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#in case it 👀👀
feral-and-or-horny · 6 months
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In case any pervy women were wondering..I sleep in nothing but my underwear..and it gets so hot in my dorm that most nights I pull my covers down and completely expose my tits..just saying
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riense · 6 months
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Day 13 | Guardian
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abd-illustrates · 10 months
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🪐 Finished art from this week’s video! 🪐
Or at least a snippet of it, because this week’s video actually unpacked the entire process that went into making a prizewinning comic! It was a real journey, and the full process video – (as well as a motion-animated version of the comic itself! 👀) – are available right now on ▶️Youtube! (^^)/
[DO NOT EDIT OR REPOST TO OTHER SITES / ACCOUNTS]   ♻️reblogs are lovely tho!♻️
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nomlioart · 4 months
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🥀 when touch averse becomes touch starved 🥀
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fixing-bad-posts · 16 days
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lord who does roughly end me, lave here, lust, and press sutures to me.
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rika-mortis · 4 months
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Some Miles Upshur fanarts that I made in 2020-2021
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neversetyoufree · 12 days
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I've been thinking lately about Vanitas and Noé's first "what is salvation" fight at the bal masqué and what it means about their individual definitions of the concept, and I've realized something about Vanitas.
Noé's definition of salvation is the obvious one. It feels natural. To save someone is to keep them from dying. But in a way, his understanding of salvation is also almost selfish. Noé's foundational trauma is the constant loss of his loved ones. He is the eternal sole survivor. So of course he wants to keep people alive—he wants to "save" the people he cares about in the way that keeps them by his side this time.
It's not wrong to want that, of course. I don't mean "selfish" as a condemnation. It's just that the definition of salvation that Noé starts the series with is inarguably the one that best serves his own happiness.
And it's the same with Vanitas.
When Vanitas kills the little girl Catherine by restoring her true name, he tells Noé he doesn't know what salvation is. He might be lying there, or he might be telling the truth in that he's never put his definition of salvation into words or acknowledged it on a conscious level. Either way, though, I do think he has a definition of salvation somewhere in his mind, and it's a very personal one.
Vanitas sees salvation as the preservation or restoration of one's true self. You're saved so long as you can preserve your essential self, uncorrupted by outside forces. Even if the price of that selfness is death.
While Noé's foundational trauma that informs his worldview is the loss of his loved ones, one of Vanitas's foundational traumas is the loss of his bodily autonomy. Through Moreau's experiments and Luna's mark/bite, he has been transformed into something no longer fully human, and he hates it. From the moment Luna told him he was dying, he said he wanted to die as himself rather than live as their kin, and he has been denied that opportunity.
Nothing is more important for Vanitas than being able to dictate the destiny of his own body, and malnomen are the ultimate corruption of bodily autonomy and selfness. Altering one's true name warps not only their physical body, but their very being on a metaphysical level. The curse takes everything a vampire is and changes it, and doing that to an unwilling victim is the ultimate horror for Vanitas.
Given that context, of course Vanitas thinks that killing a child to restore her true name counts as saving her. He's restoring her essential self and un-corrupting her body and being, and even if her self is only returned for an instant before she dies, it's preferable to living on as something warped by an outside force.
Vanitas absolutely starts the series with a definition of salvation, and like Noé, it's the one that best serves his own happiness. He wants to be saved. He wants to be returned to his human self, and failing that (since he knows it's impossible), he wants to wipe out all traces of the force that changed him and then die without going any further down the path of inhumanity.
Vanitas might not be able to admit that definition out loud (or even to himself directly), but it's there, and it guides him early in the series as much as Noé's own definition of salvation guides him in turn.
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seths-rogens · 9 months
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cardboard houses, cardboard hearts | M | 1.9k | ao3
should’ve been finishing my infidelity au, but instead the cardboard joe cutout i was given inspired me to crank this out in one sitting,, anyway, please enjoy :)
—————
Eddie often thanks God that he took the leap and moved to Indianapolis after he finally graduated high school. Not that he really believes in God. Just… figure of speech and all. Though, maybe he’d believe in God if they were a metalhead with tatties and an eyebrow piercing, but he thinks that might ruin their image honestly.
He’s getting off topic.
Eddie often thanks God for Indy in moments like these. Moments where he has a fucking beautiful man pinned to his own front door, strong, thick fingers tangling in his hair as Eddie desperately tries to fit his key into the lock. He shoves his thigh between Pretty Man’s legs - he didn’t catch his name - and presses upwards. Pretty Man whines, grinding down and making it all that more difficult to unlock the goddamn door.
“Hold on, Sweetheart. I just gotta-“ Eddie bites back a groan as Pretty Man kisses down his neck, sucking a bruise over his pulse as the key finally slips into the lock. Chrissy’s never gonna let him live the marks down.
He’s surprised he picked anyone up tonight at all. He’d gone to a concert alone for once, as Chrissy was staying at her new girlfriend’s place, and Gareth and Jeff weren’t the biggest fans of his guilty pleasure artist ‘King S’.
And honestly? In any other world. Eddie wouldn’t be either.
King S isn’t his usual style. Where Eddie usually loves a hard drumline, thrashing guitars and lyrics you can only scream, King S is all soft melodies and crooning vocals set to slow drum beats.
He’d stumbled upon him completely by accident, honestly. It’d been a slow day at the record store Eddie manages. He’d been there for nearly five hours and so far he’d only served maybe three customers - and two of those customers were an old couple shopping for their granddaughter. So he’d picked the first magazine he could reach off the stand by the counter, and flipped it open to a random page.
It’d been an interview with King S, who’d just released his first album at the time. He was talking about his inspiration for making music - his best friend and little brother who, he’s quoted as saying, ‘always ragged on him when he played his pop shit in the car’ - and the meaning behind his stage name - reclaiming an old high school nickname he’d been given after his brief stint as a bit of a mean girl, though now he promises he’s using it for good.
He’d flipped the page to find a double page spread of King S curled up in a bathtub. His eyes were squeezed shut through the lacy masquerade mask that was supposedly his staple (no one knew his real identity after all). His hair was messy and flying all over the place. He was…
He was naked. Or at least that’s how it seemed.
His arms and legs were bare, the black and white photo only emphasising the toned curves of the muscles in his arms and back and the dark hair covering those lush thighs.
Call him obvious but Eddie had been intrigued. He knew they’d received a new shipment of records that morning that weren’t supposed to be hitting the shelves until the next day, so he figured what the hell!
Ten minutes later, elbow deep in a shoddily painted green wooden crate, Eddie emerged victorious with King S’s debut album ‘Robins and Tadpoles’ in his hands.
The album cover was two people’s hands clasped together, matching ice cream cone tattoos on both wrists. There was a little dedication on the back. To R & D.
He took it out to the turntable on the shop floor and dropped the needle. When the soft music started, he was hesitant, but as the album moved on he quickly realised he was hooked.
He’d gone into the shop bright and early the next day - on his day off no less - and bought the album. Only slightly laughing at the look on Mike’s - part time Lit student, part time cashier, full time grump - face.
That had been two years ago, and Eddie had been solidly on the King S train since.
Sure, Gareth and Jeff - and Grant too when he was in town - would tease him about abandoning his people, about betraying the freaks and the weirdos, but really they supported his love for the artist, even if they didn’t quite get it.
So when King S announced a stop in Indy on his second album tour, the guys (and Chrissy) had banded together to get him tickets as an early 26th birthday present. Except when the day came, they were all busy, so he went by himself.
He didn’t mind really, was just happy to be there to appreciate the music. (And the man himself, Eddie has eyes, come on now.)
Elated and feeling just a little self fulfilled after the concert, Eddie had gone to his favourite queer/metal bar, Crash. He’s picked people up there before, sure, but they’ve all been metalheads, just like him, and as many of his friends have said in the past, he’s cursed to have the hots for the preppy jock types.
Usually, that’s not the type of guy he’d find in Crash. Tonight was different.
Eddie had been sat at the bar, thinking about King S’s arms beneath the crimson sweater he wore on stage, when a gorgeous man had stepped up beside him to buy a beer. The man was wearing a dark, charcoal coloured t-shirt under a light grey Members Only jacket, paired with light blue levi’s.
Eddie kinda felt his jaw hit the floor. Could this be the perfect end to the perfect night?
This brings us back to now. Eddie finally pushes the door open, swings Pretty Man around and pushes him back against it.
He drops his keys somewhere. It doesn’t matter. He’ll find them tomorrow.
They’re grinding fast against one another now, only their harsh, panting breaths filling the silence of Eddie’s apartment. Eddie slides his hand into Pretty Man’s hair, tugs on this side of too hard. Pretty Man moans, loud, almost echoing, and tilts his head to the side, baring his neck for Eddie to defile.
Eddie leans in, presses his lips to those two little moles, and—
“What the fuck?”
Eddie pulls back to look at Pretty Man’s face. He’s still, not looking at Eddie, instead staring with wide eyes into the open plan of Eddie’s living room.
Eddie follows his gaze and… Oh. Yeah. He forgot about that.
See the King S tickets hadn’t been Eddie’s only birthday gift. He knew this would come back to bite him in the ass, but his friends thought it was hilarious. Eddie thinks they’re assholes.
Because Pretty Man is staring at a life size cutout of King S, standing by the wall.
Eddie winces, pulls away. This guy might not look like a metalhead, but he was in a metal bar, there’s no way he listens to King S. He’s gotta come up with an explanation for this, and fast.
“Um, yeah… About that… would you believe me if I said I didn’t buy it?” He asks sheepishly, avoiding Pretty Man’s eyes.
“You’re a fan?” Pretty Man asks, except he sounds dejected, which Eddie thinks is weird. And actually? Fuck this guy. He’s allowed to like whatever he wants.
“Yeah, man. What’s wrong with that? Maybe it’s not for everyone but King S actually makes really good music.” He gets more than a little defensive, takes a step back and crosses his arms over his chest.
“No, no… that’s not what I meant.” Pretty Man raises his hands placatingly.
“Then what did you mean?”
Pretty Man sighs, rubs a hand over his face. “Don’t you recognise me?”
Eddie furrows his brow in confusion. “Do I like, know you or something?”
Pretty Man raises his eyes to the ceiling like this is difficult. “Really? Nothing?”
Eddie shakes his head. “I don’t…” Pretty man nods, sighs, and then walks past Eddie further into the apartment. “Hey, you can’t just—“
“How about now?” Pretty Man asks, stopping right next to the cardboard cut out.
Eddie flits his eyes between the man and the cut out, trying to understand what Pretty Man is getting at until he sighs again, pulls down the sleeve of his jacket to reveal…
A tattoo of an ice cream cone, and suddenly it all clicks.
Oh. Oh no. That’s… oh holy ever loving fuck.
“Holy shit!” Eddie exclaims, pointing frantically between Pretty Man and the cardboard. “You’re King S!”
“Yeah. It’s uh, Steve, actually.” Pretty Man, King S, Steve nods, seeming much more shy than he was ten minutes ago. He’s curled his arms around himself, trying to make himself shrink. Eddie feels bad.
“Did you think I was trying to sleep with you because you’re famous?”
“I mean, weren’t you?” Steve won’t meet his eye. Instead he’s staring around the room, taking in all the little details of Eddie’s life.
Eddie takes a step towards him. “No, man. I just thought you were pretty, that’s all.”
“You really didn’t know who I was?” Though he still looks unsure, Steve finally meets his eye.
Eddie shakes his head, coming to a stop in front of Steve. “I didn’t even buy that thing, dude. My friends thought it would be funny because you’re like, the only non-metal artist I listen to.”
Steve smiles at that. He really is so pretty, Eddie can’t help but think. “Seriously?”
“Yeah, man. Heard your first album right after it came out and I was hooked!” Eddie laughs softly. “I used to be a little bit narrow minded when it came to music, but I heard yours and it’s like the world of music blasted wide open.”
A pretty pink blush spreads its way across Steve’s cheeks. “Oh, uh… That’s really cool. I’m glad you like it.”
“I was at your show tonight, actually.”
“You were?”
“Yeah!” He shrugs. “I used to play in a band in high school, we were never very good but I liked to think I had good stage presence, right?” Steve nods and Eddie grins, leaning in a little. “I was nothing compared to you. It was fucking electric, I felt like my skin was buzzing.”
Steve’s smile seems to grow even wider. He sways forward into Eddie’s space, almost unconsciously. “This might be crazy, but do you wanna start over? Forgo the one night stand and just, I don’t know, get coffee or something? I know this cute little 24 hour place, Victoria Street, it’s only a couple blocks away.”
Eddie narrows his eyes a little. “Stevie… barely anyone knows Victoria Street. Are you, dare I say it… local?”
Steve’s cheeks darken even further. “Maybe.”
Eddie laughs. “Then, I’d love to start over. I wanna get to know you as Steve, not King S.”
Steve slips his hand into Eddie’s, tugs him
back towards the door. “God, how much do you know..?”
“I may have read a couple interviews.”
Steve groans, embarrassed, as the door clicks shut behind them.
Then, a few moments later. “Shit! My keys!”
The date goes well. As does the second, and the third, and so on, and so on. They’re officially exclusive by date 7.
Steve meets Chrissy and the boys on date 20. Eddie meets Dustin and Robin, right before date 45.
On date 94, Steve presents his third album to Eddie. There’s a different dedication on the back cover this time.
To E, my love.
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taglist: @judasofsuburbia @gothbat99 @cheatghost @flowercrowngods @fastcardotmp3 @simplebtromance @gonzofromspace
lemme know if u wanna be added to a permanent taglist for anything i do in the future, i’m thinkin’ that might be funky :)
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diamondsheep · 10 months
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Certain Moss Head has been stealing color palettes 👀✨
No Text Version !!
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fandomaddict505 · 3 months
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HELP THIS IS SO FRUITY
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nucrests · 1 year
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[💕]
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captainsjack · 10 months
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in the next mission impossible movie there better be a scene where the one (1) female agent they have has to seduce/flirt with a guy to get information out of him except when she tries, he makes it clear he’s not interested and says something implying he’s gay. so she walks away and into the comms tells the team it didn’t work because “i’m not his type.” then we get semi-frustrated team members telling her “well then become his type, we need the info” etc only for her to interrupt with “i think one of you boys will have a better chance.” then the comms go silent and it cuts to each team member’s reaction of “😳” and the “oh���s as they realize he’s gay. except when it cuts to ethan’s reaction, he’s already sauntering over to the guy and we just hear him say “i’m on it” and then we get scenes of ethan seducing the bad guy and he gets to gay kiss him. if this doesn’t happen i will riot
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riwooga · 4 months
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Hold on I was perusing through some past blog comments and saw this
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.. And I was confused because, while not the exact same wording we already have extremely similar supposed comments in game, uh...??
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..... Is Robin lying to PC? 👀
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tetrameryxx · 6 months
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Spooky werewolf for spooky werewolf season. I wanted to doodle one and then it turned into a ref sheet
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oranpo · 1 year
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🖤😈🖤Happy Valentine's, Children of Sin🖤😈🖤
I'm happy to finally be able to share the final illust for the "Pin Me Up" calendar project hosted by @walaskart! - Thank you so much for having me! It was wonderful working with everyone involved!💕
I will be sharing details about how to get yourself a digital copy of this calendar soon! all proceeds will go to charity!
In the meantime - Papa is waiting for you~
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pandaspwnz · 3 months
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So I don't think this is actually the case but what if Eliza and Isaac's deaths werent over a petty amount of cash and a robbery gone wrong? What if, instead, Dutch had seen Arthur spending time with them, had perceived him slipping away as a threat: a threat to himself, his gang, his security, his family, afraid of losing his lead enforcer - whether he truly at that point did love him like a son, or not. And in his insecurity or fear or whatever other reason, he finds someone rotten, unrelated to the gang, and he pays them to murder Eliza and her little boy, so no one will ever tempt Arthur away from the flock, and he instead puts all his energy and time into the gang, the only family he has left.
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