in a little over 2 weeks, I've made enough book sales to donate almost ~$10,000 to Palestinian causes! This means donations to:
MAP (Medical Aid for Palestinians)
PCRF (Palestinian Children's Relief Fund)
CareforGaza
ANERA
Safebow (which is currently working to evacuate over 50 Palestinians before Ramadan)
and a bunch of miscellaneous Palestinian escape funds on Gofundme.
I'm incredibly grateful and humbled by the response to my books on this website, and would just like to emphasise that my policy of donating 100% of my profits from my store(s) to Palestine is INDEFINITE. Pick up a book or print any time and know that your money is going to a good cause!
Hello!! I'm a huge fan of your art and I thought I would ask about your colorwork, because it's genuinely super impressive to me how all your pieces have amazing palettes and they add so so so much to the general atmosphere. Do you have any process to pick colors for pieces? Like using picture references, gradient maps, etc or do you genuinely just eyeball them? I'm super curious :]
But yea I really love what you do and love seeing every new piece!! Have a nice day! Ty for reading <3
Thanks! I very much use references, though I don't use the color picker on them, gotta train the eye. I have an ever-expanding reference folder of photos and paintings with colors that I like so that when I start a new painting and I have an idea of the color scheme I want in mind, I'll already have some reference on hand. Good reference really makes a world of difference!
I also like to bias colors a little bit away from their standard versions:
The more blue green and the more yellow green are both more interesting to me than the "just green" green. Nothing wrong with that average green though, sometimes that's exactly what you need. It's always situational.
Lastly, a fantastic color tip for digital art specifically that I got from Mike Hernandez: Use the RGB sliders instead of the HSB color selection!
By default, Photoshop gives you the HSB (Hue, Saturation, Brightness) color picking setup which looks like this:
It's perfectly functional and has its uses, but it doesn't really feel like mixing color. On the other hand, if you use the RGB sliders:
Now you can add a little more blue if you think that's what the color needs, or you can take away red, add some green, etc. It gets you actually mixing color and thinking more about how the colors relate to each other. It can take some getting used to if you've only used the HSB setup before, but it's worth it!
How do you pick your colors? Your art style is so cohesive and i love the palettes you use!!
thank you! im a very intuitive artist, i think i draw frequently enough to know my preferences pretty well lol, but recently I’ve been enjoying working with somehow complementary colors?
like these don't look that similar but i did use the same 4 colors or so! i like to complement yellow/orange (skin) with teal (most of the clothes lol), I think they make each other pop rlly well
i also keep my palettes very minimal, i used the same blue hues for bokuto's hair, outfit, and the pigeons, too! same with deku’s outfits and hair, it’s the same color in different hues :)
i keep my palettes very minimal in general, i think its easier to create a somehow cohesive/harmonious palette and illustrations if you limit yourself :) as you can see, the colors I predominantly use are all hues of green and yellow, I let the overlay balance it all out and make it look less harsh I guess
also i don’t limit myself to fixed color palettes, i just use the same base color and overlay layer for most illustrations, I think those bring everything together even if I dont really know what I’m doing, i hope this helpssss
You know, I feel like other trans people might get this, but it's honestly kind of refreshing when a cis person has, like, undeniable tboy/tgirl/whatever swag. It's like when you come across somebody who speaks the same language as you and you only find out when they start speaking it, too.
YOU ARE AMAZINGGG AT YOUR ARTRTY LIKEEE ACKKKAHAHAHSHCHCCKCKAKSKDHSHDDJCNDKDCISJFBD!!!!!!!!!!!!!
mid You Are ever bored or anything. (I’m broke asf.) can you draw Jonathan Crane for shits and giggles?
I finally got around to drawing a quick little something for you. Judging by your profile pic, I assumed you're a fan of Nolanverse Crane, so I went for Cillian's portrayal of Scarecrow. Just a tired old man, on a rainy Gotham mornin',... has absolutely nothing to do with my own state of being on this rainy Saturday forenoon🥱☕️
They said they "found it on Reddit" so they just decided to steal it and post it ig?? Ugh!!
Wow, that's a whole other repost to the one I thought it was going to be, lol. It's been reposted to TikTok once before, and I'm also not surprised this person got it from Reddit, where I doubt I was credited either.
At the end of the day I appreciate the heads up but there's nothing I can really do about it. The most helpful thing anyone can do is to leave comments on the reposts to provide credit,* because if artists ever try and comment then we pretty invariably get attacked. Don't be mean or aggressive, that just builds their animosity towards the artists, but I do think people respond positively to outside pressure to do the right thing 🤷
*Remember to make sure there's enough context - eg. something like "art by @ landegart on Twitter" is more searchable/useful than "artist is Landeg" to someone on TikTok who has no idea who I am haha
This is a scene from episode Pat hearts Squid where Squidward ALMOST kisses Spongebob, but I made an edit to test what would be like if the kiss happened and that was the result:
[ID: Five panels from Trigun Maximum. The background and borders are solid black instead of solid white. Before the first panel are speech bubbles saying, "Mama. Mama, look!" The second panel shows a small child pointing as his mother, a pretty woman with a kind smile, crouches next to him. In the second panel, the mother looks down at the child and says, "She's pretty, isn't she?" The little boy, still staring up, asks, "Why..." In the third panel, he looks up at his mother and continues, "...Is she in there?" In the fourth panel, the mother puts her hands on the kid's shoulders and looks up as she says, "She's... working." In the fifth panel, the mother smiles back down at her son as she says, "It's thanks to her that you, mama and papa can live here safely." The little boy looks confused. End ID.]
I WEEP over this flashback. They're introducing the plant to their child not as something weird or alien, but pretty. Not as a thing, but a person who's working, who's not just property of the community but a crucial member of it. In the next panels, the mother prompts her child to thank the plant in a way that looks both like a hyper-respectful Japanese bow and Christian prayer.
[ID: Three panels from Trigun Maximum. The first shows the little boy pointing up with a big smile. Behind him, his mother is looking back over her shoulder at her husband, a smiling man in glasses. The little boy is saying, "Mama, look! She smiled!" The second panel shows the little boy still looking up and smiling as, behind him, his parents talk and laugh together. In the third panel, the boy is turning away and looking at his parents, saying, "See?" as the father smiles and waves and the mother looks surprised. After the last panel, there's black space, and a last speech bubble saying, "She smiled..." End ID.]
She smiled. She smiled at a child smiling at her. She smiled at a child who was alive because of her. She smiled at the people who loved her and prayed to her and thanked her. She treasured them enough to remember their smiles even after being fused into the horrendous amalgamation in the Ark.
[ID: Two panels from Trigun Maximum. The first shows Knives looking startled, wide-eyed and sweating, the left side of his face flaking somewhat. The second panel shows him standing on a walkway over a huge mass of fused plants, an uncomfortably fleshy mess of wings, veins, and random limbs. Knives is saying, "Was that..."]
LOOK at that. Knives himself knows he's at risk of losing his sense of self inside that mass, and Chronica later says that plants don't innately have an individual sense of self to begin with. Yet one of those plants remembered some of the humans she once supported fondly enough to cling to that memory, no matter what; or, perhaps, that memory was so beloved by every other plant that saw it that they all kept it, all shared it and held it close to their hearts, all that love battering against Knives' shaky mental walls of rage and hatred and fear.
[ID: A chaotic double-page spread from Trigun Maximum. The first four panels show a quick sequence of Knives falling to his knees and gasping as he clutches at his face, his eyes widening desperately. The next three panels are thin slices, each showing a larger and larger number of random people, like you're pulling out from a crowd that just keeps getting bigger. Despite how many people are crammed into each panel, artistic effort has been put into making each face unique and distinct from each other. The next face shows Knives' face literally cracking and splitting into a number of panels showing the Project Seeds ships, stars in space, the shooting-star image of the ships falling, a sun rising over ruined ships, and the elongated arms of a plant reaching out from among folded wings. A panel at the bottom of the page shows Knives screaming as it looks like the flesh is actually melting off of his face. The last panel shows Elendira running towards him, crying out, "Knives!" End ID.]
I really think, at the end of the day, the plants don't necessarily mind being relied on as producers, because I think they love life and creation. They've held onto all of these faces, all these people who were alive because of them. Short of the horror of the Last Runs, maybe they take pride in what they do. Maybe seeing other lives flourish from theirs makes them happy. We don't know for sure, but for all the body horror in their imagery, they are still, ultimately, evocative of angels. And they're reaching out to Knives with enough love for humanity to fracture the walls in his mind that he's put up against the reality of what the Big Fall was, against remembering that he did once love humans, and then he killed tens of millions of them. Being forced to see humans as Vash and the other plants do--as individuals, as living things, as people--is literally tearing him apart. God this page is a real artistic flex from Nightow, both in terms of panel composition and just thumbing his nose at mangaka that draw the same three faces forever
Darla/Angelus is also great because the show has a competing designated OTP and they exist to serve as contrast and hateful competition to THE ship. they are soulless monsters even by the standards of soulless monsters, they literally make the other soulless monsters go "yikes... your relationship seems not good maybe." but they love each other so fucking much. the writers can't help it. they are constantly trying to find their way back to each other. the way she hits him over a head with a shovel and leaves him to an angry mob while he tries to say he doesn't mind dying if it's with her AND the way they coo about it to each other afterwards. the way she takes him back against her better judgement because she missed him so so much but then kicks him out again later because he still can't be who she needs him to be. that's just how they say i love you.
Hey #GreekMythology tumblr, I want ya’lls help on something :).
So, I’ve been thinking about starting this massive project. Like, would take years and years work of writing and research and sheerly finding the time and motivation for. And as I was thinking about the specifics, I thought: why not bring others into it as well? Because as much as I am interested in a lot of Greek Mythology, there are things that are simply not my interests and might cause writers block and my goal for the project would to be as fun as possible. So, here we are.
What is the project exactly? Well, hopefully, it’ll be a long Ao3 series/fic focusing on the individual perspectives of various figures/events in Greek Mythology arranged in (semi/good enough) chronological order. I personally intend to write for Poseidon in his/my version of the Titanomachy and (maybe) some events that follow, if you want a little bit of an idea on what I’m talking about.
The limits on this are almost completely free, all that I ask are that each of your submissions are one POV only (and by that I mean your main subject’s POV). Why do I say this? I say this because that is what I want this project to look like. It doesn’t matter if it’s First, Second, or Third POV along with all the other variants of those three, my main focus is on the individual experiences of these individuals. Kind of like character studies, if you know what I mean. I’m intending for it to be mostly formal but I will absolutely accept crack admissions that I will probably put into its own series to Separate the Vibes for whoever comes by :).
Ultimately, this is a completely open-ended project that has absolutely no deadline. I’m about to go to bed so I can’t go into too much detail, but if you want to DM me or send any asks, I am completely okay with that and we’ll all flesh out the specifics we go :).
What is my overall purpose? Not only is this project made for my own individual purposes of learning more about the gods and other Greek Mythology writers, but it’s also the chance to spread the word of other writers. I know how hard it is to get specific audiences, especially when you’re shy, so this is a chance for your work to be stumbled upon. Each post on the eventual Ao3 fic will include your socials, how to find you, and your other general works on either ao3, tumblr, wattpad, or other :)
Can you participate even without socials or a tumblr page? Yes you absolutely can :). My asks will always be open to anons and I will do my best to give credit when I eventually post everything :). If you want to post multiple submissions or simply just want a trackable (between works) name to your writing, just sign something at the end. It could be a name, it could be a potential username, I don’t mind at all :)).
How do I submit things? Well, the best way would be to DM me :). I have a personal writing email separate from most things that would be perfect to either share a google docs with or to just send a copy-and-pasted copy of it. Otherwise, I take asks. None of them will be posted unless asked or we’re ready to so it’ll be safe to just drop them off in! It’s also where I take questions :).
Any other things to note? I’d really appreciate some other moderators and editors :). There’d only be like two or three of each and we’d have to know each other decently well before officially starting, but some help would be appreciated! Also, I’d like to keep a working ‘spreadsheet’ of who’s working on what just for people to see what’s going on :). Maybe some people can collaborate or it’ll encourage those niche writers to write :). A third thing is that most questionable stuff is accepted. I’d personally rather not handle all those things other than posting it so it might be a while until I can officially accept (consensual and/or graphic) ✨spicy stuff✨ but, other than that, I’ll take any of it (also, it’s Greek Mythology, almost all of it already happened). If someone’s willing to take over the ✨spicy stuff✨ then please DM me so we can work out the details and see if it’s a nice fit :)
Honestly, that all should be it. The main point is that I’m trying to start up a long-term project on Tumblr and Ao3 about what is essentially Greek Mythology character studies that not only allows for mass communication across a wide audience, but also (hopefully) gets some recognition for the smaller writers :). Feel free to DM me or send me asks with questions but for now, I shall sleep
Tagging: @bluebellstudio @thirteen-deaths-later @0lympian-c0uncil @happyk44 @h0bg0blin-meat @sworeontheriverstyx @deathlessathanasia @gotstabbedbyapen. Sorry if I tagged you and you want nothing to do with it, I just wanted to get it out there /pos /gen