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#i want this to be my cultural impact
wutheringmights · 2 months
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um. ickywars sweep?
this is how ickywars can still win
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danandfuckingjonlmao · 4 months
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a good animated show must have at least 4 of the following:
- gay
- existentialism/nihilism
- morally grey lead characters
- horrendously depressing themes/messages
- psychedelic weird shit that highlights the absurdity of life
i don’t make the rules (i do make the rules pls recommend me shows—i’ll put the ones i’ve watched in the tags, feel free to add any you think of)
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thunderboltfire · 3 months
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I have a lot of complicated feelings when it comes to what Neflix has done with the Witcher, but my probably least favourite is the line of argumentation that originated during shitstorms related to the first and second season that I was unlucky to witness.
It boils down to "Netflix's reinterpretation and vision is valid, because the Witcher books are not written to be slavic. The overwhelming Slavic aestetic is CDPR's interpretation, and the setting in the original books is universally European, as there are references to Arthurian mythos and celtic languages" And I'm not sure where this argument originated and whether it's parroting Sapkowski's own words or a common stance of people who haven't considered the underlying themes of the books series. Because while it's true that there are a lot of western european influences in the Witcher, it's still Central/Eastern European to the bone, and at its core, the lack of understanding of this topic is what makes the Netflix series inauthentic in my eyes.
The slavicness of the Witcher goes deeper than the aestetics, mannerisms, vodka and sour cucumbers. Deeper than Zoltan wrapping his sword with leopard pelt, like he was a hussar. Deeper than the Redanian queen Hedvig and her white eagle on the red field.
What Witcher is actually about? It's a story about destiny, sure. It's a sword-and-sorcery style, antiheroic deconstruction of a fairy tale, too, and it's a weird mix of many culture's influences.
But it's also a story about mundane evil and mundane good. If You think about most dark, gritty problems the world of Witcher faces, it's xenophobia and discrimination, insularism and superstition. Deep-seated fear of the unknown, the powerlessness of common people in the face of danger, war, poverty and hunger. It's what makes people spit over their left shoulder when they see a witcher, it's what makes them distrust their neighbor, clinging to anything they deem safe and known. It's their misfortune and pent-up anger that make them seek scapegoats and be mindlessly, mundanely cruel to the ones weaker than themselves.
There are of course evil wizards, complicated conspiracies and crowned heads, yes. But much of the destruction and depravity is rooted in everyday mundane cycle of violence and misery. The worst monsters in the series are not those killed with a silver sword, but with steel. it's hard to explain but it's the same sort of motiveless, mundane evil that still persist in our poorer regions, born out of generations-long poverty and misery. The behaviour of peasants in Witcher, and the distrust towards authority including kings and monarchs didn't come from nowhere.
On the other hand, among those same, desperately poor people, there is always someone who will share their meal with a traveller, who will risk their safety pulling a wounded stranger off the road into safety. Inconditional kindness among inconditional hate. Most of Geralt's friends try to be decent people in the horrible world. This sort of contrasting mentalities in the recently war-ridden world is intimately familiar to Eastern and Cetral Europe.
But it doesn't end here. Nilfgaard is also a uniquely Central/Eastern European threat. It's a combination of the Third Reich in its aestetics and its sense of superiority and the Stalinist USSR with its personality cult, vast territory and huge army, and as such it's instantly recognisable by anybody whose country was unlucky enough to be caught in-between those two forces. Nilfgaard implements total war and looks upon the northerners with contempt, conscripts the conquered people forcibly, denying them the right of their own identity. It may seem familiar and relevant to many opressed people, but it's in its essence the processing of the trauma of the WW2 and subsequent occupation.
My favourite case are the nonhumans, because their treatment is in a sense a reminder of our worst traits and the worst sins in our history - the regional antisemitism and/or xenophobia, violence, local pogroms. But at the very same time, the dilemma of Scoia'Tael, their impossible choice between maintaining their identity, a small semblance of freedom and their survival, them hiding in the forests, even the fact that they are generally deemed bandits, it all touches the very traumatic parts of specifically Polish history, such as January Uprising, Warsaw Uprising, Ghetto Uprising, the underground resistance in WW2 and the subsequent complicated problem of the Cursed Soldiers all at once. They are the 'other' to the general population, but their underlying struggle is also intimately known to us.
The slavic monsters are an aestetic choice, yes, but I think they are also a reflection of our local, private sins. These are our own, insular boogeymen, fears made flesh. They reproduce due to horrors of the war or they are an unprovoked misfortune that descends from nowhere and whose appearance amplifies the local injustices.
I'm not talking about many, many tiny references that exist in the books, these are just the most blatant examples that come to mind. Anyway, the thing is, whether Sapkowski has intended it or not, Witcher is slavic and it's Polish because it contains social commentary. Many aspects of its worldbuilding reflect our traumas and our national sins. It's not exclusively Polish in its influences and philosophical motifs of course, but it's obvious it doesn't exist in a vacuum.
And it seems to me that the inherently Eastern European aspects of Witcher are what was immediately rewritten in the series. It seems to me that the subtler underlying conflicts were reshaped to be centered around servitude, class and gender disparity, and Nilfgaard is more of a fanatic terrorist state than an imposing, totalitarian empire. A lot of complexity seems to be abandoned in lieu of usual high-fantasy wordbuilding. It's especially weird to me because it was completely unnecessary. The Witcher books didn't need to be adjusted to speak about relevant problems - they already did it! The problem of acceptance and discrimination is a very prevalent theme throughout the story! They are many strong female characters too, and they are well written. Honestly I don't know if I should find it insulting towards their viewers that they thought it won't be understood as it was and has to be somehow reshaped to fit the american perpective, because the current problems are very much discussed in there and Sapkowski is not subtle in showing that genocide and discrimination is evil. Heck, anyone who has read the ending knows how tragic it makes the whole story.
It also seems quite disrespectful, because they've basically taken a well-established piece of our domestic literature and popular culture and decided that the social commentary in it is not relevant. It is as if all it referenced was just not important enough and they decided to use it as an opportunity to talk about the problems they consider important. And don't get me wrong, I'm not forcing anyone to write about Central European problems and traumas, I'm just confused that they've taken the piece of art already containing such a perspective on the popular and relevant problem and they just... disregarded it, because it wasn't their exact perspective on said problem.
And I think this homogenisation, maybe even from a certain point of view you could say it's worldview sanitisation is a problem, because it's really ironic, isn't it? To talk about inclusivity in a story which among other problems is about being different, and in the same time to get rid of motifs, themes and references because they are foreign? Because if something presents a different perspective it suddenly is less desirable?
There was a lot of talking about the showrunners travelling to Poland to understand the Witcher's slavic spirit and how to convey it. I don't think they really meant it beyond the most superficial, paper-thin facade.
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merriclo · 1 year
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i love the idea that Wild is a big brother to basically all of the kids in his Hyrule. it’s such a good heacanon that i never see utilized.
#with their dads permission he’ll take Cottla and Koko on horse rides and they always have food ready for his horses when he comes into town#cottla wants to learn archery to be like him and he melts when he finds that out#all the kids in Hateno have been caught giving treats to his horses#this is a popular headcanon i think but him teaching the local kiddos how to sword fight so often times he’ll be found directing a horde of#children who’re all swinging treebaches around. he couldn’t look prouder of them.#imagine when he gets older and all the village kids r teens/young adults and all of a sudden the village has skilled hunters and foragers#and everyone’s like ‘wow what’s hateno doing’ and the answer is they all had a great big brother#by older i mean he’d be like. early thirties. but y’know ahsnfjks#wild’s impact should rest in the ppl i think. botw is all abt humanity’s strive to overcome hardship and find beauty in the misery#(well. it is to me anyhow lmao)#so i love the idea of his influence not resting in politics or myths or whatever#but within the culture and spirit of those he fought for#in my brain he definitely wanted to rescue Zelda at first and that’s the only reason he was going to fight ganon#but as his journey progressed he wanted to protect and cultivate the future more than rescue the past#i like this idea w zelda too. like not only will the future generation have great fighters but excellent scholars and leaders.#wow i am RAMBLING#anyhow. i like big bro wild.#linked universe#lu#jojo’s linked universe#linkeduniverse#lu wild#wild lu#wild linked universe#linked universe wild
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llocket · 2 months
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NAHIDA HAS NO REASON TO BE WHITE. heres WHY
the reason why i'm making this post is because i am SICK and TIRED of seeing OTHER PEOPLE fight for MY CULTURE in the most INCORRECT WAY POSSIBLE. "nahida rcta queen!", "why are you blackwashing her?", "she switched teams!" all these comments and more under artists' posts that decided to give her melanin.
artists are just giving back her melanin as she is based off a culture with people who have dark skin. this is not racist. this is literally the opposite. i understand if a character already has an established skin colour that's apart of their character (ex. ei or zhongli) though with nahida this makes no sense.
i am indian, do NOT come after me. sumeru is based off of MY culture. i know what i'm talking about. a good 70% of sumeru is based off hindu culture, it's based off south asia.
more of my yapping:
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you all need to shut the hell up about saraswati and how nahida is based off saraswati because saraswati's description is saying "shes as white as the moon" and nahida is white. you ALL need to BE QUIET ABOUT THAT.
this is saraswati, for reference:
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saraswati is not ever mentioned in genshin impact. NOT ONCE. but, the aranara call rukkhadevata queen aranyani. aranyani is a very obscure hindu god known for taking care of the forest and dancing n stuff
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THIS IS WHAT NAHIDA AND RUKKHADEVATA ARE BASED OFF OF. NOT SARASWATI. the only thing that saraswati and nahida (+ rukkha) have in-common is that other than being white and based off a hindu goddess
saraswati isn't even white, the pale as the moon thing refers to a godly glow. so even IF nahida and rukkha are based off saraswati, hoyo does NOT HAVE ANY REASON TO MAKE THEM WHITE SINCE SHE ISNT EVEN WHITE. she has a GODLY GLOW.
literally the only excuse nahida has for being that pale is that she's the avatar of irminsul (a white tree) HOWEVER. they didn't need to make her THAT pale. if they wanted to make her pale skin they should've added more colors like pinks and purples and blues like the actual irminsul
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as you can VERY CLEARLY see, they did not do that. they did not even try to take this route.
everything could have been fine if they did take this route or make her eyelashes white and say she's albino if they really wanted her to be white. but they didn't.
indians can be pale, YES. but they aren't this paper caca toothpaste looking ass WHITE like how nahida is. REPRESENTATION FOR SKIN COLOUR MATTERS TOO. ITS NOT JUST THE CULTURE THEY'RE BASED OFF OF.
anyway thanks for coming to my yapping session. i love talking about my culture 👍 desi nahida layouts are here if you want to see :)
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uncanny-tranny · 1 year
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I think when people talk about things like desirability, they can miss the deeper point of why it can be important to analyze why people are seen as undesirable. It isn't just that a type of person is just... not hot... but often, it's the dehumanization of a person based on marginalized features.
For instance, I had a conversation with somebody about disability portrayal in media, and we had agreed that, historically, disability had been portrayed as a horrific ordeal. However, I think they missed the point as to why the "undesirable disabled" character was so appealing to a broader audience. The idea that disability is other, inhuman, and something that depersonalizes somebody from society is partly why those ideas were and are prevalent in mainstream media and culture. It is the idea that "nobody likes you. Nobody needs you. Nobody wants you" because of the person's marginalized body or experience or whatever it may be.
It isn't some superficial "oh why aren't I seen as pretty by everybody?" It is the knowledge that you are portrayed as undesirable in this way because it is a way to separate you from everybody else. It isn't about beauty, nor is it a selfish desire to be wanted by somebody. It is the desire to be seen as a person - an equal, regardless of who desires you or who does not.
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hotwaterandmilk · 11 months
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I'm still not well so this isn't going to be articulate, but I wanted to say something anyway.
In the wake of Grease: Rise of the Pink Ladies (amongst other titles) being purged from streaming I've seen countless posts saying "This is terrible, we need to stop this practice -- they might purge a good show next!" and yeah, for sure a lot of titles being impacted by streaming purges/lack of physical media/a decline in archiving right now aren't going to be remembered for changing the world.
However, I think it is vital that we fight to preserve these titles for their own sake not just because "What if next time it's something we actually like?!" There is value is preserving things widely regarded as "bad" not just because I have firm beliefs about the absurdity of taste, but because who gives a shit if something is deemed "good?" Actual human people put their time and energy into realising these artistic visions. Even if the results are arguably not "good" or "popular", should the efforts of these artists be lost to the sands of time? No, no they fucking shouldn't.
I share a lot of art on this blog from titles very few people consider culturally important or valuabe. However, I don't look at the things I collect & share like that. Even some of the most objectively absurd titles I own are still pieces of art that were developed, published, and consumed by humans in the real world. Whether they've turned out to be broadly memorable or not is irrelevant because they existed and that in itself makes them worthy of preservation so that others can choose to familiarise themselves with them long after the original creative team is gone.
So yes, we should all be trying to preserve the media that's important to us and not let corporations try to stamp out every trace of a financial (though not necessarily artistic) misstep. However, it shouldn't take the threat of something we, personally, like being taken away to stir us into giving a shit.
Even the demise of less admired works should concern us and make us start to burn copies of Grease: Rise of the Pink Ladies because it might not mean anything to you or I right now, but to some kid in 20 years it could be a seminal experience that leads them to follow their dreams. Or it could become a cult classic that people reflect on at watch parties years in the future. Or it could continue to be a footnote in the history of television that nobody really cares about.
Ultimately I don't think it matters what level of value we arbitrarily assign to media now or in the future, we should be trying to preserve as much of it as possible so that generations from now people can enjoy the option of engaging with these titles should they so wish.
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st5lker · 2 months
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luciddreamingcroww · 8 months
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☾𓄿☆゚⁠.⁠*⁠・⁠。゚Introduction☆゚⁠.⁠*⁠・⁠。゚𓄿☽
+Friend application- Partner application
{Pls pls pls I'm so desperate to have a online friend}
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Hello^^ my name is Kristi, I'm a artist and also a fanfiction writer {my fan fic page is LucidDrLibrary }
Kristina
Female {she/her}
Lesbian {wlw/nmlnm} & Demi Aroace {only capable of having feelings for someone only after there's a emotional bond/attachment}
16 {turning 17 on the 22 of December}
Autistic {currently trying to get a proper diagnosis with the help of my therapist}
Easter European
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⋆⭒˚。⋆My Interests☆゚⁠.⁠*⁠・⁠。゚
{btw this will be organised from topics I could rant about all day to casual appreciation}
Hypertensions/Special interests
{Things I can talk about all day and every day}
Genshin impact++
Cookie run Kingdom/Ovenbreak++
Vulture culture + Taxidermy + Wet specimens
TRINKET COLLECTING!! {I love it sm}
Psychology {especially maladaptive daydreaming, autism and how they can affect the human mind and experience}
Astrology {More specifically the Greek myths behind the constellations and why were they formed}
Drawing/painting
More casual but still adore talking about it
Crows
Honkai star rail
Witchcraft and paganism {currently learning more and starting to practice it}
Reverse 1999 { I don't know anything about it but I want to play it so bad + I have a crush on the tooth fairy}
Sculpting
Long video essays (when drawing)
Casual interests that I may not focus on as much (rarely thinking about it but still liking it)
Plush making
Warrior cats
I love Amy
{I'll add more here if I remember it in the future}
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⋆⭒˚。⋆My Favourite music artists⋆⭒˚。
Starset
Fav album - Vessels
The neighborhood
My favourite songs
Temporal tower - pkm mystery dungeon
Time gear - pkm mystery dungeon
Never ever forget - pkm mystery dungeon
Gravity of you - Starset
Everglow - Starset
Dark on me - Starset
Stratosphere - Starset
Where the skies end - Starset
You get me so high all the time - the neighborhood
Flawless - the neighborhood
Female robbery - the neighborhood
Unfair - the neighborhood
Void - the neighborhood
A little death - the neighborhood
The perfect girl - Mareux
It's snowing like the end of the world - Krobak
⋆˖⁺‧₊☽◯☾₊‧⁺˖⋆
���What I'd like in a friendship✧
Tbh I'd really like to have one of those friendships where you could talk about anything whenever and just have a overall nice bond, I know and understand that things like these take a bit time to develop but I still really want it because I'm overall really isolated and I can just make time for anyone tbh
I would really prefer if the person I'm bonding with likes the same hyperfixations/special interests as I do {especially vulture culture because I really want to share my passion about it without making people uncomfortable and such}
Btw if you wanna be my friend just feel free to message me^^ if you only like I won't really get the hint that u wann be friends.
⋆⭒˚。⋆As for a ending to this post I'd like to show some of my art :)⋆⭒˚。⋆
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horsemage · 17 days
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I think we should bring back basic etiquette lessons such as shutting the fuck up when you’re watching a movie in a group that is not exclusively your friend group 🙂
#welcome to another Mick Airs Out Their Grievances and by god is it a VERY long one#prob best if u don't expand the tags#am I being maybe a bit meaner about this than I would be for any other movie? maybe but pac rim is one of my favorite movies of all time#so I think I get a pass on this one.#one of the groups on campus is hosting movie nights & I went to this one bc I've only ever watched pac rim on my laptop and wanted to watch#it on a larger screen. yay yippee I love this movie!#there r maybe 10-ish of us in this room and a three person friend group is sitting on the couch one of whom has seen the movie and two who#have not. okay so far so normal.#and then the movie starts and they won't! stop! fucking! commentating! the whole fucking movie!!! I don't have a problem with doing that#when I'm in just my friend group because I know that I can tell my friend to stop talking or pause the movie or whatnot but not when I'm in#a large group w people I'm not good friends with ffs#and the comments aren't even funny or anything they're all oh this is JUST like in iron widow!! oh they're SO gay and autistic!!! and#they're talking so loud about this that it completely drowns out the movie audio which has already been turned up a few times#like. be considerate!! some of us want to yknow actually listen to what's going on and not whatever bullshit you're saying#I nearly walked out three or four times before I actually wound up doing so#I may have been a bit of a bitch at the end but I don't care. I got up to leave because this was not an enjoyable environment and one of#them offered to turn the movie down if it was too loud. this caught me a bit off guard since I expected them to still be so wrapped up in#their convo and. well. I may have said 'it's not the movie that's too loud' before closing the door#this also reminds me a lot about my issues with online shipping culture and it bleeding through into how we interact with media irl#this is probably heavily influenced by my aromanticism but I'm so sick of people constantly reading romantic relationships into everything#AND placing more importance on those relationships than any other form. I don't mind romance in media. I think if done right it has great#emotional impact on a story but when a movie is running and when other people who may not want to hear it are in the room watching it too#is not the time to be loudly saying 'he's autistic!' 'they're in love!' 'she has a crush on him!'#I have my own interpretations of the movie some of which agree with what they said and some of which don't but that's beside the point of#knowing how to coexist politely in public#anyway. I think they were awful and annoying and they ruined my night out.#I think I'm just so incredibly mad about this because I love the movie and I was looking forward to watching it in a group of people who#found it cool as well while still having some modicum of politeness#I almost wish I had been meaner but that's the extreme annoyance talking I think#hater hour over love u guys bye
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fromtheseventhhell · 7 months
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Huge fan of annoying stans getting their comeuppance in the form of either a) getting the ending they wanted but it being so poorly written that it's universally criticized and ignored (bonus points if it involves the writers or cast doing damage control and recontextualizing things) or b) them getting the exact opposite ending to what they predicted with only the tiniest of crumbs towards what they wanted (bonus points if the crumbs in question have to be misinterpreted to count)
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I've found that, when interacting with others (or myself), it's useful to consider the lessons I'd want to teach a growing child.
If a child makes a mistake, I wouldn't want them to feel shame. I wouldn't yell at them, humiliate them, or in any way indicate to them that their mistake is a reflection of their worth or of who they are as a person.
Instead, I'd want them to associate the process with love and joy. If they say something that hurts someone's feelings, or otherwise ostracizes someone in some way, I'd compassionately explain to them. Ideally, they'd walk away knowing why they said / did it in the first place, how to handle similar situations in the future, and would accept the consequences (e.g. if a friend no longer wanted to hang out with them).
While the consequences may sometimes be painful, I'd do my best to instill in them that mistakes are human and natural, and that the process of learning from these mistakes is an opportunity to improve connections with others and express love.
I have a tendency towards excessive guilt. Memories in which I've said / done something ignorant or hurtful are infused with this guilt and shame- but ideally, I'd feel a sense of love and peace, and perhaps happiness, when looking back on them. Because they were moments of growth, moments I learned how to be more compassionate (even if the actual learning came years later).
So I'll put this out into the void:
When you make a mistake, that is not a reflection of you as a person. It is a moment in time, a moment which was informed by your past experiences. Humans are not static labels, or monsters in an RPG game. We are social creatures who live and learn and react and grow and experience and love. Be gentle with yourself and move forward knowing you're doing so in accordance with your values.
#parenting#internet culture#self compassion#i'd also want to teach them critical thought of course - there are varying ideas of what constitutes mistakes or ignorance or harm#and that's a messy subject which is often a challenge to teach and is beyond the scope of this post but it's important#to avoid being subject to manipulation or becoming reactionary#but anyways#to clarify something in the tags here: it's okay of course to feel bad. that's a normal response. but it's not necessary. and a culture of#shaming people for their mistakes isn't helpful in the same ways it isn't helpful to do that to a child. people become defensive and/or#self-hating. divisive and reactionary and more easily manipulated. fearful and ashamed and avoidant. afraid of disagreements or of trying#anything new. increased all-or-nothing thinking and blowing things out of proportion. it just doesn't help in the long run#sometimes when someone says something i want to express hatred and mockery towards; i think of my trans friend who's full of light and love#and compassion. who came from a smaller more conservative community and used to have some of those same stances (and may still hold some of#those feelings/anxieties). and i remember that i can be firm on my boundaries and spread love and acceptance and safety *without* spewing#vitriol at anyone who makes even a minor mistake. i want people who were impacted by oppression and bias to have space to grow and#find safe communities and be able to think for themselves. i dont want to push them away or be another person in their life screaming at#them. there's always a person behind the screen.#like that doesnt mean i have to interact with them. in fact in most cases it's better to step away. and there are still unsafe people out#there- but yelling at them won't do any good either. saw a tip to focus on the people you want to help rather than the opposition#and that's been super helpful for me
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stefanyd · 2 years
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So i was having a lovely conversation with @rythyme about the current rapid evolution of the BL industry, specially in Thailand - looking at the impact KinnPorsche is having, everywhere, at the moment - and it led us to a path where i was able to articulate something i’ve been thinking about or a while in regards to BL as a genre and how it relates to (and is) LGBTQ+ media.
BL might have its roots as a genre made for fangirls as fanservice, but the reality of it is, it is ALSO queer media and as the world at large embraces LGBTQ+ identities(i use the term embrace loosely here, we are all aware of the hurdles we face still), the lines have blurred into what people consider just BL - as fangirl fanservice - and LGBTQ+ content.
That does not mean that there isn't just fanservice for the sake of it out there, not every piece of media has to be nuanced and whatnot (we all like chicken nuggets every once in a while people, don’t lie, five course meals are not always where its at), but it does mean that there is more media that lands in the blended space. I believe BL media is and should be qualified under LGBTQ+ media. Bad buddy is a great example. It is 100 percent a BL, ticks all the boxes, but it is also 100 percent a coming of age, nuanced love story between two boys that tugs at your heartstrings and makes you want to go through the joy and anxieties of falling in love. That has a lot to do with the Director of the show, P’Aof, a very talented director, and an out gay man. Watching his reaction/review videos to the show, along with his peers who are also queer men, specially for the final episode, has been one of the best experiences of my life. It was hard to put into words, but hearing what these older queer/gay men had to say about this show, their lives, their experiences, the differences between their youth and today. It was mind blowing, specially because they are from a whole different culture than mine, and as my older sister who is in their age range said: “you’re watching/learning queer history.” It was both touching and a great learning experience.
BL is a genre that can be multiple things at once (like any other), but what lends itself to the blending I mentioned before is that we are not only seeing the industry as a whole growing with its fanbase, but also the fact that more LGBTQ+ voices are getting involved in the making and distribution of it.
Rythyme made a point in our conversation, “BL as a genre despite its shortcomings has always been, at its core, both queer and transgressive and it's hard to draw those lines between what's made for the ‘BL fangirl’ vs the ‘queer person’ bc those boundaries are super blurred” And i agree with that statement, because many of those BL fangirls the genre was aimed at turned out to be queer people later in life. They mentioned listening to a talk by an older Japanese lesbian who was an OG BL fan from the start of it all, and who discussed how BL helped her discover her own queerness, which was a lightbulb moment for Rythyme as they listened to it.
And that’s the thing. BL culture in the east, and slash culture in the west, they both started labeled as “fanservice for the fangirls”, and their similarities don’t end there, they are both movements that have led a lot of queer people in a journey of self-discovery. My sister @teland has almost 15 years+ on me, and as she put it:
I can't count the number of queer people of all genders and ages and everything else who I've spoken to over the past 20-odd years about slash, bl, and other intersections of queerness, fantasy, and *hope* who have said to me:
"This is where I found myself." "This is how I learned who I was." "This is how I wrote myself into my own body." "This is how I learned how to draw the boundaries of my self." And so on, and so forth.
There is nothing more queer than taking identity/self/sexuality/gender and remaking it in our own images for the sake of learning ourselves.
So yeah. i am in no way making light of, or ignoring, the fact that the fetishizing that has gone on since its inception isn't a thing (i am not a gay man, i can't speak for their struggles or issues with said fetishizing), but i feel it disingenuous to deny the fact that it, and the people it was/is aimed for have evolved.
There's surely someone out there better qualified, and with more energy than me, to address the other, more problematic side of this whole thing, where it lacks and where it fails, and I wish them all the luck. I'm genuinely just. So happy to see the growth and evolution of it as a whole. It brings me untold joy, and when there are just so many things in the world that aim to take the joy away from our lives, I want to embrace all the things that give it to me.
Now give me more GL stuff lol.
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hyperlightspeed · 2 years
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the problem if tumblr ( or any major, modern website really ) shut down, that’s losing Hundreds of Thousands of pieces of art, research, media, photos, everything. the rush to archive these kinds of things would happen but it would only be able to preserve a small portion of it. ignoring “hehe funny webbed site”, losing all of that would be an insane blow.
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magna-bratta · 11 months
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Quick question: my friend says Star Trek is a uniquely US cultural phenomenon, is it true? Like she says Japanese and EU people can be into Star Wars but if you say “Live long and prosper” they give you the blank eye??? Do people outside the US even know what Trek is outside the reboot movies??
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falled-over · 5 months
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courtney barnett. i care about you courtney barnett. you went to my high school and i had your haircut by complete mistake.
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