Hiii, i love your stuff and kinda from a distance really look up at you for, in my perception, being able to express yourself without giving a fuck. Thats sick dude, Im so so afraid, of absolutely everything, its nice to think like i might grow into someone less apologetic of my existence. Nice to see people just being yknow
hey, thank you, this is really really nice. the secret that is probably not a secret is that i am also deeply afraid a lot of the time lmao -- but less than i used to be, and in ways that feel less stifling and self-suffocating, if that makes sense.
like, it used to be "i'm scared that if i express myself the way i want to, everyone will find me obnoxious, so let's just sand those edges down to be safe" -- now my fears are more like "now that i'm expressing myself in a way that feels natural and real, i'm afraid that it's all stupid/vapid/not worthwhile or meaningful" (<- specifically abt my art) or "i'm happy that i talk and act the way i want to now, but what if it makes me impossible to befriend," etc etc etc. which still feels bad and puts me in a funk a lot of the time but at least it's a fear that comes After/in reaction to doing stuff, rather than a fear that STOPS me from doing stuff, you know? like, it's evolved into a kind of fear that's less in my way.
anyway. i believe you'll experience something like this, because wanting to grow is the first step of growing. the fact that u hope or wish for something different means you're already on your way. to fewer fucks!! or at least distributing the fucks u give in a way that serves u better
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hello, i'm finales georg...
i don't want to further clutter up the notes on this post while responding to the tags below but the persistence of the "finale is short/scenes are missing/extra ad break” conspiracies drives me absolutely bananas when i've watched the finale ten times and have posted about this A LOT trying to clear things up. (disclaimer that yes, i'm a goddamn destiel shipper but i care about Facts above all.)
ok but this is weird because i'd swear the episode was shorter (11 missing scenes!) but okay. maybe we all mandela effected ourselves into #beleving that. because it felt shorter. but i will die on the hill that it had another ad break. i understand this person has the thing #recorded with ads so i am thinking maybe different ad breaks in different idk time zones??? #because the finale did air an hour earlier in canada so maybe idk i am reaching here but maybe different states or whatever had different #ad breaks??? as for the last minute changes - wasn't the cover band asked for permission to use their version of carry on like a week before #the thing aired??? so even if the episode was 42 minutes and had no additional ad break - which i am side eying but lets say all was normal #i will always say they were changing thing until the absolute last minute (carry on my wayward son X 2 #the crew on the bridge which is not only giant 4th wall breaking but also wow they really got all those people in one place in times of #covid???) #anyway. tinfoil hat stays on sorry guys :/ (via @officialmisha)
short and snarky: there are plenty of real and sourced examples of network homophobia and scripted/directed destiel scenes being cut to point to. we don’t need to make this stuff up just bc the finale wasn’t what we wanted. so it’s not the mandela effect — it’s ppl repeating a conspiracy/rumor bc it supports their narrative and it’s easier and more fun to repeat something that supports a narrative they already believe (misha or something destiel was cut) vs the boring act of fact checking.
longer circumspect answer with links bc like many ppl i am in my debunking era and i rewatched "roblox_oof" last night.
like i said. i've watched the finale ten times. i’ve gone over the episode with a fine toothed comb and posted a detailed breakdown of timing marks on my blog. it’s actually extremely obvious where the ad breaks are once you know roughly where to look for them (they have a longer fade to black instead of a quick cut scene change). there’s no room for extra ad breaks and i think this conspiracy/rumor persists in part bc the episode feels so sparse in terms of cast and the fact that the episode’s momentum hits a barn post (and rebar) less than 20min into an hour-long programming block.
also i’m begging ppl to actually look at that timing mark post. it’s very straightforward and i spent a lot of time on it. i don’t care if ppl plagiarize it at this point if it means this conspiracy stops. i've got almost every second accounted for.
the "eleven missing scenes" that you're thinking of are probably from the finale script of questionable authenticity that @spnscripthunt acquired back in 2021 which can be found here. it's dated as the “final draft” from 11 sep 2020 and filming on 15x20 wrapped on 10 sep 2020. as noted at the bottom of this superwiki page "[the] script came from someone claiming to have been the person who did the closed captions for the show in Russia. There are some indications that it possibly may not be authentic, but this has not been confirmed."
if we go with the possibility that this was a transcript meant for subtitles, the "omitted" scenes were probably written but never filmed since it's the "final draft" and not a color revision (blue, green, yellow, etc). unfortunately, i’ve lost track of where i read it and a preliminary duckduckgo search isn’t bringing it up bc there's a program for script writing called final draft, but iirc the “final draft” version of a script is a transcript of what was filmed (e.g. there are parts of that 15x20 script that ended up being deleted scenes on the DVD). spnscripthunt also has an example of a confirmed final draft for 09x02 (funnily enough, also a dabb-penned ep). if anyone can confirm with a source that i have the purpose of the “final draft” version designation wrong, please let me know! i love being proven wrong with Facts.
i do want to acknowledge that the two “final drafts” do look different from each other and the 15x20 one doesn't look like a “real” final draft script since it lacks the revision/versioning dates that a script would normally have on the cover page. it could be that it was intended for subtitles; there's the chance it's been re-typed to anonymize it if there was anything indicating who the "owner" was, tho that seems a wee bit cloak and dagger to me. and again: it's considered of questionable authenticity. there are some things that don't quite line up but oh dear god i don't want to get even further out into the weeds than i already am.
i won't disagree that it's weird as hell that neoni only got asked about using their cover seven days prior to the episode airing (tiktok here). my personal theory is that they were hoping to get a more expensive song (maybe a zepp song, idk) and didn't manage to secure the rights in the end. again: this is pure conjecture on my part! but i could absolutely see someone working on the show hearing neoni’s cover and liking it and then maybe they were using it as a placeholder until it got down to the wire and they had to make a call/send the ep to networks. because yes, it is baffling they played a song and then a cover of it with only a 40 second break between. (i do actually really like the neoni cover! the placement is just weird and i think it could have worked if they had the kansas version at the beginning and closed with neoni's full cover.)
as to the 4th wall break COVID stuff: robert singer talked with variety magazine about filming the last two episodes and the logistics of filming during a pandemic. whether they should have been filming during a pandemic is a separate discussion but their use of office vs set pods, strict quarantining and daily testing meant that they had zero positive tests in the month they were filming (18 aug to 10 sep). so given all that, i personally don’t think it’s totally out of pocket to have everyone standing outdoors on a bridge for maybe an hour to get a drone shot of them together. (i won’t get into incubation periods and viral load, but if everyone tested negative that day and every day for a month prior, it was a fairly low risk scene to film outdoors and for all we know everyone was masked until the last possible second. there were plenty of outdoor masked protests in 2020 that weren't superspreader events.)
and before anyone brings up “but misha was in vancouver!” i know someone who looked into it and they said no dice, nothing matched up between the backgrounds in those pics and places in vancouver. his statements about “us” going back to set over the summer were pretty generic in hindsight and “we”/"us" could be him or the spn crew generally. unfortunately i’m not able to find those tweets but the use of “we” was likely so as not to give away he wouldn’t be returning to set. (bc we were absolutely casbaited!) and bc it comes up a lot: the "onion field pic" was from when they were filming 15x17 and was not taken while filming 15x19 and 15x20.
besides, it would be ridiculous to go through the financial and logistical headaches of bringing someone into the country to film during a pandemic, only to cut their scenes in the end! honestly, the script is pretty tight when the scenes are given so much breathing room! the only thing i could see being further cut down is The Monologue and even then, i don’t think there was any intent to cut it down given it was filmed in fairly long takes.
i’ve said it many times before, but i believe the finale was fucked long before they returned to set. walker got the green light in sep 2019 and it was being marketed heavily as a “follow on” show to spn given jared’s involvement. the demo they were courting for walker has little to no overlap with the demo for destiel fans — why would they want a finale that catered to a demo they weren't interested in courting? we just went through a historic double strike that exposed so much of the rot of business interests overriding creative vision. this isn't completely unfounded conjecture.
i will not apologize for the length of this bc i wanted to be thorough, but i do want to give context that i think the reason these conspiracies and rumors grind my gears so much is because anyone can fact check all of this. the truth is out there and absolutely none of it is that hard to find. the most time consuming/difficult part of this was finding someone who had a DVR’d copy of the finale from when it aired live and they actually found me themselves after i’d been low key asking around for a year!
and like. i get it. conspiracies are fun. but there are so many sourced instances of network homophobia and destiel being cut that it's like. why is this something folks are hanging onto? the cw is notorious for having upper level meddling with finales bc there's a follow-on show they want to shuffle fans along to and spn is no exception.
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♡ ・ LETTERS TO THOSE WE MOTHER ━━━ an introspective, drabble series dedicated to zephia & eremiya
. a few days after apping zephia, i reread the script of NMotE and fell in love with eremiya's character. the potential, the archetype, and most of all, the backstory she was given. though i disliked how it was thrown messily into the script, i had no doubt that she could be a character i'd enjoy writing. which, then, led me to wonder how similar and different she and zephia were. and i must admit that i grew obsessed with the idea of them interacting with one another ( though, at first, the thought definitely stemmed from a flickering, romantic piece i wrote for them. pardon my insanity it was a voice test for eremiya,, ).
thus, i created this! letters to those we mother, is a drabble series where i hope to do an in-depth exploration of their characters, both in who they are, what they are, and the potential was created for them. though this is self-indulgent, i hope to entertain whoever reads along, whether in succession or standalone.
thank you, TOA, for letting me have the opportunity to explore writing styles within this setting, as these two would never tolerate one another otherwise.
further information ( synopsis, table of contents, disclaimers, schedule, set-up; all to be updated with each drabble posted to the dashboard ) beneath the readmore!
. SYNOPSIS. what happens when fodlan shatters the mirror separating an archetype? what should unfold when these two sides, cut from the same lengths of glass, find their hands touching, skin-upon-skin, without the safety of a reflection?
zephia dahut kurosawa, a mage dragon faithful at the feet of her lord, and eremiya n. ahava, a bishop condemned to obey the voice of her lord, have crossed into each other's territory and, thus, will embark on the reluctant path that mothers must retrace once their children have grown into young adults. a lifestyle they would have walked, separately, lest their corruptions never been birthed.
neither of these beasts have savored the taste of motherhood the way fate planned them to. so, what now? will their faith create permanent cracks in the mirror? will a dragon's realism and a bishop's pessimism meld together into the flawed glimpse of another; optimism?
this, only time would reveal.
. TABLE OF CONTENTS. as of planned, currently.
i. origins.
ii. cradles & fires.
iii. tbd.
iv. tbd.
v. tbd.
vi. tbd.
. DISCLAIMERS. neither zephia or eremiya are characters that will be redeemed in this series. instead, i hope to explain their conditions and explore the consequences to which they must be condemned. with this in mind, understand that these two muses are bad people and will not change automatically in the first drabble. the journey of self-introspection is a long one.
. SCHEDULE. estimated to be 6:00 pm on the 23rd day of every two months. ( ex. if the first drabble is posted on february 23rd, at 6:00 pm, then the next drabble would be posted on april 23rd, at 6:00 pm, and so on ) a brief prologue that contains a recap, teaser, and important information such as content warnings and writer notes will be posted at 9:00 pm on the 18th day of every two months.
. SET-UP. likewise, the order of drabble posting will switch between muses. this is with the hope that zephia and eremiya will have equal related posts to archive properly. the first drabble, origins, will be posted on zephia's blog, while the second, cradles & fires, will be posted on eremiya's blog. in that order ( zephia, eremiya, zephia, eremiya, etc ) the drabble series will be completed. none of these drabbles will be reblogged by either blog, simply linked. however, this post will be shared between blogs, just for easier access.
. final words from the mun. again, whether you read one or two or all drabbles in this series, i hope you enjoy it! if i missed any content warnings and need to tag any themes or spoilers, let me know and i'll correct the mistake. otherwise, that's all from me. see you on the 18th / 23rd, concerning the series, and may the day treat you kindly, reader! ( and ps. yes, i did choose the 23rd because the number is my birthday number MKSEWKMSDJN )
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