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#i missed writing like this too
reilliane · 3 months
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its been a year.. did you bring the milk?
BUT HELLO! welcome back, i'm very much excited to read your works once again. nostalgia is flooding me rn, i missed reading your works 😔
[yes i have brought the milk actually- chocolate, almond, soy-]
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come rest your bones next to me ; satoru gojo, suguru geto
synopsis; satoru shares the first snowfall of the year with the two people he loves most. 
word count; 4.6k
contents; satoru gojo/reader/suguru geto (poly relationship!!), gn!reader, you're all whipped, reader referred to as spouse, fluff fluff fluff!!, sickeningly domestic, just comfy vibes all around, mostly from satoru’s pov, suguru has a favorite (its you) (but also not really he just likes bullying toru <3), satoru gojo may or may not have unresolved mommy issues
a/n; happy satosugu holidays to those who celebrate <33 geto died today isnt that crazy. dont u think its fucked up how love figuratively and literally killed him. anyway! help urself to two very whipped husbands <33
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”holy shit!”
the raspy tilt of satoru’s voice echoes throughout the bedroom, stirring you from your comfortable slumber. a soft groan spills from suguru’s lips, deep and husky, as he pulls you closer into his embrace — smoothing a warm palm down the back of your head. trying to soothe you back to sleep, muttering under his breath.
”satoru, it’s too early for this...”
”it’s snowing!” said man continues, unperturbed. unmistakably giddy. he’s standing by the window, hands pressed flush against the cold glass; entirely entranced by the sight in front of his cerulean eyes. 
your eyelids begin to flutter. a tiny tug of your subconscious, a pang of something excited flowing through your veins, an alert to your sleepy brain.
(snowing.)
with groggy movements, you wriggle out of suguru’s grasp — a displeased grumble leaves his throat, almost a whine — allowing you to scramble out of bed. ”really?” you chirp, rubbing the sleep from beneath your eyes. a raspy, meek little voice spilling into the air.
satoru grins, watching you move closer, watching as a tiny gasp pushes past your lips. watching as your droopy eyes widen — brightening, glittering, starlight and snowflakes painted on the interior of your iris. a breathtaking sight, he thinks. 
maybe even more breathtaking than the winter wonderland reflected in it; beyond the pure opaque frosting of the window’s glass, out into your backyard, buried beneath a thick layer of snow. soft and fluffy, covering the city, suguru’s long-frozen tulip garden, the bare branches of your apricot tree. every roof in sight. all of it dyed a pure white, glittering in the light of a morning sun yet to fully rise, tiny snowflakes descending down to earth. 
it’s beautiful. 
satoru loves winter. he always has, he thinks. it comes to him as a memory — blurred at the edges, gleaming even still, the first time he saw those snowflakes up close. someone held him in their arms, he recalls. a warmth long faded. 
all he can properly remember is that sight. one that knocked the breath from out his tiny lungs, all glitter and something almost other-worldly, something frightening in its majesty. like it broke through a rift in the stratosphere. 
the first snow of the year.
and he’s loved it ever since; the soft crunch of snow beneath his feet, an air heavy with the scent of cinnamon and candied apples, bouts of laughter to be heard from faraway apartments. red and green glimmers of artificial light, sweet frosting on the christmas cake he would always gobble up alone in his room. the cold wind, nipping at his bare fingers — a reminder of his capacity for ache.
there are lots of things to love. lots of memories to cherish. and every single year, he gets the chance to make more.
like this; the light in your eyes, the smile on your face, the excitement in how hurriedly you turn to meet his giddy gaze. a nostalgic kind of joy simmering in the space between you.
and before either of you know it, satoru’s pulling you towards the hallway, intent on dragging you outside to see it all up close. almost tripping over his agumon plush, lying unassumingly on the floor, kicked off the bed once again. 
(probably by satoru himself, though he’ll always insist it was suguru’s doing. overcome by his jealousy, unable to stand the sight of his cute husband cuddling up to a plushie instead of him. satoru understands, he does — he feels the same when he sees you hug that 3’0 cat plushie of yours.
and, sure, maybe once or twice he’s been lucid enough to register the subconscious kick of his leg and agumon’s subsequent fall to the floor — but he’ll still blame suguru in the morning. if only to see the way said man rolls his eyes, clicks his tongue, maybe flicks his forehead if he’s lucky.)
high on the spirit of christmas, spurred on by childlike elation and sleep-deprivation, you stumble towards the door. satoru pulls one of his jackets over your shoulders, delighting in the way your hands don’t fully reach through the sleeves. wrapping you up in a cozy scarf when suguru shouts at you both to dress warmly, barely awake and already tired of your antics.
and the moment you step through the door, satoru is engulfed by it. that mystical, mystical feeling. 
a little lonely, a little too satisfying to pass up. a cold breeze that nips at his fingertips, snowflakes that brush against his cheeks and stick to his white lashes. a warm hand in his, as you cling to his side, shuddering — but smiling, as you look up at the sky, putting a hand out just to feel the snowflakes melt against the skin of your palm.
he feels you let go of him, but doesn’t mention it. a little too mesmerized to tug you back. dipping his toes into the bittersweet nostalgia of it all, staring at the flurry of white all around you, the skeletal branches of your apricot tree. suguru’s poor tulips. humming a jolly tune, subconsciously. a little delighted.
— until something cold and wet hits the exposed skin of his neck.
satoru twitches, a chilling shudder trickling down his spine. the snowball just thrown at him begins to melt, droplets sticking to his nape, and he turns to you with a raise of his brow. a devilish grin on his lips, when he hears your muffled laughter, sees the crinkle of your eyes.
(you’re cute, he thinks. but you need to be humbled.)
”oh, so that’s how you wanna play?” he drawls, eyes gleaming with amusement. taking a step forward, reaching down to gather some snow in his palm. a wide grin on his glossy lips. ”fine by me.” 
he's fast, but you act quickly, running towards the apricot tree with laughter in your throat. feeling the pitter patter of your heartbeat resound in your ears, as the snowball misses its mark by just a hair — and you waste no time in making your own.
it’s a hard-fought duel. snowfall blocking your vision, nerves beginning to numb, red cheeks and runny noses as you chase each other with giddy breaths. unfortunately for you, satoru’s arms are unfairly long, fingers unfairly nimble, and his stamina never even seems to falter.
so before long, your energy begins to dwindle. chest heaving, hands too cold to form a proper snowball, while your husband seems like he hasn’t even broken a sweat. they just keep on coming, snowball after snowball colliding with the fabric of your jacket, and when one of them hits your collarbone you squeal — falling backwards, right into a fresh pile of snow.
satoru moves forward, a triumphant smirk on his handsome face. you’re out of breath, and your hands are red, and he’s fairly certain you’re gonna catch a cold. suguru’s going to scold him, but right now all he can think of is you. the frown you’re wearing, the little huff that slips from your lips.
”ready to admit defeat, sweetheart?” he practically purrs, standing above you with his hands on his hips. smug. and you grin right back.
”never.”
a hum. something glimmers in his eyes, a devious little glint, and you come to regret your decision when satoru gathers a heap of snow with his overgrown arms; only to drop it all on top of you. too tired to fight back, all you can do is shield your face, silently accepting your fate.
a shiver wracks through your body, and satoru almost feels bad. just a tiny bit. but then you finally relent, murmuring bitterly under your breath. ”fine, fine…” a soft pout forms on your lips. ”you win.”
and satoru smiles. crouching down to meet you at eye level, on his knees in front of you. there’s a teasing mirth in his eyes, when he reaches out to cup the fat of your cheek. ”that’s all i wanted to hear, sweet pea,” he drawls, trying not to giggle when you exaggeratedly roll your eyes.
his voice curls down an octave when he continues, leaning forward to brush his nose against yours. hot breath against your chilled skin. ”now, for my prize…”
his lips meet yours, sweet and chaste — a little cheeky. you scoff into the kiss, but satoru’s smile only grows. honeyed, a little bit adoring. his tongue flits out to lick at your cold bottom lip.
he lingers, for a bit. like he’s trying to savour the way you taste, faded strawberry chapstick sticking to his lips, smudged against your own. and you sigh, softly, melting a little, comforted by the fleeting warmth that blossoms on your face. 
when he's finally satisfied, having dragged his prize out to its completion, satoru helps you up. brushing snowflakes off your jacket, cradling your ice-cold hands in his. they’re not faring much better, but a worried tug of his heartstrings compels him to warm you up. bringing them to his lips, hot breath fanning over your skin, tender little kisses against the knots of your knuckles.
you can’t help but blush, and a raspy chuckle flows from out his lips. 
hazy morning sunshine licks at the branches of the apricot tree behind you, illuminating the contours of your face, the shine of his eyes. a blue smudge on a canvas painted white and gray. the air smells of pine cones and something smokey, crisp. it courses through his burning lungs when he inhales, exhales, a breath of vapour that scatters up into the sky.
satoru loves winter. always has. but now, he’s certain he loves it even more.
because now, he has two people to share it with. two people to drag out into the snow, two people whose hands he can tenderly warm up, two people who’ll laugh and sigh at his antics and still indulge him. two people to pelt with snowballs. 
what more could a man want?
”hey, idiots!” 
the voice that echoes throughout the air is exasperated, a little teasing. yet fond. suguru’s got his hair tied into a messy half done bun, black turtleneck sweater enunciating his broad chest and the curve of his waist. there’s a fatigue in his eyes, the creases of his face, but a lazy smile is playing at his lips.
”i’m making breakfast,” he shouts, voice deep and smokey and soft even still. ”come in and warm up before you catch a cold.”
”is that any way to speak to your husband and spouse?” satoru chimes back, a melodic lilt to his sugarsweet voice. something satisfied. pleased.
suguru shoots him an unimpressed look, but his eyes soften. melting a little, at the words that spill from satoru’s lips, as if they were always meant to be there. 
(husband. spouse. suguru wills himself not to smile.)
with matching grins on your faces, the two of you stumble back towards the door. snow crunching beneath your feet, a happy noise pushing past your lips when you collide with the warmth of your husband’s chest.
”look, suguru. isn’t it pretty?” you chirp, smiling brightly. an expression he mirrors — brushing some snow from the top of your head, warm palms caressing your cold skin, setting a mental reminder to scold satoru later. sparing a brief glance at the snowy veil over reality.
then he exhales. a fond hum. ”it is.”
satoru joins you both by the door, stretching out his lanky limbs. tousled hair, wet strands sticking to his skin, reddened cheeks and a signature pout. ”suguru, my hands are cold,” he whines. ”warm ’em up for me?”
a click of his tongue. ”should’ve put some gloves on, satoru.”
a hum buzzes in your throat, and you put your hands out. itchy, a little dry. a sad frown tugs at your lips when you speak. ”my hands are also cold.”
and, like clockwork, suguru’s eyes soften. a coo tiptoeing on his tongue, engulfing your hands in his larger ones. ”aw, c’mere, my love…” his breath fans over your frozen fingertips. ”let’s get you warmed up, hm?”
satoru gasps, a hand on his chest, and you stifle a giggle. he’s acting, you both know, being a little drama queen. he knows you’re just exaggerating suguru’s double standard as a bit, that your husband would probably set himself on fire to warm either of you up.
despite that, his voice comes out thoroughly offended. ”oh, i see how it is,” he huffs, walking past the both of you. pouting deeply. ”you hate me. you hate me, and you want me to die. i understand.”
”satoru,” you coo. he hmphs, but stills, waiting for you to wrap your arms around him. and you do — a little too eager to appease your giant baby of a husband.
”we’re just joking around,” you assure him, holding back a humorous chuckle. squeezing his waist with palpable fondness. ”love you sooo much. you know that.”
satoru stays silent. but he cranes his neck, to meet suguru’s gaze, standing just behind him. narrowing his cobalt eyes — a meaningful look.
suguru sighs.
”yes, yes. we love you oh so much.” he takes a step forward, ruffling the white head of hair by the door. a lazy smile on his lips. ”now behave and go change out of your pyjamas. they’re soaked.”
his voice is teasing. exasperated, more than a little condescending. but it’s suguru, so satoru accepts it — following you both into the warmth of your home. the scent of cinnamon and vanilla hangs heavy in the air, a hint of espresso and firewood, lulling him into a sweet state of tranquility. rich with comfort, safety.
he changes out of his wet clothes, pulling a black hoodie over his head before waltzing into the kitchen. and you do the same, emerging from your bedroom in one of suguru’s cozy sweaters, knitted and smelling of bergamot. 
when suguru notices, his gaze shifts into something fond. palpable. a look satoru always finds in the scope of those warm eyes, amber and cedar bleeding into something sweet, only ever directed at the two of you. a look said man assumes goes unnoticed. he’s not as slick as he thinks.
the kitchen simmers with hazy sunlight and gentle movements, something sleepy and kind. satoru is a little bit enamored with it; from bowls of cat food by the corner, to camellias by the windowsill, cookie jars and dried lemon slices, the fading scent of baked goods and wishlists stuck to the fridge.
(yours and satoru’s are filled with scribbles, new ideas popping up daily, while suguru’s is almost entirely blank; mostly necessities, one or two things he’d like for himself.
and then, of course, the same thing he writes at the top of his wishlist every year; some peace and quiet.)
suguru shuffles around the kitchen, long strands of black hair cascading down his back, swaying with his movements. he sends you both an affectionate glance when you step in, already in the process of making satoru his cup of hot chocolate — topped with marshmallows and whipped cream, colorful sprinkles in the shape of tiny stars, a touch of cinnamon. satoru licks his lips.
when it's finished, the cup is promptly handed to him, paired with a tender kiss to his forehead. and suguru starts the meticulous brewing of your coffee, steady hands, finely chosen coffee beans, the low purring of the espresso machine. soothing.
that’s when you attach yourself to his back. wrapping your arms around his waist, a sleepy yawn muffled into the fabric of his turtleneck. he places a big palm on your hand, thumb smoothing over your knuckle, and you nuzzle into him silently. suguru smiles.
”still sleepy, baby?” he questions, a coo on the tip of his tongue. his voice is soft, palpably so, buzzing with warmth and safety and something that makes you want to stay cuddled up to him forever.
satoru senses an opportunity to insert himself into the conversation, and forces out a yawn of his own. stretching his limbs like a big cat, blinking drowsily, eyelashes fluttering. hoping it’ll come off as endearing. ”mhm.” 
but suguru shoots him an unimpressed look. ”not you,” he tuts, patting your arm, ”this baby. i wasn’t asking you.”
a pout. ”why are you so mean to me?” he whines, shooting you a doe-eyed look. bottom lip jutting out slightly, a feigned glassiness to his eyes. ”sweetie, tell your husband to stop being so mean to me.”
you smile. indulgent, as always. ”don't be so mean to him, suguru. you know he’s sensitive.”
a sigh. deep, tinged with exhaustion. satoru shares an amused look with you — stifling a shared chuckle at suguru’s exasperation.
and suddenly, he feels something warm flutter in his ribcage. a sunkissed butterfly, wings brushing against his ribs, coaxing his lips into curling up. unmistakable fondness, almost too much to bear. the need to reach out and touch you creeps up on him, a hunger he can’t deny, but he holds back; you look comfy like that, curled up against suguru’s spine. so he only inches closer, without a word. 
his husband casts him a glance, but satoru stays silent. lips pursed, waiting for something. patient.
and suguru relents. he reaches a hand out, to tuck a stray strand of white hair behind his ear — an excuse to touch him. a silent apology. 
(i'm sorry, you big baby.)
satoru grins.
you shift from foot to foot, leaning over to see what suguru is doing, pressing buttons and taking two ceramic cups out from a wall cabinet. your eyes zero in on a particular shelf, narrowing in suspicion, before flitting over to meet your husband’s gaze.
”satoru, did you use up all my peppermint sweeteners again?”
he stiffens. just a tad, before swallowing a gulp — followed by a silly chuckle, sheepish and performative, eager to wiggle his way out of your cold gaze. ”… which sweeteners do you mean, honey?”
”don’t pull the ’honey’ card.”
”and don’t play dumb, either.”
a pout crosses his lips. betrayed. ”suguru, who’s side are you even on?”
said man gives him a look. that one look, characteristically suguru, the same one he always sends satoru’s way. one so thoroughly unimpressed it makes him feel like the world’s biggest clown. 
and satoru plays along. your dutiful, beloved clown, his posture wilting like a sad flower. suguru exhales through his nose.
”don’t steal their sweeteners.” he smooths a thumb over your knuckle, absentminded, meeting the cold metal of the ring on your finger. smiling a little at the sensation. ”buy your own.”
satoru huffs, drawn out and childish. crossing his arms, leaning against the kitchen counter. ”ah, i see how it is. leaving your sweet husband to buy his own sweeteners?” he clicks his tongue. ”chivalry is dead.”
you bite back a little chuckle — satoru recognizes the cute noise you make when you do — and suguru rolls his eyes. fondly, always. ”remind me next time i go to the store and i’ll consider it.”
”hmph.”
suguru is smiling. it’s small, but genuine, worth a thousand words. and you are, too, the vague crinkle of your eyes giving you away. even as you bury your face in the curve of suguru’s back.
and ah, satoru thinks. there it is again. 
that sickeningly sweet sense of deja vu; the sensation of a certain something flourishing deep inside his chest. warming him up, trickling through his frost-bitten veins. that one little itch he never manages to satisfy, that never goes away, something that took root inside his heart years ago — watered by the sweet looks on your faces.
this everyday slice of heaven, right in front of him, that he’s been greedily partaking in ever since he moved in with you. since he married you.
(married.)
sometimes he still can’t believe it. 
”it’ll be done in a minute,” suguru hums, and satoru blinks. broken out of his syrupy stupor. ”you two go wait by the kotatsu, okay? must be cold, poor babies.” 
and, as always, his voice is a little teasing. a tiny bit condescending, if you really strain your ears, in typical suguru fashion. but it’s laced with a touch of sweetness; one that would be too much for either of you to stomach, if it were to drip out of his lips with nothing to water it down. so satoru accepts it. welcomes it, even.
and you follow his suggestion. making your way towards the living room, satoru trailing behind you, continuously enamored by every little thing he sees. every little piece of the home you’ve built for yourselves.
your living room is cozy. several potted plants seated here and there, a thick quilt to cover the kotatsu, a bowl of satsumas on top of it. a sleepy cat on your couch, golden sunshine ruffling her fur. a santa hat lies beside her, and satoru snags it without much thought. pulling it over his head.
his gaze shifts to the christmas tree over in the corner, eyes filling with a childlike kind of wonder. it’s decorated to completion, weighed down by colourful ornaments and lights, a star at the very top. suguru cut it himself, bringing the biggest and prettiest one he could find back home.
(satoru had gone with him. partially to help carry it back, mostly to get a glimpse of suguru's biceps flexing with the swing of the axe. he’s a simple man.)
and beneath it, presents are already beginning to pile up. carefully wrapped, in bows and silken paper, growing more each day. shattering suguru’s hopes of maybe having a more lowkey christmas this year — but satoru couldn’t be more relieved. this is the only time of year you let him get away with pampering you both to his heart’s content.
a smile blooms on his lips. he plops down on the floor, crossing his legs, right as suguru walks in with a coffee pot in hand. their gazes overlapping.
and something mischievous begins to brew within the blue of his eyes, something that makes suguru narrow his own. satoru pats his thigh, twice, a coo on the tip of his tongue. santa hat sitting pointedly on top of his head, fluffing up his hair.
”c’mere, suguru! sit on santa’s lap.”
”— you’re disgusting.”
the words are playful, but a pout still slips into the curve of satoru’s lips, and he huffs out a displeased little breath. his husband pretends not to hear it, so satoru turns to you — sitting so prettily to his right, already anticipating his next move. puppy dog eyes on full display, he gives you a soft tilt of his head, snowy tufts of hair falling over his eyes.
and you sigh, in what he knows is resignation. his faux pout turning into a satisfied grin.
you curl up in satoru’s lap without much of a fuss, letting him circle his arms around you. an indulgent smile rests on your lips, but he knows you love this; his broad chest against your back, the heat of the kotatsu warming your feet. breathing in the fading scent of your shampoo, he leaves a peck on the sensitive spot right behind your ear, and you try not to shudder.
then satoru smiles. squeezing you, lightly, sweetly, eyes rich with honeyed affection. voice dripping with playful endearment. ”there we go,” he coos. ”what does my angel want for christmas, hm?” 
”i want you to stop stealing my peppermint sweeteners,” comes your answer. instantaneous.
silence fills the room. a moment passes. outside your frosted windows, a bird takes flight from the branches of your apricot tree. and satoru clicks his tongue.
”… santa can only do so much, baby.”
two deep scoffs fill the air, heavy and bemused. one from you, one from suguru. satoru only giggles.
”just kidding!” he chirps, planting a kiss on the top of your head. ”don’t you worry. santa’ll give you all the peppermint sweeteners you could ever want.” 
you raise a brow, exhaling amusedly. craning your head to meet his gaze. ”and he won’t end up using them all himself?”
”of course not! blasphemy.” 
a moment passes.
”… maybe one or two. as a treat.”
a string of protests slips from your lips, and satoru tries not to burst into a fit of giggles. suguru just watches, silently, smiling lightly as he pours hot coffee into two ceramic cups. steam wafting up to the ceiling, a cat jumping down from the couch to curl up in his lap. he places one in front of you, not taking a single sip of his own until he hears you hum blissfully at the taste — pink lips against white ceramic. a bitter taste on his tongue, sweetened by your approval.
then he starts peeling three satsumas, absentmindedly, and satoru swallows down the love-ridden honey choking up the back of his throat. pretending the domesticity of such a simple action doesn’t melt his heart down to the marrow. 
he turns his attention towards the window. frost sticking to the glass like spider-woven webs, soon to be melted by the glow of the mellow winter sunrays. flitting in through the curtains, cascading over the room, splattering across the floorboards. framing the hue of your hair, the smile on suguru’s lips.
and a memory comes to him. sudden, hazy, faded at the edges. ghosting his subconscious.
he remembers the frost, the biting wind, the frightening majesty of the snow that fell that day. breaking into his world through a rift in the stratosphere. he remembers the contrasting warmth of the person who held him, who cradled him close; the soft lull of a woman’s voice. 
for a moment, satoru thinks he can almost, almost see it before him. hear those gentle words, see her tired smile. why was she always so tired?
(look, satoru. isn’t it pretty?)
— he can’t recall how it sounded. if it was melodic and soft, or raspy and broken, happy or sad. but he does recall that it made him feel safe. safe enough to find comfort in a sight so other-worldly, so very foreign.
it should’ve been frightening, but it wasn’t. the first snowfall satoru ever saw knocked the breath from out his lungs, stole his heart with cold hands, left him with a suffocating nostalgia. but the memory is precious.
and now, he feels that sense of other-worldliness in this; a kotatsu for three, a warm house, peeled satsumas and promises of a christmas cake soon to be baked. one lovely spouse in his lap, the other gazing at him with that fond look he always assumes goes unnoticed. a cocoon of safety — a ghost he doesn’t need to chase anymore.
warmth. enough warmth to make up for the snow and frost outside your home, all the experiences he missed out on as a child. warmth, warmth, warmth. funny, how that happens to be satoru’s favorite thing about winter. 
he looks at the two of you, hoping you won’t pay any mind to his silence. for once, he hopes you’ll stay wrapped up in your awful, awful coffee, so bitter that just looking at it makes his throat feel dry. just so he can get away with admiring you for a little longer. from the contours of suguru’s face, to the skin of your collarbone, to the rings on your fingers. ones he put there himself. 
and ah, satoru thinks, there it is again. again and again, as always, forever. that warm, warm feeling flourishing in the depths of his chest. 
he hopes it never goes away.
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dollkisses05 · 18 days
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Girls with daddy issues are the best gfs btw
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peridots-pixiwolf · 2 months
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[Start ID. A redraw of the official icons of the ten named slugcats from Rain World, arranged in two rows: Survivor, Monk, Hunter, Nightcat, and Gourmand in the first, Artificer, Rivulet, Spearmaster, Saint and Enot/Inv in the second. Each is drawn in roughly the same pose as in the original art and fitted with speculative interpretations of their biology, and the second image is a “dead” version of this. For example, all ten have slug-like rhinophores in place of ears, cuttlefish-like colorful eyes with strangely-shaped pupils, cephalopod-like beak "teeth", expressive barbels or oral tentacles at the corners of mouths, spiny radulas, and the frilly mantle fringes of sea slugs, though otherwise their faces are squishy, simple and mammalian-shaped.
Cream-colored Survivor and yellow Monk both share triangular, bicolored spots matching their eyes (which are tan and brown, and two shades of blue, respectively), small, bumpy fringes, and relatively neutral looks on their faces. Defensive-looking Hunter is mostly a dull orange-pink, though their blobby fringe is a more violent red and their back is purple and marred with lumps. Nightcat is navy blue and flecked with dots of yellow and teal, their rolled rhinophores are a lighter blue, and their shading fractures into stars in some places. Gourmand is almost uniformly tan, their wide, very ruffly white mantle fringe bordered by a spray of white spots, and their beak sticks out from either corner of their smile. Primarily red Artificer, snarling, has yellow markings of multiple sorts, a prominent yellow dewlap and their characteristic dark scar taking out a chunk of its face. Rivulet is a darker blue than usual, with long barbels, red gills and rings, countershading, and a cheerful expression, sticking out their radula. Spearmaster is purple with orange accents, eyes and spots, a large fringe and spines down their back. Saint’s green caryophyllidia are marked by small, yellow diamonds, and their long, thin radula extends far below them. Enot is decorated with mottled red stripes, blue patches, yellow stars, and an uneven and almost cartoonish imitation of blush, though generally the same deep blue as Nightcat, a passive or almost slightly smug look on their face and their rolled rhinophores out to either side.
In the second image, nine of the slugcats’ eyes are crossed out, indicating that these are death icons. They look fairly the same, with mostly expression differences. Survivor is caught in the beginning of a threat display, a karma flower sprouts from Monk’s side, Hunter is burdened with overgrowing, purple and blue rot, Nightcat’s rhinophores are pinned back, and Gourmand looks mildly disheartened. For the final row, Artificer bites its radula between small plumes of smoke, Rivulet drops their expression, Spearmaster looks very startled, Saint looks almost entirely the same besides half-open eyes and their markings greater in number, and Enot grins confusedly. End ID]
If you'll excuse the unusually lengthy ID: the arena meme introduced by @pansear-doodles at long last after a nearly year-long wip status (or, rather, finished a month ago today to honor my own first time playing it!)
Design notes and shout-outs under cut! :]
The following people are some of those who’ve inspired my designs most since I started this eight months ago (or just inspired me to get a little weirder with slugcat biology), among many others for sure, and I thank them for it–but this is simply to bring attention to artists I find cool, and in no way an obligation to interact or anything :]
> @saturncoyote , @carpsoup , @charseraph , @gallusgalluss , @bitsbug , @dopscratch , and @0hmanit (and a special mention to dddeerbo and hunterlonglegs, who’ve since deactivated)!
Survivor: Surprisingly the hardest to pin down the colors for, since nothing with its sibling's palette seemed to match up right (I did have to add in a little blue somewhere for Monk, the beginning of making it clear how much I’m simply going based off of vibes for the colors of scug innards). I consider them, Monk and Gourmand to be part of the same gene pool of slugcats, and even possibly the same colony even if the latter isn't really related, so took a bit of Gourmand's coloring and fit them in with their inspiration: Goniobranchus verrieri. They serve as a bit of an introduction to my ideas of scug traits (i find it really fun how many people have thought to add so many silly sluglike fixtures of biology completely independent of me, buuut here I’m mostly talking about species variation), and like in-game they’re pretty average! They, Monk and Hunter have a couple scars sourced from a piece of Joar's concept art that I'm failing to find, those across the bridge of the nose, under the eyes, and across the rhinophores, respectively, and my Survivor interpretation features many on the back of the neck, as a result of survived lizard bites.
Monk: Their coloring is primarily based off the fact that I associate them with blue fruits, honestly, a bit because I was compelled to establish a familiarity with Rivulet, and lastly inspired by the spots of Goniobranchus kuniei (and geminus, less important to me as one of my characters is a kuniei instead, but more fitting). Between the yellow + blue and the circular marking in the center of their face, they’re meant to bear a little resemblance to an iterator that shares similarities with the characterization I’ve given them, and similar coding of her sibling can be seen on Survivor’s markings around the eyes. As both a “default” slugcat and one whose campaign I haven’t played, though, I can’t say I have much more to point out about em.
Hunter: The whole rot thing made for a really fun time drawing them, and while the color change on their back is a result of this, it’s also an excuse to relate them to Babakina festiva, arguably my favorite sea slug (mostly for sentimental purposes). And to Spearmaster, a fellow messenger slugcat, and it serves as a gradient between Hunter’s pink and the “traditional” color of Rot seen in the DLLs. Aside from their affliction, they’d actually be the plainest in terms of design, as they don’t have any patterns or quirks of body type, just the red + purple and strange lumps + possible malnutrition. I can’t remember if NSH had created them in particular or just...caught + released or something, but it probably wouldn’t be strange for a lab-grown slugcat to be simple like that.
Gourmand: Like the two above, they’re rather plain in terms of coloring and adaptation, and like the two above, I find that fun. I decided it would be nice to avert the “all slugcats being of the same body type, and Gourmand’s out of place as the exception” thing by just...adding more fat to all of them, really. I did want to emphasize their sheer bulk even so, both fat and muscular (not like I couldn’t have still gone further with it, of course, but slugcat anatomy can be a little obfuscating sometimes, and they were intended to look rather plush considering personal size headcanons and therefore the lack of proper gravity), and the thick and flounced mantle looked like a good addition, as per their sea slug Glossodoris hikuerensis. Unlike Survivor and Monk, I didn’t attempt to hold their resemblance to any particular other character (which means a little less to balance out the “default gene pool” thing), so those are all the design notes I have for em.
Artificer: The second slugcat I’ve ever played, or finished the campaign of, my favorite for at least a long time, and the first thing I did was give them yellow accents, the shape of which have troubled me slightly (not quite like the spots or stripes of the others). They’re both a little more appealing and more explosive-looking to me, and considering how early on I played Arti, actually present in some of my older art. It does give them a little resemblance to Saint (completely intentional, two slugcats with strange relations to karma), as well as the fact that its radula is green for familiarity with one of its children (at some point it was going to have all-green markings, even!). I’m generous with their scars, partly because it was fun to overemphasize the one on their face and partly because it does seem like a reckless slugcat, on top of the dangers of its explosive abilities–I’ll probably just keep adding more forever. Mostly-red sea slugs aren’t too common, but Hexabranchus sanguineus works for sure. The ridged, yellow dewlap can expand for combustion purposes, or something along those lines. Arti’s where I began experimenting with a lot of the mildly-offkilter features seen in my interpretation of slugcats, as they’ve once again been a favorite from the start.
Rivulet: I've obviously given other slugcats spots, deeply enjoy the bubbly-soda markings of other peoples' slugcats, and thought seal riv would be cute. Despite not too closely resembling it, they've been government-assigned Hypselodoris bennetti, for color reasons and for a couple sentimental ones. Originally, the colors of every scug were meant to match up with the custom colors I gave them at the beginning of their campaigns, (though Arti, Gourm and Spearmy are the only three who actually apply here, since I've only played through half the slugcats: I gave arti the yellow as mentioned above, gourm brown eyes and spearmy light pink spears, furthered by the outskirts pearl accompanying me and that palette all the way to moon. Tolerance training for eternity in hell cause I already knew about the maroon pearl quest). I initially gave them the colors of the bi flag for fun... but with the limited palette of this image, I was left without pink for a while and decided to see how they'd look in red. I then realized how they now wonderfully matched Moon, and besides, red's a sort of camouflage in deep water! As a side-note, the difference between their eyes and those of others always bothered me a little for anatomical purposes, and the cephalopod eyes were probably influenced by this!
Spearmaster: Inspired as much as possible by @notyourfunnyman ’s wonderful spearmy: designed in a way that helps it fit in with scavengers, at least between the long sensory tentacles, big ruff, back spines and slightly thin/distended anatomy, a form of defensive mimicry. I always had annulate rhinophores in mind, for a little diversity sure, but mostly because the shape reminds me of radio antennae and communication towers (seems fitting for the comms array and being a messenger slugcat)! I started searching for a real-life slug to give them just by looking up their rhinophore shape...and was met immediately and coincidentally with annulate-topped nudibranchs that fit them more perfectly than I could've imagined: Flabellina and surrounding clades, I think Paraflabellina ischitana works very nicely. The orange was completely unplanned, but there wasn’t a place for light pink among the other slugcats’ palettes, and importantly it likens them to both Hunter and Seven Red Suns a little more.
Saint: I am very much a non-furred slugcat enjoyer, with respect to those who aren’t, so figuring out the only visibly furred slugcat was an interesting challenge. I’ve decided that they likely have other, milder adaptations for help in the cold, mainly just more efficient fat storage, and what looks vaguely like fur is instead a bunch of tubercles (called caryophillia, for the second reminder out of three). Their inspiration doesn’t have these, however, Miamira sinuata’s numerous yellow and blue spots (not to mention...whatever’s going on with that shape) and general effect of being the only really green nudibranch I could find were probably perfect for a strange green echo. Not pictured, but their beak-teeth are tiny and flat to make a surface for grinding soft food against with the lack of a functioning radula, which is tipped with a specialized spiny “grapple-hook” for better traction/grip (not to mention the numerous little teeth running down the whole thing).
(Best part of hiding this under a readmore means edits will be seen by all reblogs, I'm mostly sure, because I completely forgot to mention! The spots on their forehead are simple eyes. Their camera eyes appear closed in-game, I like to believe their complex eyesight is rather poor anyways or otherwise reason that they aren't seeing out of those, and while this was far from her REASON for attunement with the world, it does help compensate for mainly viewing it through a canvas of simple light and dark. This, and the fact that their swapped-out "fur" is not only to commit to a lack of hairs but contributes to sensory input!)
Nightcat/Enot: I guess you could say I found the “these two are technically the same person” compelling. (E.g. similar colors, both very strange and enigmatic, and Enot/Inv/Sofanthiel’s remark during the dating sim about getting removed from Arena Mode.) I doubt they’re the only two slugcats in their body, considering humans with DID tend to have more than a few (and I find it very funny that a slugcat bearing resemblance to Nightcat appears in Gourmand’s ending. They’re allowed in the colony and Enot isn’t </3), and I have to credit @faelingdraws ’s art for being what convinced me on it! Their design inspirations come down to trying to balance a few different ideas: making the patterns and palettes of both look oddly similar (special mention to the stars, since those are fun to draw), basing them off of Felimare sechurana and juliae respectively, using blocks of color with the same placement as in Enot’s official art, and specifically making Enot look...biologically reasonable and imperfect, whilst also clearly trying to imitate human displays of emotion (what with...the eyes and blush on that one piece of official art).
Lastly, here’s just a lineup with notes on body shape and size. Most of the nicknames (existing to give a little more space, that’s all) are obvious, and while I can’t remember why I shortened Nightcat to Nox, it is in honor of my friend by the same nickname :]
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#survivor rain world#monk rain world#hunter rain world#nightcat rain world#gourmand rain world#artificer rain world#rivulet rain world#spearmaster rain world#saint rain world#enot rain world#slugcat rain world#rain world#peridots-art#< feels like too long since that last tag's been used. i can say with certainty that the majority of the reason i haven't been just as#active here (not to mention not drawing as often since that's relevant) is just due to my life getting busier with a new school year but i#do miss putting my stuff here! and would like to reblog more on top of that.... so forgive not remembering exactly how to tag everything#(and how to write everything up there but to be fair it's not like long textposts were a staple of mine. i mostly just rambled and it was#fun hehehe.....some of those notes (parts of riv/spears mostly) were written around the beginning of the drawing itself)#OH i messed something up with the drafting and really did not mean to post it while tags were in progress! but regardless. i would've liked#to post it tomorrow to mirror how i was going to post it on JAN 29 a month ago......but it's not like i'm unhappy with this outcome :]#to sum it up really though it's been strange working on this for so long.....unfortunate to not get a chance to let it be seen and keep#experimenting with odd biology much earlier but i'm just glad it's out now cause i am proud of these!! it's been a lot of fun and slugcats#are still my go-to doodles :] if i had to end this off promptly though what's up with that secret pipeyard shelter as gourm that's not on#the maps. connected to vs_a04. doesn't appear on the miraheze or interactive maps for anyone strangely but i've only been there as gourmand#anyway! i'm sure there's a lot i could've said in the rush but goodbye dear reader anyway :]#i forgot spearmy initially. i'm so sorry
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scificrows · 9 months
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Okay, my brain refuses to think about anything other than Murderbot, so I looked at every use of the word "friend[s]" in TMBD and... created some pie charts. Normal human activities.
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Some Thoughts™ I had while putting this together (under the cut):
In All Systems Red, Murderbot notes that the PresAux crew are all close friends (twice! and goes on to explain their internal relationships which I think is very cute). This is pretty much the only use of 'friends' in ASR, except for when Murderbot says that SecUnits can't be friends with each other.
It seems that this may be one of the first times Murderbot has ever really been around a group of friends before? Murderbot notes that this is not the norm for its contracts and admits that the fact that they are all friends and the way they interact with each other make it actually enjoy that contract (before!!!! the hostile attack, so it already enjoys this contract before they start seeing it as a person etc ghghhhh). [Inference: Friendship seems enjoyable.]
The first character that calls Murderbot its friend is ART in Artificial Condition. Murderbot immediately refutes this (and then goes on to call ART its friend to its clients for the rest of the book). [Inference: Maybe ART is Murderbot's friend. And maybe that is... agreeable]
Rogue Protocol has more than twice as many instances of the word 'friend' as any of the other novellas. Why? Miki. Friendship and its implications for non-humans are a central theme because Miki is friends with everyone. Murderbot initially scoffs at the notion that Miki and Miki's humans are friends. At the end of the book, after witnessing how desperately Don Abene tried to stop Miki from trying to save them, and her grief after its death, Murderbot has to admit that she had in fact been Miki's friend. [Inference: Humans can be friends with bots and can sincerely care about them]
In Exit Strategy, Murderbot tentatively uses the word "friends" for its humans for the first time (several times actually). It questions whether it can actually call them its friends or not and later realizes that it had been afraid what admitting that the humans are its friends would do to it. At the end of the book, Mensah tells Murderbot the PresAux crew are its friends, which is the first time a human has directly said that to it (at least on-page). [Inference: Humans can and want to be Murderbot's friends]
In Network Effect, Murderbot seems to be more habituated to the word 'friend', confidently calling ART and Ratthi its friends, like it is no longer just trying the concept on unsure if it fits. There are many instances in which other characters refer to MB as ART's friend or the other way around and Murderbot's humans refer to Murderbot as their friend several times. Generally, there seems to be less hesitancy, because yes, all of them are Murderbot's friends, why wouldn't they be. [Inference: SecUnits can have friends. This SecUnit has friends. They care about it a lot.]
Conclusion: The Murderbot Diaries tell the story of a construct that does not seem to consider the possibility of friendship for itself and is fine with that - until it accidentally starts caring a little too much and suddenly more and more people annex it as a friend (ew) to the point where it can no longer deny that this is happening and has to begrudgingly admit that yes, it has friends now and maybe that is actually not a bad thing.
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lotus-pear · 3 months
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bsd fic authors i understand yalls pain SO well right now why is it so fucking HARD to write dazai. like i have a whole fucking spreadsheet dedicated to tireless analysis i have done on my part so i can accurately characterize him but he is such an unpredictable and morally gray character that it's hard knowing his limits and boundaries and where he draws the line for himself.
#i hate when ppl make him out to be a sadistic villain with no remorse. like did we read the same manga 💀#but at the same time he is NOT crying abt all the ppl he sent to the grave. he sleeps just fine at night knowing he committed atrocities#yes he feels remorse? but he isn't like kunikida to weep at someone's grave for failing to save them#and then we have his emotions themselves#dazai isn't emotionless. far from it. he has difficulty expressing affection but yk he finds someone endearing when he trusts them#trust is very important to dazai and is one of the aspects of human emotion that he can fully grasp#but like everything else is in a hazy gray area that he does not feel like exploring. he feels alienated from his humanity bc of this#AUUUGHH can someone help me with character analysis PLEASE#I WASNT PAYING ATTENTION TO THIS MF UNTIL RECENTLY SO I MISSED OUT ON A LOT OF IMPORTANT DETAILS#see i would go and reread a few light novels but like i don't have time for that#and this is for dazai specifically. i am very well versed on his relationships w other charcaters#but just like asigiri himself said: it's very difficult to write dazai and write him WELL#so yeaaa i have a lot of smart ppl following me pls help#bsd#ALSO MY FRIEND STILL HAS NO LONGER HUMAN UUUUGHHHHHH I NEED THAT BACK BC I TABBED IT A SHIT TON#FOR LIKE CONNECTIONS TO YOZO AND BSD DAZAI AND WHERE ASIGIRI DREW INSPIRATION FROM YOZOS CHARACTER FOR DAZAI#THAT WOULD BE SUCH A VALUABLE FUCKING RESOURCE BC I DID SOME ANNOTATIONS IN THEM TOO BUT MY BOOK IS ANOTHER FUCKING STATE#I HATE IT HERE FML
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crybaby-bkg · 8 months
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asking nerd Bakugou to give you a ‘pearl necklace’ and he starts grumbling about you tryna drain him dry but instead of pulling out his cock, he pulls out his phone to actually search for a pearl necklace </3
and to both his surprise and embarrassment, his phone is quickly tossed away in favor of you showing him what you’re actually asking for. he’s not mad though—not when you end up looking so pretty covered in white, grinning, and asking for another necklace <3
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angelizs · 1 year
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[Club Activities - part 2]
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Summary: Crowley keeps knocking at your door, quite literally, wanting to hear your club choice. You might as well get this over with.
Notes: gn!reader, humor, it's kinda long, reader is oblivious, mentions of minor injuries but in a funny way dw, it's the looong overdue pt2
Part: 1.0 / 2 (you're here!) / 2.5 (soon!)
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"So, have you decided?"
Crowley stands by the doorway. He looks completely normal, a pleasant smile plastered on his lips. You blink, sluggish, resisting the urge to slam the door on his face.
"It's five a.m. on a sunday."
"Yes, that's correct, good to see you're keeping up with the passage of time."
You feel there's a jab aimed at you for taking your time on choosing a club. Or on answering the door. In your defense, Grim was sleeping on top of you and you didn't want to disturb his sleep. Nor yours. You were hoping the Headmaster would just give up and leave you alone, but instead he only knocked louder. 
"Well?"
"Uh..." You take a bit to remember the first thing he said. "No, I still have some meetings to go to."
"Were the sports clubs not to your liking? I'm sure you'd do well in one, should you put your efforts on it."
"Nah, I'll pass."
"I see. Then, you'll tell me your decision by the end of the week, yes?"
"Since when did we agree on this." It was a question, but with your drowsy state it just fell flat.
"Since now, of course! I was very kind to let you take so much time to chose a club, but you must understand I'm under some pressure as well to make sure you'll have the best possible education here. We can't afford to lose too much time!"
You blink again, your brain still sleepy. "Oh. Alright."
Crowley claps his hands in an excited manner. "Wonderful! I'll be eagerly waiting for your decision, then!"
Only as you watch his retreating back getting farther away that it finally registers just what you agreed on. You groan, closing the door and leaning against it.
Well, nothing to do about it now. You should really get onto it, anyway. Still, your break will be missed.
Film Research Club (Vil, Ortho platonically)
You had finally left the sports clubs behind, time to try something new, like arts!
Since you've worked with Vil at the SDC, you were already used to his strict personality and thought you'd be able to handle yourself pretty well. You might not have that much experience with acting but you did know how to pretend everything was ok and your life wasn't falling apart, so you think you might have potential.
It was quite surprising to see Ortho there, but the sight of your friend's welcoming eyes and cheer made you feel relieved, relaxing amidst the Pomefiore students. They were intimidating, though in a different way the guys from the Spelldrive club were. The latter looked like they could easily beat you to a pulp, while the former looked like they'd give you a disgusted stare and call you a peasant in such a condescending tone you'd implode on spot. They were all very pretty as well, but you wouldn't let that make you self conscious since you knew no one could beat Vil anyway.
Speaking of, Vil himself comes to speak with you and explain about the club with a professional conduct as he says that Crowley had warned him of your special situation and that he'd let you help out, since they always needed extra hands on deck. You got hopeful at that, perhaps it was time for you to shine and discover a hiden talent of yours! These daydreams are soon crushed as Vil puts you on backstage duty and turns around, having something or other to talk about with the other members.
Well. That was... not what you were expecting. Ortho explains that in order to enter the club as an actor, you must audition beforehand and prove yourself worthy. That makes sense, you guess, so you accept it with grace. Backstage work might not be as exciting as being on the actual stage, but you had Ortho by your side to make sure things won't be too dull. And a side of you wants to make Vil proud of your work, so you suck it up and ask Ortho to lead the way.
Ortho shows you around the set you'll be working on for the day. It's one of Pomefiore's dorm ballrooms, and it's huge. You look in awe at everything, even though it's a bit plain in terms of furniture, it's quite detailed. In moments like this you remember Pomefiore's dorm is a castle, as you feel the royalty emanating from the ceiling, with it's luxurious chandeliers, to the walls, with it's intricate golden patterns, even at the floor, by it's quality.
He teaches you how to operate the lights and sound for a bit while the actors decide on what they'll film that day. You feel just the tiniest bit of jealousy at them, especially because Vil seems to be very focused on everything they say. Ortho must notice this (of course he would), and tries to cheer you up. After all, you're his friend! He doesn't want you to feel bored at the club when there are so many insteresting things to do!
You move from the more technical parts and go to the storage room, where they keep most of the props and extra accessories. You explore it, looking at everything but not touching, not wanting to get in trouble if you break anything on accident. As you're looking at an old mirror, Ortho picks up one of the pink cowboy hats and puts it on your head. It looks goofy, not matching with your uniform at all, and it makes you laugh.
You retaliate by putting a pirate hat full of colorful feathers that's way too big on him. It slides down and covers his eyes, making him look like a little kid trying on their sibling's clothes. Not to mention the feathers, that also clash with his body's design. You both laugh and go to different directions, trying to find more things to put on.
Ortho ends up with a vivid red sash wrapped around his waist and a wooden rod in hands, while you've got a pink feather scarf around your neck and a hollow steel rod in hands. You stare down at each other from your sides of the room, pretending you're on one of those western cowboy movies, even acting like it too. You drawl out something about the town not being big enough for the two of you. Ortho goes along, putting up the worst pirate accent with his robotic voice and telling you to prepared to be boarded.
Between giggles, the two of you meet at the middle, your rods clashing as if they were swords. You make exaggerated moviments that would be impratical in any fight while dropping the most cliche lines you can think of. Ortho dodges your attacks in slow motion and retributes with his own, making it seem more like some funny dance than a sword fight.
You were having so much fun you kind of forgot you were there to do a job. You're quickly reminded as the door suddenly opens and you, startled, let the steel rod slip from your hands mid attack and hit the wall with a loud clang. There stands Vil, hands on his hips as he stares at the two of you with one arched eyebrow, an unimpressed look on his face even after almost being hit right on it. You're not looking the most dignified, with your whole attire. Nor is Ortho, which helps you to not feel alone on the receiving end of Vil's judgment.
The three of you leave the props behind and return to the main area. More precisely, to the actors' dressing room part. It's not an actual separate room, but rather a space of the ballroom reserved for this. Most have put on their costumes and are adjusting the finer details, Vil instructs you to help them while he sets up the stage.
You try your best, but every actor sends you a glare as you approach them, making you turn on your heels and try another one. And another. And another. You're not feeling very helpful. How you wish you could just ignore it like Ortho does. The only thing you actually do is helping zip up some clothes when they can't reach their backs and do it themselves. You don't dare to touch their hair or you feel they'd explode you with their minds. There is one instance when you have to lace a guy into a corset, but you get a bit confused with all the laces. Maybe it's like tying a shoe? You pull on it with too much force at first, leading him to complain at you the entire time. In your defense, you've never done this before! You tie it up with a cute lace at the end to make up for it and scurry away before he could release more of his wrath upon you. You settle on following Ortho around like a lost puppy.
Finally, everyone finishes up and you move to the middle of the room, where the scene will be taking place. From what you gather, the movie they are making is about a royal family that's having their heir assume the throne, but there's a plot against him going behind the scenes. The main character seems to be corset guy, who still glares at you whenever you pass by his camp of vision, much to your (un)luck.
Ortho leads you to the first place he showed, since they'd start recording soon. You watch him work with the lights, turning them on dramatically as they start the scene and making it follow the main lead as he monologues about his woes of assuming such a big responsability and how he feels between the sea of people present. The actor does a good job, good enogh to appease Vil, who watches attentively near the camera. The thing is, he's trying to replicate a foreign accent and that, combined with his melodramatic lines, makes you have to stifle a laugh.
You try your best to stay quiet and pay attention to the story, but some of the lines and the way they dramatically deliver them sound so silly you can't help but giggle in your palm. Ortho looks at you inquisitively, tilting his head and trying to understand what you found so funny. You whisper an explanation to him, making him see the words in a different manner. As you laugh, he laughs along discretely, both of you having fun again.
Vil motions for you to keep your volume down, as to not disturb the actors and break their concentration, and you send him a thumbs up. Still, you keep on reacting, even mouthing their words with exaggerated facial expressions. Ortho seems much more interested in what you have to show than the lights, since he misses some of his cues and gets it later or sooner than intended. Which is also funny, since the confused looks on the background actors' faces are very entertaining. 
It comes to a point in which you're holding in your laughter so much you're a bit out of air, and you end up bumping into one of the controls, making the background music change suddenly, from a calm waltz to an action scenesque one. Your startled eyes meet Ortho's, and in true friendship fashion you both burst out laughing. Vil cuts the filming and strides up on you two, reprimanding you once again, and you feel like a guilty puppy being scolded by their owner. You must look like that too, since he sighs like an overworked mother and takes pity on you, deciding on something else for you to do and leave Ortho to do his job without distractions.
Vil gives you the role of an extra to play, just for you to have an idle conversation with the protagonist that won't last even five minutes. He shows you exactly how the scene should go, taking hold of your hand to conduct a dance and dropping casual chatter with you, looking you in the eyes, with a conduct that's so charming you're sure you feel your heart skip a beat (too bad it's just acting though). You feel like you can do that as well, so you hurry to change into one of the formal outfits and repeat the line Vil told you over and over again in your head, heart beating way too fast.
There is just one thing you didn't count on: you apparently have a bad case of stage fright. Or perhaps it's happening especifically because you know Vil will be watching you like a hawk. As you position yourself amidst the other extras, you feel your heartbeat accelerating and your hands start to sweat. You try to relax your tense shoulders and clear your throat, looking at the floor to steady yourself.
As your cue approaches, you move closer to the corset guy, whose attention snaps at you as soon as you enter his vision field. Even if his face looks polite, like a prince, you can feel the glare he's still sending your way, just on a more subdued level this time. You can also feel the stares of the others on your back and your tongue seems to have been tied. Your head comes up with a blank when you try to remember what Vil told you to say. Oh, this is not good. Why did this have to be so nerve wracking?
Time passes slowly, seconds feels like hours as the protagonist waits expectantly for your words. Trying to not disappoint, you blurt out a joke improvisation line, like the ones you see on movies sometimes. Unfortunately, your sense of humor is vastly different from Pomefiore's students', and the joke falls so flat everyone has to take a moment to recover. You wish for the ground to swallow you as Vil yells a "Cut!" and the other actors look judgmentally in your way. Maybe if you close your eyes it will go away? You can still hear the other's whispering, and although you don't understand what exactly they're saying, you can only guess they're mocking you. Welp, guess it's time to become a hermit at ramshackle and never show your face at school ever again!
It takes only a minute, but as soon as Vil has recomposed himself he commands everyone to be quiet. You open your eyes again, gathering all your courage to see the disappointed look on his face, but you're surprised that's not what greets you. Instead, Vil's got a nasty glare that's sharp enough to cut a man, and it's not directed at you at all! Vil procceds to reprimand the rest of the cast for being so inelegant as to make fun of a begginer and even mocks their need to feel superior. You've never felt more grateful for him in your life, maybe you can still go to classes after that, since no one will dare to mess with you and risk his wrath.
As the others look ashamed for being yelled at by their leader, Vil pulls you aside and tells you that maybe it's better to try something else if your stage fright is going to affect your performance so much. He sounds strict as always, but he has an almost soft look in his eyes as he congratulates you for trying to overcome that fear and that you did well enough for someone with no experience. You feel a lot better after that and thank him sincerely, promising to give it your all at whatever other job you can do to help! He smiles at your enthusiasm and it's as if the clouds have parted ways for the sun to shine. (The other club members look amazed, as they've never seen such a soft smile on Vil's face before.)
He then asks you if you know how to work with a camera. If taking pics with Cater to post on Magicam counts then yes, you do have some experience with it. Vil says he's got the perfect job for you: being part of the camera crew and helping to film everything. You accept, after all, how hard can it be, really?
Apparently, a lot. Vil had just left out a little detail from this job: you'd be filming the aerial angle of this scene. Which meant using Kalim's magic carpet. As you recall, you're not the most adept at riding it, flashbacks from winter vacation entering in your mind. Still, you had promised Vil you'd help on this, and you weren't sure if he'd find you another thing to do or get your complaining the wrong way, so you decide to give it a try anyway.
You wobble on it, camera propped up on your shoulder and secured by a sling strap just in case you losen your hold on it. (Which is very likely). Surprisingly, you manage to get the carpet off the ground without many complications, so things are looking up (quite literally)! And then comes the part where you have to guide it and you're almost thrown out of a window with the force it makes a turn. Your grip on it tightens and you try to wrestle it into submission, with little success.
Things procced like this, you trying to learn how to drive the carpet while making turns on the air and holding on for your life. (And making sure the camera is safe. You don't want a repeat of the chandelier accident from the start of the year, so you're not taking any chances). Anything you might have tried to film is probably so shaky and blurry it isn't even usable, but you have more important matters to worry about.
That goes on until you make a particularly sharp turn, causing the carpet to lose control and go spiraling straight to the floor. Luckly, you manage to land on a convenientely placed couch (has that been there before?) and doesn't get much hurt. You're clutching the camera to your chest in a protective manner, so it isn't damaged either. At least, not much, but it isn't anything the Ignihyde guys can't fix.
Vil and Ortho are by your side in an instant, asking if you're alright. Vil extends his hand and pulls you up like a gentleman, fixing your hair softly. He's really close to your face and you can feel your heart beating faster, though you're not sure if it's due to that or the adrenaline of the fall. Ortho reassures you that not even him got the hang of piloting the carpet, as it seems to only actually obey Kalim, and that you did your best!
You really did try, so you can safely say you won't discover any hidden acting talent any time soon. Time to check out other clubs. 
(Ortho tells you to drop by another time at practice and watch the recording with him, since he had a lot of fun! Vil tells you that should you wish and work hard for it, you may have potential and he'd be willing to help you reach it. You agree, since it was very nice to visit and, most of all, to get to see Vil on his element like this. There's an added bonus of you not having ended up at the infirmary as well, which is enough to put the club on a positive light in your books. It's a bit sad that's the standard, but oh well, nothing to do about it.)
Science Club (Trey, Rook)
Alright, art may not be for you, but maybe science is! Or... whatever it is that they do in this club.
It's a bit intimidating since there are way too many people there, more than you've seen in any other club. What could they possibly be doing to attract this many people?
Rook, as observant as ever, notices you before you've even set foot inside the lab, coming close to greet you and ask if you were going to join them for the day. You relutanctly agree, staying close to his side as he leads you deeper into the room, opening the path. You make sure to not bump into anyone and cause an accident.
Trey is at one of the work tables at the back, sharing it with Rook. He sends a calming smile your way and explains that it's a club with a vast variety of activities, as long as they're not of the physical sort. You sigh in relief, listening to him reciting things such as plant cultivation and chemistry experiments. You already have to do those things on your regular classes, so you're confident in your ability of succeding for once. Rook adds that this flexibility in activity has attracted many people, creating a beauté diversity of members. (Trey explains that there's a lot of odd people as he side eyes Rook).
You sit with them, since you don't know anyone else. Rook goes on about the experiment he'll be doing this time, something that will leave a beautiful impact and stay on the mind of anyone looking. It sounds a lot like what happens when you partner up with Ace and Deuce at alchemy class, that is, stuff is about to be blown up. You scoot closer to Trey.
Taking pity on you, Trey reminds Rook that there's an ingredient missing, since they had used all from the lab's storage on their last class, and offers to get it at the botanical garden for him, inviting you to come along. You jump at the opportunity, agreeing and getting up to follow him. Rook thanks his generosity and explains that there's no way a gentleman like him would leave all the hard work onto the two of you, so he follows along. Trey looks a bit annoyed, but you only wanted to get out of being roped into a crazy experiment so you don't mind much, as long as you keep Rook away from any potential explosive plants.
The fresh air from the gardens is much better than the stuffy feeling from the crowded lab, and you take a deep breath to appreciate it. Trey takes you to the temperate zone, the path filled with beautiful flowers of all colors and scents. The sound of the little river below you only adds to the pleasant atmosphere, the sun rays warming up your skin and soul. It's wonderful. You'd like it if your club classes were to take place there. It might be enough to convince you to join, the nature so full of life energizing your mood, a smile blooming on your face.
You pass by an area that has thicker vegetation and stands out from the whole, attracting your curiosity, so you ask Trey what could be there. He warns you to not wander to that side of the garden, as there were carnivorous plants being cultivated by the third years. You wave him off, saying you had those back in your world and they were pretty harmless. Trey looks at you in doubt, but decides to not question it, aceptting your answer and going back to his search for the missing ingredient. 
Since you have no idea what you should be looking for, you leave the boys to it, deciding to observe the flowers instead. Distracted, you end up getting farther away from them, the flora enticing you and putting you under a spell, demanding your attention. It's not until you bump into a tall... something, that you realize how far you had gone. You lift up your head, wondering if you had bumped into a tree, only to find two open hinged lobes dripping with sap closing on your face.
A scream gets caught in your throat as you take in the gigantic carnivorous plant in front of you, that's only coming closer. You didn't know that when Trey had mentioned them, he didn't explain that they aren't like the one from your world at all. Not only were they huge, but also seemed ready to eat a human at any given chance.
You're pulled by someone behind you, falling into a secure chest and feeling strong arms embracing your waist as the plant's jaw's close into the air where you were just a second ago. The sigh you let out shakes your whole body and you let your weight be supported by your saviour. You find out his identity soon enough, as a familiar voice by your ear calls you chéri and asks if you were fine.
After thanking Rook, he guides you to the main area of the garden with a protective hand behind your back, making sure you wouldn't stumble into any more potential dangerous plants, as he goes on about how they were "the hunters of the natural world" and how "such danger has it's own alluring charm, non?" You don't catch the glint in his eyes as he asks the question, too busy trying to get your heart beat back into a normal rhythm. 
Trey scolds you lightly for ignoring his advice, but he seems busier trying to equilibrate the plants he harvested in his arms and glaring at Rook, probably for leaving him alone to do all the work. Rook stays unbothered, putting his hands on your shoulders and staying close as he directs you to the exit, his usual smile stamped on his face.
As you put the fresh ingredients near the others that Rook had selected earlier, you notice some strawberries in the mix. You shot a questioning stare at Trey, making him laugh and explain he took the chance to harvest some of his hand grown special strawberries. He takes some from your hands, brushing your fingers together before lifting them up to inspect closely. The strawberries are a beautiful shade of red, making you salivate only by looking at them. Trey has a contemplative expression as he murmurs he should use them as soon as possible in order to make the best use of their ripeness.
You suggest him to make a strawberry tart with them and offers your help, on the light price of getting to eat it as well. He smiles and agrees to your proposal, telling you to follow him to the kitchens. You do, happily so as you carry some of the strawberries in your arms, leaving Rook to take care of the potions experiment. Really, you feel like you've killed two birds with one stone, so you pat yourself on the back for doing a good job.
Back at the first month of classes, you remember cooking with Trey, Ace, Deuce and Grim, and how much fun you had, despite the circumstances. With the group reduced to two, it might be more toilsome, but you were confident it would be worth it.
Trey finds an extra apron for you, tying it himself to make sure it would stay in place. He gently explains the steps to prepare the ingredients, helping you whenever you didn't understand something. It was quite nice, seeing Trey look so in his element, an unconscious soft expression on his face, as if he was enjoying himself. It's domestic, even, how you dance around each other in the kitchen, passing bowls and cutlery back and forth. He is good humored as he recalls stories from the club, making you laugh whenever he bemoans Rook's experiments.
The stories he tells are very captivating, so much so that you don't look at the recipe book, doing the steps on automatic. Once or twice you almost spill what you were mixing or use too much force to cut something, but it's salvageable every time, so you don't comment on it. You leave the crust on the oven for a bit too much, but it's only slightly charred, so you're pretty sure it's still edible. One of the flour bags slips from your hands and falls on the sink, covering your face in flour powder. Trey helps you clean up, but he's laughing at you and your now white hair. It comes to the point in which you're mixing the crème pâtissière and you get too close to the stove, making the ends of your sleeves to catch on fire. Trey quickly puts it out and runs your arm under cold water. The crème ends up a bit too lumpy, since neither of you were stirring it for a while, but it's not too bad.
Alright, maybe you're not the best at cooking. Still, arranging the strawberries in a circle on top of the tart was pretty fun. The last thing left to do is to let it cool. You lick your lips thinking about eating it once it's ready. You're about to help Trey clean the mess you've made in the kitchen when Rook bursts through the door, looking excited. He tells you there's no time to explain and takes you by the hand, dragging you back to the laboratory. You send Trey your best regards and wish him luck in cleaning everything alone. He sends you a pitying look back.
You should wish yourself some luck as well, since the motive for Rook to have brought you to the lab was for you to help him with the new formula he thought for his experiment. He explains that the one he was trying didn't have it's desired effects, as you could clearly see from the scorch marks on the table you were sitting before. He says that for the new formula, he'll need help to get the ingredients prepared and handed over, since he couldn't stop stirring it until everything was added in. You don't know how he came up with this solution, and honestly? You don't want to know.
Having no other choice, you agree to help him. He reminds you to put your gloves and safety googles on before starting, making a comment on how your cute apron would do as your lab coat. After getting into place, you follow all of Rook's instructions, preparing and handing over the ingredients he asks for. You have no idea what it is that he's going for, as your potions classes are still on a basic and more theorical level, but you decide to trust that he, as your upperclassman, knows what he's doing.
Dread pools on your gut as you watch the ingredients going into the cauldron. There's a hissing sound and bubbles emerge from the deep purple concotion. You have no time to react as Rook thows his arm in front of you just in time for the explosion to take place. You grip onto the table tightly and manage to stay upright, thanking the Sevens for your safety googles. If it were not for them, your entire face would be covered in a sparkling purple powder, some getting into your hair as well. Rook laughs and tells you that you shine bright like the sun. You look on unamused. Trey appears, having heard the explosion, and sighs, clearly being too used to this happening. He tells you and Rook to clean up as he starts to clean your mess, bless him.
Rook takes you to the nearest bathroom available, both of you trying to wash the explosion's results off. It has stuck like glue, and you have to splash your face with the cold water over and over for it to go away. You think there's still some of it on your hair, but can't bring yourself to care much. The apron wasn't enough to cover your body, so your clothes weren't spared either. Rook doesn't comment on it, but you can see him looking at you funny by the corner of your eye.
As you enter the lab, you see that the students that stayed after the first explosion had left. Rook wonders out loud on why they didn't like the innovation of his experiment, sighing as he goes on about the beauty of curiosity. You and Trey exchange glances as you clean everything together. You feel like you stayed way past the club's scheduled time and your arms hurt from moping the floor. At least you get to share your wonky strawberry tart. It doesn't taste as good as Trey's usual ones do, but you like it. You can't decide if it was worth all the trouble though.
Grim laughs at you once you get back to Ramshackle, your face is itching for the rest of the day, there's some sparkles in your hair for the rest of the week, your slightly burnt arm won't stop aching, you sent your clothes' laundry bill for Rook to pay. As much as you respect scientific advances, you feel that being involved in the research isn't for you (nor the cooking). Time to check out other clubs.
(Rook keeps approaching you at the halls to update you on how he's thought of possible changes to make the potion work. Trey comments he liked having company in the kitchen and help for cleaning up for once. They aren't very subtle. You don't even have to agree to visit the club again another time, as Rook has already volunteered you as his lab assistant and Trey has gifted you a recipe book with markings on which recipes you'll try to bake next. Guess you have no other choice but to go back now.)
Pop Music Club (Cater, Kalim, Lilia)
And back to the arts you go. But this time, instead of performing, how about playing some music? Joining the school band might be fun!
You're surprised to only find three people in the club. All the others had a bunch of people, but in this one, once you enter the classroom you're met with three of your friends hanging out in a couch. Why was there a couch in this classroom in the first place!?
It's not just three random people, either. It's the chillest and most extroverted people of the school, the ones that got along with everyone and were very popular. They whip their head so fast to the direction of the door once you enter you get a little worried for their necks. They seem elated to have a visitor, so you suppose this won't be so bad, even if you don't feel confident enough to play an instrument in front of other people.
Kalim jumps at you and envelops you in a big hug, a smile shining on his face as usual. Lilia pats you on the back, pushing you closer to the center of the room and welcoming you. Cater takes out his phone and takes a selfie with everyone, declaring it would go viral to have the cutest people of the school all together in one place and gushing over how many likes he'd get. They sure are a lively bunch.
Lilia plops you down on the couch, telling you to feel at home and winking. There's a center table with food containers in front of you, Kalim offers you a bite, explaining they made the snacks to bring to their club meetings, and Cater proposes to make it a culinary competition, in which you'd judge which one was the best. You were pretty sure you had left the cooking behind at the science club, what did it even had to do with music? Well, you weren't going to complain about getting free food!
Cater insists you try his first, a round tupperware with fried corn tortilla chips and guacamole in a dipping bowl at the center. It looks amazing, making your mouth water a bit. You take one of the chips, lightly lower it on the dip and take a bite. It's overall very good, the consistency and the crispness are wonderful, there's just one little problem: it's very spicy. Very spicy. Not the "oh no there's a tiny bit of spice in my otherwise bland food" type but the "my eyes are burning my thorat is burning my stomach is burning I'm going to burn from the inside out" type. And that's how you feel as you fan your face and drink the water Kalim brings you, though it only makes the burning worse, spreading it throughout your mouth and making your eyes water. Lilia appears upside down, hanging from the ceiling and scaring you, and offers you a glass of milk instead. You gratefully take it and chug it down as quick as you can.
Once you've calmed down, Lilia explains how he keeps milk around for Cater's food, that's way too spicy for his liking. Cater looks at you with puppy eyes, asking if you liked the chilli peppers he added to the recipe. You didn't, not really. It would be one thing to add some, sure, but it's like there's more pepper than anything else. You weakly smile at him and explain apologetically that it might not suit your tastes so much. Cater seems a bit down, but he only shrugs and jokingly says that not everyone can have good taste.
Kalim bounces up to you next, shoving his container in front of your face and telling you to try it. He proudly says he made it all without Jamil's help and that he hopes you'll like it. You look at the fried dumplings, remembering it's a sweet called awameh. It looks good as well, although a bit burnt, nothing that would stop you from eating it. You take one, getting surprised by how crunchy they ended up being, the sweetness exploding in your tongue. It would be very good, but you have the impression Kalim must have used the wrong measure of the ingredients. Yes, it was sweet, but it was way too sweet. Not only that, the sugar mixed with the cinnamon on the syrup also left you thirsty, as you downed another cup of water. It was like cinnamon was impregnated on your mouth, there was definetly too much.
While you accept your tongue will never be the same after the combo of strong flavours, Kalim reveals he tried to follow one of Jamil's mom's recipes for it, declaring it to be the best he's ever proved. He just got a bit confused when taking the measures for some ingredients, but he was proud of his work! You make a mental note to try to eat one of Jamil's awameh later, sure that it would taste delicious, and compliments Kalim on his efforts, suggesting gently to ask for help next time he has trouble with it.
The last one is Lilia, and you start dreading what might be hidden on his container. He seems preppy that someone will get to try his food, telling you that he's the one that cooks dinner at Diasomnia and how Silver and Sebek love his food. Cater and Kalim look at you with pity, shaking their heads. You've heard of Lilia's infamous cooking skills before, so you have to mentally prepare yourself before looking at what he prepared. It's... uh... something alright. Though it's unrecognizable, a dark glob that just looks sticky and burnt after the point. Your desperate look does nothing for Cater and Kalim to try to save you, as they look away furtively.
Aceppting your fate, you take one of the spoons Lilia brought and take the smallest bite possible while he stares at you attentively. It tastes foul, as expected, as if something had died in your mouth. You resist the urge to gag, trying to go for a smile and ending up with a grimace instead. It's horrible, there's no other way to describe it. All the rumors don't do it justice, it's way worse than what they say. You suspect you will get food poisoning later, as you down another glass of water. At least you're keeping yourself hydrated. Lilia seems to either not notice or pretend he didn't, as he keeps his cheery attitude and asks if you liked it. You nod weakly, hoping it would be enough for him to not force you to take another bite. He mercifully looks satisfied with the answer and you sigh with relief.
In the end you tell them you don't know which one was the best (you side eye Lilia's, thinking on how you knew which one was the worst at least). They don't look disappointed, content in having you prove their food as each munchs on their own snacks happily. You wonder how they manage to do it. Suddenly you miss Trey's baking and the wonky strawberry tart you've made.
As everyone sits together, Cater puts on some electropop song on the background that reminds you of the famous vocaloids from your world. You have an epiphany that Cater would listen to Hatsune Miku. You're not sure what to do with that information, staying quiet in shock as the other three talk between themselves. You remember him mentioning something like it when you went to do the SDC auditions, but you had other things to worry about and it must have slipped your mind. Once you've recomposed yourself, you ask what the food had to do with music, since the question had been burning in your mind for some time (not as much as your tongue burned tho).
They explain that the pop music club doen't really do much music, as the name suggests, they mostly just hang around to chat and chill. It has gotten them in a bit of trouble with the Headmaster, as they don't do anything that could actually be considered a club activity, causing him to have threatened to disband the club. Not to mention there's no new members for a while, no matter how much they try to attract more students. You consider joining this one just to spite Crowley. They clarify that they do play their instruments every once in a while to cover some song, but with their different music tastes they never reach an agreement on what to play most of the time.
You're curious on how they might sound as a band, sure it would be a chaotic but entertaining sight. You would ask to see this, if it was not for Cater excitedly declaring it's "gossiping time". They put on elevator music to play at the background and huddle close together, leaving a spot open for you to join their little circle, as if you were about to be in into the school's secrets. And that's exactly what happens, as the three of them seem to know about everyone and everything that goes on Night Raven College. There's so much drama you've never heard about, and you feel you know way too much about the lives of people you've never even met, but it's nice to create conspiracy theories about what would happen next in the soap opera that was other people's lives.
The topic changes to Magicam, since you were lowkey stalking the boy that had caused a ruckus in the cafeteria the past days. Cater likes his account's aesthetic, saying it passes the bad boy vibes he has, and whines about their club's magicam page. You weren't aware they even had one, so you ask to see it. It's... not what you were expecting. They might as well not have an account, since there are no photos other than their icon, which was the symbol of the club. Cater complains that they couldn't come to an agreement on how the page should look and were too lazy to try to work something out, so it has stayed like that for months.
Since you know how much he cares about this stuff, you offer your help! After all, it could be a lot of fun, and it'd feel as if you're the manager of the club. Cater lightens up with joy, throwing his arms around you and bringing you close to affectionately rub his cheeck on the top of your head, thanking you for being such a prestative underclassman. You enter your business mode, thinking on how you could go about this. It makes sense to promote the club doing something other than hanging out, so you tell them to pick up their instruments and pose.
You go around them and try many different angles. Kalim and Lilia have fun doing weird poses that makes very clear they aren't playing at all, but there's a charming genuine smile on their faces. Cater poses with his guitar like a professional, making captivating facial expressions that make even you swoon, only encouraging him to make different ones. He could be a model, you think, with how he knows all the right ways to smile at the camera and tilts his head just so to make him look cute and alluring at the same time, fingers skillfully positioned at the eletric guitar's chords, eyes lidded, hair messy deliberately, body facing forwards with confidence. He has everything to ace the rockstar persona, at least in looks.
You try taking some of them together as an unit, but none pleases you enough. There's something missing, but you can't quite put your finger on what. You give his cellphone back as you ponder about it. Cater looks through the photos, commenting how one looks "super cool~" and in the other he's "slaying". He decides it'd be a great moment to take advantage of his cuteness streak to take a photo with everyone together, yourself included. Cater drapes his arm around your shoulders and keeps you close to him, cheek coming to rest at your forehead. Kalim and Lilia make poses behind you two, laughing at how silly they look with all the filters Cater tries on. 
He ends up telling you to decide which photo looked better, as he couldn't chose just one, something like: "any photo with you would look cute, of course I can't chose!" You look through all of them, but only one gets your eyes, the only without a filter. Everyone looks genuinely happy, making your heart warm. Cater's is not looking at the camera itself, but slightly to the side, where you are, with such a soft expression you can't help but be endeared by it. It's him, not a forced smile and exaggerated pose, just Cater, happy. That's what the other pictures were missing. 
You show it to him, insisting it's the best and should be the first photo on the club's Magicam page. He pouts about the lack of filter, saying how the other ones look much cuter, but you explain that you like the real him much more than any filter, since nothing could ever come close to the real deal, no filter in the world could make him justice. You're very genuine with it too, since it's the truth. Cater stares at you, caught by surprise, and turns his face away from you, ears tinted pink, taking a minute to recompose himself, leaving you confused. Lilia looks on knowingly, smirking at him. You weren't alone in your confusion, as Kalim seemed to be just as clueless as you.
Your argument manages to convince him, though, as he soon comes up with an eye catching description and posts it, grumbling that you should be happy now. You are, actually, so you simply smile at him, giggling at his playful eye roll. Only after the picture was already posted and you entered on your own account that you notice your eyes were closed. You yelp and try to convince Cater to change it to another one, but he refuses, telling that you were the one that chose it so you should stick with it, sticking his tongue out at you in a childsh manner. You whine some more before giving up. Cater seemed really content with the choice, if the soft smile on his face as he glanced at it meant anything, so you let it be, resigning to your fate. You weren't even a member, so you hoped you wouldn't attract that much attention. (You really hoped Ace wouldn't find it, otherwise you'd never hear the end of it.)
He suddenly gets an idea to decorate the classroom to make it look more "magicamable", dragging Lilia with him to get the decorations. Lilia whispers something to him that makes him glance back at you with a red face, quickly scurrying away and leaving you and Kalim to look on in confusion. How weird, what had gotten into him? 
At that moment, the playlist shuffles, coming up with a song that has a very upkeep beat. Kalim jumps in excitement, saying that was his favorite song and he couldn't not dance to it. You can't help jumping your leg and moving your head to the beat, swaying to the contagious rhthym. Kalim notices and extends his hands in your direction, inviting you to dance with him. You know you're nowhere near his skill level and you'd look clumsy compared to his fluid moviments, but his earnestness convinces you to give it a try. You were sure he wouldn't make fun of you, so why not have a good time too?
Hand in hand, the two of you move together, not completly in sync, but in a rhythm that feels right, that's only yours. It's nice, seeing his content expression up close, foreheads almost touching, feet following the other's steps, hips swaying together. You spin once, laughing, he spins once, grinning wildly. You're lost in the trance of the hypnotizing beat of Kalim's heart.
The song gradually comes to a stop, making both of you calm down too. Kalim has one hand on your waist, the other still holding yours. You hold onto his shoulder, your noses touch, breaths coming in puffs, his eyes crinkle and it's warm, he's warm. Your chest follows his in it's rise and fall, your stomach does pirouettes, to the point you're dizzy, your cheeks feel hot. You start worrying you might have really gotten food poisoning from Lilia's cooking.
Before either of you say anything else, the sound of Cater's giggle burst your bubble, bringing you back to the real world. You whip your head to the door, watching as Lilia and Cater giggle deviously, Cater's fingers working fast on his cellphone's keyboard. You separate from Kalim's burning touch, your hands suddenly feeling cold, and stride up to them, demanding to look at what they found so funny. Lilia shows you, on his own phone, a videoclip of you and Kalim dancing together, nearing the end of the song. Your focus is initially on Kalim, as he glows, movements showing years of expertise, it's... beautiful. Then your gaze averts to yourself, and how, like you suspected, you were looking goofy near him, not matching the tempo at all.
You whine up at Cater again, asking him to delete the stories he posted, but he refuses, saying it was way too precious to miss. You lightly hit his chest and look up your lashes at him, pouting. His teasing expression falters, as if you were on the brink of convincing him. Lilia pulls you away and explains it was only on close friends anyway, so you needn't worry about the whole school seeing it. Kalim agrees that the video is very nice, beaming as he watches you two having fun. You sigh and give up, not having the heart to be a killjoy.
Lilia and Cater's hands are empty of any decorations, so you question them about it. Cater frowns exaggeratedly, drowning on dramatically on how they couldn't find any and how it was such a pity. Lilia covers his hand to hide a giggle, only making the action more obvious. Cater glares at him subtly. Kalim notices how the club's reserved time is almost coming to an end, deciding that to make a grand finale you should play an instrument, after all they should at least pretend they did something club related for you to report back to the Headmaster. And it'd be a lot of fun for you to play with them!
Lilia claps his hands together, agreeing it would be a most gleeful experience. He insists on teaching you how to play the bass, not wanting to hear whether you already knew how to or not. He gives you the instrument and shows how to hold it in the right way, trying to teach a few chords. It's a bit difficult to understand the confusing terms he uses, so he sighs and comes behind you, taking your hands in his and doing the movements, pressing his chest against your back, his deep voice right by your ear as he explains. You can't pay attention to it all, for some reason. You kind of feel dizzy again. Perhaps it's the food poisoning for real this time?
His fingers guide yours along the strings, gently pressing on the right spots, strumming the chords at the bridge. He murmurs the instructions, voice ressonating like the low pitch of the instrument, hot breath tickling your skin. You let him do as he pleases, dazed. The simple notes ring in your ears, lulling you into calmness, eyes closing as you let your sensations take the wheel, the frequency making your heart vibrate in your chest, as if dancing along, your head floating in the clouds.
It's all good and well until Lilia starts singing along. Or whatever it is that he calls "singing". In reality, he starts screaming some punk-rock lyrics right by your ear. Your heart jumps so quickly you swear you almost had an arrhythmia, your soul leaving your body for a second. Your eyes snap open so fast the lights from the classroom blind you and make black spots appear in your vision. You elbow Lilia in your surprise, thankfully making him stop trying to burst your eardrums. You get away, taking off the strap of the bass and giving it back to him. You think that's enough practicing for now.
Later on the day you confirm your food poisoning suspicions to be true. You've gained a new found respect for Sebek for enduring the poison Lilia calls cooking everyday and still managing to keep that impressive disposition of his. At least you helped the pop music club get more followers on magicam and spread their word out there. A bunch of people sign up to know the club, so you're all really happy! You felt like you've done a good job. (In the next week, the people arrive and see no sight of you, only of the dynamic trio. They don't show up again, leaving the members number back to it's original three.)
It was pretty fun, all things considered. You didn't get hurt other than in your pride and your social image, so it's a win in your books. Still, you're not sure you could handle their energetic and chaotic personalities combined like this evey week and risk getting deaf or suffering stomach failure. Time to check out other clubs.
(Cater comments on how the photos you took together got the most likes, insisting you come over again for a photoshoot. Kalim says he's got new songs to dance with you and that he's asked Jamil to help him cook for the next club meeting. Lilia tells you that you still have to take some more bass lessons to get the hang of it. Well, you suppose you could pass by sometime to be in the know about what goes on at the school and to get to prove Jamil's cooking. And to enjoy your friend's company, of course!)
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Masterlist
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fudgecake-charlie · 1 year
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cosmic harbingers!pearl brainrot YET AGAIN. i literally cannot stop thinking about her!!!!!! an official-ish ref for her outfit and a very old WIP piece that I’m not gonna get round to finishing. I will do some complimentary grian drawings some time! I hope!
I’ve also been thinking a little bit about false’s design and much less on martyn’s but! They both have a solid place in the AU (mumbo too! gem also a little!) and have their own plots sort of worked through. subject to change since this AU has flipped its vibe like 3 times since I first started it.
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myriam-draws · 7 months
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some starfires i’ve drawn a bit over time i miss her (i refuse to read titans 2023)
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jtl-fics · 11 months
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Fluent Freshman - Part 20
PREVIOUS
FF had watched more than a few self-defense videos when he believed that Andrew Minyard was looking for a dark alley to stab him in. He had learned how to turn the attacker’s momentum against them. Had learned about disarming the person trying to stab him.
He’d even had Matt teach him a few punches claiming that it was for the dust-ups that tended to happen on the court.
He, naturally, does not use any of that knowledge because his mind immediately reverts into Lizard panic mode the moment Jackson Plank takes another step forward with a knife (HUGE. Is it wild that he is thinking about Crocodile Dundee right now?)
“If you come quietly you won’t get hurt.” Jackson says and he reverts to who he is as a person and he freezes. His bravery was used up maybe it was only ever tied to great pump up songs and now in the silence of the alley he is back to being Stone-Faced Smith.
“You’re going to dial up Wesninski and if you don’t say EXACTLY what I tell you to then I’m going to have you SING in agony.”
Y’know in that moment he stops thinking about Crocodile Dundee.
He thinks about a movie that is far more ingrained in his mind than any number of self-defense videos or one-off lessons with Matthew Boyd where he’d been trying not to flinch. A movie he had watched in better days with his family and had been a favorite of his Grandma’s (and his).
He thinks about Miss Congeniality.
Sandra Bullock as Gracie Hart has taught him everything he ever truly needs to know when he takes a step back and Jackson comes at him.
He strikes right at Jackson’s nose with the palm of his hand.
“SON OF A-“
The knife is dropped and FF kicks it under a dumpster.
FF grabs the single weapon he has on his person.
The McDonald’s Megamind Happy Meal Light Effects Brainbot.
He points the LED light straight at Jackson’s eyes and just like Aaron in the car on the way back, “Shit, that’s bright!” And now completely blinded by a combination of watery eyes and LED McDonald’s toy he proceeds to SING just as Gracie Hart had taught him.
S - Solar Plexus. He punches Jackson there as hard as he can.
I - Instep. He smashes his booted foot down on the inside of Jackson’s shoes (who the fuck wears LOAFERS to a kidnapping?)
N - Nose. He’d feel bad about hitting it again if Jackson wasn’t y’know…a hitman out to hurt Captain Neil.
G - Groin. He may have to give himself just half a second to apologize to all of mankind for what he is about to do. His step brothers had definitely kicked him in the groin plenty of times to try and get a reaction. It’s an art to not let anyone know that your ball has retreated up into lower intestine. He kicks Jackson as hard as he can (collegiate athlete) with the boots that Nicky had let him borrow. He is right on target with the toe of his shoes.
Jackson goes down.
The next thing he does is not something Gracie Hart had taught him but does still feel like the right thing to do in this situation. He kicks Jackson in the head and the man goes limp.
If FF throws both hands up in the air and lets out a “I am Miss Congeniality!” Victory cry into the alleyway well no one is around or awake to know that.
He feels like he deserves a sash and a crown and some flowers.
He looks down at Jackson and then over at the van the man had hopped out of. He was definitely PLANNING on kidnapping Captain Neil so he probably has like…some kind of restraint?
Well, better to completely subdue this guy before he tries to figure out the game plan for Romero. Wait, what’s that next to the Crocodile Dundee knife, are those...?
***
Roland is calling for a second time.
Andrew had let it go to voicemail the first time. It was usually Roland complaining about Nicky, Aaron, or Kevin doing something exceptionally stupid in their inebriated states. They have a system. Roland will call and leave a voicemail detailing the dumb shit his family has gotten up to and then he’ll let it go.
If Roland calls twice then there’s an issue.
Arm still around Neil’s shoulders he answers the phone, “What.” He asks.
“You need to help your new friend. There’s some guy following him, he’s armed and dangerous and looking for someone to grab to get Neil’s attention. He tried to lead the guy outside but he’s standing watching it for now so there might have already been someone waiting?” Roland gets out in a rush and Andrew is up and moving towards the stairs even as he’s closing the phone to disconnect the call.
Neil, of course, is right on his heels. “What is it? Did something happen?” Neil asks and they are up the stairs and pushing past Frank and his stupid pineapple shirt. Andrew spots Nicky and he spots Aaron.
“Get Nicky and Aaron somewhere safe. I need to go help Smith with something.” He says because whoever this is wants Neil and Andrew will not let Neil get within grabbing distance and won’t mention it. Neil, blessedly, does what Andrew asks without question.
Andrew scans the crowd and finds a man whose gaze goes between his phone and the back door.
A face that Andrew had memorized.
One of Nathan’s surviving men.
In the same Zip Code as Neil.
And that man has the audacity to still be breathing.
He looks and Nicky and Aaron (drunk, drugged, and useless because Andrew had wanted them to be) are with Neil and Roland is directing them to the backroom.
Andrew goes out the alley and can feel Romero’s eyes on him.
He’s prepared for a lot of things to see out in that alley. He’s angry that FF hadn’t just come down and grabbed him and Neil (he does not need TWO martyrs) and he wants to know what the fuck FF was thinking (or if he was thinking at all). Even with that anger he does not wish to see FF’s blood spilled all over an alleyway because Andrew’s family needed to be protected and FF was the only one sober enough and aware enough to do it.
He knows what Nathan’s men are capable of.
Knows that Romero was one of Nathan’s best so if there is someone out in the alleyway then it’s likely one of his other bests.
FF doesn’t even know how to use a knife. He had asked and FF had firmly declined every time Andrew had brought it up after the first fainting incident. “I’m not interested in learning that. No.” Had been the standard response.
He knew FF had at least taken a lesson or two from Boyd on throwing a punch considering the one he shot out a week ago when a Striker came at him after the third time FF intercepted a pass.
Still, Andrew had not anticipated coming out into the alleyway and finding an unharmed FF securing an unconscious Jackson Plank’s arms behind his back with fuzzy handcuffs.
“Am I interrupting something?” He asks and FF looks up at him with a flush on his cheeks.
“It’s not my fault this is a weird sex alleyway! They’re the first thing I found on my way over to the van to look for actual restraints.” FF says immediately and Andrew almost laughs at the insanity of it. “Wait, where’s Captain Neil?” FF looks around nervously.
“He’s with Aaron and Nicky in the backroom. Roland gave me your S.O.S.” Andrew says even as he quickly makes his way away from the door and towards FF. “Romero is watching the door. Let’s give him a reason to come out.” He says going over to Jackson and when he rolls the man over he raises an eyebrow at the piss stain on his pants and the blood dripping down his nose.
He looks to FF who resolutely does not look back at him.
It’s a story he’ll get out of his friend eventually. Looks like FF didn’t really need those knife lessons. Something settles a bit more in Andrew, it’s nice to have someone else in their group that could handle themselves in a fight.
Andrew finds a phone and FF rolls Jackson back onto his stomach, “He could choke on his own blood.” He shrugs and Andrew wouldn’t care if Jackson choked on his own blood in fuzzy handcuffs in a back alley but he can understand FF not wanting a murder charge.
Andrew looks at the phone and sees the the swipe pattern clear as day. It takes him two tries to get the order right but then Jackson’s phone is available for him to get over to the texting app.
The texts he reads there make him angry. There were a lot of plans on what the two of them were going to do to Neil before his body was offered up to a different crime family to show that Romero and Jackson had no loyalty left to the Wesninski line.
He types out a text to Romero that will have the jackass come out thinking everything had gone well and they had two hostages. He looks over to FF, “You ready for round two?” He asks.
“There isn’t a tap out option right?” FF asks and Andrew laughs at the joke.
Always cool under pressure it seems.
“No.”
“Then yeah, I guess just hit send.” FF says with a shrug.
Andrew does just that.
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MASTERPOST FOR ALL PARTS OF FLUENT FRESHMAN AU
NEXT
Didn’t wanna leave ya’ll hanging on that particular cliffhanger for too long ;)
@i-have-three-feelings @blep-23 @dreamerking27 @andreilsmyreligion @belodensetdust @rainbowpineapplebottle @yarn-ace @iwouldlikesometea @lily-s-world @obscureshipsandchips @booklover242 @whataboutmyfries @sahturnos @pluto-pepsi @dreamerthinker @passinhosdetartaruga @leftunknownheart @aro-manita-muscaria @hologramsaredead @Chaoticgremlinswishtheycouldbeme @tntwme @tayspots @nick-scar @crazy-fangirl2524 @blue-jos10 @stabbyfoxandrew @splishsplashyouropinionistrash @sammichly @the-broken-pen @bitchesdoweknowu @very-small-flower @ghostlyboiii @its-a-paxycab @bisexual-genderfluid-fan @cheesecookie @theoneandonlylostsock @foxsoulcourt @blueleys @adverbialstarlight @elia-nna @can-i-just-stay-in-the-corner @nikodiangel @foxandcrow-inatrenchcoat @hallucinatedjosten @satanic-foxhole-court @vexingcosmos @chalilodimun @insectsgetcooked @angry-kid-with-no-money @queer-crows @lillyndra @themugglemudperson​ @readertodeath @apileofpillows @mortalsbowbeforeme @hellomynameismoo​ @next-level-mess @youreonlylow​ @interstellarfig​ @notprocrastinatingatalltoday​ @percyjacksonfan3​ @queenofcrazy27​ @bsmr261 @ghostlyscares​ @spencellio​ @adinthedarkroom​ @harpymoth​ @sufferingjustalilbit​ @anxietymoss​ @oddgreyhound​ @ohno-myhyperfixation-itsbroken​ @ken22789​ @atiredvampire​ @isoldescorner​ @not--a--pipedream​ @azure-wing​ @bushbees​  @roonilwazlib-main​ @crumplelush​ @foldedaces-paperbirds​ @thesenseinnonsense​ @let-tyrants-fear​ @ketchupfriesandallthingsnice​ @legowerewolf​ @deadlydodos​ @but-we-respect-his-craft​ @cariniqe​ @zanypersonapricotbiscuit​
The requests to be added to the tag list keep being spread out across a few different areas. If I missed you please just ask again in the replies I promise I just missed you.
As stated before if you’re up here and I spelled it  right but you didn’t  get a notification there might be something  switched around in  your settings that won’t let me tag you properly?
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topaziraphale · 7 months
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"Stop saying Crowley won't help Aziraphale in S3 he'd go back to him in a HEARTBEAT and nothing would stop him" I get it no one likes the idea of Crowley being bitter after what happened for a long period of time but like can we at least acknowledge that he's currently going through probably the most emotional pain in his life since falling? Can we agree that he's opened his heart entirely - something you couldn't pay him to do unless the world is literally ending and he's desperate - to Aziraphale, and got shot down? Can we understand that he did it AGAIN only to lose Aziraphale again? Not that what Aziraphale did isn't without Crowley's own shortcomings (hiding the truth of Heaven's cruelty from him) but like,,,,
The appeal here isn't Scorned Crowley Doesn't Love Aziraphale Anymore, or Never Wants To Help Him Again, the appeal here is Crowley learning enough self respect to not just walk back right to Aziraphale like nothing happened after Aziraphale has had a pattern of consistently refusing him. Going years ping-ponging between "We're not friends I don't even know him" to "That's what friends are for right?" and "We're friends, why would you even say anything?" and "Friends? We're not friends. We are an angel and a demon!"
Like I get it, Crowley is a heartbreakingly forgiving person. Of course he's gonna forgive Aziraphale, I'll be surprised if he didn't forgive him by the time he walked out the bookshop door, but gdi he could at least grant himself the luxury of being at least a little irritated for longer than however long it takes to make a globe and some books float and angrily cry out to God in his flat. But due to the change of pace and dynamic that is establishing part of the conflict for Season 3, I just really like the idea of him for ONCE prioritizing himself and being like "Okay, fine. We'll get back at it when you're ready, then," instead of just taking Aziraphale back like his words and actions meant nothing to him, when clearly they have an effect on him.
What is Aziraphale going to learn if Crowley just accepts what he did so quickly, like he always has the entire time they've been friends? Idk maybe I'm just projecting too much darkness on their dynamic but I mean, if the pattern of Aziraphale pushing Crowley away/disrespecting him one day and then being fine with his friendship the next + Crowley never stopping to be like "Hey, that's not cool, at least give me a little credit" or smth was fine all along and will continue to be fine in the future, then why, after 6,000 years of being friends and loving this demon, can Aziraphale still not accept that Crowley is just fine the way he is, and instead got excited to promote him to an angel in a heartbeat once the opportunity presented itself? You can't blame all of it on Heaven when Aziraphale has demonstrated his free will/defiance to Heaven so many times. Or, I don't know, I guess maybe we can? Maybe I'm just craving too much angst to the point where I'm letting it cloud my analysis of canon. Idk.
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willowser · 1 year
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katsuki jumps, startlingly, when you rub a hand up his back.
he's leaned too far down, bent over the counter at an angle that will give him an ache he'll complain about later, and his head whips up as you come to stand beside him. an e-mail on his phone is what previously had his full attention, but now he looks at you, eyes softening as you lean into his shoulder.
he's never been a very touchy guy. even after a year into your relationship, it's most often you reaching for his hand as you walk down the street; you pressing a kiss into his cheek while watching a movie on the couch; you running a hand through his hair as his breath steadies out beside you in bed.
it's not something you really complain about. you know how he is, knew before anything developed between the two of you, and you can't say it's a deal-breaker. there's little you know about his previous relationships or if he even had any, but you have the painful-gut feeling that affection just isn't something he's used to.
you press a smile into the sleeve of his shirt and his spine relaxes under your hand, finds that awful curve again. he watches you like he's waiting for something, tracing the tender details of your face.
"love you," you say, because do and you want to voice it aloud, put it into his mind even though you know he knows. as expected, his lips flatten into a wavering little line, shy suddenly, and your teeth wet the fabric of his shirt when you smile.
all you get is a little grunt in response and he dips his chin down in a wordless nod, accepting your lovey-dovey assault. it makes him feel a little helpless, you know, but you bring up an arm to wrap around him as he turns back to his phone, ears pink.
katsuki straightens with a dull pop!, stretching his arms up and allowing you to shuffle closer, so that your head is resting on his chest. you press your ear to it and wait, eyes closed, until the heavy promise of his heartbeat echoes like a drum in your ear. it's loud, and after a moment, your own falls into sync, right where it belongs.
"'s'wrong?"
"hm?" you glance up at him, the frown on his pink face, before breathing in the clean scent of his laundry soap. your laundry soap. and then you shake your head. "nothin'. just missed you."
"been home all day."
"i know," you sigh, letting your eyes fall shut again. the sound of his phone locking clicks and you can feel the slight down-slide of his sweatpants when he pockets it. "sometimes i miss you even though you're right here."
you expect — something; another grunt or laugh through his nose, a raspy little noise that voices his confusion. things like this can be hard for him; you know how he is, knew before anything ever developed between the two of you — but you don't think it makes him any less deserving.
katsuki steps back from you a little, and you feel the hesitant rise of his arm before you feel it. his hand comes up to your face — pink and scarred in your peripheral vision — and he tilts your head up, waits until you open your eyes.
when you do, it looks as if a million things are running through his head. his poker-face is good, it has to be, but you can see little bits of his vulnerability shining through. you wonder how long it's been since he showed it to anybody. he almost looks sad.
katsuki squeezes your cheeks until your lips pucker, and his frown deepens when you laugh. "y're so...damn weird."
that's along the lines of what you were anticipating: one of his teasing little insults, warm with a fire he's still learning how to kindle. you don't get the chance to say anything before he's kissing you, eyes shut tight, lashes brushing against your own.
you expect something soft, because affection is a fickle thing, from him — but his hand never falls from your face and his tongue is sliding with yours suddenly, a heated gesture that throws your heart out of whack. you let him kiss you as deeply as he can, until your back arches painfully backward over the counter as he leans into you.
when he pulls away, his lips are a little swollen and his cheeks are burning, as he presses one into yours. "i—jus'—" katsuki tries and then abandons it, a hand curling into the material of your shirt. "i get it." he murmurs, there, into the heated skin of your face, heart beating in time with yours.
things like this are hard with him — but he makes them so, so worth it.
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forgettable-au · 7 months
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Going insane because I suddenly got obssesed with this au and theory again yesterday
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I'm still not into undertale again, but maybe I'll try writing for this au on the side and who knows maybe when I'm back I'll have the main story ready
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I think it's really funny that most of my issues w dp×dc fics would be immediately resolved if they were about Dan instead of Danny
(No hate to any fics that do these things btw I am just so so picky)
Jack and Maddie being awful irredeemable people? Not a risk if the fic is about Dan since he doesn't associate with them. If he did catch their ire (pre-agit) he probably genuinely did kill and replace Danny like some write the Fenton's believing
Ooc Danny who's too violent and fine with murder? That'd work wonderfully with Dan
I don't mind it but I don't care for ghost king Danny. However ghost king Dan honestly isn't that much of a leap considering he does canonically have Fright Knight working for him
-OP because he's ghost king Danny, Dan already canonically can make his own ghost portals, and could make himself appear on Valerie's watch and presumably other tech, and can duplicate, and electrocute, so on and so forth
Going to a Wayne Gala or whatever with Vlad? Works well with Danny but works incredibly well with Dan
Anyway basically what im saying here is I want to read Dan fics all the time
Bonuses, that I think are cool rather than being related to my grievances
Dan can look like his 14yr human and ghost self. And I still choose to believe he can look like his true self (as well as being able to appear as 24yr human Danny 🤔)
Honestly I don't think Dan would bother with a human identity unless forced. Maybe he needs to stay in it for an amount of time in order to stay grounded and not cease to exist bc his timeline is gone
If in the same dimension, Dan could easily know all the heroes identities, at least, know their real faces. He probably unmasked them after killing them just to see
I tend to imagine the JL w this one but Dan AND Danny being in DC is great too. I wonder how they'd explain the Dan situation. Dan could just say he's from an erased timeline. Or see how long he can convince others he's Danny's older brother or father or uncle or something
I think a plot could either be Dan just being a dramatic smug bastard OR Dan slowly learning how to heal and accept his emotions and let others in his life and become better for the people around him even if unintentionally. Or both. Especially both.Imagine.
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heteromerous-rhyming · 3 months
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i think that i've figured out why i don't like show sally.
ok like don't get me wrong, virginia kull?? she ATE with that interpretation. her acting?? amazing. like i could truly get the core of her character.
it's just that i don't like the character the writers give us.
cw: discussion of abusive relationships, of toxic family dynamics, probably a good bit of generational trauma. I don't really get into details except with stuff shown on the show and written in the books but i wanted to be safe.
as someone from an immigrant household, as someone whose mom works a part time minimum wage job, as someone whose seen and been there as my parents fought, i just really really dislike sally's portrayal in the show. and it's partly because of poseidon and partly because of gabe (mostly because of her character in general but yeah, lets get the men out of the way first)
I feel strongly about poseidon in his relationship to sally very specifically. i don't mind his relationship to percy either books or show. but it's pretty damn clear to me that this show was written by someone who's never experienced sally's situation, of being the single working parent with an absentee partner (or in gabe's case a partner who literally ahHHHHHh). because from the beginning, from sally's reaction and snark to gabe, I felt like something was wrong or off, and it was Specifically the show because i read the books and i watched (some) of the musical and i never felt that way towards either of those. i'm not saying that my family situation is sally's (don't have a god for a father for one), but. by all accounts sally knows that this is an abusive relationship, the only reason that she's with gabe is because of the protection he offers percy. i have to assume that this is true because sally jackson turning gabe to stone is something i'm assuming is staying in the show, and i remember this being mentioned by grover? or someone in the first few episodes. and the cord that struck in me was not the traditional (that is, visible, defined, i don't like this word but i don't have a better one) abusive relationship but relationships in my community, of women staying with husbands because of their children, women outright saying this, women who know the world is cruel to single women and to single mothers specifically. sally, to me has never been under any illusions that gabe is any sort of relationship material. she has never been under any illusions that poseidon would be able to help in any way.
and that crux of sally's relationships made her first scene in the show all that more jarring. but it's not anything specifically that i can put a finger on. and maybe i'm wrong for this or maybe i'm expecting too much. but. sally doesn't have the resentment or the quietness or the bitterness or even the loudness that i expected. you have been the only true caretaker for your child, the only one in the house that really puts food on the table and on top of that is expected to do emotional labor? to cook and clean or at least pick up the food?
but she treats gabe like he's an annoyance. someone to brush off. and you see the manipulation tactics from gabe, you do, but.
its not that i want sally's spirit to be crushed. my mother's spirit wasn't crushed. the women in my community, they laugh, they cry, they watch silly tv shows, they have lives that they live, and in many cases they live well.
but the women that i know are also angry. they are either on fire or they used to burn. when they banter with their partners it often turns ugly because they are tired of the same damn argument day after day, because often the trivial things that are asked are compounded and compounded and compounded because you live in the same house, there is no escape, there is no private space, not really.
it's new york and sally works a job to support an apartment and her family. they are not well-off. sally has no support network we can see, and how could she? poseidon mentions that she has no one to talk to about these things, her parents are clearly out of the picture. all this to say. there is a certain understanding of class that exists within the books that was excised, i believe unknowingly, from the show, and it is the worse for it. there is a tiredness, a worn-down-ness from being low income that sally had in the books, but in the show i only see a struggling first time single parent. i don't see the complexity of a woman who literally gave up on finding a fulfilling relationship to be with a man for her child. i don't see the complexity of a woman working fulltime and still getting demanded from at home. and i didn't realize that I wanted to see that until I saw the show. i didn't realize that that was what i loved about the books.
i hate that they tried to bring poseidon back into sally's life as this perfect man who through cosmic forces can't help. i hate that sally calls him, i hate that he says he'll listen. but most of all i hate that sally just accepts him, falls into him. it's really hard to be a mother when your partner doesn't seem to help you parent in any way, even if he cannot help you. he's a greek god, there's no way in hell that he can begin to understand the lengths that sally has gone through to sacrifice and survive, the very human things that she's done. sally in the books thinks of poseidon as a sweet memory, almost a fairytale, and it's clear that this story is the one that brings her comfort. poseidon is a one night stand, a sweet stranger, she understands he's not coming back. but this poseidon comes when sally calls, and that i cannot believe. i cannot believe that she still thinks of him as the fairytale man, that she accepts him so easily if there isn't that distance. i cannot believe that there is no resentment, that she still puts faith in him as her god (the first episode when she talks about him just felt so wrong to me) if he's not a memory, but a recurring figure. this is not a story of star-crossed lovers, sally feels too real as a human being for that.
sally finds trust, finds contentment, in the books after percy leaves home, after she no longer has to put up with gabe for his safety. she does not find poseidon again. she marries a human man, a very ordinary human man who cares for her. poseidon visits after she is in this relationship and its an amicable one. he is percy's father but also distant memory all in one. sally has the strength to survive a terrible relationship and still find a way to heal and live fully after that.
but the anger. the fire was there. she turned gabe to stone. she reclaimed her life with her two hands.
you don't kill a man for no reason. you don't kill a man without emotion.
but it's that reason and that emotion that i don't get from the writer's room. and it just makes me deeply sad.
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