Steve and Robin go out to a gay club in Indy one night and Robin ends up pissed off because even if she did make a couple of friends and connections with the local scene she didn't have as much luck as Steve who made out with like 5 dudes in a row. How come they're going to the gay places and her straight friend still has more game than her?! Turns out maybe not so much, since Steve spends the monday shift at family video talking how much he enjoyed kissing guys and how hot it got him and how it didn't feel like a performance—which Robin can relate to that part—so maybe it's time to keep experimenting? Robin thinks he might be going a little fast but Steve is determined so he asks if he should ask Eddie if he's down to hooking up so he can try having sex with a guy which sends Robin into another spiral because whoa, since when are you aware that Eddie's gay? (And shit, if she said it out loud to Steve does that count as outing Eddie?!) Steve says he just knows, the same way he knows that Vicky is into boobies (ugh, not this again!) and anyway there's no harm in asking. Robin's mind is blown when Steve literally picks up the phone and calls Eddie if he's down to fuck that night at his place. She's not surprised Eddie agrees. He might be even more of a masochist than Robin herself, really. Which leads to a very interesting night where Robin spends hours trying to concentrate on her stupid homework and not think about how her best friend, her soulmate, the light of her life, is right now having gay sex literally days after finding out "kissing guys is cool actually," when it took her years to admit to herself that she was into girls. And it's even more mortifying when a little after midnight Steve calls her—of course he does—and informs her that sex with men is actually so much better than sex with girls, for him at least, he just had the best orgasm of his life (good for him) and inform her that he now has a boyfriend. Honestly, what did Robin expect. Good for Steve and his simple, honest heart.
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what truly gets me with knives out and glass onion both is the use of the viewers' memories. like when harlan gives marta the instructions where to park the car, before or behind the statue. or when we see miles hand duke the whiskey glass.
like i watched those parts. i heard harlan say where to park the car. i consciously took in how miles gave duke his glass the first time. but then the characters show that twisted scene and suddenly i also don't remember. park the car before or behind the statue? did he hand duke the glass or did duke take it by mistake?
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Low level/continuous pain tips for writing
Want to avoid the action movie effect and make your character's injuries have realistic lasting impacts? Have a sick character you're using as hurt/comfort fodder? Everyone has tips for how to write Dramatic Intense Agony, but the smaller human details of lasting or low-level discomfort are rarely written in. Here are a few pain mannerisms I like to use as reference:
General
Continuously gritted teeth (may cause headaches or additional jaw pain over time)
Irritability, increased sensitivity to lights, sounds, etc
Repetitive movements (fidgeting, unable to sit still, slight rocking or other habitual movement to self-soothe)
Soft groaning or whimpering, when pain increases or when others aren't around
Heavier breathing, panting, may be deeper or shallower than normal
Moving less quickly, resistant to unnecessary movement
Itching in the case of healing wounds
Subconsciously hunching around the pain (eg. slumped shoulders or bad posture for gut pain)
Using a hand to steady themself when walking past walls, counters, etc (also applies to illness)
Narration-wise: may not notice the pain was there until it's gone because they got so used to it, or may not realize how bad it was until it gets better
May stop mentioning it outright to other people unless they specifically ask or the pain increases
Limb pain
Subtly leaning on surfaces whenever possible to take weight off foot/leg pain
Rubbing sore spots while thinking or resting
Wincing and switching to using other limb frequently (new/forgettable pain) or developed habit of using non dominant limb for tasks (constant/long term pain)
Propping leg up when sitting to reduce inflammation
Holding arm closer to body/moving it less
Moving differently to avoid bending joints (eg. bending at the waist instead of the knees to pick something up)
Nausea/fever/non-pain discomfort
Many of the same things as above (groaning, leaning, differences in movement)
May avoid sudden movements or turning head for nausea
Urge to press up against cold surfaces for fever
Glazed eyes, fixed stare, may take longer to process words or get their attention
Shivering, shaking, loss of fine motor control
If you have any more details that you personally use to bring characters to life in these situations, I'd love to hear them! I'm always looking for ways to make my guys suffer more write people with more realism :)
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hearing about gale from tara is always such a treat because she's known him for so, so long, ever since he was just a boy and has watched him grow into who he is now:
Player: Excruciatingly awkward. On my side, at least.
Tara the Tressym: Don't be too hard on yourself, sir. You've been like that all your life.
Player: It's very unsettling how you can tell what I've been up to just by looking at me...
Tara the Tressym: Tressyms are exceptionally intuitive. And also, you wear your emotions like a very garish cravat.
Tara the Tressym: If that's all, then what comes after is for you to decide, Mr Dekarios. Think well on all that's happened, and stay true to that heart of yours. It's a good one.
which also sort of ties into this:
Player: I'd never want to lose you, Tara. I'll return the Crown to Mystra.
Tara the Tressym: There's a good humanoid. You had me scared for a moment here. But you're wise - and wiser all the time.
Player: That's just my boyish charm.
Tara the Tressym: Boyish charm and knees that creak like rusted hinges! Quite the combination.
Player: I'm honestly not sure. But don't worry - it's nothing I can't handle.
Tara the Tressym: Very tough.
Player: Must be the beard.
Tara the Tressym: Don't be silly. What is it really?
she's absolutely not averse to teasing him. however, it's never cruel and always light-hearted, just like she's not afraid to call him out on evading questions or making him reflect on the choices he takes if she does disagree with him. it really speaks of how long they have been at each other's side.
Tara the Tressym: Mr Dekarios. Gale. You are the finest mind - the finest wizard - I have ever had the pleasure to know. If anyone can beat this thing, it is you.
When you tried to control the Weave - when it all went, pardon my language, belly up - I was terrified. Scared you'd be hurt. Scared Mystra would punish you for your transgression. But do you know what never crossed my mind?
That you wouldn't figure a way out of it. My clever friend never leaves a knot knotted. This parasite is one more knot, so get to tugging threads. And - Mr Dekarios - please. The beard. I'd cut it down myself if I could hold a razor.
so from tara's pov, gale's always been awkward and obvious with his emotions.
she's convinced he has a genuinely good heart, one that she hopes he'll stay true to.
tara thinks he's wise, and growing wiser (condition: gale rejects to take the crown for himself).
she also thinks he's clever and brilliant.
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