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#it is a very complex situation with them though
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pixeljade: #it IS very much a complex issue and I feel like saying that has been pissing off a lot of folks on both sides #one fact i would add to the table is that the current actions against palestine DO constitute a genocide by definition #its a word i hear pro-Israel people get very upset by because they think it is inherently comparing this to the holocaust #but its not. some people DO and thats its own discussion. but calling it a “genocide” is simply accurate and undeniable
Speaking as someone who was that pro-Israel person in her teens and very early 20s, the reactions you're describing are 800% cognitive dissonance freak outs. Most of these people, like me, received either directly or indirectly from their Elders in the Jewish community a very trauma-induced and deeply emotional information about the history of this situation, which boils down to: "They tried to kill us all once and they didn't now we finally have returned to the Promised Land, the only place we have to shield ourselves against It Happening Again. Israel's detractors hate that Jews can defend themselves now, and if any of them, including the Palestinians, were to have their way, they'd see us all dead. We must defend ourselves at all costs, and not let anyone ever put us in existential danger as a people ever again."
And then to have some rando 19 year old who knows jack shit about your or your community or your community's trauma to get up in your face and start screaming at you about genocide? It's only going to trigger that intergenerational trauma, and cause the party being screamed at to dig deeper into their defensive, cognitive-dissonance fueled response. Which, if we were to boil that response down to a thought process, looks like "This person hates me and all Jews. They think we're a hive mind who don't deserve to live. Thank G-d for Israel."
What's complex, is that not everything in that trauma response is wrong, and not everything the dumbass 19 yo who has no interest in unpacking their own learned anti-Semitism was wrong.
Israel's actions towards Palestinian Arabs since 1948 does fit several definitions of genocide and/or ethnic cleansing. And many of the Westerners who scream about it the loudest are fairly openly anti-Semitic.
Now, as someone with big Holocaust intergenerational trauma in her family, I am sympathetic to the Jewish kid in this scenario. But cognitive dissonance is just that: the domain of a child. Adults understand that cognitive dissonance is a little voice in our head telling us "Hey comrade our discomfort with this is a little much. Maybe this is a learning opportunity?"
I mean, that's what I did. But it's difficult. Its uncomfortable, and that scares people. It's much easier to believe that "They call it the Naqba because they hate us and think our survival and access to national self-determination is a disaster,"* than it is to understand that "They call it the Naqba because it was the near total dispossession and ethnic cleansing of Palestinian Arab populations from their generational homes and properties."
And again, everything I'm saying here is a result of my journey from a hardcore Zionist-in-the-contemporary-sense child (though always left in terms of domestic US Politics), to a grown Holocaust historian who understands that Israel is no better and no worse than all the other nation states (for new readers, I understand the nation-state as a political entity, the logical end point of which is genocide and/or ethnic cleansing), and openly criticizes it on those grounds.
*A rabbi in a youth group I belonged to told me this almost verbatim when I was 15. And when you're 15 and somebody tells you they love you you're gonna believe them.
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velvet-vexations · 3 days
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I find your reading of Kipperlily really interesting and valuable (even when I don't agree). But I think it's not accurate to suggest that Brennan is setting up something more complex and nuanced with her and it hits on something that's very frustrating for me with the Dimension 20 fandom. I love Brennan. I think he's a great storyteller with very interesting ideas and a generally empathetic attitude toward his characters. But he gets all of the credit for D20s storytelling successes, whether he deserves it or not, and none of the blame for its failings, even when he deserves it. And I think suggesting that he's trying to do something awesome with Kipperlily that the IH are ignoring or not picking up is massively overly generous to him and massively unfair to them. He built her to trigger the reactions he's getting from them, and he set up the jealousy reveal to make them angrier at her. I think there's a chance that he could end up leaning into something more sympathetic because of her age at the end (although the idea that D20 doesn't treat minors as villains is one fandom has been batting around for a while that I really don't understand: Biz Glitterdew? Anyone?). But I think suggesting that Brennan is trying to do anything other than make her hateable is way off-base. That doesn't mean your reading of the character or situation is wrong. Sometimes the best stories aren't what the writers intended. But it feels frustrating to me to see him once again credited him with something he's not actually doing. And the rest of the IH getting criticism for something he's equally a part of (Especially when he was the player dodging nuance left and right when Aabria tried to do something actually interesting with the "villains" of Burrow's End)
I understand your point. I think a lot of the collaborative storytelling in TTRPGs like this is what the players choose to follow up on, though, and players aren't like, necessarily wrong for not missing or ignoring some things. Brennan signaling that Kipperlilly's story can be engaged via empathy isn't much difference than saying a dragon can be fought or you can answer it's riddle. It's like, you can do the gunfight if you want to or you can sneak in the back but on a grand scale that can only be done in a TTRPG.
I said he's "desperately" trying to signal it to the players because I'm a little bothered about the intensity of Ally and Siobhan's reactions to KLCK and the way it feels like none of them are even hearing it, but ultimately there's very little I think any of his players could do that he wouldn't try his best to work with and I agree he does not necessarily consider this absolutely essential.
The only time I can think of him seeming to have actually had an emotionally rough time with was the climax of Mice & Murder. I normally really dislike pouring over every frame of every microexpression like that because it's usually in the service of "everyone at the table is constantly seething at Ally" conspiracy theories, but I blame BLeeM much more for that going down as it did than Rekha and he doubtlessly did too with none of his potential frustration actually being aimed at her. Other than that, it's his nature to roll with where the players want to take their characters, so I don't think he's like, banging his head against the wall trying to make the IHs understand she's sympathetic or that it's the only possible solution to anything, it's just a part of what he's constructed.
I'll say though about things he's also doing, I also don't like that his presentation of KLCK digging up Euegenia was threatening to destroy her grave and not like, digging up her corpse in order to "find the rogue teacher". So he does seem to think of her as more actively sinister than I do, at least in her current state of mind which is not necessarily the end of the discussion.
Also, about the villains in Freshman Year, that was a very, very long time ago and everything was a lot rougher and so even was Brennan as a person back then. I don't think it's farfetched at all that he's gotten even more empathetic and dedicated to praxis than he used to be and is less willing to have a bunch of underage villains get slaughtered like any other enemy and go to Actual Hell for their sins.
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spittyfishy · 17 days
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If you're still doing the character bingo, what about Monaka Towa? Since you just finished Another Episode a while back, right?
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I did indeed! Monaca sure is a character lol. I do see why people don’t like her, but also like the other woh did a lot of terrible stuff too and all of them were just little kids so it seems like the fandom tends to judge Monaca much more harshly then the others which seems kindaaaa unfair. Like blame her family or Junko lol they’re why she’s like this at the end of the day.
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noecoded · 1 year
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If you could have any Asmo/reader fic what would be the things you would want from it? like an ideal fic would contain what tropes or AUS or situations or whatever
uhmm anything wellwritten that characterizes asmo similar to the way i do ! i rlly like character exploration , both more serious stuff & just sillycute...anything where asmo is a little cunning and toxic and also gets railed into oblivion.anything where hes a vampire. ill write a tag essay about the specifics
#xreaders are too unrelatable for me usually .. im aroace and the only relationship dynamics that r rlly interesting to me r likee#toxic or tumultuous...i think in many asmo fics hes just very one note or like not a complex love interest .which is fine because hes like#that in the game but i am especially drawn to fics where the author has their own kind of unique take on it. nuance. etc#it's really interesting to see situations in which asmo kind of reaps the consequences of shitty behavior or struggles with parts of himsel#f he doesnt like. not just in like ohhh im insecure sobsob but like deeprooted issues & patterns thought processes that come with being a d#demon that maybe clash with human morality or ideals...like what if he sees human lives as generally more disposable because hes lived for#so long?? what would a fic be like about him wanting a fling with a human that ends up taking apart their life but to him its just a fun#little romance without any real consequences or commitment?? even if he was obsessed w them professing his undying love etc etc he could ge#t bored and drop it anytime and outlive them by millions of years and forget...& how does a human love an entity like that? how could the r#relationship look anything close to normal ever...anyway i like fics that touch on questions like this theyre kind of rare though#this all being said i def dont think asmo is completely evil💭 nuance#at work so im literally just wasting time by thinking about this rn but this was like the asmotoni dynamic its too interesting to me#asmotoni is like this in my head but on papwr i just draw them fucking witj bunny ears sorry#this doesnt even answer ur question really. if i could write a fic rn it would be like 200k word emo band au that isnt xreader or a romance#fic it would just be asmo beel belphie as humans starting a band and their rise and fall etc ive been thinking abt that plot nonstop
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earlgodwin · 3 months
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tapping the mic to say 🎤 when do u think the real shift in cesare and juans relationship happened and when did it begin to sour (or the audience could argue there were always notes of sourness and love mixed in together that just developed as time went on to be less fondness and more envy on both sides) bc lowkey ive been thinking the rift began when juan was chosen to go defend rome against king charles's army in s1 and cesare was desperate to don the armour and go and so when juan came back defeated, he was so ashamed with himself but cesare felt petty vindication and in this essay i will...[the audience cuts me off]
"He's not making excuses for what he is anymore, and what he wants to be. He ultimately feels that killing Juan was the right thing for himself. It's something that he focused on and I think he can control his mind into having no second thoughts. And that's the only way you can rule in that era, really." - Francois Arnaud
you're right! it's a mixture of sourness and love because, while cesare resented juan's weakness and naivety, but i think he still cared for him at first because he feels obligated to protect him since he was his family. but mainly, rodrigo's vicious cycle of ambitions tore them apart as he made cesare believe he was inadequate, despite loving, admiring, and relying on him. rodrigo's deliberate self-delusion (he is aware that cesare is the driven and more competent one) and self-loathing prevented him from embracing cesare's true self. appointing juan to a task desired by cesare fueled the hatred and envy as he started thinking juan was rodrigo's favorite. eventually, his frustration towards juan led him to murder him because this is where he becomes the cesare borgia we read about in machiavelli's 'the prince.' and like i said before, juan shaped the rest of cesare's story till the end. he was the one who drove him to finally become what he always meant to be and take the path he was always destined to. it's why juan's death is necessary to him because it was also a way for rodrigo to release him from his position as a cardinal. he claimed to rodrigo that he killed juan because he brought dishonor to the family, but cesare pretty much did contribute to bringing dishonor to the family by not wanting to warn juan about ludovico's army coming his way at forli after machiavelli informed him about it. cesare could have spared his family from another failure but decided not to because his priority was to humiliate juan just to prove a point to rodrigo, that he is the better son. he even gaslit juan about it by telling rodrigo that he wasn't aware of the attack, which makes cesare self-contradicting, just like how he went all "we're borgias, we never forgive" while killing juan because he was well aware juan struggled all his life questioning himself if he was truly rodrigo's son or not and desperately wanted to belong. cesare very decidedly excluded juan because he wanted to even emotionally hurt him in his final moment, then later was begging for "forgiveness" from rodrigo, a borgia, after the murder. also rodrigo feels a great deal of guilt (as he was hallucinating and dreaming of juan in s3) for making juan envied by cesare which led him to the decision to murder him, as that was the only way for cesare to gain his father's attention and the papal army. and when rodrigo finally forgives cesare for his sin of fratricide, rodrigo also forgives himself of the blame he's placed upon himself and the guilt he feels for letting his ambition destroy his family. they finally let go of the past and rodrigo can finally embrace cesare for the person he really is and has always loved deeply.
"he loves his errant son, does he not? More than he loves his dutiful one." - Cesare Borgia
cesare was proven wrong after all the time he was thinking juan was the favorite. he came to the realization that even though rodrigo saw so much of himself in him, he still planned from the beginning to make cesare his true heir. this brought relief and a sense of validation after years of feeling inadequate. rodrigo always intended for cesare to succeed him in the church, which was the only way that truly mattered to him. he made cesare a cardinal, a prince of the church, with the ultimate goal of cesare becoming the future pope and king. when rodrigo shared his dream of creating a papal bloodline to be passed down to cesare and his own son, cesare's perspective shifted. he began to heavily care about the perceptions of others, which not only fueled his power hunger but also led to him becoming classist. he even felt ashamed of his mother when she offered him counsel and to join him in war, rejecting her because of her former occupation as a "whore." it was a chilling development in cesare's character and honestly he became more interesting to me than he was in the first two seasons.
"One thing that I've always said about Juan is that every action that he does is heartfelt and genuine. When it was the war against the French, he was there and he was going to go to war, even though he knew he was going to die. He saw them getting ripped apart, but he was there and he was going to do it. I believe if Lucrezia hadn't come over, he would have led all his troops into death. I don't think there's anything that he's done which was through general cowardice. In terms of his survival, he died how he lived, and that's laudable, in itself." - David Oakes
rodrigo sending juan to war against the troops definitely (and rightfully) triggered cesare because juan has no idea what the hell he is doing and even though juan is incompetent, he never asked for the position he was given, but he tried his best to fulfill his responsibilities. like when he showed bravery by willingly risking his life against the french, even after his troops were torn apart in front of his eyes, insisting to lucrezia that he would never accept defeat and that he will keep fighting because he'll never let king charles of france destroy rome and get rid of their father, but only surrendered because the prospect of him dying would upset lucrezia, and lucrezia told him she already had a plan to prevent this.
"It’s interesting that Juan’s attempt at relieving pain is through closeness and hugging and love. When he forgives Cesare at the end saying how they’re brothers and wants to be together, I think that’s genuine. That’s the first time you realize what he’s always wanted." - David Oakes
juan felt deeply isolated because he never had a peer, and unfortunately, he was too weak and succumbed to his darkness, impulsiveness, and insecurities. he had a deep love for his family, but he lost himself in the pressure of the role and even committed heinous acts to prove himself, unaware that it would make his siblings hate him. all he wanted was to be included in their world. however, he struggled intensely in expressing his feelings, which led to him being shunned. it is tragic because ultimately he longed to feel like a 'true' borgia and have a close relationship with his family, especially with cesare. but the lack of moral guidance and the weight of expectations pushed him to behave inappropriately, resulting in everyone pushing him away and his death going unmourned except by his father, the one's responsible for his failure and feels guilty for it.
byeeee i really went on and on answering this oops sorry zaynab!!! anyway i hope these insights help lol
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Oh ho ho what a highly interesting question, anon👀
(Answered under the cut because it's a bit long)
Before I give my proper answer, allow me to explain a bit of my interpretation of Tails. I actually see him as a sort of naturally jealous person with some innate possessive tendencies who has grown used to curbing these tendencies of his, which he had to do due to a number of factors.
One major reason is due to Sonic himself. To me Sonic has always had a complicated relationship with different kinds of love or attraction (and I do see him as on the aro/ace spectrum). So, when absolute strangers (or those he doesn't particularly like) obsessively pursue him for clear romance/possessive reasons, he tends to react with strong rejection or indifference, in contrast to how he welcomes ego stroking and praise from those who can be merely categorized as "fans" (or those he does particularly like). To me, Tails' initial admiration and pursuit of joining with and becoming like Sonic very well parallels how Amy Rose began to admire and pursue a romantic relationship with Sonic. Even if we consider that Sonic did save Tails that one time from being bullied (according to Sonic Prime and a new animation for Sonic 2 present in Sonic Origins), his pursuit of trying to work together with his hero (which is detailed a bit more in the jp manual for Sonic 2, and includes Tails going so far as to follow after Sonic everywhere and modify Sonic's plane) really isn't any more "normal" than how Amy begins to pursue a romantic relationship with her hero after Sonic saves her from Metal Sonic. The only real differences here were that Amy was explicitly pursuing romance, and that Sonic rejected Amy's advances but eventually took Tails on as his sidekick/little buddy.
This is also not to mention the implications here and there in what we can find of Sonic and Tails' backstory that Sonic would continue to run away and pretend he did not care, while secretly keeping an eye out for Tails.
And beyond that, as one of Sonic’s oldest friends, Tails gets to spend a lot of time around Sonic, and gets to see firsthand how he reacts to romantic prospects, his complicated relationship with "love" as a concept, and is present as Sonic’s group of friends steadily grows.
With all of that, I at least see Tails learning to deal with his innate jealousy and possessiveness so
Sonic doesn’t reject him
Because he doesn't want to keep Sonic from pursuing relationships with others
And for the sake of one's image/being a good person
If Tails has learned that confessing and making his romantic intentions clear could lead to Sonic rejecting him or it ruining their friendship (since he's seen first hand how Sonic has reacted in certain cases to love confessions or overt romantic affection), it makes sense to me that he would try to hold his feelings back (both those that are not squarely platonic and are explicitly romantic and/or sexual). And when it comes to Sonic, there's a guilt factor and an impossibility factor when it comes to keeping him from other people. Not only would Tails feel at least a little bad for restricting him, but Sonic does not respond well to being controlled. Now of course, how he reacts does depend on the time of his life and who it is, but there is nevertheless a futility in trying to control Sonic "I have no master except the wind that blows free" Hedgehog. And finally, my view on both Sonic and Tails, well... I believe that image and visual alignment is a big thing for these two, and that the two are secretly more...in the gray (or at least, that they're surprisingly immoral so to speak). In their origins to me, Tails is just a kid, minding his business, who does not inherently seek to hurt others (though his faith in those around him does matter), and Sonic is just a kid, free as the wind, who doesn't particularly care about being a good guy, but loves the attention. Essentially, though he does save some people on whim, the idea is that Sonic originally fights Robotnik simply because the Doctor, his machines, and his pollution have such a negative effect on his home. So beyond this point, he fights as a hero both out of interest of having his home intact/being alive, and because (simply put) he likes what comes from being considered a hero (all the praise and perks). And so because Sonic is someone that Tails admires, because Sonic has to uphold a baseline image or reputation so he can still be considered a hero/good guy, Tails becomes accustomed to doing the same. That's a bit of an oversimplification (how I see them and why is the subject of a proper essay about that), but the point is that Tails is also conscious that trying to overtly control or manipulate Sonic would not objectively be considered "hero or good guy behavior", especially if it goes too far.
And so with all of that plus the fact that Sonic has never seemingly accepted anyone's romantic inclinations or dated anyone, Tails curbs his natural inclination towards jealousy and possessiveness so he can be content enough to be at Sonic's side. Perhaps there are more friends Sonic is going to get, people he's going to show an interest in, but Tails can put stock in the fact that it's unlikely that Sonic will date anyone. Plus, even if that somehow does happen, Tails is largely fine as long as he's guaranteed to be by Sonic's side no matter what. So as long as he can be with Sonic forever, no matter their relationship, he's as content as can be.
But then Sonic starts dating Nine, right?
And hahaha don't get me wrong here. Tails is pretty practiced. He's not gonna blow up or anything.
But once he gets past the initial shock of that being true, I think he just feels jealous and conflicted by default. I mean, he's just been accepting that there's no hope of ever being in that kind of relationship with Sonic. And not only has someone gone and done it, it's not just anyone.
It's a version of him.
And if a version of himself managed to do it (a version of himself who once lashed out at and fought against Sonic no less), then what does that mean about him? Does it mean that there's something about Nine Sonic likes better? Does it mean that he's had this entire situation wrong? Does it mean he lost his chance and he'd been so afraid for nothing? Does it mean that he could have had that this whole time?
And that's not to mention navigating this. Even if I believe Sonic is very very capable of having multiple best friends or even partners, it's only natural for Tails to get a little afraid of being replaced (especially if he learns that Sonic also considered/considers Nine as a best friend also)
But Tails is the type to not want to burden Sonic with all of this while becoming increasingly more worried. And although he would naturally have a complicated relationship with Nine, I still think he would generally like him and not want to take out his feelings on him. So with that being said, I think he'd sort of try to hold it in and act normal while really not acting all that normal, because though he could hide his feelings better if he wanted to, he still kind of lets it slip because he kind of does want to talk to Sonic about it or let his feelings be known.
I think that whenever Sonic eventually does see that Tails is acting a bit off he'll eventually talk to him about it or try to get him to, but, honestly, even if Sonic could say things (true things) that would make him feel better, I don't think Tails could be as content as he would be if it was idk... Knuckles or Shadow or what have you. Because if it was anyone else, Tails could be more content knowing that his relationship with Sonic is special and that he'll always be by his side, even if he's dating someone else.
But with the fact that the person that Sonic has chosen to date is another version him—a version of him which Sonic has also kind of clearly developed a similar "best friendship" with? I feel that even if Sonic tries to reassure him, Tails will forever be plagued with bitter and jealous feelings. Even if he'd never force Sonic to stop dating anyone, much less force him to date him, I don't think he can even really feel content here unless Sonic chooses to date him also if that makes any sense.
So, yes. That's my answer. Tails would try to be really good about it, but he's still bitter and annoyed and jealous and wondering if he's enough or has been doing something wrong. He's wondering why it couldn't have been him. And he won't be able to just be content at Sonic's side if he can't also be with Sonic. So while I can't say how long it will take, something will have to give eventually. I think at some point in their future, Sonic will have to tackle his specific feelings for Tails and they'll have to talk about their specific relationship, especially if he's dating Nine right in front of him.
#sonic prime#sonine#sonic the hedgehog#sontails#miles tails prower#tails the fox#miles nine prower#nine sonic prime#nine the fox#unbreakable bond#anon interview#Thank you so much for the ask!🥰🥰#I was very very interested in getting to answer this one just because whoof it's fun to think about#it's the kind of complicated situation that really makes me want to write a fic or something cause god#imagine you've been crushing on your best friend for years but have been holding everything back because you know it'll never happen‚ so you#become content with your nontypical best friendship relationship where you stick by his side as long as you can#And then one day he comes back to introduce you to his boyfriend‚ who is very clearly an alternate universe version of you‚ that he's dating#and kissing‚ even though you've known him much longer#There are so many possible feelings that can arise from that#And that naturally adds more complexity to the relationship between Nine and Tails as well#Gah it's deliciously a bit complex and I just know Sonic is gonna be a bit dense about it. This is a situation where even if Sonic decides#to date both of them‚ it's going to take work and time to make things okay#But if they're all willing to put in that work‚ well....power thruple!!#i just be ramblin#If you have any other questions about these characters or their relationships to each other‚ or even hypothetical situations involving them‚#feel free to shoot me another ask!😊💖
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vamptastic · 1 year
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i genuinely don't understand what capitalist countries stand to gain by fighting each other instead of collaborating economically. like why does the us warmonger against china when we would benefit more from trade? ostensibly it's for moral reasons, but regardless of the veracity of any given claim i think the united states has shown itself to prioritize economic success over human rights on a number of occasions especially during the cold war. i suppose i assume most wars are waged on the grounds of economic gain (natural resources, global political power, straight up money in the form of the military-industrial complex) but you could make an equally solid argument that just as many are waged over purely social and political issues- ethnic and religious conflict, blind nationalism, the whims of a dictator. it just confuses me at times, i guess. i have a hard time believing that the united states is bound and determined to wage war against china over human rights abuses, infringing on other countries sovereignty, and neo-colonialism in africa when we've propped up fascist dictators in many a country who've done far worse. is it literally just the association with communism? because surely whatever evil fuckers actually want war know that china is very far from communist right now. is it just nationalism? the idea that we must be on the top of the totem pole, even if our economy would stand to gain from trade? because i suppose i could believe that, but i think if that was true we wouldn't have gotten to where we are today in the first place. blegh. at the end of the day i am also ignoring the fact that many many different groups of people want war against china for reasons ranging from sinophobic jingoist nationalism to a genuine belief that the united states is a global moral watchdog determined to establish ~democracy~ worldwide. but there is a definite slant to media coverage on china right now, genuine attempts at disinformation, and given that the media in the us is so deeply tied to corporate interests it leads me to believe that there has to be some economic motive here, and it frustrates me that i can't figure out what it is.
#this post is long and convoluted and circuitous. sorry.#please do not try to like. publically own me or erupt into moral outrage over this post if you're reading it btw.#suppose i would be interested in hearing others takes on this but im just curious i genuinely don't have answers here#i don't want to argue or be accused of being immoral for not taking a hard stance on an incredibly complex issue.#anyway. i am also not trying to say that either the us or china are ' good ' or ' bad '#insomuch as any country can be good or bad. particularly a country millenia old or one that changes leadership every four years.#individual actions taken by each government are undeniably bad. yes.#but as a us citizen i find it very difficult to find reliable information about what is happening in other countries.#our media has become so wildly polarized that you can often figure out national issues by looking at both sides#but when the media is unified on portraying one falsehood both left and right? you're fucked.#often media that claims to be neutral could be more accurately described as western#i trust ap and the bbc on us politics - not global politics.#all that being said when it comes to things like the treatment of uighur muslims or the political situation in hong kong and taiwan.#i'm not entirely sure what to believe.#and i also believe that if every single immoral act the us claims china has done is real... we still wouldn't wage war based purely on that#...i do genuinely think the claims that china is colonizing africa by offering loans is horseshit though#even if it was itd be fucking rich for european countries that wrecked africa in the first place#to moralize about the means by which another global power allows them potential economic power#the problem arises from capitalism on a global scale itself i mean#there is no way to build up infrastructure and trade routes for an entire continent without#in some way eventually profiting from it#i do see the comparison to the us and latin america and i think that's kinda apt but#the way ppl talk about it you'd think they were doing what france did to haiti good god
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savingthrcw · 24 hours
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all my fallout characters accidentally going down the route of 'I actually don't want biological children but I may adopt the ones I find, I can't bring new ones into this world' + Lucy figuring out she's not that thrilled about babies either, and she was just okay with that because that's how life works in the Vault, and would be fine even if she doesn't raise any in the first place, she's not against it but possibly not have them as babies? but still wanting to marry because she likes that and won't let her bad 'marriage' take it away from her + Janey actually NOT wanting to adopt kids either nor to marry but accidentally mothering grown adults and babying her dogs + Terra meanwhile raising an orphanage or something and picking every unwanted kids she finds + Stella who is fine as long as she raises her sister, then whatever life throws at her she'll take but without any exaggerate longing
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hecksupremechips · 1 month
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Rebecca gales has bpd she told me herself
#rebecca gales#the letter#the letter visual novel#listen im new here im not exactly a knowledgeable cookie here about bpd but the more i learn the more im like. inch resting#cuz for starters its like idk if it all applies to me but i find a lot of it very relatable#but when i think about rebecca i think it definitely applies and makes a lot of sense just like the way she feels emotions#shes got so much complex feelings about the people she loves shes very caring and loving#to the point where they feel its too much to handle alsjks like i love how cute she is with isabella when shes worried#she squishes belles face to check for injuries and she pulls isabella into her lap and pets her hair and sings for her#and always gets her food and worries herself into the ground to make sure isabella takes care of herself#and then with ashton hes definitely her favorite person she sees him like a prince charming and remembers everything about their#relationship like her way of showing love is definitely by remembering things and paying attention to how people feel and what they want#and then zach even though they arent as close she still helped him with his movie and she defends him when his movie gets hate#like in such an angry way he tries to brush it off but shes like NO NOBODY GETS TO TALK TO YOU LIKE THAT#and same when luke is shitty to him and tries to steal his camera rebecca lets that guy have it#and with luke even though she does hate him shes the only character who makes him see the good in himself#and she lets him know that hes fully capable of changing and being a good father and person#shes just so loving but at the same time so easily has a split where she cant stand anyone either#she thinks isabella is obnoxiously immature and is jealous as fuck of her and she is very quick to fight with ash#because he just doesnt show his love for her like she does for him and thats just such a problem like#that feeling that youll always love someone way more than anyone will ever love you and it makes her really upset#and like sometimes her feelings just get bitter so quick and at inappropriate times like when shes mad at isabella while shes fucking#in a literal coma because ashton is in love with her and not rebecca and shes just so like wrapped up in her own feelings there that she#completely disregards the entire situation and ashtons grief because she cant think about anything else she just cant help it#so yeah i think its just the way she feels emotions very strongly and switches between them very quickly that makes me think hm maybe#something is going on here 🤨 and i just love it i love her i love how shes just a character whos just like#got all these complicated feelings but shes still loved and gets to slay penis and simply exist as a complex person
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fillejondrette · 1 month
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a lot of men really just seem to want to be able to victimize women without women getting upset about it. they'll say that women who take safety precautions have victim complexes, but then say the same thing about women who don't take those safety precautions. i saw this recently in the context of female travelers.
first, i saw a video of a woman demonstrating safety precautions to take on cruises, doing stuff like hooking things to her door to stop it from being opened, clipping the curtains shut, etc. personally, i don't feel the need to those things, and i feel like it's probably a diminishing returns situation- once you've done the obvious stuff like locking the door, any extra steps probably won't help you that much. but if it makes her sleep better, then there's no harm.
second, i saw a video of a woman talking about how she roadtripped in a foreign country with a couple of male travelers she met online. so the total opposite of the first woman, in the sense that she did something i think very few women would be willing to do.
the male comments on both videos were pretty similar, though. they both focused on women's so-called obsession with being victims. the first woman is paranoid, fixated on the idea of being a victim. one commenter wrote "me watching her do all this shit when i'm already hiding inside her room." the message is that women's precautions are silly and ultimately useless, if men really want to hurt us. comments on the second video contained a lot of assumptions that the second woman must have paid for her trip with sex. but many of the commenters were saying things like, "women will do things like this and cry victim, you wanted to be victimized." so they're acknowledging that being alone with random men is in fact dangerous for women. the second woman is a dumb slut who deserves what's coming to her.
i think men are, by and large, pretty aware of how men treat women. they acknowledge this with the argument that women need men to protect them (from other men). they treat male violence as a fact of nature that shouldn't reflect badly on men as a group, and shouldn't make women distrust men - except when a woman does trust men, no, that's wrong too. there's no correct way to behave that will make you a "good" victim, or a reasonable person, in their eyes, and i think that's the goal. if a woman's hurt, it's her fault. if she's afraid of getting hurt, it's her fault. the man is never the one at fault.
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monzabee · 5 months
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bad idea right? – ln4
masterlist
Summary: The one where seeing Lando tonight is a bad idea, right?
Pairing: lando norris x ricciardo!reader
Word Count: 4.8k
Warnings: mentions of breakups and also fighting, cursing, kind of a toxic relationship?, allusion to smut, it's criminal how long it took me to finish this fic
Request: this wasn’t requested, but the idea is veeery loosely from this tiktok right here! (i might def write the scenario in the tiktok in the future though)
Author’s Note: hi, hey, hello!! it has officially been a month since i started my master's programme and i have to say it is absolutely kicking my ass, but thank you all for bearing with me while i adjust! this song has been stuck in my head for the last two-three (?) months and i really wanted to write a fic based on it. i also wanted to say that i've received all of your guys' requests, and i'm working on those, but it's harder for me to get out a request than a fic that just popped in my head because i tend to be more of a perfectionist with those - so, those are definitely on the way, don't worry! i hope you guys enjoy! good morning, noon or night wherever you are, xoxobee
Please also note that all of my works are protected under copyright, and not available for reposting on other platforms. 
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It’s not that you don’t like spending time with your brother and his girlfriend – because you do, but considering the fact that spending a mere hour with them causes you to suddenly question your life choices (of being single), you are very eager to leave them alone for the night. Which brings us to the current situation, with you standing in front of your brother’s apartment complex in one of the hoodies you stole from the sample boxes, waiting for someone you should’ve never hit up in the first place. It was probably not your brightest idea to message Lando to ask him if he wants to go for a ride, especially because a) the last time you saw him a year ago the two of you were yelling and throwing things at each other and b) you’re definitely buzzed from the bottle of wine you hogged upstairs. But you know what they say; absence makes the heart go fonder, right?
So there you are with your phone in your hand, texting Lily in hopes of getting the tiniest bit of reassurance about your decision.
To lily m: i texted lando To lily m: he’s gonna pick me up From lily m: WHAT? NO To lily m: seeing him tonight To lily m: it’s a bad idea, right? From lily m: YES From lily m: DO NOT GET INTO THAT CAR To lily m: yes i know that he’s my ex, but can’t two people reconnect?
Fuck it, it’s fine, you decide as you quickly delete the last two messages. With a soft sigh, you wrap your arms around yourself to shield yourself from the cold air of the night. And while you could just wait for Lando inside the apartment building, you really don’t want to attract more attention to yourself. You can feel yourself getting more and more nervous as the minutes pass by, and you even contemplate cancelling the whole thing and going upstairs to sleep. Just as you’re about to give up on the whole thing, a car honk grabs your attention. When turn to look at the source of the sound, you see Lando’s unamused face through the open window.
He motions you to get in with his head, his voice as equally detached as he calls out, “Get in.”
Rolling your eyes at his behaviour, you do as your told. But you tell yourself that it’s not because he told you to, but because you’re cold. And so you get in the car making sure you slam the door as hard as you can, which makes him scowl as a small smile forms on your lips. “You know, you could really try on being more polite.”
“I’m picking you up in the middle of the night,” he points out as he puts the car on drive and starts driving off, “and put your damn seatbelt on.”
You give him a sideway glance as you put on your seatbelt, letting out a sigh, “Are you okay? I’m sensing some serious undertone.”  
Lando doesn’t answer you, mainly because he is smarter than he looks and he knows you’re trying to goad him into another fight. That’s what the two of you had always done, not that he hated you or vice versa, but the two of you mainly got along in fights which ended up in both of you twisted between the sheets of the whatever hotel you were currently staying in. And it had worked for a while, until of course it didn’t, and Lando was mature enough to admit that he had a huge role in fucking up your relationship.
“You changed your car,” you point out.
“Thought you’d appreciate a roof over your head this time,” he replies.
The car is silent as Lando drives down the now empty streets of Monte Carlo, and you find yourself involuntarily checking out his side profile because well, he always looked so good while driving. You suppose it’s only one of the things that didn’t change with time.
“So,” his voice draws you out from your thoughts, “why’d you call me tonight? Are you drunk?”
“I am not drunk,” you scoff, crossing your arms across your chest, “if you don’t feel like being here Lando, I can just get off and go home.”
“Now I didn’t say that, I simply asked a question.” He steals another glance at you, but this time a little smirk forms on his lips when your eyes meet and he sees your scowl. “It was a harmless question, really.”
Your voice comes off as clipped as you answer, “I’m not drunk.”
“Your cheeks are red,” Lando points out but the playfulness from mere seconds ago is gone, in fact, he’s more serious than you’ve probably ever seen him, “you either had wine or your rosacea is acting up.”
It takes a moment for you to take in his words, and there is no humour in his voice or on his face when you look at him to see whether he’s joking or not. “I had some wine,” you confess, voice much lower than before as you add, “but I’m not drunk.” One of his eyebrows rise up, and you find yourself mumbling, “Fine maybe a little bit, but not a lot.”
His jaw ticks as he mumbles, “Okay, whatever you say.” And as you try to assess whether his voice is cold or not, you see his hands tightening around the steering wheel.
“What?” You ask, a bit quicker than necessary (in your opinion), “What did I say?”
Now it’s his turn for his voice to be clipped, and his eyebrows furrow as he asks, “Did you only call me because you’re drunk?”
“No,” your reply is truthful to some extent, you suppose, you would’ve texted him even if you had no alcohol in your system. “I wanted to see you.”
He lets out a hum, “Why?”
It’s a hard question, and you contemplate not being a hundred percent honest – but deep down you know he deserves better, even if you had your differences. So, to reveal the truth, you turn your face away from him to look outside the window, “I missed you.”
He doesn’t say anything, and you don’t turn to see what his reaction will be. Everything is peaceful for a moment.
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He takes you to a hill, the very one he took you for your first date. Though, it doesn’t carry the same excitement this time around. The two of you remain in the car with the windows rolled down, but the colder air doesn’t make you chilly. It’s silent, but it’s not an uncomfortable one. Neither of you make the first move to start a conversation, and you don’t know if that’s because you’re both obstinate or he doesn’t want to be there. Though, you suspect he would’ve told you ‘no’ if he didn’t want to be there – not that he could ever tell you ‘no’.
It's unnaturally hard, you realise, not looking at him on purpose when he’s seated so close to you. Especially because you haven’t seen him in months. Not that you’d confess that to him, or let yourself have another weak moment where you say you missed him. Because you can’t. Because it’s not the way the two of you operate. Because he broke your heart but you’re not strong enough to let him go. With that last thought, you take a sharp breath, undo your seatbelt and get out of the car. You lean against the hood of the car and he soon follows suit. But where your hands are splayed behind your back, his arms are crossed over his chest.
“You’ve not been sleeping.” It’s not a question, it’s a statement. Because he is not dumb (or blind enough) to let the circles under your eyes slide.
And it’s a statement that might be true. You only give him half of a shrug, “So?”
“It means that something is bothering you.” You’re about to object, but he quickly shuts you down, “I once drove you around for four hours so you could sleep in my car, honey,” his fingers move to gently turn your chin towards him so he can look into your eyes, “and that was because you forgot to bring me back junk food from Australia.”
Even if you’re taken aback by his physical touch, you don’t show it as you stubbornly maintain your eye contact. “It’s the jet lag, I haven’t travelled in a while.” You gulp down a breath as you gently push his hand away, “And don’t call me that.”
“Why?” He turns his body to face you, “You’re just as sweet, aren’t you?”
“Lando,” you warn him, “don’t.”
He raises a brow, “Why not?”
“Because we’re friends,” your response comes off in an instant, “I only see you as a friend.” The biggest lie you’ve ever said.
“Friends,” he repeats, tests out the word, then shrugs, “sure. Now tell me what happened tonight that made you call me. Did you and Daniel fight?”
“What?” an involuntary laugh leaves your lips, and you catch the corner of his lips turning upwards just the smallest bit. “No, we didn’t, it’s not about Daniel. Can we just not talk about it, please?”
He gives you a firm nod, and you catch his grimace as he turns his attention back to the view in front of you. “You can tell me, you know,” he mumbles, “you used to.”
He’s right, you realise. You used to tell him all the little thought that popped into your head, whether it was nice or not, and he’d accommodated your thoughts. It was easier to talk to him, once upon a time, and you’re not really sure why it hurts so much right now that you can’t.
“Why do you care?” The question comes out quickly, and your voice is not as strong as you’d like it to be. “After everything, why do you care?”
“We’re friends, right?” The words tastes unbelievably sour in his mouth, and he has to restrain himself from making any sort of face, but it seems harder than it actually is for him to do and he questions whether it is worth it to
“Friends,” this time it’s your turn to test out the word, and it tastes as bitter as they come, “sure, can we ride around a bit more?”
“Fine,” he gives you a nod and motions you to get in the car, “but I have to get gas first.”
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The fluorescent lighting of the gas station is definitely not the most flattering thing. So much so that you’re sure the unflattering light outside is exaggerating the bags under your eyes. But that situation of course doesn’t apply to Lando because even under the harsh lighting, he looks too pretty. And compared to earlier in the night, you don’t try to hide the way your eyes focus on him while he’s driving, though you hope you do a much better job at hiding the thoughts that come to your mind. Even after he’s parked the car in the nearest pump, you find yourself staring at his side profile a bit too long, which earns you a sideway smirk and you try your hardest not to react, but the smile you keep trying to fight is too strong and eventually you find yourself with the tiniest smile playing on your lips.
Lando turns towards you, meets your eyes and leans over the console, “Do you want anything from the shop?”
You blink once, trying to come up with anything, twice, then “Can you get me those gummy bears that I like?”
He gives you another nod, reaches into his pocket and then hand you his phone. Ignoring your questioning stare, he explains, “So that you can play music or something, the password is still the same.” Before he gets out of the car, he does the unexpected and leans in just a little bit more to press a feather-light kiss to your temple.
You watch him get out of the car and walk away from you with your mouth slightly hanging open. You contemplate trying to unlock the phone, because why would he tell you that his password is the same? And why would he trust you with his phone when the two of you have been broken up for over a year? With shaky hands, your fingers put in the password, calling Lando’s bluff. Oh shit, you think when the phone unlocks, now what? Throwing the phone out of your hands onto the driver seat, you grab your own and quickly type a new message to Kika, who of course got the news from Lily and has been blowing up your phone, while ignoring her dozen other messages who went unread in your text thread.
To kika: this was a bad idea kika Tokika: a very *very* bad idea From kika: please tell me you’re going home To kika: um… To kika: sure From kika: GET OUT OF THAT CAR AND GET YOUR ASS HOME From kika: NOW!!
Chewing on your lower lip, your eyes linger on the messages spamming your phone, and you contemplate just getting out of the car and trying to find your way back home. But you also can’t help yourself but think… what’s the worst that could happen if you stayed? Clicking the button on the side of your phone, you place it face down on your lap after making sure you silence it for the rest of the night. With the reminder of the abandoned phone on the seat next to yours, you open your window to let some of the night air in. As your phone keeps buzzing on your lap, your eyes focus on the figure that comes out of the convenience store – and by some grace of God, he doesn’t realise the way your eyes basically undress him as he approaches his McLaren.
There’s no smile on his face, in fact, if you didn’t know Lando, you’d say he looks like an asshole; not that he occasionally doesn’t act like one. He gives you that boyish smirk when he’s next to your window, signalling you to roll it down by tapping on it twice. Lando leans against the car, his eyes locked onto yours. “Got your gummy bears,” he says, holding up the package and handing it to you once you roll it down. “It was the last one too, you’re lucky.”
Giving a tight lipped smile to the man looking expectantly at you, you accept the packet of gummy bears. “Thank you, Lando,” the softening look in his eyes is, ironically, strong enough for you to choke on the next words that are on the tip of your tongue. “I–”
“I’m sorry to bother you, are you Lando Norris?” A third voice interrupts you, and you find yourself moving your gaze from Lando to the woman who’s excitedly waiting for a response.
“Yes,” he breathes out, and you can tell he’s trying to keep his voice polite but he’s also very annoyed at the same time – though the way he eyes up the stranger definitely makes your blood boil.
With his attention on the woman, you find yourself feel the tension in the air and quickly look down at the packet of gummy bears in your hands. You start absentmindedly picking at the wrapper, your mind racing with a mixture of emotions. As the conversation between Lando and the fan continues, you steal glances at them from the corner of your eye. She's gushing about a recent race, talking animatedly about the thrilling moments she witnessed. Lando, for his part, is gracious and engaged, taking the time to listen and respond. And despite the polite exchange, you can't help but feel a pang of jealousy. It's a reminder of the world he's a part of, a world where fans approach him with admiration and excitement. A world you used to share, but now only observe from the sidelines.
You watch the woman place her hand on Lando’s bicep, laughing at a (rather mediocre) joke he made about the understeer of the car. It’s not a funny joke by any means, and you are not scared to admit that the woman’s laugh that fills your ears makes your insides twist uncomfortably. You remind yourself that you're here by choice. You could have left at any moment. But there's something about this night, about being with Lando again, that you can't quite let go of. It's a confusing mix of nostalgia and longing, wrapped in a blanket of uncertainty.
The woman’s voice hits your ears as you hear her ask, “Do you want to come back to my place?”
Without letting them both know that you’re actively listening into their conversation, you attempt to subtly let out a warning cough, but Lando covertly smirks as he leans towards the car with his hand grabbing the lowered window – without caring about the possible finger prints he might leave behind, might you add. Without any hesitation, you let your fingers go of the packaging to thread your fingers with his.
While his thumb gently starts to draw circles on the knuckle of your thumb, he does his best to supress the chuckle building up in his throat. “That’s, um, very kind – but I’m with my girl, you see, and we are both pretty tired.”
Maybe you would’ve given her a friendly smile over a misunderstanding if you were in a better mood, but as the woman looks at you with wild eyes, all you can offer her is an annoyed pout, and soon after she leaves after apologising to you both for interrupting your plans. You watch her leave until there is a good enough distance for her to not hear you, and then turn to Lando and give him a glare as you hiss, “I am not ‘your girl’.”
He finally lets out the chuckle he’s been holding as he watches you letting go of his hand with an exaggerated push, and then diverts his amused eyes towards you, “Sure, whatever you say, jealous girl.”
“I am not– I wasn’t jealous!” you exclaim, eyes narrowed. When he starts walking towards the driver’s side, you can’t help but call out, “I’m not jealous!”
Lando is still chuckling to himself when he gets in the car, and even as he starts driving, completely ignoring your whining complaints. “That’s alright, honey,” he says, voice full of condescension, “it was very cute.”
“You are an ass.” You roll your eyes as you cross your arms across your chest. “Maybe I should’ve gotten off when I had the chance, that way you could’ve fucked her in the back seat.”
“Bold of you assume she’s the one I’d want to fuck in my back seat,” he raises an eyebrow, then shrugs “but sure.”
Your face scrunches up in disgust, “You’re, ugh, you’re just the worst, Lando.” Shaking your head in disbelief, you add, “I can’t believe I’m arguing with you over you fucking girls in your car.”
Lando manages to get out a disapproving tut, and then contends, “I never said I’d fuck girls in my car, I’d said I’d rather fuck you in my car.”
Completely baffled by this revelation, not that you should’ve been, you turn to him in disgust, “Excuse me?”
“You heard me.” He shrugs again, noncommittally, and without paying you any mind continues to focus on the road.
“Well,” you laugh, breathlessly, “good thing that’s never happening.” Gently clearing your throat, you later can’t help yourself but add a silent, “Again.”
“If you’d rather a bed, that could also be arranged, honey.” Lando assures you, and you realise the little fucker has a smirk growing on his face.
“As if I’d sleep with you willingly,” you scoff.
A boisterous laugh is what you get from Lando, who tilts his head towards you, “Come on, I’m a good-looking bloke.”
“And I’m sure I’ve seen much hotter man,” you sing, but you just can’t remember when. So deciding to block out what Lando is rambling about, you pull out your phone to message someone who has the answer for you.
To lily m + kika: can you tell me someone who is hotter than lando? From lily m: alex From kika: pierre To lily m + kika: ew, be serious please From kika: what about the guy with the accent, from hungary? From lily m: the doctor? To lily m + kika: i think she meant the reporter From lily m: god no he was a creep From lily m: what about the surfer? From kika: oh yeah he was cute too To lily m + kika: i need someone hot, pleaseee From lily m: THE MODEL FROM MILAN From kika: WITH THE ABS From kika: and also porche From lily m: BUT ALSO THE ABS To lily m + kika: okay thanks To lily m + kika: love you guys
Getting lost in the conversation, with the aid of your ambition to prove yourself right and, naturally, Lando wrong, you don’t realise that he’s actually driven you back to his apartment instead of a bar or literally some other place that sells alcohol in that ungodly hour.
“This isn’t a bar.” You point out, eyebrows furrowed.
Lando dignifies your comment with a scoff, “Well aren’t you quite the detective?”
Crossing your arms across your chest, you basically hiss at him this time, “This is basically kidnapping.”
Lando glances at you, a playful glint in his eyes. “Kidnapping? Really? I thought we were just catching up.”
You shoot him a sarcastic look, but can't help the small smile that tugs at your lips. “Yeah, sure. Catching up in the middle of the night at your place.”
He parks the car and turns to face you, a smirk dancing on his lips. “Well, here’s my proposal. I’ll go to my apartment and you’re free to either join me or drive my car back to Daniel’s – I’ll come pick it up tomorrow.”
You hesitate for a moment, considering your options as you watch Lando give you an assuring smile and handing you the keys before getting out of the car. Going back to your brother's place doesn't sound all that appealing, and Lando's offer, as questionable and a bad idea as it may be, seems like the lesser of two evils. Though, there is also the reality that if when you go up to his apartment, you’re probably going to do something that either you or your friends will regret tomorrow morning. Watching Lando’s retreating figure move further into the apartment building, you think, fuck it, it’s fine.
So, you wait for a few minutes, anxiously twirling the car keys in your hand to make him wait – but you’re pretty sure it makes you suffer just as much. You take a deep breath, exhale slowly, and then climb out of the car. Locking it behind you, you follow Lando into the building. The familiar scent of his cologne hits you as you step into the elevator, and a wave of nostalgia washes over you. The elevator ride going up to the second floor is pure torture, and it leaves you squirming in your place the whole time. Basically throwing yourself out of the elevator once it lands on the second floor, you realise that Lando has been waiting for you, standing and smiling at his door.
He gives you a teasing look as you approach, clearly amused by your slightly dishevelled state. “Took you long enough,” he remarks, unlocking the door and holding it open for you. But instead of saying anything or retorting back, you quietly follow him inside his apartment. Lando closes the door behind you, the sound echoing through the quiet apartment. The dim lighting casts a soft glow, creating an intimate atmosphere. The first thing that catches your eye is the helmet collection he keeps in the living room. Without saying anything, you quickly make your way over to the shelves that display the helmets, trying your best to avoid his approaching footsteps behind you. The familiar design of a particular helmet has you instinctively tracing the number at the top, and the arms that hug your waist from behind makes you freeze for a moment. Lando's touch is both familiar and foreign, stirring up a mix of emotions you thought were long buried.
“That's from Monza, 2021,” he says, his voice close to your ear. The warmth of his breath sends a shiver down your spine.
You clear your throat, attempting to regain composure. “I remember,” you reply, your fingers still lingering on the helmet.
For a moment, neither of you speaks. The weight of the past and the uncertainty of the present hangs in the air. Lando breaks the silence, his voice low and measured. “I wasn't sure you'd actually come up.”
You turn to face him, meeting his gaze, but don’t attempt getting out of his arms. “I didn't think so either.”
Without breaking eye contact, he slowly leans in, his lips brushing against yours. It's a tentative touch, a testing of waters, and you find yourself responding to the familiarity of the kiss. The taste of the past lingers, and for a moment, it's as if the years haven't passed. But reality crashes back in, and you pull away, the distance now a necessary boundary. Lando looks at you, a mix of emotions playing on his face. There's longing, regret, and an unspoken acknowledgment of the complexities that bind you.
“I thought we could just catch up,” he says, his tone a mix of apology and yearning.
You turn in your place, facing him. “Catching up was never our strong suit, was it?”
“Not really,” Lando shakes his head, “no.”
You bite down on the corner of your lip, threading your fingers through his curls as you pull his face down to meet yours as you rise on your tiptoes, “It’s a bad idea, right?”
Lando lets out a supportive hum as he lets his lips softly brush against yours, “The worst.” And maybe he should have been the gentleman and pull away, but when he sees your eyes closing, he just leans in further to press his lips against yours – and the way you respond to his kiss? It's as if the world outside ceases to exist. The kiss deepens, each brush of his lips against yours reigniting a long-buried flame. Lando's hands find their way to the small of your back, pulling you closer, erasing the physical space between you.
You don’t complain as he pulls you towards his bedroom, or when he gently throws you on his bed, the anticipation hanging thick in the air. As he hovers over you, the weight of the past and the intensity of the present converge. His hands trace the contours of your face, memorizing every curve as if committing it to memory. And when the two of you get lost between each other within his sheets, the only thing that ends up coming from your mouth is either his name, or some sort of encouragement to keep him going. After he manages to wear you out, Lando decides that you’re definitely not going anywhere as he wraps you in his arms around you. The room is filled with the soft sounds of breaths syncing, hearts beating in tandem. Lando's fingers draw absent patterns on your skin while you check the messages that have accumulated in your phone. The glow of your phone illuminates the dim room, creating a subtle contrast to the warmth that envelops you. Lando's presence beside you adds an extra layer of comfort, a silent acknowledgment of the shared intimacy that unfolded moments ago.
From danny: please tell me you didn’t get kidnapped by the organ mafia From danny: wink twice if you’re alive From danny: this is not funny, where are you? From danny: fine i’ll ask alex to ask lily
Rolling  your eyes before sending him a text to let your brother know you’re okay, you decide to turn your attention to the group chat with Lily and Kika.
From kika: did you get home safe? From lily m: daniel is pretty stressed about it From lily m: please for the love of god tell us you’re home and not with lando right now To lily m + kika: omg just calm down i’m in bed To lily m + kika: and i’m going to sleep To lily m + kika: love you guys
You catch a glimpse of Lando’s grin over your shoulder as you click your phone off, but he only chuckles as he buries his face into your neck as he leaves small kisses to the skin there. “Well, I’m not lying, I just didn’t specify where I was.”
“Or in whose sheets,” his laugher gets louder as you jokingly slap him on the arm, “go to sleep, honey, we’ll be tired in the morning.”
And it might’ve been a bad idea to message him in the first place, but it certainly doesn’t feel like one.
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chuplayswithfire · 6 months
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oh i am so with ed. the sex was a mistake. it was a mistake that i am so glad the show let them have, though, like, to allow them the grey complexity of a situation in which sex is consensual and attraction was mutual but it was still a bad decision and the wrong call for the relationship? very mature.
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river-of-wine · 7 months
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I know I’ve mentioned this plenty of times before but I’m still kind of annoyed by how the fanbase just kind of completely declawed the four lords and placed the entirety of the responsibility for their wrongdoings on Mother Miranda.
The Baker family are great, I love them, they’re an incredible unit of antagonists who are intended to be very sympathetic, at least for the most part. Jack and Marguerite in particular have lost all control over their minds and their bodies, turning into extremely violent murderers and cannibals who threaten and attack their own family, kill anyone unfortunate enough to come across them and, especially in Marguerite’s case, lose complete autonomy over their own bodies. Marguerite turns into a walking bug hive who’s only purpose is to feed her family and birth her new children. Jack is an unstoppable murderous force of patriarchal violence who has so much fun chasing down and harming his victims, which in the Daughters DLC includes even his own daughter. The exception to this is obviously Lucas, who has been cured of his infection and his acting of his own free will. All of this is caused by Eveline, everything Jack and Marguerite do controlled by her, and yet Eveline is just as sympathetic as the rest of them. She’s a ten year old girl. Even Jack, who has watched his family and their victims suffer because of her infection, doesn’t seem to hold any of it against her. She just wants a family of her own, after all. It’s a complex and tragic situation.
The four lords, while I suppose being similar in structure, are not the Baker family. Not in dynamic, not in character, not in the kind of tragedy that they embody. I could talk for a while about just how completely different they are, but I don’t know if I really need to.
The Baker family are so tragic because they were just innocent bystanders trying to help a woman and a little girl they found in a shipwreck out in a storm. That’s the only reason they ended up in the situation that they were in. While the lords have similar origins, being victims of Mother Miranda’s experiments to bring her daughter Eva back, an important distinction between them is that in the case of the lords, all four of them are still acting of their own free will. Yes, Mother Miranda has undeniable power over them. She leads the cult they are part of, she has control over the village, she is their superior. However, I really dislike when every negative action by the lords is pushed onto her, as if the lords are not all grown adults who are for the most part acting independently of her.
With Alcina, she is the head of her own extremely brutal crimes. I think a lot of people have forgotten quite how horrifying the situations of the maidens are, possibly due to the prevalence shipping between Alcina and the maidens, and though we have minimal information what we do know is very frightening. Alcina uses her work force like livestock, draining them for their blood in a cellar full of horrific torture devices, and leaves their corpses to shamble around, armed and ready to attack any unwanted guests that have slipped out of the daughter’s clutches so that Alcina still doesn’t have to do her own dirty work, given how highly above everyone but Mother Miranda she appears to view herself as. While yes, Alcina does need human blood to survive, her methods are brutal, and none of this has been enforced upon her by Mother Miranda. Similarly to Jack on occasion, she takes a great deal of pleasure in hurting and attacking Ethan as he runs from her. Additionally, everything she does to Ethan is against Mother Miranda’s request. While yes, it is retaliation after he killed Bela, the part I often see people leave out is that Alcina is equally as upset that he entered her property and was attempting to steal from her, and she isn’t just after him to kill him.
Alcina has also been an active participant in aiding Mother Miranda with at least one experiment, considering that I’d how she got her daughters. While I’m sure her strong admiration for Mother Miranda and Mother Miranda’s power over her has absolutely had an affect in this, that’s not something I’ll deny, Alcina is still a grown woman and in her written entries about this shows no qualms about her participation in this. Her general attitude towards others, using young women as a good source and turning men into scarecrows, also leads me to believe that she does not exactly care who gets hurt or taken advantage of when it comes to her and Mother Miranda’s personal endeavours.
Donna and Moreau are the two more sympathetic people within the four lords, but they are not innocent. To start with Moreau, he’s desperate for Mother Miranda’s approval, as well as the other lords. He’s insecure and lonely, and he’s doing what he has been instructed by Mother Miranda when it comes to protecting the flask. However, he does also take quite a bit of joy in trapping Ethan in the reservoir and swimming after him with the intention to eat and kill him. Moreau though, given his conditions and circumstances, is the one I think is the least to blame for what he does.
Donna is hard to discuss because we know so little about her. Her parents are dead, as well as whoever Claudia was to her, she communicates through Angie and she can cause those who enter her house to hallucinate. According to Mother Miranda, Donna is severely mentally ill and that is what has made her an unfit vessel. I think a lot of people took this to mean that Donna is unaware of what she is doing, that the hallucinations she is showing Ethan are frightening, but after having been a fan of this game for years I just can’t agree with that anymore. Donna intentionally lures Ethan into her house with visions of his supposedly dead wife. Donna is going after fears she likely knows Ethan has, making him relive Mia’s death, take apart a mannequin of her, listen to her voice panic over something being horribly wrong with Rose, all building towards the horrifying baby that chases him through the house. There is no way Donna doesn’t understand how what she is showing Ethan is distressing, especially when you consider that, given how she can make herself appear and disappear at will within Ethan’s vision and that Angie is sitting in the hallways stationary and unspeaking, Donna was likely close by Ethan at all times and could see and hear his frightened reactions to what she was intentionally showing him.
Donna’s death is upsetting, but Ethan was not just chasing her down and killing her. Donna was attacking him, or at least she was controlling her dolls to do so. It’s still a hallucination, but Ethan doesn’t know that. When faced with a threat that is keeping you trapped and trying to end your life, you will likely try to get away or try to fight back, as Donna is doing to Ethan after he starts to attack her and Ethan is doing to Donna when he thinks his life is still in danger. I would also like to remind everybody that Donna communicates through Angie. What Angie is saying, that’s Donna. Angie doesn’t talk or move once she’s dead, it is Donna who controls her.
Lastly, Heisenberg. I think Heisenberg is the one of the four most entrenched in headcanons. Headcanons are fine, I am never in this post trying to suggest they aren’t, but my issue comes in when people use them to try and change the canon of the game. For example, it’s fine to believe that Heisenberg was experimented on by Mother Miranda as a child, but that isn’t canon. It’s fine to believe that Heisenberg mourned the deaths of his siblings, but that isn’t canon. The opposite is, with Heisenberg not viewing the cult as an actual family and being very openly mean to all three other lords, even Donna and Moreau who seemingly haven’t done anything to slight him. While his goal of killing another Miranda is a very understandable and sympathetic one given what she has done to him, using a six month old baby as a weapon and trying to bring her father into the mix only to try to get him killed when he denies him is not. I cannot overstate quite how little Heisenberg actually cared for Ethan and Rose’s safety when it came to his goal, and given that we are playing as Ethan, Rose is the priority.
Heisenberg has built an army of corpses he has presumably stolen and desecrated. This is kind of fucked up actually, and done completely independently of Mother Miranda. He also puts Ethan through a very dangerous lycan gauntlet before he even reaches the factory, which makes it even stranger to me that people seem to interpret Heisenberg’s deal as something that would have benefitted both him and Ethan and as if he ever had Ethan’s safety in mind.
All four of the lords have tragic aspects to them and there are definitely reasons to sympathise with all four. They’re victims of Mother Miranda, who knows they will all be killed. She wants them to be, giving her less to deal with by the time she has Eva back. They never meant anything to her. Not Alcina or Moreau, who were desperate for her attention. Not Donna, suffering from her unspecified but apparently severe mental illness. Not Heisenberg, who was seemingly her favourite creation. However, all of them are grown adults who do their own bad things independently of her.
And it’s fine to still like them. It’s fine for them to be your favourite character. It’s fine to have happy or nice headcanons about them or want to kiss them or be their friend or to want them to have survived. It’s fine to like characters who do shitty things. It’s to be expected in a game series like Resident Evil. It’s a horror game series. People are going to do bad things.
I just find it so boring when people take away all their bite. What makes a character like Lady Dimitrescu so fun it’s that she’s completely over the top. She’s campy and ridiculous, her castle layout makes no sense, she’s got three kids made of swarms of flies dressed like a set of goth triplets, she’s a lesbian who’s castle is full of naked statues of women, she turns into a big dragon and laughs maniacally while flying around and trying to eat you. She’s evil and it’s fun. It’s the same with Heisenberg. He’s a campy show off with a fun voice and a massive hammer he never actually uses. He can control metal. He looks like a cowboy. He pronounced Miranda in a funny way. He talks to you over an intercom while trying to get you killed. They’re fun and evil and they fight over who gets to kill Ethan like they’re two little kids. It’s absurd.
What makes a character like Donna so scary is that she’s silently working in the shadows, unassuming at a first glance and unseen for most of the time in her house. She is the least threatening of the four upon first glance, and yet she has undeniably the most frightening part of the game. Pretending as if Donna is completely unaware of what she is doing and babying her like she is an incapable child waters her down completely and takes away from the effectiveness of her character.
Villain characters are great! They’re very often the highlight of the story they are in, and they aren’t real! The four lords especially are often so completely exaggerated in what they do as well. It’s fine to like villains! It doesn’t make you bad! Characters can be bad people and you can still like them!
It’s just frustrating seeing a group of very fun and exciting villains, all designed with different aspects of horror, all over the top and campy and stupid and fun, all doing their own set of fucked up things, watered down to a set of poor innocent victims who have never done any wrong ever. If you want Jack and Marguerite, take Jack and Marguerite. Lady Dimitrescu loves killing and eating women and Karl Heisenberg turns corpses into soldiers. They’re bad people and they do comically exaggerated bad things. If you can’t stomach liking a character like that, horror is probably not the genre for you. Unless it’s Resident Evil 7, I suppose, but apparently tall women aren’t hot when it’s Marguerite Baker crawling on the walls.
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sxmmer-cherry · 25 days
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❝ あなたがいれば世界はもっと明るくなります。 ❞
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𓆝 OVERTURE — inherently difficult it is indeed, to understand them and their musings. of all complexities in their heart and soul, simplest is their love for you; eternal, deep, and soft. it needs a tangible manifestation too, though. what is their love language, then, after all?
𓆝 FEATURING — all genshin men.
𓆝 NOTES — they are all in established relationships here! it's something i wrote in a sudden bout of madness🤭a formatted old post <3
🐬—masterlist. —the author. —leave a note. —navigate.
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𓆝 GENSHIN MEN WHO LOVE HUGS. nothing better than the warm embrace of your gentle arms, after all. all day they've dealt with idiots and snakes alike, and now that night has befallen, they wish to rest well within their lover's warm arms. it's like they're floating amidst clouds with the ecstasy they feel at the sensation of your lovely scent and presence. your soft heart beat reminds them they need not fret now—whoever or whatever might it be, you'll keep it at bay for now and let them rest; with the protective arm you place against their back. bonus points that it saves them long-winded explanations that they may or may not even be able to give.
— switch it to when you're so upset you're unwilling to talk. whether the anger be directed towards them or not, they will always work towards dissolving it. so even when you protest with soft pushes and push against their chest to move out of their hold, they don't let you go until you're crying and taking all the frustration out on them. it's what they want really— to rid you of your anger and feel relaxed; so don't be surprised when they laugh at your soft apology afterwards. they just feel glad that you were honest with them in a moment of weakness, after all.
AL HAITHAM, LYNEY, CHILDE
𓆝 GENSHIN MEN WHO LOVE OFFERING YOU LOVELY WORDS. their words are honey to your ears, dissolving the bitterness of a rough day as they sink in. almost as though they open their mouth to speak, but instead of words, flowers fall out. it's the sweetest gesture really, even more so when your ears are bleeding out from the pain of listening to worse and worse people the entire day. and in their eyes, watching you smile softly as your frown relaxes is the best gift really. they don't really need anything back, just a kiss in return would be lovely.
— but if it's you attempting at offering them gentle words, they melt entirely. they forget their anger and laugh, becoming humble once again and losing their wrath. the way you gently appeal to their heart makes them heart-eyed, and as they stare lovingly at you, they can't help but smile shyly. to be the receiver of your love they feel much grateful, even more so when they're angry. they're all the more willing to talk out it with you now— although you don't have to fret about them being too reckless now, they won't direct their anger anywhere. it disappeared the moment you spoke so softly, after all.
KAZUHA, HEIZOU, ZHONGLI
𓆝 GENSHIN MEN WHO LOVE HOLDING HANDS. they think it's cute, but more than that it's perfectly warm and affectionate—affectionate enough for you to smile as you both walk together and warm enough for both of you to engage in loving conversation. it's a gesture protective enough for everyone to know who you belong to. it makes them giddy really; complimented by your small habit of slightly tightening your fist around them when you're talking away about something passionately and they know to listen very carefully, even more than they were earlier, and respond to you with the loveliest of smiles.
— much similar is the situation when you initiate the gesture; although it makes them so shy they might as well just need a moment to snap out of it before finding in themselves the boldness to look back into your warm eyes. it's so sweet really, watching them being that shy when they themselves suggested that it'd be warmer if you held their hands— not that you aren't used to such displays of shyness though! it just makes them laugh a bit when they think back to it; what a pleasure to be reminded of your childish smile as they blushed then.
BAIZHU, CAPITANO
𓆝 GENSHIN MEN WHO LOVE KISSES. don't get them wrong— it's nothing weird or dirty, it's just that it's the closest they can get to you without going any further. but more than that they love to see the way your eyes widen slightly whenever they kiss you even when you've been with them for so long. they love the way return to their normal size just as quick and then shut in a loving, gentle gesture. they feel obsessed with your vanilla scent as you push your tongue against theirs in a playful gesture, finding your soft lips the heaven they needed to return to after a long day at work. and such a delight is your shy grin afterwards as you break into a chuckle and hide your face in their chest— shy of their passionate display of love and they're left laughing at your sudden shyness.
— reverse it with when you're so giddy with love that you can't resist planting one against their lips in a quick manner, pulling away just as quick as you lean in. they won't say its unsatisfactory— not really, in fact it's twice as potent because once they feel the cloud-like softness of your lips against their own, they're left wanting to pin you down and first kiss you properly before you can flitter away once again; taking into consideration your butterfly-like disposition. they laugh at your bubbly nature honestly— what an innocent butterfly you are.
KAEYA, NEUVILLETTE, WRIOTHESLEY
𓆝 GENSHIN MEN WHO LOVE GIFTS. trust them, it's not the worth or the value of the gift that matters. but it's the intention, for to them, it is more than obvious what intention you had behind giving them that particular gift. so even when they find an envelope from you entailing work details, they can't help but smile gently at the sight of the rose petal seal. they mentioned it to you— their fondness for these kinds of fancy seals, so to think that you caught on to t so quick manages to make them laugh as they softly tear the letter open, warmth igniting in their chest. and so was the case when you once left them a bouquet of garden roses before leaving for work, telling them that you were in a good mood today and would wait for them at the restaurant. they don't need to rely on these romantic outings for you really, but to them it's the thought, the regard you had for their feeling behind such gestures that matters.
— so they're just as generous if not more with their gifts. whether it be something as small as a chocolate, they just know all your likes and dislikes. even while buying groceries they remember in casual yet great detail of every condiment you like, don't like and use. so don't be so surprised when they pick out with complete confidence— yet with no knowledge of your previous fixation with it— the pair of earrings out of the hundreds of others you've had your eye on for a while. it makes them laugh honestly— they're your lover after all, who will take care of your needs and feelings if not them?
DILUC, KAVEH
𓆝 GENSHIN MEN WHO LOVE RANDOM ACTS OF SERVICE. they're in your service, through and through your honour! all jokes aside, they seriously love you so much. when you come back home after a tiring day, or even if you simply tired yourself out after toil, they'll always keep the kettle ready for you. they're not so verbal with their feeling always, in fact rarely so for in their eyes it is actions that truly matter. they prefer practicality and devotional displays of affection that let you know that you're loved. from waking up five minutes earlier than you do to throw out the garbage, to making sure the kitchen is warm enough to be worked in before you come home from work, they mind it all and with surprising memory and dedication. hence, you smile with great pride when someone questions the devotion of your husband towards you, because you never have anything to say other than 'absolute and in complete measure'.
— but they feel just as happy when you're just as sensitive to their requirements and incorporate it into your habits. they love it so much when you remember the way they like various foods or beverages, or when you make sure to turn the heaters on in the study before they return to ensure they can work peacefully on their extra documents. just as soft they are when you always arrange their study when they're too tired to do so themselves and sigh with both relief and a sudden rush of affection when they see all the books winded and in their proper positions. they love offering you devotion and being offered the same— it's really just a question of who's at home to take care of things and who's not at the end of the day.
AETHER, CYNO, THOMA, DOTTORE
𓆝 GENSHIN MEN WHO LOVE QUIET ADORATION. now look, they're your lovers, alright. they'll sing you a ballad if need be, but upon catching the slightest glimpse of your innocent smile— it's like they're weak in the knees. they're stoic men in real life, wary of excessive emotion or sentiments, but you stir in them the passion that forces them to admire you in ways more than poets have known. it's endearing really, watching them struggle at first but then you come to sight and they've written a paragraph about everything they've loved about you. and their pen just won't stop still because now it'd rather expose their desires, all the things they've ever thought of admitting to you, saying to you, but never managed to. it's cute when you find the crumpled paper under their desk and read it with a mischievous smile. they think the universe has answered them when you ask them out on a date to the nursery the next day— unaware you read how much they'd love to show you their knowledge about plants.
— cuter again is the situation when you wake up one day and find them sitting next to you, rubbing their eyes in a lazy manner. the sun is directly behind them when they turn to you and smile the most ethereal smile you've ever witnessed, the sun sitting atop their head like a crown of their royal elegance. so stirred are you that your hands move later at their own accord as you pick the brush and paint the scene— unable to forget even the tiniest detail; their lazy eyes to the soft stretch of their lips, then their rose tinted cheeks and the messy morning hair. you'd rather not show it to them and keep it covered with a white cloth in your studio at all times. its when they coincidentally go into that room during cleaning that they find the portrait and pull the sheet out of sheer curiosity that they can't shut their mouth out of awe— trust them that they've never found themselves so beautiful than when you painted them, and nor will they ever do so ever again.
ALBEDO, WANDERER, XIAO
𓆝 GENSHIN MEN WHO LOVE QUALITY TIME. it doesn't matter the least bit to them what you both do during these pockets of stolen times between duty and responsibility, as long as they're with you. they're down for anything really, whether it be watching a movie or going to a pottery shop or learning a new language or just taking a nap. they're all down for it! it's just that finding time is so hard with their busy schedule that they're desperate at all times to have any bit of time to devote to you. they're so fond of you in fact, that even if they found you picking between dresses for your next night out with them, they'll laugh and then easily point at that black one and the pair it with the black coat and silver necklace. and then when they find you smiling secretively, they'll blush deep red and then drop the dress on the bed and won't speak another work out of shyness before you hug them and ruffle their hair, telling them that you really were just admiring them for their thoughtful nature. and then they'll hug you back, just as red, before pulling you down with themselves, tickling you, until you're just as red as they are from laughing.
— same is the case when you steal some time and then suggest seven different ideas about what you can do next with them, waiting for them to choose out of suitability whereas all they're waiting for is a slip of your tongue so that you accidentally admit your own preference— which you wouldn't have said in favour of knowing their choice— and suddenly they wish to do it too, and you, in your evergreen innocence agree with a joyous spirit thinking they're so lovely to have a choice naturally similar to yours. it's never a question for them actually— all their personal time is always devoted to you!
AYATO, GOROU, PANATLONE, TIGHNARI
𓆝 GENSHIN MEN WHO LOVE DEEP LATE-NIGHT TALKS. they can't sleep early, so trust them when they say it and keep turning over and over again in the bed. and then when you snap they're left laughing sheepishly, trying to explain why they can't sleep in the first place. often they manage to make you calm down and engage in a discussion— about your friend, the stars, the local news channel, the milkman, the festivities, you name it and they'll have an entire book they can write on the said topic. and they speak just as animated about these topics too, always including an incident about it or a joke that convinces you into talking a little bit more. while it initially entertains you, being talkative as you yourself are, you end up feeling entirely drained by the time the clock strikes three and you have to convince them into sleeping. red-eyed when you wake up they apologize with innocent gazes, almost instantly gaining a tired sigh from your side; the usual indication that they are too endearing for you to scold them.
— usually, however, it does not end up like this. late-night talks happen when the champagne opens and you two are alone, pondering one thing or the other in silence before either grows tired of the silence and mentions the smallest catalyst for the other to narrate a speech on, laughing when three hours pass without the flow of topics getting over. and no end is visible to the eternal dialogue even after you both see the time— stopping only with a laugh when a third person interferes. it's what they love so much really, these moments where you're honest and transparent with them, these pockets of time that are reserved for the both of you. it might not appear anything particular, but these long talks with you are what keeps them sane when stress and anxiety hit.
ITTO, GAMING, VENTI
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