression shifts slightly towards curiosity.

"Quite the fascinating creature you are." He blinks a couple of times before he shifts to lean against what seemed to be a broadcasting panel, a thoughtful expression crossing his face. "Intriguing, really. Do you know what happened to your memory?"

"No.. not really."

"Well, that's unfortunate." The Radio Demon lets out a chuckle, static still laced in his laugh. "It seems you're in a bit of a dilemma, aren't you, Bambi?"

"Bambi.. I like it." You reply.

"Pardon me?" He raises his eyebrow at you, surprised at your statement.

"Bambi. I like the sound of that."

He laughs, a smile sounding from him again. There was something so unsettling yet alluring about him.

"That is rather fitting, I suppose. Bambi.. it's not a bad name." He thinks for a few seconds, stroking his chin as he considers. "And I suppose I'll need something to refer to you if you're staying. It fits you.."

"Staying?"

"Where do you think you are right now, darling? You certainly didn't expect me to leave you out there with your memories wiped with nowhere to go?"

"I.."

"Surely you hoped to stay for accommodation and basic necessities?" The Radio Demon asks, curiosity glinting in his eyes. "You've lost your memory after all, have you not?"

"Yes.." You hesitantly replied. Sure, you've lost your memory, but you weren't stupid enough to follow a random Radio Demon around without knowing him.

"I don't bite, Bambi. I can guarantee everyone at the hotel will treat you with the respect you deserve. And if they don't, all you need to do is let me know and I'll handle them for you."

"Hotel?"

"My, my, you really are a clueless little deer." Alastor uses a cane-typed staff to ruffle your hair. “So fragile and just the cutest little thing.”

“Thank.. you?”

Alastor tilts his head to the side curiously.

"It seems as if my teasing isn't upsetting you. How strange." He merely comments. “Oh, to understand your lost little mind.”

You carefully scan the room. It seemed to be a broadcasting studio, the room simply in red. Totally wasn’t sinister at all.

“So, what do you say, Bambi? We wouldn't mind providing you with all the necessities you need for now.”

“Necessities?”

Alastor chuckles again.

"Like, a bed, for example! Or, oh, I'm sure you'd want new clothes as well, right? And... if that's not enough, we do serve breakfast the next day. If you want food, that is..."

“Jambalaya..” You mutter, mostly to yourself as you’re lightly lost in thought.

Alastor’s grin widens a little, his ears perking slightly at the sudden mention of his favourite food.

"I can't say that I was expecting that, but... yes, we actually do have jambalaya on the menu for lunch. How'd you know that?"

“Oh, sorry.. I was just talking to myself. It’s my favourite food.” You stifle a blush as you let out an embarrassed smile.

“Ah, so you do remember some things, Bambi.” He raises his voice in curiosity, walking towards a trapdoor in the floor. “Come along, dear, let’s bring you to Charlie.”

“Charlie?”

“The owner of the hotel, and also the Princess of Hell.”

“We’re in hell?”

Alastor stops in his tracks as the two of you reach the hallways, finally out of Alastor’s broadcasting tower.

“After our whole conversation, you just noticed?”

“I.. I suppose so.”

“Oh, dear, you really are just one mysterious creature, aren't you? To think you just appeared here, with no memories of yourself, of the world, and even what you're doing here in Hell. You are truly fascinating..”

Alastor smirks, speaking in a lower voice. “Charlie will be delighted to have you here.”

After introductions and such, Charlie settles you into the room next to Alastor’s, opposite of Angel Dust, and introduces you to all the staff.

“So.. who are ya’ exactly?” The white spider raises a hand, slouching on the couch with a grey cat beside him.

“This is our new guest!” Charlie introduces. “Alastor found her unconscious and offered to let her stay.”

“That doesn’t really answer the question, princess.” The grey cat speaks up, seemingly bored from the unoriginality of these introductions.

“Well, Husker, our little friend here has lost her memories.” Alastor speaks up from beside you, ruffling your hair with his staff-cane-thing once more. You still couldn’t make out what it was really supposed to be.

“Lost her memories?” Vaggie is the one to speak up this time.

“Indeed. It seems our dear friend doesn't even remember her own name, let alone anything else.”

“Then what a’ we s’posed to refer to her as?” Angel questions.

“You could call me Bambi..” You mutter softly, gaze glued to your own feet.

“Works for me.” Husk shrugs.

“Sure.” Angel replies.

Vaggie and Niffty nods.

You feel the static beside you grow a bit louder, and as you shift your gaze, you see Alastor keeping his composure with his backs behind his back, his eyes on you as he gives you a soft, and genuine smile.

“You’re going to love it here, Bambi.” He says.

———/ End. /———

#hazbin #hazbin hotel #alastor #alastor hazbin hotel #alastor the radio demon #hazbin hotel alastor #hazbin alastor #alastor fluff #alastor x reader #alastor altruist #alastor x you #alastor x y/n #hazbinhotel #hazbin hotel season 1 #hazbin hotel 2024 #hazbin hotel x reader #alastor angst

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xlillyle · 8 months

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Why in my humble opinion the episode brings the Mersault arc to a satisfying end regarding Fyodor, Dazai, Chuuya and the message it has

So, there's a lot of energy buzzing around in the fandom with the latest episode and I felt like some things have not been pointed out enough, therefore I'm gonna share my thoughts on the parts of Mersault. This is a thread that focuses on the conclusion of the Mersault arc as presented in the most recent episode of the anime in season 5 and I will elaborate on what I think the message of the Mersault arc is, what Fyodor's role in this arc is, I will comment on why I think he was defeated and why it fits the message and I will also go into more detail of how Chuuya and Dazai play into all of this and what I think happened in Mersault.

I'd like to start with these panels from the manga, chapter 77:

Together with this one from chapter 105:

I think these panels convey the core message of the Mersault arc very well and its goal: Everyone is just human, no matter how smart. And humans are capable of amazing things and even moreso if they come together. This is the greatest difference between Fyodor and Dazai who have been countless of times painted and stated as each other's equals - yes, they are intellectually of a level most can only dream of, only rivaled by Ranpo, but unlike Fyodor, Dazai has learnt to trust humans and understands their bonds to each other.

Fyodor doesn't.

It's a message that is heavily implied and then outright stated by Dazai in the last episode:

The reason why Fyodor fails is that he doesn't trust in people and because he doesn't understand humans in that regard - he thinks that he is above this concept, thinks he can manipulate them and that they're just pawns. It's shown in the way he talks about Sigma, it's shown in the fact that he chose to use Chuuya who is Dazai's partner against Dazai to dangle him in front of Dazai and it's shown when he mocks Dazai for not being "able" to use a "gravity manipulator" and drops the famous line of them having a "shallow bond".

Fyodor is arrogant and very confident in his own abilities, including the one to control those around him. That's what makes him slacking though, he can't comprehend that a plan that relies on a bond and trust would be able to deceive and defeat him and the closer he gets to his goal, the less he cares. That's why he allows Dazai this last speech in 109 too, he doesn't think anything can defeat him. Dazai is at his wit's end, Fyodor is the winner. There's no way that Dazai has a backup plan, Fyodor is a genius and he already thought of everything that could possibly be, so there's no way, right?

Mersault always was about showing what humans are capable of and what they can achieve and that trusting in your allies, in your bonds with the people you love, makes you more capable and achieve higher goals. And it's exactly what happened.

Dazai states that he doesn't have control over all things, that he had a lot of uncertain cards. But he trusted in his allies and it pays off. He wins not because he has it all figured out from the start and a backup plan for the backup plan of the backup plan, he did his part of the plan and adjusted to the scene and left the rest in full trust with his allies.

This pilot stabbing Fyodor worked because Dazai trusted in the agency and Ranpo and them taking over control the vampires in time. And the rest of the Mersault story before all this?

That brings me to my next point, actually. We learn in the episode that it was all a SKK scheme:

Now, some people were unsatisfied that a plan that simple couldn't fool Fyodor, but I think that is exactly the point of it. Chuuya is a great actor (in Stormbringer he fools with grief and shock Albatross in thinking he saved the in two halves separated Doc for example) and the simplicity of this plan is what makes it so good against Fyodor - why would he assume that the great Dazai, his intellectual equal, another genius, would go through with such a plan?

And it's even better because it isn't actually Dazai's! Now, I have seen a lot of people talking about this and I admit that I assumed the opposite originally as well, that this was all Dazai's scheme, but thanks to a moot I took a closer look on the storytelling and I realized something:

Dazai describes here the moment he realized that Chuuya is on his side in my opinion. This wasn't a "Dazai orchestrated the whole thing and sent Chuuya a text to haul his ass over to Mersault" because it doesn't fit with the storyline. Especially the speech in chapter 101 stands out here - a lot of people are making jokes about how weird and gay of a plan the speech is, but I actually think, based on the situation and the voice acting from Mamoru Miyano, that this goodbye speech is a genuine one.

The speech in 101 seems very genuine down to the point of his fake goodbye in the end, meanwhile the tone of a similar speech in 109 has completely shifted.

And what happened between 101 and 109? Exactly. The elevator.

So, what I'm thinking is this: Dazai saw that Fyodor had Chuuya under control and he knows his partner, he can't quite believe that Chuuya would get himself captured, it's gotta be a plan, right? Soukoku isn't actually the brains-and-brawn duo even though everyone thinks that, but Dazai knows how capable and smart Chuuya is. He hid Arahabaki from him and figured out Rimbaud after all.

But still, there is this bit of doubt nurtured by fear - he trusts Chuuya, but what if this isn't his Chuuya? So his goodbye speech is both:

An attempt to snap Chuuya out of it, an attempt to communicate with him, the hope that carries him because this is his partner, right? Stupid Chuuya that always fights and always clings to life and knows to appreciate it a lot more than Dazai.

But also a genuine goodbye, just... in case. Because he could never forgive himself if he doesn't say goodbye to Chuuya, JUST IN CASE. He trusts and believes in Chuuya, but he can't not say goodbye to him, just in case that Fyodor really got Chuuya.

And then the elevator scene happens and Dazai realizes: He only has one way of surviving, but he will not drag Sigma into this, not if he can help it. And he made a promise to him, after all. So, Dazai pushes Sigma out, makes sure that Sigma is alive like he promised. Then he keeps falling.

The only one that can save him now is Chuuya and Dazai decides to trust him. If this is his Chuuya, Chuuya will save him. Because that is what they do: Soukoku come to each other's call, they trust each other with their life and in return get that life saved by the other.

And if this isn't his Chuuya? Well, then Dazai died for the sake of the agency and he probably thinks that this is a good way to die, too.

But he doesn't die. He gets saved by Chuuya of course, how could he have ever considered something else? Chuuya came to his help and he has a plan. So, now all Dazai has to do is play along, just like in old times.

I wanna talk about this specific part of 109 too - I saw people arguing that the fact that Chuuya has been acting all the time made the scenes less impactful for the plot or their bond, but I actually would argue the opposite. Like I just laid out, in my opinion he only learnt just before this that Chuuya is on his side. That means, they don't have an actual plan that they discussed before, but they're good, they're Soukoku - we have seen in Dead Apple during the Dragonhead's Conflict and in the Dragon fight 6 years later what they are capable of without much communication.

But this is not only a way to show off their flawless communication and synchronization again, it also shows us something that we always knew but that is now plainly laid out: Dazai trusts Chuuya with his life. He trusts Chuuya to shoot, but not kill him.

Truly, you could say:

"The core characterization of Dazai and Chuuya's partnership is based on pure trust where both of them are capable of leaving each other's life on the other's hand without a second thought or doubt." - from the Dead Apple guide book

Chuuya acting from the very beginning as vampire and Dazai finding out along with a leap of faith and them proving once again the close bond they share is exactly the way this arc was supposed to go and the fact that it was predictable in that sense doesn't make it bad writing. In contrary. Asagiri set up and delivered the message of the arc extremely well, the arc had a clear red string following through all of it.

And this is why, in my opinion, this arc was actually written very well and why Fyodor's defeat is actually a good break for his character arc (because I don't believe he is dead, but this here is already way too long and many others have pointed plenty why he probably isn't dead) and why I really like the message of the Mersault arc.

#bungou stray dogs #skk #soukoku #bsd #chuuya nakahara #bsd skk #dazai osamu #dazai x chuuya #bsd spoilers #bsd analysis #fyodor dostoevsky #bsd fyodor #bsd season 5 spoilers #bsd season 5 #this was... a lot of me rambling but i really wanted to illustrate this point #because i loved this entire episode #yes all of it #this was entirely focused on skk and fyodor because i am mentally ill but the rest of the episode slaps too #xlillyle bsd threads

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dresshistorynerd · 3 months

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This is kind of random, but would it have been a struggle for a big busted women to wear fashionable silhouettes in the medieval era? I’ve heard some costume historians discuss that there were forms of bust support, but most of what I’ve seen pre-1500s seems like it would have been a nightmare for any ancestor with a similar bodytype to wear. Am I just from a line of women doomed to horrible back pain? (On the flip side of the situation, I’ve found corsets and stays to be rather comfortable, so that’s not a problem)

As a fellow big boob haver, I have good news for you! There were pretty good Medieval bust supporting garments and I have tested one of them.

With sturdy fabric, tailoring and lacing you can create pretty good bust support. Lacing was popularized first in 12th century in form of bliaut, and in 14th century tailoring became standard for everyday garments. I don't know how well bliaut supported the bust, but since it doesn't fit super snugly, I assume it doesn't distribute the weight of the boobs as well as tailored supporting garments and therefore isn't as supportive. I'm also not actually sure if there was proper bust supporting garments before that, I haven't looked into it. I know Romans bound their breasts with cloth wrapped around the chest, so maybe that technique continued (at least for those who especially needed it) till lacing and tailoring became a thing. For more about how supporting garments developed in Europe through history, I have a post about development of lacing, which coincides pretty well with that history from 12th century forward.

Personally I have experience with Medieval Bathhouse dress, which was used in the Germanic Central-European area roughly in 14th to 16th century. It's called the Bathhouse dress because most depictions of it are from bathhouse settings, but there's depiction also in bed chambers and other contexts, so I think it's pretty safe to assume it was used more generally as an undergarment. It often had separate cups for the boobs (see the only extant garment left of it, the so called "Lengberg Castle Bra"), but not always. Unlike most other undergarments at the time, it was sort of a shift (the lowest layer) and a supporting garment combined into one.

I sewed my own recreation of it (with some alterations because I made it for my everyday use, not as a historical recreation) and did a post about my results, where I go deeper into the history of the garment too. I didn't construct it very well and I did an error in the design of the back, which cause the strain of the shoulder straps to focus too much on very specific spots in the back panel, which eventually made the fabric there break too many times. (There were some other smaller design flaws too, like the waistline is lower than my natural waist so it rose and wrinkled annoyingly.) I did use it daily (except when I washed it) for a fairly long time though and it was super comfortable and helped a lot with back pain (and shoulder pain caused by use of modern bras). I hate that I've had to go back to modern bras because I haven't had the time to remake it yet. (I'll probably make a follow up post once I get around to it, where I go through the issues of the first version and how I addressed them in the next attempt.) Well fitted and shaped bodice which is then laced does surprisingly much even without any additional reinforcements.

I haven't made a Medieval kirtle (though I will some day), but it was the more widely used Medieval supporting garment, which eventually replaced Bathhouse dress in the area where that was used. Kirtle is worn over a shift, but it broadly works similarly. Kirtles could be front, side or back laced depending on the time period and how the Kirtle was constructed. Multiple layers of kirtles could be used and looser overgarments (like houppelande) were often used on top of it. Kirtle was used by everyone, including men, but for those who didn't need bust support, it's purpose was mainly to create the fashionable silhouette. Here's three depictions of kirtles from 15th century. First unlaced, but has lacing on the front, second close up of the side lacing and third shows nicely how both front and side/backlacing shaped the bust.

Morgan Donner is a costumer, who focuses a lot on Medieval costuming and has a big bust, so while I haven't personally tested the supportiveness of kirtle, she certainly has. The kirtle bodice part needs to be patterned to accommodate the breasts by giving it round shapes and the kirtle needs to be a little too small so there's room to lace it to fit well. Lining also helps to reinforce the fabric and make it more firm and supportive. Here's Morgan's pattern from the tutorial in her website and how the kirtle eventually fits for her. (Also look at the handsome boy in his handsome matching outfit.)

She also has a video relating to the same kirtle project, where she explains her method to pattern a kirtle specifically so it's supportive for big bust.

In 16th century more stiffness was added to kirtles, first with very stiff lining and then with boning, but that doesn't necessarily add to the bust support, rather it just allows the kirtle to shape the bust and the body in general more and better support a heavy skirt. Firm fabric secured snugly with lacing is already very good at distributing the weight of the boobs to the whole torso.

In conclusion, at least since 14th century people with our body type were not doomed to eternal back pain and even before that some ways to help with it were probably used.

#historical fashion #fashion history #dress history #history #historical costuming #historical sewing #sewing #crafts #costuming #fashion #medieval fashion

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riririnnnn · 2 months

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I tried choking myself like this and oh boy it was such an awful experience—it felt as if someone had placed a really heavy stone over my head Don't try it, not worth it at all, I promise. 0/10, wouldn't recommend.

To choke yourself to the point where saliva is pooling out of your mouth and for you to cough like an asthmatic person, your airway passage must be blocked which means that this dude was really going at it.

So, let's talk about him:

What Kaiser has for Isagi now isn't rivalry anymore, it has become a near obsession and keeping their ship aside, they actually have a pretty unique kind of relation—they both want to get ahead in the path of their soccer career and un/fortunately, they both just happen to be the best stepping stone for eachother right now.

Since the very first time Kaiser was introduced, he had made it clear that Isagi was some sort of a pawn for him to get ahead in his soccer career and that's what Ness also said here:

And Kaiser's words seemed to match Ness' words too:

And I don't blame Kaiser for choosing Isagi to be his rival.

You see, it's tough to truly understand how much impact Isagi's goal had in the BLLK universe. The investors and club owners were literally putting pressure on Noa to make Isagi play—defeating such a boy and proving that you are better than him is a perfect way for literally anyone to increase their value; it fits even well for Kaiser since they both are in the same age group too.

But, the recent chapters, especially after BM Vs Ubers match ended, confused me more. Royale Madrid/Re Al is said to be the strongest/best soccer club in the whole world in BLLK universe, so it indirectly means that Kaiser's value increased—it actually did increase though, about ¥20 millions and Ness' reaction perfectly sums what I want to say:

Kaiser achieved what he had came for in NEL to achieve.

However, we all know what his reaction was: he didn't care, all he cared was that he was inferior to Isagi.

...why?

Like, it just doesn't make sense. He got what he wanted. Besides, Kaiser has a value of ¥320M meanwhile Isagi is still behind Rin and Rin is himself behind Kaiser by ¥100M+! Further, every team has man-marked Kaiser right away! He is already perceived as some kind of threat by every opponent team, what more he wants? Is it some pride thing of boys that I don't understand?

It just feels.. weird.

If Kaiser were to be a real narcissist, then I don't think that he would've accepted so easily that Noa is better than him and that he can't compete against him.

The above statement sends me back to this again:

Chris words can be considered as something said just to provoke Kaiser which worked a bit too perfectly well. I don't know why, but the above panel seems much more important to the story, especially to his character when we glance at this panel:

Just.. what the heck is this guy's backstory!?

I must say that he is very well written and honestly, when Blue Lock Manga ends, Kaneshiro-san can literally make a spin-off of him and the Fandom will inhale it instantly. I wish Itoshi brothers had one too.

When NEL starts in the anime, I hope an official BLLKTV/BLLKTWT app gets launch. Istg it'll be a massive hit.

#blue lock #bllk #michael kaiser #雪 ranting

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genericpuff · 7 months

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The Mishandling of LO’s S3 Mi(n)season Hiatus - Part 3 1/2

Here we go, Part 3 of my analysis of the current FP episodes - a three-parter episode set leading up to the midseason finale of LO.

Part 1

Part 2

Truth is, I had actually forgotten a lot of the weird (and very stupid) shit that happened in this episode, that I thought Episodes 251 and 252 had already offered up the worst that this three parter set could dish out. Boy, was I wrong, because when I went back to check out Episode 253, I was reminded of a reality that my brain had wiped out in an attempt to protect my withering psyche-

I also forgot just how long this episode is. It's so long that I frankly can't even fit it all into this post, so this is gonna be part 3 1/2.

Anyways, let's just get on with it. This is the final stop on our trip into absolute nonsense.

CAUTION: THIS IS PART 3 OF A 3 PART SERIES IN WHICH I WILL BE SPOILING MUCH OF EPISODES 251-253. THIS WILL BE A LONG POST. BRACE YOURSELF.

Well, it's the midseason finale, and what better way to open it up than with the final title card-

Typo and all. It wouldn't be an LO episode without one. Granted, IIRC this typo has been edited out, but the version of the screenshots I have from it feature it in all its original unedited glory. So enjoy that.

And yes, just like the last two times, the title itself only applies to the final cliffhanger, which is an absolute doozy especially for those who were there to experience it in real time.

This is already a bit of a wild opening compared to the last two episodes, but it's quickly revealed that this is laying the foundation for the prophecy that Psyche gave to Apollo back in Episode 252. In true LO fashion, the story can't actually be linear in any regard, we're always segmented from pieces of information at a time. Loyal fans will call this a "writing style", I call it Rachel just trying to get another 70 cents out of me.

That said, I will say the art here is fairly decent, but I think that just goes to show that LO's one of worst features these days - ironically enough - is its coloring. What began as its strongest feature has now become one of its biggest weaknesses due to the sheer laziness in its rendering and the colors become more and more saturated into the grotesque over time. So at this point, you pretty much have to rob these characters of their colors to make them look decent, and of course at that point it just further highlights Rachel's same-face problems. She definitely tried to make them look distinguishable here, at least, with Hestia and Poseidon being the most unique.

Now, this isn't the first time that we've heard of this herb being referenced - it was stated by Hades that Hera was the one to originally poison Kronos with the herb after gaining his trust - but to see it suddenly just pop up and play a role again out of nowhere already gives me a bad feeling in my stomach. It feels like yet another plot device - especially when presented in this type of format - that Rachel is suddenly using to try and seem "unique" in her writing, much like the strange narration we got back during the "Run For Your Life" sequence. It's just once again LO lacking any specific identity, it's always trying to be a million other things at once.

I will say, much of this in and of itself is panel filler. Why? Because the location of the herb doesn't matter. You'll see what I mean in a moment, but the mentioning of Anthedon plays no role here, it's just yet another obligatory "see, I know how to Google things!" lip service moment from Rachel "self-proclaimed folklorist" Smythe.

Anyways, Eros is perplexed by this but Psyche immediately catches on, knowing right away that Apollo is going for Zeus. And this is where we get yet another one of the dumbest sequences in this comic.

(see what I mean that the location of the herb doesn't matter? Because Apollo already got it and laced it into the cupcake).

Now, first of all, the fact that Eros and Psyche believe Kassandra's prophecy is already hilarious in and of itself, because ... well, because it literally defeats the point of her establishing it as a curse in the previous episode. Unless it only works on mortals? It never stated as such, so we literally just have to go with it and pretend not to notice that.

But most of all, of course LO had to play this off as some joke. Like, "hahaha how awkward! I've already eaten the cupcake!" and he still doesn't seem to really be in shock. Zeus has seen what this herb has done to gods before him, and yet his reaction to this is akin to a dad getting upset that he stepped LEGO's that he asked his kid 20 times to pick up off the floor. The whole "record scratch" style formatting of this followed by Zeus' lack of reaction just really makes me not care about any of this, because clearly the story doesn't care either.

But we don't see who he makes these calls to because the comic, of course, can't spend any longer than 10 panels on a single scene, so we cut to Hades and Persephone.

Again, I don't know what the point was of having Hera relay this information to Persephone for her to relay to Hades, aside from the fact that Rachel needed to act smart with Therapy Speak that didn't even apply to Hera's situation (as we talked about in the last part). They gotta make Persephone the center of everyone's world though, so it's Persephone who's delivering this info and trying to come up with the solution.

Hades, though, wants to focus on his wife's birthday the commemoration of spring.

SIR. THE WOMAN YOU WERE IN AN AFFAIR WITH SINCE BEFORE YOUR WIFE WAS BORN IS CURRENTLY GRAPPLING WITH YOUR FATHER WHO ABUSED HER AND IS NOW HAUNTING HER. THIS IS NOT THE TIME FOR FLUFFY ROMANCE TIME. THERE IS A CHILD BEING HELD CAPTIVE IN TARTARUS AND LITERALLY NO ONE SEEMS TO CARE.

Anyways, apparently (for some reason) Hades is the one who has to go meet Demeter out front. Even though Hades has literally NOTHING to do with this ceremony, it's not his domain, but Persephone literally says "yep, that's correct" when he asks if he needs to go out to meet Demeter.

This just feels like such a pointless conversation and I don't get what the point of this exact exchange is. Again, this isn't Hades' domain, so I don't see why he needs to be the one to go meet with Demeter.

But then, of course, to make matters worse, this man has the absolute audacity to pretend like he's never done anything wrong to Demeter. As if she should be obligated to be cool with sharing a bench with this man who literally terrorized her for years and then essentially groomed her daughter.

I hate him so fucking much and I can't believe we're supposed to be rooting for him. He has not undergone ANY of the character development necessary for me to want to care about him.

Anyways, Hades has a seat with Demeter, and the conversation is very brief before Hades says that he has a gift for her. And what is it, exactly?

Oh great, Hades. Sure wish you would have had this consideration hundreds of years ago. I fail to see what good this does for her now because it doesn't change the fact that he still cost her the role of Queen of the Mortal Realm and treated her like shit for hundreds of years. This comes across as such a shallow and empty "apology" because it's barely even a "gift", rather something she was OWED back then that he didn't want to hand over for his own selfish reasons. He still comes out the winner here because he's gotten to spend thousands of years being a rich slave-driving oligarch while Demeter has had to maintain the Mortal Realm on her own even without the glory of having a title.

I especially detest this "twist" because it's less of a twist and Rachel finally accepting the fact she couldn't come up with anything better than what her fans had to come up with for her. If this had been the fact the whole time, we would have seen it established back when we first got those flashbacks showing Hades being a total prick to her over the volcanoes. Instead, Rachel dragged it out for weeks and weeks until finally dumping this "twist" that her fans had been talking about all that time. This is yet another one of those "Rachel used her fanbase to come up with her ideas" moments. I know that that seems a little mean and presumptuous, but the fact of the matter is that the writing in this story is such an absolute mess that you just know Rachel's writing by the seat of her pants and has to rely on her audience's headcanons to actually fill in the gaps of her story. Most of the time when people commend her for the "great storytelling" in LO, what they're referring to are things they came up with entirely on their own because of how easy it is to just make assumptions about LO's storyline. Rachel benefits off the story being as vague as possible because then her fanbase will fill in the gaps with their own assumptions and give her all the credit for an idea they came up with.

By the way, to the "self-proclaimed folklorist" who wrote this, the volcanoes were really just entrances into the Underworld. Hades did not own them. They were owned by Hephaestus. And I would argue that the volcanoes were only seen as "entrances" into the Underworld because, fun fact - if you jump into a volcano, you die!

Hades frames his reasoning as feeling like Demeter was pushing him out of the Mortal Realm, but this makes no sense because none of that is on her. He claims that he felt like an "outsider" but the reality is that he made himself that way. He resigned himself to being King of the Underworld, he ate the pomegranate and made the deal with Erebus, and even he stated that he could still actually leave the Underworld, just not for long periods of time. So he was the only one keeping himself away from the Mortal Realm, not Demeter. We even see that in the VHS tape flashbacks where Hades stumbles onto Demeter's property and she lets him sleep it off in her home. So this whole sob story about how he felt "pushed out" by Demeter is such a bad take from someone who's routinely known to make himself out to be the victim. Because Hades can't have an actual reputation for a reason, no, this is a "retelling" told by someone who got all their Greek myth info off Tumblr circa 2016 and the front page of Google, so Hades has to be the misunderstood uwu sad underdog. Even though he routinely does things that reinforce the reputation he has within the comic, like being a slave driver, abusing lower class nymphs, and grooming teenagers.

Minthe showing up for a split second in the background is the best this comic has been since S2. We stan our girl Minthe, fucking run girl, do what Persephone couldn't do. She's the real hero of this story (｡･∀･)ﾉﾞ

And honestly, I'm sorry, but Demeter really SHOULDN'T be taking the high ground on this. She has more than enough reason to be upset. For a comic that tries to celebrate feminism and holding abusive men accountable, it sure is willing to make the women - often victims of the men - the real villains who have to "do better". Except for Persephone of course. Persephone is married into the system now, she doesn't have to "do better", she's a "boss babe" for being abusive and petty and undeserving of her status because she's the self-insert Y/N character.

So the ceremony for commencing Spring begins. I gotta say, for the final major scene of the mi(n)season finale, the art is severely underwhelming. You can really tell the difference between S3 and S1 art here, there's barely anything extra done to make this scene even half as impactful as the most basic of scenes from S1.

Like, it's fine, but it still feels so half-baked and rushed to attempt to replicate the kind of art that's been gone from the series for years now. The full sequence itself is actually quite lengthy, with a lot of nymph hands just moving around and playing instruments, but it's about as bland as any other panel, so it makes the sequence itself feel dragged out and boring.

This is about as pretty as the sequence gets and it's still not even as good as the original Dread Queen transformation. There's barely any rendering in the skin, and they couldn't even be bothered to make the hands look normal. It's like it's trying so hard to be "original LO" but is fundamentally missing the point of what made the original LO so captivating.

But oh noooo, looks like Persephone did a bad!

Are they actually gonna give her some kind of flaw? Are we gonna FINALLY gonna find out what she traded to Erebus?

No. We're just gonna make her the cause of winter.

Spaghettios.

And that's where I'm leaving this review for now because, as mentioned in the beginning, this episode is a LOT longer than I remember it being. There's still a whole ass segment with Apollo that we need to cover and I don't want to leave it out but I also don't want to do it entirely in text format and I've hit that pesky image limit. So I'll be posting that second part as soon as I can!

That said, I really can't stand this "subversion" by making Persephone the reason for winter.

First of all, because this is a common problem in a lot of H x P "retellings", as many of them fundamentally miss the point of why Persephone is the "Goddess of Spring".

Persephone was not born the "Goddess of Spring". She was born Kore (Κόρη), a maiden born from Demeter. It wasn't until after she was taken by Hades that Demeter, in her grief, took away the harvest and created winter. It was the return of Persephone every six months that brought about the spring, hence, she earned the name, "Goddess of Spring". What these retellings COMPLETELY MISUNDERSTAND is that the gods aren't 'born' with their titles, they're granted these titles by the mortals who comprehend them and write of them as harbingers of their respective elements, stories, and messages. Zeus wasn't "born" the God of the Sky and Heavens, he was granted that title after he overthrew Kronos and took the Heavens for himself. Hades wasn't "born" the God of the Underworld and the Dead, he was granted that title after he became the ruler of the domain of death.

Where these retellings really fuck up is constantly trying to "subvert" the H x P myth in an attempt to romanticize it, thus undoing the point of why Persephone is called "The Goddess of Spring". A Touch of Darkness also made this mistake by putting a "twist" on Persephone's character by having her start out as someone who couldn't make things grow. But if she sucks at making things grow, then why is she still referred to as The Goddess of Spring? In LO, Hades is referred to as "Grandpa Winter" and the seasons already seem to exist as we saw in this episode through the ceremony, so why has she been called "The Goddess of Spring" this whole time?

But I also can't stand this "subversion" because it fundamentally misunderstands the very myth it's trying to "retell". By giving Persephone the "curse" of creating winter, it further robs Demeter of her own agency in this story, more than it already has. It wasn't enough to make Demeter a helicopter mom, it wasn't enough to drive an actual rift between her and her daughter, they had to take away Demeter's entire role in the story and the creation of the seasons and give it to Persephone.

And this is, surprisingly enough, NOT the first time the comic has done this. There are many traits associated with different gods that have been given to Persephone and Hades. The volcanoes belong to Hades rather than Hephaestus, Persephone is "more beautiful than Aphrodite", Thanatos' and Psyche's butterfly symbolism is given to both Hades and Persephone, Aphrodite's symbolism of roses is given to Persephone, the list goes on. Every single plotline has to involve Persephone as the hero, and every single attribute that's commonly associated with other gods has to be granted to H x P in some way to make them better and more interesting than every other cast member in the comic, and yet they still come across as vapid and boring protagonists with nothing to show for themselves.

So to give the ONE thing from the source material that made LO what it is, it comes across as so unbearably cruel.

But then again, we should have seen this coming. After all, Rachel does not cite this as a retelling of The Hymn to Demeter. She simply refers to it as its more unofficial name: The Taking of Persephone.

Look, I get it, the story is meant to be told from Persephone's POV (or at least through the lens of her being the main character) so I can understand why Rachel may have chosen to reword this to make it more clear. But it's really depressing that she went to such an extent with making it about Persephone that she had to rob one of the most integral character of her moment and retribution. Especially when one of the only books in her cited "research" that's primarily about Persephone is, shocked, The Hymn to Demeter, which is listed at the very bottom of every "research" list you can find in LO's history.

LO should have just stayed as self-indulgent fluff. This isn't "subversion", this isn't a "twist", it's just yet another item on the list of making Persephone the most Important One of all. Even when it attempts to be a 'flaw', it fails tremendously by acting as yet another aspect of her being a Mary Sue, because her 'flaw' has come at the cost of another character's story, identity, and strengths. What was originally a tale of grief, retribution, and standing up against a patriarchal system, has now been warped into a consequence of a muddied plot that doesn't have anywhere left to go. For a story that claims to be "feminist", it has ironically missed the original point of its source material entirely, and completely robbed itself of the feminine strength it could have had if it hadn't tried to be "subversive".

I don't really have anything much more to say than that. I could leave it here for good, but we do still have that extra segment to talk about that covers the actual final cliffhanger in this episode, so... we'll see you on the other side.

#lore olympus critical #lo critical #anti lore olympus

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bailey-dreamfoot · 9 months

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‼️‼️THE GRAMPA SQUAD COMIC IS DONE‼️‼️

Ok so, wee explanation + headcannons under the cut.

Ok so assuming you've stuck around for my insane ramblings, heres the gist:

This comic is very much inspired by Factual Fantasy's Comics about Marsh, Natquick, and Calico Jack. And while my personal head cannon does share in the idea of the group working together- I thought it would be hilariously fun to include Inkling, and tbh it focuses more on him than the others anyway.

In the show, inkling doesn't really get out much. There are really only a few episodes where he has a significant role, and even less when he actually participates in missions outside of *insert knowledgeable insight*.

I believe this is for 2 reasons:

He just prefers the comfortable vibe of his library. The book-worm role fits his personality well - enjoying studying or cataloging species alongside Shellington - and he likes spending time with the Vegimals.

His Mobility issues. While he can very easily traverse the watery environments in the base show- in a&b, he doesn't really show much interest in exploring the land until he's told an old friend was the one in need of help. He has the ability, its just difficult- and he knows his limitations.

Inkling has his hover chair, that allows him to move around the octopod relatively easily. However - in the Min episode - they make it a point that he cant take it with him on land, or use it over rough terrain.

My version of Inkling uses an actual wheelchair, so I thought it'd be a neat idea that after that adventure- he'd want to try joining missions more often. And to deal with said mobility issues and limitations- say they got specialized tires for his wheelchair- so he could go join up on land missions more often.

After going on a few more missions with the other Octonauts, he hears about Octoagents Calico Jack, and Professor Natquick joining up with Ranger Marsh to help out in the Everglades- you best bet he jumped at the opportunity to tag along. Think of all the species he could ad to his personal catalogue. They might even discover a few new ones! Leaving the Octopod for so long after being basically the one constant to the place was a bit scary sure - and the other Octonauts were certainly emotional ab him leaving (especially Barnacles) - but maybe a change of scenery would do him good.

Sooo He does that! Professor Inkling meets up with the others on a dock near Marsh's Ranger station and get to work! One of the coolest things they did was collecting egg samples and catching an adult specimen of a newly discovered trapdoor spider! the Pine Rockland Trapdoor. Marsh Has a nursery where he cares for tons of snakes, lizards, insects and birds to make sure they have the best chance for survival. Thats where these eggs are going- to hatch in safety and then be released back into the ecosystem. On top of that, they take samples of the adults venom for study, and inkling is sure to make a detailed report of the arachnid in his many journals brought along with him!

As you may expect, Kwazzi takes after his grandad in his fear of spiders. Jack has seen worse, but It doesnt make it any easier to be close to them. Natquick on the other hand- In all his time in the arctic hes never seen anything as freaky as a spider bigger than a quarter.

Aaand that's it! I'm hoping to do some more comics with the lads in the future, although probably not as detailed as this one. It took more than 2 weeks- please.

Also, I find it kinda goofy that the panels get more detailed as you go along. Thats what happens when the first and last panel were made almost a month apart from each other. 💚

Also also- yes I did do actual research for the animals in the last comic. It was going to be a funnel web spider they're researching, but then I looked it up and found out Funnelwebs don't live in the Everglades. :']

#bailey’s art #octonauts #octonauts fanart #octonauts grampa squad #arachnaphobia tw #arachnophobia

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mydarlingbat · 1 month

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I freaking love this issue so freaking much. The whole concept of Batman Europa is absolutely amazing. It's fun. It's worth the read. Lets just point out that Batman has called the Joker his partner at the very beginning of Batman Europa #2 which leads me back to what I was saying in the relationship between Batman and Joker, that Batman always acknowledge that they're partners. Moreover Batman tries to pick a fight with the Joker while he's just talking to him. I mean give the man a break. He's not even trying to hurt Batman in this comic. He's behaving himself reasonably well, although we can't ignore the reality of Batman allowing the Joker to prefer himself as Batman's sidekick too.

Now when he grasps the Joker's arm. We know it's not a firm grip. The Joker easily jerk his arm back, and then Batman reaches over to grab for his hand possibly again? Though he doesn't get to say anything else, because Nina interrupts them. I do feel like Batman needs to feel like their some Kind of contempt between the two of them, or a little disputing to feel like it's their usually pattern. It's their dance. He doesn't like to see this side of the Joker, and especially have to acknowledge it. The way the Joker keep informing to Bruce that they'll die together, and Batman doesn't even want to hear that. It got me laughing so much.

Batman complimenting how fast the Joker is in this panel is just life. If that clown can move that fast you know he could have killed Batman, and he's infected too.

Now the Joker just murder someone again, and Batman still works with him after this! And on top of that Batman trusts him? Like how???

Batman doesn't even sound mad that the Joker just murdered someone? I mean he's actually just like yeah, let's finish up this journey. He doesn't even mention it later in the comic.

Batman thought he was going to die, but the Joker saves his life, and he doesn't exactly want to acknowledge it, but he does anyways.

I just love this page. The Joker eyes are to the side, like he's not exactly sure how to function right now. He doesn't know how to fit this into their relationship. I mean I love it. The awkwardness that's establish between both of them is so obvious. I can't stress enough of how much I admire this page. The way Batman doesn't even want to look at the Joker. Oh my god the way the Joker refuse to look at the Batman for a little while. The tension is thick. Batman's 'shut up' line is practically for the Joker when he says something true or something plain stupid. Batman constantly says shut up when the Joker says things about Batman caring about him, but the Joker tells Batman he loves him all the time, and Batman doesn't say shut up. I don't want to hear that, but Batman denies his own feelings towards him, so Batman despises the mention of him caring about the Joker. He tries to shut it down rather quickly. Batman and Joker feel the need to lay out some sort hostility, when they're not doing their usual routine, so the Joker tells Batman he regrets saving him. He's not happy about it. That makes the tension between them settle down a bit, but right after this the Joker saves Batman once again in Batman Europa #3 The Joker also immediately jumps back to Nina, to avert the attention somewhere else, which works.

Batman still isn't exactly ready to look at the Joker, but the Joker goes over to have a conversation with Batman. Batman responds hostile as always, but Batman doesn't deny the Joker request exactly. He just reminds the Joker that they're dying, and the way the Joker gently and cautiously rests his hand on Batman's shoulder, making sure he's alright with him touching him right now is adorable and actually is nice.

The fact that the Joker has to turn around to say those sweet words to the Batman. Let's me know they're not too familiar with this kind of thing.

Batman now is comfortable enough to let the Joker freely touch him again. Batman doesn't deny it. He also doesn't inform to the Joker that they will never be friends, because deep down Batman knows that the Joker is his friend. It's just my opinion.

#batjokes #batman and joker #comics #batman #batman x joker #comic books #dc comics #the joker #batmm #dcedit #words

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homestuckreplay · 1 month

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I've just read the new pages of Homestuck, and a few things stuck out to me! Pages 17-19 follow up on some of yesterday's inventory based panels by showing us how items can be combined, used on other items, and how spaces in the room can be selected (in addition to items). These mechanics and the return of the big cursor really feel like a video game tutorial, but who for? John isn't playing a game (yet?) and neither are we, although I suppose if there was a way for us to enter the commands that link to the next pages then we would be?

Next there's this clip from the movie Con Air. At 1 minute and 21 seconds and on page 20 of this webcomic, it takes up a good percentage of the story so far, and it's really different in tone and content to what we've seen of John playing with his magic chest and inventory, which is jarring. It's followed up by a page on Deep Impact, and I guess this says something about John's character that he is into these movies (which might be more impactful if I'd seen them?) - but it seems weird to focus on other media properties so soon into a new one. Unless these are supposed to be influences and the story is going to take a sudden sharp turn in an action movie direction?

Most interesting of all is the 'beta version' of this comic, linked from page 22. The content is very similar but the vibe of it is completely different, mostly because of the art style. It's both smoother and more whimsical, which fit with the character being 10 instead of 13. I love how expressive John is in this beta, especially in the first panel when he looks up to the top left corner and frowns, and page 6 when he distinctly doesn't see the cursor being waved in front of his face.

The extra sound effects, zooms, and actual interactivity make it feel more like a game for the reader to play, so I wonder if that was the original intent and then the author switched to the new, less interactive version for some reason? Curious as well how the cursor is almost the same shape as the Sburb Beta poster on John's wall, definitely all signs are pointing to this game being important to the story.

#homestuck #reaction

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hugmekenobi · 6 months

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S2: The Bad Batch (15)

Chapter Fifteen: The Summit

Gif by @dreamswithghosts

Hunter x femaleJedi!reader

Series Summary: Some time has passed since everything that happened at Kamino and you and the Batch are trying to figure out your place in the rapidly changing Imperial galaxy. And you're having to do all this whilst figuring out where your relationship with Hunter fits into it.

Chapter Summary: The mission to find Crosshair doesn't quite go to plan.

Masterlist for S1

<Previous Chapter

Genre: Friends (idiots) to Lovers (we're in the lovers stage now)

Chapter Warnings: Canon-typical violence, swearing, a single kiss, brief fluff and angst, I project my feelings (sorry, I can't help it)

Word Count: 3.4K

Author's notes: Hope you enjoy! Again, keeping it pretty chill because Ch16 is going to be quite emotionally taxing :(

“Echo and I have scoured through Imperial and Republic files, but intel about the Advanced Science Division is limited.” Tech revealed as he tapped through the information.

“Do we know where they’re detaining Crosshair and the other clones?” Hunter asked.

“Negative. Their base of operations is unknown.”

“Well, what about their chief scientist?”

“There’s even less on Dr. Hemlock, and I was very thorough. He is a ghost.”

“Not quite.” Echo interjected as he came down from the cockpit. “According to a contact of mine, Hemlock’s set to attend a high-level Imperial summit in two rotations.” He walked over to the other control panel and inputted the information.

“Where?” You queried as you all stepped across to look at the screen.

“Tarkin’s compound on Eriadu.” He pulled up an image of the location. “If we do a covert infiltration, we can plant a homing beacon on Hemlock’s ship and track him to his base.”

“And to Crosshair.” Omega added.

“Hmmm, it won’t be that simple.” Hunter disputed. “We’d be at a tactical disadvantage, and I’m not sure it’s worth the risk.”

“Hunter, I know why you’re saying that but if what I was sensing was actually Crosshair, he was in a lot of pain, and this is real. He needs us.” You said as gently as you could manage.

“I agree.” Tech concurred with you. “I understand your hesitation. We have not always agreed with Crosshair, but he is still our brother. We do not leave our own behind.”

“If there’s a chance to get him back, we have to take it.” Omega piled on.

“Definitely.” Wrecker said.

In his heart, he agreed with what you all were saying but he had the responsibility of looking at the bigger picture and what he saw worried him. “What about reinforcements?”

“Well, Rex is on a separate mission, so it’s just us.” Echo answered. “A small enough team to get in and out without alerting them. But we’ll need to move quickly.”

Hunter needed a minute to really think about this. This wasn’t a decision that he could make lightly. He walked over to the door and went outside.

“Hold on.” You said to the others before you walked out the ship and sat on the steps.

“This isn’t a good idea.” Hunter said as he paced in front of you. Every survival and leadership instinct he possessed was telling him that this was a bad idea, yet this was his brother. He couldn’t turn his back on him, not when there was a chance that he could’ve changed yet he couldn’t shake that doubt.

“I understand your reluctance, I really do, but-”

“Do you think it’s worth risking everything we’ve built here?”

“It’s not it, Hunter. It’s him. And I know if there was the smallest chance that we could get Crosshair back with us and you didn’t take it, it would haunt you.”

Hunter didn’t reply immediately but he knew you were right.

You spoke into the silence. “That being said, if you truly can’t sanction this, I will walk back in there with you and back you up.”

Hunter paused his pacing and exhaled deeply. He turned to face you. “We’re finally somewhere safe. I don’t want to lose that. But...” He swallowed thickly, “I don’t want to lose him either, not if there’s a possibility that he’s made a different choice.”

You stood and stepped towards him. You took his hands in yours “It’s just one more mission. One more and we can call it.” You whispered.

“One more.” Hunter repeated quietly. “One more to get our brother back.”

You nodded and placed a delicate kiss on his lips. “Come on.” The two of you walked back aboard the Marauder to the awaiting faces of your team.

“Let’s get started.” Hunter said and you all began to get preparation officially underway.

Phee watched as you and the others were getting ready to leave. “So, where you all headed?” She asked as you and Omega wandered over to her.

“It’s a covert mission.” Omega said in a hushed tone.

“Oh, I see. Well, I expect details when you get back.” Phee instructed the young girl.

“Bye, Phee.” Omega said cheerily before she ran back to the ship.

“He never said anything.” Phee mused as she looked past you over to Tech.

You followed her stare and rested a friendly hand on her shoulder. He’s the smartest yet sometimes the dumbest person I know. Just be patient with him and you’ll get there eventually.

“Yeah, I guess.” Phee acknowledged with a nod. “Be safe out there.”

See you later. You started to make your way back to the Marauder.

“Hey, wait a minute!” Phee shouted after you. “You never opened your mouth to say all this! Does this mean I’m in?”

“Call it a belated ‘thank you for bringing us here’ gift!” You called back before you hopped up the steps, but you didn’t go all the way in yet, you loitered by the doorway to wait for Tech, and you couldn’t help but be a little bit nosy as you saw Phee now making her way over to him.

Tech glanced up from his datapad and saw that Phee was heading towards him. He quickly focused his eyes back on the screen.

“So, you were just going to leave without saying goodbye.” Phee queried.

“That is correct.” Tech replied bluntly, thinking that would be sufficient but he felt Phee’s gaze become more pointed. He shifted his eyes to look at her. “Did you require a briefing?”

“You know, when two friends are talking, it’s called a conversation.” His lack of response did not surprise her. “Well, don’t go running off with any pirates or smugglers while you’re gone.”

“Yes. This mission should not involve either.”

Phee pushed the datapad down and took a step closer to him. “That’s not exactly what I was getting at.” She couldn’t help but release a soft chuckle at the clueless expression on his face. “See you around, brown eyes.” She gave him one last smile before she turned on her heels and walked away.

You noticed the way Tech watched her go and although you couldn’t see his face, you could sense the deeper feelings that were there even if he couldn’t quite acknowledge them yet. I’m sorry.

“For what?” Tech cocked his head at you as he paused at the bottom of the steps.

If Hunter and I were anything like the way you two are, I understand why you all had so many plans in place and the time you two have been around each other has been far less than what you had to put up with.

“I do not understand what-” Tech darted up the stairs.

You caught his shoulder to stop him from getting past you. “I’m also sorry because I told Hunter I’d leave you to your own devices, but I need to just offer you a little familial advice.”

“Advice?”

“With regards to you and Phee.”

“I hardly think there is a me and Phee. We-”

“I know. I’m not going to dive into all that yet. I’m only going to say when we’re back, maybe take her somewhere quiet, have a nice walk and just talk. Let yourself feel that slightly uncomfortable and awkward but at the same time content and happy feeling that comes from being around her because it could lead to something that nice that you both deserve.”

“I still do not know exactly what you’re referring to.” Tech deflected.

He could say that he all he wanted but you saw the way his eyes drifted downward as he said that. “Just feel. That’s all.” You affectionately squeezed the top of his arm before you let him go and you got the rest of your armour on as the ship powered up and left the island.

“I have identified a suitable location to land outside their sensor range.” Tech said as the ship got ready to exit hyperspace.

“How are we bypassing those cruisers?” You questioned as you saw the red warnings on the dash.

“Using a clearance code Rex and I acquired from one of our contacts.” Echo answered.

“Good to have you back, Echo.” Wrecker said merrily. “Just like old times.”

The ship came out of hyperspace.

“Wrecker, man the tail gun. Just in case.” Hunter directed as he saw the cruisers ahead.

“You got it.” Wrecker affirmed as he got up from his seat.

Echo transmitted the clearance codes and you all waited with bated breath.

“If this doesn’t work, be ready to fly out of here.” Hunter said as you all awaited confirmation that you were in the clear.

After a few more seconds of silence, the ship’s commlink beeped and an officer’s voice came through. “Vessel 1143, you are clear for approach.”

You made sure your armour and weapons were secure before you pulled your hood and mask up as the others put on their helmets. You were officially doing it now. You only hoped getting this intel about Crosshair would indeed be worth what was being risked.

“Let’s make this quick before they realise we didn’t land at the base.” Echo advised as he stepped off the ship first and the group of you got underway.

“What kind of approach are we making? A side-wind breach?” Omega asked inquisitively as you all stealthily made your way through the tree-covered mountain path.

“It worked on Raxus.” Tech said in reply.

“It won’t work here.” Echo corrected him. “The Empire’s protocols have changed since then.”

Wrecker let out a smug scoff. “Thanks to us.”

“No tanks and no explosions this time, Wrecker.” Echo reminded him as he walked past him.

Wrecker let out a disappointed groan. “Fine.”

Having reached the edge of the perimeter, you glanced up to see the sky rail system in place that crossed the abyss below and inwardly groaned. We were supposed to be avoiding heights.

Hunter half turned his helmet in acknowledgement before he looked through his macrobinoculars at the building on top of one of the mountain peaks. “Hmm. The compound is heavily fortified.”

“But there’s a weak point in the rail line that we can exploit.” Echo pointed out as he peered investigated the terrain through his own pair. “We’ll sneak past the sensor and hitch a ride under one of the cars.”

“You mean hang? Over that?” Omega said nervously.

You didn’t blame her attitude. This plan didn’t thrill you either.

“Well, it’s the only way to access the compound unnoticed.” Echo replied simply.

“Tech, disable the sensor.” Hunter ordered.

“That would trigger an alert. I can temporarily disrupt the feed, but I estimate only 30 seconds for us to clear the zone before it reactivates. We must be precise.”

You felt bad but you couldn’t help it, the way you all turned to glance back at Wrecker was pretty instinctual.

Wrecker protested in an affronted fashion. “What? I can handle it!”

Echo handed Tech one of the cable attachments for his blaster whilst Hunter monitored the sensor.

Hunter signalled for Tech to go and for now the only thing the rest of you could do was wait for his word.

“Stand by.” Tech advised into his comm as he got to work.

You heard the screech of metal on metal and looked ahead to see another railcar in the distance. You tapped your comm, “Another railcar is approaching. Are we set?”

“Not… yet.” Tech replied as he waited for official confirmation that the sensor had powered down. When he had that, he spoke into his comm, “The sensor is down. Move in!”

You all ran to the edge of the cliff and fired your cables to the side of the car.

You joined the others in grabbing a hold of whatever structure was available on the outside and eagerly awaited this particular part of the mission to be over.

“Halfway there.” Echo called back to the rest of you.

Wrecker calmly chuckled. “This isn’t so bad.” But he then made the mistake of looking down to the empty space below and groaned. “Never mind.” He started counting down the minutes.

When the car was arriving at the terminal, you all hopped off onto the outside platform before moved too far in.

Hunter landed a punch to the first trooper and tossed him over the rail before he pressed himself against the side of the building as you fired a shot past him that took care of the second trooper that was getting their blaster ready. He halted Omega from advancing past him as the door to the outside opened to reveal another soldier coming out. Without hesitation, he fired his own shot that sent the trooper flailing over the side and he led the way inside.

Your way in had brought you into the main landing bay and you took cover behind one of the many vast storage containers.

Hunter pulled out his macrobinoculars and scanned the various ships.

“Which ship is Hemlock’s?” Omega whispered.

“We need to access the hangar manifest from the control room.” Echo said.

“Echo, Tech, and (Y/N) with me.” Hunter ordered before he spoke to Wrecker and Omega. “You two, plant the homing beacon.”

You split up and got your missions jobs underway.

The four of you managed to make it up to the control room and stun the officers inside with little trouble.

“I’ll monitor their security channels.” Echo said whilst you and Hunter moved the unconscious bodies and Tech got to work on getting the manifest.

“Found it. Hemlock’s shuttle is at docking lane four.” Tech informed Wrecker and Omega through his comm.

“Copy that.” Came Omega’s reply.

“Hmm. Something’s not right.” Echo mused as he stared at the screen. “Many of the surveillance systems have had cycled deactivations in various corridors.”

“That is highly irregular considering the number of top-ranking Imperial officers present.” Tech agreed.

Hunter signalled to you and Tech, “The three of us will check in out and Echo, you keep an eye on things.”

The three of you drew your blasters and left the room.

You’d heard over the comms that Omega had successfully planted the beacon, but you were dealing with a more urgent matter. Your investigation of the cameras had led you to find a thermal explosive primed for activation.

“Someone is targeting this base.” You said warily as a bad feeling started to settle in your gut and you started to feel into the Force around you.

“One charge will not cause much damage.” Tech theorised.

You and Hunter reacted simultaneously and drew your blasters as you heard footsteps just round the corner of the corridor.

“Good thing we have more.”

You and Hunter kept your arms steady as two people disguised as Stormtroopers stepped in front of you. You were not reassured by their actions of raising their blasters in surrender.

“Didn’t expect to find you three here.”

“Saw Gerrera.” You breathed as the man removed his helmet, but you didn’t relax your stance since you knew his intentions here could not possibly fit in with yours.

“I told you on Onderon you had a choice to make. Looks like you’ve chosen. Keep an eye out.” He instructed his partner before he walked closer. “Did you make yours?” He asked you directly.

You gave a curt nod before you asked, “What exactly is your plan here?” You weren’t quite able to keep the suspicious out of your voice.

“I’m levelling this compound, along with all the Imperials inside it.”

You finally lowered your blaster and scoffed. “You can’t be serious?”

“Can’t let you do that.” Hunter added. “We’re tracking one of the officers. We need to find his base where clones are being imprisoned, including one of our own.”

“You expect me to call this off to save a few prisoners? We are trying to fight an Empire.”

You couldn’t help but take a protective step to the right as he advanced towards Hunter. You held Saw’s pointed glare and matched it.

“Have you considered that by destroying this facility you are wiping out any chance to gather intel that could help your cause?” Tech interjected logically.

“That would require the bigger picture thinking that he’s not all that great at.” You couldn’t help but snap.

Saw’s jaw clenched at your words, but he replied to the clone, “Taking out several of their commanders is a good start.”

“Well, that victory will be short-lived as their ranks will quickly be replenished.” Tech debated.

“Maybe so. But sacrifices have to be made for the greater good.”

As he spoke, you felt a hot wave of rage rise in your veins and it took a considerable moment of effort to tamper it back down. “You’d be destroying any shot we have at-”

“I would’ve thought you would understand. They murdered your people and you’re letting them get away with it. If you truly cared about what happened, you would be doing more. You survived and instead you’re playing happy families and-”

This time, it was Hunter who got protective as he saw the flash of grief and anger behind your eyes and the way Saw had started to crowd your space. “That’s enough.” He said sharply.

Saw glanced between you both with a knowing look in his eyes but before he could say anything else, his companion came back.

“We have to go now. A security team’s been alerted.”

You had to check in with yourself again. Something felt very different. You were usually far more level-headed with your emotions but if Hunter hadn’t interrupted when he had, you knew you would’ve acted in a way that you’d only done once before and had vowed to never repeat. It was like the Force was preparing you for something else, but you didn’t know what.

The doors suddenly opened behind you and a team of troopers walked through the door and it became a shootout as you all retreated to up the corridor. The exit the three of you needed was being occupied by the Imperials so you took cover to deal with them, but Gerrera and his now wounded partner were able to get clear.

Tech rolled a stun grenade down the corridor, and it took out two more troopers and you shot the other exposed soldier which gave you all the chance to advance.

As you rounded the corner, you pushed the remaining trooper’s blaster out the way and let Hunter use his body as a shield from the other soldiers lining the next corridor whilst you and Tech shot at them.

When it was finally clear, Hunter discarded the body and tapped his comm, “We’ve been compromised. Get back to the rail line.” He said urgently as the three of you sprinted down the hall.

Navigating the maze of corridors was hard enough but it was only made more difficult with the onslaught of Imperial fire as the many squads of Stormtroopers continued their pursuit. All the three of you could do was provide sporadic rounds of cover fire as you retreated but it wouldn’t be sustainable for long. Thankfully, the others intercepted you and so you all were able to find your way back to the railcar, but you knew the soldiers wouldn’t be far behind.

“We need an access code.” Tech said as he tried to get the car to start.

“I’ll override it.” Echo said as he plugged in.

Whilst Echo worked on that, the rest of you took aim at the troopers that were now making their way into the railcar. Unfortunately, it powered up with some Imperials in the second car, but you had the numbers, you just needed to hold out and get away from the compound.

Suddenly, the lights in the car flickered and you could feel the speed start to slow down.

“We’re losing power!” Echo announced with frustration as he knew there was nothing, he could do to prevent it.

You shot the last trooper before you joined the others in

As you stared out into the clouds and saw the enemy railcar a few metres ahead with a squad to Stormtroopers already setting their sights on you, you found yourself wishing you’d shot Gerrera when you’d had the chance. He’d followed through on his plan, but the Imperials were still standing, and it was the six of you who were going to pay for it instead.

“This is going to be a problem.”

Which you knew was Tech’s way of saying you were absolutely fucked.

Next Chapter>

Tagging: @noeasyisnoisy, @fuckoffthanos, @tpwkcalli, @graciexmarvel, @arctrooper69, @nightmonkeysstuff, @brujaporfavor, @flyingkangaroo, @sunkissedclones, @ladytano420, @keep-calm-and-drink-caf, @yyourmotherr, @xxeiraxx, @dragonrider9905, @starwarsnerd111, @skellymom, @lokigirlszendaya

#the bad batch #the bad batch season 2 #the bad batch s2 #hunter x reader #hunter x femalejedi!reader #hunter x fem!reader #hunter x female!reader #sergeant hunter x reader #sergeant hunter #hunter tbb #hunter the bad batch #the bad batch hunter x you #hunter x y/n #tbb hunter x reader #the bad batch fanfiction #star wars #angst #fluff #friends to lovers

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mantisgodsdomain · 3 months

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On Dungeon Rabbits

(Dungeon Meshi spoilers for the manga - tread with caution!)

So, we've been working on a particular AU lately. And that AU, as it turns out, means lots of thinking about Dungeon Rabbits, as well as decapitation.

(full ramble below cut - spoilers through to Dungeon Meshi Chapter 65)

(FULL DISCLOSURE NOTICE: we are repurposing an Author's Note for this, as we won't get to post it during the General Posting in (however long it takes us to finish this ficlet), and we also are no longer sure that it'll fit in the Ao3 End Notes)

We thought about dungeon bunnies a lot for this particular universe. In their intro, it's established that they decapitate people, or at least, are capable of decapitating people - and yet, when we encounter them, they just slash people's throats. Their spurs are relatively short, even if it's clear they're ridiculously sharp, not enough to fully sever a neck, and they don't ever actually take off a head, even with relatively-small Chilchuck - what is it that would let them behead someone, exactly?

As anyone who's ever butchered a whole animal will know, beheading something is harder than you'd think - necks are TOUGH, and they sort of have to be, since they've got to stay intact for a whole lifetime. They've got a metric ton of gristle and connective tissue that's a right bitch to get through even without the spinal cord - and when decapitating fully, the spinal cord is very much a concern, since it'll get in the way of pretty much any beheading method out there. It's a right bitch to work around, and even if you didn't have to worry about accidentally getting a knife stuck in it, it's gonna be hard to cut through. So how could a rabbit decapitate someone?

The first likely point, of course, is the spurs. They have sharp things attached to their heels which are shown to cut through flesh like butter. Obviously, this would make decapitation easier - but we see them using those spurs in the manga, and they don't behead anyone, just slit throats - and the throat is far from the most challenging part to work through, when it comes to decapitation. They go for the front of the neck, not the back - which would be very inconvenient to decaputate someone with, even if you were working with a blade long enough to allow it.

As dungeon bunny spurs don't appear to struggle at all with most armor, or most clothes, for that matter, we doubt that they'd struggle much with a spine. They pierce through as though there was nothing there, for anything except Laios's bunnyplate armor - and that seems to function more on a buffer of air, so that the bunny's spurs slash the air rather than the user's neck (and then the blade is stopped by the bunny's actual leg, which doesn't have the cutting power of the spur). We feel fairly safe saying that a bunny's spur COULD decapitate someone, if it were long enough - but it isn't long enough to make it all the way through the neck, so it would need something extra to actually decapitate.

This, of course, is when we make a Connection.

Our second point: the movement on those bunnies. The dungeon bunnies, much unlike the bunnies we have IRL, seem to have some RIDICULOUS jumps. Taking Laios's height into account, we know that they can jump at LEAST 185cm into the air (roughly 6 feet if you're American) - and with some of the panels, they go even HIGHER, over Laios's head. Rabbits aren't large animals, by any means, but putting anything that high into the air takes some power - that's fucking RIDICULOUS amounts of movement! For reference, IRL rabbit can only jump around 61cm in the air, with the world record being a 99.5cm jump. This is more than twice that! That's a ridiculous amount of height!

Normal rabbits can kick hard enough to snap necks on small animals, if they're lucky, and this is more than thrice the average jump height. Dungeon bunnies would have a RIDICULOUSLY strong kick, especially exerting that strong of a force on the tiny plane of a rabbit leg. We'd bet that they have some damn strong leg muscles, as well as probably some significantly beefed-up bones - IRL rabbits can break their own legs or permanently paralyze themselves by kicking too hard, and dungeon rabbits hop all over the place without batting an eye.

That is STUPIDLY strong! That's gonna be a concussive force at the VERY least! That shit's gonna hurt! With the spur cutting the neck open, it would probably be easy for something that stupidly strong to finish the job and kick a head clean off! All it needs to do is follow that nicely-cut path of least resistance, and you've got a headless adventurer! If it were less of a bitch to actually cut a head off, we might assume that'd be enough to chop that off even without the spurs, but it's surprisingly difficult to blow parts off with blunt force alone. You need the cut to make a weak point - though honestly, we're surprised that the FIRST kick doesn't decapitate, with a kick force that strong.

With that figured out, we're surprised Chilchuck still HAS a neck, after Marcille used his body as a meat shield. We're pretty sure that they exert MORE force than a horse's kick, with that much force on that small of a surface area, and you saw how that turned out for Senshi's family. We wonder if the warning thump would scare off other monsters? With them aiming for the throat, they'll be going RIGHT for the weak point on a red dragon, so they might pose a genuine threat to some of the bigger monsters. Fucked up little beasts. Fun to think about, though.

(Special Note: We studied the Bunny chapters of the manga for this, and the spurs on dungeon bunnies actually look to have some sort of armor-phasing effect, rather than simply piercing it. With all of the party members, even when they're bleeding out through their throats, anything they might have in front of those is completely unscathed - scarves, armor, beards, and anything else in the way are entirely untouched. A Dungeon Bunny's kick appears to simply ignore everything that isn't flesh - but their legs aren't subject to the same phasing effect.

Laios's bunny-plate armor works because it puts enough air between the wearer's neck and the bunny's spur that the bunny simply can't reach past the plate, and as the spur phases rather than cutting, the armor isn't even damaged by the interaction - minus whatever dents that the sheer blunt force of the kick might put in it, of course. It's possible that the cutting force of the spur, too, is a magical effect - rather than needing for it to be physically sharp, a dungeon bunny simply needs its spur to exist, and the magic does the rest. Neat!)

#we speak #dungeon meshi #blood #gore #decapitation #dungeon meshi spoilers #dungeon bunnies

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itsnothingofinterest · 2 months

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You know I'm seeing some people try and say Tomura is becoming like Kotaro after those panels last chapter and now again in 417, like he's become the very thing he hates, and...I'm sorry, but that's some bullshit. They may both be 'bad men' but they are distinct in their personal badness as Overhaul and Redestro, maybe moreso actually.

And the claims towards what their similarities are just seem almost silly to me.

'They're both spreading misery' well sure in a really vague way that could also apply to All Might, Deku, and literally every hero and villain in this series and a lot of the rest of the cast, I guess that's a similarity they share. But I personally feel comparing authoritative domestic abuse and anarchistic super-villainy is a bit of a stretch; it’s why we always considered AFO and Overhaul to be distinct from (and usually worse than) the League proper.

'Tomura's getting Tenko hurt just like Korato by not letting Deku save him' …No? This is a memory guys; Tenko was hurt by Kotaro. It looks to me like Tomura simply doesn't want Deku interfering with his mind (or maybe even attacking his innermost self, as the vestiges have suggested a few times now) but that might just be my read. Because like; Deku came here to figure out his past, here it is being shown to him. Something I find pretty fitting; this whole time Deku's been acting like he's gotta fight so hard to figure out his deal but Tomura's never been shy about sharing his motivations. What more could Deku want seeing this, and is that 'more' not inevitably overstepping and an attempt to alter Tomura's mind? It's not like Tomura has reason to trust this hero's good intentions, so I think it only makes sense for him to let Deku look but not touch. But yeah, If these images are upsetting to see happen; well Deku went digging for them for exactly that reason.

I mean I have even seen it suggested that Tomura is to blame for putting inner Tenko through like this because he's playing his suffering on loop in his mind and...weird Tenko vs Tomura framing aside...what proof is there that a) this is happening all the time in his head rather than this memory replaying because Deku dug for it, and b) if it is on loop; that it is unique for that? Do we have solid reason to believe Deku's memory of being told he can't be a hero isn't on loop in his own heart as well? Maybe every memory is on loop, or maybe this and every other memory is only replayed when it’s remembered; either way we’ve to proof this memory is unique for any of this. It's just such a weird argument I've seen made to suggest Tomura is uniquely wrong for being motivated by his past. In a series that can feel like it loves flashbacks almost as much as Naruto.

Anyway my point is; just because Tomura's a villain who isn't playing ball with Deku's attempts at messing with his core, that doesn't make him his father the domestic abuser. Tenko & Kotaro kind of have their dislike of heroes for their irresponsibility in common (Tomura even famously borrowed his dad's line on that) but that's pretty much it I think, and even then Tomura's hate is broader. I know the typical trope is for the well-intentioned-extremist-type villains to become the very thing they hate; but I just can't see much of that here.

#bnha #bnha 416 #bnha 417 #shigaraki tomura #shimura tenko #paranormal liberation front #PLF #league of villains #lov #kotaro shimura #midoriya izuku #all for one #all might

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longitudinalwaveme · 25 days

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2024 Flash Annual (and General Musings About Si Spurrier's Flash Run)

I bought the 2024 Flash annual today, and enjoyed....parts of it. Which is actually a reflection of my feelings about the run as a whole. Here are my thoughts about the storyline so far, starting with the stuff I'm not crazy about.

SPOILERS AHEAD!

The Bad

I'm not a huge fan of Wally's kids suddenly having been aged up into teenagers. I liked them as younger kids, and it's frustrating to have them be advanced so rapidly into the more standard teenaged sidekick role.

Linda has been somewhat out of focus in the most recent issues of the story. I appreciate the attempt at tackling postpartum depression, but it feels as though the plot thread has been mostly lost amidst all the craziness.

Barry swearing is weird. He's such a clean-cut guy, and even though he's supposed to be somewhat out-of-character due to all the reality warping shenanigans, it's still odd to have him swearing constantly.

Amanda Waller is back, and she hates superheroes. Again. She's not exactly out-of-character or anything, but she's not really adding all that much to the plot. She's just here because of a tie-in crossover.

The tone of the book is rather dour and depressing. While it's not as relentlessly awful as it probably could be, I have to admit that having the entire Flash family be either depressed or on edge and at each others' throats is a bit depressing.

The Speed Force-related technobabble makes my brain hurt. I know that the Speed Force is always weird and esoteric and doesn't make sense, but this arc has been taking that up to eleven. I neither understand nor particularly care about the Arc Angles or the weird dimensional space-time stuff, and it frustrates me that so much panel time is devoted to that over and above character interactions.

This one is really minor, but I don't care for Evan's new astronaut costume. The original Mirror Master look was better.

Good Stuff

While the dour tone is a bit off-putting, I do at least respect the attempt to portray depression and burnout. For the most part, the symptoms are shown quite realistically, and, at least in Wally's case, it is a continuation of long-running mental health struggles. (Wally also suffered from depression shortly after becoming the Flash, so it does make some sense that his depression might resurface at some point.)

It's good to see Gorilla Grodd again. Before this arc, he hadn't done much for a few years, so it's nice to have him return (even if I'm not sure how he managed to get control over Gorilla City again).

The interactions between Wally and his kids (when they happen) are really solid, at least for the most part. I also like that Irey is still friends with Maxine Baker and that plot point wasn't dropped when the new writer took over.

Abra Kadabra makes total sense as part of the evil scheme, and Spurrier has thus far written him very well. I think it's been a good while since he was a major antagonist in anything, so I appreciate having him back as a Flash villain. I'm also relieved to learn that he was the Piper and not Hartley (mind-controlled or otherwise).

This may be the most interesting and threatening the Folded Man has ever been. Not that that's a particularly high bar to clear, but it's a nice change of pace to have him as a major villain.

Bart Allen and Max Mercury have been written well, and I'm glad that they're a team again.

Hartley has gotten to play an important role in the events of the story and is playing the role of tech support for the Flashes, just like he used to do during Wally's run. I'm very glad to have him around, and I hope that we get to see him in costume before the end of the run (especially given the way that Kadabra's evil scheme has co-opted his theme).

Evan McCulloch is back! I've missed him, and he and his phonetically-written Scottish accent have been one of the highlights of the run for me. He fits in with the book's plot and tone really well, given his weird eldritch powers, and this story has been a good showcase of just how dangerous he can be. I also particularly liked the bit where the Folded Man sarcastically suggested that Evan McCulloch's reward for participating in the plan was a hug; that was a good joke.

Unanswered Questions

Is McCulloch still dealing that Speed Force drug? And how was that connected to the overall evil plot?

Who or what is promising the rewards to the villains? Is it a pre-established villain, or some unknown cosmic horror?

Is Eobard Thawne involved in this scheme? If not, is one of the other Thawnes? I have to assume that at least one of them must be, because otherwise the "Crown of Thawnes" makes little sense.

What exactly has Evan been promised as a reward for his participation in the evil scheme? He's the only one we don't have a definite answer for, and I'm really curious as to what might be motivating him. If I were writing it, I would probably have the reward be a promise to let him go back in time and stop himself from accidentally shooting his father, but I do somewhat doubt that that's what he's actually been promised. Maybe it has something to do with reuniting him with the Rogues?

Are the social problems in Central City going to be addressed outside of Irey's ill-fated attempt to solve them? Is this going to be the next story arc, or an ongoing subplot? If so, I hope Hartley gets involved.

Is Evan still addicted to cocaine? Okay, admittedly this doesn't have much to do with anything, but I am curious.

Regardless of what Evan's been promised, Len needs to find him and whack him upside the head. This scheme is much more dangerous than anything he's been involved with previously, and he seems to have completely gone off the deep end in terms of the behavior he's willing to engage in to get what he wants.

#flash comics #flash rogues #evan mcculloch #mirror master #gorilla grodd #abra kadabra #barry allen #wally west #jai west #irey west #linda park west #the flash

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gingergofastboatsmojito · 1 month

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My Sydcarmy dream happy ending? Or Storer's?

This is the 1st time I actually envisioned a whole scene with music and all in my head. I always had the feeling that the end of the show is gonna be like the final scene of Braciole: All together, the found family, maybe at the restaurant, maybe not, and just having dinner and having a good time.

After that "vision" I had, I found out that Storer mentioned in a panel that food had always saved them as a family, he was talking about his own family. So I figured: OK so since the show he created, the whole Bear universe, revolves around food, that's gonna be the ending. I felt he kinda confirmed my "vision", my take, the one I had as soon as I finished watching S1. I could already see that ending and believe in it wholeheartedly. And it looked like that, but blurry, because it was just season 1, and even though I knew there was a S2 that I hadn't watched yet (watched it the next day, actually), the overthinker in me was already daydreaming about THE SHOW'S FINALE.

OK, cut to me obsessing about this show after watching S2, that IMO was even better than S1, which is VERY RARE nowadays on TV, and then me re-watching both seasons and dissecting them till the cows go home and then re-watching S2 only over and over to analyze every single layer of Sydcarmy as humanly possible, and literally cutting my working hours to have more time to do that LMAO! etc. So, I ended up noticing the whole script structure Storer (and Calo) came up with, it's Austenian. And at that point, I was already a Sydcarmy soldier, of course, but when I picked up on the Austenticity of it all I FUCKING FLIPPED OUT because that gave me hope. It meant that the Sydcarmy endgame I had in mind could very well happen seeing as it was IC and Austenian, and it fit the slow burn process I had already picked up on right after watching Braciole, as I mentioned HERE. It all made total sense. How will it happen exactly, IDK, I wish I did but Storer is diabolical and way better than me at plot twists, so I won't even try to guess, but I will put my trust in the Austenian arc he swears by.

Me growing up reading Austen (real footage):

For those who haven't read Jane Austen, her trademark is: taking something painful and making it beautiful, finding beauty in pain, and always building towards a happy ending and redemption arc for her main characters, unless she kills them first and if she does, we can be sure that death will serve the happy ending purpose anyway (AKA: Michael, Syd's mother and probably Cicero, I wanna believe Donna will live, but I'm on the fence about her, I do believe she will be redeemed after Nat's baby is born, either way), she will take that death and make it worthwhile and beautiful. She doesn't stand for unhappy endings, but she does include bittersweetness in the endgame of some of her characters, usually not the A ones, but the B ones. The Alphas usually get a relatively "clean happy ending". Relatively being the operative word and what we can ALWAYS expect no matter what, is a "teaching", a lesson learned by the main characters. They walk out of that story as new men/women after having learned that/those lesson/s. She does this. She slow burns romances left and right, kills characters off, takes losses and turns them into gains, and builds towards a happy ending. That's an Austenian structure right there. It's usually used in Romance movies, rarely seen on this kinda TV shows, but here we are. The Storer-Calo duo are giving us Austenian characters in a nutshell.

So, back to my point, I always had this take and wishful thinking even, but up until now, I was never able to actually envision a final scene that could be actually canonical. I mean, I could even fucking write the whole script of that whole final ep, line by line, for every character if they allowed me to. I have the music in mind, the outfits, the whole set, and the final take that faiths to black and reads THE END. And no, this is not just a wishful thinking list or prediction post, it's an actual argumentative outline about why I think The Bear’s series finale will look like the Happy version of Fishes:

And just because Carmy said this, I will take a wild guess, this is gonna be part of the menu:

He associated them with his, and I quote: "fucked up family life" end of quote. So he wanted to reversion them:

And Marcus, based on Sydcarmy's pointers, came up with The Michael Cannoli:

I am also assuming, Sydcarmy will be endgame because of the aforementioned reasons, but I'm not sure Storer will actually show it on camera, maybe just insinuate it, because we all know he is diabolical and also because that's how the original movie script turned into TV script ended before Storer knew The Bear was going to be picked up for a 2° season, he always had this ending in mind for The Bear, behold:

So what I'm saying is: We Sydcarmy truthers have an actual shot here. I also dive into this theory HERE but from a totally different angle.

This happy Sydcarmy endgame we want is at arms' reach.

Now I see it more clearly.

Who's with me?

@ciaonicole85 thanks for the inspo to write this post, it all came to mind when I saw yours.

#gingerpovs #sydcarmy for life #sydcarmy #sydney x carmy #the bear #carmy x sydney #syd x carmen #carmy berzatto #sydney adamu #carmen x sydney #AUSTENIAN

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thr-333 · 3 months

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hi! so i have some questions about your Triple Divorced AU! (excuse me it's so long fgsdjk)

you mentioned that each boy (outside of Mikey) has a fave parent, but do the parents have fave kid(s)? i suspect Draxum likes Raph the most since he actually managed to convince him to get into training?? but outside of that i have no idea!

also with which parent they spend the most time? or which house they consider their "main" home?? if even they have something like that

also! in your recent drawing of baby leo (very cute btw i want to pinch his cheeks!) he seems to be actually excited to show off to draxum, but you mentioned that currently he doesn't really like him, which made me think- how did the relationship between parents and kids change from early childhood to "today"??

oh and how's the relationship between each parent? like i get they hate each other's guts, but are there specific types of hate? (i can suspect splinter vs BM arguments are mostly verbal while splinter vs draxum is physical fighting?) (also a silly question but- was/is there ever something… (hate)romantic between draxum and splinter at some points? or is that a big NAH??)

I LOVE long asks!

Yes the parents have favorite kids. Other than Splinter who is a proud proprietor of I don’t have favourites. Or does he just not know any of his children well enough to pick, who’s to say(:

Draxums favourite isn’t actually Raph it’s Mikey. Purely because his mystic abilities are so advanced. It’s sort of rooted in a pride of ‘I made this I’m awesome’ or wanting your kids to be talented and successful. It’s ironic because Mikey is the least likely to go for his kill all of humanity bullshit. He wouldn’t align himself with a plan like that. Usually when Draxum brings it up Mikey goes into dr feelings mode and talks about the deep rooted issues of why Draxum hates humans which the yokai does not care for. But he’s deluding himself that one day he will get Mikey to change(even if it’s far more likely to be the other way around)

Big mamas favourite is Leo. She likes the other boys they’re easy to manipulate in their own ways. But she likes Leo because he doesn’t fall for all that. They can have a relationship on more even footing. Oh he annoys the hell out of her but that’s because he is also the most like her. It’s almost like a mentorship/rivalry. Big mama never considered having an heir before but baby blue might just fit the bill.

It’s a fairly even split between where they spend time(Mikey tires to keep it that way) but it depends. Sometimes Splinter gets job offers as Lou Jitsu so he isn’t around to take the boys back. Draxum likes to upgrade his security in between kid nappings as does big mama so those tend to be the gaps where they get to spend more time with Splinter. Typically it would take longer for either parent to steal them off big mama because of her security personal. But she has a nasty habit of using them as bartering chips so they don’t tend to stay as long as they could. Suffice to say these kids have no stability in their lives.

They don’t really think of one place as home. Home usually means ‘where we’re sleeping tonight’ they are just as likely to call home one of the houses they grew up in or a side of the road motel(something I’ve done so I don’t actually know if I’m explaining that feeling well cause that’s just how it is)

Yes! Baby Leo is adorable! I can’t wait to show the rest of their baby designs(I need to do a character like up once all the main people have been introduced). The comic I made that panel for explains it a bit but I haven’t posted it yet so I’ll explain.

When the kids were younger Draxum did try to train them as soldiers but got pulled up by the social workers and had to tone it down. Leo who craved his ‘Draxys’ approval was slighted by this and developed an instant hatred— no but really Leo’s dislike for Draxum was something that built up over years. Being ignored being used and overall just missing out on things that parents probably should be doing. He got a lot more of that from splinter and since splinter didn’t like Draxum Leo adopted the attitude. A sort of us against him mentality.

That’s happened for a lot of the kids. Growing disillusioned by their parents. Being forced to pick sides over time. Each of them could be their own ask so if your curious about a certain relationship ask. That way I’m not just rambling about something people don’t care about!

Yes each of the parents have their own brand of hate. Splinter and big mama are bitter exes slash can’t get over each other. Draxum had such a big fat crush of Lou Jitsu it wasn’t even subtle. In this au he has been low key pining for years. Unfortunately some people express their love by breaking into your house and mildly traumatizing your kids. It’s very much the “I hate Splinter” while hanging up pictures of him meme(I would draw that it I wasn’t writing this during my lunch break)

Splinter has no idea how he feels but big mama does. The two are SO petty about it. It’s that love triangle rivalry except I’m not trying to pass it off as cute. These two need to grow up and check their standards.

#triple divorce au #TDau #rottmnt #rise of the tmnt #rise of the teenage mutant ninja turtles #save rise of the tmnt #save rise of the teenage mutant ninja turtles #rise #tmnt

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genericpuff · 9 months

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Let me preface this: I'm an architecture major

I used to be a big LO fan but obviously fell out of love of it like a lot of us did, and I know LO uses SketchUp for backgrounds. That is not an issue I have with the comic or any comic, I want artists to have an easier time in any way they can. I was always under the impression Rachel imported the models into Photoshop and drew over them like you can see in the early episodes with the sketchy lines. Well, school just started recently for me and I now have access to SketchUp for my coursework, and I made a few discoveries: 1. Photoshop cannot read SketchUp files, and while you can import them into Clip Studio through some configuring, they can be finicky and will lose parts in the importing process, so they are best used into the original SketchUp program to export as PNGs. 2. Many of the models Rachel uses are incredibly easy to find, especially if you put "modern", "luxury", or "classy" before the main part of the search. Many of the houses and rooms for example are first page results. 3. The biggest discovery: You know how we all assumed Rachel was hand-drawing all the lines over the SketchUp models and how she gave up the longer LO went on? Well, it's actually worse. It turns out SketchUp has a thing called "Styles" in it, which means you can mess with the lines and look of the model, such as making it look more like a blueprint or playing with the colors. Well, they have a lot of styles on SketchUp known as "sketchy lines", which are the exact ones Rachel used early in the comic to fit with her style, and it takes a literal click of a button to do. All she would do is pose the model, click the sketchy line style, and export the PNG. That's it. So, yeah, Rachel is so checked out of the comic that she can't even bother to click a single button to make the models fit into the comic's style anymore. Use that information however you like.

Ouhhh sorry OP, I'm about to like, undo all the work you just put into that ask. We've already known about the 3D background problem for a long while now.

First off, it's more likely LO doesn't use SketchUp but actually Acon3D, which is a website that offers 3D models both for free and at cost, which are actually compatible with software like Clip Studio. As soon as you open it up you'll likely see a lot of very familiar backgrounds that are often used in romances, isekais, and period pieces. It's literally the go-to spot for Webtoon Originals creators. Like, to the point that I wouldn't be surprised if Naver was partnered with them because of how many of their creators use it.

Second, there's plenty of up-to-date evidence to support the fact that Rachel doesn't exclusively stick to one software, sometimes she's drawing in Photoshop, sometimes she's drawing in Clip Studio Paint, sometimes she's drawing in Procreate. She's undoubtedly using Clip Studio for her paneling, speech bubbles, and backgrounds, as there are built in tools to utilize and convert 3D materials into lineart, among other features that are recognizable as coming from CSP because they're not available in PS or Procreate.

Third, yes, she just uses filters to turn her backgrounds into lineart, this has been apparent since S1. The only backgrounds she's ever 'hand drawn' were the ones involving lots of nature and even those are mostly just Photoshop brushes stamped on.

Like I realize I'm probably bursting your bubble here and I apologize for that lmao but these buildings were never hand-drawn, this is not new information (￣﹏￣；) I appreciate you mentioning your own experiences with it as you're learning it though, I find once you start to learn the process yourself you really start to notice what others are doing. Even I've gone through that over the past couple years as I started to use 3D models and more advanced tools specifically for drawing webtoons.

I will mention btw, there's nothing wrong with using 3D models for your character drawing and backgrounds. The only time it tends to get frustrating is when you're reading a comic that isn't making any attempts to blend the background in with the art style.

Like, The Kiss Bet probably uses 3D models to help with perspective and laying out scenes quickly without second-guessing, but you can tell they still hand-draw over the models because they look natural and like they belong to the comic's stylization. The characters don't look out of place sitting in a living room and the living room doesn't look distracting.

But then you get stuff like Lore Olympus, Let's Play, and Midnight Poppy Land, and it becomes a bit more obvious they're not giving a shit about backgrounds lmao

I get it, WT's deadlines are cutthroat as fuck, but if it's getting to the point that you have an entire team behind you and you're literally just copy pasting video game models from Phantom Hourglass, then it's probably time to re-focus your priorities a bit. There are comics with as few as 1-2 assistants (and even in some cases no assistants at all!!) pulling off backgrounds better than this, even when they're taking shortcuts.

(Nevermore and City of Blank)

But a lot of that does come down to how WT manages its expectations as well as support for their creators. The deadlines and requirements WT puts their creators under are insane and awful in the long-term, and they're not acting with the amount of professionalism they ought to be for a platform that's trying to breakout as a major publisher here in the West. I feel like it comes down to WT loosening the choke chain around their creators, but also creating a standardized level of quality to ensure it's not suffering for the sake of quantity. The traditional literature industry has real editors and stages of quality control for a reason, whereas WT is more interested in just throwing as many series at the wall and dumping all their stock into the ones that stick.

#lore olympus critical #lo critical #webtoons critical #antiloreolympus #anti lore olympus #ama #ask me anything #anon ama #anon ask me anything

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