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#i wrote to them
occudo · 10 months
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I hate that we still need to say this, but if an artist makes art, and you like it one of the biggest insults (not to mention a crime) is to steal it from them. I'm not a big artist, and until now I didn't feel the need to say this, because it's just human decency to not repost your fellow fan's fanarts.
It's free. It's here. You can look at it as long as you want.
I don't want to make a big deal out of it, I know other artists have way bigger problems with this but I'm angry.
Do not repost my art. Not even to Pinterest. Just stop.
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bigolialragu · 2 months
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dungeon meshi as my favorite new girl scenes (and i change drawing process halfway through sshhh dont be scared its normal i swear)
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gentil-minou · 10 months
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Everytime I see posts like this I get filled with such profound sadness
Cause you know who has the same brainrot as you? The same unhinged feelings as you after you've read the fic? The person who always wants to scream about the fic with you?
THE PERSON WHO WROTE IT
I never used to leave comments but since I got into the habit of commenting on everything i enjoy it's been incredible. Especially when the author gets back to me about it and we get to have a discussion of what other ideas they had. One writer replied to my comment with a 5 paragraph essay detailing the Floorplan of the building the characters lived in and it was incredible
Anyways this is all to say that if you find a fic that just makes you want to scream from the rooftops, leave a comment saying that to the author and maybe they will join you and you can scream incoherently together
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hansoeii · 6 months
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It's about who.
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ao3-crack · 1 year
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(x)
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inkskinned · 10 months
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at some point it's just like. do they even fucking like the thing they're asking AI to make? "oh we'll just use AI for all the scripts" "we'll just use AI for art" "no worries AI can write this book" "oh, AI could easily design this"
like... it's so clear they've never stood in the middle of an art museum and felt like crying, looking at a piece that somehow cuts into your marrow even though the artist and you are separated by space and time. they've never looked at a poem - once, twice, three times - just because the words feel like a fired gun, something too-close, clanging behind your eyes. they've never gotten to the end of the movie and had to arrive, blinking, back into their body, laughing a little because they were holding their breath without realizing.
"oh AI can mimic style" "AI can mimic emotion" "AI can mimic you and your job is almost gone, kid."
... how do i explain to you - you can make AI that does a perfect job of imitating me. you could disseminate it through the entire world and make so much money, using my works and my ideas and my everything.
and i'd still keep writing.
i don't know there's a word for it. in high school, we become aware that the way we feel about our artform is a cliche - it's like breathing. over and over, artists all feel the same thing. "i write because i need to" and "my music is how i speak" and "i make art because it's either that or i stop existing." it is such a common experience, the violence and immediacy we mean behind it is like breathing to me - comes out like a useless understatement. it's a cliche because we all feel it, not because the experience isn't actually persistent. so many of us have this ... fluttering urgency behind our ribs.
i'm not doing it for the money. for a star on the ground in some city i've never visited. i am doing it because when i was seven i started taking notebooks with me on walks. i am doing it because in second grade i wrote a poem and stood up in front of my whole class to read it out while i shook with nerves. i am doing it because i spent high school scribbling all my feelings down. i am doing it for the 16 year old me and the 18 year old me and the today-me, how we can never put the pen down. you can take me down to a subatomic layer, eviscerate me - and never find the source of it; it is of me. when i was 19 i named this blog inkskinned because i was dramatic and lonely and it felt like the only thing that was actually permanently-true about me was that this is what is inside of me, that the words come up over everything, coat everything, bloom their little twilight arias into every nook and corner and alley
"we're gonna replace you". that is okay. you think that i am writing to fill a space. that someone said JOB OPENING: Writer Needed, and i wrote to answer. you think one raindrop replaces another, and i think they're both just falling. you think art has a place, that is simply arrives on walls when it is needed, that is only ever on demand, perfect, easily requested. you see "audience spending" and "marketability" and "multi-line merch opportunity"
and i see a kid drowning. i am writing to make her a boat. i am writing because what used to be a river raft has long become a fully-rigged ship. i am writing because you can fucking rip this out of my cold dead clammy hands and i will still come back as a ghost and i will still be penning poems about it.
it isn't even love. the word we use the most i think is "passion". devotion, obsession, necessity. my favorite little fact about the magic of artists - "abracadabra" means i create as i speak. we make because it sluices out of us. because we look down and our hands are somehow already busy. because it was the first thing we knew and it is our backbone and heartbreak and everything. because we have given up well-paying jobs and a "real life" and the approval of our parents. we create because - the cliche again. it's like breathing. we create because we must.
you create because you're greedy.
#every time someones like ''AI will replace u" im like. u will have to fucking KILL ME#there is no replacement here bc i am not filling a position. i am just writing#and the writing is what i need to be doing#writeblr#this probably doesn't make sense bc its sooo frustrating i rarely speak it the way i want to#edited for the typo wrote it and then was late to a meeting lol#i love u people who mention my typos genuinely bc i don't always catch them!!!! :) it is doing me a genuine favor!!!#my friend says i should tell you ''thank you beta editors'' but i don't know what that means#i made her promise it isn't a wolf fanfiction thing. so if it IS a wolf thing she is DEAD to me (just kidding i love her)#hey PS PS PS ??? if ur reading this thinking what it's saying is ''i am financially capable of losing this'' ur reading it wrong#i write for free. i always have. i have worked 5-7 jobs at once to make ends meet.#i did not grow up with access or money. i did not grow up with connections or like some kind of excuse#i grew up and worked my fucking ASS OFF. and i STILL!!! wrote!!! on the side!!! because i didn't know how not to!!!#i do not write for money!!!! i write because i fuckken NEED TO#i could be in the fucking desert i could be in the fuckken tundra i could be in total darkness#and i would still be writing pretentious angsty poetry about it#im not in any way saying it's a good thing. i'm not in any way implying that they're NOT tryna kill us#i'm saying. you could take away our jobs and we could go hungry and we could suffer#and from that suffering (if i know us) we'd still fuckin make art.#i would LOVE to be able to make money doing this! i never have been able to. but i don't NEED to. i will find a way to make my life work#even if it means being miserable#but i will not give up this thing. for the whole world.
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drunkhades · 3 months
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As of today 14028 Aziraphale/Crowley fanfics have been posted on ao3 since the release of season two
Which means that on average 77.5 fanfics are being published per day
That’s 3.23 fanfics per hour
0.05 fanfics per minute
So in conclusion:
Every twenty minutes a new Aziraphale/Crowley fanfic is being written
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Okay look, I know people are gonna characterize Aventurine as the kind of yandere that manipulates everything behind the scenes and is always coming up with ways to try and make his darling unable to rely on anyone but him. But honestly? I can see him as the desperate needy type who needs to have your attention on him, he NEEDS to be the only man you'll ever want and look at, and GOD, he just desperately needs you to own him in his entirety.
He'll do anything to keep your attention on him and make sure that you at least will keep him around long enough for him to enact his plans of keeping you by his side. You want a dog who does whatever you say and will crawl on hands and knees for your amusement? You want a pretty little toy that you can break over and over? You want him to take the lead and make you unable to think or walk anymore? He'll do it, he'll do whatever you want, he'll do anything to keep your attention on him until he can make you his.
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artoflevity · 11 months
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i could find you, darling, in any life.
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thewitchqueen281 · 5 months
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I'm simply obessed with Harris bomberguy saying 90% of James Somertons shit isn't his and then todd a few hours later coming up and saying and the 10% that is is bullshit.
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writeouswriter · 1 year
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Broke: Acknowledging that a character who is an objectively terrible person is also a complex and intentionally well thought out individual with different levels of nuance you can empathize with in some ways while not in others is immediately “woobifying” or “poor little meow meowifying” them.
Woke: “This character is a bad person” and “this character is still a person” are two statements that can, should and do coexist and admitting that they exhibit nuance and depth and are more than just their bad actions doesn’t immediately excuse or condone their bad actions or mean that you’re ignoring or trying to soften the canonical version of the character.
Bespoke: That’s the whole point, that’s always been the point, to be made to empathize with horrible people so you can understand that they can be anyone, that bad people can be likeable, can be interesting, can be human, are human, and it’s scary to think about all the ways they’re just like you and all the ways they’re just like everything you hate, forcing the use of critical skills in media analysis, forcing a confrontation of the duality of man.
Whatever Level is Above Bespoke: But sometimes, yeah, sure, maybe they are a poor little meow meow, what are you gonna do, get a lawyer
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Begging swifties to understand that Taylor didn’t write reputation and Lover with the knowledge of how the relationship was going to end and that trying to “excavate” those albums for evidence to prove a specific theory as to why it ended is not how they should be viewed. Taylor wrote those songs feeling a very specific way because that’s what she was experiencing and she is now reflecting on them with hindsight and relates to them differently than when she first created them. These conflicting emotions can exist; how she views it now doesn’t diminish how she felt about it when she first released it.
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stevebabey · 4 months
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have sum steddie! maybe modern!au, no upside down!au & a meet cute <3
Steve sits in the booth, his foot tapping away mindlessly under the table, with half a mind to abandon the table entirely.
In fact, the only reason he hadn’t yet was because of the $20 he was hanging out for at the end. And the bragging rights, of course.
Robin had set him up on this blind date, plied him with all the promises in the world that he would enjoy it — said she’d spent a decent amount of time hunting for the right first gay date for Steve.
She also conceded that if he, for whatever reason, didn’t enjoy it, she would cough up 20 whole bucks for his wasted time. But he had to actually see the date through for the prize to be claimed.
And the bragging rights were so that Robin — with her uppity, healthy, and happy relationship that Steve was only a little bit envious of — could ease onto the breaks when it came to Steve’s love life.
So it was looking a little bleak at the moment, so what? Every stallion or… lion or whatever had their moments, right? Moments where their mane is a little uncouth and food is low and…. Where was he going with this?
The point was, that Robin got into one relationship and suddenly decided she was fit to become a high and mighty matchmaker. Never mind that Steve had reminded her numerous times that he had dated a lot more than she had.
So, for 20 bucks and the right to stick his tongue out at his best friend when she tried to meddle, Steve could stick one night out.
Besides, she was right about one thing. They weren’t in Hawkins anymore — and San Francisco had a hell of a larger dating pool than his hometown.
Still, that didn’t make people anymore for prompt for dates though, apparently. Steve’s foot taps incessantly under the table, his knee bouncing up and down in his nerves. He runs a hand through his hair and checks his watch again.
7 o’clock, Harvey’s Diner, a cute little Italian place that Steve had begun to frequent since they moved to the city, and a date with a dude called Daniel whom Steve had no idea what he looked like.
This was his Friday night plans.
His watch reads 7:12pm and Steve sighs, his fingers beginning to fiddle with the strap of his watch just for something to do. Great. He had gotten all dressed up for this? To be stood up? How was this any better than his usual Friday night plans that Robin claimed were so pathe—
“Hi.”
Someone sits down in the booth across from Steve, landing with a thump loud enough to give him a fright.
Steve’s head whips up from its focus on fiddling with his watch and— woah. Steve blinks once, twice, and feels his jaw unhinge a little, his lips parting an inch as he gazes at the stranger across from him.
Holy shit, this dude was hot.
He’s got curls for days, dark chocolate ringlets all messy and unkept spilling over his shoulders— long and probably perfect for burying your hands into. Steve flushes a little at the unexpected thought.
He has beautiful brown eyes, widened with a smudge of eyeliner and framed with long lashes. Steve thinks he can spy a smattering of freckles across his forehead. His nose is long and his lips are plush and pink and holy shit, this dude was pretty.
“Oh— hi.” Steve manages to remember his manners. Only after he fully checked this dude out, of course.
God, couldn’t Robin have given him a better warning than just ‘he’s probably your type’? Couldn’t she have warned him that this dude was ‘do-a-double-take-on-the-street type hot?’ What the fuck Robin?
The man across from him grins, wicked and alluring all at once, and shucks off his heavy leather jacket. His eyes do a once-over on Steve, taking his time to check him out— which is great because Steve is stuck on all the glorious tattoos that have just been revealed. So much skin shown in his roughly chopped muscle-tee, swirling ink all down his arms. This dude is hot.
Silently, Steve curses Robin and the 20 dollars that is totally slipping away from him. Why did she have to be right all the time?
“Been waiting long?” The man, Daniel, asks as he makes himself comfortable across the table. He pushes his hair back with both hands, using one hand to gather it into a ponytail, holding it up to air out his neck and Steve now realises he is slightly puffed.
He must’ve run part of the way here, to avoid being later than he was. Steve can’t help but be slightly endeared by that fact.
The man grins again, “Promise I was trying to be on time but, you know how the subway is.”
Steve huffs out a laugh, any annoyance at being kept waiting melting away at his date’s sincerity.
“Not too long,” Steve admits, smiling to ease Daniel’s apparent concern. Across the table, Daniel slumps a little and releases his hair, his curls pooling back around his shoulders. Steve watches, entranced.
“Well, that’s good,” Daniel smiles, eyes bright like he really means it, and his hand darts out to steal the drinks menu from the edge of the table. He looks back over to Steve, a furrow in his brows. “You didn’t order anything?”
“I thought I should wait,” Steve says with a shrug. No point paying for food if your date never shows up.
Daniel looks up from the menu through his lashes and smiles, placing his elbow on the table and dropping his chin in the palm of his hand. “Aw, you’re sweet.”
Steve is a little embarrassed by how easily the compliment makes him blush, feeling his cheeks glow lightly. Across the table, Daniel seems to revel in it, drinking in the way Steve’s face filled with colour with a cheeky smile. His eyes flick back down to the menu.
“You know,” Daniel begins, keeping his eyes on the menu, scanning it with a hum. “Chrissy said you were good looking but I think she seriously undersold you.”
He takes his eyes off the menu to trail up Steve’s body, his gaze heavy. Steve feels a delighted zing go up his spine, feels the way he preens at Daniel’s attraction. Steve opens his mouth to respond, more than ready to return the flirt when—
“Can I get you two started with anything?”
The waitress interrupts. She’s poised with her notepad, standing at the edge of the booth. Daniel perks up and nods.
“Can I get a chocolate milkshake please?” He asks with a polite smile. Steve laughs lightly at his selection and Daniel’s gaze cuts from the waitress to Steve.
“What? Not a milkshake man?”
Steve tries to contain his grin, all too endeared by the man before him. He shakes his head and raises his hand in defense. “Nothing against milkshakes just… for dinner?”
Daniel gasps theatrically and his head snaps back to the waitress. “This man has never had the delight of a Harvey’s milkshake with his dinner. Please bring us two chocolate milkshakes!”
Steve watches as the waitress dutifully writes down the order and turns on her heel, heading for the kitchen. He turns back to his date and gapes, taken aback by the forwardness.
“Did you just order for me?”
“Did you just diss milkshakes?”
Steve scoffs, but even then he can’t stop his lips from curling up into a smile. He can’t believe it but he’s genuinely glad he waited this date out. It's not at all like he was expecting. Even Robin's short description of this dude pales in comparison to the real thing. Steve nudges his foot forward into Daniel’s shin lightly.
“I did not diss milkshakes,” Steve argues, his smile widening at how Daniel’s eyes dart to the table before back up at Steve with a grin.
“Uh huh,” Daniel nods, his voice sarcastic and 100% unbelieving of Steve’s insistence. “Just wait, okay? You’ll be changing your tune soon enough. Harvey’s milkshakes are class. I’ve had a thousand of my best ideas in here, sipping on a chocolate milkshake.”
Steve grins and leans back in his seat, crossing his arms over his chest. Under the table, he feels Daniel’s boot nudge against his leg gently— and he laughs to himself. This has gotta be the most teenage way of flirting and he’s fucking loving it.
“You know,” Steve begins hesitantly, letting his forearms lean up against the table. “You’re not quite what I expected, Daniel.”
Across the table, Daniel scrunches up his face, his expression one of pure befuddlement. He puts his hands flat on the table and leans forward.
“Wait, you think my name is Daniel?”
Steve splutters for a moment because even though the answer is duh, yes, it’s become increasingly apparent that the man across from him is not who he was expecting. But if he’s not Daniel, who is he?
Suddenly, the door chimes and someone else is entering the diner. It’s a man dressed like Steve — on the preppy side with hair that must’ve taken at least an hour. He scans the booth and spots Steve’s booth, wandering over, his eyes fixed on the man across from Steve.
“Hey, are you Eddie?” He asks confidently, ignoring Steve’s presence on the other side of the booth.
The man — Eddie — freezes as he glances up at the newcomer and then back down to Steve ahead of him. Steve deflates a little inside as he realises abruptly what’s happened— a mix-up of wrong dates that was completely warranted because this dude dresses exactly like Steve. Steve doesn't stare too long to see if he's any hotter.
Instead, he tries to give Eddie the all-clear with his eyes. He smiles polite as he can and gives a little nod to let him know it was alright to abandon him for the date he was supposed to go on. Not to get stuck with Steve.
Eddie clears his throat and smiles, not cheeky like he had with Steve, but stiff and polite. “Ah sorry man, I think you’ve got the wrong guy. My name's Daniel.”
Huh? Steve takes his eyes off the table to steal a glimpse at Eddie (is his name even Eddie?) and something inside him burns hotly when the man glances across at Steve and winks.
The man standing by the booth wavers for a moment, glancing between them in the booth as Steve schools his expression to neutral. After a moment of silence, there's a half-assed apology as the man retreats, heading back out the door he had just come through. The door chimes again on his way out.
Steve straightens up and peers over his shoulder, watching the door slowly swing shut. He turns back to the man across the booth and squints at him. The waitress returns briefly, dropping two large chocolate shakes onto the table, topped with a mountain of cream. She murmurs something about coming back to take their order in a moment.
"Wait, so who are you?" Steve asks, gently sliding his shake closer to him. "Daniel or Eddie?"
His date —well, his new date— has already begun taking a big long sip from his own milkshake, so enamored with it that when he pulls away there's a dot of cream on the end of his nose. He swallows with a satisfied ah and grins across the table at Steve, not noticing the dairy on his face.
"I'm whoever gets me talking with you a little bit longer."
Steve grins, an endeared roll of his eye at the blatant flirting but he can't deny how it makes his chest warm. He grabs one of the napkins and reaches forward, adoring how Eddie goes cross-eyed as he watches Steve smudge away the cream on his nose. He laughs sheepishly, giving his nose a little wipe with his own hand.
"I'm Eddie." He says, finally introducing himself. He doesn't offer his hand, just gives Steve a little nudge under the table and a grin over his milkshake. "And I think you just saved me from a terrible date."
Steve laughs, giving a little shake of his head. He finally goes in for a sip of his own milkshake— and it's just as heavenly as Eddie had promised, glorious chocolate dancing over his taste buds.
Steve groans quietly, eyes bright when he glances at the other man over his glass, entirely amused by how wide-eyed Eddie has become. He releases the straw and sits back, more invested in this date than he has been in... years. Stallion's got its mojo back. Or lion. Whatever.
"I'm Steve," He responds, giving a little nudge back under the table and a grin of his own. "And I think you saved me from being stood up."
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postpendulum · 10 months
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Damian's new classmate was what most people would deem as strange, Damian however could not see him as anything other than suspicious. Daniel Knight had joined in the midst of the school year, claiming to have moved here with his father Fredric Knight (first area of suspicion, a parent willingly moving both them and their child to Gotham) for a new start following his fathers divorce. The boy was reclusive when not spoken to directly, however he would not stop talking when a topic of his interest would come up. After searching further into his past (as he does with all his classmates) Damian found a relatively normal past, the only outstanding things being a noticeable drop in grades at the beginnings of freshman year relating to an undisclosed accident resulting in lichtenberg scarring starting from Daniels palm, and presumably up his arm being hidden by his sleeve. Apparently this accident left Daniel with irregular tremors and, every once in a blue moon, seizures. Damian had thought about taking this suspicious blockage of information to Tim or the Bat Computer to be bypassed, however the idea of sharing Daniel this cases existence with the rest of his family for some unexplained reason bothered him greatly, so Damian has come to the decision to figure out Knight’s true intentions on his own.
Meanwhile Danny’s just trying to live his new, semi-normal life in peace. After a reveal gone wrong results in some good old vivisection, Jazz Sam and Tucker recruit the help of Clockwork to find Danny a new home, where he can heal from both the physical and mental wounds. Clockwork ends up dumping Danny into the DC universe alongside Fright Knight, who was insistent on going with him, feeling responsible in helping to protect his young prince now since he feels he failed the first time. So with a bit of spacetime razzle dazzle, Tucker messing with stuff he probably shouldn't have messed with and a very tearful goodbye with promises to check in every day, Danny goes off to start his new life as Daniel Knight. It was going ok so far, he took half the year to himself, focusing on healing. Also so Frighty could adjust to the whole pretending to be human thing. Danny doesn't have any friends yet, and to be honest hasn't made the effort to make any (Jazz would be disappointed if she knew that), but there's this one boy in Danny's class who might be even weirder than him. Danny can feel Damian's eyes on him, knows how he follows him around without a sound (Danny really shouldn't be able to tell, he only knows because he isn't fully human(and in a weird way, Danny thinks that's kinda cool)), and whenever they do make eye contact Danny can see and feel the boy fluster and shy away.
Maybe he just needs a friend too.
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Had this Headcannon that when Multi-Lingual Dick and Jason get drunk they start singing Ballads in Spanish. Yeah some classical shit like Vicente Fernandez but also the most wild Selena you've ever heard.
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ryssbelle · 1 month
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Brozone reunion concepts for this little thing based on this ask
As stated in the ask idk fully how this moment would go, this concept was mostly building off the premise presented within the ask :D
Bonus:
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