#im sure no one will see this ‘apology’ | Explore Tumblr Posts and Blogs

neoflect · 3 days

Text

sharing some of my disorganized jojo musical thoughts now that ive had a week to sit on it and ive rewatched it several times over. i intended to wait to publish something like this until a subtitled version was available, but im not seeing any indication that thats happening any time soon so for now youll have to deal with my loose interpretations from my extremely rudimentary and rusty japanese… so take what i have to say about the finer points of characterization with a grain of salt. gratuitous spoilers below obviously, both for the original source material and the changes made in the stage production

my feelings are OVERWHELMINGLY positive. of course there are things i can criticize or that i would have personally done differently but oh man… i have literally not thought about anything besides this fucking show for a week. im 100% confident in saying this is a better adaptation of the source material than the tv anime. sorry to the davidpro staff, i respect their hard work and their love for jojo and their dedication to what is by any metric a pretty difficult property to adapt off of the page, but i dont know if i can ever forgive them for leaving half of the first episode’s storyboard on the cutting room floor in order to fit a standard half-hour tv slot, especially considering that what they cut is some of the really crucial character-building stuff. happily those scenes are not only reproduced in the stage version, some of them are expanded upon!

with the quick disclaimer that i’ve only managed to get my hands on the final 4/14 performance with shotaro arisawa and yoshihisa higashiyama, from what i’ve seen the casting is perfect. i’m sure there’s a rip of the 4/13 performance somewhere (i’ve seen clips) but i haven’t been able to find one… every single performer knocks it out of the fucking park, the cast chemistry is incredible and even the minor characters are loaded with charisma. and mamoru miyano… my god… mamoru miyano i owe you an apology. i was not familiar with your game. of course hes been killing it for decades at this point but i had soured on him a little bit recently because i felt like he was overcast in everything and i just didnt connect with his dnt reinhard at all, so when the casting was initially announced back in august i was underwhelmed, and of course my standards for the dio role in particular were astronomically high… i’ll go more into detail later in the post because i have so so many things to say about dio’s characterization here but mamoru miyano’s performance is like, life-changing. i had impossible expectations and he exceeded them.

sorry if im gushing. i am a hater by nature. its unusual for me to be so thoroughly pleased with something. im not even a musical theater guy. these are strange new feelings for me.

just to balance things out i’ll talk about a couple of the things that didn’t really work for me: first of all, the music is just ok. my initial draft of this post called the music “bad” but three additional viewings later i have warmed up to some of the songs. i don’t know if this is a shortcoming by dove attia as the composer or if it’s just me, as i said i’m not a musical guy and a lot of the genre conventions of musical theatre are not really the things i look for in music that i enjoy, but like… even at their worst they are serviceable. nothing here is sonically unpleasant to me. high points are “resolve of the ripple” (zeppeli’s hamon training song, a jazzy swing number - it’s simply catchy and fun to listen to) and the closer “phantom blood” (a sweeping ballad that reprises the earlier “light and darkness”/”golden spirit” leitmotifs into an epic duet between jonathan and dio as they join hands and walk off into the darkness together… made me cry! i wont lie! on every single one of my numerous viewings this one got me misty eyed!)

wait i forgot this is supposed to be the part where i’m being critical. ok my most loathed song in the musical is “dio’s world”. sorry dio nation. it doesn’t really work for me. i think this might be a case of my standards/expectations being too impossibly high because it’s not even really the worst song in the whole thing. and of course miyano eats it up so it’s not really his fault. i just find it kind of underwhelming… i find the melody a little grating, it’s kind of just a generic rock number, it’s just missing a particular je ne sais quoi…. the essence of dio isn’t there… lyrically though i am obsessed with the premise of dio recruiting his minions by selling himself as a kind of social revolutionary who is upending and inverting the brutal hierarchy of post-industrial victorian society with zombie blood magic. you win some you lose some.

the second sticking point for me is the costumes. they’re perfectly serviceable… adequate… but i mean when it comes to jojo “serviceable” and “adequate” costume design obviously falls well below what’s expected, right? a lot of the outfits have kind of a boxy, almost flat-looking kind of unflattering fit on the actors, which if i wanted to be generous i could attribute to the challenge of bridging the gap between these frail slender musical theater twinks and the two-meter-tall 250lb roided-out beefcakes theyre meant to be embodying. (bearing this discrepancy in mind a lot of the insane martial arts stuff in the second act doesn’t really land with the oomph that it should, but i also understand logistically why this kind of casting is not practical, and all things considered i think shotaro arisawa does a really incredible job of embodying jonathan joestar even though he kind of looks like i could snap him in half over my knee like a twig. he’s very cute. so i’m not mad about it.) of course, again, logistically, i understand that in a stage musical production, where actors only have minutes to complete costume changes, some sacrifices have to be made to the creative vision in the name of practicality. nevertheless this is jojos bizarre adventure!! i want to see some fucking baubles!!!!!!

which is all to say that… after carefully considering it for some weeks… i still have extremely mixed feelings about dio’s grink ass feather bathrobe look. it’s not that i dont think its something he could wear (the concept of dio lounging around in his gothic vampire palace doing re-animator style body horror experiments on the local wildlife in this “officer i have no idea what happened to my husband”-ass nightgown is nothing short of hysterical to me) but then he wears it into combat and i felt a little disappointed… it has the same unflattering fit issue as the other outfits in the show, and it is just such an un-araki-like design… where are the gaudy color combinations? the bizarre geometric patterns? the tease of an exposed boob/thigh/midriff? erina gets a stage-original dress design that i have fewer issues with because the excessive pleats and ruffles have more of an araki-esque sensibility, but every time i look at dio’s robe it feels like there’s something missing. i’m going to choose to be nice about it because it’s not at all a deal breaker and, again, mamoru miyano devours the look. it’s fine. it’s always fun to have a new dio outfit. if anything, the fact that the blu-rays are being marketed as “2024 cast version” gives me hope for the possibility of a future production with a new vision for the costume design. (although the fact that this was such a difficult production - with stunts and pyrotechnics and moving setpieces - that its entire first week was cancelled indicates to me that the prospects for a future production from a different company are impossibly slim. i guess there’s always hope?)

in terms of the writing and the changes that were made from the original narrative, honestly i don’t really have an issue with anything that was cut. sorry if there are any diehard stans of Poco’s Unnamed Sister out there who are steamed that their favorite minor late phantom blood character got the axe, i kind of understand how you feel because i’ve been malding over david pro cutting the Danny Lore for eleven years, but i think it was the right choice and the story flows so much better. the real juicy meat at the core of phantom blood as a narrative and the thing that brings it head and shoulders above so much of the rest of jjba is the character-driven drama - that deliciously pulpy victorian gothic family tragedy - and the relationship between jonathan and dio. the musical beefs up the character drama and slims down the action-driven second half by trimming out the extraneous battles. the only real downside i see to this is that the absence of tompetty and his prophecy makes zeppeli’s arc and death feel INSANELY abrupt, but tbf that’s not a deal breaker for me. sorry zeppeli. you were born to die.

okay. okay. i think 1500 words into the post is enough fucking around so let’s talk about the real reason why you and i both know we’re here

musical dio is SO fucking sad. he’s positively wretched, you guys. he was born in a wet cardboard box all alone and forced to eat cement when he was six. he cries even more than he does in the source material and even when he’s not crying he frequently delivers his lines as though he is moments away from bursting into tears. back when the musical first opened i was snooping on the reactions on jpn twitter and one commenter said they could see miyano’s tears and snot from the nosebleeds even without opera glasses, a remark i initially assumed was hyperbole but that i now think probably was not. araki’s dio is certainly tortured and a deeply pathetic crybaby beneath all the cruelty and posturing, but changes in the musical and miyano’s embodiment of the character bring this pathos to the fore. he is literally haunted: dario’s ghost lingers, a manifestation of all of dio’s traumas and insecurities that emerges from the recesses of his memory to taunt him with the reminder that he will always be his father’s son, all the way up until the very minute that jonathan breaks down the door to his vampire lair. i am OBSESSED with this - not only for the obvious reason that i delight in dio’s suffering personally but also because kong kuwata is a delight and he fucking kills it every time. also lends itself to a category 10 leitmotif moment at the top of the second act when dio emerges from the charred ruins of the joestar estate singing dario’s theme and calling out to jonathan - if i had to pinpoint this is probably the moment when this musical stuck for me as the Real Deal. they Get It.

the first solo number in the show is dio’s disney princess I Want song (amazingly, simply titled “dio”) where he weeps for his late mother and his wretched lot in life, and then - in a creative decision that made me clap my hands and hoot and holler at my screen in real life - there is a reprise of this number (delivered, naturally, through tears) when dio is almost arrested for murder and decides to become a vampire instead. so there’s this amazing hopeful uplifting inspirational orchestral music accompanying the onstage action of dio ruthlessly slaying jonathan’s dad and then getting pumped full of lead by a bunch of cops. it is brilliant. 10/10 no notes. it’s moments like this that i think really sell the “softening” of dio in the stage version for me, even though i am historically Not A Fan of fanworks that take a similar angle - like, yes, he is sad, but specifically he is narcissistically obsessed with the spectacle of his own suffering, he is boiling over with bitterness and rage for everyone around him who (by his own estimation) could never hope to have suffered as much as he has. this sensitivity and self-pity he wallows in are not expressions of a guilty conscience or a desire to change - they’re entirely the opposite - every cruel and monstrous deed dio commits is always justified to himself because he is simply the saddest little boy who has ever existed. he has been done wrong by the world and so there is no limit to the depravity he may reasonably respond with. i’ve seen several commenters describe this as a drastically different interpretation of the character from araki’s dio (and someone told me on twitter that mamoru miyano himself has also said this, but i cba to go digging for an actual source so take it with a grain of salt?), but i… dont think thats the case! dio’s obsession with his own weakness and his self-perception as the eternal underdog (as compared to jonathan) are certainly more exaggerated in miyano’s performance, but i don’t think this is an angle to the character that’s been manufactured out of whole cloth. the genre conventions of the stage musical force the melodrama up to eleven and dio’s incredibly repressed angst is the most rich vein to mine for that. hair-trigger sadist dio is still here, it’s the same guy, he’s still killing people mercilessly, you’re just getting to see him sing a big ballad about his feelings instead of confining those to an internal monologue.

if anything, the exaggeration of dio’s pathetic/cowardly/crybaby traits combined with his megalomaniacal aspirations and bottomless well of cruelty is just right. it’s perfect. fucking around, finding out, and then trying to weasel his way out of the consequences with crocodile tears just so you don’t see him drawing his knife to cut you clean open… yeah. thats the stuff. thats my one true blorbo. sad to say i will love him for ten thousand years.

i think that might be all i have to say… or at least all i feel like saying here… most likely ill come back and edit this post later. i certainly have some additional thoughts and some more esoteric/controversial takes but they’re not suited for a public blog. real ones will understand. im keeping my eyes peeled for somebody to translate this thing but to be frank i am kind of enjoying this little corner of fandom as it is right now: just the asians and the true hardcore phantom blood phreaks. i have not had this much fun in jojo fandom in almost a fucking decade. as soon as somebody publishes an english version my timelines going to get flooded with all the most deeply annoying “kono dio da” “speedwagon waifu” reddit guys and 15 year olds and my suffering will proceed. unfortunately this is my lot in life and i am doomed to be here forever because dio put a worm in my brain

#⚰️#jjba tag for blacklisting purposes but i dont want this in the main tag

78 notes · View notes

plush-rabbit · 8 hours

Text

The One Where Adam Steals Lucifer's Babe

Word Count: 4.9K A/N: I had an idea about this, but I wanted to get it out. This was supposed to be headcanons, but it turned into a story!! woo(•_•) This is also not done. Like I wanted it to be be headcanons so bad, but i need to establish a plot line because im like dumb. um, so yeah. if this does become anything more, i think max three chapter Its written as if Adam is a sinner so yeah!! -

Dating the King of Hell should be easy- nothing short of bliss and love. And it is easy being with the King of Hell, when he has to make appearances, and he has to put up a front. But being with Lucifer is much more difficult. You know he’s not over Lilith, and you aren’t even close to being a replacement for her. And yet, he keeps you around. You can trick yourself that he still wants you, that maybe he does enjoy being with you. But lying to yourself doesn't make anything easier. You walk out of the castle without a word to Lucifer, childishly hoping that he’d figure out that you weren’t there on his own. On your stroll to nowhere in particular, you check your phone constantly, hoping to see a missed message or call from him- some type of form that he still takes notice of you. You have to silence your phone when you feel tears prick your eyes at the empty screen.

You wind up in some sleazy bar, a bit too tipsy, and far too melancholic to do anything more than swirl a glass of alcohol with melting ice. You watch the condensation drip down the side of the glass, creating a ring over the coaster. Beside you, the chair scrapes, and your spirits are lifted. It’s Lucifer! He’s chased you down and now he’s going to apologize and proclaim his- your shoulders fall when you realize that it’s not Lucifer. The realization leaves you cold and far lonelier than you initially were. Instead, it’s Adam- the First Man. You wonder for a brief moment if he even still calls himself that.

“Mind your fuckin’ business,” he sneers, sitting beside you. He lifts his hand, and the bartender pushes a glass and a bottle towards him, muttering something about a tab under his breath before turning his attention elsewhere.

You heard he had become a Sinner- the very thing he sought to kill for entertainment not that long ago. However, you had yet to see him since he was stabbed by Niffty. You wonder if his new form has a hole in his back now.

“Take a picture, it’ll last longer,” he tells you, malice tinged at his words, but he makes no real motion to actively wave you off. You’re sure he would have if he was still divine.

A closer inspection reveals that he’s in far worse shape than you could have imagined. A beard that’s in the awkward phase of growing out, deep bags under his eyes, and gaunt cheeks. Hell has not been kind to him. But, what else could you have expected? He was an exorcist- the exorcist- and now, he’s stuck in Hell. Honestly, you should be surprised that his head isn’t mounted somewhere.

You turn back to your drink, and wipe a line of condensation off. “I’m surprised you’d even show your face around these parts,” you mumble, taking a swig of your drink. It burns going down, and you try to hide your displeased expression.

“Fuck you,” he hisses out, taking a long drink from the bottle.

“You know, as a former exorcist, I’d suggest being nice to demons around these parts.” You raise your hand at the bartender, and he walks over, and places the tab in front of you. “You never know who you’re gonna piss off next.” You leave a hefty amount, enough to cover your drinks and leave a pretty tip.

“What? You’re gonna sick Lucifer on me?” You turn to him, embarrassment hot on your cheeks, and he wears a crooked smile. “Your face and his are plastered everywhere I look.”

With a sigh, you push the check away from you. “Must suck for you,” you mumble. His response is to take a drink from the bottle. “I hated having my picture taken before,” you tell him, unsure if he’s even listening or not. “I felt that they never really got my good side.”

“I’d get photographed all the time in Heaven,” he says in a low tone after a moment of silence. “Bitches could never get enough of me.” You scrunch your nose at the word, and fold the straw wrapper into squares. “Fucking loved it.”

“Wish I loved the camera.” You cross your ankles together, tucking them under the seat of the stool. “I hated being looked at.”

There's a pause in the conversation, long enough that you believe the small talk has ended. You could go back to the castle but if Lucifer hadn't taken notice of your absence, you'd surely have a breakdown. Maybe you could go to the hotel. Charlie would understand. “You still get your picture taken?” Adam asks, his voice startling you.

You tilt your head to the side, underneath the seat, your legs twist around themselves. “Not as often as I used to. I think it was more like uh-” you wave your hand around and the folded wrapper unfurls itself- “shock value? I think. Like the King of Hell downgrading to some resident.” You smile bitterly. “Not even a Goetia or anything.”

“A Goetia?”

“These magical birds.” You look at him. “You’ve been in Hell for a bit, haven’t you? I’m surprised you haven’t heard or seen them.”

“I don’t get out a lot.”

“‘Cause you’re hated?” You ask, a wicked tone laced in your words. Adam responds by mocking your voice with the same question. You scoff with a smile on your face. “I wonder why, if you’re such a peach.”

“Go fuck yourself.”

It’s silent. And you watch as the bartender grabs your drink, leaving the coaster behind. A memory of drinking with Lucifer pops into your head- his honeyed smile as he pours you a glass of wine that you would have never been able to afford, to even be aware of such a delicacy that existed in Hell. Never would he have taken you to some dingy bar where less than savory individuals reside.

You’ve been taken care of. Pampered and adored for a considerable amount of time, before all the light had dimmed. You should have never allowed yourself to get used to such treasures. You glance over at Adam, and wonder if he can understand. “Do you come here often?” You ask him, crossing your arms over the bar. He chokes on his drink and slams the bottle down. He gives you a bewildered stare and you raise your shoulders defensively. “What? I’m just asking,” you say. “The bartender looks like he knows you.” You catch the bartender’s eyes and he quickly looks away. “Or at least enough to keep a tab open.”

“There’s not much to do around here,” he answers.

You fill your cheeks with air and let it slowly blow out through pursed lips. There's plenty to do- sort of. Minus the drugs and sex, most of Hell's greatest features are stuck in other rings. “There’s the Cannibal Sector,” you offer. “You gotta be careful but Rosie is nice and she sells pretty things. I have this hairpin in the shape of a human hand.” Adam gives you a look. “It might be a real hand, huh.”

“The fuck are you even doing out of your castle.”

You deflate. “Rough night,” you say with a sigh. “What about you?”

“Rough night,” he answers

You nod in solidarity. “I’m not usually a drinker,” you confess. “The taste is a bit too bitter for my liking. But being at the castle just wasn’t-” it’s not for you, the pampered life, acting as a placeholder, the King- “I didn’t want to be there.”

When Adam fails to say anything else, you feel embarrassed to even say something like that to the former angel beside you. He wouldn’t care. He shouldn’t care. Why would he ever worry himself over the likes of you, when your supposed partner couldn’t. He sniffs, and places the bottle down. It’s nearly empty.

“Where do you want to be then?” His eyes are still golden, unblinking as he stares.

Gold meets your own eyes, and you flicker to the horns over his head, curling overhead much like his former exorcist mask. You look back at his eyes, at the way he holds the bottle loosely. “I don’t know,” you confess.

There’s a moment of silence, and he finishes the last bit of alcohol. You wonder how many he usually drinks before he goes back home. “You wanna come over?” He asks, and there’s a shade darker that brushes against his cheeks, and he tries to ask nonchalantly, but he toys with the words, and he swallows too harshly for him to not be worried about your answer. As if he’s asking some forbidden question. But, you’re lonely, and you don’t want to be alone in a bar longer than you already have been.

You look at the exit, half-hoping that Lucifer would be there, ready to take you to his home, and a part of you is glad that he isn’t there. You look back at Adam, and nod your head. “Lead the way,” you tell him.

The sound of the bartender yelling behind you about a tab, has you smiling, feeling as if you’re dining and dashing despite you having paid for your portion. Adam doesn’t seem to care, walking without breaking a stride, just waving his hand without looking back.

It doesn’t take long before you’re climbing up steps that need to be looked at, rust falling off with each bounce. You’re sure that you can hear something unsavory going on in a room, but a whistle from Adam has you scurrying along. There’s no reason that you should know anything more than you already do.

You enter his apartment, and take a careful look around. It’s messy- clothes strewn across, dishes left out, and you feel pity for him. A single couch is close enough to the rather small television, a coffee table that has paint chipping and dents is one of the few pieces of furniture in the rooms. A sliding door is closed, a few broken blinds giving you just a glimpse into the outside. “You certainly,” you pause, trying to find something nice to say, “have a place,” you end defeatedly. You stand near the door, clicking the lock into place, as if that would protect you from any dangers out in the world. Perhaps you should be worried about Adam, about the angel who would bear his fangs and be drenched in blood, too excited about senseless murder. But you catch him kicking things under the couch, trying to spruce up the place even if just by a smidge.

“Fuck you,” he says without conviction. He grabs at a pile of clothes and tosses it on top of a chair, leaving the couch clear for you and him to sit. Smiling softly, you take a seat. He places himself close to the arm rest, and watches as you look around. “I uh, I clean- sometimes.” He sounds unsure of himself.

“I like cleaning,” you tell him, grabbing at a magazine on the worn out coffee table. It’s some tabloid, and you see a snippet of you and Lucifer in the corner. You turn to the page where you two are supposed to be. It’s titled as “Issues at Home?” You frown, and turn to another page. “I like organizing and stuff. Um, it helps uh, Lucifer. He does a lot of projects.”

“You don’t got any?”

“I have hobbies, but they come and go.” Your eyes skim the page, talking about Velvette’s new clothing line. You pull your lips into a thin line, a part of you wants to wear her outfits, but you aren’t sure you could pull them off. “It’s all just-” you flutter a hand in the air- “you know, stuff.” You place the magazine back on the table. “What about you?”

He smiles and leans back on the couch, the cushion creasing under his weight. “I like to play the guitar.” You perk at the mention, and watch as he rests his hands over his stomach. “I was in a band. Played the guitar, got all the chicks that I wanted.”

“Were you good at the guitar?”

He nods his head. “Oh, you should’ve fucking seen me. I was like a fucking god on stage.” He holds his hands out and mimics a guitar. You huff out a laugh, and watch as he lets his hands fall. “I got to fuck whoever I wanted. And I mean, who wouldn’t want to fuck me? Look at me.” he tosses you a lazy look, matched with a sly smile, and you can see how people would be attracted to him. “I was the first dick– of course, everyone wanted me.”

“What songs would you perform?”

“Rock mostly.” He scratches the back of his neck. “Crowd went wild.”

“You’d perform in heaven?”

He shrugs. “Most of the time. If I felt bold, sometimes the band and I would do a show on Earth. I’m telling you humans would just throw themselves at you, begging to be fucked in some grimy ass restroom.”

You scrunch your nose. “Sounds gross.”

“It was,” he says with a faltering smile. He cocks his head to the side, and there’s a softness to his words. “Gross as shit, but the girls were hot.”

You cross your ankles together, and turn to face him. Your arm cushions itself between the couch and your head to watch him. “Do you not play anymore?” you ask hesitantly,

He sucks on his bottom lip, teething at the skin, before letting it go. “I haven’t tried to summon my harp- guitar- shit, thing, since I’ve been here.” He closes his hands into a loose fist and kicks his legs up on the beaten coffee table. “There’s this pawn shop a few streets down, and they have this guitar for sale.”

“Are you thinking about buying it?”

“I have other shit to worry about.” He gives you a look, a fleeting sense of exhaustion and acceptance that washes over him, that makes him feel a bit more real, a bit more like you. “It isn’t even that good.” He sounds like a child, trying to justify something to themselves. “It’s beat up, and the strings are probably worn-” he shakes his head- “it's not worth it.” You open your mouth to reassure him that it probably is worth it. That despite the condition that it’s in and the price for it, if he wants it, it's worth it. Even if he could never play it, even if it’ll never be restored to its original beauty, it would be his. You only manage to suck in a gulp of air, when a knocking at the balcony door grabs your attention. “Some fucking bird that keeps bothering me.” He looks over at you, and glances back to the door, and back at you. “I have a balcony. Wanna sit outside?”

You nod quickly, closing your mouth. “Yeah.”

He walks past the door, and leaves it open for you. Just like when you entered, you close the door behind you, half-heartedly hoping that it won’t lock behind you. His balcony holds two chairs- both different kinds and both equally as rough looking. A part of you wonders where exactly he got this furniture. There’s a dying plant shoved in the corner, the leaves brown and stem wilting under the weight of the dying leaves.

“Quit judging,” he snips.

You scoff, a smile teasing at the corner of your lips. The air of Hell is cool, wind breezing over your skin and you stare down into the streets, watching as Imps and Sinners live their lives, peacefully uninterrupted. Sitting down, your breath hitches when the chair dips under your weight. It’s quiet between the two of you, silence in each other’s company where you both just stare at the world in front of you.

You can see the holy light from the embassy, and you can see Heaven’s light- the rings that are protected by wings. It lights up the night sky far better than the pentagram ever has, and sitting under the light of it, makes you wonder if anything is different in Heaven since Adam’s death- or rather, reincarnation. “Do you miss Heaven?” You ask, before you can register the weight of the words that it holds. You turn to him, almost scared of any answer that he would give.

“That’s a stupid question,” he spits out. You don’t respond, and you stay looking at him. He turns his head to avoid your gaze, his legs stretching out in front of him. After a beat of silence, he looks ahead of him. “Yeah,” he breathes out. “I do.”

“What do you miss about it?”

“Full of fucking questions, aren’t ya?” He stays silent, and after a moment, he lets out a soft sigh. “Everything.”

“There’s not many stories about Heaven down here. You know, minus the ones that we all know. The golden gates-”

“Pearly gates,” he corrects. You look at him, and he has his eyes casted down. “They’re pearly.”

“The pearly gates,” you correct, “the clouds, the happiness and peace. I just- Other than that, there’s nothing else to go off of. But I guess, why would I know. Heaven seems so far away, like some mythical place.”

“Your boyfriend doesn’t talk about it?” Adam asks with a sneer.

“No,” you answer without hesitation. “He doesn’t like talking about Heaven. Sometimes-” you lick your lips- “Sometimes it feels like he hates everything and everyone down here. Like he can’t stand the idea that he’s stuck here.” You scratch your neck, and pinch your legs together. “It’s like the memories of Heaven are too painful.”

“That magazine said y’all were breaking up.”

“Maybe,” you answer.

“You can talk about it if you want. Would make this night a helluva lot more interesting.” You look at him. “I’m all ears.”

“And horns,” you tease.

“Fuck you,” he says with an impish tone.

You smile, and kick out your legs. Your phone buzzes, and with hope, you believe that it’ll be Lucifer. Your heart sinks when it’s only a notification from Sinstagram. With a frown, you silence your phone. “In the beginning, it was easy to forget that he was married. I mean, I always knew. He has her portraits hanging, and he talks about Charlie constantly.” You smile bitterly and scratch at your phone case. “I don’t blame him for that, but-” you shrug- “it hurts knowing that he still clings to her.” When Adam stays silent, you continue. “He can be kind- real attentive and sweet. But sometimes, when he’s had a uh-” you struggle to find a word- “a bad day, he gets real low. And I hate to admit it, but he gets clingy and it’s nice to know that I can still serve him in some way.” Your fingers pinch at the bridge of your nose, and you let your hand cover your mouth. “But then, there are moments, where it feels like he’s actually looking at me- where he’s just everything,” you say wistfully, your hand stretching out in front of you, clasping around the night air. You glance at Adam, who watches your hand as you pull it back to yourself. “Sorry, I uh, I didn’t mean to ramble.”

“So why’d you leave then?”

Perhaps you’d get a biased opinion- you’re aware of how Adam feels over Lucifer, and practically every other inhabitant of Hell. He thinks of himself above any other, his own pride being the very thing that made him unaware of Niffty running towards him. You chew on your lip, your hand scratching over your neck. You need to speak to someone. No one else at the hotel will ever give you a straight answer- or at least the answer that you want to hear.

With a sigh, you kick your legs out in front of you. “I like Lucifer.” You can feel his eyes on you. “But, sometimes,” you drag the word, and your body feels hot, “it’s like he’s not present in the relationship. He gives a lot, but he hardly ever asks for anything.”

There’s a pause. “What could you even give him?” he asks in sincerity.

There’s a pang in your chest, wrapping tightly, threatening to crush your bones, and leaving you a battered and broken mess on Adam’s balcony. You can’t give him anything that he doesn’t want. He has his daughter, he had his wife, he has his title for better or for worse. All you can offer is a moment of content, and even then it seems that you can no longer do that.

You shrug your shoulders at an attempt of a weak answer. “I know that he’s still not over his wife. Or ex-wife. I'm not too sure of the title and I hate to ask. He gets all mopey and deflective.” You kick at the ground, and insecurity hugs you tightly, and drips into your words. “He stares at portraits of her, and well, it’s hard to compete with the literal Queen of Hell, when I’m just-” your jaw stiffens, and you look at the ground through blurring eyes- “me.” You stand in her shadow without even having met her. “Even when I dress up, I feel like a child playing pretend. I don’t- I’m not like her.” You’ve stared at her portraits that still hang in the palace, and they consume you. Her smile, her delicate hands, and the elegance that is so evident in portraits. It feels childish to compare yourself to someone so regal and poised.

“Yeah,” he sighs. “My ex was pretty hot.” Your eyes widen, and you turn to him. “They both were.” He lets out a sigh, and keeps his eyes fixed in front of him.

“Adam,” you squeak out. “I’m sorry.” You shake your head, blood rushing to your face, making your body uncomfortably warm. “I hadn’t meant- I didn’t mean to talk about her with you. I’m so sorry.”

“The fuck are you apologizing for?” He asks, eyes narrowed and mouth twisting to an ugly sneer.

You cross your arms over your chest, bringing them to an ‘X’ where your hands curve over your biceps. “It’s just that I’m talking about Lucifer and your ex-wife.” You frown when he gives you an ugly look. “I just- I wasn’t thinking. I didn’t mean to make you uncomfortable.”

He gives a shrug of his shoulders, his gaze still focused elsewhere. “Lucifer already talked shit about how he banged both of them. It's whatever.”

Your brows furrow, and you watch as Adam pats his pockets, fisting a hand into one of his pants pockets. He fishes out a pack of cigarettes, grabbing on and sticking the tan end of it into his mouth. He motions the carton at you, and you pull your mouth into a thin line.

“If you're gonna bitch about smoking, you're one lame sinner.”

“Eve? He slept with Eve, too?”

“Oh shit.” The cigarette hangs between his teeth, until pulls it back into his mouth. “You didn't know.” He almost sounds apologetic. He grabs at a lighter and it takes a few clicks to light the white of the stick.

“He doesn't really talk about his sex life before me.” You slump further into yourself, your nails scratching over your skin. “It's in the past. I know I shouldn't be hurt over what he's chosen to share with me, but-” you toss your head back, and in the red sky, the stars are dim. “I don’t know. It just feels like another kick on a shitty night, ya know?”

“I’m shitty?” He almost sounds offended.

“No, no” you shake your head. “If anything, you’re like the one good thing out of this night.”

“Yeah, well, you ain’t so bad yourself.” You turn to him, your head cocked to the side. “You got a nice body. If you weren’t stuck here, I would’ve bagged you already.” You stretch your lips thin, and Adam shrugs, blowing out a puff of smoke. “You’re easy on the eyes.”

“Thanks Adam,” you say hesitantly. He holds out the cigarette towards you and you wave your hand. “I’m good.”

“So what now? You gonna go back to him?”

“I don’t even think he knows that I’m gone,” you say honestly. The confession makes you feel lighter than you thought it would. “It’s comfortable with him. It’s easy- I don’t have to worry about things, but, I also don’t have to worry about anything. And sometimes, I want to worry. I want him and I to argue about dumb shit, and I want to worry if he’s coming to bed or not, and not being resigned to the fact that I know he won’t.”

The silence is broken by the scraping of the chair, and you watch as he rises, stretching his arms above him, the cigarette pinched between his fingers. “Eve tolerated me,” he says quietly, letting out a breath of smoke. You look at him, biting at the inside of your cheeks. “She loved me for a while. She was devoted to me. But I uh- I’m pretty sure that was because she was made from me.” A hand cups over his side. “Blind loyalty or whatever. But when she bit that apple, whatever she felt for me was gone.” He speaks quietly, and slowly, as if the words and the thoughts of it were slowly piecing themselves together, a puzzle that he had long put away in order for it to never make sense. “She didn’t care what I did as long as I left her and the-'' someone below lets out a scream, and Adam turns to you, his face flashing a moment of vulnerability before he looks away and puts out the cigarette under his boot. “Well, Eve was Eve.” His brows soften, and he looks tired. “I didn’t tolerate her.”

“Meaning?” You ask quietly.

He shrugs. “I did love her. She had a part of me after all.” He looks over at you, and his hand tightens over his side, pulling at the fabric. “But that’s not important anymore.” He turns away, and walks back inside. You scurry after him, making sure to lock the balcony door behind you.

You stand awkwardly in the room, unsure of what to do next. Truth be told, you had planned to spend the night in some dingy motel if Adam hadn’t sat beside you. But now you’re here, in his dingy apartment, truths and insecurities laid out for the two of you to bear witness. A part of you wants to bid him goodnight, and maybe when you’d see him out in the streets, you’d give him a cordial nod, and remember how he listened and talked about his ex-wife, and he’d remember you in positive light, despite you only being a mess of insecurities wrapped in sin.

But now, you don’t want to leave. At least a part of you wants to continue this conversation, to keep the comfort wrapped tight around you. You tap your foot against the ground and Adam looks at you, his eyes staring at yours, unwavering from yours. You hadn’t realized just how powerful he stood beforehand.

“You can stay if you want,” he says slowly, unsure of the words that he’s saying. “Take the couch or whatever,” he attempts to sound indifferent, but you can hear the sincerity in the words, uncomfortable, but sincere. “I got a spare blanket you can use.” His teeth are sharp, and they peek out to tease at his bottom lip.

“Really?” You ask, eyes wide and you take a step forward, and he looks away. “I can?”

His mouth thins into a grimace, and he gives a forced shrug. “Do whatever you want.”

You look at the couch. It wasn’t uncomfortable to sit on, but you’re sure you’ll wake up with a sore back. However, you don’t want to go back to Lucifer, and you don’t want to go to some dingy motel where you’re sure you’ll drink until you’re sick. Looking back at Adam, you nod, a smiling teasing at the corners of your lips, and he finally looks away from you.

“Yes!” You clear your throat. “Yes,” you say in a softer tone. “I’d like that. Thank you, Adam.”

“Whatever.” He walks into his bedroom, and you sit on the couch. He returns with a blanket, and he stands at the end of the couch, looking at you. “I’m not making you breakfast or anything. You gotta figure that shit out on your own.” You nod. The only real worry that you have is that your phone’s battery is at an uncomfortable percentage that you aren’t sure is going to last you.

“I hope Hell is nice for you.” He raises his brows at you. “It’s shitty and the smell of decay is always kinda there, but sometimes, it’s nice down here.”

“Hell is supposed to suck.”

“And it does,” you say with a shrug. “But not all the time, Ads.”

“Don’t call me that.” He tosses a blanket at you- it’s thin and threads have begun to unravel at the seams, but it’s soft. “I’m turning off the lights.”

“Goodnight,” you call out, holding the blanket close to you. You can only smile when the response is a closed door.

37 notes · View notes