it's come to my attention that a lot of people don't know about bluemaxima's flashpoint and genuinely think they'll never be able to play their favorite 00s internet games ever again so i just want to remind everyone that flashpoint is a huge internet flash game preservation project that allows you to play just about any internet flash game/animation despite the death of flash. if they've got it in their database (and they probably do) you can play it. go forth and drink in the 00s nostalgia
even if you think there's no way they'll have the game u want. they probably do anyway. when i first downloaded flashpoint i thought for sure theres no way they will have the obscure flash game i played for hours as a kid that was only even available on the internet for like 2 months in 2006. but you know what. they had it. seriously, download flashpoint
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at some point it's just like. do they even fucking like the thing they're asking AI to make? "oh we'll just use AI for all the scripts" "we'll just use AI for art" "no worries AI can write this book" "oh, AI could easily design this"
like... it's so clear they've never stood in the middle of an art museum and felt like crying, looking at a piece that somehow cuts into your marrow even though the artist and you are separated by space and time. they've never looked at a poem - once, twice, three times - just because the words feel like a fired gun, something too-close, clanging behind your eyes. they've never gotten to the end of the movie and had to arrive, blinking, back into their body, laughing a little because they were holding their breath without realizing.
"oh AI can mimic style" "AI can mimic emotion" "AI can mimic you and your job is almost gone, kid."
... how do i explain to you - you can make AI that does a perfect job of imitating me. you could disseminate it through the entire world and make so much money, using my works and my ideas and my everything.
and i'd still keep writing.
i don't know there's a word for it. in high school, we become aware that the way we feel about our artform is a cliche - it's like breathing. over and over, artists all feel the same thing. "i write because i need to" and "my music is how i speak" and "i make art because it's either that or i stop existing." it is such a common experience, the violence and immediacy we mean behind it is like breathing to me - comes out like a useless understatement. it's a cliche because we all feel it, not because the experience isn't actually persistent. so many of us have this ... fluttering urgency behind our ribs.
i'm not doing it for the money. for a star on the ground in some city i've never visited. i am doing it because when i was seven i started taking notebooks with me on walks. i am doing it because in second grade i wrote a poem and stood up in front of my whole class to read it out while i shook with nerves. i am doing it because i spent high school scribbling all my feelings down. i am doing it for the 16 year old me and the 18 year old me and the today-me, how we can never put the pen down. you can take me down to a subatomic layer, eviscerate me - and never find the source of it; it is of me. when i was 19 i named this blog inkskinned because i was dramatic and lonely and it felt like the only thing that was actually permanently-true about me was that this is what is inside of me, that the words come up over everything, coat everything, bloom their little twilight arias into every nook and corner and alley
"we're gonna replace you". that is okay. you think that i am writing to fill a space. that someone said JOB OPENING: Writer Needed, and i wrote to answer. you think one raindrop replaces another, and i think they're both just falling. you think art has a place, that is simply arrives on walls when it is needed, that is only ever on demand, perfect, easily requested. you see "audience spending" and "marketability" and "multi-line merch opportunity"
and i see a kid drowning. i am writing to make her a boat. i am writing because what used to be a river raft has long become a fully-rigged ship. i am writing because you can fucking rip this out of my cold dead clammy hands and i will still come back as a ghost and i will still be penning poems about it.
it isn't even love. the word we use the most i think is "passion". devotion, obsession, necessity. my favorite little fact about the magic of artists - "abracadabra" means i create as i speak. we make because it sluices out of us. because we look down and our hands are somehow already busy. because it was the first thing we knew and it is our backbone and heartbreak and everything. because we have given up well-paying jobs and a "real life" and the approval of our parents. we create because - the cliche again. it's like breathing. we create because we must.
you create because you're greedy.
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This au again lawl. Where Danny wears these special sunglasses to hide his eyes that also track down ghosts in his human form.
The Justice League tracks down a summoning for the ghost king, an eons old tyrant of the infinite realms and known to bring war and devastation whenever he is summoned.
The cultists do manage to summon the ghost king, except, not how they wanted. They did indeed summon the king, but Pariah Dark is still trapped in eternal sleep and somehow, just, somehow, they managed to draw the lottery and dragged the Sarcophagus of Forever Sleep to the summoning circle.
So there the Justice League were, wondering what to do with the (currently) locked away and sleeping ghost king.
Until Constantine's coat flipped itself open and a boy with glowing white hair and a mist of blue blowing from his mouth.
"Old man." The boy greeted.
"Brat." Constantine said.
"Do you mind explaining why and how this," The boy gestured to the Sarcophagus. "Is here and not in Pariah's Keep?"
"Funny story, that one." Constantine said, only half-jokingly. He then went on to explain that the Justice League came to track down cultists, said cultists somehow managed to drag that here, and now they didn't quite know what to do with it.
The boy stood still for a moment, before taking off his sunglasses to pinch the bridge of his nose and sighed, a large amount of blue flame spilling from his mouth. "Ancients above, why is it every time something notable happens, it's always you?"
Constantine snorted, reaching into his coat for a pack of cigarettes and lighting himself one. "Hypocritical coming from you."
"I know, but still." The boy walked over to the Sarcophagus and sat on it, as if it wasn't the thing currently holding one of the most powerful ghosts in the infinite realms. "You know smoking is bad for you, right?"
"What, you learned that in class?" Constantine snarked, making no move to do anything and causing the boy to sigh again, toxic green eyes looked around the room, falling over each hero present before homing in on Flash. The boy pointed to him. "You. Come here."
"Whatcha want with red?" Constantine asked and the boy simply shrugged his shoulders. "Passing on a message."
The boy blinked once, and if he was surprised that the Flash was already in front of him, then he didn't show it. He reached into his pocket, pulled out a green sticky not, motioned for Flash to bent down and stuck it on his forehead.
Superman was... concerned. There was a heartbeat there, he could hear it, but it was so slow and seemed rather weak, like the boy was near death.
"Alright, now I gotta get old mean and green back to his keep before the Observants get on my case." The boy put back on his sunglasses and got up, waving Flash away and lifting up the Sarcophagus above his head he walked over to Constantine, whose face wrinkled.
"That ain't going to fit." The warlock pointed out and the boy scoffed, probably rolling his eyes behind his glasses. "And you've fit bigger things, just shut up and lift the coat old man."
Constantine did so, and somehow the boy just shoved the entire Sarcophagus inside. The boy was very obviously smug as the blue mist that was blowing from his mouth the entire time petered out. "I'll clean up the mess on my end," The boy said before waving his hand in the Justice League's general direction. "You deal with all that."
"Just get going already, I'm not about to get those sentient eyeballs on my ass."
"Yea, yea. You got enough to deal with as is." The boy then stepped inside Constantine's cloak and as soon as the man let it drop, he disappeared.
Constantine looked around the room, silently assessing the situation as he brought another cigarette to his lips.
He lamented the fact he would have to deal with this sober.
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Danny: Hello, I'm here for my job interview-
Alfred: You're hired.
Danny: But I didn't even say what position I was-
Alfred: You are Danny Fenton, nineteen years old, blood type AB, Libra. You are here to apply for the personal assistant position under Timothy Drake. You have five years of experience as a receptionist and a personal planner and have been unofficially bookkeeper for your parent's company since you were twelve. You dabble in fanfiction, go clubbing at Vortex- the gay club downtown, and have been one of the few people who yelled at people online for "Countdown to Legal Age" of both Master Dick and Master Tim.
Danny: .....I'm a little scared right now.
Alfred: That's to be expected. You will fit right in. Master Tim enjoys the smell of fear on his employees.
Danny: You were in the army, weren't you?
Alfred grinning: I read that your mother's family are also veterans. Your mother grew up in bases; did she not?
Danny nods: Yes, they are. This is like visiting family.
Alfred: With the proper attitude, you may become family in due time!
Danny mentally: Is he....trying to get me to marry Mr. Drake???
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Tumblr skews young, so let me just share this.
The worst thing you can do in a job is not be bad at something. It's to say you are great at something while being bad at something. If you need to improve and you're upfront that you're not the best, people will probably help or teach or explain. They will sympathize when you get put on a task you're not qualified for.
If you claim to be awesome at something when you demonstrably suck at it, all of that good will and sympathy is gone and it will not come back.
Confident is good. Stand up for yourself, know your skills.
But the other side of this is to Know your Faults.
This message brought to you by the 23yo who bragged about how he was great at X and had the best program for it, and I spent the weekend doing his job for him because he is so so bad at it, and only about 5% of what he did is salvageable.
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