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#i'm wondering if there's any commonalities between them

qu1cks1lversb1tch · 13 hours

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Hello! Love your writing, so yummy. I was wondering if you would take a request? I was thinking what it would be like if Lucifer was dating a fem reader who was a fox sinner and she randomly does animal like things. I think he would be so interested in the ear and tail movement and would try to see what different things cause what reactions. Foxes are very wary so I could see her jumping easily and him taking advantage of that lol 😭. Then, if he would see her like "pounce" on Angel as a prank cause they're besties. Lastly, I just know if he heard her growl, his knees would get weak (imagine them having a growling fight for some reason cause he growled at Alastor that one time 🤣💀). Anyway, I'm dragging this on, so have writing this if you do! I'd appreciate it! *mwah*

A/N— Just when I think the requests can't get any better, another wonderful anon pops up to steal the show. I LOVE THIS so much. This is more or less a small compilation 💅🏻🦋 I had to do a little research for this one, but I think it's so silly 😭💖 I hope you have a wonderful weekend anon!

Animalistic | Lucifer x Fem Fox Sinner!Reader

Warnings: Reader is a common Red Fox Sinner, swearing (I mean, seriously — it's Hazbin 🤣), Reader being a menace to society

Word Count: 696

Summary: More often than not, your animalistic behaviors take over. . .

Lucifer watched you from afar — not in a creepy way, but in a ‘that's my girlfriend and I'm admiring her’ kind of way.

Right then, he was watching you wallow on the couch that had been placed in the lounge specifically for you, by Charlie, because you refused to sit on a piece of furniture that had the scent of the Radio Demon practically rolling off of it in waves.

So the fucker went and sat on your couch.

The audacity.

You were pretty pissed at the moment, which was evident by the growling and angry mumbling that became louder at times.

He only caught a couple pieces of dialogue, like: ‘no fuckin’ respect for BOUNDARIES!’ And: ‘I ought ‘ta shit in that fuckers shoes!’

But it was enough to keep him attempting to hold in his laughter, which he ultimately failed in.

You quit wallowing in attempts to get your scent to return back to the couch the moment you heard a noise. You jumped, one ear twitching while your tail lifted into something resembling a ‘u’ shape, showing you were now on high alert.

The moment you caught a whiff of your boyfriend, you turned to face him. He was biting his bottom lip so hard to keep from laughing.

You could only roll your eyes and stand from the couch, fixing your hair as you trotted over to hug him. “Better not be laughing at me.” You whined.

“Your words, not you. Never you.” He replied, holding you close as you went about rubbing your scent on him as well. Just so no one would get any ideas.

You were watching. Waiting.

Your tail was swishing at your side in a playful manner, just waiting for Angel Dust to walk past the dark hallway like he did every evening before bed.

The moment his footsteps could be heard, you were prepared to launch out of the darkness — something you hadn't done in months.

He came into your line of sight and it was go time.

Launching out of the darkness, you easily tackled your best friend, the two of you tumbling until you landed on top, pinning two of his arms to the floor with your sharp canines on display as you grinned down at him.

“Gotcha!” You cheered happily, your tail swishing from side to side.

“First off, ouch, that fuckin’ hurt — secondly, why the fuck can't you ever attack the short king with your midnight zoomies?”

“He's almost always asleep at this time.” You pouted removing your hands from his arms, nipping at his hand when he went to pet your ears.

“I dare you to wake him up next time.”

You grinned, getting off completely to help him up. Oh, you would.

Charlie approved of the relationship between you and her dad, but that didn't mean that she didn't witness some odd things whenever he decided to stay for dinner. . .

She could ignore you pouncing on him at random because you pounced on everyone except Alastor.

She could also ignore him helping you hide snacks for later because she knew that a good snack didn't last long in the hotel.

But it was harder to ignore you biting, growling, and scratching at Lucifer, laying on your back in his lap on your couch, with him growling playfully and running his fingers through your hair.

It was cute in a way — her dad embracing the form you were given, and you, eager to play almost constantly. . . Except for when you were nervous or felt threatened by another demon higher on the food chain.

Though one look told her that he had hearts in his eyes.

And you did too. Even when your sharp teeth finally latched onto his arm and you gently shook your head before releasing and bursting out into a fit of giggles that had Lucifer quit growling, instead leaning down to place a kiss on your forehead.

He smirked when your ears twitched and eyes crossed at the sign of affection.

You growled in return, playfully nipping at his hand with a noise somewhere between a very fox scream and a whine.

But it was all in fun.

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the-fandom-is-now-my-life · 3 days

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Hi 👋🏻 are you taking requests for the creators child AU.

Could the child be Alhaitham's or maybe Diluc's.

Thank you

The creator had

Such a smart child

WC: ~900

This feels more like a collection of head cannons but enjoy!

I believe Nahida would be able to dull the hit to the archons enough for them to not have a public outbreak like in other scenarios, so most of the gossip around is from people of sumeru.

“Stop speaking like that of the acting great sage! The matra will get you punished if they hear you talking like that”

“I'm not claiming anything! I'm just saying it's weird how much time he spent around them”

“They were reviewing the structure of the akademiya”

“Sure, and my wife and I were just studying so many years ago”

“Profesor…”

"that is why my daughter was finishing highschool when we both published our thesis. We were 38 but you get the point"

"professor please... Stop..."

It has been a running rumor for a few months, but nobody really believes it, the stone faced great sage and their welcoming grace? No, never, impossible. There are scholars attempting to refute it but their attempts are short-lived as a few months later you settle back in sumeru, and your lazyly hanging robe you wear now is pushed slightly forward around the abdomen, just enough for it to be an untold fact.

“Why am I returning? I guess it just felt right, given everything” slowly after the theory took traction.

On the later months the baby gets calm whenever he is read books, the kicking stopping for as long as anyone recited paragraphs of dense knowledge, it was a common occurrence for you to tag along thesis defenses, something that professors enjoyed the opportunity of chat you up and students suddenly put delays because of sickness on masse.

“I wonder why they are all so nervous to defend their statement! I don't even ask them questions for them to be scared of me!”

“I think regardless of what you did or didn't do any of them would be at ease”

“And I heard they sit through thesis defenses and lectures because the child is calm hearing long speeches”

“I heard that too! I even heard that once they summoned one of the great sages to read a book so they could fall asleep”

“Really! Could it be…” the teen girl looks at her friend mischievously “great sage al haitham?” Making her friend look away feigning not knowing.

°•°

“I'm extremely sorry for calling you so late, Haitham” you lay on your bed, back flush against the wall. The covers on your lap make little to cover the almost watermelon sized bump “I attempted to read to see if he calmed down on his own but when I stop he starts kicking up a storm”

Alhaitham drags your vanity stool to your bedside, a soft creaking sound coming from the friction between the woods. He just hums as he skims the bookshelf “don't fret so much, it's only natural for me to do this” his fingers dance softly caressing the spines of various books ranging from Inazuma novellas to published investigation on bird care “what has been working best? Early language dictionary? Transcripts of old manuscripts?”

“alchemical botany has been doing alright”

“great, it's coming out to be a spantamad or amurta. I'm sure Tighnari and Cyno will be elated with the news” he rolls his eyes and pulls out a leather bound book with vine engraving.

“Aww, is someone jealous?”

“I'm just saying that something like ‘development of runic language during the last 300 years’ might be more interesting” you just snicker “weren't you attempting to sleep? Close your eyes”

You side down the pillows with a smile on your lips “fine, if you don't want to read alchemical botany why don't you use the white book?” as he glances over he read the simple title ‘weight distribution in columns depending on materials’ and sighs heavily.

“Spantamad might not be so bad.”

There is a small whisper in the last few months that the child could be meant to be one of the great sages but the matra keeps it down when someone starts with it.

When he is born Alhaitham reads to his son some of the books he kept from his parents.

The one year old is perched on his lap, leaning against one of his arms while they both look at the book, one of them reading attentively the words and explaining some concepts while the other is attempting to fall asleep.

“I doubt he is truly listening to you”

“You would be surprised by how much the biology faculty showed children can learn before school”

“I believe they meant before the 5 years mark, not 6 months”

Maybe even wants you to do something similar, it could be an essay, thesis or even storybook but he would want it to have some banter between you two or little comments like “it's good that you remembered to spell correctly postganglionic fibers, I don't have to correct you anymore”

He uses kaveh as an underpaid nanny just plopping the toddler on his lap and leaving without saying a word. He does stop when his son's drawings start to feature more houses and structures than people.

“Are we sure he is mine?”

“For the sixth time, yes. He is a carbon copy of you”

When your baby grows he is the smartest of his class, reciting everything his father read to him since before his birth, even if he refuses to acknowledge it al haitham is really proud of his son and his little shelf with math Olympics medals or the certificate he got from the first place in a writing competition.

Even then the moment your son turns 18 and has to decide what branch he wants to go into is the hardest week of his life, dreading the possibility of another architect in his life. He is quite happy when he choses spantamad, even if he would have like him to go for haravatat.

#genshin impact #gi #sagau #genshin x reader #self aware genshin impact #genshin sagau #genshin impact sagau #sagau x reader #gi sagau #x reader #genshin alhaitham #alhaitham x reader #alhaitham

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franeridan · 8 months

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tbh i think oda meant to reach wano and make it all about zoro the same way he reached whole cake and made it all about sanji. I mean like, at the very beginning, back when he made him japanese and then said "there is a country that's one piece's japan, btw, and that's not where zoro's dojo is" - I think that's why his original backstory is so simple, it was supposed to follow the same trend as luffy's and sanji's and turn into this whole grand thing once they reached wano and discovered that he's the only direct descendant of one of the last daimyo and also of the greatest samurai ever lived, those are great bases to start some form of conflict on? tbh? and also directly mirror our finding out that sanji is some form of prince himself, but then instead we got to wano and the only thing we found out on page was that kuina's relatives were from there, and everything about zoro is revealed in a sbs family tree with oda going "I don't think I'll ever say this in the manga at this point so here". Imho what happened was that oda wanted to form some kind of conflict between zoro's family rights/what was expected of him in wano and his belonging in the crew, but then the way he evolved as a character through the story made it so that his only plausible reaction to finding out all that would be some form or another of I don't care and you don't really write an arc on that, do you. zoro's so simple minded and goal oriented that it's impossible for him to have any serious drama that's not about luffy, at this point. I do prefer it like this, though? everyone in the fandom likes to draw comparisons and parallels between zoro and sanji one way or another but my favourite one is the narrative foils one and zoro's lack of a proper backstory and complications to his being part of the crew make for a great black-and-white situation with them. something like sanji's story being all about running from his past and zoro's being all about running towards his future, I love that so I'm glad this is the zoro we got in the end

still, would be cool to know what oda had planned for him exactly

#zoro and sanji are funnn characters to keep on total opposite sides of the spectrum #you can draw parallels between every aspect of them and the only things you'll find that they have in common are #their love for luffy and their dislike of each other #starting from their personalities to their designs to their fighting styles to the way oda makes them interact with the plot itself #it's fun so i love it extends to their pasts and how complex they are too #but the build up towards wano and figuring out something more about zoro had been pretty obvious for a time so when we got there #and in the end we didn't find out anything about him #and left the land with no on page explanation as for why the shimotsuki guy had zoro's exact same face #no i mean that was kinda funny and on brand for him since the start ngl but it was sorta disappointing for me anyway #as an hardcore zoro fan yk #so I'm like ???? i wonder!!!! what oda had planned!!!!#for my boy who's apparently extremely important in wano but no one has any clue and they just let him leave like he was no one!#they tried to execute him for owning a sword that was his by birthright anyway without ever knowing..........#no it IS funny that's zoro's brand alright i just mourn the zoro focus we could have had #wano was already long and busy enough tho i get why oda let that go

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fairy-hub · 26 days

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“𝐜𝐮𝐦 𝐝𝐫𝐢𝐩𝐩𝐢𝐧’ 𝐨𝐟𝐟 𝐨𝐟 𝐦𝐲 𝐛𝐨𝐝𝐲 (𝐰𝐚𝐧𝐧𝐚 𝐠𝐞𝐭 𝐝𝐢𝐫𝐭𝐲!)”

𝐚𝐛𝐨𝐮𝐭! Sukuna fucks you, queen of the fae, into a messy cum covered whore

𝐰𝐚𝐫𝐧𝐢𝐧𝐠𝐬! queen of the fae!reader, demon king!sukuna (true-form), size kink, hentai logic lets say his monster sized cock fits in your fairy cunt, pussy drunk, overstimulation/hints of mindbreak, cock-drunk, monster sized cocks one has a knot the other is softly ribbed, HUGE HUGE HUGE SIZE KINK, sensitive wings, squirting, degradation/some praise, sukuna is 10ft tall in this one, your pussy is like a pocket of holding and it can take that shit, lets say you have tits even if you don’t for this one, titty fucking, double pentration (cunt and anal), pain kink, restraining/rough manhandling, fucking you in front of a mirror then on the bed, reader has magical abilities, sukun eats your ass a little with one of his hand’s mouth, sukuna is mean but gentle with your wings, pussy slapping, some anal fingering (he doesn't touch you with the hand after), belly bulge from both his cock and cum, squirting his cum when he pushes on your stomach, he covers you in his cum too, fingering

Fey; i get it if you judge me for this one, but in my defense my coochie held me at gun point to write this one. I'm giving you one more warning to use hentai logic with this one!!!

Sukuna strokes the base of your iridescent wings making them stretch out and flutter. Trembling, arching your back, digging your nails into the arm of the hand clenching your waist. Getting off on how Sukuna can hold you up, to use like a cocksleeve, with one massive hand.

“I look so big taking your stupid lil bratty ass from behind, look at yourself, you’re built like a handheld toy for me to use whenever I want.” Sukuna that’s massive, from his height to his hands, to the cocks stretching out both of your sloppy wet holes.

He croons, “You’re hot crying with your tiny wings fluttering n’ your stomach bulging.” Slowly stretching your wings out then pulling you upright by a firm grasp on your throat. Your wings occasionally brush Sukuna’s warm chest.

Your sloppy wet cunt is gushing on his cock, thick warm cum squirts and trickles onto the floor. Both of your wet holes quiver, clenching his thick cocks.

Sukuna moans, “Stupid slutty lil princess make a mess on my cocks, cumming so damn much you’ve made a puddle on the floor.

His four eyes fixating on how his thick knot tugs on your cunt. “Nnnn look at that you’re clenching me too tightly for me to pull out?” You squirm and cry when he sucks on your clit with a hand’s mouth.

Insisting, “Princess? I'm a queen?!” He licks your cock-stuffed cunt with a hand’s tongue. When he moves his hand away you’re fixating on how your cunt is split into a perfect circle by his thick knot.

Sharply crying when Sukuna pinches your sensitive clit. “Yet you’re taking my cocks like a common whore.” He roughly pulls his knot and cocks out eliciting a needy whine from you when you’re empty.

Dropping you on the massive nearby bed which floats with with a wave of your hand. “It doesn't make me any less a queen.” Spreading your legs for him, “It just means I'm a queen whose a greedy monster cock loving slut.”

Sukuna pins your thighs by your side, lining his bottom cock up and nudging your asshole with his cockhead. Unlike his other cock’s blunt head it has a thinner cone-shaped like tip, which gets thicker after each soft ridge.

He rests his other cock on top of you, covering your cunt and resting between your tits. “And to think you were just takin’ me in your soft lil‘ cunt, I knew fae magic was something else but this is isn't what I expected.” His cock is so big, yet he feels no deeper than your belly button when inside.

Pressing your breasts together, squeezing his fat cock. He grabs your hair yanking your head up, making you look at his cock peeking out from between your tits.

Sukuna groans when you lick his cockhead. “I wonder how much you can take before your magic runs out and you break.” Slowly rolling his hips fucking your soft ass, his cock on top stroking your sensitive clit.

Pleading with Sukuna, “Break me, fuck! Nnn it won't be too long before I'm ready for more! Please! I can't get enough they’re so big, I can't get enough! Please fuck me with both cocks please! Please! Please!” He covers your mouth sticking his fat tongue into your mouth, you can faintly taste yourself.

“What? You’re looking up at me like you want to kiss some different lips.” He smirks gliding himself out of your ass and takes his other cock off your body to let them both hang

He leans down, “Hah you’re too small to properly kiss me.” You lean forward covering his larger lips in kisses, sliding your fingers into his hair.

“I can cover you in kisses.” Sukuna’s lips covers your cheek when he kisses you. Standing up he’s a ten foot monstrous demon and you love it. You love how small you feel beneath him, restrained in a mating press for him to mercilessly fuck both sensitive, sloppy wet holes.

He roughly smacks your cunt, licking your asshole with his thick tongue. The sharp pain rips wonderfully through the pleasure of having your ass ate. Loudly pleading, “Fuck me please, please fuck me. I wanna cum again!”

“Greedy lil brat is a better title for you, after you squirted and made a mess all over my floor you’re begging to cum again.” Another harsh slap to your cunt has you crying.

Pleading with Sukuna, “Im a greedy slut for your thick cocks! I can't help it! It feels like I'm about to go into heat. Please use whatever hole you want my King it gets me off how you use me for your pleasure.” Grabbing the bottle of lube left on the bed, taking his tongue out of your ass.

He pours a lot onto your tight hole then stuffs it in with two thick fingers. Some of the lube drips onto the sheets, “Good girl.” Pumping his fingers faster, smearing the lube. “Call me me your King again.”

He lines himself up, “Please fuck me My King.” He roughly stuffing both holes in a swift thrust. Your body tenses up with a sudden jolt, he’s too big. And being unable run away from the overwhelming intensity magnifies it.

Sukuna demands, “This is my sloppy lil’ cunt to cum in till I get bored of you. Say it!” Putting his weight into your thrust watching your stomach expand when his cock nestles in deep.

“Nnnn!” You can’t focus his words his cock stretching out both holes making the strip of skin between go taunt. You’re a fuck toy for him and it feels so good.

He’s so perfect from cocky smirk, to the condescending way he is looking down at you, and his thick cocks stirring you up pushing you towards cumming again.

He sneers, “Are you already too cock drunk?” Trailing his fingers gently along the top of one of your expanded wings. “Be a good girl and tell me who owns you brat.” Licking your clit with his stomach’s tongue, the pleasure is building rapidly.

Even after squirting on his cock he’s getting you this worked up so fast. It's hard not to with the intense stimulation from Sukuna licking your clit whilst mercilessly fucking you sloppy holes into a loose with his monster cocks.

You whine, “You do my King! ‘S your cunt! Nnn I wanna covered in your cum.” Picking up his pace, even with your magic the bed is rocking. “Fuck you’re so big! Nnnn please please! I'm your good girl.” Grabbing his thick, tattooed forearms, digging your nails in.

“Good girls get cummed in don’t they?” He fondled your breasts, biting and sucking on your nipple. The way he’s toying with your body is wonderful.

You beg him, “We shouldn't, we aren't married, but I want you to! Nnnn! Fuck! You’d cum so much, I would be so full!” Softly clutching the sheets when he flicks your tongue faster, adding a little more pressure. “I wanna feel your warm cum.”

A couple more strokes and your reasoning is quickly crumbling as you cum. All you can think about are his cocks throbbing inside you, filling both holes up. It’s too tempting you're begging with Sukuna, “Please cum! Please cum! Wanna feel your warm thick cum!”

He wonders, “How long did you spend making a spell that can let you take cocks bigger than you should. Or did it come naturally to a slut like you?”

You’re unable to process his question instead you’re loudly moaning, “Please cum! Please! Please! My king! Daddy! Sir! Please! Suukunnna.” Sukuna squeezes your throat and lifts you off the bed. Using his grasp on your throat and his to make you meet his merciless thrusts.

It’s hot to hear Sukuna sound so needy as he whines, “Nn!!! Nn! ‘S tight, wet! Fuck!” He grabs your hair yanking your head back so he can watch you cry while he fucksyou. Keeping eye contact with two eyes while the other two fixate on how your stomach bulges.

Softly growling and grunting “Mine! All fuckin! Nnnnn! Stupid pretty lil’ brat.” His jaw drops with needy loud whines as he loses himself in the intoxicating pleasure of your wet holes clenching his cocks.

There is a crash as the bed hits the floor. Sukuna turns around and lies down on an uneven half-broken bed. He digs his heels into the bed and roughly rutting his hips. “Fuck so damn hot! So fucking small, I wanna make you cry and ruin your tight cunt.”

You lean forward resting your hands on his abs above his stomach’s mouth. “Please cum! Sukuna please!” He softly growls then fucks you harder making it hard for you to string a word together in between your cries.

His brows pinch together and his jaw drops with a loud groan. “C-cum on mmmmm!” It’s impossible to think with the way your soft, soaking-wet holes are gripping and rubbing his cock. Your tears rolling down your beautiful face spurring him on getting him so close to cumming inside you.

“Cry! Louder! Fuck me!” Your cunt spasms as you cum on Sukuna’s thick cock. Sukuna’s eyes roll back, shoulders curl in and he tosses his head back. Whining loudly, “Nnn too-too too tight! Too much! Please!” Thick hot cum spurts in your stomach making it swell.

When he lets your throat go you use your first steady breath to whine “Please?” Sukuna's cheeks flushes a dark shade of pink matching his hair. He stuffs a finger in your mouth and fondles your soft breast, sucking on your nipple.

His cock pulses as more thick cum keeps trickling out. Your aching holes spasm around his cock. It’s wonderful to be so full of Sukuna’s cum and cocks.

He rolls over, towering over you with two massive cocks stuffed in each hole. “Don’t think this means we are done. Im going to clean up then see if your lil’ bratty cunt can take both of my cocks.” Slowly gliding his cocks out, Sukuna pushes on your building stomach making his cum squirts onto his hand and the bed.

Sukuna smears his thick cum over your thighs, tits, and waist. Gliding his finger inside you costing himself in cum which he stuffs into your mouth. “How do we taste?” You groan whilst sucking his thick finger as he hold his dirty hand to your asshole, licking your cum filled asshole.

He pulls his finger out with a wet pop. “Bitter, but I love being filled with and feeling your cum gushing out of me!” Lifting you off the bed by your hair Sukuna dangles you in front of the mirror.

“You look hotter covered and dripping with my cum.” He glides a thick finger into your cunt, pushing more thick cum out of you faster with slow pumps.

Letting your hair go causing you to flutter your wings to afloat. “How long can you keep hovering with those little wings while I'm fingering you?”

all works

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ssahotchnerr · 8 months

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hellooo, i hope you’re doing well! would you want to write a fic where at some point aaron steals readers gum out of her mouth? this is such a random thought and i’m so sorry if this sounds weird (now that i’ve written it down and not only thought about it, it seems very weird, sorry!!!!!!), but i kind of feel like this is something he’d do when making out lol and it obviously catches her off guard the first time he does it 😁

according to plan

omg i'm putting a jealous!aaron take on this 🤭 cw; suggestiveness, established relationship, bau!reader, detective being a creep, heavy on the kissing, possessive/jealous!aaron 🦋

aaron's just about had it.

it started out as lingering stares, beginning at your face before sweeping all along your form. next, the insistent eagerness to partner up with you. and now the detective, who's name wasn't worth remembering, was at your backside, itching to get as close to you as he possibly could. any closer, he would have you pressed against the bulletin board in front of the two of you.

you were politely trying to explain the physical, common characteristics between the victims, how unsubs sometimes had a specific type and that's why they chose to acquire them. naturally he had asked you the most stupid, simplest question; just another excuse to speak to you.

all day, aaron had been silently seething, a mere bystander. but as he joined and saw the sight before him, his fists clenched so tightly his fingernails were digging into the palms of his hands. enough was enough.

"do you understand now?" you naively asked, a pleased expression forming on your face when the detective nodded in confirmation. unlike aaron, you had been unaware of his ongoing actions.

"is there any way i can repay you?" he questioned smoothly, his eyes yet again dropping. this time, the attentiveness is drawn to your lips.

"no," you shake your head, your focus already directed on readjusting one of the displayed photos, the gum in your mouth producing a pop. "i'm just glad i could be of some assistance."

it's a bad habit of yours, snapping your gum too loudly. it's hard to not notice it. but fortunately, the brought focus is about to work completely in aaron's favor.

aaron calls your name, tipping his head to the side as a signal for you to come. you abide, leaving the detective right where he is and as a result, he subtly glares at aaron for interrupting his time with you and his advances. aaron steps aside to let you pass, and as soon as you do, he shoots daggers right back.

truthfully, he's extremely lucky that's all aaron did.

you follow him to one of the empty interrogation rooms, a small trek away from everyone else. once inside, aaron swiftly shuts the door behind you.

"what's-"

aaron's lips are on yours before you can finish your sentence, causing you to gasp slightly in surprise, throwing your arms around his neck and instantly kissing him back.

it's all too easy to submit to aaron, allowing him to guide you and push you back against the door. he crowds you against it, his breath hot and heavy in your mouth, his hands exploring every curve of your body and more. every inch of you, is consumed by him.

the kiss is heated, desperate, and in the back of your mind, you distantly wonder why the suddenness - what has gotten into him? but with the pure vigor he's kissing you with, your brain had gone fuzzy; you were too consumed by the kiss to dwell on the potential reason why, or did you care.

aaron's large hands slide down your back, landing on and promptly squeezing your ass - hard. you gasp again, and aaron uses the sudden part of your lips to push his tongue into your mouth, sliding against your own. he can taste it - the flavor of your gum - and it only encourages him further, deepening the kiss.

you can't help let out a small moan, which aaron immediately swallows up from you, mindful of your volume within the current setting. your fingers find the nape of his neck, weaving and gripping onto his hair tight.

the kiss itself is wet and sloppy - all according to plan. and once the mint flavor fully invades his mouth, aaron forces himself to pull away.

and before it becomes impossible not to.

your eyes are wide as you look up at him. your cheeks are flushed, lips swollen from the intensity of the kiss. you let out a breathless laugh, chest heaving up and down. "wow. i..."

you trail off, your tone leading into more or less a question. aaron leans in once more, pressing a gentle, chaste kiss to your lips this time. "just missed you."

you take instant note of the slight, new shift of his jaw, which prompts you to realize something from your mouth is missing.

you gape at him, jaw dropping a bit in astonishment. "wait, did you take my gum?"

aaron's way of a response is opening the door, a small nudge of his head gesturing for you to exit. "after you."

you give him a confused look, yet your eyes are still dark and lined with arousal, before heading back to the others. a deep exhale leaves you as you walk away, an attempt to cool down before facing anyone else.

this time, when the detective's stare returns to you both, aaron's the one loudly snapping the gum.

#aaron hotchner x reader #aaron hotchner #aaron hotchner fluff #aaron hotchner smut #aaron hotchner x you #aaron hotch x reader #aaron hotchner imagine #criminal minds #criminal minds x reader #criminal minds smut #criminal minds imagine #criminal minds drabble #aaron hotchner drabble #criminal minds fanfiction #hotch imagine #criminal minds x you

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1-800-kami · 9 months

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R U MINE? feat. gojo satoru

gojo satoru has got to be the picture definition of a stereotypical college frat boy. he’s cocky, loaded with his daddy’s money, and dangerously handsome. it seems like common sense to stay away from him since you’ll never get more than a one-night stand out of it.

that’s why you choose to turn a blind eye once you’ve come to the horrific realization: you’re in love with him. and you’re just itching to ask…

“are you mine tomorrow? or just mine tonight?”

IMPORTANT: part two is out! read here :)

content: 8k words, afab!reader, angst! fluff! heartbreak! n everything in between! implied smut, rich college frat boy gojo and hellcat driver geto 🤑, emotional rollercoaster, reader has a toxic ex, trust issues (?) gojo is absolutely insufferable, misunderstandings, use of words hoe, slut, etc., mutual pining, some jjk character cameos (wink wink) me writing very unfunny dialogue, no bc wtf is this, cheating implications, emo gojo (the worst warning of them all)

author's note: hello hello! my name is kami, i've been reblogging fics on tumblr for a while now but i've recently figured out how to work this hellsite, so i'm going to start posting fics that i write! thank you to those who enjoyed my nanami drabble <3 kisses 4 u all.

this fic IS split into two parts and there is smut in the second part. so just. prepare yourselves for that ig.

reblog and interact for a kiss ;)

“so… let me get this straight.”

“go ahead.”

shoko takes a deep breath, and you just somehow know that she’s pinching her nose in exasperation right now. “utahime dragged you out to a party in hopes that you would hit it off with somebody. you wander off on your own and later, she sees you and gojo–THE gojo satoru–giving you his number?!”

“uh, yeah. that’s exactly what happened.”

“do you even understand what you’re getting yourself into?! that man bags hoes like they’re pokemon!” you readjust the phone against your ear and sigh at shoko’s comment.

“okay, first of all, never say that again. second, i rejected all of his advances. i didn’t even save his number.” you stare at the crinkled-up note in your hands, which proudly displays his number and a slick call me if you change your mind ;). you wonder if you could sell this paper to his fangirls–you’d surely make a little bit of cash out of it. “i’ve seen gojo around. i know that i shouldn’t mess with him. plus, he was drunk as hell at the party; i doubt he even remembers my name. to him, i’m just some chick that he’s frustrated at because she didn’t want to fuck him the second she saw him.”

“do you… do you share any classes with him?”

“i don’t think i do.. just, don’t worry about it, okay? i’ll throw away his number and we can put all of this behind us. here, i’ll do it right now.” you rip up the paper into a few pieces before tossing it in the garbage can. hopefully, you did it loud enough that shoko heard it through the phone. “i get that you’re worried for me. and i appreciate that, but i can handle myself.”

“just… no more mention of gojo anymore, okay? you’re right, y/n. let’s just put this all behind us.” shoko sighs, and you smile at that. problem solved. you threw away his number, and he’s most likely moved on to the next girl by now, so that was that. now, you just have to forget about satoru gojo.

all to never let yourself get hurt ever again.

it’s hard to forget about gojo.

not because of those dangerous blue eyes of his–getting anyone lost in them if they stare for too long. not because of his stupid silvery white hair, which makes him look like a mop, and sometimes like a paintbrush. not that stupid cocky grin of his, either…

...but because you’ve recently found out that he sits next to you for physics.

the revelation was truly disheartening. you thought you could avoid him for the rest of the year because as far as you knew, you shared no classes with him. however, you completely forgot about the fact that gojo never attends class in the first place, and you don’t even know what classes he’s in… because he’s never there. so finding out that the seat next to you in physics wasn’t just an empty seat, and it was gojo’s assigned one, was truly an experience.

“gojo.” the name alone makes your heart stop, and you drop your pen to look at the man your teacher was addressing. “finally choosing to attend class for once?”

speak of the devil.

there he was, in all his glory–the man you’d never thought you had to deal with ever again. the man who tried to butter you up with his corny sweet talk so that you would go home with him for the night. the man who persisted with talking to you, even though you were barely interested. the man, who, at the end of the night, insisted on writing down his number for you in case you changed your mind about him and gave him a chance.

you wanted to shrink into your seat and never resurface.

“good morning, yaga!” he says rather loudly, with no regard to honorifics at all. a few giggles could be heard across the classroom–though geto suguru’s voice was prominent–satoru’s equally as infamous bestfriend. “and yeah! it’s surprising, isn’t it?”

what’s also surprising is how gojo took a seat next to you. you thought that there was a mistake, that your teacher would scold him for sitting somewhere he isn’t supposed to sit and relocate him elsewhere. however, yaga just grumbles and begins the lesson, leaving you helpless and unable to look at the man next to you.

you swear he’s burning holes at the back of your head.

pleasdon’tremembermeisweartogodpleasedon’trememberme-

“you’re that girl from the party, right?” he whispers, and you’ve never wanted to disappear so badly in your life. you slowly nod your head, turning to look at him, and he pouts. “y/n l/n. you never saved my number. hmph, i was looking forward to a text from you, too.”

“i’m surprised you even remember me, 'cause you were fucking wasted that night.” you twiddle your pencil, averting your gaze from the man. “and i never saved your number cause i threw the paper in the trash. it’s probably at a landfill somewhere, y’know.”

your words catch him off guard, and you laugh at how surprised satoru looks. it seems that’s definitely not an emotion he shows often. despite his initial reaction, satoru swears he could feel butterflies with the way your laugh sounds.

“not a common problem for a womanizer, huh?”

“what did you just call me?!-”

“y/n and gojo, do either of you have something to share with the class?” a dark blush of embarrassment covers your face, and somewhere in the back, you could hear geto snickering. gojo just smirks at yaga, seeming completely uanffected. “then i’d suggest you stay quiet the rest of this lesson. don’t make me separate you two.”

“i’d prefer that, actually…” gojo huffs at your comment, thinking of this as a lost opportunity if the two of you get separated. he does a once over at your appearance. you’re cute, but definitely not the party kind. you’re playing hard to get, and gojo finds it adorable–not a lot of girls go that way with him. however, gojo thinks you’re not just like any girl. there’s something different about you that intrigues him.

“did no one ever tell you that it’s rude to stare?”

“how could i not? you’re so cute.”

“i thought you already learned from the party, gojo. i’m not interested in you.”

the light blush coating your cheeks says otherwise. he smiles cheekily at the way you tried to hide your reaction to his words. you’re an enigma to gojo… and he’s drawn to you like a moth to a flame. he thinks he’s made his decision.

he’s gonna do whatever’s possible to get your number.

when the bell rings 30 minutes later, you shove your notebook into your bag, eager to finally leave the class that you had with that stupid paintbrush. that is, until he stops you with a question. “what class do you have next?”

he’s relentless. “why do you care?”

“i want to walk you to your next class,” he says, and smirks before saying his next words. “it doesn’t really matter if you tell me or not. i’ll just follow you anyways.”

you sigh, absolutely exasperated with him. he’s like a fly who keeps invading your personal space—always coming back no matter how many times you swat it away. he’s right, though. damn him for being stubborn. “i actually have this period free.”

“oh, sweet!” he chirps, walking with you out the door, making sure to greet geto before he leaves the classroom. “let’s go to the courtyard. i’ll buy you a drink from the vending machine-“

“i was gonna do that regardless if you were here or not.” you give him a look, and you can’t help but tug on your sleeves when you see people whisper to each other as you walk the halls with gojo. of course you’ve heard the rumors. the man next to you is the most popular guy on campus. girls glare daggers at you and the guys call his name, although he barely even acknowledges them.

some common things that you’ve heard about gojo around the school are: “i heard he only talks to girls for sex,” “apparently his best friend geto is just as much of a player!” “i mean, who wouldn’t fuck a guy like gojo, though? he’s hot and loaded.” “that’s how he reels you in, though. he gets his hand in your pants and never calls you back again.” you know you should stay away from him, it’s common sense, but it’s hard to stay away from him when he’s the one who glues himself to your side.

“well, now you’ll get a free drink and we’ll get to know each other! isn’t that great?” he smiles and you just grimace at his words.

“i don’t need your money…”

“don’t care! can’t hear you!” he says, and you’ve seriously considered just making a run for it. at least you’ll lose him, and you’d finally be able to find peace for a bit. although, it would cause a scene, and gojo would probably end up finding you again somehow.

“what can i do to get you to leave me alone?”

that piques his interest, even though he looks slightly hurt by your question. he thinks for a bit, and smirks. “i really do want to buy you something from the vending machine.. and i want you to spend your free period with me. i’ll leave you alone for the rest of the day if you do.”

“do you promise? like, actually?”

“mhm! pinky promise!” you feel like you’re talking to a prepubescent boy.

“then sure-“ you’re about to agree, but he cuts you off with one more condition.

“i also want your number.”

you feel like you’ve been cursed by a god, because having the most popular guy on campus be interested in you has got to be the most chaotic thing to ever happen in your life.

“what do you have me saved as?”

the question comes from out of the blue, and you look up from the book you were completely absorbed in. you and satoru were at the school library, on a “study date” as he calls it, although it was more so just gojo inviting himself to wherever place you go, as per usual. this time, you have an exam to study for, and you explicitly told him not to bother you unless absolutely necessary.

you do have to say, though, he’s not annoying as you thought he was. he just nagged you way more the first day he sat next to you in physics so he could get your number. it’s been a few days since then, but still, you’d definitely be more efficient in your studies if you didn’t have him attached to your hip all the time.

“satoru, i told you not to bother me-“

“unless absolutely necessary. yeah, i heard you, and this question needs an absolutely necessary answer! contact names really say a lot about our relationship, y’know.”

“relationship? nobody ever said we were even friends-“

“don’t break my heart like that, babe. plus, you don’t call me gojo anymore! it’s satoru to you now,” his heart warms at that realization, and you scoff, especially at the pet name. “we are friends, unless you’d like to be something more...”

“if you say anything else i’m calling you by your government name. gojo satoru.” he looks especially wounded by that.

“ah! don’t do that, please. it feels like we’re a married couple and you’re really mad at me.” he cries and you can’t help but giggle at his words. you decide to entertain him a little bit, fishing through your pocket to find your phone.

he almost passes out at what he sees on your screen.

“it’s just my number? you didn’t even save my contact?!-“

the shushes from your fellow students and the librarians aren’t even enough to calm gojo’s agony and despair. it also does nothing to stop your laughter, either.

from that day on, gojo’s contact was forcefully changed from his number to “satoru” (he initially added a heart, but you deleted it, much to his disappointment) and one of his many selfies from his stupid instagram account. how the hell can a college student even have thousands of followers?! you think.

gojo just says that nobody can resist his shirtless post-workout selfies. you’re surprised that you didn’t slap him at his words.

you push him away.

everytime gojo buys your favorite drink, (it’s always on him, despite your genuine insistence in saying that you could pay for your drink just fine.) everytime he walks you to all of your classes each day, (he memorized your schedule just so he could do this) everytime he buys you your favorite foods on the rare instances that you let him take you out for lunch, (usually, this requires a lot of begging, and you mostly relent during class when you’re just exasperated and wanted to get some notes down.), and everytime he calls you by those stupid pet names of his, you think back to what the entire student body says about him, and you think back to your phone call with shoko, where she warns you to not associate with him so you don’t get hurt by anyone ever again, and you push him away.

you push him away even when you realize that if he just wanted you for sex, he would’ve stopped chasing after you when you didn’t text him after that night at the party.

and that thought alone scares you.

still, you’re not heartless. satoru’s been asking to take you out for a while, and you finally agreed to go today. he’s especially chipper about your agreement right now, walking with a slight pep in his step as he bit around his ice cream cone.

the park boasts some beautiful scenery today, and little children are out and about. still, you underestimated the weather, and the cold uncomfortably nipped your arms as you internally cursed yourself out for wearing just a shirt. you crossed your arms as a subtle way to shield yourself from the cold.

“don’t play coy with me, y/n. are you cold?” satoru says with a cocky grin, and you huff at his question. surprisingly, he drops the teasing act and unzips his sweater, handing it to you. “here, take it.”

“satoru-“

“i’m not doing this to flirt or whatever you’re thinking right now. you’re shivering, and i’m just concerned for you, so please wear it.” he deadpans, and it’s the first time you’ve seen him be so… upfront? you kind of like it. it’s not him teasing you or him being flirty. it’s just him showing that he genuinely cares for you as a friend. you take the sweater with a nod and put it on, ignoring how your heart is thumping as you take in his signature smell. cedarwood with a little bit of musk. it’s not an overpowering scent, but it still envelopes your senses.

“nevermind. you look so cute with my hoodie on. i feel like we’re in a j-drama right now, y/n!”

you take back everything you just said.

a few minutes later, you two are near the kids playground when you decide to take a break from walking, sitting on a nearby bench with gojo. the chirping of the birds and the wind passing through the trees is quickly overpowered by loud crying. crying from the child right in front of you, in fact.

you’re about to ask him what’s wrong, but satoru beats you to it. he kneels in front of the kid, and coos, “hey, buddy. what’s your name, hm?”

he stops crying for a moment to look at gojo and shakily responds, “gumi-um, megumi fushiguro..”

“megumi, huh.” he clicks his tongue for a moment. “why are you crying, megumi?”

“i-i don’t know where my dad is!” he cries, and satoru looks to you for help. you just shrug, unsure of what to do with the lost kid, until gojo’s face lights up, assumingly with a great idea.

“he’s most likely just around here somewhere. you can wait with us, and we’ll help you find him! say, do you want an ice cream to help you feel better, megumi?” the boy hesitantly nods, and satoru gives him a thumbs up as he takes him to the nearby ice cream stand. you’re watching this entire scene unfold, absolutely enamored with gojo for the first time. you didn’t think he had a natural talent with kids—but the way he’s making megumi laugh while he happily snacks on his ice cream says otherwise. an outsider could look at you three and assume that you’re just a happy family.

you try to ignore how that makes you feel.

and as you wave goodbye to megumi once he eventually is reunited with his father again, (an intimidating man who gave you two an appreciative nod as he walked away with his son.) you realize something as you tug on the sleeves of your-satoru’s sweater.

you’re in love with gojo satoru.

and fuck, that revelation scares you more than anything. the last time you had given your heart to a man, he had crushed it repeatedly until you decided that you would never let yourself be vulnerable like that ever again.

and now, you're in love with your school’s notorious playboy—and it feels like you’re setting yourself up to be heartbroken again. you want disregard those rumors and shoko’s words so badly, but they still eat at the back of your mind even though the real gojo satoru is right in front of you, and he doesn’t match the characteristics of the gojo satoru in those rumors at all.

you also remember that he has one real best friend, geto suguru. you like to think that this is also what geto sees in gojo. the reason why he’s stuck around.

the reason why you want to stick around too.

you’re so busy in your head that you’ve just noticed gojo frantically waving his hand in your face. “earth to y/n? oh, good! i thought you had, like, a shock reaction from seeing megumi’s father. he looked a little scary, no?”

“he looks like if a muscle came to life and started talking.” you whisper, and he laughs in agreement. burying your hands into the pockets of his hoodie, you smile. you don’t want to think about your current revelation with gojo right now. instead, you’ll stick with the present. and right now, you like the present.

you just don’t want to think about what this means for your future.

it’s the weekend, and you’re doing some work at the local cafe, gojo-free for once. only god knows what the man is doing at three pm in the afternoon on a saturday. not like you should be thinking about him right now, though. his presence alone has caused you to be behind on your studies, and you need to make sure you catch up.

you have to admit, you were a little unused to the silence. usually, the silence would be filled with gojo’s endless banter with you, as well as his terrible, corny jokes that are so stupid you can’t help but laugh. his seemingly never-ending presence was annoying at first, but now, you’re starting to yearn for his company.

it further fuels the pit of uncertainty in your stomach, and you hate it.

shaking your head with a sigh, you take another bite of your pastry and continue typing up the report on your laptop. the looming thought of this report’s impact on your grade and the need to pass this class helps you forget about satoru for a while. once again, you get lost in your academics.

the ring of the cafe bell breaks you from your trance. it was a natural impulse of yours to glance at everyone who entered the cafe, but once you did this time, you felt your heart drop down to your knees.

it was your ex.

your ex boyfriend who destroyed the notion of love for you, because he made you feel it for a short time, only to throw it all into a pit of fire and leave you scrambling to find nothing but ashes.

if you had to find the true roots as to why you’re so afraid to pursue a new relationship–you always find your ex in the center of it. and now, he’s right in front of you. you have to face him again when you refuse to shamefully admit that you’ve barely even healed from the emotional scars that he’d left behind.

you feel as if an invisible hand has wrapped itself around your throat, blocking your airways and your ability to speak.

out of all the days satoru wasn’t here with you, it had to be this one.

“y/n? is that you, sweetheart?” you wanted to vomit at the way he said your name. he had no right to say it so sweetly, when all he’s ever left behind is venom.

“i don’t want to talk to you.” you cringe at the way your voice cracks, and you avert your gaze from him.

“please, just hear me out for a minute, baby..” he coos, and you hate the way he talks to you as if you were a child. “i know i fucked up, and i can’t change our past… but i can change our future together. if you take me back, i’ll show you how much i’ve changed-”

you don’t know how many times you’ve heard that stupid line before.

“god, you sound like a broken record with how many times you’ve pulled that bullshit on me.” you spat, loud enough to draw commotion in the cafe. your ex has surprise written all over his face–most likely due to your non-compliance to his words. “what, do you say that shit to all your hoes?”

your ex looks around, shrinking a little when he sees all eyes are on him. “now, now, y/n, no need to be like that-”

“be like that… be like that?! you’re telling me to be civil when you’re the one coming in here wanting me back, spouting some bullshit saying that you’ve changed, when i told you to leave me alone already!” you scream, and you could feel the tears bubble up in your eyes. you look down, so you aren’t able to see how everyone’s staring at you with pity. god, you hate pity. it makes you feel weak and vulnerable. the two emotions you absolutely loathe. “i just want you to leave me alone, god. i hate you, why won’t you just-”

“you fucking bitch-” he makes a move to lunge at you, and you instinctively take a step back, pure fear enveloping your senses.

you never feel the impact, though, as you see your ex being restrained by the cafe worker.

you remember him. the man who took your order earlier. he was an older man with a warm smile on his face, although you noticed how his cheekbones were slightly sunken, and he looked a little overworked. you jokingly quipped earlier that he should get some sleep before thanking him for making your order. he just replied, i get that quite a lot.

the size difference between your ex and the man is enough to discourage him from fighting back. he makes quick work your ex, dragging him out the door while he hysterically screams profanities to you on the way out. you assumed the worker threatened to call the police, because your ex scrambled up from the ground and ran away. you hoped this was the last time you would ever see him again.

“are you okay, ma’am? he didn’t hurt you, did he?”

you didn’t even realize that the worker was back inside the cafe. everyone was gradually returning to their own businesses, with the eerie silence being replaced by casual chatter once more. you also didn’t realize how much your hands were shaking, and you huff out a breath you didn’t know you were holding. “y-yeah, i’m alright, and he didn’t hit me. i just… need a minute,”

you decide that you aren’t gonna get anymore work done like this, so you pack your laptop into your bag and slump onto the seat with a sigh. you bury your face into your hands. “is it a long story?”

“oh, don’t even get me started.”

he laughs at that, and you ease up a little. “i told him i’d call the police if i ever see him around here again.”

“that’s good to hear. though i’d prefer if i never see him in my life ever again.”

he hums at your words, and he turns to look out the window. “it’s getting dark out. do you want me to call you a cab?”

“no need, i’ll call my boyf–my friend. i’ll call my friend. he’ll uh, pick me up.” you’re still so shaken up you barely even register what you said to him. your eyes are frantic as you turn your phone on and look for gojo’s name in your contacts. you don’t know why you want him to pick you up out of everybody. you could ask utahime or shoko right now, but you just wanted nothing more but to see gojo.

the bell rings again, and you flinch at the sound. thankfully, it was just another customer. the worker sighs. “well, these orders aren’t going to be done themselves. just wave me over if there are any other problems, okay?”

you nod absentmindedly, and he turns to leave, but you stop him. “wait, sir, what’s your name?”

“kento nanami.”

“thank you so much, nanami. i appreciate it.”

“i’m just doing my job.”

“your job is restraining crazy exes of college girls and kicking them out?”

“‘it comes with the job description.” he teases, and you laugh lightheartedly. “and your name is?”

“y/n l/n.”

“anytime, miss l/n. again, just please… call me over if anything happens.”

“will do…” you say, pressing the “call” button on gojo’s contact. the anxiety is hitting you again, and you take a shaky inhale. you’re surprised at how he picks up almost instantly. “hey… satoru? yeah, can you come pick me up, please? i know i don’t normally ask you to do something like this but-”

“did something happen?”

“a lot happened, actually… i’ll text you the address. please, just come soon.”

“of course, y/n.” you could already hear him running out the door, hearing the roar of his car engine coming to life. “i’ll be there as soon as possible.”

he gets to the cafe in five.

you wave goodbye to nanami, thanking him once more as you get in the passenger seat of gojo’s car.

it’s not your first time inside here, but you still can’t help but admire how… expensive everything looks. or maybe you’re just looking around because you’re stalling, and you have no idea where to begin with satoru.

however, you notice that he’s not asking you what happened, and he’s not forcing you to explain anything to him. instead, he switches the gear shift out of parking and says, “do you want me to take you home?”

your eyes widen at his words, and you shake your head no profusely. the last thing you want to be is home alone right now, mainly because your ex knows where you live. you know he most likely won’t go that far with you, especially since nanami knocked some sense into him… but the possibilities still scare you. you take a deep breath before saying your next words.

“...can you take me to your house? i-i’m sorry for asking, i just don’t want to be alone right now cause i’m terrified and-”

“y-yeah. i’ll take you to my house.” he says, and you’ve never seen him so nervous in your life. it almost makes you laugh.

“i’ll explain everything later. i just… wanna be somewhere safe first.” somewhere safe. you find his house as a safe place. gojo doesn’t know how to react. his heart is thumping wildly out of his chest, but he makes sure to put your own comfort before his feelings.

“you don’t have to tell me anything if you don’t want to.” he says, maintaining his cool by keeping his eyes on the road, one hand on the wheel and the other on the gear shift.

“but i want to, satoru…” you say. you can’t believe you’re doing this again. you’re crossing so many territories that you were so afraid to cross because of your ex. now, you think you aren’t that afraid anymore. not if you have satoru by your side.

you place one of your cold hands on the gear stick, interlocking it with his. is he… shaking? “thank you for this.”

still. there are so many things you can’t say to him yet. you don’t know when you’ll be able to… or if you’ll ever be able to.

i love you. i love you but i’m too afraid to say it. i just hope that you’ll be able to wait for me.

“god, you’re killin’ me here, y/n.”

that pit of uncertainty in your stomach has grown so large you feel it's about to consume you whole. you don’t think you mind much, though.

the two of you are lounging at his couch after satoru insisted on telling you to make yourself at home. there’s a movie playing, with neither of you paying attention at all, takeout on the coffee table, two glasses and a bottle of wine after gojo didn’t know what drinks to serve, and freaked out by pulling the first expensive drink out from his parents’ alcohol closet. has he never properly invited someone to his home before?

“so in short, you had a crazy ex who saw you at the coffee shop… and he was begging for you to take him back, and when you went off on him he called you a bitch and tried to hit you…” he recalls, a huge grimace on his face. “tch. the cafe worker shouldn’t have let him go like that.”

“i’m sure he learned not to mess with me after getting humiliated in public.. and nanami did more than enough for me.” you retorted, and he gave you a sour look.

“oh, so you know the worker’s name now?” he says, and you could feel the tension build up in the air. oh. so he wants to do this with you? “what, is he your knight in shining armor?”

“he looks like he’s in his late thirties, satoru. i’m not into older guys,” you roll your eyes at his absurd questions and add, “what’s it to you anyway?”

“what’s it to me, y/n?” he repeats your words, and you could feel an argument coming, like you already didn’t have an exhaustive one with your ex. “you know how i feel about you-“

“what the fuck is that supposed to mean?” your voice is getting louder, all to hide your fear behind the implication of his words. you distance yourself from him on the couch.. much like how you distance yourself from letting satoru get too close to how you truly feel. “we’re not even together, satoru. you don’t get to control the guys that i talk to- hell, have you even seen yourself?”

you’re rambling, and all you want to do is shut up, but you can’t bring yourself to. “i’ve heard what our school says about you. y-you’re a playboy, right? and you only ever talk to girls because you wanna fuck them. i’m not stupid, satoru. i’m not different from any of them, right? you only chase after me because i’m playing hard to get and that pisses you off-“

“what… what are you even saying, y/n?” he asks, and it stops your rambling for a moment. you don’t know what you’re saying. you’re pouring out all the reasons why you’ve tried to push him away, the reasons why you were so afraid to give your heart to him. but now that you say them out loud, they sound outright stupid.

“i started coming to class just to talk to you, i memorized your schedule just so i can walk you to class every morning. i buy you all your favorite food and drinks… i had to memorize your favorites too, by the way. and i have shit memory.” he’s screaming at this point, and you’ve never had satoru scream at you. there are unshed tears in his eyes, and it’s all overwhelming to watch this unfold. “and when you called me, i drove as fast as i could to you because you never call like that and i was fuckin’ worried!”

“so let me ask you a question, y/n… would i do all these things for you just because i want you in my bed?! i’d do anything for you, and you know that!” he’s crying. the gojo satoru is crying, and it’s all for a girl. if you told this to someone in your school, they’d call you a shit-faced liar. gojo satoru doesn’t cry for a girl. he makes them cry.

“i’m sorry for being skeptical, satoru! i just can’t help it when there’s so many rumors about you wanting to fuck girls just for the shit of it – and i’m conflicted on whether or not i should believe them because i want you so bad and i’m scared you’ll end up just breaking my heart and i don’t want that to happen again-”

he cuts you off. “you… what?”

you’re confused at why he looks so surprised, but then you backtrack on your words and you gasp. fuck. why did i say that? you cover your mouth and look away from him, refusing to meet his eyes.

those stupid blue eyes that you know you can’t get enough of.

“y/n… can you please say that again? i don’t want to do anything if i didn’t hear you right.” his voice is soft now, and you swear that you’re dreaming. this isn’t real. right? i’m gonna wake up soon. you dig your nails into the palms of your hands, leaving half-moon marks in their wake. it doesn’t work, and you don’t wake up, and you know you have to accept the fact that this is very real and it’s happening.

this is the worst leap of faith you think you’ve ever had to take in your life.

“i want you so fucking bad, satoru. and i’m realizing that you’re not just the stereotypical rich playboy that everyone talks about on campus—you’re a really great guy, and i guess i’m just scared to face that-” you don’t even realize that satoru’s got you cornered on the couch, and you can’t finish your words as he slots his lips against yours. hard. it’s the most passionate kiss you think you’ve ever had in your life, and it’s got your breath taken away in seconds. holy shit.

you quietly moan against his lips as you kiss back, cupping his face with your hands and wiping his tears away. you wish this moment would last forever, but you pull away so you can breathe. you meet gojo’s eyes, and they’re clouded with lust and desire, but you could tell he’s still a little uncertain. “we’ll talk later… just take me to the bedroom already,”

gojo doesn’t need another confirmation from you, and he lifts you up to carry you to his bedroom, practically tripping on his feet the way there.

a few hours later and a noise complaint from the neighbors, it’s safe to say that gojo satoru was the best one you’ve ever had.

“god, i’m never letting you go, baby.”

he’s tracing hearts onto your bare back. it’s littered with bruises and red scratch marks just from a few minutes ago, but you’ve never felt better in your life. you stare at the man who invited himself into your life just from an encounter at a party, and you thank your lucky stars that you agreed to go with utahime that night. “is something wrong? you’re starin’ again.”

“i’m sorry it took me so long to trust you. i’ve just been scared to open up my heart again, especially after him.” you don’t have to name “him” for satoru to understand.

“i’m sorry too. i just got angry about the rumors and i also disregarded the fact that you’re scared to love again after your ex did all of that shit and-” he pauses, and sighs. “sorry. i’m rambling again.”

he pulls you into another kiss, and this time, it’s sweeter, lighter, and full of love. “i’m going to show you what it looks like to really be loved, because it’s definitely not the shitty picture that your ex painted in your head. there’s way more to it than that.”

“i love you, y/n.”

“thank you, toru.” you whisper. maybe, one day, you’ll be able to find the courage to say it back. and it’s okay, because gojo is willing to wait an eternity for you.

he’ll wait an eternity for you to teach you how to love again.

“look at how beautiful you are…” gojo says, appearing out of nowhere as he wraps an arm around your waist. you yelp, staring at your boyfriend through the mirror. he’s wearing a classic black tuxedo, with no doubt it being very expensive. it compliments the glimmering rolex on his wrist, and the thoughts running through your head about him and his outfit sets fire to your stomach.

“look at yourself first, toru… god, we should just stay home,” you tease, turning around to pull him into a deep kiss. it’s a friday, and gojo’s taking you out to attend geto’s party tonight. the two of you are going for several reasons. he wants to introduce you to his bestfriend, since you realized that you’ve never actually formally met geto before. it’ll also be your first formal “couple appearance”, as if gojo being attached to your side all the time doesn’t say enough about the two of you already.

gojo pulls away, which surprises you. you pout at the expression on his face. “as much as i want to, suguru’s been bugging about you all week. i really do think it’s time for you to meet him,”

“hmph. alright.”

“i’m tearing that dress off of you the second we get home, though.”

“satoru!”

“what?! not my fault my girl looks so damn hot all the time!”

this night is going amazing.

when satoru walks with you through the front doors, arm wrapped around your waist and the dress you picked out for tonight glimmering, you feel a little shy. the guys all whistle at the two of you, and the girls whisper amongst each other, but you and gojo don’t care. in his eyes, you’re the only girl he sees. the only girl worth being with here.

“wanna go get drinks?” he asks you, cerulean eyes showing underneath his sunglasses. you nod, walking to the kitchen with him. you’re getting severe deja vu… you can’t believe you met gojo at the last party you were at. and now you’re at another party, with gojo as your date. you scan the crowd for utahime or shoko, wondering what you would say to them if they saw you with the man they specifically told you not to mess with.

it’s alright, though. shoko was wrong about those rumors, and gojo’s proving it to you.

“satoru!” the playful voice greets your boyfriend, and you turn to see geto suguru. you’ve seen him around campus, and he sits somewhere in the back of your chem class. you haven’t really had the opportunity to talk to him, though… and he looks a little intimidating.

“you must be y/n,” he says, offering you a freshly opened smirnoff from the drinks on the countertop. you thank him and grab the drink, taking a swig.

“yup! my lovely girlfriend,” gojo lets go of his arm around your waist to grab a drink.

“you probably don’t know this, but i’ve been his wingman.” he smiles at gojo, who’s pouting, like he’s preparing himself for what suguru is about to say. “he’s batshit crazy for you, its insane.”

“oh? do tell.”

“when the two of you got together, he left me a voicemail at like… four in the morning? anyway, he was screaming about how he was the happiest guy in the world… or something.”

“that’s because i was!” you’re laughing at how unashamed satoru is about this.

“yeah, yeah, whatever.” geto clicks his tongue, pulling out his phone. “and he’s reposted you on insta to like, every drake song-”

“alright, me and y/n are gonna go dance.” he interrupts suguru, and drags you away from his best friend with a yelp. “nice talkin’ to you, suguru!”

“hey, i wanted to know more!-”

“shh, you don’t need to know about all of that.” the two of you are in the living room, in the midst of all the bodies dancing and grinding against each other. he pulls you close to him, and you feel his hot breath against your neck. “you look so beautiful tonight, y/n.”

“same for you, handsome. let’s dance, shall we?” you wrap your arms around him and just sway to the beat. you’ve never been much of a dancer, but everything feels natural as long as gojo’s with you.

suddenly, the music changes, and one dance starts playing. you two look at each other, and you both burst out laughing at the same time. “have you reposted me to this song?”

“duh. it’s a classic.”

“can’t disagree with that.” you say, finding yourself grinding against satoru while wizkid’s part plays in the background. it feels like such a perfect night–you’re pulling satoru into a deep kiss, and he shoves his tongue down your throat while he’s leading you to a nearby couch. you’re seated on his lap, mimicking practically every couple in this party tonight.

suddenly, you pull away, and you whisper, “i need to use the bathroom.”

satoru smirks at your words, thinking that it’s a hint for something else, and you give him a sour face. “want me to join you-”

you hit his chest playfully. “that’s not code for anything, you perv. i actually need to piss.”

he’s pouting at your words, but he lets you off his lap anyway, and holds your drink for the time being. “it’s at the second door in the hall to your right. be quick, please.”

“no duh. i’ve got a cute date to come back to,” you say, walking away and traversing all of the bodies that smell like sweat and alcohol. you’re a little unused to this environment, but it’s alright. you fix up your makeup in the bathroom and freshen up a little, walking back to the living room to find satoru again.

you wish you never did.

you were gone for four minutes. five minutes max. you come back to satoru, and your breath hitches at the sight.

on his lap was a random chick that looked like every other girl at this party. she was practically naked, since her outfit didn’t do much to cover her skin at all.

fuck.

you remember the first time you saw gojo at the last party you went to. the sight wasn’t that different compared to the one now. there were girls all over him, all fighting for his attention. and yet, it seemed that night, his attention was focused solely on you.

what bullshit that was.

your eyes are blurry, and the music is muffled in your ears. white noise fills your senses, and all you want to do right now is run.

so you do.

you run, not caring if gojo saw you at all or not. you run out of the party, eternally grateful that you didn’t pick out heels for tonight and settled for much simpler shoes. you run, despite the fact that you drew geto’s attention. you were already out the door before he could ask what was wrong. you run, just wanting to get away from everyone and everything. you run with no particular destination in mind. you stop running when you almost get run over on a red light, the car honking at you–screaming profanities as it drives by. it breaks you from your trance, and you sit on the curb of the sidewalk, letting all of your tears out on what was supposed to be a perfect night.

of course gojo didn’t think that you were different. you were just like every other girl to him.

stupid. stupid. stupid. you’ve never felt so stupid in your life.

when geto sees you running out the door with unshed tears in your eyes, he immediately panics. what the hell happened?

he goes through every room of the house, trying to find gojo, when he hears a bunch of commotion in the living room. he runs there, pushing past everyone, only to find a total disaster inside.

he sees gojo screaming at a girl dressed like a stripper, who was on the ground with tears in her eyes. satoru looks like he’s about to pop a blood vessel with how pissed he looks. there’s a crowd forming at this point, and geto knows he needs to intervene, so he drags his bestfriend away, who looks so distraught that geto could just wonder what the fuck happened.

they’re outside now, and its significantly a lot more quiet out here compared to all of the chaos inside. all the noise is coming from gojo—who won’t stop crying, and geto has no idea what to do or where to even begin. “fuck!”

“dude, what the fuck happened!?” satoru looks like he’s feeling every emotion at once. he looks pissed, pissed enough to punch a wall, and geto’s a little afraid that gojo might actually do that–or worst-case scenario, punch him. he’s crying, and geto hasn’t seen gojo cry ever since he fell off a swing in pre-k, so what happened must be really fucking serious.

“i don’t KNOW what happened, goddamnit! y/n went to use the bathroom and some slu- some girl came up to me and threw herself on my fucking lap! i was gonna tell her to fuck off but y/n saw before i was able to and now she’s gone and she probably thinks that i’m just some cheater when i’ve worked so hard to get her to trust me and-FUCK!”

he stops, trying to calm down a little, and gojo takes the shakiest breath he thinks he’s ever taken in his life. the red in his vision starts to fade, but he still feels helpless. “i just don’t know what to fucking do, suguru.”

“i just saw y/n run out of my house a few minutes ago.” he says with a grimace, and he’s trying to figure out what to tell his bestfriend. “i’ve never seen you like this over a girl before. holy shit, you really love her, do you?”

geto thinks that gojo’s bloodshot eyes, the brutal names that he called that girl at the party, and the tears he’s shed for you are already an answer.

“this is your last chance to prove it to her, satoru.” geto fumbles through his pockets and hands him the keys to his challenger. gojo snatches them, hearing the car engine rumbling itself to life. the white-haired man thanks his best friend as he steps into the drivers’ side, with geto reassuring him, ‘ill deal with the chaos inside, you go ahead and explain yourself to your girlfriend’.

gojo swears that he’s never driven so fast in his whole life.

part 2 :)

#kami writes #jujutsu kaisen #jjk #gojo satoru #gojo x reader #gojo satoru x reader #gojo satoru x you #gojo satoru angst #gojo satoru fluff #gojo satoru comfort #gojo x reader angst #gojo angst #gojo x you #gojo x y/n #satoru gojo #gojo satoru x y/n

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mariasont · 19 days

Note

hi hi hi!!! i know you’re working on the bau sleepover buttttt i was wondering if you could write a aaron hotchner x reader fic where like what happened to garcia, reader gets shot and she’s in hospital and they don’t know if she gonna be okay and stuff. her and hotch have this mutual pining for each other and when she gets shot he kinda spirals. after being released, hotch takes her to her apartment and stays with her until they catch him and stuff. i know this is really long, thank you!!!

Some Profiler You Are - A.H

a/n: hi hi hi thank you so so sooo much for requesting <3 i kind of took this a more fluffy route and focused more on the recovery so let me know if you like it :)

masterlist

‧₊˚ ✩°｡⋆♡ ⋆˙⟡♡ ⋆˙⟡♡⋆｡°✩˚₊‧

pairings: aaron hotchner x fem!reader

warnings: reader was shot, comfort, angst like a teensy bit, fluff, changing of bandages, kinda shitty ending per usual

wc: 2k

"Do you want to sit down?"

No, you really didn't. After spending the last six hours in a state of near-motionlessness, sprawled across various surfaces, the last thing you wanted was to do was sit down. Your legs had taken on the consistency of overcooked noodles, so you made the grave mistake of misreading the quiet of the house as Hotch's absence, a mistake punctuated by the garage door's sudden rumble.

You should have known better than to assume he would leave you alone for even a second. Now, you were face to face, his scrutinizing eyes boring into yours, arms crossed across his wide chest. He was in a casual zip-up--a rarity that you never imagined him wearing before practically moving in with him. But you really did enjoy this relaxed side of him, he wore it exceptionally well.

Taking work off was a concept you knew was foreign him, yet here he was, not at his desk, hovering over you like a concerned parent. The entire office, yourself included, gaped at him as if he had sprouted a different head when he told them. His next move was even crazier--he insisted you stay with him while you recovered.

You protested. A lot. Shocker. But he wouldn't take no for an answer. Again, Shocker.

You winced as you stepped forward, your hands automatically gravitating to the bandage that spanned around your thigh.

"You can't baby me forever, Hotch," you murmured, though your conviction wavered under the dull throb in your leg.

You braced yourself against the counter, trying to mask the discomfort you were sure was etched all over your face.

Filling the shoes of the communications liaison for the FBI post-JJ's shift to profiling, you signed up for a life of managing the media narrative, being the conduit between local and federal levels, and choosing the cases. You provided assistance in ways that aren't glaringly obvious.

What you didn't sign up for is getting shot.

The movies, the stories, even the firsthand accounts from coworkers--none of it could brace you for the raw, blistering pain of a gunshot wound. It fucking hurt. And the recovery? It was a different kind of torture, and you'd even argue that it was worse.

"It's not babying, it's common sense," Hotch countered.

He was frustrated. You had that effect. He stepped closer, his hand dragging down his face. "You took a bullet. It's still in your leg. It's perfectly rational for me to want to prevent any unnecessary strain on you."

"Feels dramatic," you shrugged, but he was right, like always.

Your grip on the counter tightened, knuckles growing white as you struggled to keep the pain under wraps. His brows lifted in response.

"I'm fine, really, Hotch. I hate this. You're probably dying to get back to work--don't let me be the reason you don't. Despite popular belief, I'm quite capable of fending for myself."

"I'm aware," he said, his attention briefly shifting to your bandaged leg. You were wearing shorts, a choice that felt less than appropriate, but practicality trumped formality under these circumstances. "Work will survive without me. I'm not sure I can say the same about you."

Your laughter was short-lived, swiftly turning into a stifled grimace as your footing slipped. Hotch's reflexes were quick, his hands steadying you--one against your ribs, the other just shy above the hem of your shorts.

"Point in case."

"Poking fun at a wounded woman? Shame on you, Hotch," you chided, your lower lip jutting out in a pout. His eyes darted to it momentarily.

He didn't move, his hands staying put, stirring a gentle, jelly-like feeling inside of you.

This was an odd sort of comfort, the kind you're not supposed to feel with your boss. You shouldn't be talking to him like this, shouldn't be in his kitchen, and certainly, his hands shouldn't be where they were. But the ache in your heart didn't seem to care about shoulds and shouldn'ts.

Hotch's presence was hard to ignore. He was reducing the space with every word.

"You're hardly acting like a wounded woman," he pointed out. "You should be in bed."

You tilted your head, sliding onto the barstool to carve some much-needed space between you. The scent of his cologne was intoxicating, and you needed distance to gather your wits before you did something that HR would definitely not look kindly upon.

The action was a mistake, a fact that became painfully clear as the feeling of something stabbing into your leg took hold. You tried to muster a smile, but you were sure it came across as a snarl. The last thing you wanted was to inflate Hotch's ego by showing that maybe, just maybe, he was right.

"Shit."

You followed his line of sight, landing on the fresh red seeping through the bandage and staining your shorts. Oh. That's not great. Don't think you can fool him with this one.

Hotch didn't hesitate, his response outpacing your own surge of panic, which was incredibly fast, because you were panicking and frankly not that great with blood. His hands were on your skin, easing the hem of your shorts upward to lay bare the wound you had stupidly underestimated.

You're never going on a date again.

I mean, the only reason you even went was to get your boss of your mind. Since the first day, you'd been hopelessly drawn to him--how could you not be?

But there are a couple factors to consider.

Firstly, he was your boss, and the whole notion of a coercive relationship dynamic seemed problematic.

Secondly, there's the age difference; it had never been an issue for you--perhaps a reflection of your daddy issues--but you knew it would raise some eyebrows.

And thirdly, he didn't even like you back. That was, of course, the biggest issue. If not for this, the other concerns could definitely be overlooked.

Before this whole incident, he barely acknowledged you beyond was professionally required of him. You knew you hadn't been part of the team long enough to bond--though you weren't sure Hotch did bond in the usual sense, but the point was made.

You were fairly sure you hadn't made much of an impression on him.

"Hold still." That was a tall order, considering it hurt more than a mother fucker.

You found yourself glaring at him--not that he was to blame, but you needed to anchor your frustration on something, or someone. Unknowingly, your grip had latched on the fabric of his zip-up, but he seemed unfazed. He grabbed a clean cloth from the drawer, pressing it against the wound, only furthering the colorful vocabulary going on in your head.

"Fuck, Hotch."

You didn't make a habit of cursing in front of your superior, but the sharp sting forced tears to the brink, your body going rigid as you snapped your eyes shut.

His other hand found its way to your uninjured thigh, giving it a firm squeeze--a clear attempt to divert your attention. It worked for a second. "I'm sorry, just keep this pressed here, okay?"

He motioned toward the cloth, and you complied, too drained to consider otherwise. Your brows knitted, and you bit into your lip until you tasted something metallicy, your mind desperately racing trying to think of anything other than the blood flowing freely from your thigh.

"Where are you going?" You knew how panicked you sounded as he turned away, stepping towards a cabinet.

He rummaged briefly before holding up a first aid kit. Catching the brief alarm in your face, he quickly returned to your side, his hand finding the crook of your neck as you instinctively clutched at his shirt once again.

"If you dare say I told you so, I swear, Hotch, fists will fly," you ground out through clenched teeth.

He laughed, and now that did distract you, your eyes zeroing in on his perfect teeth. It was a rare display, and it only served to aggravate you further. Of course he had perfect teeth.

"I didn't say anything."

"I could feel you thinking it," you said, your voice rough as you willed the moisture in your eyes not to fall. "Maybe I should be a profiler."

"Definitely."

"Sarcasm doesn't suit you." You were lying. Everything suited him. He stepped back, and you reluctantly peered at the wound, only to find a neatly sutured leg. "Where did you learn to do that?"

"In this job, you learn to be handy with more than just a gun.”

You’d love to know what else he’s handy with.

He pulled your leg up to rest on his as he took a seat on the opposite stool.

Your body was buzzing, from the closeness, from his hands on you, and also from the pain, but you were trying to ignore that. He grabs a new bandage from the counter, hands trailing up your thigh so slowly you thought you might pass out. He was so gentle. There was no other word for it.

"How's it feel?"

You paused. Eyes fully locked on his precise movements as he wrapped you up. You were closer than you realized, practically sharing the same breath.

"Fine."

"Yeah?"

You nodded, and he finished up his task, his hand lightly patting your thigh to show he was done. You didn't move your leg from his lap, and he didn't move his hand.

"I couldn't sleep for three days."

"What?" Your brows were furrowed, your focus sharpening on his face as the words left his lips.

"When I found out you had been shot." He cleared his throat, his thumb making gentle rotations on your calf. "I couldn't close my eyes without seeing red for days. I wanted to kill the son of a bitch who did that to you. I almost did."

You weren't sure how to process this information, or why he was telling you. "You and me both."

"I'm serious." And you could tell he was, his eyes narrowing slightly as his hand firmly encircled around your leg. You felt a lump in your throat form as heat rose from your neck to your ears. "Do you know what that was like? I felt like my heart stopped."

"Why?"

"Why?" It was more a scoff than a word. He blew out a breath, his fingers pinching into the space between his eyebrows. "Is it not obvious?"

Your heart was beating a lot faster. You wanted to say something, anything but your throat was dry and every time you opened your mouth you found it snapping shut.

Hotch's expression softened ever so slightly, his voice low and bouncing off the walls as he spoke. "Because I'm in love with you."

Your breath stalled, as if every ounce of oxygen had been vacuumed from your lungs. The air felt heavy, almost tangible.

You stared at him, heart skipping a beat.

"That's not funny," you said. It wasn't. You weren't in the mood for jokes, and your brain couldn't comprehend he might be telling the truth. "You...you don't even notice me."

He shook his head. "I notice everything about you." His thumb stilled on your calf. "I'm your boss," he said, as if that explained everything. "There are rules, protocols. I couldn't...I still shouldn't..."

The confession stripped the room of its warmth, leaving a raw aching silence in its wake. You searched his face.

"When you got shot," he continued, "I realized that if I lost you, I'd regret not telling you how I feel for the rest of my life."

"Hotch, I..."

He leaned closer, causing your words to catch in your throat. His hand moved from your leg to your face. You were speechless, the world narrowing down to the man in front of you, to his eyes, the warmth of his hands.

"Say something."

"Are you kidding me?" Your heart was pounding like it was trying to escape from your chest. "I've been in love with you since I started. How could you not see that?"

He looked taken aback, as if your words were the last thing he expected. "Well—,"

But you didn't let him finish. "Some profiler you are."

You were practically climbing into his lap, hands framing his face, pulling your lips to his.

He chuckled against your lips, the sound vibrating through you. "Easy," he murmured, "don't make me fix that bandage again."

You laugh, the sound muffled by his mouth. He tasted like cinnamon and coffee. "Shut up, Hotch."

taglist: @hotchhner @khxna

#aaron hotchner x reader #Aaron hotchner fluff #aaron hotchner x fem reader #Aaron hotchner #Hotch #criminal minds fic #Aaron hotchner fic #criminal minds #Thomas Gibson

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c-nstantine · 1 month

Text

to be a muse

Description: Benedict meets a fascinating young woman

Word Count: 0.9K

Warnings: I think I made Benedict a bit of a himbo but that's okay. the reader is still black and even though she's charlotte's daughter, I made it so she's any skin tone which lowkey makes sense given how wild genetics work

Benedict stared at the painfully blank canvas of his family's drawing room. Hyacinth's and Gregory's laughter could be heard running about in the family's home. Kate and Anthony were doing god knows what, honestly, he felt like he was going to throw up from the love that came from the both of them.

"Brother, I fear I'm in a rut," Benedict announced while plopping himself down in between Colin and Eloise. He reached over and stole one of Eloise's bonbons.

"I beg your pardon," Colin said as he jolted awake from Benedict's sudden appearance.

"Nothing, and I mean nothing, has inspired me. Idle hands," He waved his hands in the air for extra effort.

"You are out of inspiration and you woke me up to tell me this," Colin tried to rub the sleep out of his eyes but nothing was working as Benedict yapped on and on about art.

"Yes," Benedict shrugged.

"Have you tried going to the museum? I hear there is a new exhibit. It might spark something for you," Eloise just wanted to eat her bonbons in peace.

"That's why you are my favorite, " He ruffled her hair before dashing off to find his coat before heading to the museum.

He stood in front of a painting for what felt like hours. It seemed like he was waiting for something to come to him, his inspiration. Footsteps shuffled around him, yet, Benedict remained unmoved.

"I find his work to capture the inquisitive nature of who he paints," A melodic voice came from behind him. He turned a saw a woman around his age with the most beautiful features. Delectable lips, and round cheeks, and her skin looked like it was kissed by the gods themselves. The most gorgeous shade of brown, he had ever seen.

"You do? That is a refreshing perspective. My family thinks them all to be faces on a canvas," He probably should have addressed her more formally but for now he was happy to have someone share interests with him.

"They are but they are also so much more. Each brush stroke is an attempt to capture a moment. No matter how imperfect it may be," She looked at him with a small smile playing on her lips. His eyes lingered there a little long before dragging down the rest of her body. She did not have the clothing of a commoner. She must be a lady, he thought to himself.

"Are you a painter?" He asked.

"I am talentless in art, I'm afraid but that doesn't stop me from enjoying it. And what about you?" She shook her head and he noticed the bouncy curls that fell from her scalp. He was becoming more and more entranced by the moment.

"I dabble. I am not great enough for a museum. My siblings believe it to be my hobby," He admitted rather shyly.

"Yet. You are not great enough for a museum, yet. Mister?" She asked for his name.

"Bridgerton. Benedict Bridgerton," Benedict gave her a small smile as he introduced himself. She chuckled slightly.

"It has been wonderful chatting with you, Mr. Bridgerton, but I fear I may have to leave." She looked disappointed that their conversation had come to an end. Benedict looked up at the painting and began to speak.

"What is your name so I may fin-" He looked down and she was gone. She had disappeared into the crowd before he could finish his statement. He pushed to the entrance of the museum but there was nothing.

"All of this happened and you did not catch the lady's name?" Colin asked as he and Benedict made their way away from the mothers who all wanted their daughters paired with a Bridgerton.

"She was perfect. I only entertained Mother's idea of me coming to the ball tonight in hopes of seeing her," Benedict said while adjusting his waistcoat and smiling at some of the season's eligible debutantes but none of them were her.

"And if she's not here?" Colin asked, his eyebrows squinted and a bit concerned by the potential answer.

"I will simply cease," He deadpanned.

"Cease what?"

"To exist," Benedict said and watched as more and more people arrived at the ball. Even the Queen was in attendance, but someone far more interesting trailed behind her.

"Stop hitting me. Mother, he's hitting me," Colin said as Benedict repeatedly tapped his brother's shoulder. Benedict's eyes were wide as they trailed the woman he met in the museum.

"That's her. That's the woman," Benedict said watching her gracefully walk across the room. She was dressed in the finest silks and her curls that were wild and free earlier were pinned back.

"Well, that cannot be," His mother started. Her son could not have been talking about her. That would have been impossible.

"What are you talking about? She is right there. Even more beautiful than when I saw her last," He noted her appearance before quickly bowing in the presence of Queen Charlotte. Sure, the family had her favor, but even they knew their place.

"Bridgertons, I do not think I have introduced my daughter. Princess Y/N, she takes after me in beauty of course," The Bridgertons turned and then bowed in front of the Princess who looked mortified.

"It is a pleasure to meet your acquaintances," She spoke softly as her gaze held Benedict's. He understood why she dashed away. The scandal of an unmarried princess wandering the museum alone. Especially, considering how long the two of them spoke together.

"A pleasure indeed," He would see her again. He had to find his muse.

Taglist: @flyestvenustrap@megamindsecretlair@blxckdesire @prettyvintageafternoon@lilbanas@certifiedloverwoman@melissa-ashe @hoyoooo @blckbarbiedoll idk if you guys wanna be here for this because it's a bit diff from my usual content but just let me know!!

#x black!reader #black!reader #x black reader #black reader #benedict x black!reader #benedict bridgerton x black reader #benedict bridgerton x black!reader #benedict bridgerton #benedict bridgerton x reader #benedict x princess!reader #benedict x reader #bridgerton x reader

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fatesundress · 1 year

Text

⭑ for the love that used to be here. tom riddle x reader

summary. you and tom are the only muggle-borns in slytherin, until one day he isn’t.

tags. angst, afab reader who is referred to as a witch a few times and rooms with girls but i don't think i ever use she/her pronouns or say the word girl/woman, biggest warning is that this is SO long (idk what compelled me to write a year 1 – post-hogwarts fic but here we are twenty thousand damn words later), blood purity and bigotry, dumbledore is greatly offended by the bonding of two orphans until he can capitalise on it, frequent wwii mentions (specifically the blitz), book clerk tom, MURDERER TOM… ministry reader, kissing, smut once they’re 21/22 May all the minors in the room exit at once, more angst, sad ending kinda, me spreading a very personal and very nefarious tom riddle agenda that is canon to ME but probably only like two other people

note. i need a shower and an exorcism after writing this shit. i'm exhausted. i don't even remember half of it. but i'm also SO stoked, this is my little (very large, frankly) 100 followers celebration! i've only been on here for about a month and the love has been so crazy so thank you mwah mwah mwah ♡

word count. 21.8k (i know... i KNOW)

You learn quickly that your shade of green is not the same as theirs. The rest of them are emeralds, even at that age — they glitter with their parent’s polish. You are flotsam, sea-sick, envy green; the putrid boiling stuff that brews in your cauldron when you look away for a second too long, and, really, it’s more of a stain than a colour at all. There is a fraction of a second where you find something powerful in that. You are not an easy thing to remove. And then it’s gone, because they want to so badly.

You learn, with a bit less tact, that you doesn’t actually mean just you; that it’s you and him whether you like it or not.

He evidently does not.

“It has to be completely fine,” Tom says to you in Potions, his voice small then but just as practised.

You narrow your eyes. “‘Scuse me?”

“I said the powder has to be completely fine.”

“I heard you completely fine. I know how to read.”

He stares blankly at you before returning to his own station, and that’s that.

It isn’t unheard of for muggle-borns to be sorted into Slytherin, so you’ve been told, but one glance around your common room and you can see it’s pretty damn rare.

There’s Tom Riddle, there’s you, and there’s a seventh-year girl whose knuckles are always white like she’s spent so long with her hands balled into fists that they don’t know how to do anything else. Tom Riddle is a prat, the girl is too old and unapproachable even if she wasn’t, and you are very good at being alone.

That decides it. Flotsam still floats.

Everything is — fine. It’s fine for months; you have no one and need no one and sometimes you catch a jinx in the back of Charms that zips your mouth shut or bends a foot the wrong way (a cruel reminder of how much more these people know than you) and your broom occasionally pivots so sharply the Flying professor has to stop you from careening into a wall and breaking enough bones for a week’s worth of Skele-Gro, but it’s fine.

…It’s just that he’s insufferable.

The boy is eleven years old and he speaks like he’s stealing glances at an invisible lexicon between every word, more refined than any of the orphans you grew up with which makes you wonder which sort he’s surrounded by, and you take it upon yourself to theorise in passing if you could ever scare him badly enough his real voice would slip and he might just appear human for once.

Only it becomes clear when you’re stirring awake in the Hospital Wing after a mysterious bout of dragon pox (conveniently, all the pureblood children developed an immunity after catching it young) has rendered you bed-ridden and pockmarked, that you don’t think anything can scare Tom Riddle. He’s suffering just as well in the bed beside yours to keep the contagion to the two of you, and he’s all cold, eddied rage under sallow skin and beetling bones.

“They’re going to kill you,” he says after three days of silence, when the room is dusted in moonlight so thin it’s like squinting through cinema noise or mohair fluff to try to see him.

You blink at the vague shape of him. “What?”

“If you don’t hurt them back, eventually, they’ll just kill you.”

In hindsight, it’s an assumption so hastily bleak only a scared child could make it.

I want to hurt them, you try to say, but for what follows you cannot: I want to hurt them but I’m not good enough to do it.

You roll over and pretend to sleep, and in the morning, you hurt them anyway.

It’s Avery who’s unlucky enough to be the first to test you when you’re three assignments behind in Transfiguration, still a bit groggy from your last dose of Gorsemoor Elixir, and actually, physically green. He tugs your hair and stings your cheek with the promise of “bringing a bit of colour back to your face” and it’s sort of funny how banal it is compared to the other transgressions you’ve been dealt — that this is the thing that makes you bare your teeth, grip your wand in a hand that still can’t hold half of it, and send Avery flying across the room with a Knockback Jinx.

Tom sits with you in the Great Hall for dinner that night, and he never really stops.

You practise spells by the Black Lake between classes and he’s anything but kind about the ordeal, but you teach each other. You end your days with singe prints and sore wrists and you often take more damage than he does, but sometimes, as spring settles in with warm tones (apple and jade and moss — all the greens you’d never imagined), you leave with less bruises than he does. It hardly feels like friendship. It feels much more like purpose.

When summer comes you don’t write to him, and you don’t expect he will either. You don’t suppose you’ve actually written a letter in your life. Instead you try new wand movements under your quilt every night and wait for August’s departure on a big red train.

You sit together when the day does come. He asks you if you’ve been practising. You frown and tell him you’re not allowed to use magic outside of school.

Second year is nothing but monotonous, antiquated theoretics. Most everyone complains. You don’t see why they should — they’re already aeons ahead of you — but that means you finally have a chance to catch up in your less-than-school-sanctioned meetings with Tom while the rest remain practically stationary.

Deputy Headmaster and Transfiguration professor Albus Dumbledore is imperceptibly less soft with you than he was last year when you make the apparently poor decision to sit beside Tom on the first day, and you file the subtle shift in demeanour into some mental cabinet to review later.

You find workarounds with the librarian, Madam Palles, inclined to sympathy for the poor, orphaned muggle-borns to grant relatively unfettered daytime access to the Restricted Section so long as you keep it tidy and none of the books leave the library. That’s where things get a bit more interesting.

For a month you remain innocuous as can be. You browse through rare historical tombs and foreign biographies that would charge more galleons than you can conceptualise, and you never leave so much as a tea stain on the parchment. You smile at the Madam when you return the key each night, and walk back to the dungeons with your hands behind your back. It is, of course, totally unrelated that a month is what it takes for Tom to master the third-year curriculum’s Doubling Charm. An entirely separate affair when you meet him in the most secluded alcove of the library, slip him the key, and stifle your grin as he duplicates it perfectly.

You discover Christmas break is your favourite time of the year. Nearly all the purebloods go home. The Slytherin dormitories are effectively halved.

It’s two weeks of earnest, uninterrupted work and sleep without fear of waking up with jelly legs or whiskers.

Madam Palles, most nights, makes a slight, drowsy effort of searching the library for leftover students before she casts the lights out and closes the door. Then, it belongs to you and Tom.

You’re splayed rather ridiculously over one of the big reading chairs on Christmas Eve, Lore of Godelot in hand, enthralled by a chapter detailing his controlled use of Fiendfyre through the power of the Elder Wand.

Tom is cross-legged and sat straight, his brows furrowed in concentration.

“What’ve you got?” you ask, leaning over to answer your own question.

Tom as good as rolls his eyes, holding up the book to give you an easier look.

“Magick Moste Evile?” You scrunch your nose. “Bit much, don’t you think?”

“It’s the stuff they’ll never teach us.”

“I wonder why.”

He steals a glance at your own book and smiles in that smug way that makes you want to slap him.

“What, Tom?”

He shrugs. “You might want to know you’re reading stories about the author.”

You look down. Lore of — Godelot wrote Magick Moste Evile?

It shouldn’t really be surprising. Three chapters ago your book was recounting his months in Yugoslavia grave-robbing magical burial sites.

“Whatever,” you mumble, “It’s just a biography. Least I’m not reading the words out of his mouth.”

“Well, they’d be out of his quill.”

“Oh my God, Tom, shut up.”

All good things must come to an end. Term resumes and your hackles are back up.

Abraxas Malfoy, Antonin Dolohov, Walburga Black and the best of the worst of your house have returned, sleek-haired and insatiable and deranged, truly, in such a manner that you don’t think you can be blamed for the instinct you feel every time you pass them to lunge like a wild predator or run like wild prey. All Tom does, though (and so you follow, because he’s standing with you and who has ever done that?) is meet their gazes with equal assuredness. He never seems bothered. He never seems animal. You are still all hammering heart and heavy lungs, and you are learning not to see the world through the eyes of someone who’s only ever had their fists to fight. You have magic, you remember. You’re good at it. You could hurt them, if you really wanted.

Not much is different that summer than the last. The war is hard. The food is hard to chew. You chip a tooth. You’re too afraid to fix it with the Trace on you, but you still smile because you will, and everyone seems put off by that. What is there to smile about?

You suppose, for them, it’s a question with few answers.

For you — you’re back on a big red train musing about the functions of muggle warfare with Tom Riddle, chucking a useless card from a chocolate frog out the window and moaning about how you wasted the sickle you found under your seat.

He’s gotten very good at ignoring your theatrics and going right back to whatever it was he was talking about. And you note, unrelatedly, he almost looks like he’s learned how to open the windows at Wool’s. (You dare not suggest he’s doing something so ludicrous as sitting in the sun too, but this is a start.)

Dippet, or the Minister, or whoever it is that’s in charge of the practicality of the curriculum, has become fractionally less stupid in the last three months.

You don’t have to rely on nights in the Restricted Section or weekends at the Black Lake to actually learn something anymore. Of course, without the assistance of those illicit extracurriculars, you wouldn’t be able to match up to your peers the way you are this year, but it’s nice to duel with dummies instead of motioning your wand vaguely over a desk, and you and Tom still climb the notice boards in rapid succession.

They hate you for it. One of your roommates makes a pointed effort each night to glare at you from her bed like those jelly legs are back on the table, Orion Black (two years younger but just as nasty as his cousin) nearly trips you on your way to Divination, Abraxas Malfoy develops what you think borders on obsession with Tom, and for once it feels almost offhand to not care about any of it.

You’re beginning to think even at its best, Hogwarts is remarkably insufficient. This leads you to books mercifully unrestricted so you can read about a few of the other magical schools for comparison. Beauxbatons is renowned for providing most of the worlds alchemical developments, Uagadou’s early propensity for wandless magic makes it unfathomably more practical than Hogwarts, Durmstrang (though you scoff at their violent anti-muggle sentiment) teaches the Dark Arts as something beneficial rather than unforgivable, and — what do you learn here? Even with the hair’s-breadth of magical leniency you’ve been allowed this year, it’s no surprise so few recognizable names in wizarding history are Hogwarts alumni.

“Let me have a look at that,” you say to Tom one evening, when he’s peering once more over the pages of Magick Moste Evile. He’s a purveyor of knowledge in all forms, but he always seems to come back to Godelot in the end.

He raises a brow, handing it to you like your intrigue doubles his. “No more reservations?”

“Don’t get ahead of yourself. I’m only curious.”

“Curiosity—”

“Killed the damn cat, I know.” You glare at him through the pages. “I think that’s you, in this case though, since you’re the one in love with the bloody thing.”

He shakes his head as he reclines in the low light of the Restricted Section, muttering something that sounds like “ridiculous,” or “querulous,” or something else unimaginably fucking annoying.

You might be wrong. Retract your last quip and expunge it. If Tom’s in love with any book, it’s the behemoth dictionary he’s been spitting stupid adjectives out of since he was eleven.

But Godelot’s musings on the Dark Arts are fascinating enough that you can understand the appeal. He’s no wordsmith, and you appreciate that in a way you’re sure Tom deems regrettable, but his points are straightforward but thoughtful in such a way you can read in them how he was guided by the Elder Wand through everything he did. There’s a stream-of-consciousness to them. Something doctrinal you’re surprised to enjoy for all the obligatory English creed they washed your mouth with at the orphanage.

“Find what you’re looking for?” Tom asks, combing with little interest through the tomb you’d put down in favour of his.

“I’m not looking for anything. I’m just…” You sigh. It’s almost painful to say. “I think you were right, and — oh, shut up, don’t look at me like that — I don’t think we’re learning anything here. Not really; not as much as they do at other schools.”

“Of course,” he says blankly. “Hence this.”

This — restricted books and furtive duels — should not be necessary.

“You know that’s not gonna be enough. For the rest of them, maybe, but not us.”

He tenses how he always does at the reminder of his difference. And you get it. Sometimes in moments like these you forget the reason you’re here in the first place. It isn’t just the rebellious divertissement of two academically eager students, it’s… survival. What future do you have as a penniless orphan in wartorn London? What future do you have as a muggle-born Slytherin who’s apt with a wand when there are a thousand more your age, just as skilled and twice as pure?

It isn’t enough to be as good as them. You have to best them, and you have to do it forever.

The night stumbles into an exhaustive silence because you both know it’s true and it’s a bit too heavy right now. The answer isn’t in this room. Just you. Just him. So you sit in the dark and you stare through that muffled nighttime noise playing tricks on your eyes. The worst of the world can wait until morning.

The worst of the world has impeccable timing.

A fault of both sides of the coin; the muggle world is a travesty and the wizarding world is just a bit fucking late, really.

So there’s the newspaper. It’s October first and the date reads September tenth. School owls are a joke and you can’t afford anything better.

And it’s a dirty, ashen grey. It smudges your green if you ever had it at all. You were born to this and you will return to it always.

BOMB’S HAVOC IN CROWDED PUBLIC SHELTER

MOTHERS AND CHILDREN AMONG THE CASUALTIES

DAMAGE CONSIDERABLE, BUT SPIRITS UNBROKEN

All you can hope to do is pass the paper to Tom and wonder without words what you’ll go home to.

The answer is very little when the summer clouds your vision with dust and you stand dumbly with your suitcase in front of nothing at all. You’d tried your best until your departure to keep up with muggle news, but it had remained, routinely, a month behind with the owls. By the time June arrived you were still holding your breath through May. Tom had attempted to reason with Dippet for summer lodgings at the school but you were both denied in light of the exquisite mercy — the bombs have stopped! The Blitz has ended! Go back to the aftermath and make do with the craters.

It’s a bit ironic that Tom’s orphanage survived and yours didn’t. At least you can finally see what all the fuss is about.

In truth, it’s more strange than anything. You feel unreasonably like you’re impeding on a part of him that has never belonged to you (if any of him does); that place where you intersect but never draw attention to. You remind yourself you had no choice in the matter. The system puts you where it wants to, and these days the options are slim. But it’s — the walls are amber-black tile and plaster, lined with sanitary-smelling hospital beds and a cupboard per room. Per room, you think; you’ve got one of those now, and with only one girl to share it with.

You figure the reason for the extra space is probably not one you want to know.

Anyway, you don’t actually see Tom for two days. The caretakers bring you a tray of dinner that’s vaguely warm and a bit too salty and you sleep off the debris you think you breathed in that morning, half-sated and sun-tired.

But then you do see him, and he’s in these funny uniform shorts and a thick blazer and your greeting is an offhand joke about the scandal of his knees that he doesn’t seem to appreciate. He eyes your muggle clothes while you wait for your own set and you know you really don’t have any room to judge.

He doesn’t, or at least doesn’t say he minds your relocation.

You spend half the summer waking up in the middle of the night to acquaint yourselves with the London tube stations, and the other half in whatever crevices of the orphanage you aren’t harangued by Mrs Cole every five seconds, which are far and few between. She seems to have decided fourteen is old enough an age to worry about your intentions unchaperoned, like it’s the bloody 1800’s, and admonishes you and Tom relentlessly despite only ever finding you quietly buried in useless books.

You begin to miss Madam Palles and her invaluable pity. Everyone’s an orphan here. No one’s sorry.

“What’s his deal?” you ask one stuffy afternoon, reclining in your creaking seat to prop your legs on the desk.

Tom knocks them off (he’s so well-mannered that you sometimes push these little gestures of impropriety just to bother him) and glances at the target of your question. Some broad, blond boy who skitters down the corridor a shade paler than he arrived. You’ve yet to properly introduce yourself to anyone you don’t have to, so names are muddy when you try to apply them to faces.

He shrugs, but there’s a flash of something in his expression you’re fascinated to realise is unfamiliar. “He’s an imbecile.”

“...Riiiiight, but that isn’t a proper answer.”

You smile. Legs return to table. Timeworn Oxfords muddy the surface. Tom scowls.

“There was an altercation last year,” he says tersely, “he’s rather fixated on the matter.”

“An altercation.”

“Very good, that is what I said.”

You narrow your eyes and he sweeps your legs off the desk again, gaze catching the unmistakable ribbon of an old bullied scar on your shin.

“And I suppose you’re above such incidents,” he muses.

You cross your arms and huff. He always wins games like these.

You’re grateful when you return to Hogwarts in one piece after your final night of summer is spent underground, and the certainty of knowing where you’ll rest your head for the next ten months cannot be understated.

But the worst thing has happened, and you blame it on the flicker of a moment where you missed Madam Palles like it was some jubilant, accidental curse to ever miss anyone. A foreign thing you remind yourself never to do again.

She’s only gone and jinxed the locks to the Restricted Section so they cry like newborn Mandrakes when Tom’s replica key clicks in place.

For a second you both stand there looking stupidly at each other. Getting caught was a fear two years ago; you’d almost forgotten it was still possible.

Tom is quicker to collect himself. He grabs you by the arm and casts a Disillusionment Charm, and you don’t burst running out of the library like two blurry suncatchers reflecting the candlelight as your instinct heeds; you cling to the shelves and you slither silently to the door. (You’ll make a joke about it when you can breathe.)

Madam Palles the Traitor comes heaving into the library in her nightgown, a blinding blue light baubled at the end of her wand, and it’s really just theatrical at this point to use Lumos bloody Maxima when the basic spell would do the job just fine.

“Has she suspected us the whole time?” you say on gasp once you’ve made it to the dungeons.

“Perhaps someone else has,” Tom suggests.

“What? Malfoy?”

You think it’s a good first guess. It could have been any of the Slytherins, upon consideration, but Malfoy seemed most fixated on Tom last year and it wouldn’t surprise you to learn he’d been observant enough to follow you to the library and notice you don’t leave with the other students.

But Tom quashes the idea. “I’m doubtful. Malfoy is attentive, but Madam Palles is hardly partial to him.” (He had, in second year, set one of her books on fire while studying offensive spells.) “I suspect it was someone with more influence.”

Only no one has more influence than Abraxas Malfoy. The rest of the Slytherins follow him like lost pups. But then Tom might mean —

“A professor?”

“It may be.” He says it like he’s already decided his suspect.

He is, as always, and ever-infuriatingly, correct.

It’s that file you tucked away for later, reoccurring when you return to Transfiguration in the morning like a second epiphany: Dumbledore.

He assigns the term’s seating arrangements, which he’s never done before, and there’s something in his tone when he pairs you with Rosier that feels intentionally like not pairing you with Tom. You don’t think it’s paranoia clouding your better judgement, and by the way Tom’s gaze hardens as he takes his seat beside Malfoy, neither does he.

Dumbledore is suspicious for a number of reasons. He disappears for weeks at a time. The Prophet writes articles on his sightings in Austria and France like he’s an endling beast. He’s being sighted in Austria and France — two notable countries in Grindelwald’s ongoing war. Perhaps ancillary, you’ve decided the charmed glass repositories he uses to hold his old artefacts are the same ones encasing the least permissible books in the Restricted Section. And if that isn’t paranoia (which, you’re willing to admit, it may be) then you assume he has them so proudly on display because he wants you to know.

You consider it a warning.

Tom does not.

“Just give it up,” you hiss over a game of wizard’s chess, “I bet we’ve read every book in there twice already anyway.”

His jaw ticks as the sole indicator of his annoyance, and he takes your rook. You scowl.

“Tom, that man thinks you’re devil-spawn. You know he’s just waiting for an opportunity to catch you doing something wrong.”

“So?”

It sounds so petulant you think he’s been possessed by his eleven-year-old self. Then you think he was a lot wiser at eleven.

“So?” You make an aggressive move with your knight. “So don’t give him one!”

He stares at the board and his breath is just a trace sharper and you hate that you know him like this and no one else. You wonder if he knows you like that too, but resolve with ease that he does not. You’re hard frowns and lewd jokes and trousers torn at the knee to bare scars with stories you wish you could forget. There’s no mystery there. Tom is nothing but — gordian knots and fixed expressions and little patterns to learn like the rules of this stupid game between you. You must know Tom Riddle by every atom or not at all. And that isn’t a choice, really. You’ve never known anyone else.

“Are you stupid, Tom?”

You glance at the board. He’s got Check. A terrible, true answer.

“No,” you finish. “Then don’t act like it.”

Your king glances at you and you nod. He falls. The game is resigned.

Tom acts stupid.

Dumbledore knows.

It all happens very fast.

You strike Tom harder in the arm with Confringo than is likely necessary that night, and he returns the favour with a Knockback Jinx that thrusts you into the shallows of the Black Lake.

You gasp. The cold water feels like it’s swallowing you whole when it strikes, an envelope sealed around you and licked shut for good measure. Everything holds to you, and it’s fucking November. Your senses are so overwhelmed that you forget to murder Tom the instant you sink in. You forget to do much of anything.

You wade trembling out of the lake when sense returns and Tom huffs, peeling off his robe to treat the burn on his arm.

“You—idi—iot,” you mutter, trying to find the incantation for a warming charm but the words get stuck between your chattering teeth. “You stole a re… stricted book.”

Tom glares daggers at you between his poor healing job and you scowl, mincing through the grass and grabbing his arm. “Fucking imbec-cile…”

You’ve done enough damage that if he were anyone else you’d be proud of yourself, and somehow, simultaneously, if he were anyone else you’d be able to manage a pinch of guilt. But he’s Tom, and you know him by every atom, so you cannot be proud, and he’s Tom — he retaliated by tossing you in freezing water and now your clothes are clinging sodden and heavy to every inch of you, so you certainly can’t be guilty either.

“I borrowed it,” he says tightly. As if that means anything at all. And then he takes his robe and drapes it spiritlessly over your shoulders. “You could attempt communication before curses.”

“I could attempt communication,” you scoff, uttering a charm to partially close the gash on Tom’s arm, “Fucking h-hypocrite. I did communicate. You lied.”

“I —”

“Omitted information? Withheld the truth? Watch your mouth or I’ll steal your fucking dictionary, Riddle.”

You swear a great deal when you’re cold and mad, apparently.

“I won’t be caught.” His calm is infuriating. “It would hardly earn expulsion regardless.”

“It doesn’t matter! He knows it’s you! He was staring at you all class!”

“So nothing novel then.”

“D’you want me to blast you again?”

His lips form a flat line. No. That’s what you thought.

You sigh, clutching his robes in your fists to quell your trembling. “What’d you take, anyway? We never touch the encased stuff.”

That is, you assume, why Dumbledore was vexed enough about the whole thing to mention it in class today. A highly valuable book has gone missing, from a repository you dare conclude belongs to him, and he has to pretend all the while not to know it’s Tom who took it. You are out of the question. Theirs is some delicate vendetta you can’t begin to unfurl.

“Nothing anyone should miss,” Tom says, a complete non-answer as he stops to murmur a warming charm you could probably manage yourself by now.

“Tom.”

“It was an encyclopaedia. It’s entirely in Runes. I suspect it will take months for me to decipher.”

“God’s sake,” you groan. He really is exhausting. “I think Dumbledore’l take his chances and loot your dorm before that happens.”

Tom wipes a stray droplet of water from your cheek. His fingers are soft. “We should return. You look half-drowned.”

“I am half-drowned, dickhead.”

And you accost him in hushed tones the whole walk back. Runes, Tom, really? Threw me in the damn lake over a Runic Encyclopaedia? He accosts you just the same; You burned me first.

It does, in fact, take Tom months to decipher the Runes, and he’s quite secretive about it. He won’t let you see the book, won’t tell you what it’s about, won’t indulge your queries on how far he’s gotten or if it’s worth the way Dumbledore bores his eyes into the pair of you in the Great Hall with nothing but the glass of his spectacles to soften his censure. You consider — well — you consider taking your chances and looting his dormitory.

The day everything changes starts the same as any.

You muse over breakfast about muggle news and how the way Tom holds his wand when he casts defensive spells is too sharp when it should be circular. He argues. You soften the criticism by telling him his offensive magic is stellar but you’ll always beat him in defence if he doesn’t swallow his damn pride and listen to you for once. (So, really, you soften it very little.) He doesn’t take Divination so you don’t see him until Herbology that afternoon and he’s silent enough during the hour you share with your wormwood plant that you know he’s done it sometime between breakfast and now.

Tom has cracked the book.

It’s late spring and the night takes longer to settle than it did in the winter. Errant sunbeams still sparkle on the water when you meet him by the lake, and it’s warm enough to forgo a coat.

“Are you going to tell me what it’s about now?” you ask without preamble, arms crossed over your chest as he approaches.

He hands you the book like it’s worth something to you without his explanation, but you’re intelligent enough to gather something from the illustrations of two twined snakes embroidering the cover.

“I should have suspected it sooner,” Tom says before you can comment. “By the way Dumbledore acted when I told him… I should have known he would have wanted to keep it from me.”

“Tom, I have no idea what you’re talking about.”

“It’s an Encyclopaedia on Parseltongue and its known speakers.”

You flip through the pages and none of it means anything. “Parseltongue?”

“The language of serpents,” Tom supplies, and the two of you walk along the edge of the forest. “It’s almost exclusively hereditary.”

“Okay, so, what — you’re trying to learn it anyway?”

“I have no need.”

You frown. “You… you already know it.”

“I always have,” he says, and there’s something almost unrestrained in his voice. He’s proud in a new light, and it takes you a moment to understand and you’re not sure why exactly it makes your heart sink, but —

“You’re not muggle-born.”

“No, I’m not. And Dumbledore knows.”

“So, he —” You try not to sound crushed because why should you be? Why should it matter that he isn’t some exact reflection of you? He’s at your side, he’s still there, he’ll always be there — “How does he know?”

“When he came to Wool’s to inform me I'd been accepted at Hogwarts. I hadn’t known anything, certainly not that speaking to snakes is emphatically rare, so I asked him. He said it was ‘not a peculiar gift.’ Perhaps to keep my interest at a minimum.”

“Why would he lie?”

“Because it isn’t just that I’m of magical blood. I’m a descendant of Salazar Slytherin.”

You can’t be faulted for laughing. It’s not often Tom makes jokes, let alone funny ones.

“That’s good, Tom. Morgana used to have tea with my great-great-hundredth-great-grandmother, so that works out nice.”

He sighs, taking your hand and leading you further into the woods.

“Are you trying to murder me?”

“I might.”

“You’d be the first suspect.”

“No, I wouldn’t. You’ve far too many enemies.”

Not by choice, you start to scold, and then he stops, not so far into the Forbidden Forest that you’re afraid, but far enough you understand this is not something he’d chance showing you in the open.

He closes his eyes and whispers, and it’s — decidedly not English. And you know the sound of a few other languages, at least; this doesn’t sound like words at all. His consonants are pointed, his S’s stretched, the syllables repetitive but separated by a difference in cadence someone less perceptive might not notice.

It shouldn’t be surprising; it’s exactly what he told you, but it startles you how much it reminds you of a snake.

“Tom?” you murmur, unsure at the prospect of speaking some ancient, unknown language into the air of the Forbidden Forest, and, underneath that, still reeling with the knowledge that this is real at all. You’ve pinched yourself a few times to make sure.

There’s a low susurration in the grass, wet with dew that catches the moonlight, and you gasp, clinging to Tom’s arm when you see the blades part in helices for the space of an adder.

“It’s all right,” Tom says softly, almost elsewhere, his eyes zeroed in on the snake. “It won’t hurt you.”

You’re still by the balance of his arm and some petrifying awe as he extends a hand to the grass and the adder coils around it, weaving upward to his shoulder.

“Oh my God. Oh my God, Tom.”

The adder points its beady gaze at you, and Tom whispers something else in that strange language before it retreats in agreement or compliance or whatever could come close to expression on the face of a fucking snake, and maybe you’re dreaming this despite your pinching. Maybe you’ve lost your mind.

“Hope you didn’t just tell it to bite me,” you try, and it comes out half-choked.

He smiles. It’s partly for you and partly for this venomous little thing on his shoulder, and that’s a bit startling. Tom Riddle smiles for adders and you and not much else.

“Should I?”

And all you manage, for whatever reason, is, “Don’t be like them now that you’re not like me.”

It’s out before you can stop it, welling from a small, scared place that embarrasses you to return to. A hospital bed when you were eleven. The walls of a bedroom ravaged by bombs.

Tom’s smile fades. “We’re nothing like them.”

The thing is, neither of you know that’s the day that changes everything.

You celebrate your fifteenth birthday in the Deathday ballroom with Tom, a stolen dinner pastry, a green candle, and a few sad ghosts. You try to learn how to dance. Tom thinks it’s silly. You tell him that’s only because he’s upset he keeps stepping on your toes.

Summer blisters when it comes.

Some of the children take jobs as mail-sorters and steelworkers and you clasp for whatever you’re (one) allowed and (two) capable of, which isn’t much. You’re both old enough at the end of the day to explore London on your own, opting to spend as much time away from the orphanage as Mrs Cole allots, but you only have knuts and pennies and you warn Tom it would be unwise to swindle muggles and risk a letter from the Ministry. So you work where you’re needed and you eat the rationed nonsense you always do and you miss Hogwarts terribly. It’s much the same: you’re together, you’re hungry, and you’re nothing like them.

And then it’s different: Tom makes Slytherin Prefect, is suddenly tall, and you wonder in fleeting moments if his face has always suited him this well.

A stupid remark. You fervently ignore it.

Fifth year begins and you have almost the same number of electives as you do core classes, Tom has duties in his new role that take much of his spare time, and despite popular belief, you and him are not a mitotic entity, so this splits you up more often than it had in previous years. Which is fine. You still have plenty of things to talk about during meals and between duels, and you reckon you’ll share DADA until you graduate.

But in his absence, your attentions are forced elsewhere, and you should be grateful they land on something potentially promising.

It’s like Transfiguration just clicks for you this year. You’ve never been the greatest at Transformation (importantly though, you’ve also remained far from the worst), but fifth year launches you into Vanishment and something about that feels like a perfect equation. There are no complicated half-numerals and objects stuck between inanimacy and being — just unmaking the made. Nothing or not. You’re fucking excellent at it. You glean the theoretics fast and then the practise comes like breathing. Even the purebloods struggle as you Vanish Dumbledore’s Conjured garden snakes in brilliant tendrils of light. You exult unabashedly when you brush past them on the way out of class — who was it that didn’t belong in Slytherin?

You say the same to Tom and he rolls his eyes, but the amusement is there.

“Think you can talk to my snakes for me?” you tease, nudging him on the path to Hogsmeade.

“If they’re yours, I doubt they have anything worth discussing.”

And Dumbledore is… a hue nearer to the man you remember from first year. He praises your improvement and smiles when you can’t hide your giddiness as if equally impressed.

He doesn’t shelve people the way Slughorn does (you’re dismayed to find Tom has been invited to join the Slug Club and you have not) but you think if he did you’d be rapidly climbing your way to the top. Maybe get put in one of those neat little repositories he keeps all his best treasures in.

Dumbledore does, however, offer additional assignments for those who are interested, and tasks you with a few if you’re up to the challenge.

You always are.

The Tom-Dumbledore-Encyclopaedia debacle is apparently either resolved, or your part in it forgotten.

Tom humours you when you’re both singed at the fingers from duelling, yours dipped in the lake while he buries his in the cold moss, about how Abraxas takes the seat beside him at every Slug Club dinner. He tells you he pretends to be very interested in the Malfoy’s business affairs and their stock in the Bulgarian Quidditch team’s win this coming spring. He tells you he finds it amusing to let Abraxas think he can make Tom his pet. Tom says he considers searching for Salazar Slytherin’s fabled Chamber of Secrets and showing Abraxas what a real pet looks like. You smack him in the arm.

He’s had an ego forever. He just has a few too many reasons for it now.

And maybe that’s why you push harder in Transfiguration, dedicate the majority of your studies to it, spend your Saturday nights scrutinising advanced techniques while Tom makes nice with Potions experts and politics with people who don’t even know what he is but like him anyway. It’s patronising, of course — borderline fetishistic; not a real like — but it scares you. Tom Riddle would not allow himself to be anyone’s pretty mudblood show pony if he didn’t have an ulterior motive.

Everything changes but the observable truth that he is still insufferable.

You’re lucky to see him twice a week if it isn’t in class, and the way it starts is so slow you don’t even fully understand what’s happening until Christmas break when Abraxas stays a few extra days and leaves by Dippet’s Floo instead of the train.

You don’t dare ask where Tom has vanished to in that time or why the hell Abraxas Malfoy would willingly subject himself to unnecessarily extended time at school with all his lackeys gone, and it isn’t because you don’t want to. It’s because he won’t tell you himself. It’s because you’re terrified the answer will feel like a broken promise, and you’ve come to realise (it’s been there for so long; such an obvious, tiny thing that you’ve never stopped to really dissect it) that it’s quite difficult to know someone at every atom and not love them a little bit.

You’re suddenly aware of the risk of it: you love him like an inextricable piece of yourself, and, well, you’ve seen war. You know what amputation looks like. You’ve seen the remains of structures designed to stand forever, and you’re strong like them — casts and gauze in all the weak spots because you remember the pain of breaking them — but those were blows dealt without the complication of loving the bombs behind them.

Tom is the green on your robes, the dragon pox tinge you sometimes think never truly faded when you look in the mirror too long, and all the shades you never imagined. Apple, jade, moss. The beginnings of emerald. (No, he couldn’t be that.)

You wonder what the world would look like if he stole those colours back, and it’s much worse than some brutal decimation; it would leave you with too much. You would just be you without him.

So you love him into June like you always do, and you pluck his Prefect badge off on the last day of school and tell him it makes you jealous like a joke when it’s half-true.

It’s raining when you walk to the train together, miserable for what should be summer but not at all remarkable in Scotland. Tom wipes it from your cheek. Your wrists are sore from vanishing bits and bobbles all night while you still can, never truly prepared for three months without magic, and you curl into your seat as soon as you’re in it. Tom wakes you up when you arrive back in London, startling you to find that you fell asleep at all.

It rains a lot that summer. There’s nothing much to see in the city and you can’t get anywhere else (you note: the Trace cares little about broomsticks but you can’t afford one of your own and flying might be the only thing Tom is bad at) so you’re stuck to the library again with a noseful of old paper and a certain prose that magical literature cannot replicate. You theorise a lifetime of reckoning with the mundane forces one to be more creative.

Perhaps it’s the cold that makes you sick. Perhaps it’s the state of your meals. Either way, your final weeks before sixth year are hell. Biblical, blazing hell.

The nurses aren’t sure what it is — another influenza epidemic you’re the first in the orphanage to catch — but they isolate you immediately and there’s not much care they can offer.

You hear Tom arguing with one of them outside your door but can’t make out the words. Everything is dizzy, sweaty, halfway to unconsciousness but without its relief. You’d take dragon pox over this.

Some days later (though you can’t be sure because it feels like bloody centuries), he’s at your bedside, and you think even if you were lucid enough to ask what horrible thing he’d done to change the nurses’ minds, you wouldn’t.

But you know he’s not beyond breaking wizarding law, because he’s muttering healing spells with a hand to your damp forehead, and you hazily find yourself reaching for him, trying to shake your head no.

“Not allowed,” you mumble. Your throat is sore and your nose is stuffy. You sound terrible and you probably look worse.

Tom is slightly blurry but you think he’s staring at you. You know if he is it’s with the utmost incredulity.

“Not allowed,” he repeats slowly. It’s very easy to picture him clenching his jaw. “I wonder, if the Trace is so exact that it can detect all forms of magic, it can’t also detect malady. You’re burning — and I’m to consider whether saving your life might be illegal?”

He’s angry. He’s angrier than you’ve seen in a long time; and you can actually see it now. His magic courses through you and your vision clears, bit by bit, until your depth perception steadies and you realise he’s closer than you thought. His jaw is, in fact, clenched.

You move to catch his wrist and manage it this time. “Tom.”

“Don’t argue,” he says thinly.

“You’ll get sick.”

His face is far too neutral for the way his fingers stroke your damp cheek. “Hm. Then it’s a good thing you’d break the law for me too.”

Of course he’s right — you love him. Which makes it a good thing he doesn’t get sick.

Some of the younger children do. The fever comes overnight for a girl who wasn’t in the orphanage last year, and it takes her by the next.

When you get back on the train to Hogwarts, the virus is circulating Britain and you’re livid.

What Tom said is true; you consider the Trace’s precision and the details of the laws on underage magic — how one of the technicalities is that a young witch or wizard may be absolved of the consequences if the circumstances are life-threatening. You think about how it supposedly doesn’t care about broom-riding or Portkeys or Floo travel, and if the Trace is that complex, surely it understands sickness.

You only wonder if the Ministry would understand it. There haven’t been any epidemics in the wizarding world since Gorsemoor cured dragon pox in the sixteenth century, and when there isn’t healing magic there are antidotes and Pepper-Ups and herbs that muggles simply don’t have. The fatality of a fever of all things is not something you imagine could be comprehended by the sort of people who sent you and Tom back to London in the wake of the Blitz.

Of course, the Ministry hasn't written to you, you haven’t been forced in front of a representative from the Improper Use office, and you have no real reason to be upset.

You are regardless.

It shouldn’t even be a thought: you immolating into oblivion protesting rescue because one of you might get in trouble for it.

A world you’ve never much cared for is blanketed in ash and its people are dying and you can’t help them. A girl is dead. You’ll return next summer and there will certainly be more.

Life is for the magical, you find. The muggles can burn.

It’s what makes you start to panic this year, knowing you’ve only got one more after it. You have no idea what you’re going to do after school, and it doesn’t help that Tom doesn’t appear to share the sentiment. He’s got Head Boy in the bag and when he isn’t with you he’s with Abraxas, who can surely provide him connections if whatever game Tom is playing at works (and you have no doubt it will), but it’s like you said in third year: that isn’t enough for you.

You remember with a small ache that you no longer means you and him.

And then — it makes sense. You feel incredibly stupid.

“You told him, didn’t you?” you ask Tom the first opportunity you can get him alone, in the glum blue light of the Deathday ballroom on your way back from supper.

He sighs like it’s a conversation he’d hoped to put off for longer. “You’re referring to Abraxas, I presume?”

“You’re referring to — yes, you prick, I’m referring to Abraxas. Of course I’m referring to Abraxas, or are there others? Dolohov and Nott seem unusually enthralled by you, now that I think about it.”

“And for a reason I’m supposed to be aware of, this is an error on my part. Should I be apologising?”

“Why did you tell him, Tom?!”

“Why?” he deadpans.

You throw your hands up. “Oh, for fuck’s sake.”

“Shall I provide you with my itinerary as well? Would you accompany me as I tour the third-years around Hogsmeade? Or can you do me the favour of trusting me to make my own decisions with the nature of my ancestry?”

“You’re keeping something from me and there’s a reason,” you say, stepping closer to him, “and forgive me if I want to know what it is when you were willing to tell me you’re the Heir of Slytherin and you can talk to snakes. What — what could possibly be bigger than that?”

Tom returns your approach with one of his own. His eyes are steady, dark, thick with lashes and you can’t reminisce on the details of the rest of him because that would be strange for a friend to do. Stranger to do it now, when you’re angry with him and there’s two sleeping ghosts in the corner and he’s framed by deep indigoes like the ripples in the Black Lake and — you’re doing it anyway.

To be short, he’s close, he’s very beautiful, and sometimes you despise him.

“Trust me,” he says again, without the derision of the last time. “This will change things for us.”

You frown, but it’s a weak upset in contrast to the explosion you came in here willing to make. There were at least twenty questions you meant to ask and you only managed one.

You are not his keeper. You know that.

“Change them for the better, Tom,” you say on a sigh.

He blinks, and you think he’ll respond with a nod or a slightly offended ‘of course’ but he does not. He blinks and he just keeps looking at you. It’s disarming. It probably resembles the way you often look at him. There’s a rationale somewhere; you never see each other anymore, life is so incredibly busy, maybe he’s forgotten what you look like.

And he does nod, finally, but he does it with his thumb brushing the corner of your lip.

What? Sorry. What’s going on?

He pulls it away like he’s heard you. “You had something.”

You’re almost positive you did not.

Transfiguration this year brings Conjuration, which is an advanced and welcome distraction, and even more exciting when you consider no longer having to Vanish things you have no idea how to bring back. Dumbledore’s is one of three N.E.W.T classes you’re taking — Defence Against the Dark Arts and Alchemy besides. It’s easily your favourite.

You share it with eleven other Slytherins and twelve Ravenclaws. Four of them are muggle-born, and it’s hard to describe the ease you feel among them because you don’t think you’ve ever had anything resembling ease with anyone but Tom.

Your schedule is more crammed than it’s ever been, but it’s good. Two of the Ravenclaw girls invite you to Hogsmeade every other weekend, you share butterbeers when you can afford one, you study until you collapse, you take Dumbledore’s extra assignments and consider trying out for Chaser on one of your more restless evenings before waking up in the morning and resolving there is such as thing as too much of a good thing. Best not to get ahead of yourself.

Your contentment is remedied quickly.

Someone is found unresponsive in the dungeons. Dippet makes an announcement at breakfast that the boy isn’t dead, rather, petrified. No one is quite sure the cause, but the Headmaster warns a few minor precautions, suggests a buddy system, and says that after dinner studying should remain in everyone’s respective common rooms rather than the courtyards or library.

You know next to nothing about petrification, but the victim is muggle-born, and you suspect it was the result of a poorly performed statue curse by one of the many blood zealots in your house. The whole thing makes you hold onto your wand a smidge tighter, but you’re adamant not to let it drive you to paranoia like it would have a few years ago.

Tom nods at your theory when you manage to escape to the Black Lake together in November.

“That isn’t unreasonable,” he says. High praise.

You sink into the moss, sighing. “Do you think there’ll be more?”

He looks out onto the lake, the lapping waves, the crystalline beads that furrow them, midnight algae and flotsam you don’t think you belong to anymore.

You peer up at his silhouette in the dark. “Do you think whoever did it will do it again, I mean?”

“I don’t know,” he says finally, and after another pause: “but I don’t think it would be you.”

“How’s that?”

“No one would be senseless enough to try.”

And he sinks beside you with that, breath shaping the cold in steady, rhythmic clouds while yours are scattered. His robes brush yours and you take his arm with a sleepy hum, tracing patterns in the stars until your eyes feel heavy and he insists on taking you back to your dormitories.

One of the Ravenclaw girls, Marigold Wright, distracts you with a spare blue scarf and an invitation to her next Quidditch match. You watch from the stands and cheer as she catches the snitch to beat Gryffindor.

It’s a bit strange — having a distraction — having a friend. Mari is kind, smart, a good study partner who’s as keen on stepping into the advanced theoretics of Human Transfiguration a year early as you are. She’s funny in a vulgar way, introduces you to all her friends, shows you the best way to sneak into the kitchens, and you sometimes wonder if she was sorted wrong, but — her methods are creative, and she’s definitely intelligent. She’s also definitely not Tom.

You see less and less of him and more of her, Dumbledore, the Ravenclaw common room and the pages of progressive Transfiguration methodologies. He sees less of you and more of Abraxas, Dolohov and Nott and all the other purebloods, Slughorn’s soirées and Prefect meetings that cut into meals.

It happens again.

Second floor lavatory. A girl called Myrtle Warren. She isn’t petrified.

There’s a vigil the following week and her parents are there, two muggles whose sobs wrack the Great Hall even as the students clear out. Flowers descend from the charmed ceiling, little bluebells and white chrysanthemums.

You cry that night. You can’t remember the last time you cried.

This time, you don’t have to seek Tom out. He catches you on your way back from Alchemy and brings you to the Deathday ballroom with a melancholy glance in your direction that you don't hesitate to follow. You realise it’s an odd place to continue to end up in, but no one else goes there and you suppose that makes it yours.

You’ve seen Tom skinny and sickly and olive green, but today his eyes are circled with veined violets and the lack of summer sun this year has whittled him grey once more. He’s still beautiful. He’ll always be beautiful. But he’s tired and — sad — and for the six years you’ve known him you aren’t quite sure what to do with that.

You don’t spend too long pondering it. You just hug him with the dawning newness of a thing like that; a thing you’ve never done, and never really thought to do. (You ask yourself in bewilderment how you’ve never thought to do it before.)

He’s warm. He’s uncertain. He doesn’t reciprocate immediately.

And then he does, and you understand without caveats or concerns that you stopped having a choice in your destruction the moment you chose him. He’s home, and that’s going to ruin you one day.

Your arms tighten around him and his around you, the rhythm of his breath holding you to earth when you begin to float away. Nothing makes sense in this moment but the mercy that in all the death you’ve seen, you swear to God you’ll never see his. As long as you’re alive, he must be too.

And there’s something to be said about the innate self-slaughter of loving a person (of loving Tom Riddle, especially): that it’ll cleave you in two, that you’ll say feeble things in his embrace that you should be above saying, like ‘I’m scared’, that his hand will find the back of your head and he'll tell you he knows, that that should not feel like enough but it will be. You’ll clasp your hands under black robes and hold this singular embrace together by the faulty adhesive of your fingers. Maybe you’ll cry again, like your body can suddenly comprehend its capacity for it and is making up for lost time.

The first sign that something is wrong, more than the obvious grievance of the death itself, is the Ministry’s happy acceptance of Rubeus Hagrid as the culprit.

The boy is maybe fourteen years old, half-blood — half human, mind — and no one has a bad word to say about him other than he likes to keep eccentric pets. Which leads you to wonder what pet he possessed with the ability to petrify one student and kill another and what cause he’d have for it in the first place besides two terrible, miraculous accidents.

That question draws an even stranger path. Mari says over butterbeers (on her, bless her soul) that she read somewhere years ago that Gorgons can induce petrification, but that she doesn’t remember much else.

One of the boys in DADA says that his father’s an auror, and heard from him that Hagrid’s pet was some sort of arachnid. Tom deducts five points from his house after class with a scowl on his pale face, muttering about conspiracy.

The second sign that something is wrong is that only one of those things would need to be true for the entire case on Hagrid to be called into question. If Mari’s memory serves right, how the hell did Hagrid come into ownership of a Gorgon? (Could Gorgons even be owned?) If the auror’s son is worth your credence, then what species of arachnid is capable of petrification?

You take to the library.

Unsure of where to begin and hesitant to draw attention, your research lingers into Christmas break and stalls some of your extracurriculars in Transfiguration. Tom is busy enough not to notice the new step in your routine, and you’re grateful not to have him breathing down your back, telling you you’re looking in the wrong places or you shouldn’t be looking at all.

The third sign is the end.

You wish to retract it all. There are time-turners and memory charms and potions that could dizzy you enough to manipulate the truth; there is anything but this. You’d suffer the consequences for the bliss of loving him with one more day before the ruin — you’d write it down to remember through the fog: look at him, duel him without wanting to hurt him, kiss him to know that you did it at least once, have him, be had. You never will again.

He’d shown you the adder. He’d joked about the Chamber of Secrets. He’d spent months disappearing with Abraxas, earning the trust of the sons of the Sacred Twenty Eight.

And he’d killed Myrtle Warren.

So it’s statue curses and Gorgons and Tom — speaking to serpents when no one else can, buttressed by pureblood boys who want people like you dead.

Don’t become like them now that you’re not like me.

He’s something else entirely.

What do you do in a moment like this? Panting into an empty library at a revelation you wish you could unknow, fingers digging into the hickory of your desk — another memory carved among the initials and hearts; how do you stand from your chair and leave like the world outside this room is the same as it was when you entered? There’s nothing to orbit. You are cosmic debris, tea dregs in a barren cup, flotsam.

You stand; and you tell no one. Not even Tom.

His presence in your life is so infrequent that you don’t even have to come up with excuses for your distance until three weeks after your discovery when you’re paired together in DADA to practise stretching jinxes.

You almost laugh. He’s standing beside you, tall (lanky like he was when he was a boy if you look long enough) and serious, and you love him without knowing who he is anymore. You’ve skirted corners to avoid him and sat with Mari during lunch and breakfast like he’s some scorned lover to escape confrontation from and not someone who held you through a grief inflicted by his hand.

“You look tired,” he says, inspecting the daisy you’d been tasked to elongate.

You glance at him. You are tired. It’s exhaustive, bone-deep, aching like nothing you’ve ever known, and maybe that’s why you can look at him and smile sadly instead of thrashing against his chest screaming for what he did. You suppose it happens enough in your head to satisfy. When you can sleep, you sleep to the thought of it. The waking moments are just blank.

“Mhm,” you hum, transfiguring the daisy stem back to its regular length.

Tom observes it with curious eyes. “You’re getting good at that.”

“I’ve been good at it.”

His lips turn, a small frown before he puts it away. You make the observation that he’s tired too; there are still bags under his eyes and his hands tremble ever-so-slightly with his wand when he loosens his grip on it.

His own doing and still you flicker with some relentless hope that he's drowning in regret.

“Sorry,” you say. A ridiculous thing. Do you intend to slowly push him from your life with weak disinterest and diverging academic avenues? As if he were something extricable. He’d never let you.

You’ll have to confront him, and that’s a revelation that holds its weight on your chest until you think you'll suffocate under it.

You’re in the blue light of the Deathday ballroom with a face you've never worn before when it happens, deep into spring, and you know then that you were wrong all those years ago.

He sees all of you.

Takes you in in the flash of a second and maybe it’s your quivering jaw that reveals you or the flint of betrayal in your eyes waiting to be struck and lit. Yes, you were wrong — Tom Riddle knows you at every atom too.

“Are you going to let me explain?" he asks before any hello. His jaw is tight but there’s nothing else to go on to judge his disposition. He's settling into impassivity like an animal drawing its shell. You will not be allowed in if you're going to make it hurt, and you might be the only one who can.

“Explain," you copy with a hard exhale, “Just tell me it wasn’t you. That’s all there is to say."

He stares at you. There’s nothing there.

“Tell me, Tom.”

Your breath catches on an automatic please but you don’t want to offer him that.

“I cannot.”

Then make me forget, you want to scream. Let it be summer. Let us work for pennies and breadcrumbs and be no one together.

It’s late winter and it’s too cold.

“You killed her,” you say quietly.

“If I told you I did not wish for it, would you even believe me?”

“What are you… so it was an accident?”

“There was — an opportunity presented itself that may never have come again; that does not mean I don’t find the nature of it regrettable.”

“Regrettable.” You’re laughing or crying or both, and you must look unwell. Halfway out of your mind.

He’s so composed in the face of it that it only makes you more incensed.

“You told me to change things —”

“You killed someone! Can you understand that?”

“You nearly died,” he hisses, “and if I am to apologise for recognizing it only as the first of many times, I will not. If I am to apologise for doing whatever is necessary to prevent it, I will not. The hand we were dealt will not be the hand we die to — so yes, I understand it. And one day so will you.”

“Don't," you spit, and your anger must look pathetic under your welling tears. “Don't you dare tell me that this was for me.”

“Do you want me to lie?”

“What could her death possibly bring me, Tom?”

“Her death is the first step to —”

“God, stop dancing around the fucking question!” Both hands have wound their way to your head, clutching at your skull like the brain matter might spill through one of the cracks he’s wearing down. “Just… tell me.”

“You recall Godelot's work," he says stiffly. The question of it takes you by surprise, peels the moment back like the rim of a fruit and you're left uncertain.

All you can do is nod, arms falling to cross over your chest.

“There was one form of magic he refused quite concisely to impart. I searched the Restricted Section for days, and under Dumbledore's watch that was not an easy thing to do."

You stole from him, you're urged to remind him, but it's something you'd say with a nudge of annoyance and a roll of your eyes. Such admonishment is small and far away.

“I found it at last in one of the repositories," he goes on, “Secrets of the Darkest Art."

“...What?"

“It's called a Horcrux,” he says. “Murder, by nature, splits the soul. The Horcrux simply makes use of the act; puts the soul fragment into something imperishable so that it is protected, rather than abandoned. In turn, your life cannot be taken. By malady, by magic, by sword — the vessel is destroyed but the soul lives on.”

You blink, feeling dizzy. “Myrtle was the sacrifice.”

“Myrtle was there,” Tom remedies.

“How lucky for you.”

“The circumstances could be ameliorated if one were to be made for you. I would have preferred it be someone who deserves it.”

“For — you’d do it again? Again, Tom?”

His brows crease, and even his upset seems contrived. There’s this barricade he’s placed that you, in all your infallible knowing of him, cannot puncture. It’s agony to begin to question what he could possibly be keeping from you in a confession like this.

“You killed someone, Tom. You — I would never ask you to do that. I would never live at the cost of someone else."

“No, you would not,” he agrees, though he shakes his head like it’s incredulous of you. “Do you think, even if I knew it were certain, a summons from the Ministry would have stopped me from saving you this summer? Do you suppose the threat of punishment would cause me to waver at that moment? I know it would not hinder you. So, you have your lines and I have mine — you never needed to ask.”

And now it hurts. The emptiness clears and you can't stand yourself for crying, but you do. It comes out in ragged, breathless sobs, clasped behind your palm as you turn away from him.

You've loved him since you were eleven. It's always been you two — it was always supposed to be you two. What is there to say to him? He's blurring in your periphery like in the midst of your sickness, and there's nothing he can do to heal you this time. Your vision will clear and Myrtle Warren will still be dead. He'll still be a stranger in the face of the boy you love.

“Why," you whine, a wet, hollow stain in your voice you've never cried enough to hear before. “Myrtle was — wasn't — uh —" You swallow, hysterics severing your words. You can't really think right now. Your body wobbles and your head feels puffy and hot. This might be shock.

Tom scowls like it irritates him to watch you push yourself, like this is just the unfortunate effect of you depleting your energy in a duel, not eating correctly, treating yourself carelessly.

Of course you can't stand or talk or think. You're you, contemplating a life without him.

“Sit," he says in frustration. You smack his hand away when he reaches for you, but the world has turned a shade darker and you're slipping into it.

He tugs a chair towards you with a silent charge and a reprimand, and your body doesn’t possess the wherewithal not to collapse into it the second it’s under you.

After a moment you can speak again, shaking hands steadied by your knees. “Did you… did you think I wouldn't find out? You know, the only thing that can petrify someone besides a serpent is a Gorgon. And — where would Rubeus Hagrid have found one of those?"

“I thought I would have time.”

“To come up with a good lie? Something I’d sympathise with?”

He bites his cheek. “Evidently the particulars matter little to you.”

Fuck him. “Fuck you.”

“Very cogent.”

“No, fuck you, Tom. We could have — we only had a year left and then we could — we could've done anything we wanted." You're crying again. You don't have the energy to be embarrassed. “And you chose this."

He’s indignant as he steps closer. “With what money? For what life? We are better than all of them and it’s never mattered. It never will; you know that. You told me that. You’re angry now, but you must know the truth of it. I would not forsake you. I would not lose you.”

You blink up at him, mouth stuck with some cottony feeling and cheeks stiff from crying.

“You have lost me, Tom."

He stills as if suspended. Some maceration must follow but it doesn’t.

You stand on weak legs to look him in the eyes. You wonder if he can see the love in yours. You wonder if he knows you will walk away despite it. (Of course he does. You’ve never lied to him.)

You think about how his fingers seem to always find their way to your cheek and you put yours to his. The bone there is sharp, but the skin is soft. Boyish.

There isn't a word for a goodbye like this. It shouldn't exist and so it doesn't. You just leave.

You fail your N.E.W.T courses. Quite spectacularly.

Mari sits beside you on the train with a soothing hand on your shoulder, and doesn’t ask what’s rendered you into a comatose husk since March. There’s no crying. You chew numbly on soft caramels from the trolley and stare out the window onto the hills.

That summer is spent in your bedroom unless you’re forced elsewhere. A new girl with skin so white it’s nearly translucent sleeps in the bed beside yours, taking meals on trays like you did in your first days here, tracing the cracks in the tiles, humming to herself in the dark. She makes you feel less pathetic for doing much the same.

You’d been right in your assumption that there would be more dead upon your return, and wrong that there would be more empty rooms. There are always more orphans being made.

And then you receive a letter. It isn’t delivered by owl (only for secrecy, you assume, because there are no muggles who’d be writing to you) but it’s stamped with a vaguely familiar crest. Not Hogwarts’ waxen seal, but something undoubtedly magical. A cockroach and a cup, you think, squinting. Transfiguration.

You tear the envelope open and pull the letter out.

It’s from Dumbledore. Some of it melds together, but the key words stand out.

Spoken to Dippet… Exceptional promise… N.E.W.Ts… May be reconsidered… Upon dispensation… Be well.

Be well.

You are not. You are something half-drowned and half-burned, never enough of one to quell the effects of the other. Sunlight is sparse through your side of the orphanage. On the radio, they warn a pattern of one bomb every second hour. The only other warning is the sound when they fly overhead, and if you can’t run fast enough —

You write your answer in a crowded tube station with a spotty ballpoint pen. Tom is there, looking between you, the dust, and your shaking hands as if to say: tell me I was wrong.

Some of your letter melds together but the key words stand out.

Thank you, Sir. Whatever you need.

It’s a shock that you live to seventh year. It’s a shock that you do it without him — though he watches, and in his gaze you feel regressed. You’re alive, yes, but there’s something there… his dead weight, death-grip; his haunting. They always speak of the dead as something heavy. Something that holds onto you even after it’s gone.

You find that to be true.

Dippet’s condition that you remain in Dumbledore’s N.E.W.T class is that you achieve more than the standard requirement. Essentially, your final exam will be much harder than everyone else's: Human Transfiguration, mastery of petty Transformation (through the means of Wizard’s Chess pieces), Conjuration and Vanishment of various delicate objects — all done nonverbally.

Even Dumbledore seems sceptical, but it translates to more rigorous practise rather than resignation, assignments he doesn’t even task to Mari, though she’s just as good, and you can’t begin to understand why he cares so much.

“I’ll entrust you with these while I’m away,” he says before Christmas break, sliding a sheet of parchment your way with a flick of his wand.

You frown, unfolding it. His instructions are always short now — you’ve learned to decode his meaning well enough without much exposition.

Teacup to gerbil — to cat, and inverse.

Inanimatus Conjurus spell (cockroach and cup, as instructed) to be Vanished when perfected.

Study Antar’s Doctrine. Miss Wright will act as your partner.

Due February.

It’s far too much to be done in that time. “Sir?”

Dumbledore lugs a messenger bag over his shoulder that appears small, but he carries it in such a way you suspect it’s magically extended. He smiles wistfully, pushing his spectacles up the bridge of his nose. “You know, I often regret how much this war asks of me. A consequence of my own doing.”

Right — Grindelwald. Sometimes you forget between awaiting the next muggle paper. War is everywhere.

You nod. “I hope… Good luck, Sir.”

Another half-smile as he twists open a jar of Floo Powder, and then he shakes his head with something you almost decipher as amusement. A brittle sort. Tired. “Good luck to you.”

And then he’s gone, in a swath of green flames that do nothing to inspire any desire for Floo travel in you.

Antar’s Doctrine is simultaneously prosaic and grandiose. They read like excerpts of a journal and you yawn into them over your morning tea, stirring amongst the first-years, who are the only people at the Slytherin table you can stand to sit with. Your blood status is apparently nullified by your age, and the worst they do is look at you funny. You aren’t sure what Abraxas’s — Tom’s (the new hierarchy never fails to stagger you) — lackeys would do if you sat with the other seventh-years instead. A part of you longs to know. They certainly don’t bother you in class the way they used to, you aren’t tripped in the corridors, but you wonder how far Tom’s influence can stretch. He is the Heir of Slytherin, and he’s earned them. But you are nothing.

You’d like it if he would let them hurt you. You think the incentive would be enough to hurt him back. And God — God, you want to. You want to hurt him almost as much as you want him.

You practise through the doctrine with Mari, as Dumbledore directed. When you’re able to sever Antar’s egotism from his abilities, you can see why Dumbledore would recommend his book to you. It feels like slipping through a crack in glass without shattering the whole thing. You weave in and back out, and Mari grins when she returns from the shape of a teapot to her body without you needing to utter a word to do it.

In the back of your mind, you’re aware what you’re doing is nearly unprecedented. It’s spring, you’re months away from eighteen, muggle-born, and mastering nonverbal Human Transfiguration like it’s a Softening Charm. Mari tells you you’re the smartest person she’s ever met. It makes your cheeks go hot to hear such open praise, worse when you snap out of the thought that you believe her.

Grindelwald falls. The school celebrates in whispers until the evidence is in front of them — Dumbledore, returned without a scar, a new wand in his hand — and then they’re cheers. The feast that night is a great one, and he toasts to you from the end of the staff table, a discreet tilt of his cup before he takes a sip and returns to converse with Professor Merrythought.

You take from your own, and your eyes land on Tom, spine of his goblet tight in his hand. He’s looking at you like you’ve affronted him somehow. You could laugh — by choosing Dumbledore. Of course. As if it was a choice at all.

But if it bothers him… if it feels anything at all like the betrayal you felt, then — good.

You drink, and don’t look away.

By the time your N.E.W.T.s arrive you have a renewed confidence that you’ll succeed, even with the obstacle of performing each exam wordlessly.

There are only twelve students who came out of your sixth year class, so to divide resources for the tests is no grand task. You’re given a Wizard’s Chess set, a desk with assorted vases and goblets, an intricate epergne (you had to whisper to Mari to learn its name), and a Ministry worker borrowed like some laboratory mouse. You suppose it makes sense, though — you’re all capable enough of Human Transfiguration not to mutilate anyone, and performing on a classmate could obfuscate the results. It’s far easier to Transfigure someone you know than someone you don’t.

You start with the chess set, Dumbledore and the Ministry worker observing you as you turn pawns to knights and rooks to kings, the minutiae of the pieces drawing sweat to your brow. They change, and change, and change, and you don’t mutter an incantation once. The Ministry worker puts the set away and directs you to the glass. You Switch the vases with the goblets, Vanish them, and Conjure them again. The Ministry worker takes notes. Dumbledore nods affirmatively at you and you can exhale. The epergne is the hardest; so kitschy and elaborate you don’t know where to start when you’re tasked to Transform it into an animal.

An animal — like that isn’t the vaguest instruction you’ve ever received.

You look at it on the desk, mirrors and glass and gold on protracted arms, and you go for the first thing you think of because the Ministry worker is staring at you like you’re inept and you see it in his eyes — this is the muggle-born one, this one can’t do it.

You’re better than them. You can do it forever.

The epergne spins at the dip of your wand, and emerges more than an animal. A big glass tank appears in its place, round and gold-rimmed, water lapping at the sides. Inside it is a jellyfish. Emerald green, bobbing, tentacles and oral arms coiling against the glass like the limbs of the epergne had spanned its centre.

The Ministry worker swallows. Dumbledore smiles.

“And — and back?” the worker says, like that will be the thing that stops you.

You point again, mouth tight with irritation, and reverse the Transformation. A droplet of water smacks your face and you’re lucky to be so hot you can disguise it as sweat. You suspect even an error that small would cost you a mark.

You wipe it away. A strange thing happens; you imagine Tom brushing the water from your cheek at the Black Lake. You imagine his fingers in the rain.

The Ministry worker steps closer with a shameless frown. He tells you to turn his hair red. You do. He regards himself in the mirror and scribbles something down. He tells you to turn it back. You do. To grow him a beard, to change his clothes, to make him taller, shorter, this and that — all read from a list he does not appear enthused to recite. You do it all.

He shakes Dumbledore’s hand when it’s done, duplicates his notes for him to keep, and follows the other Ministry workers through the fireplace when everyone’s exams are finished.

You find out you’ve passed with an Outstanding on your birthday.

Mari drags you to the Three Broomsticks to celebrate, butterbeers on her. (They always are.)

“Can’t believe we’re about to graduate,” she says into her cup, froth on her upper lip.

You sigh into your own, partially giddy and mostly nervous.

Mari squeezes your face between her thumb and finger so your frown is puckered. “Chin up, genius. You’ll be excellent.”

You push her hand away but can’t help a small smile. “Outstanding,” you correct.

“Outstanding!” She bursts out laughing. “Bloody ego on you now…”

“Well, I am the smartest person you know.”

“I take that back.”

She pushes out of her chair with a slightly inebriated wobble. “Going to the loo. Don’t touch my chips.”

Your hands raise in surrender, and you steal only one when she’s gone.

You aren’t the only ones here to celebrate. (Your birthday and your mutual achievement, yes, but the Three Broomsticks is filled wall-to-wall with seventh years drinking their final nights at school away.) There’s music charmed to reach every corner, even yours at the little alcove hidden from plain sight. It’s nice to watch from here — the stumbling, the kisses meant for mouths that land drunkenly on cheeks and noses, the barkeeps that roll their eyes as soon as they turn away from all the newly adult customers, not yet learned or careless in their drinking manners.

It is not nice to be occluded from plain sight in such a way that you don’t notice Tom Riddle until he’s inches away from your table. It is not nice that no one else notices either.

On instinct you don’t make any impressive exit. He slides into the booth next to you and your brain short circuits for a moment at the warm familiarity of his presence beside you. Then it occurs that it’s been more than a year since this was remotely commonplace — that you cannot forget the reason why.

There’s not much time to decide whether you want to be vicious or indifferent or to debate on past precedent which would bother him more. You haven’t attacked him despite being concealed enough to do it unnoticed, and you haven’t shoved furiously out of the other side of the booth.

Indifferent it is.

“Can I help you?”

“You’re causing quite the stir,” he says, taking one of Mari’s chips.

You’re allowed. It’s infuriating when he does it.

“Am I?”

“It’s enough to fail a N.E.W.T level class and be expressly petitioned back, but to have a special criteria set for your exams and manage an O on top of it all…” He inclines his head as if to appreciate your face so close after so long. You should not let him. “You are incomprehensible. It terrifies them.”

“They’re afraid of the wrong mudblood, then, aren’t they?”

Indifference effaced. You’re angry.

He seems to have come prepared, and shrugs your scorn off like a scarf you would have forced him to wear winters ago. “Of course, they have no reason to suspect Dumbledore might have ulterior motives.”

Ulterior — you certainly hope he isn’t suggesting this is based on anything but your merit, but then — you couldn’t begin to understand why Dumbledore cared so much, could you? You’d made brief inspections of his disdain for Tom in second year, his waning shades of kindness and the matter of his stolen encyclopaedia, but you hadn’t… you hadn’t thought at all about how his dedication to your progress only begun after you’d stopped sharing a class with Tom, how it had developed as you began to drift from one another in fifth year and accelerated in sixth after the first petrification and Myrtle’s death. How Tom had worn you down with a weighted glare at Dumbledore’s little toast.

It wasn’t because you had chosen Dumbledore, you realise. It was because Dumbledore had chosen you.

“Why don’t you worry about your pets, Riddle?” you snarl, “I’m sure there are bigger problems with your lot than my exam results.”

Something in his face shifts at the name. You swell with distorted pride.

He mends the reaction by looking you over in more detail, his features schooled into something he must know you can’t deduce. You try not to squirm under the intensity of it.

He reaches almost mindlessly for your collar (there is nothing mindless about it, you’re sure) and smooths the fabric gently with his fingers. “I always liked you in this colour.”

You blink. His thumb just barely brushes against the skin of your neck before retreating, and your mouth falls open.

“Don’t do that,” you say. Truly a sad attempt. Your repulsion is more with yourself than him, and that’s not at all right.

Where is Mari?

“Your friend was at the bar, last I saw her.”

You stare at him with wild eyes. How the hell — ?

“You were always easy to read,” he supplies, and leans in so you can follow his line of sight to the tiniest sliver of the bar visible between two columns, where Mari looks deeply engaged in conversation with Leo Ndiaye, one of the Gryffindor Chasers.

You take a sharp, exasperated breath at her antics. She might be more in love with the competition than the boy himself. They’d never last without Quidditch to bind them, but you can’t fault her for wanting a bit of fun.

“Well then —”

Right. Tom hasn’t actually moved away. You turn and his face is just there.

His eyes dart forthwith to your mouth, and — no. No, he won’t be doing that and neither will you.

“...I’m off to bed.” Stop talking to him like he’s your friend, you think miserably. Stop looking at him like he’s your —

“That would be wise.”

He’s still looking at your lips.

No one else is looking at you at all.

It could exist in just this moment, you deliberate; separate from everything else.

Except nothing about Tom exists in its own moment. He’s all over you all the time, skin and bone and soul. You hope you still have a place in the broken fragments of his.

“So I’ll be going now,” you say again.

“I haven’t protested.”

But he’s leaning in, and he has to know that’s impedance enough.

“But you will.”

His lips touch yours. “Yes, I will.”

You grab him by his shirt and you’re kissing him. You’re kissing each other like either of you know what the hell it means to kiss anyone, but you’ve learned the rest together, haven’t you? Your noses bump and you don’t care. You just need to kiss him, and — God, you make some noise against his mouth and the hand cupping your face spreads to capture more of you, greedy and wayward — he needs to kiss you too. It’s a horrible thing to know. It leads you to pose too many questions.

The need must have begun as want, and when did the want begin? How long has he looked at you and wondered what you’d feel like to kiss, touch, mark? (He’ll never have the latter. You swear that.)

You’re pulling away in intervals. “You don’t have me, you know.”

“I know,” he responds, lips on the corner of yours.

“You still lost me.”

“I know.”

“I hate you.”

He pauses for a moment. “I know.”

You kiss him again. Long and soft, memorising his cupid’s bow and the tip of his tongue, and when one of his hands moves to your waist you part from him like you’ve been burned.

“I —” You resist the urge to touch a finger to your lips, standing abruptly from the table and adjusting your shirt. Your body feels like an evolutionarily faulty vessel, too easy to please, though you can’t imagine it responding to anyone else this way. Or perhaps your mind is the problem. Not wired well enough to resist an evidently bad thing. “Goodnight, Tom.”

You thought there wasn’t a word for your goodbye, but that’s it. So simple it sinks you. Goodnight, Tom. I’ll dream of a morning where I wake up beside you, but you won’t be there.

He grabs your hand before you can go, licking his lips and it haunts you to think he’s savouring you. It stings a place deep in your chest you’d spent all year trying to heal.

“My door is always open,” he says.

He lets you go.

You graduate with Mari’s hand in yours, and you aren’t afraid.

Dumbledore requests that you stay for the summer to help him prepare for the first year’s curriculum in the fall. It’s a ridiculous opportunity for someone your age — free lodgings and a stellar impression on your resume, and — you can only accept it with an ire you haven’t felt since the spread of influenza in muggle Britain.

If he’s offering you lodgings now, he could have done it all along.

It sends you down a horrible train of thought while you move your things from the Slytherin dormitories to a little chamber a few doors down from the staff room; Tom will be removed from Wool’s this year. Will he stay at Malfoy Manor? But Tom is still publicly muggle-born — Abraxas’s parents would never allow it. Will he find a job, a flat? Will he swindle muggles once he turns eighteen and the Trace is no longer an obstruction?

You think of him often. You think of his offer.

My door is always open.

Plenty of doors are open to you now. Why should you want to go back to his?

Still, the Second World War ends in November and you feel like you can breathe at a depth you never could before. The school doesn’t celebrate like it did with Grindelwald. No one but you seems to care at all.

It’s a tempting door.

The year passes in a blur of graded papers and lessons Dumbledore sometimes involves you in and sometimes does not. Most of the first-years care little for you, but there are two Slytherin muggle-borns who look at you like a new sun to orbit. Everything is worth it for that.

You see Mari when you can, and find she’s training with the Italian Quidditch team, who apparently are smart enough to care more about skill than blood. She says she misses the complexities of Transfiguration, but any career in it was always going to be yours. Smartest person she knows, she reiterates. Biggest ego too.

The next summer Dumbledore informs you of a posting at the Ministry. Something small with a smaller wage. He emphasises the weight of his personal recommendation, but that you won’t be respected unless you claw tooth and nail for it. You don’t take long to consider a chance to make an actual income with an actual career doing something muggle-borns simply don’t do before you’re nodding assuredly and asking him what you need.

Better clothes are first, and all you can afford until further notice. You take to Gladrags with intent to purchase for the first time in your five years of wandering in the shop with eyes bigger than your wallet, and the owner looks at you with distrust when you slide her your sickles.

The Ministry job is truly, infinitesimally, insignificant.

It’s far down in the Department of Magical Accidents and Catastrophes. You’re a glorified secretary, and you recall the few times you’d worked as a mail-sorter during the war. It’s some sick irony that you’ve landed yourself in a pile of paper once more.

But the money, though offensively scant to someone with better options (and it’s infuriating the options you deserve), is more than you’ve ever had, and within the next year you’re able to leave the castle and take a cheap room at an inn in Hogsmeade. You’re close enough to Dumbledore to aid him when he needs you, but far enough to feel like your school days are departed, and you need not worry about memories lurching unexpectedly at every corridor.

A sick part of you still reaches for your mouth sometimes to remember what it felt like to be kissed. That part of you wishes for Tom. You could kiss him into oblivion. You could find a way to make it hurt him back.

My door is always open.

Then you’ll slam it bloody closed.

Mari invites you to her first professional game and you cheer for her in the stands, a green, white, and red scarf around your neck in place of her old blue.

She wins and you get drinks in a muggle pub. You kiss a man at the bar. You go home with him. His hair is dark, but not dark enough. His lips are soft, but the shape is wrong. He makes you feel good, but you wonder if in another life, the dream is true; you roll over in the morning to Tom beside you, and he makes you feel better.

When you can find time between the monotonous demands of your job, you’re in the Transfiguration classroom, staying behind to help the Slytherin muggle-borns with their Switching spells.

It’s one stupid accident the next fall that changes things.

A muggle bank has been robbed, and whatever idiotic, panicked witch or wizard was behind it apparently found themselves incapable of getting the deed done with a simple Imperius Curse (you can’t imagine, based on the scene, that they’re above Unforgivables), and somehow ended up leaving the building half-charred and teeming with at least six bank tellers Transformed into birds, two chirping into the floor tiles with broken wings.

“Renauld’s on it, though,” your coworker says when the news finds your department.

“Renauld?”

He’s a year older than you, a pureblood with parents in high places, and endlessly fucking hopeless.

“Well, yeah —”

You push out from your desk, files fluttering behind you. “Renauld will expose the whole damn wizarding world if he touches that building.”

“But McCormack sent him.”

“Where is it?”

“I… McCormack said that —”

“Where is it, Flack?”

“Um. Um, near King William, I think. Moorgate or, um —”

That’s good enough. You toss the Floo Powder into the fireplace and go.

The place is a mess. You don’t even have to look for it. There’s some ward around the street, bouncing muggles away like an invisible end to a map they don’t even register is there. At least that’s handled right.

But you slip through it and curse under your breath at the muggles trapped inside the wards. They’re like fish prodding at the dome of their bowl, and some run up to you demanding explanations when they see you unaffected by it. You brush them off — Obliviation is not your strong-suit — though you do shout at a pair of DMAC wizards uselessly standing guard outside the bank.

“What the hell are you doing?” you ask on approach. “Renauld’s supposed to handle the inside, yeah? You deal with fixing them.”

You point toward the frantic muggles, and the officials just regard you with vague confusion at your presence. “Renauld said —”

“Oh my God! Fix. The muggles.”

You afford nothing else before pushing past them to enter the bank.

It’s quite impressive, actually; Renauld, the result of generations of foolproof breeding, is waving his wand around like he’s just stepped out of Olivanders for the first time.

“Heal their wings,” you say without greeting.

Renauld jumps. “What? What are you doing here?”

“Heal their damn wings. They’re easier than human limbs and healing magic’s the only thing you aren’t completely shit at.”

“Who authorised you?” he hisses.

“I did.”

In hindsight, it should have gone horrifically wrong. Your wand could have been taken and your life might have been over in all ways that matter, flung back into the muggle world where you’ve always been told you belong.

But Renauld vouches for you. You Transform the walls, you fix the burns, you mend the bank to something presentable. A muggle robbery — dangerous, financially tragic, but believable. And your suggestion to heal the injured bank tellers in their animal forms might be the thing that saved them. When Renauld mends their wings and regenerates their blood, you Untransfigure them, and the other DMAC officials alter their memories with haste.

You were completely out of line and utterly right.

It isn’t something people like you are allotted.

Your probation period is dreadful. You hide in your room at the inn most days, Vanishing little stained panes on your window to feel the warm breeze of air before you Conjure them again. You help grade papers, though Dumbledore is displeased with you and the night is a silent one. He assures you curtly that he’s doing his best with the Ministry to amend this.

And… he does.

With Renauld’s help and the corroboration of the other DMAC officials, you’re back at work by the start of the school year.

It’s a slow process — almost eight months of meaningless paperwork — before the next incident occurs and you’re hectically ushered to the scene like a belated understudy. And then it happens again. And again. And again.

There’s really no choice but to promote you.

Your heroics are torn from a Gryffindor cloth, so says Flack. You urge him never to say such a thing again.

By your twenty-first birthday, you think about Tom almost exclusively in your sleep. You’re much too busy to think about him anywhere else.

The summer is warm and Hogsmeade is lively. You’ve vacated your room at the inn for a little house on the outskirts of the village, decorating it how you like — discovering what you like. You’d never had a chance to find out before.

Mari visits when she can once you have your fireplace connected to the Floo Network (you yourself prefer Apparating) but her name is slowly working its way from the Italian papers to the British ones, and she has so much to tell you there isn’t possibly enough time in her days to tell it. There’s also the matter of Leo Ndiaye, who has, recently, gotten on one knee and proposed to her. If there had been a bet on them ending up together, you would have been out enough galleons to put you in debt.

After especially gruesome days at work, you and a few colleagues make a habit of getting sherries at the Siren’s Tail, complaining that sometimes the nature of your work is akin to an auror’s but without the notoriety and pay.

“Oh, please,” says Emilia Alves, twirling her straw, “have you seen the shit the aurors are up to lately? I’d rather be a blimmin’ Unspeakable.”

“You’d have to be able to keep your mouth shut for that, Alves.”

Emilia punches Renauld in the arm.

“What are the aurors up to?” Flack asks.

“I dunno much. There was a murder all the way in Albania, s’posedly. Reeked of dark magic.”

“Nothing new,” you join, and then frown. “Why’s our Ministry dealing with it though?”

“I dunno. I got word from Hillicker that the Albanians didn’t know what to make of the mess. They’ve never seen anything like it.”

“Hillicker’s not a source,” Renauld scoffs.

“Yeah? Why don’t you ask your daddy for something better?”

“Alves, I’ll have you know —”

You lean in over the counter. “What do you mean they’ve never seen anything like it?”

She grins. “Why? Storming a bank robbery wasn’t exciting enough for you?”

You roll your eyes, taking a drink.

That ought to be the end of it. One extraordinarily lucky incident to push you up the career ladder was rare enough — there is absolutely no way digging around a case that has nothing to do with you or your department could ever end well.

But something about it itches.

You make nice with Hillicker. She’s a year younger than you and far too kind for her own good, and she gushes freely about her husband’s work as an auror (they must be a perfect match for him to gush freely about it with her). It’s a bit manipulative. You have no excellent excuse for it, but… ambition, and all that, you suppose. Flack’s Gryffindor theory is studded with holes.

You are green, through and through.

Emilia’s updates are meaningless when you garner so much information that you’ve already heard everything she has to say over drinks, and at this point her and Hillicker might be a step behind you. Emilia still only knows about Albania; peppery little details of half a story. Hillicker discusses an assortment of murders with no real string between them, and Dumbledore regards you with cool heeding when you bring up the matter with him.

You see him little nowadays but you’ve never been close in any true sense, traces of resentment budding over the years like rainwater collects on glass until the stream finally slips.

You visit Hogwarts mostly for your Slytherins, fourteen or fifteen now, unafraid of the distinction of their blood.

And then there’s one night after you turn twenty-two where drinks take place at yours for a change, Mari and Leo included and happily wed. You have no sherries but your ale is just as well, and it’s only you and Renauld who are sober by the time everyone else is vanishing into the fireplace and going home.

That makes it much worse when you sleep together.

There’s no excuse of having had a glass too many — so sorry, I’ll be on my way then, and him stumbling over his trousers to get out of your hair. Of course, he does that anyway, scratching the nape of his neck when he reaches your doorway in the morning.

“Thanks for the — well, you have a nice home — I do think I should —”

“Yes.”

“Right.”

“Oh!” He turns around at the last second. “Er — I know you’ve become a tad obsessed with… Hillicker mentioned another, anyway. Hepzibah something. Killed by her own elf, the aurors suspect.”

“Oh,” you echo, sheets pulled up to your shoulders. “Thanks, Renauld.”

“I thought you might like to know. Don’t be daft about it.”

You’re incredibly daft about it.

There’s something reminiscent about Albania in this case that wasn’t there with the others. The tide of dark magic ebbing across the scene, the cherry-picked information released in the Prophet, the claim of an old, dumb House Elf who poisoned her mistress like the Albanian peasant killed in some insoluble accident.

The itch exacerbates.

You see him in your dreams again. He peers over Runes in a stolen encyclopaedia, he whispers to an adder on his shoulder, he kisses the corner of your mouth and it isn’t enough. He kills you, again and again. You kill him too.

You wake up and he isn’t there.

It’s a new low when you’re invited to the Hillicker’s anniversary dinner and you end up digging through the drawers of their study halfway through the night.

The Albania file offers nearly nothing. There was the charred residue of dark magic imprinted on a hollow tree in the fields of the peasant’s hamlet, but nothing detailing more than a blank imprint of the Killing Curse in his eyes. Still, you tuck the knowledge away for the file of one Hebzibah Smith, whose tea did indeed have traces of poison, but whose den was also ripe with a layer of darkness that didn’t line up with the Ministry’s tale of senile elf.

And then there’s the forgotten matter of her being a purveyor of ancestral artefacts. The file doesn’t recount whether any are missing, since the woman was wise enough not to proclaim all her possessions to the world, but it’s something. A scratch.

You travel to Albania that Christmas. The neighbours in the peasant’s hamlet have skewed memories, so they provide little help, but the man’s house was left almost untouched.

You tear the place apart and Transfigure it back together when you’re done.

All you find, in the end, is a scrap of an old envelope in a suitcase.

R.R

It could be that it’s old. The cursive seems ancient enough. But you swear the letters have the distinct shape of quill ink — too artful for any pen — and maybe that wouldn’t matter if it weren’t for half a wax seal stuck to the torn edge of the envelope. Stained but silver, the barest hint of two ribbons, a crest, and the letter H.

You return to Hogwarts posthaste.

It’s snowing in the courtyards and you waddle with a duotang under one arm to pretend you’re here for something scholarly, an array of excuses prepared in case you run into Dumbledore, but you don’t.

The Grey Lady is as beautiful as she’s rumoured to be.

You ask her about her mother, and she’s silent, an expression on her face like you’ve struck her.

“Is it found?” she whispers. The snow floats through her.

Your heart hammers as you consider how to approach this. She thinks you know more than you do, which means there’s something to know.

“Yes,” you say. And you dare further with the context you know, “In Albania.”

“Oh,” she hums. “Oh…”

And if she means to say more she doesn’t seem able, washing away through the balusters, then the walls. You think of your house ghost and what he did to her, and you feel sorry for a second.

Madam Palles expels you from the library the moment you find what you’re looking for, and you rush past a throng of staring students to the staff room fireplace. It’s too far a walk to the border of the castle wards to Apparate. You bite back the preemptive sickness, get swallowed by the flames, and go home.

There are blanks to fill in but you do it easily. Rowena Ravenclaw’s diadem. Hepzibah Smith and her assortment of unregistered artefacts. The stain of dark magic. Something so rare not even the aurors recognized it.

But you do, because he told you.

You wonder on your search to find him what object he used when he killed Myrtle Warren. Nothing special, you think — maybe even the closest thing he could find. These murders involved more preparation. He got to mark them however he wanted.

It’s almost disappointing to find him here. In a little flat over Knockturn Alley with a view of charmed coalsmoke and the brick wall of another shop.

It’s as tidy as his room at Wool’s, the only dirt the irremediable age of the building itself. The whole place looks almost slanted, large enough only for the bare necessities; a kitchen, a toilet, a bedroom that looks more like a closet, and a study/dining room/den you can’t imagine he hosts many gatherings in. You rescind the mere thought. Whatever gatherings Tom Riddle is having these days, you’re sure you can’t begin to imagine at all.

You wait, legs crossed on an old loveseat, fiddling with your wand.

The door clicks open when the snow has turned to hail and there’s no light but the few scattered candles you’d lit on the mantelpiece.

It strikes you only when he’s standing before you that it’s his birthday.

You’re in Tom Riddle’s flat, on his birthday, adorned by the orange glow of half-melted candles, and you know everything.

He eyes you carefully, a hint of surprise at the sight of you after four years that even he needs a second to recover from. And then he's even, inscrutable Riddle again, and you dare to think, come back.

“I placed wards," he says, hanging his bag on a rack by the wall.

“I thought your door was always open.”

You see his posture change from just his silhouette.

“Wards never work in Knockturn,” you offer additionally, “not really. There's too much conflicting magic; one border cuts into another; leaves a little sliver behind if you’re smart enough to find it. You should know that."

He turns to you. You take in a moment to acknowledge how he's changed. It's hard to see in the curtained moonlight, and it seems unreasonable to imagine he’s grown, but you think he has. An inch taller, perhaps. Two. Maybe the dress shoes. His arms are bigger under his button-down, but not enough to consider him muscular. His black hair isn't as perfect as you remember, and you suspect a long day of work undoes his curls. You always liked him better that way in school, after a night duel at the Black Lake, his robes askew and his hair a mess. Evidence that you were the only one to dishevel him. Now you were — what? Did he even think of you anymore? Yes. You'd always think of each other.

“Duly noted. What are you here for?” He tries your surname like a foreign language.

You cross your arms, and you're acutely aware that he's observing your changes too. You're not the matchstick witch he once knew. Your emotions are cultured now, taut to mirror his. You wear dull, formal grey, and that glowing green tinge that should be gleaming on you is under a thick carapace. That’s for Mari, Flack, Emilia — even Renauld. Not for Tom.

You wonder if he knows it was Dumbledore who put in the word that got you this uniform. You wonder if he resents you for it.

“There’s been talk at the Ministry," you say finally, “A string of murders. Whispers of something — some dark magic they don’t understand. And you know they're careful about things like that after Grindelwald."

“A string of murders... Hm. That might imply you understand a connective thread. Is there some sort of accusation being made?”

“Oh, I'm sure you'd be flattered by accusations. There’s not enough there, as it stands. Just whispers." You sink more comfortably in the seat and the springs make a concerning sound. “But I know you."

His hard, sharp gaze falters for a moment. You watch the flames dance behind him, the firelight playing against the lines of his shoulders, and feel your heart skip a beat. “Who else is speculating?"

“No one." Your fingers brush over the book spines on the coffee table. “I guess their attention hasn't been drawn to a book clerk yet, even if you have taken residency... here." You say it with no shortage of disapproval.

Knockturn was never where Tom belonged. You'd once imagined a flat together in muggle London, taking the telephone booth to the Ministry together, changing the world together. It's a wish that's a lifetime away now.

“Is this a warning? I assure you, I don’t need the condescension.”

“I'm not warning you," you scoff, “I — I'm seeing you. God knows I'll probably never get the chance to do that again once you get yourself locked up in Azkaban, which you will."

You sound exasperated. You sound half-pleading. “What are you doing, Tom? Is this — this is really what you want?"

“Yes."

You shake your head. “I don't believe that." And then some of that fiery spit returns to you, and you feel like a child again, stuck in the London tube stations holding his hand at every plane that flew overhead, scowling that you needed his reassurance. Scowling that you were afraid.

“Well, your conjecture is ever-appreciated. Shall I lend you mine? Shall I congratulate you on your revolutionary position at the Ministry? Or is it Dumbledore I should afford my thanks?”

“I earned this,” you hiss.

“You deserve it,” he amends. “But do not lie to yourself and pretend that’s why you have it.”

“Fuck you.”

He smiles. “There you are.”

“I don’t need your congratulations, Riddle. Dumbledore doesn’t need your damn thanks. But,” you say, biting back the snarl that wants out, “you could thank me. After all, I could turn to the Ministry any minute with the truth of your heritage. I could tell them about Myrtle, the Horcrux — Horcruxes.”

The humour dissolves from his face and you despise the immense glee it brings you.

“Oh, did you think I didn’t know? Didn’t understand the connective thread? You are sentimental under all that… fucking posturing, you know. I’m sure it’s all very romantic to you — making Horcruxes out of Hogwarts artefacts. Shame it’s such an insult to your intelligence.”

“Very good,” he says after a long, terse silence. You’re sure he’s thinking just the opposite.

You hum, meddling with your nails. “So what’s your plan?”

“I’d need a Vow for that.”

You laugh. “I’m not that desperate.”

“You’re also not an auror, are you?” He tilts his head appraisingly. “And yet you’ve found your way here.”

“How many do you plan to make? How many people do you plan to kill?”

“A Vow.”

“Absolutely not.”

“Tea, then? Biscuits?”

“Oh, I shouldn’t. I read in the paper the other day about a poor old woman who had her tea poisoned.”

“Hm. Terrible shame.”

Your fist clenches around your wand. “Is it paying off well, Riddle? It must be a good life if you’re willing to split your soul to hell and back to have more of it.”

He smiles at the barb in your words. “You never were good with subtlety.”

“I wasn’t trying to be subtle. This place is horrific.”

“I was referring to your inability to see more than what’s directly in front of you.”

“Oh, really? And what more should I see than a boy who’s very good at getting weak men to bow and do very little else? I’d try to see the bigger picture, but I reckon it wouldn’t fit in here.”

Tom regards you colourlessly. You are slate, Ministry-grey, impermeable like palace portcullis.

“I suppose I should have killed you.” He says it with the nonchalance of a forgotten chore. He says it like you’re a stain.

He doesn’t say it like he feels any terrible urgency to remove you; and you think, this time, you’d feel more powerful if he did. You think it’s far more debilitating to sit here and be looked at like he regrets wanting you alive more than he wants you dead.

“Yes,” you concur, “I suppose you should have.”

You place your wand down on the table and scoot your chair away for good measure. “It’s never too late to rectify your mistakes.”

Tom, for a moment, looks surprised. That makes you feel powerful. You’d take more of that.

“You have wandless magic,” he tries. A weak recovery.

“Scout’s honour, Riddle.”

He doesn’t move for a moment, then fixes his wand in his hand and rises, doused in the same inscrutable calm that always used to drive you mad. Now something in you gleams with the knowledge that he only ever looks like this when he’s trying not to look like anything at all.

He steps closer and it gleams brighter. It trembles inside you and you know, distantly, that this is insane. You’re weighing your life on a childhood trust that was shattered years ago, and you don’t think you’ve ever been that good at faith, but he’s approaching you and that gleam you feel is reflected in his eyes and you just… know. Your spilled blood once crawled with his. There’s no undoing that. Half of you is made of the other.

“I should have killed you,” he repeats.

It’s a murmur. Stilted. Angry, even. Angry that you made him this and there’s no fucking rectifying it — what a joke that is. What an immensely you thing to suggest.

“Yes,” you agree.

It’s a breath. Low. Proud, even. Proud that you’re his only mistake and he’s going to make it again.

Tom kisses you. It’s a murder of its own kind. You kiss him back, and — you were always going to kill each other like this, weren’t you? It’s you and him whether you like it or not.

There should be no love in it. You know that. Love is far behind the both of you, stifled in a gasp at the back of your throat on your eighteenth birthday and the soft, selfish hands of a seventeen year old boy. This is mutual destruction. Spite and teeth and skin that’s cold under your fingers.

He was your first in everything but this.

You push back at him and feel the hunger, the need in him, like a flame as he kisses you deeper and harder, and you find yourself losing yourself to it all over again, like you're back in the dark alcove of a pub where you told him goodbye, pushing to extend the juncture. And then he lets out a hitched, gravelly sound; not a moan but enough to make you shudder.

You pull him onto the sofa and crawl onto his lap.

“How long?” he asks thickly.

You don’t have to ask what he means. You bite against his neck, nails under his shirt as you struggle to pop the buttons open. There must be a violence in all your want for him because if there isn't it's just loss. It's just another thing you'll give him without taking anything back.

“Sixth year," you pant, “in the Deathday ballroom when we fought for the first time. You — ah — you put your thumb on my mouth. Since then."

You hear a sharp intake of breath, and his hand moves up your back to pull you impossibly closer. His voice is ragged. “Should I tell you how long I’ve wanted you?"

You shudder a breath. “Since —" And it's a bit hard to talk with the way he's rolling your hips — “Since when?"

His lips twitch into a mirthless smile, hands spanning your thighs as you start to rock against him. “When you burned me, and I sent you into the lake."

You swallow, agonised by the slow pace his grip forces you to keep when all you want to do is go faster.

“Your uniform was terribly wet,” he says, mouth tracing your jaw. “Did I ever apologise for that?"

“N-no.”

He tuts, the hushed sound warm and deadly on your neck. “Bad manners. I must have been distracted."

Oh. Oh, you think. It seems pointless to flush in the position you're in now, but the knowledge that he wanted you then and you hadn't even known is... all the more devastating.

But you shiver at the question of how he’d wanted you, in what amount of detail, in what precise way. You almost want to ask. See it for yourself.

You don't think you'd manage the words. He’s hard underneath you and your head wants to lull toward his shoulder but a big hand holds you from one side of your jaw down the length of your neck, his tongue laving up the other. Instead you’re balanced only by his hands and his mouth, rolling against him because it’s all you can do like this.

He’s marking you, you realise with a gasp, and your fingers bury in his hair to remove his mouth from its descending assault on your collar. Not that. You’d sworn against that.

Your fingers return to his buttons and he copies you by finding yours, pulling at the fabric tucked into your trousers until it’s discarded entirely. You press your hands to the planes of his chest and watch him, your mouth agape as his eyes linger on your chest.

His heart is pounding and he must know you’re about to comment on it because his lips are on yours again and he adjusts his position and your fingers dig into his shoulders at the delicious new feeling of him pressing into your thigh.

You move for his belt. He moves for your zipper. It’s some sort of race, whatever you’re doing, and you’re at an unfair advantage when you’re still fumbling with his buckle when his hand is already carving a slow path to the band of your underwear. You're scalding under the journey of it, little stars pricking you under every new inch he explores.

He dips in and your eyes wrench shut, grasping frantically for his wrist.

“Shh,” he says softly, caressing your cheek with his spare hand, thumb finding your mouth how it did all those years ago and you want to curse him. The fucker knows exactly what he’s doing.

You shake your head, chest rising with heavy breaths as you return to his belt and scrabble to unbuckle it.

“So tense,” he murmurs. The hand at your cheek draws over your lower lip before it falls to your back to hold you closer. “Rest now.”

And his fingers trace you where you want him most, brushing past your clit as he pulls his face back to watch you.

You sink into the feeling, still swaying on his lap, a half-efforted attempt at finding friction in the hardness between his legs that feels fruitless because it won't be enough until he's inside. Your hand just grips onto the fabric of his unzipped trousers and stays there. It’s a pause. An obstacle on your path to him that you need just a moment to recover from before you’ll make him feel just like this. Better. Worse. It’s hard to tell which is which.

He’s stroking at you now, pleased by the way you lurch against him with every touch.

You have to recover, you have to make it even, you have to… you…

A finger presses inside and you moan.

“You came back to me,” he whispers, close enough to be kissing you but there’s just the stutter of his breath. It's a fucking religious thing to say, the way he does it.

“Doesn’t make me yours,” you breathe.

He shakes his head. “I know. You’ll still take it though, won’t you?”

Oh, fuck.

He makes a sound of approval. “Good.”

Good. Fine. Your hands slip from his zipper to the meat of his thighs, pushing yourself forward so the shape of him is firmer against you, and Tom slips another finger in.

You’ll take it, won’t you? Yes.

Maybe you don’t need to tear him at the seams (though you want to) to make it even. Maybe this is punishment enough. That he can have you like this and it still won’t make you his, that he’ll give you everything and you’ll lap at it with half the greed he possesses.

You ride his hand, clutching his shoulders, rocking your hips. You take all of it, and it builds something delirious inside you, that it’s him doing this, his perfect fingers, the shape of his lips, the soft dark of his hair when you find your hands in it again. The feeling makes you stutter, and he has to move you by the waist himself to keep the momentum when you can't do it yourself.

He’s painfully stiff, pushing up against you with a degree of self-control that feels like it can only end disastrously for the both of you, and you start smattering kisses down his cheek. You tilt his head back and lick a stripe down his neck. Rest now, you'd say if you could.

But he adds a third finger and your head falls, a cry planted in his collar when you come, and you don't think you say anything.

Tom holds your legs steady, guiding you through it like this is just another one of his studies. You are what he knows better than anything else, and still he wants to learn more.

“Look at you,” he mutters, dipping you back to press his lips down your chest, unclasping your bra while you’re still breaking, the sensation swelling again when he takes a nipple into his mouth.

“Tom,” you try to say. Your mouth is the sticky sort of dry that words refuse to come out of.

“Will you give me more?”

Give, not take. You fuss into a stolen kiss, grappling again with his trousers, pulling them down until you can palm him through his boxers.

He hisses, gripping your wrist like he hadn’t just done the same to you, and then he’s pulling you up and off the couch, trousers discarded with what must be magic because you blink and they’re gone. Greedy boy. (You have no room to judge.) Your back is to the wall an instant before his fingers are on you again, pushing your underwear down your thighs until it falls at your feet like they despised to ever part from you.

You arch to feel him press against your stomach, pushing off the wall so that you can meld to him but he just closes in on you to do it himself.

He goads the heat from you when his fingers push in again, still wet, coiling how you like, where you like —

“Want you,” you protest shakily, hand on his abdomen.

That must kill him a little, because he curses under his breath (a thing he never does) and the immediate absence of his touch is cruel when he goes to free himself from his boxers. You reach for him without thinking as he does, and he pins your hand beside you when your fingers so much as graze the length of him.

You sound frail, but you have to ask. “Is this how you wanted me?”

A cruder version of you would go on. Is this how you pictured it? Taking me against a wall? Have you waited for it all this time?

And you don’t belong to him but you’re so incomprehensibly, contradictorily his. You’ll want him forever. He could do anything, and you’d be his. You could haunt him into his lonely eternity, and he’d be yours. Then, you suppose — haunting him makes him yours by principle.

Maybe you already do.

Tom practically growls into your mouth, pressing against you and — God, it’s skin on skin. He's right there. You could push forward and —

He slides in. You cry out at the feel of him inside you, the angle of it like this.

“I wanted you,” he says lowly, your legs wrapped around him, “everywhere.”

You’re gripping him so tight you think he’ll bleed under your nails and somehow you still feel on the brink of collapse when he thrusts deeper.

“I thought mostly of your mouth,” he rasps. “It felt depraved to imagine it wrapped around me, but then I thought of you splayed out before me instead. That maybe you’d like it if it was my mouth on you.”

You whimper.

“Would you like that?” he asks, hands spanning your hips to snap them into his, like you are a piece removed from him he seeks to reattach.

If you wanted to answer you couldn’t. You’re clinging to him and the rising surge inside you, carved between your legs like something sweltering and unfixable. It rushes in and he pulls out of you. He pushes in and you cry for the release of it, the moment the wave lurches over the edge, but he won’t let you have it.

“But,” he says, and your eyes want to roll back at how heavy his restraint is, callous in the tone of his voice, some leash at his neck he must tug himself lest you take it from him — “If I knew how well you’d take me like this, I would have thought of it much more.”

Taking him, again — you don’t feel at all like that’s what’s happening. You feel possessed. You are buoyant in his arms: his and his and his.

“You can — uh — you can — ”

"Hm?" He brushes down the slope of your brow, your cheek, back to the edge of your mouth, wiping a trail of saliva from your chin. “Poor thing.”

And he slams into you again, drawing a mewl from you that slices your unfinished thought.

You clench around him, flames wild and fluttering at every contact of his skin on yours, and there are too many to count. Too many points where they intersect, just some blend of bodies connected at every curve.

“You’re going to give me more,” he says, like it’s an epiphany when you already told him you would.

You remember then. What you meant to say. “You can take me too.”

You feel him twitch inside you, his pace stilling for a moment, and the thumb on your lip slips into your mouth. Your lips close around him and he curses again.

He fucks you with a finger in your mouth and his teeth clamped over your shoulder, soothing the sting with his tongue. His pace is too slow when he drags his free hand between your legs, but you understand its purpose well enough that the mere recognition almost destroys you.

He’s patient in bringing you to the edge because there's time here. A slow agony that severs you from the rest of the world until it splits you down the middle. And he may not ever have it again.

You have to promise yourself he’ll never have it again.

But the movement of his fingers against the same spot he’s hitting inside you is too much at once, and you won’t last. You drool around his thumb. You let him mark you. You can see on his neck you’ve marked him too. And you hope impossibly there’s a scar. You hope the little death you coax from him claims him as yours for eternity, keeps him even when you're gone. You tighten, lurch for the edge, and make him mortal once more.

Tom holds you there, your cries reverberating as he sinks another finger in your mouth, and then he’s gasping at your neck, peeling back to look you in the eyes when he spills into you. Your eyes screw together and he releases the sounds you make by holding you by the jaw instead.

“Look at me,” he says, and for the strained need in it you do.

You come down to earth and you kiss him, wetness dripping down your thighs as he pins you to this moment. You love him. You’ll always love him.

He’s still inside you when he’s secure enough to bring you to his bed, only removing himself from you when you’re safely in his sheets, legs surrendering their grip on his waist as you pull apart. You pant into the cold linen of his pillow. Everything smells like him. There’s something empty now; the reason you came today; the reason you left four years ago.

You love him and it isn’t enough. Not even to look at him, the sleepy hint of the boy you knew in his eyes, and know that he loves you too.

“Goodnight, Tom,” you say, finding home in the warmth of his chest.

You’ll dream of a morning where you wake up beside him, but you won’t be there.

#tom riddle #tom riddle x reader #tom riddle x you #tom riddle x y/n #tom riddle fluff #tom riddle smut #tom riddle angst #(the trifecta)#tom marvolo riddle #voldemort #voldemort x reader #tom riddle imagine #tom riddle oneshot #harry potter fanfiction #wizarding world #ftltutbh

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darqx · 2 months

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Snakes on a post

Another particularly long answer dump since i, once again, have a backlog of things to potentially answer |D

❗️For commonly asked qs please see my BTD FAQ

Got jumpscared with my own old art for a hot minute there LAUGHS.

(For those wondering, the naga doodle from here was attached to the ask)

That is every other Royal that exists in the Nether and also at least some of the demons that challenged him for his Royal title lol.

Believe me, no one was or is more surprised then me XD;

So, the thing about where Rire's ichor manifests is that it kinda exists and doesn't exist at the same time. Meaning that his upper back is where the manifestation point is anchored, BUT it can still manifest with a bit of space in between it and his back hence why it will manifest over his clothes and not through them.

So if you touch where the manifestation point is sans the ichor, than you are just straight up touching his back. With the ichor, he still gets sensory input from the tentacles to his back but it's a lot more soft and muted esp the further away it gets from him. As you've seen implied though, he would feel a very sharp pain if a great deal of damage was done to the ichor where it clusters at the manifestation point, since he'd DEF be feeling that straight in his back lol.

He is definitely a top and the only way he would bottom for anybody is if they somehow forced him to.

Ah i knew i'd answered this a long time ago [finally found it]! Holy crosses (those that have been blessed) can also burn him but they would need to be in contact with him the entire time. Being a Royal he also has more of a tolerance to these than normal demons.

Well, unless said person actually has the undeniable ability to make good on their words, Rire would just stand there rather genially with that little smile he sometimes has and let them finish.

And then he might use them as reverse suggestions for dealing with said person (why would you give him any ideas!!?)

both

In BTD canon it is quite possible that they actually haven't in person. But we are using creative license here haha.

Rire heals a lot faster than a human. Cain is not my character so I don't know how his stacks up.

I've grouped these asks cos they kind of have similar answers - 360° (jk sorry sorry to the second q that is just a very common spelling mistake and I couldn't resist XD; )

Now, even though we mashed all the characs together in BTD, they all actually come from different storylines and so their canons outside the "BTD canon" may differ. This tends to bleed in. With this in mind:

The rules of Rire's canon (eg the concept of Battle Royales and how to become a Royal) don't apply to Cain. Anyway, they don't live in the same place either.

Cain is canonically the oldest and most OP character in BTD lol so yes he is stronger than Rire - you might've noticed, but Rire is never in the same drawing as Cain voluntarily. I play with this along with the "natural weakness" aspect - which I've also referred to as scissors-paper-rock rules XD Basically; demons beat humans, angels beat demons (purely because demons have weakness against holiness).

It would (be insane) but I hope you are not looking at me to fulfil this :d

Not really

His coronation day is a public holiday in his sector so yes XD

Aww thank you very much for your interest! ≧(´▽｀)≦ It's really cool that some of you guys want to actually fund such a thing - I'd have thought you'd have enough of him killing you in BTD1 XD Unfortunately, I have no plans for a Rire game at the moment as I'm working on a webcomic which looks like it will take up all my free time (that being said, he will be in the webcomic at some point).

Nope! Although i can kinda see why you might think that lol.

Whatever that one is where he doesn't particularly care what someone else identifies as. It really makes no difference to him or how he will act.

There are viruses in the Nether that if contracted could potentially kill you, yes. Part of being a Royal is becoming a lot more robust than normal Demons though. As for if/when Rire dies, I dunno maybe either in a Battle Royale somewhere thousands of years down the line or by old age (which is rare for a Royal but not impossible if you play your cards right).

If you are asking if he has a heat/rut of some sort, he does not |D

#boyfriend to death #art #rire answer dump #answer dump #doodle #long post #decided to actually redesign what a naga rire would viably look like since the old design was bad XD

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leclerc-hs · 2 months

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tachycardia! pt. 1 - cl16

pairing: doctor!charles leclerc x nurse!reader (alpha/omega au) summary: in which you don't always get along with the arrogant alpha doctor warnings: LIGHT a/b/o dynamics, angst??, none really (yet!), badly translated french, NOT PROOFREAD word count: 1.7k author's note: hi so this is the first part!! I'm thinking about turning this into like a "blurb" series, like i'll do a bunch of parts with them but they won't be toooooo long. emphasis on the LIGHT a/b/o dynamics because i am STILL leaning all about it but I'm sure the more I write the better with it I will get. I def will discuss more about it during smut scenes. let me know what you guys think and what else you would like to see happen between them!! don't be shy!!! xoxo

✦ . 　⁺ 　 . ✦ . 　⁺ 　 . ✦ ✦ . 　⁺ 　 . ✦ . 　⁺ 　 . ✦

IT WASN’T HATRED, per se, but more so the fact that you both knew how to get under each other’s skin so easily.

The amount of time it took for Doctor Leclerc to make some sort of asshole comment as you entered the doors of the hospital was little to none. It was almost a predetermined ritual at this point. So common that you should’ve been more concerned with the premise that he might’ve memorized your schedule just so it’s his face you see first thing every time you arrive to work.

You had made a solemn vow to yourself long ago never to become romantically involved with a doctor. Any doctor for that matter. The allure of dating a doctor might have seemed appealing in theory, but they tended to exude an air of pretentiousness, rudeness, and arrogance that left a bitter taste in your mouth.

Doctor Leclerc was what you would consider the living embodiment of this, a constant reminder of the vows you made in the first place. Yet, the fact that he was probably the hottest fucking man you have ever seen, made it hard to not want to blur the lines sometimes. His chiseled features and commanding presence were sometimes a magnetic force, no matter how much he annoyed you.

So, you wonder why, even as you’re leaned against the nurse’s station with an elbow propped on it, you can’t help but stare at the muscles of his back poking through his scrubs and white coat, as he pours a cup of coffee into his mug. His massive shoulders rising and falling as he picks the coffee pot up and places it back down.

“Did he say something to you?” You ask as you press a tissue into the hands of one of your co-workers, April. You didn’t know that well, but nurses stuck together regardless.

“I’m fine,” she says, but the tears welling up in her eyes, made you know better. “I just need to stop being so sensitive.” The words hang in the air, a fragile façade masking the turmoil within, and you recognize the weight of her emotions despite her attempt to downplay them.

“He must have been a proper douche,” you remark, the water from the bathroom sink running over your hands as you meet April’s gaze through the mirror. “What did he do?” Your tone carries a mix of concern and frustration.

Her hesitance to disclose wasn’t rooted in desire to withhold information, but rather in a reluctance to escalate the situation unnecessarily. Aware of your tendency to stand up to Doctor Leclerc, she treaded cautiously. You turned back around to face her, an eyebrow raised as if you’re saying spill the beans already.

“Well,” she begins, her grip tightening on the crumpled tissue in her fist, “all I did was ask if the symptom the patient was experiencing was a common side effect of the medication we prescribed her, just to be sure.” You cross your arms over your chest, you can feel the agitation growing in your chest. “He wasn’t mean in front of the patient, but he pulled me aside after and told me how unprofessional it is to be questioning in front of a patient.” Her voice wavers with a mix of frustration and hurt.

Your lips press into a thin line as she recounts the encounter. “He then told me that I should’ve paid better attention in school and then maybe I would know the answer,” she emphasizes, tinged with a hint of bitterness. The word “maybe” lingers in the air, weighted with insinuation, as if Doctor Leclerc’s implication stung deeper than mere criticism.

“What an alpha asshole!” you exclaim, your frustration evident in the forceful wave of your hands. “Don’t listen to him.” You offer her comfort, a smile of reassurance accompanying your words, a silent vow to stand by her side.

April’s lips curl upward into a small, grateful smile, her eyes softening as she murmurs a heartfelt “thanks”. In that moment, her expression speaks volumes, conveying both appreciation for your support and glimmer of relief.

You saw him before he saw you.

As you step through the doorway into one of your patient’s rooms, a pang of exasperation washes over you, accompanied by the silent question of what you did to deserve this particular form of punishment. It feels like a cruel twist of fate to find Doctor Leclerc attending to one of your patients, whom had just recently had a coronary angioplasty and a stent placement. Despite the urge to roll your eyes, you summon all your professionalism and force one of the biggest smiles onto your face. It’s a façade of warmth and cooperation, masking the internal tension brewing beneath the surface.

There he stood, a figure of authority on the opposite end of the bed, his arms folded across his chest as he chuckled at whatever anecdote your patient shared with him. His laughter, though genuine, seemed to echo with a hint of superiority. You can’t help but notice the subtle flex of his jaw muscles as his head tilts back briefly. The sight of his scruff and the contours of his muscular neck send a tingling sensation coursing through you.

You need to snap out of it! You repeat to yourself, a silent mantra echoing in your mind. You were so preoccupied with convincing yourself that Doctor Leclerc wasn’t unbelievably attractive that you failed to notice the scrutiny of two pairs of eyes now fixed upon you. The sudden realization jolts you back to the present, and you redirect your focus to the patient.

You didn’t need to glance at Doctor Leclerc to sense the presence of a smirk tugging at his lips; it was almost palpable, a silent acknowledgement that he had caught you staring at him. Distracted by him.

“Glad you can join us, mon lapin.” My bunny.

You narrowed your eyes at him, a flicker of irritation igniting within you. That forsaken nickname—he just couldn’t resist. Ever since your first day, when you innocently showed up with a tote bag adorned with colorful bunnies, he had taken great delight in teasing you with it.

“Ne m’appele pas comme ça.” Don’t call me that.

The patient looked up at both of you, eyes full of delight in entertainment.

His verdant eyes look at you for a few seconds, contemplating something, before looking back at the patient. “I’ll make sure you’re out of here in no time,” he assures the patient, his voice full of warmth. “I just need to check your vitals, and hopefully we can have you out here in a few days.” His words are reassuring, delivered with a blend of confidence and empathy that contrasts with the earlier tension in the room. Despite your reservations, you can’t deny that he provides great care for his patients.

“How has your medication been? Still uncomfortable?” You inquire, while Doctor Leclerc listens intently to your patient’s chest with his stethoscope.

“A little bit,” your patient murmurs in response, pausing between deep breaths as instructed by Doctor Leclerc.

“I’ll make sure you get another dose of aspirin to help ease the pain.” You promise with a tight-lipped smile as Doctor Leclerc removes the stethoscope from his ears.

“I think we need to reconsider the dosage,” you assert, meeting Doctor Leclerc’s gaze.

“We don’t want to risk any adverse effects.” His eyes, a much darker hue of green now, narrow at you, like he can’t believe you’re telling him what to do. “I’ve already adjusted his medication. It’s within the recommended for his condition.”

He shifts his focus back to the patient, the darkness and annoyance that once clouded his eyes now dissipating. “Everything is looking great! I’ll check on you tomorrow morning,” he reassures the patient with a warm smile before bidding his farewells. As he turns to you, nodding toward the doorway, his demeanor shifts, and a lethal glare meets your gaze. Without a word, you follow him out the room, bracing yourself. You refuse to cower, meeting his glare with a steely resolve of your own. Each step you take alongside him is a silent assertion.

His touch on your elbow sends a jolt of tingles to your stomach as he swiftly turns you around, your back now pressed firmly against the wall. His gaze pierces through you with a lethal intensity.

“Que pensez-vous faire?” What do you think you’re doing? He pinched the bridge of his nose in between his pointer finger and thumb, with his eyes scrunched as if he got a splitting headache in the span of one second. Like he was in pain. Did you know how strong you scent was? He wondered mindlessly, almost forgetting why he was so mad at you in the first place.

You thought nothing of his actions, too busy feeling the anger swell in the pit of your stomach.

Your eyes roll in exasperation, and your eyebrows knit together in annoyance at the audacity of this man.

His eyes meet your again and can’t help but think how beautiful you look, even when angry. How he would just love to bend you over his knee and remind you who is in charge.

“Je veille sur mon patient.” I’m looking out for my patient.

He rests his hands on his hips, stealing a glance at his beeping pager before fixing his gaze back on you. His eyes, nearly black, pierce through you. “Non, tu essaies juste de provoquer une dispute comme d’habitude,” You’re just trying to start an argument as usual. He grits through clenched teeth. “His medication is completely fine, et tu le sais!” And you know it!

So, maybe you were trying to start an argument with him. Especially after April’s crying face came to your mind.

He’s so close that you can hardly think around his scent. It’s almost intoxicating.

“Don’t ever make April cry again.” You jab your finger into his shoulder, reminding yourself why you’re here in the first place.

He blinks, and you catch the glimmer of recognition spreading across his features. “Elle n’a aucun courage” She has no spine. He remarks before continuing, “She should learn from you. You probably have spare spines.” He steps back from you before striding down the hallway in opposite direction of the nurse’s station.

No matter how annoyed you were, you couldn't peel your eyes off his muscular back until he was completely out of sight. You scoffed at yourself. How pathetic am I? You questioned yourself repeatedly until you take in his last words to you.

Did he just make a joke?

#charles leclerc x reader #charles leclerc smut #charles leclerc imagine #charles leclerc #f1 imagines #f1 x reader #charles leclerc angst #charles leclerc fanfic #charles leclerc fic #f1 imagine

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lazyflower48 · 4 months

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Dazai and Ranpo: The Two Geniuses of the ADA

The thought about making a post about Dazai and Ranpo's teamwork has been plaguing my mind for a while now, and so I finally found some time and decided to go through with it.

So let's talk about one of my favourite underrated duos for a moment. The two geniuses of the ADA- Dazai and Ranpo. Two people who make a wonderful team and are actually, in my opinion, the backbone of the agency.

What I find interesting is that (though I believe that Dazai respects and admires all members of the ADA) Dazai openly admires Ranpo A LOT. He's always quick to praise Ranpo (basically fanboying over him and it's quite adorable to see Dazai gush over someone like that other than Oda) and in 'Dazai's Entrance Exam' we see him being surprised over the fact that Ranpo's ability is not actually an ability and we see him further praise Ranpo's intellect after finding that out.

Despite the fact that Dazai is a huge mystery, even to the people around him, Ranpo figured out that there was something up with Dazai in just a single glance (in 'Dazai's entrance exam'). And despite knowing that Dazai was probably hiding a sinister past, he didn't press him any further for details (probably in order to respect his privacy or his wish to not disclose his past OR maybe due to the the fact that knowing Dazai, he most likely wouldn't answer truthfully even if questioned about it)

What I also love is that even though both of them are extremely intelligent, their intellect differs in such a way that Ranpo is a master of deduction and Dazai is a master of manipulation (as stated by Kunikida in 'The Daily Routine of the Detective Agency'). However, one thing both of them share in common is that they both felt isolated due to their nature.

They may have limited interactions but their interactions are always my favourite, for instance-

1. Dazai's entrance exam - Dazai's admiration and respect towards Ranpo

2. Season 1 - Murder on D-Street - Dazai showing a good understanding of Ranpo's deduction process and acknowledging that Ranpo caught onto more details than him

3. Season 2 - "Mountains or sea?" " Sea. "

Showing their unspoken communication. They can read each other's minds at this point lol.

4. Season 3 - Ranpo basically acknowledging that Dazai would be a tough opponent to go up against by comparing Fyodor to him (sort of praising his intellect in a way)

5. Season 5 - The Strongest Man in the Agency- Ranpo

Dazai keeping an eye on Fyodor while leaving the rest to Ranpo

Dazai relying on his allies- trusting Ranpo to negotiate with Bram in order to undo the vampire curse.

6. Dead Apple - Ranpo seeing through Dazai's plan beforehand.

7. 55 minutes - Seeing through upcoming events beforehand, one thing Dazai made sure was to inform Ranpo about the whole fiasco on Standard Island in order to save the Agency in the end.

Also, sidenote: I found out that the Dazai and Ranpo duo is named Souheki, which translates to double jade. Now, I'm not sure if this information is fanon or canon (feels more like fanon tbh but I really like it because it's a pretty name)

Anyway, one thing we can say for sure is that as long as the two geniuses of the Agency- Souheki work together, the ADA will most likely remain undefeated cause no one really does it like them

Lastly, just some food for thought. I've always wondered how Dazai would react if he found out that Ranpo met Oda TWICE and the second time he met him was right before Oda went on to his certain death.

Honestly, I would LOVE to see more fleshed out and direct interactions between these two.

#i wish tumblr allowed more than 10 photos in a post cause I wanted to add so many more #cant believe this has been sitting in draft for like 6 months now #the two geniuses of the ADA>>>#bsd #bungou stray dogs #bungo stray dogs #bsd meta #bsd analysis #bsd dazai #bsd ranpo #dazai osamu #osamu dazai #ranpo edogawa #souheki #bsd ramblings #bsd s5

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somerandomdudelmao · 11 months

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sitting on my hands, silently screaming because I can't stop thinking about the connection between Casey and Raph and about Casey discovering said connection and So, to temper my hype, I decided to try and find as many Casey-Raph parallels and possible Raph-sourced influences on Casey: (forgive my formatting I am not used to Tumblr) 1. Casey being able to easily mimic Raph's growls, despite having no memory of learning (note: more obvious b/c it happened so recent. though, based on the fact that the other turtles were surprised by Casey making the noise... did Raph teach him?)

2. Honestly, just Casey's protective nature in general? Casey works so hard to protect his family (learning how to carry his much-bigger-uncles, caring to their needs when their vulnerable without question (i.e. tot Leo and Donnie), literally any time he's concerned with the turtle's health))

3. (Slightly-iffy BUT:) Being very conscious of his strength/fragility of others - - which might be a tad silly to say when all his family is bigger and stronger than him, and there is already another connection in that to Leo, but I cannot get Raph ever admitting "I'm the strong one, the big brother, so I need to protect and take care of you guys!!" so I'm calling it a mix of both Raph and Leo

4. The way they hold/cradel the tinies is very similar (note: there might be more reflections of this category but I honestly can't tell b/c most characters are bigger then Casey)

5. Another different, fun pose where they mirror each other pt.3 (except its very obvious)

6. Krang-ified Casey looks a lot like Krang-ified Raph; from the right eye (our left) to the tentacle right arm (our left) to the clawed left arm (our right) to the spikes. too many similarities for me not to at least point it out.

7. Casey and Raph being attacked by (proportionally the same size to them) Tiny Donnies and getting absolutely bodied.

8. This specific expression - - a possible common trait in just adoring cute things? (note: need more data to find this out, cus I did find a similar expression on Donnie, and we can't really see sparkles in Robot!Raph's eyes, but there was one from the show that's rather close.)

... did I over look into some traits that can maybe be explained other ways? probably. did I miss some parallels? definitely, this series is littered with them. but this AU has me by the throat and we are getting backstory on MY favorite of the turtles, so I need to cope somehow. (This is also my first ask. Idk if I'm did it right. I hope it goes through, and at least someone sees it.) (Message to anyone who sees this: HYDRATE OR DIEDRATE, BECAUSE IF YOU DON'T HAVE A DONATELLO WHO WILL REVIVE YOU.)

What a wonderful research

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hotchfiles · 2 months

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hotch "representing the bau" hotchner x activist!reader who won't stand for bullshit

not like actual conflict cause we know hotch is a very principled guy

more like

"shit i can't shitpost about overthrowing the government anymore cause my boyfriend is the government" vibes

you have no idea how deeply i feel about this i've actually posted about this because i'm very much against all cops and he's a literal fed ! but

You met in the most conventional of ways, which makes the whole thing even funnier to the outside person. A bar. You noticed him the moment he walked in, too downright gorgeous to be ignored, you stare at him completely shamelessly and get a few shy awkward smiles in return while he sips on his first drink and talks to his companion, who you later learned was Rossi.

He will find it later on that you're not really up for games, but it takes him by surprise when you approach him, card in hand with your phone number and the red stain of your red lips on the other side. He's immediately smitten, being flirted with so openly at his age does wonders for his ego and he makes sure to text you as soon as he gets back to his apartment.

The texting back and forth goes for hours, a lot of flirting, you're much more outspoken than he is, but still you find him hilarious, you will be telling your friends he's the funny one between you two (none of them will believe you, but you like having this only to yourself as well).

You talk movies, plays, music, favorite drinks and by 2AM he asks you on a date. It’s perfect from the get go. He's flattering, compliments your choice of clothes, says he likes the lipstick (the same you used on the card he is keeping safe on his wallet), takes you to a nice restaurant.

You tell him since you made the very first move, he would have to be the one to kiss you, he argues he sent you the first text so you should be the one to do it, in the end none of you know who took the first move, you're just sure you were the one to unlock your apartment door, stumbling along with him as you two passionately kissed.

It's not common for this to happen for him, he's too much of a gentleman, sleeping with someone on the first date isn't the gentlemanly thing to do, you're not attached to those norms so even if he tried to argue, your lips glued to his neck as you worked on his belt took his mind off of it.

It's not until the next morning that he really notices your place: The types of books you had, some revolutionary art pieces and it's then he realizes he has no idea what you do for a living. Neither did he tell you he was a FBI agent. You two talked long hours and career wasn't even a topic (that may be why you caught his heart so fast).

You were a journalist, a writer, quite proficient and known for your progressive ideals and less than civil protests, so when you both realize the differences and the conflict it might bring, the first instinct was to pull away. Forget the whole thing. It was only one date after all.

It's a matter of days for the realization that being apart won't happen, your thoughts are filled with him and his voice and the way he touched you and Aaron can possibly detail every curve of your body and the way you smelled as if he was still in bed with you.

There's a mutual agreement of public discretion, you can't have your readers knowing you're falling for a fed, nor does the media needs any more reasons to write about the FBI.

His team knows though, and so does Strauss, she had to be warned of the possibility of your name popping up in some lists. She reads half of your writings after that, highlighting stuff you should not be writing about (you won't listen to her on it) and the compromise you make is to keep all of your opposition material completely professional, no tweets, no tiktoks, nothing of the sort with jokes about overthrowing the government.

"Did you... Did you just cite and use one of Stalin's books as a resource here?" He asks, he's in your bed, blue boxer shorts and white t-shirt on, completely comfortable with you already, his reading glasses sit on top of his nose like an old man and he furrows his brows, looking up at you. Aaron's interested in what you write, he truly reads whatever you hand him just to learn more about you, he's not the one to try to censure any of it.

"Well yeah... His writings are the easiest to comprehend on the topic." You shrug, not understanding the tone of his question at first.

"Honey... You can't just... Do you know how many... Forget it. Your editor will love it." His poor attempts to talk you down failing each time he looked over and saw your expectant eyes as his opinion is important to you. You smile at his defeat, taking the papers from his hand and throwing somewhere else in the room, his glasses go to the bedside table and soon you're kissing any of his worries away.

#lari writes sometimes #THIS GOT TO ME OKAY #aaron hotch x reader #aaron hotch x you #aaron hotch imagine #aaron hotchner x reader #aaron hotchner x you #aaron hotchner imagine #criminal minds x reader #hotch x reader #hotch x you #hotch imagine #hotch scenario

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writingwithcolor · 5 months

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Any advice for handling race in reincarnation situations?

@swamp-spirit asked:

I'm writing a story that includes characters being reincarnated with completely different appearances. It's a fantasy world, and most of the characters are being reborn in the same region, but I still want a range of skin tones and features in the main cast (this is a comic). I have weird feelings about a character being 'reborn' with notably lighter or darker skin, but it also feels implausible and lazy for people to Just Happen to have a similar appearance when the theology of the story doesn't support it. Characters being reborn, and taking out things specific to real life groups, what are the major things you'd want an author to read up on or take into account? (Note: there is not a 'white' looking ethnic group in this story)

I don’t think it’s a problem as long as the skin tones don’t have any correlation to the circumstances that they’re reincarnated into.

- SK

It’s an interesting question, because in most religions where reincarnation/ transmigration of the soul is a feature of “what happens after death”, remembering one’s past life is not really part of the package deal. From what you’ve written, it’s not clear to me where the “memory” of these characters’ lives are held. Is there a 3rd person omniscient narrator telling the audience who each person is in their next life or do the characters themselves retain memory of past lives?

Assuming this is your typical reincarnation scenario where characters retain no memory of previous lives, it doesn’t much matter. The next life is the next life. Who a person was in their previous life and that identity, in theory, means nothing to them. This also means whatever personality, values, experiences and so on they had in their previous life no longer has meaning. They are, in effect, another person. However, you say you feel awkward about the above which makes me wonder if characters are remembering past lives, in which case…

If you study pretty much any major Asian religion where reincarnation is a part of the belief system, having no memory of the previous life is par for the course. In present-day religions like Jainism, Sikhism, Hinduism and Buddhism, only “special” (I’m using the term very casually here) entities like bodhisattvas, guru, arihant, buddhas, etc. usually get to keep their memories, while the rest of us (literal) mere mortals are supposed to lose our memories between lives as a part of Samsara. In Hinduism, even the gods often forget their previous lives, unless their reincarnation had a targeted purpose (Like being born to defeat an evil entity).

For most people, it is only through prayer, devotion, meditation and accumulated virtuous/ good/ compassionate deeds that humans are thought to deepen their understanding of the nature of the universe, and thus have the capacity to remember past lives (I’m, again, paraphrasing very loosely here from several years worth of university history+religion courses).

This is why the isekai genre in Japan is largely regarded as a “cheat”/ parody genre of fantasy. The protagonist, according to common Japanese cultural beliefs, which are quite heavily grounded in Buddhism, is definitively “cheating.” Not to get too ironically biblical, the character’s success often comes from the forbidden knowledge borne of their previous life.

Thus, there are two ways I look at your characters’ predicaments:

It’s not technically reincarnation - not by the way most major world religions define reincarnation, anyway. You have people who died now inhabiting other bodies, but that’s not the same as the transmigration of the soul. Also, you want to delve into the weirdness (and maybe heaviness) of “Wow, I went to sleep with one face and woke up with another.” There are certainly stories about people who have had dramatic cosmetic plastic surgery, weight loss surgery, HRT, etc. and then experienced the difference in the “before” versus “after” of how their altered physical appearance makes them feel, as well as how other people treat them. Even if the community your characters are born into now differs from their previous community (Which I guess would make this more a “I traveled between dimensions, and my appearance altered in the process” sci-fi adjacent affair), their new life will still have social environments with differing attitudes towards human physical appearance that will affect your characters’ emotional states.

Isekai it up and play with the ridiculous contradiction of having past lives and differing memories of one’s appearance. Isekai manga, manhwa and webtoons all make use of this trope heavily, especially with protagonists who experience a “glow-up” (Ex. Going from a Plain Jane OL to beautiful fantasy heroine) or, by contrast, protagonists who end up in very different forms from their original lives (Tensura, I’m a Spider, So What?). I’d be creative and go even more granular. Being able to tan after a lifetime of getting sunburns or no longer needing glasses might be nice, but what if the new body lacks the enzymes to process dairy or alcohol? What about dealing with differences in hair texture? Skincare routines? What about living life as a very tall person after being quite short or vice versa? What if you bumped into an acquaintance from your previous life, and one of you clearly got a more “coveted” reincarnation? See how far of an extreme you can take this idea until it feels too uncomfortable or ridiculous.

Marika.

#reincarnation #skin #skin tone #worldbuilding #religions #characters #ask #isekai #writeblr

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