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#if not don't feel obligated to
anyataylorjoys · 24 days
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seeing so many fellow creators' gifsets getting under 180 notes with an average reblog to like ratio of 1:3 is so disheartening. less and less people are putting out content cause it seems that no one cares anymore.
If you truly care about supporting creators at all, I encourage everyone to have a tracked tag in this economy whether you make content or not, you probably have mutuals who would love to share things with you and can't.
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indigovigilance · 8 months
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The Final Fifteen is about Terry Pratchett's Death
read on Ao3
The final fifteen is obviously a major plot point, and serves a role in a story that was written long before Terry Pratchett was ever diagnosed with Alzheimer’s. But the scene itself wasn’t written until just a few years ago, during the writing of Season 2. In fact, the scene came about during a park bench conversation between Neil Gaiman and John Finnemore.
Others have noted that the non-romantic kiss that signals the story moving into the third act is a Neil Gaiman staple. The function of such a kiss, from Gaiman’s perspective, is to communicate.
In 2023 we are seeing a lot of stories written by men, for men, about men who are best friends and discover that their friendship can go deeper than the norms of society would usually allow; that platonic and romantic love are not so far apart, and perhaps the better word for a relationship that can be described this way is intimacy.
Neil Gaiman has made it clear in interviews that his friendship with Terry Pratchett was deeply intimate. They began collaborating on what would become Good Omens in the 1980’s, endured a tumultuous experience together through the first publication, wherein Neil offered to martyr himself on behalf of Terry if the book failed, and then spent the better part of two decades touring the world, meeting the people who loved their work. Neil would even off-handedly remark that Terry’s fans were so cheerful, and Neil’s seemed like they were ready to kill themselves; wouldn’t it be nice if they got married? From the outside, it looks very much as if Terry was Aziraphale-coded, and Neil was Crowley-coded, working together in an unexpected partnership to make the world a little bit more tolerable for the humans inhabiting it. I am not conjecturing that Neil and Terry had romantic inclinations the way their fictional characters do, but I think it is fair to say that their opposites-attract intimacy became an important part of who each of them were.
In 2007 Terry Pratchett was diagnosed with posterior cortical atrophy, a rare form of Alzheimer’s. As the disease progressed, he began to lose himself, and knew that the person he used to be was slipping away. He wanted to end his life on his own terms, and die as himself, but England did not and still does not allow for voluntary euthanasia or assisted suicide. He advocated for the right to die but never achieved it, and ultimately succumbed to the disease in 2015. Neil Gaiman has spoken a lot on the topic of death, and one answer of his that resonated with me reads:
Mostly it feels terrible. It even feels terrible when it’s someone who has been in a lot of pain for a long time or has not really been there for a long time and you know that Death has in some ways been a blessing: suddenly you are mourning the whole person. 
It doesn’t get easier as you age. It gets stranger. The point where you realise how many people you used to know and like who aren’t there any longer, and you cannot talk to them or see them or laugh with them is painful in a way that I had never expected. The first time that someone you had a romantic relationship with dies and you realise that there had been moments both of you shared and now you are the sole custodian of those moments and one day you will be gone and they will be lost forever is peculiarly strange and hard. 
~~~
The entire show is seeded with references to Terry Pratchett, but the most important one is the one that’s missing. Neil Gaiman cameoed as a sleeping moviegoer in S1E4, but a long time ago, he and Terry had discussed cameoing as sushi restaurant-goers, because sushi was weirdly prominent in the book. That cameo would have been in S1E1. But when it came time to do it, Neil couldn’t. Not without Terry. 
Neil: I was gonna say our location is a Chinese restaurant we’d had turned into a sushi restaurant. So Terry and I, Terry Pratchett and I, had a standing… not even a standing joke, just a standing plan, that we were going to have sushi - there was going to be a scene in Good Omens where sushi was eaten and we were gonna be extras, we were gonna sit in the background, eating sushi while it was done. And I was so looking forward to this and, so I wrote this scene with it being sushi, even though Terry was gone, with that in mind and I thought: Oh, I’ll sit and I’ll eat lots of sushi as an extra, this will be my scene as an extra, I’ll just be in the background. And then, on the day, or a couple of days before, I realized that I couldn’t do it.
Douglas: You never told me this before either. I might have pushed you into doing it, had I known. I think you were right not to tell me.
Neil: I was keeping it to me self ‘cause I was always like: Oh, maybe I’ll be… this will be my cameo. And then I couldn’t. I was just so sad, ‘cause Terry wasn’t there. And it was probably the day that I missed Terry the most of all of the filming - it was just this one scene ‘cause it was written for Terry and all of the sushi meals we’d ever had and all of the strange way that sushi ran through Good Omens.
~~~
In the Final Fifteen, it is clear that Crowley and Aziraphale want to stay together. They love each other. They each know that the other loves them. There’s nothing that needs to be said, no convincing that their bond is true and real and precious.
But Aziraphale has to go to Heaven, and Crowley cannot follow him there.
I cannot speculate what it must have been like for Neil to endure losing a friend who, though I’m sure he desperately wanted to still be in his life, he also knew that life had become a burden to him, and grieved that Terry was not able to choose the time and manner of his departure from this Earth. This sort of complex grief, we fan-ficcers know, is the kind that is often best processed through story-telling. 
I think that what we see Crowley going through in the Final Fifteen, alongside its importance to the story arc of Good Omens overall, is Neil processing his grief at losing his friend Terry Pratchett, and even the kiss, that violent, terrible, awful kiss, was the symbolic representation of Neil saying goodbye.
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bruciemilf · 1 year
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One of my biggest pet peeves is the justice league being labelled as " The Avengers of DC" and its like. No? The avengers are law enforcement. The Justice League are volunteers
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jirving · 4 months
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I had a few people reach out about prints, so I set up an INPRNT for anyone interested!
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spllwys · 12 days
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sleep token rituals 11/? ♯ source — @twilighttowayvision — "Will you cleanse me with pleasure?"
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mikelogan · 6 months
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SPOTIFY WRAPPED MEME
Anonymous requested Scrubs + 98 (You and I - SYML feat. Charlotte Lawrence) @lgbtqcreators creator bingo - layout
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captain-astors · 9 months
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Creature. (The rendered ones are referenced from manga panels)
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rayclubs · 11 days
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Posting my best works because I'm opening commissions starting June 1st. Portraits like these are done in digital, take 10-15 hours on average, and will be around $50 depending on complexity. The only way I can get paid is through Pаypаl.
I'd appreciate it if you reblogged even if you have no interest in commissioning me. I'm going to be applying to university this year and I'm trying to save up some extra money.
Drawing queer people and characters during Pride Month gets a 10% discount and a kiss on the forehead from me personally. I'll be making another post sometime in June with all the other work I do, hope y'all won't mind your dash being a little cluttered. Cheers!
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ancientgreekyuri · 7 days
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Making a late promo only because I found this old edit I made and need an excuse to post it. I'm Hope and I'm really obsessed with freaky weirdos from the bronze age 🫶🏾
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shiro-s2e2-erukinzu · 2 months
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Here's some of my favorite things that happened in Chapter 204 of Undead Unluck:
[UNDEAD UNLUCK CH. 204 SPOILERS FROM THIS POINT ON, SO BE CAREFUL!]
Feng calling Ichico Hidey Eyes: 😂
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That's such an adorable nickname, so the fact that Feng of all people came up with it and started calling her that, made me laugh out loud...!! 👏🤣👏🤣👏🤣
"You're the first person who has ever won my heart.": 💗😭💗
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What Ichico says to Nico here was so sweet, it made my heart MELT!! 💗😭💗
"SORRY! I'M ALREADY TAKEN!!": 👏
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YEAH NICO!! TELL HER!! 😆 This was such a sweet and badass line, I can't wait for UMA Language to get her ASS KICKED!! 👏👏👏
That's all for today!! I can't wait for next week's chapter...!! 👏😆
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fruity-fruition · 3 months
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ATLA Live action drove me to rewatch the animated series and it ignited something in me. So I meshed it with my current obsession.
So PJSK ATLA au was born. Specifically, Wondershow.
I have no idea what the lore is but
Tsukasa: Firebender (most passionate, obvious answer. Not sure if prince or not yet)
Rui: Earth kingdom non-bender. Strategist and inventor
Nene: Earthbender (hard-headed, blunt)
Emu: Airbender (Pretty self explainanory)
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A picture capturing the beginnings of a legend.
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chirpsythismorning · 8 months
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Some of the evidence supporting Mike not being in love with El is brutal. No, but seriously.
In s3, when El's leg is injured, instead of Mike putting his arm around her waist, allowing him to take some of the weight off her injured leg, he puts his arm around her shoulder, basically having the exact opposite affect of taking the weight off of her, instead just adding more weight for her to have to carry.
Now, I’m not coming at Mike here, I’m actually coming at the writers, because this choice here has everything to do with them using this gesture to signal Mike’s lack of feelings for El, even at the expense of realism.
I say this bc any person with common sense, including Finn and everyone around him and Millie filming these shots, would've known it looked unnatural for Mike to be adding more weight onto El as opposed to taking some off of her.
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This means that what Mike did here, Finn was directed to do, and therefore it was for a specific reason.
And we know they could have easily made the opposite choice, because they show us Max AND Lucas doing it.
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See how putting an arm around El's waist looks so much more natural? Because homegirl is injured and clearly needs help taking weight off her leg to qualm some of the pain she's experiencing there, which is why Max and Lucas are shown here doing it the correct way.
And so, why can't Mike do the same? Why are the writers making a point to show Mike being incapable of simply taking some weight off of El, instead doing the exact opposite?
I don't think it's as deep as Mike not being able to do something intimate, and that's bc, again we see Max and Lucas doing it.
I honestly think what they're trying to convey with this choice here, is that Mike thinks he's helping El, when he is in fact doing the opposite despite his best efforts. The implications of that and how that sort of aligns with their romantic relationship and what it leads to at the end of s3, going into s4, is pretty spot on.
I do think Mike thinks he's doing the right thing by being with El instead of voicing any doubts at the end of s3, because he is under the assumption that she is in love with him. I do think he believes he is indebted to her and that this is the least he can do after everything they've been through together, which has mostly been riddled with romantic pressures and so continuing that instead of disputing it seems like the only option anyways. Not to mention, he does care for her deeply, so it's not hard to imagine that he's a teenage boy confusing deep care for love (he literally tells us this is his problem when he can only say care and not love to El's face... but that's a whole other conversation).
Still, when it's all said and done, Mike's not actually doing El any favors by being with her romantically, if that is not what he truly wants.
Because that's the sad truth about all of this, which is that you would never want someone to be with you just because you want them. If you knew that they truly couldn't have those feelings for you, you'd want to know, right? You don't deserve someone just because you have deep feelings for them. And I think there's so many layers to this idea, bc many people are capable of not giving Byler a chance bc they truly believe Mike could never return Will's feelings. Will also feels this way atp, so though it hurts, he rips the band aid off, because he would never want Mike to be with him just out of pity or something. No one would want that. And so it all really comes down to who Mike truly loves romantically and wants to be with. And the right thing to do, even if it hurts someone, is to be honest, because being with them just bc you think that will make them happy is never going to be enough if you aren't truly feeling it, or worse, feel it for someone else.
We see how Mike's inability to be honest with El at the end of s3, leads to a season of Mike feeling deeply insecure and undeserving of the love El has to offer him, and even though he does try, he always comes up short. Despite Mike putting up this front that they are the perfect couple, the details are telling us something is off. And it gives him away.
Another example that I think is very similar to this loaded gesture from Mike to El in s3, is the scene in s4 when they hug in the airport.
Common sense ppl, picture this: You're reuniting with your long distance girlfriend. Then suddenly, she runs up to you, with her arms wide open, and instead of opening your arms wide to embrace her properly, you take the bouquet of flowers you brought her as a gift, and shove them against your chest just as she approaches to hug you, effectively squishing the present you got for her (a pretty delicate present at that) for no reason other than to... what exactly?
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Like?? El isn't even squishing the present Mike, she's trying to hug you, dude! Your gf is trying to hug you properly and you threw the gift you got for her in between you so you could throw in a careful! x3??
Again, this has less to do with Mike's thoughts and reasoning behind this gesture in a literal sense, and more to do with the simple fact that this is a narrative choice! Mike is not a real person! There are real people sitting down and writing this and actors are having to do multiple takes to act it out. What feels natural for a situation is going to be what is often chosen 9 times out of 10, because of realism and wanting the audience to see stuff happening that is believable. That 1 time though, when it's not being done the way it would usually be, is usually because there's a specific reason for it.!
So the question really is, not why is Mike doing this, but why are the writers having Mike do this, and what message are they trying to convey about Mike's feelings based on his behavior, in these moments where he's just not capable of committing to El genuinely, one way or another?
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the-ace-with-spades · 11 months
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Another unhinged buddie fic idea - amnesia Eddie at his best and dumbest
So Eddie gets hurt, hits his head, is unconscious for like two weeks and when he finally wakes up, he thinks it's 2018, he's almost finishing fire academy and his parents are still saying he should let them take Chris away permanently.
To say he panics is an understatement — his muscles are weak after the lack of stimuli but he still puts a fight with the nurse that's trying to take his blood pressure.
He keeps on asking about where he is and where is Chris, only gets a you're in Cedars Sinai MC in Los Angeles and doesn't take for answer anything that tells him to stay still or to be careful with the IV, until the nurse says, "Your partner is right outside, I'm sure he's arranged something for your son."
He freezes. "My partner? I don't have a partner. Who is taking care of my kid?"
The nurse's face changes and there are suddenly more and more questions about what he remembers last, what year he thinks is, and does he remember his partner's name. He tells her - he fell asleep in his bed, 2018, he doesn't have a partner because he's been separated from his wife for a few years now.
Apparently, the year is 2023, he was on a call with his fire crew and got hurt, his partner is definitely his partner because he's his power of attorney, next of kin, and has been taking care of his kid.
So the nurse leaves to talk to the doctor and his partner who is still outside, with said doctor.
(Eddie doesn't know that but the nurse was either absolutely sure this is what Buck is because there are assumptions and there are legal medical documents or she is sure this is the mythical firefighters' bond and they're just very close work partners - your pick. Either way, Eddie thinks she means romantic life partner.)
Meanwhile, Eddie goes through all stages of grief because his apparent partner he acquired in the past five years is a he and apparently such a sure thing he's in all of Eddie's medical documents.
A guy. What kind of a guy he would have to be for Eddie to choose him as his partner?
Then the nurse comes back with a very tall, very handsome guy built like a brick wall but also making a face that makes him look like an eager but sad golden retriever and—
Oh. That explains some stuff. If just looking at him makes Eddie feel like it, then he can't even phantom what being with him feels like.
The guy stops mid-room, not going for a hug like Eddie expected him to. "Heard you don't remember me."
And he sounds so sad that Eddie reaches his hand out and the guy — his partner — is instantly at his side, gripping his hand, and Eddie doesn't let him go until he gets the point and pulls a chair closer and sits with him.
"I don't. So a name would be nice."
"Buck. Well, Evan Buckley, but everyone calls me Buck."
And like, Eddie's never been big for pet names but even in this short moment Buck seems so bright he wants to call him mi sol. "I call you Buck?"
Buck chuckles. "Yeah, you call me Buck. Unless you're really serious, then you call me, you call me Evan."
"Evan," he tests out. "Sounds like you're in trouble."
And Buck smiles at him so softly Eddie is melting in that bed, warmth hitting him where he's still holding Buck's hand hostage and traveling up. "Not to me."
Bobby, who is apparently their captain — even though Eddie has a feeling like he's talking to his in-laws again the whole time he is there — brings Chris to the hospital and he's so big, already eleven, and so sassy with Eddie.
He's also very, very familiar with Buck, which calms him down - he talks about the funny sandwich cutters Buck's been using the whole time Eddie was in the hospital to cheer him up and tentatively admits how they slept in the same bed the first week because Chris had nightmares.
And even though his dad landed in the hospital — again, apparently? — Chris seems very, well, very well-adjusted to the situation at hand, even if Eddie can see he's being a bit clingy with both Eddie and Buck. Like the adults in his life are doing a good job at shielding him.
Buck is the one who has all the hard conversations with him, about Shanon, about his parents, about his abuela moving to Texas because of a whole pandemic, about the accident he had at work, and what will happen once he leaves the hospital.
It's really reassuring, that it's Buck telling him all that.
If he had any doubts about Buck being a very, very good and very, very close partner, all of it disappears when they go back home from the hospital.
His whole house has signs of Buck living their best lives in there — there are photos, cookbooks, cooking utensils Eddie doesn't even know the names of, Buck's clothes mixed in his wardrobe, cards from Chris for the both of them. It's very clear Buck is not only a big part of their life but also lives with them full-time, too.
He knows where everything in the kitchen is — "I have a system, Eddie" — and he knows where all Eddie's insurance paperwork is, knows the PINs to his phone, his cards and accounts, he knows all about Chris' medical needs. He knows how Eddie likes his coffee, how Chirs likes his toasts, which shaving cream Eddie likes, which toothbrush is Eddie's, which pair of shoes Eddie's only bought because they were on discount and never worn, which of Christopher's notebooks is the one for math.
He doesn't remember the past five years but he can't imagine not having Buck as his partner. Knowing he is there doesn't make him anxious like he thought it would — it makes him calm, settled.
So he's offended when the first night comes and Buck tries to bring spare blankets onto their couch. He wants him in their bed.
He gets that Buck is trying to give him space since Eddie doesn't really remember all the years they've been together, but that's a bit much. They're partners, and pretty solid ones at that, not just a new couple figuring stuff out, they must have slept together a million times.
So Eddie tells him to go off the couch and sleep in bed with him. It takes some convincing but eventually, Buck agrees. They lie down, Buck is being unnecessarily awkward, turning his back on Eddie in the dark. Eddie is not having this — turns towards him and spoons him, holding him in his arms. He's pretty sure Eddie getting hurt and forgetting five years is stressful on Buck, too, even if he doesn't show it. He deserves the comfort of his partner, even if said partner doesn't remember all of their life together.
It happens again the night after, and the night after that, until Buck stops tensing up whenever Eddie wraps his arms around him.
Because Eddie was unconscious for so long, he still needs PT, and Buck somehow manages to arrange that Eddie's and Chris' PT is at the same time and Buck oscillates between staying with either of them for the duration. There's one time when the receptionist at the therapy center asks him why he comes in so often when he looks fine — she's flirting with him, Eddie knows, which makes him glare at her, and Buck just tells her, "I'm just the chauffer for my boys." And Eddie calms down.
They assessed him at the hospital and he's supposed to have someone's handheld assistance or use a stick or a frame when he walks, until the PT gets his legs to the state from before. Using either the stick or the frame makes him feel like an old man, and the feeling doubles when Buck, the hunk of a man that he is, is nearby, so he refuses to use it when Buck is around. Which ends with Buck helping him around by placing an arm around his back and holding his hand with the other whenever Eddie needs to move.
Which is an absolutely amazing feeling because Buck is both the gentlest of giants, always knowing when Eddie needs reassurance and so freaking fit and big, Eddie can just rest against his chest whenever he feels wobbly or needs comfort from the embarrassment. It's a very contrasting feeling because it makes Eddie want to be held and pecked all over his face and thrown into the wall to make out.
Eddie's physical fitness improves and he misses Buck's touch the second his therapist says he can start moving without assistance.
That's the only problem Eddie has — Buck refuses to touch him. Again, he knows it's a bit weird with Eddie not remembering. At first, he thought it was just Buck giving him the lead on how much he wants them to do but then Buck keeps on ducking out any time Eddie initiates something.
He goes in for a kiss when Buck is drinking coffee and he dodges, standing up before Eddie can try again. Eddie gives Chris a kiss goodbye and goes to give Buck one, where he's standing next to their kid, and Buck skips out the door, telling him he's going to start the AC in the car. He tries to curl up against his side on the couch and Buck gets up with an excuse of making popcorn or tea or anything else possible. When Eddie slips into the shower while Buck is brushing his teeth, he leaves the bathroom with the toothbrush still in hand. Buck pretends to be asleep when he kisses his neck and swats Eddie's hands off when he moves them under his t-shirt when they're spooning, always calls out Eddie in the dark, like he isn't sure Eddie is comprehending what he's doing.
(Buck is pretty sure Eddie is trying to kill him — just make him have a heart attack or something — even if not deliberately. He isn't suspecting a thing about Eddie's partners assumption.)
It's like Eddie has a partner that loves him but without the bits that are funny. Like, he thought life-affirming sex is a thing and he is cleared for physical activity now and still out of work and going stir-crazy.
He doesn't get it and he can't talk about this with Buck because it almost feels like Buck is rejecting him, every time he ducks away from Eddie's affection or doesn't reciprocate it.
"Buck is—He loves me, right? He hasn't stopped after the accident, he's—He finds me attractive, he wants me, right?"
(Hen, sweet Hen, thinks he figured out Buck is in love with him now that he has a bit of an outsider perspective, and mutters, "Oh boy," cursing in her head because it's too early for this conversation. She isn't even suspecting Eddie heard partners once and ran wild with it.)
"I don't see where you're going with this," Hen says diplomatically.
"It's just, he's not doing anything about it," he explains. "It feels like he's barely touching me."
Hen is freaking out because of all times, Eddie had to realize now—"Do you... want him to touch you?"
"Have you seen him?" Eddie asks and then frowns. "Oh, right, playing for a different team."
"You just had a brain injury," she points out, hoping Eddie will find his brain somewhere, actually, and think.
"It's been almost two months, the doctors say I'm fine, memories aside," he says stubbornly.
"Eddie, I don't think Buck is going to make any first moves when you don't remember the past five years you guys—" She needs to change the track because she's saying too much. "Why don't you just talk to him about it?"
"And say what? Please bend me over our kitchen table? Please shower with me? Please give me kisses goodbye? Please hold me at night?"
"You probably should start with something more...tame," Hen suggests.
He's tried tame — he's tried initiating kisses and hugs and Buck doesn't respond. It's like he is afraid to touch him and Eddie isn't made of glass.
He needs to do something drastic.
So at night, he waits for Buck to come to bed, lights dimmed, and when Buck pulls the covers away to slide into bed with him, Eddie is naked — he can't be more blunt, if this flies over Buck's head, he'll be worried.
"Oh my god," Buck keeps on repeating, not looking at Eddie, blindly trying to put the covers over Eddie.
"Oh, come on, I can't be more obvious," he complains. "Why can't you just touch me, Evan?"
He's taking deep breaths, not looking at Eddie at all and this is the opposite of what he aimed for. "You don't want me, Eddie, you don't even know me."
"I definitely want you," he protests, irritated. He knows what he wants, it's Buck who's been missing the signals right and left. "And I know you, you're my partner, my Buck—I know you want this, too."
It's the truth — when he thinks Eddie can't notice, he looks at him like Eddie is everything he could ask for. He wants him to look at him like that now, too. He knows Buck, even if memories aren't there.
"We're not doing anything until you get your memories back and you actually know who I am."
"What if I never get my memories back?"
Buck doesn't reply and for a second Eddie think he got him, but then Buck stands up from the bed and says, "I think I should move out."
"What?" Eddie protests because that's definitely not what he was aiming for. Buck's place is with them, even if things in their relationship are a bit dry or stilled. "And where exactly would you go?"
"I do actually have my own place, you know?"
And how Eddie was supposed to know? He lives with them. He should not have a back-up place to go.
"I think I'm sending you mixed signals and you obviously don't remember enough to interpret them with clarity in your head," he tells Eddie and leaves.
He actually leaves the house, too, no matter how much he's asking to just sit down and listen to him. He spends the night trashing from side to side, expecting Buck to be back any moment but never getting him back.
(Meanwhile, Buck doesn't go to the loft because everything is dusty in there since he's moved into Eddie's place when he had to take care of Chris when he was still unconscious. Instead, he goes to Maddie's and complains to her over a glass of wine, aiming to stay on her couch overnight. "You didn't see him, Maddie, he was just lying there like a starfish, completely naked, going all, now you can touch me all you want—" and Chim wakes up Jee with how hard he drops the pans he was pretending to clean while eavesdropping.)
Buck comes back in the morning to take Chris to school — he doesn't offer Eddie to take him together and they don't talk at all.
Eddie needs to talk to someone about this because he might have somehow ruined the relationship with the man he's pretty sure he'd like to marry one day. By wanting him to touch him, of all things. But everyone is at work.
Pepa is retired, though. The problem is, Eddie isn't about to tell her Buck had threatened to move out because Eddie wanted him to fuck him.
So he asks the more appropriate question, "Why are we not married yet, actually?"
Maybe if they were married, Buck wouldn't have some secret place to escape. Maybe he'd feel like he can touch Eddie because Eddie is his on paper, too.
Pepa gives him a look that says he's crazy. "Who?"
"Buck and I, obviously." Forget crazy, Pepa stares at him like he's insane. "What? Does Buck—not want to get married? Did I say anything about this to you?"
"Mijo," she says, sounding like it pains her to do so. "You and Buck are not—you're not together, Eddie."
Eddie laughs because that's—that's not possible, they're partners, Buck's been taking care of him and Chris since Eddie woke up, and long, long before that even if Eddie doesn't remember it. He's Eddie's power of attorney and next of kin and he's in Eddie's will, he's all but a step away from adopting Chris, knows all of Chris' and Eddie's medical history, their allergies, their likes and dislikes. He's Eddie's partner.
Pepa is not laughing, just looking at him with that pitying expression on her face,
"But—he loves me, he loves Chris, he loves us," he says dumbly.
"Believe me, I know, we all know," she says. "We've tried stirring you in the right way but you're very stubborn, mijo."
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project-sekai-facts · 10 months
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emurui arc ender (shocked face)
do you have everything about all of their parents? i for some reason can’t find anything about ichika’s mom, rui’s dad or emu’s mother (i may be blind, pretty sure emu’s mother was mentioned and ichika’s mom was aswell. i know she was mentioned in ichika’s introduction but i haven’t seen her in story yet)
The parents who don’t have physical appearances are generally less important and rarely show up or are mentioned (with a few exceptions) but we do learn some things about them from card stories and such. Here’s some stuff I can remember about the faceless/nameless parents
Ichika’s parents met because they liked the same song. It’s where her name comes from.
also her dad reads manga
We don’t know much about her mother. she's nice though.
Saki and Tsukasa’s mother is a piano teacher. Considering that she’s friends with Harumichi, she probably used to play professionally
We don’t know much about their father, but he has a tendency to spoil Saki (mentioned in Tenma Hinamatsuri)
Honami’s mother is a beautician (mentioned in an area conversation iirc) and her father is a hairstylist (mentioned in Petit SEKAI Episode 6)
Shiho and Shizuku’s mother is a koto instructor and their father used to be a guitarist in a band
We don’t know much about Minori’s parents but they show up in STEP by STEP!. They initially had concerns about her switching courses and being a full-time idol, but after seeing that Minori was prepared and determined to be an idol they let her go ahead
We don't know a huge amount about Haruka and Airi's parents either. Similar to Minori, we know they are nice parents and supportive of their idol careers and that's about it.
Haruka's mother is a nail artist. She was worried about Haruka when she was younger because she rarely smiled.
Kohane's dad is a photographer. He's also the one who bought Count Pearl.
According to Kohane, he has a penchant for coming up with weird names
An mentions in MEIKO's 1* card story that her mother, Yuka, is not a good cook.
I think it's stated somewhere that Yuka is a teacher but don't quote me on that
Akito and Ena's mother makes them eat their carrots because she thinks they should at least try to eat the things they don't like.
She's pretty laid-back and thinks her kids should be able to do whatever they want to do. She's meant to be the polar opposite of Mrs Asahina.
In Ena's fes card it's revealed that she kept some of the old art that Ena threw away in case she ever regretted it
Toya's mother used to bake him cookies a lot and that's why he likes them
She was also very overprotective of him when he was younger and basically wouldn't let him do any recreational games or activities in case he injured himself and couldn't play piano.
She taught Toya to play the violin. I'm assuming that she used to play professionally and that's how she met Harumichi.
We don't really know anything about Emu's mother iirc. She's mentioned occasionally but I don't remember her ever appearing off the top of my head. In Smile of Dreamer it's mentioned that she's abroad doing volunteer work in Cambodia.
Nene and Rui's mothers are good friends due to being neighbours. Nene even used to call Rui's mother "auntie" when they were younger. Her mother recorded a lot of her performances from when she was little.
Beyond that we don't really know anything. I don't remember Nene's dad ever appearing but he is mentioned.
Rui's mother is a biologist, as mentioned in Revival my dream. I have a theory that she mainly works in entomology (study of bugs), or maybe more specifically lepidopterology (study of moths and butterflies), because Rui talks a lot about a moth at one point and has books on butterflies in that event. He talks about some other bugs as well.
His dad is a robotics engineer, also mentioned in Revival my dream. He doesn't actually appear though.
Rui's mother had a very similar background to Rui. She was often called weird and eccentric because of her interest in biology and didn't have any friends until meeting Rui's father, who was really into robotics.
We don't know a huge amount about Mafuyu's father. He does push her to achieve as much as her mother does, but he seems to have limits.
We don't know a lot about Mizuki's parents either, but they are very supportive of them and were worried when they started skipping school
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the-kingshound · 2 months
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I hope you know I’ve been spending the past week at work just doodling Arthur and Yniol >.< my cubicle is full of a bunch of them haha
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uncanny-tranny · 11 months
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The multigender experience of being extremely guarded and protective over your multigenderedness lest people simplify their understanding of yourself into obscurity, and thus completely missing the point of who you are
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