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#i have still never recovered from this show's cancellation
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eliza dooley and henry higgs had the potential to be one of the best television couples in history, but were not given the appropriate amount of time to develop their relationship thoroughly due to selfie's early cancelation. in this essay, i will–
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screampied · 3 months
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MONEY HONEY! — ☆ GOJO SATORU.
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➤ popstar!gojo masterlist
headline. fucking your client wasn’t on your bucket list. the famous popstar 'toru' says he can’t perform because of issues he’s having with his voice. but he finds another way to warm up his vocal cords—it involves being between your legs.
word count. 4.2k
warnings. fem! reader, popstar!gojo, pwp, unprotected sex, modern au, he's a whiney brat, overstim, degradation, praise, semi public, impact play, cunnilingus, fingering.
an. lol this was fun 2 write !! ty @osaemu as always for beta'ing
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“…nono, you don’t understand. i can’t go out there, i just…can’t—!” gojo mutters, and he’s pacing back and forth. talk about a drama queen. to think you had to deal with this every day, being the infamous satoru gojo’s personal assistant was never an easy task. his attire was…quite enthralling to say the least. gojo was draped up in a sheeny black one-piece with rhinestones attached in a few places, he always had his outfits designed a certain way. not too tight, not too big.
you sat on the sofa, taking a sip of a latte he bought you as a thanks for saving him to deal with the hoards of paparazzi that practically lived outside the stadium back-way entrance.
“satoru, you do this before every show,” you sigh, glancing at him. you couldn’t lie to yourself, he was strikingly handsome. gojo’s hair was a tad bit messy and ruffled. it was a slight v-cut towards his chest to show a bit of skin. his fangirls always went wild over the most minimal things such as that. “you do realize you’re supposed to be performing in front of 10,000 people? canceling right before a show isn’t a good l—”
“i know…i know,” he pouts, and he’s so unserious, you sort of found it hard to believe this was a millionaire pop star who’s such a household name. gojo lets off a loud sigh before walking towards you with a sheepish grin. “these cough drops you’ve been givinʼ me haven’t done shit.”
“really...” you deadpan, casually giving him nothing but a sly eye roll.
gojo sulks and he’s just a few feet apart from you now. “mhm…really,” he says, and the slight rasp in his voice catches your attention. his earpiece was still on, as well with his mic that hung just barely underneath his chin. “i did research though. about other methods that help with heh, um vocal fry..”
you stare up at the popstar, and he’s returning the gaze…as if he was trying to hide the smile that was already forming against his pink lips. you don’t give him an answer and this time, he’s the one to roll his eyes.
“…well since you asked so nicely,” he grumbles, the same pout going against his face before he pulls out his phone. gojo scrolls a thumb down against his bright screen before clearing his throat. “hm, according to this totally accurate article, it says… to fully recover from vocal fry, a guy must uh, receive a special treat within a woman’s—”
you blankly stare at him, already second-guessing his fake response. “just say you want to eat me out, satoru.”
“wha— where’d you get that impression?” he plays dumb, furrowing his eyebrows and cowardly looks around the room. a few seconds go by before he shrugs, speaking quickly, defeated. “….fine i wanna eat you out. hmph.”
you turn your head for a brief moment, hearing the defending roars of the crowd just a few areas down from the dressing room the two of you currently stayed in. “maybe after your show, they're chanting for y—”
“they can wait,” he frowns, and he turns you around, two hands softly holding onto your shoulders. gojo remained with a pout, bottom lip just slightly tucking underneath the top one. “i can’t.”
the both of you grow quiet for a long moment, and gojo seems serious—dramatic, but serious. you and him both exchanged sensual eye contact, and you were so close to gojo that you could practically smell the strong cinnamon scent of his intoxicating cologne. the popstar smooths his lips together before briefly shifting his eyes down at the floor and then back up at you. 
“five minutes…five minutes, that isn't too long is it?” he stammers, and the gaze the two of you made starts to get more and more intense. “i won’t get into too much trouble if it's just five minutes right?”
“you’re insufferable.” you mumble, letting off a soft sigh. “okay, five minutes. if you say this helps with your—vocal whatever.”
not much to your surprise, five minutes turned into half an hour. 
you held back a moan the sudden second you felt gojo’s warm tongue swiftly lap against your drenched folds. he made you wriggle against him, and you maintained a rough grip against the laid-back sofa.
“s-satoru,” you’d whimper out, gasping at how sloppy he was. you were prompt up in such a position to where you were bent over the arm part of the couch, skirt lifted, fishnets just barely pulled down, and the most vulgar expression. “oh my g-goddd, you're gonna make the others outside h-hear.”
“you’ll just have to be a little more quiet, assistant,” he whispers, cool breath fanning against your pussy. perhaps this was unprofessional, no it was very unprofessional. a plethora of following consequences started to race through your mind. “what time is it?”
you moaned, reaching near the wooden half table for his watch and read the time, “um.. quarter past eight.”
“aw man,” he sulks, softly licking the your tender pulsating numb with the very tip of his tongue. with a quick second, he maneuvers circles all over your clit to feel you squirm and jitter against him. “that much time passed? can’t stand rushing…”
as you cling onto the fluffed couch, your black pencil skirt that was just sluggishly raised up and yet, you continued to gnaw the inside of your lip from the feelings of his tongue, entirely sloppy.
the slurps that exited from his mouth had your bottom lip quivering in such desire. you craved more, the way he swirled and curved the length of his tongue throughout your pussy earned umpteen gasps and whines from you. 
“s—satoru,” you’d croak out, and he’s casually taking the time to make out with your folds. languidly, your slick race down his chin, and between breaks to breathe, he'd lap up his tongue before diving back in. “fuck, ‘m gonna cum again, think ‘m gonna cum..”
“wait a little longer, yeah?” he murmurs, grabbing the fat of your ass with two rough hands. you felt bundles of butterflies stir inside your stomach, feeling gojo’s nose swipe against your folds for a few jiffs. “let me eat, haven't had a good meal all fuckin’ day.”
you swallowed, not even facing him but you could practically see the grin stretching across his lips. “and…and who’s fault was that?”
he chuckles, warm breath fanning against your cunt. “okay, you have a point,” and your thighs feel feverish—you’re so hot, and not because of the sudden humidity wafting around the small dressing room.
the popstar lolls out his tongue, humming before you moan, feeling him lick your pussy in a straight direction. “mhm, this is better than anything else though.”
you were about to speak, but all that did was make you let out a shaky whine. the smooth pads of his thumbs graze against both parts of your ass as he continued to eat you out like a starved man. it was as if time stood still, your mouth grew exceedingly dry and your legs felt like they could barely stand up on their own. 
“sa..satoru,” you once more repeated, not knowing how long you could last. simply, his tongue was dangerous—god, it was just the way he moved it in every direction.
he knew where to lick, where to suck, and even nibble. gojo found himself tickling his tongue against your little nub before sucking on it. all to hear you cry out in desperation. cacophonies of whimpers depart from your glossed lips such as, ‘satoru,’ ‘please-please,’ and ‘m gonna c-cum.’
there was no denying, gojo had you an entire stammering mess. you found yourself even questioning how this became, the two of you were never intimate. although, there's always been steamy moments between the two of you. 
for instance, there was a moment where gojo took you with him to the hot springs while he was on tour…which non-surprisingly led to a hot make-out sesh. that was a few months ago, and the two of you decided to not think much of it. of course though, there are always assumptions being made about the two of you—always from the nosy journalists and interviewers. 
each interview, it’d always be questions they’d ask about the precious little assistant that’s essentially attached by the hip to the famous gojo satoru.
“are you and that girl exclusive yet?”
“how long have you two seen each other?”
“please. describe to us. what’s she like in b—”
they’d get more perverted each time. alas, gojo always loathed it whenever the press referred to you as ‘that’ girl.
his jaw would always clench in sheer annoyance. perhaps he didn't have the right to feel that way, but he was somewhat protective over you. it wasn't like you were his bodyguard or anything clearly, but still. he always liked how you treated him just like you’d treat anyone else.
“satoru..” you'd cut him off from his deep thoughts. “your phone keeps beeping.”
“huuuuh?” he grouches, ears perking at the annoying screech of his device. gojo’s thumbs remain against both edges of your ass before he breaks off his lips, a long string of his own saliva running down your slit. “oh, can you hand it to me?”
he's so nonchalant, and with your back still arched, you lightly fling his phone towards him.
he grumbles.
picking up the phone, typing in his twenty one digit passcode of ‘sexymansexyspraycan69’ before with a click, it unlocks. gojo darts his eyes towards his phone and hums at the five messages left from his manager, kento nanami. 
‘Greetings. Where are you? Message me Ass.’
‘ASAP. Autocorrect.’
‘Your fans think your dead.’
‘Don’t tell me you're busy with that assistant of yours again.’
‘When your sales start going low, don't blame me.’
and many more unread, “blah blah yeah yeah,” gojo murmurs, skimming through the loads of unread gray bubbled messages. “nothing important. geez, can't have a single moment to myself.”
you were so close to orgasming and that's when gojo flips you over to face him—you're panting and he flashes you a soft smile, leaning in to kiss your forehead. “aw, waiting for me?” he whispers, bringing a gentle kiss towards the inner corner of your neck. his touch was immensely warm, something you just couldn't describe. “you wanna cum don't you, baby?
“m-mhmm.” was all you could manage out, wrapping your arms around him as he got right between you. gojo continues to trail kisses down your neck before chuckling. 
“use those words, c’mon. don't be shy. i wanna hear ya tell me what you want.”
the way he was such a tease, you couldn't stand him, then again you could. so annoying, gojo’s warmth of his performing outfit brushed against your skin. the perfectly knitted fabric of it dancing against your skin as he inched closer towards you. “tell me how much of a messy girl you wanna be.”
“i—” you started, and he took a moment to stare into your eyes. gojo looked so pretty, smug yes, but pretty. long lashes each time he blinked, fluttering against him. whenever he showcased that well-known cheeky smile of his, his dimples would poke right against his lips. “i-i wanna cum. please, lemme cum, ‘toru..”
“pretty girllll wants to cummmm,” he sings in a  playful melodic tune. again, you couldn't stand him. singing right in the middle of something so intimate. gojo runs a hand down your buttoned-up shirt before chuckling. “hm, i suppose. go ahead, let go fʼr me.”
once you do, immediately your vision turns dizzy. all you saw was a few blotches of white, and it feels so good that the feelings have you biting down on your lip. gojo leans into your neck, whispering sweet nothings against you while giving your ass a soft caress.
“good girl, just let go…yeah,” he purrs, giving your collarbone a gentle suck. you taste so sweet to him. you're addicting, simple as that. like candy he can't get enough of.
gojo satoru had a sweet tooth for you, there was no doubt about it. “fuck, i can just suck on you all day,” he utters in a low voice, and his warm hands part your thighs so he can get a bit more between you. “i need more…fuck the fans, i need you.”
“idiot, don’t say that..” you moan, and he's kissing all down the crevices of your neck again. gojo’s lips against your tender skin gave you chills. even still, you were so hot, from the neck down. it felt amazing, the feeling of him sucking and kissing against your skin to such a point that you're just throbbing. “t-they’re waiting for you.”
“they can keep waiting,” he smiles, leaning down to kiss near your chest, moving the exclusive backstage lanyard pass away with a slight grip. “damn, you don't know how hard i’ve been during rehearsal. i—i think about you, you know?”
you gawk up at him as his body towers over you, his costume glimmers in the light before he starts to peel it off carefully. you were taken by surprise so you mutter, “you…you do?”
“well yeah girl,” he rolls his eyes, such sass in his tone, following with the low rasp that hid underneath his voice. “you drive me crazy in the worst way.”
“the feeling’s mutual, popstar.” you utter, a glint in your eye.
“hmpf. now that i was nice enough to let you cum, you decide to be a brat, huh?” he raises a brow, using two fingers to brush his mic piece aside. 
a coyish grin goes against your lips. “sorry. are you gonna do anything about it?”
“…shut up..” he grumbles, and he does. 
pretty much, you then found yourself on your hands and knees on the couch, feeling gojo caress your ass briefly before meeting the mounds of your skin with a mean spank.
you suck in shortened breath. “ooh,” he says as you moan in unison of the light thwack. “you get off on spanks, huh?” he utters in a grouse, the feeling of his palm kissing against your skin making you continuously pulse. 
“n-no.” you spat. 
“liar,” he matches your snarky tone, and you let off a gasp once you feel him finally rub the tip of his dick against your folds. gojo grows abnormally quiet the minute your slick coats his length freely. “fuckkk,” he sighs, eyes closing for a short second. you teasingly wriggled your ass against him and he spanks you again. “you’re so impatient, wait.”
“do you even know how to fuck?” you slip out, and you held back a giggle. perhaps you shouldn't have said that, your thoughts did speak way more than they should anyway. 
gojo’s eyebrows curl into a furrow, and his voice genuinely sounds offended. “wha—?! of course i  do.”
“just asking.” you tease. 
“just asking,” he mocks your tone, completely butchering it purposely and gojo slowly starts to make his way inside of your tight pussy. he's gradually moving himself in, and you let off a moan before he continues, “yeah. shut the f-fuck up.”
a small grin stretches against your lips, because you hear how gojo stutters whilst sinking inches into you. even while trying to be mean and degrading, he was so close to moaning himself. it was simply adorable. you maintained a mere pristine arch while biting the inside of your cheek once more. 
“you're s-so wet ‘n sloppy,” he huffs out a groan, and the squelches your pussy made against him was simply enticing. for a second, you grew mute once you gave your own body a listen. just the faint sounds of gojo’s jagged breathing, “f-fuck, ‘s good. keep facing that way, just like that. good.”
gojo’s touch against your spine was purely gossamer. 
he was soft, gentle, delicate.
yet the minute he started to create a pace with his rollicked hips, he couldn't contain himself. the way his dick probed throughout your walls, you kissed your teeth in longing—just for him to just hurry.
gojo was always such a tease, the fat plump head of his cock dabbing against your pussy. 
“s-stop playing and just put it in.” you moaned, growing impatient by the mile. 
“heh, you know what they say,” he mumbles, you pulse even more once you feel him slide in about a single inch or two…only to then go right back out. “patience is a virgin.”
“…it’s virtue.”
“that’s what i sai—”
“just fuck me.” you whined. 
gojo giggles, and finally, he starts up his slovenly pace again. he grips onto your hips before sighing. he takes note of the way you progressively suck him in.
you linger over the couch, the fabric of your own pencil skirt just hovering over your waist before gojo starts to sway his hips. 
you had to stop yourself from being so noisy, executives were probably in the other room.
some kind of meeting perhaps occurring, yet here you were, happily entangled with your client. such thick inches he was dumping into you had nearly drooling. gojo’s base was rotund and fat, thwacking and thwacking against you to where you're so dizzy. 
“f-fuck, ‘toru.. ‘s good.” you whined, every few seconds he’d smack your ass to watch your ass jiggle with such recoil. it was one of his favorite moments to witness. as your lips stuck together, your thighs already felt weak and tremulous. 
“damn girl…didn't expect you to s-start throwin’ yourself back again me,” he sibilates, and for a concise moment his head goes back. a groan flies past his glossed pink lips as your ass continued to thrash against him. “you're such a needy girl. tryna…f-fuck me back..”
the way his voice unintentionally got low whenever he was in such a trance had you throbbing, such convulses making you nearly weak in the knees.
to you, the feeling was indescribable. such pools of heat ran between your legs the more his thrusts picked up.
his dick reached every spot, so much so being precise—you felt the curve of his length analyze all throughout your inner walls. it didn't miss a spot, he reached deep and you let off the cutest whimper. “god, r-right there. please, ‘toru. y-your curve, ‘s reaching me deep.”
“you f-flatter me,” he pants, trying to ignore his flusteredness. gojo’s right hand, the hand that had a half-cut open glitter glove that coordinated alongside his outfit ghosts against your ass. his lip quivers from his pace, and the way your pussy just sucks him dry, a few splotches of pre-cum cutely coated against the outer part of your ass. “fuck, dunno how much i can take with you movin’ your ass against me like that…shit, shit.”
“…s-satoru,” you breathed, biting down on your arm to suppress your moans a bit. not before long, he deepens the angle and you feel his sharped hips piston in utter contentment. “fuck, f-fuck. ‘s deep.”
gojo groans, swallowing the nonexistent lump in his throat before he feels himself coming close.
“think you’re gonna m-milk me dry,” he gasps, jerk after jerk his hips go against you at full throttle. the base of his dick, you hear the pap pap pap noises commence, and it’s so obscene. “shit, think ‘m in love,” and then you grow hot. it’s a long inelegant pause before he adds to his words, “…i-in love with your pussy.”
you were gonna comment something, but you were too fucked dumb to comprehend anything. you’re basically being fucked stupid into the cushioned sofa. the cottony bristles of the fabric went against your skin as your body lurched forward each time. 
splaying at an almost animalistic pace, gojo’s ears, the very tips of them at least grow incredibly hot, you’re making his body heat up, scorching. the way your pussy tightly hugged around him like a vice, he was obsessed.
he just couldn’t get enough. to think this was the first time he’s been this intimate with you—oh, how he could only imagine what it’d be like for a second time, or a third time, or a…
“s-satoru, your phone’s ringing..”
he grunts, glancing down to see the bright-lit screen display, and this time it’s geto. with an eye roll, he ignores it, still gripping your hips, he’s attaining his peak before he lets off a husky groan. “f-fuck, ‘m gonna cum.. can i—?”
“y-yes, jus’ do it, ‘toru,” you spoke, not even letting him finish his sentence—you knew what he was gonna ask though if he could shoot inside. you were so drunk from his dick, thoughts on your mind were straight mush. 
“okay, okay,” he breathes, and even his moans were pretty. figures, gojo was a soprano, so he was bound to sound angelic, even while moaning his head off. it had the perfect pitch to it, such rasp in it, almost breathy. 
you feel gojo’s pelvic bone thrust a bit more at a quickened pace, accelerating just a bit more and his nerves were just going wild. “fuck, f-fuck..” he grunts, and he starts to grow a bit whiney, his sloppy hits against your rear made out to be a tad bit voluntary, rhythm a bit more expedite, and he clenched his jaw. 
once gojo came, it's so much.
thick ropes that seeped right into you. you moan, and he pauses his hips just to watch, feeling himself pouring all inside. velvety ropes of the popstar’s cum fills you up to the brim. you're panting, he's panting, and gojo was in love.
was it love? he didn't know, but his pupils were dilated for sure. 
his breath hitches once he slowly pulls out, watching his own cum slowly spill out between your folds and he lets off a moan. “made me fuck such a mess into you,” he spouts, running a thumb down your slit to watch you cutely jounce against his touch. 
“you ruined my panties.” you whined, turning over to face him—gojo leans in for a kiss, and you return the favor, tasting yourself once more on his lips. the sweetened taste of your own slick that still remained all over his tongue. 
“baby, it's not like you need them,” he rasps, grabbing ahold of you, and he positions you to get on his lap. “besides, i was gonna ask to keep them.”
“why?” you mumble, wrapping your arms around his neck, slipping off a moan at his already sensitive tip hovering against your entrance as you realigned yourself. 
timidly, he runs a hand down his neck. “y’know. for uh…good luck? was gonna keep them in my pocket or something.”
“you're so—”
“shhh.” he hums, interrupting your words for another tender kiss. your tongue slides against his, and he tastes minty.
as his breath collides against yours, you playfully bite down on his lip. gojo grunts, and he’s making your way inside again. gingerly, you sink down against his thick base and he gives your ass a mean squeeze before spanking it once you start to move. 
“oh f-fuck…fuck, forgot how sensitive-” he hiccups, watching with half-lidded eyes at your hips rotating against him in an orderly fashion. you moan from his pleasure, taking a second to swallow before whimpering—softly, you kiss against his neck and he grunts. “you-you make me feel so good, baby.”
gojo’s almost at a lost for words, he’s had his fair share of women, but none could make him feel like this.
besides, he's never had the time. touring day in and day out was a hassle, and intimacy was a straight no due to his overly busy schedule. 
although, whilst the two of you were screwing around, making out and you're riding him cowgirl, that’s right when the wooden creaky door bursts open.
not to anyone’s surprise, it's no one other than gojo’s best friend and bassist, suguru geto.
“you've got to be joking,” he utters with crossed arms, immediately darting his eyes away. “everyone’s been calling you, there's a search party, and—”
geto pauses, tilting his head. “…is that my clothes you're wearing, satoru?”
“suguru…hey man,” gojo gasps, nervous laughter following his tone—you jump in surprise, and he wraps an arm around your waist. “i’m… kinda of busy here.”
“i don't give a fuck,” he grumbles. “by the way. your mic was on the entire time. you moan like a girl more than her.”
gojo’s eyes widen, reaching for the tiny button near the edge of his mic.
indeed, the switch was turned on and he awkwardly laughed, bringing the speaking part up to his lips.
“eheh…hey mic check?” and he could hear himself echo through the ear piece. embarrassing.
despite you still being inside, you just sat there—geto staring away, not even trying to comprehend what was happening before gojo coos out a subtle cheeky, “uh…i didn't know my mic was on. my bad.”
“you're so stupid...” you run a hand against your forehead in disbelief. an entire stadium practically heard the both of you. 
the heels of geto turned before gojo brings a finger against your lips to shush, and he pouts. “sugu wait,”
“what.” he mutters, turning back around. 
“wanna join…? don't think a few more minutes wouldn't hurt…r-right?”
“…….”
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jqnsfw · 10 months
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Seeing S/O in Lingerie Reaction
From a request in my main blog, this has no smut but VERY SUGGESTIVE so... yeah ¯\_(ツ)_/¯
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Sebastian Moran, William James Moriarty, Sherlock Holmes, and Louis James Moriarty
Tag/s: Historically inaccurate lingerie
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Sebastian Moran
The man whistled as soon as you entered his field of vision.
He looked like a kid in a candy store.
Straight up GRINNING from ear to ear.
If you're showing him a variety, he'll inspect every single one of them.
It's almost alarming how focused he looks.
Little do you know, he's thinking about how to use whatever lace or strings your outfit has to his advantage in the bedroom.
The minute you're within his reach, Sebastian pulls you to his lap to get a closer look.
He takes his time to take in your figure while his hands roam through your body.
Even as you walk away, his eyes never leave your figure.
Like you were one of his targets on missions.
He would definitely tease you, wanting you to get riled up as much as he is.
What's more annoying is he wants you to say that you want to do it before he continues.
He's torn between taking it off or just doing the deed with it still on you.
Whatever position you're in, he definitely has a good view of you.
A mirror might be involved.
"I'm back-" Sebastian abruptly stopped as your eyes met in the mirror, wide in shock.
His eyes traveled down to your new short silk nightgown and stockings, going up and down before smiling.
"You could have just said so," he chuckled, removing his coat as he walked up to you.
You quickly grabbed whatever was closest to you, in this case, a hairbrush, and pointed it at him as you kept a distance.
"Oh no, you don't! Last time, I chased the target through the city with a limp!" you muttered, keeping your distance as your eyes never left him.
"Do you have a mission tomorrow?" Sebastian innocently asked, making you pause.
"...No...?"
"Then that settles it," he smiled, quickly hugging your waist.
"SEBASTIAN!"
"Don't worry, I'll be gentle. Wouldn't want your pretty outfit to rip, now do we?"
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William James Moriarty
When you asked him to come with you to go underwear shopping, he was shocked, to say the least.
But he quickly recovered and agreed.
You definitely have his attention now.
While his eyes kept following you while he drank his tea, his smile was different than it usually was.
It was more... devious, so to speak.
While he keeps his composure, a lot has happened in his mind.
While you were picking some things, William acted like a perfect gentleman.
Holds the clothes you picked, heartfelt compliments to boost your confidence, over all the best boyfriend you could ask for.
Almost too good to be true. And it was.
He might have thought of a few scenarios on how the two of you could get away with it in the store.
It helped that it was a pretty private dressing room, considering the store was made just for the nobles, where it was just you and him.
Even the workers were far from earshot, attending to the other customers at the front.
But he didn't continue since he saw you enjoying your little date and didn't want to ruin your good mood.
It didn't help that you would ask him for help to put some of them on, though... Or take them off.
Besides, he has the whole night planned just for the two of you, and he's making sure no one would bother you two.
You hummed happily as you swung the bags in your arms, satisfied with your purchases.
"I'm surprised you agreed to go shopping with me, Will!" you mused as you turned to William, "Didn't you have a meeting later with everyone? Wouldn't you be late?"
William gave you a smile as he grabbed your hand, "The meeting was moved since some of the professors were out sick,"
"Is that so..." you trailed off, shrugging off his response.
William quietly chuckled, remembering the surprised expressions his comrades had when he said the meeting was canceled and assigned a new mission to everyone.
The manor was now empty until morning.
"Well, whatever! I can't wait to try these at home," you beamed, looking down at your new haul.
"Indeed," William agreed, a dangerous glint in his eyes.
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Sherlock Holmes
He never saw the appeal of the lingerie until he saw it on you.
Now, lace is his favorite thing on your body.
The first time he saw you in lingerie, it was like he shut down.
He didn't say a word, but his eyes were glued to you as he reached his hand out to you.
When you walked up to him, he eyed every inch of your body, engraving the image of you in his mind.
To him, you looked ethereal.
Like beauty personified.
When he did speak, it was soft and breathless, as if you rendered him speechless.
And when you did it, the sight of you in lingerie and covered in hickeys he left is now his favorite thing.
He gets more possessive whenever he sees you in lingerie.
And surprisingly more gentle and slow, wanting to enjoy every second of it.
Now, every time you buy a new set, he likes having a private fashion show.
When you bring him to a lingerie store, he is not embarrassed at all.
Hell, he'd even pick out a few things for you.
You can tell his compliments are genuine with how serious his expression is.
"Sherlock?" you called out, slowly walking up to him.
His eyes were completely wide as he looked at you.
"Sherl?" you called out again, but no response as he continued to stare at you.
You bit your lip as you covered yourself, feeling self-conscious wearing nothing but a bustier with matching underwear.
"Don't,"
"Huh?" Sherlock quickly grabbed your hands, pulling them down to your side.
"Don't hide it. You look beautiful," Sherlock breathed out, mesmerized by your outfit as his eyes slowly looked up at you.
You felt your face flush as you looked away, unable to meet his gaze.
"You're staring too much,"
"I disagree,"
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Louis James Moriarty
You almost gave the man a heart attack.
He was not expecting to see you in lace and sheer one night after a long day of house chores.
Was it an unwelcomed surprise? No. Definitely not.
That night, he was just hoping to have some downtime with you after working the whole day.
So when he saw you by your dresser half-dressed putting on stockings, it was like the man turned into stone.
Minutes later, Louis came back and saw you in your robe, relieved to see he was okay.
His face became completely red when he remembered what happened and apologized for walking in on you.
Even though you forgave Louis, he's still scolding himself for liking what he saw.
What's more, his eyes would gaze over your robe when it would slip.
Explaining why he slammed his head on the table was interesting, to say the least.
So when you told Louis it was okay for him to look, he was still shy. But you would catch him stealing glances your way.
He tries to compliment you, say anything coherent for that matter. But he just mutters something while looking at the ground.
However, the moment he got more confident, his hands would not let you go.
Suddenly, he's fluent in dirty talk and knows just what to say to get you in the mood.
And he makes sure you know just how beautiful and alluring you looked that night.
"I truly apologize..." Louis muttered, a cold towel over his head as you chuckled, tying the robe tightly around your waist.
"Don't be. I'm just surprised," you reassured as you removed the towel, making Louis meet your eyes.
You weren't sure, but you swear you saw his eyes tracing your robe down to your chest.
His face turned completely red instantly, making him turn away.
You breathed out a smile as you hugged him tightly, kissing the top of his head.
"I'm really not mad, Louis!" you giggled, swaying side-by-side.
"Besides, that was for your eyes only, you know?" you grinned, making the man freeze as steam came out of his face as you snickered.
"Please don't tease me..."
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kmgkmg · 1 year
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IT WILL BE OKAY - YOON JEONGHAN
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word count: 2.6k…
pairing: jeonghan x gn!reader
synopsis: your boyfriend (yes, the one and only, yoon jeonghan) is being stubborn and refusing to admit that he's sick
genre/s: fluff, non-idol!au, bf!jeonghan, established relationship, domestic
warnings: slightly suggestive, but it's all just teasing.
rating: pg-13
a/n: i recently ate some chicken dumpling soup from one of my favorite restaurants and it had me thinking about how svt would act when they're sick. okay, when i say svt i mean jeonghan. anywho, i hope y'all enjoy this fluff! titled after it will be okay by yun ddan ddan (i had no idea jeonghan recommended some of his songs? he has taste! also this ep brought me back to 2018) thank you a bunch to @toikiii for being a beta reader for this fic!
The lights were on when you entered your apartment, which surprised you since you thought he would already be sleeping. You placed the food you picked up on the kitchen counter next to the stove and swiftly headed to the bedroom. Jeonghan was sitting on his favorite chair, preoccupied by his phone. You could tell he was listening to music by the way his body subtly swayed to the rhythm of the song. 
“What are you doing?” You asked only to be met with no response. He was evidently absorbed in the music and couldn’t hear you. Noise-cancelling headphones are a blessing and a curse, you thought to yourself before tapping his shoulder to alert him of your arrival back home. 
“Y/N, my baby’s back!” He takes off his headphones at lightning speed and goes in to give you a kiss, a greeting that has become normalized between you two. You put up your hand to stop him in his tracks resulting in your boyfriend having a quizzical look on his face.
He pouts, “Why are you depriving me of our daily greeting?” 
“Your fault for being on your phone,” You reason curtly. 
Jeonghan’s bewilderment with your mood only grew bigger because you just got home. He couldn’t figure out why you were upset with him. Nevertheless, he resumes his usual chatter after work and shows off his new AirPods Max that Seungcheol gifted him.
“Seungcheol had these shipped to the apartment and they came a couple hours ago, he said it was a gift since he lost the game that we bet on last time we went to CHEERS Pub,” He chattingly tells you, happy to see you after a long day. 
You belatedly notice the new condition of the headphones resting on his shoulders. Creating a mental note to send an angry lengthy text to Jeonghan’s friend for gifting it while your boyfriend was sick. He did need new headphones though, his last ones only had one ear that worked properly.
“You mean the bet you cheated on?” You grin, used to his dirty shenanigans when hanging with his friends. 
“Shh, all Seungcheol thinks is that the bar’s cue sticks were faulty,” He shushes you, making you both recall the chaotic night of pool that took place. There was never a dull moment with Yoon Jeonghan as your boyfriend.
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You realize that he still doesn’t know that your neighbor Joshua texted you earlier. Joshua informed you that he heard some coughs through his wall that sounded painful. Without Joshua’s text, you probably wouldn’t have known about Jeonghan’s sickness until he had already recovered. Unlike popular belief, Jeonghan typically doesn’t like getting attention when he’s feeling unwell. Well, he likes getting doted on by anyone but you. He feels it’s a huge inconvenience for you, since he knows that most of the time you’re stressed out about work. You’ve tried to change his ways by telling him you’re his partner and it hurts you to not know he’s ill. Yet, each time he’s been ill he’s managed to hide it from you. This time though, now that you’re aware, you can’t sit and do nothing. You won’t. 
You bought rice porridge from his favorite restaurant and although he usually ordered cheonggukjang, the rice porridge was definitely more fitting for his current state. He smelled the heavenly fragrance coming from the kitchen and stopped talking about his headphones to investigate. He strolled over leisurely with you close behind him. 
“What's this?” He wonders audibly while opening the bag and becomes confused while looking at the food in front of him. What occasion calls for rice porridge?
His confusion turns into worry, “Is my baby sick?”
He darted over to where you were on the opposite side of the counter and put his hand on your forehead to check your temperature. Yet again, he’s left feeling immense confusion since you feel fine. 
“Cut the act, Yoon Jeonghan.” You groan, attempting to also feel his forehead with your hand but he dodged your touch before you could do so. 
He knows you mean business, since you brought out his full name. Still, he didn’t want to cave in and think that you had somehow sensed he was ill.
“What act my dearest Y/N?” He feigns ignorance with a smile, trying to preserve his artificial naivety to the situation. Your eyes were fixed on something behind him, causing him to sharply snap his head back. Not noticing right away, he shrugs at you so you simply point at the trash can by the sofa full of used tissue. 
“Do normal people use that much tissue in one day, Yoon Jeonghan?” You rhetorically ask, feeling successful in collecting evidence of his illness. 
He scurries to hide the tissue but realizes it’s too late. Every attempt to get back to his relaxed composure are failures. Nonetheless, he moves the trash can behind the sofa’s arm to hide it in hopes that you wouldn’t bring it up again.
You clap your hands victoriously “Ha, I got you!” 
Well technically Joshua did, but seeing Jeonghan flustered was a rare occurrence so you wanted to take the credit and remember it. You also needed to thank Joshua for his helpful intel, but that was for another day. Turning serious again you returned to the food and started pouring the porridge out into a pot. You knew that he liked his food hot, but having piping hot food wasn’t the best idea when he’s as sick as he is. Still, lukewarm porridge quickly becoming cold porridge was definitely not what you wanted to give him. Warming it up on the stovetop, you were clueless to his presence behind you.
Jeonghan was lurking behind you and checking your process by looking over your shoulders silently. He knew that you tended to tune out the rest of the world when you were focused on something else. Your intense concentration skills are something that he loved about you.
Today you were more attentive since he was sick and you quickly noticed him behind you. Also, trying to breathe behind someone silently when you have a congested nose is impossible. No matter how hard he tried to be quiet, his labored breathing could be heard, especially given the close proximity he was behind you. Turning around, you frown at him while lightly caressing his cheek with your free hand. 
“Sit down on the couch, please. No phones, no headphones,” You requested, surprising both of you since he was usually the assertive one between the two of you. 
So that's why you were grouchy about me being on my phone, he thought to himself. “Is that what my baby was brooding about, hm?” He sang out to you, walking to the couch in compliance. 
“But Y/N, I swear I’m not sick-” He tried to deny his sickness, mainly because he doesn’t want to worry you. Secretly, the smallest part of him also really wants to listen to music with his newly gifted headphones, but luck wasn’t on his side. 
He breaks out into a coughing fit before he can even finish his sentence. Defeatedly taking a seat on the couch, he extends his arm out for the tissue box on the coffee table next to him. 
The burner on the stove was turned low to simmer anyways so you filled up a glass of water and rushed over to the couch, concerned for Jeonghan.
“Hannie, it will be okay but please rest and let me take care of you.”
“But I’m fine, really.” He bluffs. He tries to return to his music, giving you a weak smile to reassure you but you softly take his headphones off his ears and sit down on the couch next to him. 
“If you don’t use these or your phone until you get better I’ll buy you whatever legos you want,” You promise, hoping that would be the final motivator to discourage his music listening for the night. 
His face changes completely, brightening up at your words. That’s an offer he would gladly accept. Seeing you so close to him for the first time tonight, Jeonghan’s able to see your disheveled hair and forehead with a few beads of sweat slowly rolling down your face. His face does a complete reverse from the brightened appearance it had with the mention of the legos, darkening enough to make one think you broke his pet rock. Did you run home?
“You were really concerned about me, huh?” He holds your hand in both of his, suddenly feeling extremely guilty for not listening to your requests earlier.
“Of course I was. I got a text from our neighbor that you were coughing and then you weren’t replying to my text messages. My supervisor made me work overtime so I couldn’t even rush home early to you,” you spill out, tears now falling off your face, mixing with the sweat droplets.
“You texted me?” Now it’s his turn to be concerned as he pulls out his phone one last time, checking his messages and seeing no recent ones from you. He scrolls hurriedly, turning his phone to show you. Although he figured it’s his phone’s fault for not delivering your messages he only feels more sorry, hugging you with one arm and wiping your tears with his other hand. 
You opened your own messages, only to see that none of the messages ever sent.
“I hate my work’s wifi so much,” you sigh, still embraced by Jeonghan on the couch. He consoles you a bit more as your breathing returns to normal. You stay like this for a while more before remembering the porridge was still on the stove, “It must be boiling hot!”
Jogging back over to the kitchen, you taste a spoonful of the porridge and are relieved at its mild temperature. The simmer function has to be one of the best inventions. You pour it into a bowl that you made for Jeonghan on one of your first dates. His mug ended up wildly deformed and became large enough to function as a vase. But, you never knew ceramics could be so much fun. Jeonghan was always the one planning your dates and he always found nice activities to do. He was a large part in the fun factor of your pottery memories, the reason that your apartment was crowded with your amateur creations.
“Baby, do you want to try this?” You inquired, stopping your reminiscing.
He comes over to the island in your kitchen and takes a seat on the stool, eating a spoonful of it.
“You got it from my favorite restaurant didnt you?” He fondly looks up at you while enjoying another spoonful of the porridge. 
“Mhm,” You hum, grabbing your order out of the plastic bag. You reached in the sink for a bowl that you could’ve sworn was still dirty, only to see the sink was empty. You were going to do the dishes once you finished work, which means the empty sink could only be attributed to Jeonghan. He did the dishes before you came back even though it was your turn, and in a sick condition at that. You leaned over the sink and gently grabbed his head to give him a kiss on the forehead. He was still holding his bowl of porridge and stayed quiet for a while, unsure but grateful towards what he did to warrant your affection. 
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Thirty minutes later, Jeonghan and you were both finished with your dinners and feeling full. You were playing with his hair as you both rested on the sofa, sitting and enjoying the quiet. Still have plenty of time to aid him back to health, you thought while glancing at your work bag. You were glad you stopped at the convenience store on the way home practically buying everything known to man to make him feel better. Cold medicine? Check. Calming tea? Check. Fuzzy socks? Check. You could tell he was getting sleepy since his body heat was warming you up as well, nearly making you fall asleep. 
“Jeonghan, can you move over slightly so I can get up real quick?” You whispered, careful to not disturb his relaxed body next to you. He silently obliged, immediately flopping onto your empty space to cling onto any of the lingering warmth your spot might have. 
You walked to your work bag which you left in the bedroom, grabbing a cooling patch since you could tell he still needed to break his fever. Holding it behind your back with both hands, you sauntered over to the couch. 
“What are you doing?” Jeonghan nervously asks while getting up from his lying position. He was used to that mischievous smile on your face. It was a smile that rivaled his own scheming one, an aspect that initially attracted him to you. But now, he knew better than to view that smile as charming.
“Just making sure you get your daily greeting, even if it’s delayed,” You reply, watching him stand up from the couch. 
“But you’re going to get sick,” Jeonghan stumbles on his words, trying to hide how flustered he was. Still, you were walking over to him with a stare that left him breathless. Your greeting was typically just a quick peck, what were you planning to do to him?
Your smirk only grew wider as you saw his flustered expression, well-aware that he didn’t know what was behind your back. Soon enough, you were face-to-face with Yoon Jeonghan as he waited for what seemed like an eternity. You took one hand off your grip of the cooling patch, using it to push his chest. He was caught off guard so he fell backwards onto the couch. He gulped at your actions, still not understanding what was happening. You wanted to be face-to-face with him, so you placed one of your knees in between his legs and bent down to reach his eye level. 
“Y/N, seriously what’s gotten into you tonight?” He giggled, loving every second of it. 
“Nothing,” You replied, leaning even farther, enough for him to close his eyes. He was expectant and you knew he would immediately sulk. 
His eyes reopened to reveal a blank stare looking back at you. You backed away from the sofa, content with your placement of the cooling patch. He slowly touched his forehead to be met with the cold sensation from the patch and his blank stare became a sullen look.
“Why am I getting no kisses today? Don't you know you shouldn't tease a sick person?” He complained, making your predictions correct.
You shrugged at your boyfriend, “In my defense, I did give you a forehead kiss during dinner. Like you said, if I kissed you for real we would both get sick. We need to have at least one breadwinner to pay the bills, right?” 
He whined, “But, I’m going to work tomorrow too!” 
“Like hell you are, I already called in for you,” You refused, finding your place on the sofa next to him again.
“The sooner you feel better, the sooner I’ll buy you those legos…” You trail off with your reminder, extending a hand out for him to get up. If he was going to fall asleep the bed would be a hundred times more comfortable than the sofa, and it was getting late.
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"You should be tucked in, but not too much that you can't break your fever," You explain, helping Jeonghan into bed as you headed to the bathroom to change into pajamas.
“Thanks for taking care of me, Y/N. I won’t hide it anymore when I’m sick,” Jeonghan promised you, making you grin at his stubbornness crumbling away. You couldn't see him, but you could tell he was blushing by the timidness in his tone.
“See, being cared for isn’t that bad, is it?” You point out, crawling into bed next to him.
“Not when it’s you,” He mumbled with a soft smile, drifting off to sleep.
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hooked-on-elvis · 14 days
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The "Street suit", worn onstage by accident (1975)
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TWO-TONED STREET SUIT | Other names: Penguin suit Used only once onstage, on August 19, 1975, at the Hilton Hotel in Las Vegas, Nevada, during the Midnight concert. Elvis wore the suit with a Black Macrame belt. Info from website elvisconcerts.com (Jumpsuit index)
According to the rumors, Elvis was late for the show that night and he had no time to change his clothes, so he just walked on-stage wearing what he had on at the moment: the Two-toned Street suit.
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Elvis during concert in August 19, 1975, at the Hilton Hotel in Las Vegas, Nevada.
This sounds a little off to me, to be truthful. If EP in fact wasn't intending wearing the Street suit onstage then I wonder the reasons why: Did he get distracted and forgot to change his outfit in time? Maybe he was visiting with fans backstage or too busy chatting with guests/friends/family in his suite while resting before another concert could begun? (He performed the dinner concert the same night at 8:15pm and wore the Totem Pole suit for it); perhaps something happened with the other outfit he planned to change into for the second concert, considering he didn't want to wear the Totem Pole suit for both concerts the same night; or Elvis simply felt like wearing the Two-toned Street suit because he felt more comfortable in it at the moment. I guess we'll never know what actually happened.
UPDATE: I learned reason why he probably wasn't properly dressed for the August 19th concert. Thanks @deke-rivers-1957 for commenting on this post and sharing your knowledge on what was going on in Elvis' life in those days. I see I was only trying to be optimistic while guessing why Elvis wasn't properly dressed onstage in August 19, 1975 because it went through my mind it could be due to illness someway but I chose not to mention this possibility before. Thanks to you, we have an answer to share here. There you go:
Friday 15, in August 1975 "Late in the evening Elvis leaves Memphis for Las Vegas, very likely in the Jet Commander, but the place is forced to make an unscheduled stop in Dallas when Elvis has difficulty breathing. After resting for several hours in a motel, he recovers sufficiently to continue on the trip." Excerpt from book "Elvis Day by Day: The Definitive Record of His Life and Music" (1999) by Peter Guralnick and Ernst Jorgensen.
Using my words to finish the explanations, Elvis was visibly not okay since, at least, August 15, but all signals were ignored by him and the ones around him. On August 18, 1975 Elvis opened another engagement in Vegas, at the Las Vegas Hilton, but he was visibly still not in good shape. In the book, Ernst Jorgensen says "Elvis had to sit down for much of the performance". The 19th was the second concert night at the venue. Apparently, other than the "wrong suit" situation during the second concert that night, the shows ran smoothly — During the first concert that night, Elvis wore one of his proper performance outfits, the Totem Pole suit, as mentioned before. A possible reason why for the second concert he was dressed casually can be explained from what happened in August 20. On August 20, Elvis told his manager, Col. Parker, he wasn't feeling good enough to perform. Colonel Parker told him to perform that day again because "no prior notice had been given". After the concerts in August 20, the remainder of the shows at the Las Vegas Hilton for that season (it was suppose to be a two-week engagement) were "canceled due to illness". On the 21st, Elvis was back in Memphis and he was hospitalized at the Baptist Memorial Hospital.
The way I see it now with the accurate information, Elvis was trying to say he wasn't feeling okay and this suit was likely his way of showing he was ready to go home. It's only mentioned he was vocal about his illness on August 20th, but knowing this "Street suit" concert was the second that night on the 19th, Elvis was probably not intending to even perform a second concert when he wore his off-stage wardrobe during a performance that night. Maybe backstage he was trying to convince Parker to let him cancel the second show for the night and he didn't succeed in his attempt but it was too late to change his outfit for the show, or, perhaps, knowing a little of Elvis' personality, he was probably not dressed to perform just to piss Colonel Parker off, a way of showing his will needed to be respected and taken seriously.
I confess I really was trying not to imagine EP was sick during that concert, but that's the backstage story behind the "Two-toned Street Suit" worn onstage in 1975.
LET'S SEE THE KING IN ACTION WEARING THAT SUIT:
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Elvis had several different colored "two-toned street suits". He wore them during 1975 and 1976. This was the only one which was worn on-stage. Excerpt from website elvisconcerts.com (Jumpsuit index)
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VERSIONS OF THE TWO-TONED SUIT
About that, it's a part of Elvis's personality, as his friends told over the years, "when Elvis likes something, he goes all the way". From general off-work activities (going to the movies, amusement parks, riding motorcycles, collecting guns/police badges, and so on), to food and also to his wardrobe choices, Elvis overdid things when he liked something.
The King owned clothes in the same model in different colors, usually his favorites (blue, red, black and white). Below we have an example of this, before going to the Street Suit.
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Two-toned Street Suit
EP had at least four of them: two are black and white with the variation between them being the reverse color scheme, another one goes in two shades of blue and a fourth suit goes in brown and beige tones.
The one he wore onstage is in the second picture below, this time worn casually, as usual. On the photos in both sides of that one, Elvis is wearing the reverse color scheme suit - same model but white with black side stripes and black lapel. On the latter pictures Elvis is wearing Two-toned Street suits in blue and another one in brown/beige tones.
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Sometimes Elvis would wear the Two-tone suit jacket as a coat, over his actual stage wear:
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The King wearing the Chicken Bone suit with the jacket of his blue shades "Two-Toned Street Suit" over his shoulders.
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Elvis performing at the Hilton Hotel in Las Vegas, Nevada, on August 19, 1975 (Midnight concert).
Note: Those are only the pictures I could find of this one suit model Elvis had in different colors but it wouldn't surprise me if EP had more of them, which I imagine it would go in red-white or red-black color schemes or even all white/all black versions, but I haven't found pictures that can endorse this theory, so far.
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chained-to-the-mirror · 2 months
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Back from my portrait hiatus, I drew my darling babygirl.
I have been trying to go through my thoughts about what OFMD has meant (and means) to me. It’s been some days now since we heard from David Jenkins that it is officially over… In my heart I was expecting it, but it was still a blow. Still, during the time between the initial cancellation and right now, I have been slowly coming to terms with the fact that we have two wonderful, wonderful seasons of TV and they are forever. I know for a fact that even if Max deleted the show and it was never again seen anywhere (legally), it would be forever burned into my brain. I can recite it in my sleep at this point, yet I still keep re-watching. Why? Because this show is like no other, to me.
When S1 first came out, I was not the person I am now. Nothing much has changed externally, but in my mind, things have shifted. The character of Ed triggered my the journey of figuring out that much of my personality and behaviours have very likely been shaped by trauma. Now, I have been in therapy, have been hospitalised multiple times, have been seeing a psychiatric nurse for years - I know I have issues, some of them even have names. But not until I saw Ed did I realise that trauma may be at the core of it all. 
It’s funny, because I’m not like Ed. I am very introverted, very insecure, not particularly skilled, not popular. But I relate to him so much it’s not even funny. What happens to him means the world to me. So what a gift it is that we got to end at Ed being happy, and on his way to recovering from all the traumatic experiences of his past. He got his happy ending! That is a rare thing indeed. I felt vindicated in some way, like I was cheering on a dear friend and they triumphed. 
So, in some ways, I can’t be too upset that we don’t ever get more of all their stories. Of course I AM upset, but not necessarily so much for myself - more for the creators, and the fandom as a whole. Most of my friends have not even seen S2, and none of them is obsessed with this show like I am. It gets lonely sometimes, but when I come on Tumblr and scroll through my dash, I see all these people who ARE obsessed, and who really live and breathe the show. I am an outsider looking in, but it’s still a bit less lonely.
My contribution to the fandom is an occasional art, and reblogging All The Things to by sideblog @dearpirates - it hasn’t got that many followers, but really I am using it as my teenage bedroom wall where I plaster all the shiny and lovely and maddening things for myself to see. There are so many wonderful things and people in this fandom.
I really hope the fandom survives, and thrives. I would miss it dearly if it ever went away. Many of the people I follow feel like friends to me, even though we’ve never spoken. That said… if you ever want to talk to someone about anything OFMD related, my inbox is there for you. Ask box too. I would love to actually talk to people, but I am very shy so I can’t really take the first step usually 😅
This got long. Thank you if you read to the end and didn’t just look at the art above and scroll past the wall of text.
Patreon / Ko-fi / Society6 / Redbubble / Commissions / Colouring book
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AITA for dismissing a friend?
So this happened a couple years ago. I had a friend I would hang out with every couple of months for nails or eating out (we paid separately always). I vented to her a lot, but in a way that seemed normative at the time. She entered a great long-term relationship after experiencing relationship violence and sexua trauma in her previous one, which was excellent!
During their second Christmas together, she cancelled a lot of plans with me because she was exhausted and recovering from a surgery, and she wasn’t feeling good enough to go out in public. I gave space, I put the gift I bought her in the closet, and I waited. However, I kept seeing her going out on dates to the mall and other “fun” retail outings with her boyfriend on social media, so I stopped reaching out altogether. In my mind, and this was precipitated by a hot minute of having pretty surface level communication, it was a clear sign she didn’t want to interact with me.
Cue several months later (either months or a literal year) out of the holiday season, she hits me up to try and exchange gifts. I flat-out tell her I’m surprised she asked but that I’m unavailable, but I offer to put what I bought her on her doorstep. She asks why, and I tell her it’s about what I thought was a bogus excuse and what I saw on social media.
She comes back at me with apologies and tells me that she had had an intense plastic surgery with a difficult recovery process and was making the best out of it with someone she could trust to take care of her while she was out. I accepted her apology, I didn’t mention it again, but we never got up to exchange gifts or talk ever again. I’m worried I might have hurt her feelings.
… I still take my car to her parents auto shop, and it gives me a little anxiety not knowing if I have something to apologize for. Was I the asshole for not trying harder to show love when a friend seemingly gives a “phony excuse”?
What are these acronyms?
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chronicbeans · 1 year
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helllo!! i hope you don't mind me asking this but, since puppeteer reader is stuck in 'welcome home' show and the welcome home staff quits, that would mean reader is stuck there forever, and so..., would the reader age? like if puppeteer reader was in their mid twenties something, and reader is stuck there do they age? if so how would the puppets handle this? would the puppets try to preserve reader? or just be davastated? (and since in the last post the puppets seems to worship reader ,specificcally wally).
and also if by any chance reader escapes the 'welcome home' show how would the puppets also handles it??? and how would the staff,henry,angela,etc react to this? (also the welcome home and real life time is the same?).
(i hope this ask is not too much and overbearing *crys*)
That age related question is a good one, with a surprisingly simple (at least to me, probably because I am the one who came up with it) answer! I'll also answer your second question under the read more, too!
The reader will age as long as the show continues and the show is on air, because that's how time works in Welcome Home. Basically, everytime there is a broadcasting of the show or someone plays their copy of it at home, time will continue in the Welcome Home world. So, the reader will age. If the show is off, and no one is playing it, time will stop. The puppets have never really experienced night before, because the show was never completely cancelled, but once it is, everything is dark due to there being no studio lights to make it day. Then, once there are no reruns and no one is playing the show at home, time stops. The puppets can still move and live out their daily lives as normal, but any changes caused by aging don't exist because time isn't moving. Eddie would probably be the first to notice, because his watch's hands would stop ticking. If the reader were to get injured or sick, it might be a problem. The wound would never really heal, and since time is a big part of getting over illness, they would never truly recover. However, if they weren't sick when time stopped, they would never get sick, because it takes time for an illness to manifest itself physically. I hope that makes sense, lol. I don't think I am good at explaining it.
If the reader were to escape, a multitude of factors would impact it. If they escaped relatively early on, the people in the real world would simply be overjoyed. It is not that they would not be happy if you escaped later, it is just that later on, the show was cancelled... So if you escaped later, you most likely wouldn't have aged. So Angela and Henry and everyone else would be physically older. Who knows? Maybe Angela even passed away somehow and Henry is an adult by the time you left. Imagine how shocking and, most likely, scary it would be to find your family member back after being missing for years... Only for them to look the exact same as they did when they went missing.
The puppets either way, would be devastated. Especially Wally. Think about it. You are basically their deity. It would most likely be traumatic for them to realize that their deity has abandoned them. Wally, being the one who was the most attached from his time spent in the real world, would feel as if he is responsible for you leaving. He was meant to make you happy! He was meant to be a good puppet so that you would stay and bring joy to the neighborhood! He's failed not only you, but himself and all of his friends! He can't bear to look at them, now. He'd just lock himself away inside Home, most likely just surrounding himself with all the drawings and letters he made for you.
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uhbasicallyjustmilex · 10 months
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ARCTIC MONKEYS 25/06/23
okay now that i've had some time to (slightly) emotionally and physically recover from yesterday, i need to flail about the highlights:
1) meeting one of my absolute favourite humans who i would never have got to know if it hadn't been for this little corner of tumblr - and then getting to share the excitement/nerves/elation/exhaustion rollercoaster of seeing am with them was just - there aren't even words for it. so special 💖
2) learning how to navigate rain ponchos
3) impulse buying too much merch (but also not regretting it. the glasgow tour poster is going to be the first thing going on my wall in my new flat)
4) the mirrorball starting to twirl just before they all came onstage and sending the colours of the afternoon sun everywhere
5) the sheer rush of the moment they all walked onstage together (also that was pretty much the only time i got to glimpse nick and matt at all 💔 from where i was standing i could mostly only see alex and jamie)
6) seeing alex a few metres away in real life after months of looking at his beautiful, dorky little expressions in photos/videos was surreal in the best possible way- there's just something so different about the way you get a sense of someone's energy when you're in the same space with them?? and as someone who's endlessly interested in people, i'm fascinated by how alex simultaneously gives off really reserved, self-contained vibes at the same time as being such a dynamic and captivating performer - like he’s so good at tapping into emotions without letting them be a door into how he’s actually feeling (if that makes any sense, my post-gig brain is not very articulate) i guess that all very much makes sense with all the stuff he's said about personas/performing, but it was still so interesting to get to really feel that sense of his presence in live time. he's definitely very much in control but in a very understated kind of way
7) a bunch of birds circling overhead on one side of the crowd, alex seeing them and dramatically declaring 'release the rest of the birds' 
8) me and the lovely human i went with turning to each other with expressions of sheer joy when the opening bars of crying lightning were played (and don't sit down. and four stars. and arabella. and - you get the picture. getting to share the sheer delight of your favourite songs being played is just the loveliest feeling 💗)
9) alex doing a quirky little 'ha ha' laugh in the middle of body paint 
10) mirrorball coinciding with the most beautiful pink dusk and half moon just above the stage, and getting to witness alex’s piano playing at the start of it
11) body paint. just. body paint. i think my soul left my body.
12) how much energy and enthusiasm alex seemed to have throughout the set - especially after the last week or so it was just the loveliest thing to see him messing about and having fun. and his voice sounded SO good. how anyone manages to sing like that (let alone sound like that less than a week after cancelling shows due to laryngitis) is an absolute mystery to me
13) alex's theatrical hand gestures for crying lightning (the one for gobstopper was a particular favourite)
14) hearing 505 when dusk has just fallen and you can see the smudged moon behind the deep indigo clouds is the only way anyone should ever hear 505 
15) alex and matt having a giggle about something mid set
16) obviously i was aware of how stupidly talented they all are - but there's something about seeing it unfold in front of you in real time that makes it really hit you. the sound wasn't great where i was for some of the time so i don't feel like i got the best audio sense of everything, but i was just so struck in particular by matt on the drums and also alex with his guitar playing. i feel like when i'm just listening to their records i'm so busy listening to alex's voice that i forget how incredible a guitar player he is and - wow. just. yeah. it honestly took my breath away.
17) getting the distinct impression that it provides alex with a sense of amusement to deliberately do that thing where he sings the lyrics at slightly different speeds to trip the crowd up
18) even though i ended up being in significant pain for the second half of the set and had to go find somewhere a little further back where i could lean against the railings (chronic pain conditions and standing for 6+ hours apparently isn't the best mix), nothing could dull how magical it was hearing all the tracks from the car that they played closer to the end. standing there in the dusk and feeling so much about everything is something i'll never forget. it truly brought home to me so poignantly everything about why am's music means so much to me and how much love i have for them 💜
19) being in the exact line of direction alex blew kisses to at the end
20) the hazy post-gig walking in the dark under lit up green trees with the lovely human i went with and our conversations about am and creativity and the courage of sharing music 💖
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the-badger-mole · 1 year
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Hallmarks of the Season: Part 6
"Zuko!" Katara launched herself into her fiancé's arms before she even realized she'd moved. Zuko was taken by surprise, but he recovered enough to pull her into a tight embrace. Katara buried her face in the crook of Zuko's neck and took in a deep breath. She was shaking and a moment later, Zuko realized she was crying.
"What's wrong?" he asked, horrified. "What happened? Are you hurt?" Katara shook her head and wiped her tears away hurriedly. Zuko fished a handkerchief from the pocket of his leather jacket- because of course he had a handkerchief with his casual clothes- and pressed it into Katara's hand.
"I just had an awful day," she told him. Zuko pulled her into a hug again and rubbed her back.
"I'm sorry," he murmured into her hair. "What happened?"
"You didn't call me back," Katara choked out a wet laugh. "It's always a bad day when I don't hear from you." Zuko drew back and searched her face for a sign that she was joking.
"I'm so sorry," he said. "I got done sooner than I thought I would, so I moved my flight up. I was going to tell you, but Haru thought a surprise would be more romantic, and-and its sounded like a good idea at the time..."
"Remind me to have a few words with Haru," Katara laughed again.
"I'm really sorry." Zuko pressed his forehead against Katara's. She shut her eyes and took in a deep breath.
"It's fine," she said. "This was a wonderful surprise. Just...don't go radio silent me? You didn't have to say you were coming, but I tried to call and you weren't responding to my texts."
"Never again," Zuko swore. He leaned in to kiss Katara, but she flinched away. Zuko's brow drew down, confused and hurt. An apology was already on Katara's tongue when the door of the house swung open to reveal Katara's family watching the couple with wide grins.
"Zuko!" Hakoda's deep voiced boomed out into the night. "Great to see you again."
-:-:-:-:-:-:-
Zuko was swept into the house in a flurry of laughs, loud welcomes, and jarring hugs. Kanna had arrived sometime while Katara was out, and she needed to be introduced in person. Sesi watched everything from between the banister rails. When Zuko smiled and waved at her, she waved back with a loud giggle and rushed upstairs to her room. Sokka shrugged at Zuko.
"She's pretending to be shy now," he joked. "Give her a couple of hours, and she'll decide you're her new best friend
Sokka, of all people, was the one to remember that they had someplace to be. When he announced that it was almost time to leave, and extended the invitation to Zuko, Katara's heart leapt into her throat.
"Zuko just had a really long flight," Katara reminded her brother. "Maybe we should reschedule."
"No way!" Sokka protested. "Su-I mean, everyone had to rearrange their schedules for tonight. I thought you were all anxious to drag Zuko around to everyone we know."
"I will!" Katara said, folding her arms. "But how about we let Zuko get settled first? He must be tired."
"I'm fine, actually," Zuko cut in. "I got some sleep on the plane. Besides, jetlag is telling my body that's it the middle of the morning still." Katara blanched. Her mind raced for a plausible excuse not to have to go to the bar that night. She had nothing.
"Alright," she relented. "Let me go get changed, then we can go." Katara fled the living room, praying that no one noticed her reluctance.
Katara grabbed fresh clothes and then went into the bathroom, locking the door behind her. She sank to the floor and dragged her hand through her hair. Maybe they would cancel if she said she was sick. Zuko would, she knew. The prospect of staying home and watching movies with Hakoda, Kanna and Sesi would appeal to him. Then she could get through the rest of this visit without seeing Aang again.
Sokka would ask questions, Katara reminded herself. And Zuko would notice her being evasive. Aang might not even show up. Or if he did, he would certainly not try to speak to her with Zuko there. Katara climbed to her feet and turned on the shower as hot as she could stand it. The steam had settled into a thick fog when she finally stepped into the shower, and she relished the the close feeling it gave her. She couldn't see much clearly aside from her own limbs. The water struck her skin almost painfully, but she welcomed it. She hadn't been able to get warm since she'd gotten home.
Katara got out of the shower before Sokka could start complaining about how long she was taking. When she went downstairs, her face still red from scrubbing so hard, she found Kanna and Sokka entertaining Zuko while Sesi helped Hakoda make snacks in the kitchen. The urge to just cancel the evening and stay home intensified. This had been all she'd wanted since Zuko said he'd join her family for the holidays. Sokka, though, was anxious to get going. In spite of herself, Katara was amused. Sokka had put on the best of his casual clothes. He was wearing a deep blue turtleneck sweater that played up his lighter blue eyes and warm brown skin. He was trying very hard to look good, and Katara was certain he wasn't trying to impress Toph or Zuko.
Not that Katara could claim her choice of clothes was completely coincidental. She was wearing a red blouse. Zuko had told her a few times that red was his favorite color on her. The way his eyes lingered on her as she walked down the stairs made her feel justified in her choice.
"You look pretty," Sesi said when she saw Katara.
"Very," Zuko concurred. Katara blushed and bit her lips to keep from grinning like an idiot. Still, Hakoda, Sokka and Kanna exchanged amused glances.
Zuko's reservation at the inn in town wasn't able to be moved up a day. He would be staying at Hakoda's house on the couch.
"I'll have a bigger bed in the guest room the next time you visit," Hakoda promised him apologetically.
"It's fine," Zuko assured him. "I did a lot of traveling volunteer work when I was in college. I've had a lot rougher sleeping arrangements than a comfortable couch in a nice home." Kanna sidled up to Katara and nudged her in her ribs.
"I like him," she whispered to her granddaughter. Katara grinned at Kanna and nodded.
"Me, too."
Sokka drove them to Toph's barcade. The Bind Bandit was only two years old, but it had become a staple among the young adults of the town. That evening the place was packed, but Toph had reserved a private booth for her friends. She was already waiting with Suki when Katara, Sokka and Zuko arrived.
"Hi!" Suki greeted them with a friendly wave. Then she turned to Toph and informed her of the trio's arrival.
"You don't have to give me a running commentary," she told Suki with a sardonic grin. "I can figure stuff out by context."
"Sorry," Suki apologized sheepishly. Toph's grin widened and turned mischievous.
"Oh, you're going to be fun to mess with," she said. "I can tell already."
"She's blind," Katara whispered to Zuko. "And she loves teasing people about it." Zuko nodded, then stepped forward.
"Hi," he greeted the women. "I'm Zuko." Then he stuck his hand out to Toph and waited a beat.
"Did he just put his hand out for me to shake?" Toph asked drily. Zuko, realizing his mistake, immediately shoved his hand into his pocket as the group erupted into laughter. Zuko even managed an embarrassed chuckle.
"Sorry," he said. "Force of habit." Toph grinned wolfishly and turned in Katara and Sokka's direction.
"Yeah," she said. "Tonight is going to be lots of fun." Then Toph clapped her hands and rubbed them together. "Alright, folks. Here's what's going to happen. You're my guest tonight to food, drinks and games are on me. Go bananas!"
"Alright, Toph!" Sokka cheered. "Suki, you have to try the banh mi sliders."
"That sounds good," Suki said. "I was looking a the fried cheese sticks earlier."
"Go up and tell the bar tender what you want," Toph said. "Tell them is for the boss's table."
Sokka and Suki volunteered to put in the orders for everyone and bring back some starter drinks. They were gone before Zuko could volunteer to help Sokka instead. Katara poked him in his side lightly and shook her head. Zuko's face lit up in understanding, and he winked at Katara. She let out a snort of laughter.
"It's so much fun when people have silent conversations around me," Toph drawled sarcastically.
"Sorry, that was rude," Zuko said, sliding into the booth behind Katara.
"I was just letting Zuko in on the little seeds of romance being planted," Katara told Toph.
"Those two?" Toph cocked her head towards the empty seats. "Yeah...I could see it. Suki's super into him."
"She said so?" Katara asked, her eyes widening in excitement.
"Not in words," Toph said. "But it's pretty obvious. She came in asking for his party and she kept casually bringing him up. I like her. Ex-military and she runs a martial arts studio, so you know she's no wimp."
"Sesi loves her, too," Katara said. She leaned into Zuko. "I really hope this works out. Losing Yue was rough on him. He hasn't been out with anyone since."
"Shh!" Toph nudged Katara. "They're coming back." Zuko turned and saw Suki and Sokka coming back carrying pitchers and a tray of shots. He turned back to Toph with a bewildered look on his face.
"How did you-?"
"I have my ways." Toph grinned, fixing her unnervingly sharp, sightless eyes on him. Zuko looked down at Katara, who just shrugged.
"You'll get used to it," she assured him.
Sokka placed two full pitchers, one beer, one soda on the table and stepped back to let Suki set her tray down.
"They're going to bring the food to the table," he said. "In the meantime, I think it's time to toast and get toasted."
"Hey, big brother," Katara reached over and pulled the tray of shots away from Sokka. "Did you forget you're our designated driver tonight?"Sokka's face fell instantly.
"Rookie mistake," Toph clicked her tongue. "You should've taken a cab."
"What if we leave the car here and take a cab home?" Sokka suggested.
"I'm not running a parking garage."
"Come on!" Sokka pleaded. "I never get to do stuff like this anymore." Toph thought for a moment, then a slow smile spread over her face.
"Alright," she agreed at last. "I'll let you leave your car here. Both out of the goodness of my heart, and because Sesi isn't going to understand that you have a hangover." Sokka blanched at that. He looked from the beer to the shots to the soda.
"Maybe..." he cleared his throat nervously. "Maybe I should get us a round of water. Just to stay hydrated." He hurried back to the bar, chased by the sounds of his friends laughing.
"So, Zuko," Toph turned towards him. "I already got the low down on Suki, here. Tell me about you."
"Well..." Zuko glanced around nervously and shrugged. "I'm not really sure where to start."
"Katara said you two met in Ba Sing Se?" Suki offered. "Were you born there?"
"No, actually," Zuko said. "I'm from Caldera. I moved to Ba Sing Se about ten years ago."
"Wait," Toph cut in. "Caldera? You're Zuko Kaji? As in The Kajis? As in the Sozin Inc. Kajis?" Zuko's face flushed a bright red.
"I haven't been associated with Sozin Inc in a long time," he said. "But yes, that's my father's company." Toph shook her head and let out a low whistle.
"I've met your dad," she told him. Zuko raised his brow expectantly. "He sucks." Suki choked on her soda
"Yeah, he does," Zuko snorted. "How do you know him?"
"My parents run a cyber security firm," Toph said. "They have a contract with Sozin."
"Oh!" Recognition dawned on Zuko. "You're a Bei Fong. Small world."
"Microscopic."
"Toph, I told you ages ago that Zuko was from Caldera," Katara reminded her friend. Toph just shrugged.
"I didn't put two and two together," she said. "I've heard about you. You stood up to your dad when he wanted to lay off a bunch of people to pay for a shinny new headquarters, then left the family business to do your own thing and took a lot of the people who'd been laid off with you. I'm impressed. That took guts."
"You did?" Suki asked. "That's really cool."
"Zuko's the most selfless CEO I've ever met," Katara said, beaming at him proudly.
"It wasn't all that," Zuko grumbled, drawing his shoulders up to his ears.
"And he's modest, too," Katara laughed. Zuko leaned in to kiss her, but Katara turned away at the last moment. Sokka returned with the water, distracting everyone. He set the pitcher down and looked around the table in confusion.
"Aang still hasn't shown up?" He checked his watch and frowned. "What's keeping him? Did he say he was going to be late when you stopped by his shop?" Katara could feel her cheeks heat up with consciousness. She shook her head uncertainly.
"Maybe he changed his mind about coming tonight." Sokka shrugged. "Still, you think he'd call or something." Katara made a noncommittal sound and poured a cup of beer.
"Why don't we grab a game or something?" Katara suggested.
"Not that one with the song lyrics," Toph said. "I cannot listen to Sokka's off-key butchering of whatever song he half remembered from the top 40 chart." Suki slid out to let Katara out. Zuko hurried after her. They passed a row of noisy arcade games to the wall of board games in silence.
"We need to pick something that Toph can play," Katara explained. "There are games with braille on them in that corner."
"Are you okay?" Zuko asked suddenly. Katara froze and turned to him with wide eyes.
"What do you mean?" She busied herself looking for a game. Zuko caught her hands and guided her around to face him, but Katara kept her eyes on their intertwined hands. She ran her thumb over his knuckles absently.
"You've been off all evening," he said. "Are you mad at me?" Now Katara met his eyes with a gasp.
"I'm not mad at you," she told him.
"You keep pulling away from me when I try to kiss you," Zuko pointed out. "You only do that when you're upset with me." Katara blinked hard against tears that suddenly sprang to her eyes.
"It's not you," she assured him. "I'm not mad at you. I just...I don't want to talk about it here."
"Did you want to stay home tonight?" Zuko asked. "I can tell everyone the jetlag caught up with me, and we can get out of here." Katara took a deep breath and hugged Zuko tight.
"I'm okay," she said firmly. "I want you to get to know my friends." Zuko hesitated, rubbing circles between Katara's shoulders.
"Alright," he said at last. "But let me know if you change your mind about leaving." Katara smiled into his chest.
"I'm sorry I made you think I'm mad at you," she murmured. "You haven't done anything wrong. You're wonderful."
"That's good to hear." Zuko pulled away and gave Katara one last concerned look over. Then he took her hand and brought it to his lips. Katara allowed him to press a quick kiss to her knuckles. Zuko started to lead the way back to the table, but Katara stopped him.
"We're supposed to be picking games," she said with feigned exasperation. They grabbed a trivia game, a comparison card game, and a block stacking game. This last one Zuko looked at with uncertainty.
"Toph is scary good at this game," Katara told him. "You'll see."
Katara was recounting one particularly epic game night when she and her friends were in high school, where Toph managed to pull the last brick from a row without toppling the precarious stack of blocks above it.
"To this day, no one can figure out how she did it," Katara said as the rounded the corner to the table.
"Hey, look to finally decided to join us," Sokka said, gesturing at the other end of the table. Katara's heart stopped, knowing exactly what was about to happen. Aang popped his head from around the booth and smiled at Katara.
"...hi," Katara said awkwardly. She cleared her throat and glanced around awkwardly and set the games she had been carrying on the table. "Um...Aang, this is Zuko, my fiancé. Zuko, this is Aang..."
"Hi," Zuko greeted him. "Great to meet another friend of Katara's."
"Yeah," Aang laughed. "I mean we were a little more than friends at one point." That statement landed with a thud. Zuko's smile faded a bit and Katara was sure her friends could see that she wanted the ground to swallow her. Thankfully, Toph saved the moment.
"Oh, please," she snorted loudly. "You dated her for two months in high school. That's a very little more than friends." Sokka and Suki laughed a bit too hard at that. Two angry splotches of red colored Aang's cheeks, but he slid out to let Katara into the booth. He started to sit beside her, but Katara grabbed Zuko's hand yanked him in behind her, nearly knocking Aang over in the process.
"Sorry about that," Zuko said in a way that seemed...less than apologetic. An awkward silence settled over the table. This time Suki stepped in to break the tension.
"So, what games did we get?" she asked. "And can we turn them into drinking games?"
"We got the tower game," Katara said, grinning at Sokka and Toph. "How about whoever knocks the tower down takes a shot." Sokka inhaled sharply.
"Slow down!" he said. "My liver can only take so much abuse."
"If we're going to do this, we'll need more than a round of shots," Toph said. She stood up and headed towards the bar. She came back a moment later with a full bottle of soju.
"You're trying to kill me," Sokka groaned.
"I thought you wanted to get toasted," Toph said innocently.
"Toasted," Sokka repeated as he took the blocks out of the box. "Not black out drunk. That's okay, though. I've been playing this game with Sesi for years now. I've gotten a lot better."
"Make sure you eat plenty," Katara said, pushing the plate of banh mi sliders and barbeque wings towards her brother.
"Did you guys order anything without meat?" Aang asked crossly, looking at the greasy meat sandwiches on the table.
"We have fried cheese sticks and onion rings coming," Sokka told him.
"Great..." Aang folded his arms and scowled. "That'll fill me right up."
"Simmer down, Aang," Toph said. "I have a whole vegetarian menu. Go order whatever you want. It's on the house tonight."
"It would have been nice if someone had thought to order something for me," he grumbled, climbing reluctantly to his feet.
"Well, maybe if you had shown up on time, you could have asked," Toph retorted, unsympathetically. "Stop whining and go get your food." Aang snorted irritably and went up to the bar to put in his order.
"What's his deal?" Sokka asked, scrunching up his nose.
"No idea," Toph said. "But if he doesn't snap out of it, I'm going to make him go stand in the corner." That got a laugh from the table.
Aang managed to find a better attitude by the time he returned to the table. He poured himself a shot from the soju bottle when he sat down. Once the game started, he took another shot, and he seemed to even be back to his normal cheerful self. He chattered on about memories from high school, and cracked his friends up with anecdotes from his misadventures over the years before he returned to his hometown. He even made an effort to get to know Suki, and not so subtly talk up Sokka in their conversation. To Katara he said little directly. To Zuko even less. As the evening went on, the slight was becoming more noticeable. Katara did her best to keep Zuko from realizing by keeping him involved in discussions with everyone else and encouraging her friends to ask him questions. Aang would huff and sigh and then turn the conversation in a different direction. At one point, Sokka stood up and announced it was time for another round of drinks.
"Aang, come help me," he said after he'd gotten everyone's orders. Aang agreed after a moments hesitation and slid out of the booth. With them gone, the conversation migrated around to Katara and Zuko's engagement and wedding plans.
"We haven't settled on a date yet," Katara was telling Suki and Toph when Sokka and Aang returned. "I think I'd like a spring wedding, though."
"I don't have a preference," Zuko said with a shrug. "But, I don't really want a long engagement."
"Gran-Gran said the same thing," Katara told him with a wide smile.
"What's the matter Zuko?" Aang asked, addressing Zuko directly for the first time. He reached across the table to grab his drink from the tray. "Afraid she'll change her mind?" Aang gave him an exaggerated wink and nudged him just slightly too hard in the ribs.
"Not at all," Zuko replied gamely. "I just don't want to wait too long to be able to call her my wife." Suki, and to everyone's surprise, Toph cooed at that.
"That's really sweet," Suki said. "I'd love to find someone who feels that way about me, someday." Sokka choked a bit on his drink at that.
"Are you alright?" Katara asked. Sokka was flustered, but he nodded yes and ran a hand through his hair.
"Whiskey just went down the wrong pipe," he said. Katara caught his eye and wriggled her brows at him. Sokka shot her a dirty glare and then pointedly looked away from her, but Katara was not to be deterred.
"You know, Sokka here is great at that dance game," she said.
"Really?" Suki asked, turning to Sokka. "I love that game."
"Oh...?" was Sokka's intelligent reply. "That's cool. A-are you any good at it?" Suki's mouth turned up into a smirk.
"Well, I was three time champ at my barracks," she told him. "I'd say I'm pretty good."
"Impressive..." Sokka cleared his throat and took another swallow of his drink. "Would you be up to a friendly match?" Katara could have cheered for her brother, but she settled for bumping her shoulder against Zuko's in excitement. Suki accepted the challenge and they ran off to the game. They didn't ask for an audience and no one offered to go with them. Katara and Toph joked and laughed a bit over the situation, and made predictions about how long it would be before Sokka and Suki were dating. Katara was going to suggest going over to peek at how the contest was going, when a server rushed up to the table, looking nervous.
"Um...Ms. Bei Fong," the jumpy young man gave a slight bow.
"I'm not working tonight," Toph told him.
"I-I know," the server stammered. "But...there's a situation in the kitchen."
"Whatever it is, you guys can handle it." Toph folded her arms stubbornly. The server shifted nervously on his feet, unsure of what to do.
"Okay," he said at last. "We'll try, but...the fire extinguisher is missing." Toph froze for a beat and then growled in irritation as she dragged herself from her seat at the middle of the circular booth.
"Honestly, what do I even pay a kitchen manager for?" she muttered. The server gave Toph his elbow and guided her back towards the kitchen. Zuko watched her go in alarm.
"Should we start making our way out of here?" he asked.
"Nah," Katara said waving off his concern. "It's probably just a little grease fire. But I do need to go to the bathroom." Zuko started to ask Aang to get up so he could let Katara out, but Katara told them to stay where they were and slid the long way out of the booth. Katara glanced back at the table, uncertain of whether to leave Zuko alone with Aang, but her bladder reminded her that she had a more pressing issue to attend to. She wouldn't be gone long anyway.
Aang was standing outside the bathroom when Katara emerged a few minutes later. She paused when she saw him, but moved aside to let him into the bathroom.
"I...um...came to speak to you, actually," he said. He swayed on his feet, and it was clear that the three shots and his drink had caught up with him. Katara glanced around nervously.
"We can talk at the table," she said.
"Please!" Aang begged. "I need to speak to you alone. It'll just take a moment. I just wanted to talk about...well earlier."
"Aang, honestly, it's fine," Katara fidgeted on her feet. "Just forget it, okay?" She started to walk away when Aang moved to block her.
"I don't want to forget it," he said. "Katara, that kiss was...amazing. I know you felt it, too." Katara's eyes widened in shock.
"I did not," she told him bluntly.
"Of course you did!" Aang insisted. "You kissed me back!"
"No, Aang, I didn't," Katara huffed in irritation. "Let's not discuss this now. You're drunk."
"You did, too!" Aang reached for her shoulders again, but Katara backed away. "I know you're confused now with him here, but you can't deny there was something in that kiss." Katara gaped up at Aang.
"Do you think that because I didn't pull away, I was kissing you back?" she hissed. "I was surprised! You started an argument with me! I had just told you that I love Zuko! How did that seem like the right time to kiss me?" Aang seemed genuinely poleaxed, which only served to further confuse Katara.
"But...earlier at the shop," he said. "You told me that you were upset because he hadn't texted you because he was too busy at work."
"Yes!" Katara shook her head. "Because I missed him! I was worried he wouldn't make it in time. What on earth would make you think I was angry enough to dump him over that?"
"He takes you for granted, Katara!" Aang stepped forward unsteadily, and Katara took a step back. "He's not good for you! Why don't you see that?" Katara glanced around again, but no one was coming down the corridor for the bathroom.
"I think I'm old enough to decide what's good for me," Katara scowled at Aang. "It's real presumptuous of you to think you can come back into my life after a decade and tell me how to live my life. I'm with Zuko. I'm going to marry him. If you're my friend, then act like it. Be happy for me!" Aang balked, and searched Katara's face for...she wasn't sure what. Uncertainty? A sign she was lying? Then after a moment, his face fell.
"So...yesterday in my office?" he asked. "Today, when you said you wanted an excuse to see me? That was nothing? You were just leading me on?"
"No," Katara scoffed and folded her arms. "Yesterday and today was me doing you a favor as a friend. I was just trying to help you with your business because I'm your friend. Me coming to see you was an an excuse to get out of the house. If you read more into it than that, then I'm sorry. That wasn't my intention." Aang shook his head in disbelief. Katara was going to attempt to push past him again, but he was quicker this time. Aang grabbed her arms at the elbows and pulled her forward.
"It wasn't nothing," he insisted, and leaned in to kiss her.
"Aang, stop!" Katara pushed against his chest and turned her head away from him. Then, suddenly, he was off her. Zuko had him pressed against the wall with his forearm braced against his collar bone like a barricade.
"She told you to stop!" he said darkly. Katara scrambled behind Zuko and clutched the hem of his sweater. Aang was startled. He blinked at Zuko owlishly and made a feeble attempt to push the less drunk and much stronger man away. For a moment, Katara thought Zuko was going to hit Aang, and she wasn't sure she would stop him. But the moment passed. Zuko took a deep breath and grabbed shoulder of Aang's shirt, dragging him out of the narrow corridor and back into the bar room. Katara was close on their heels. Sokka and Suki noticed what was happening and rushed over.
"What's going on?" Sokka demanded. He looked from Aang to Zuko to Katara and back, trying to make sense of the situation.
"He's had too much to drink," Zuko said, shaking Aang. "We need to get him a cab and send him home." Sokka turned to Katara, with a questioning look. She turned her gaze the floor and rubbed her elbow.
"He-he tried to kiss me," Katara told him. Several emotions flashed over Sokka's face before he landed on anger. He yanked Aang from Zuko's grip and shook him, which Katara was certain wasn't helping his inebriation one bit.
"Are you serious, dude?" Sokka demanded.
"I was just-" Aang tried to say. "You don't understand, Katara is supposed to be with me." Sokka let go of Aang shirt and pushed him away roughly. Aang staggered back and bumped into Zuko.
"I know where he lives," Sokka said. "I'll get him a cab." Aang resisted as best he could, but Sokka dragged him out of the bar with little trouble. Suki wrapped an arm around Katara's shoulders and guided her back towards the table.
"Are you alright?" she asked. Katara nodded her head and swallowed hard against a lump in her throat.
"No, I'm fine," she said. "He didn't hurt me or anything. He just-" Katara sank into the booth and sighed. Zuko sat beside her and took her hand. Suki looked up at the door with her lips pursed.
"I'm going to go wait with Sokka," she said. "In case something escalates." Katara wanted to tell Suki that Aang wasn't a physical threat, but she found she didn't have the energy. Then she was alone with Zuko.
"Are you okay?" he asked. Katara was going to say she was fine again, but the words wouldn't come. She took a sharp shaky breath before falling into Zuko's arms. In a scene reminiscent of his arrival earlier that evening, she cried into his shirt. Zuko murmured comfortingly and rubbed her back while Katara gathered herself.
"I'm sorry," she said when she could speak again.
"For what?" Zuko asked. "You didn't do anything wrong." Katara shook her head. She knew he was right in her head, but the guilt and shame lingered. She told Zuko what had happened earlier that day. About the first time Aang kissed her. How she hadn't pulled away because she was too surprised. Understanding dawned on Zuko's face.
"And that's why you didn't want to kiss me?" he asked.
"I just felt wrong," she confessed. "It doesn't make any sense, but I felt like kissing you after that would've been...I don't know. A betrayal or something. I know it doesn't make sense-"
"That's...normal," Zuko said. "When someone you trust does something that hurts you, it's normal to want to try to blame yourself. But, Katara, it wasn't your fault. You did something nice for Aang, and he chose to read more into it."
"You're not mad at me?" Katara asked. She curled into his side and rested her head on his shoulder.
"No," Zuko assured her. "Although, I think you shouldn't be alone with Aang anymore. I don't trust him with you." Katara let out a snort of laughter.
"Not a problem."
"Crisis averted," Toph announced as she walked up to the table. "I had to go over how to handle a grease fire to my crack team of kitchen experts." Toph felt her way to her seat. "So! What did I miss?"
-:-:-:-:-:-:-
The evening ended shortly after Sokka and Suki came back from putting Aang in a cab. Sokka was still fuming. After she had been filled in on what happened, Toph was equally as angry. She had the rest of the food they hadn't eaten packed up in to-go boxes and pressed them on Katara.
"You're always feeding people when they're in crisis," she said when Katara tried to refuse. "Let me return the favor."
Hakoda and Sesi were already asleep when Sokka, Katara and Zuko returned home. The couch had already been made up for Zuko, to everyone's relief. Sokka went up to check on Sesi, and then went to bed himself. Katara and Zuko lingered in the living room.
"I'm sorry this evening was such a mess," she said.
"I was having a great time, before that Aang guy went and ruined it." Zuko reached out and ran his fingers through the ends of Katara's hair. "I like most of your friends. I'm glad I got a chance to meet Toph and Suki." Zuko paused thoughtfully and rocked on his heels. "I was thinking... this town is pretty cool- well, what I've seen of it. Maybe we could have the wedding here?" Katara was stunned for a moment. Then she smiled.
"I think that's the best idea I've heard." She said good night and headed for the stairs. Then the paused and turned back.
"Forget something?" Zuko asked.
"Yeah," Katara nodded. She stood on her toes and kissed Zuko. "I love you."
-:-:-:-:-:-:-
Thanks to a combination of the night's early end and Sokka's diligence in keeping everyone hydrated, no one woke up with an insurmountable hangover. That was fortunate because, as Toph predicted, Sesi had no concept of hangovers and was up bright and early, and ready for her day with her Auntie Tara. Katara shrugged at Zuko helplessly as Sesi prattled on excitedly about all the fun things she and her aunt were going to do that day.
"I didn't know you'd be here," Katara told him. "And I did promise Sesi."
"You can come with us, Uncle Zuko!" Sesi suggested. Zuko preened at his official title, and he seemed to be ready to take her up on her offer, but Hakoda clasped his shoulder.
"Actually," he cut in, "I think this is the perfect chance for you and I to get to know each other better. It's a father-son tradition to crack open a couple of beers and watch the game. What do you say, Zuko? Want to join Sokka and I?"
"I-I'd love to," Zuko seemed genuinely moved.
The doorbell rang as the family was making final arrangements. Sokka got to it first and was greeted by a large platter of baked goods. He looked up from the tray to the owner, and his face lit up.
"Suki!"
"Hi," Suki smiled uncertainly. "I wasn't sure if anyone would be up for company, but I wanted to see if Katara was okay. I brought some sweets."
"That's never unwelcomed," Sokka said. "It's cold, though. Why don't you come in?' Suki shook her head.
"I have a class in an hour," she explained. "I have to go set up. I just wanted to check in."
"Oh," Sokka tried to keep the disappointment from bleeding into his voice. "Well, thank you!" Suki nodded and started to turn away, but then she paused, and turned back to Sokka.
"We never decided a winner last night," she said. "How about a rematch?" Sokka straightened up and puffed his chest with a cocky grin.
"Name the day," he said.
"How about Thursday?" Suki suggested.
"You're on!"
"And maybe after I win," Suki continued. "We can have dinner?" Sokka almost fell over in surprise.
"Yeah!" he agreed quickly. "Winner treats?" Suki raised brow at that.
"Isn't it usually the loser who treats?" she asked.
"Yeah," Sokka shrugged, "but I don't plan to lose." Suki laughed and waved goodbye to him.
"I'll call you."
Sokka went inside and found his family watching him with interest in the foyer. Hakoda was grinning, Zuko gave him a thumbs up, and Katara just looked smug.
"Daddy?" Sesi tugged on Sokka's shirt. "Were you flirting with Sifu Suki?"
the end
One, Two, Three, Four, Five, Six
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xoxoemynn · 20 days
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hey marianne tell us about the wip you're most excited about in as much detail as you want
HOO BOY WOULD I LOVE TO. And I have yet to consolidate this into an elevator pitch so it'll definitely be long. It started off as an Old Hollywood/Broadway AU and now has spiraled into what I'd say most simply is a dimension travel AU that's also a bit of a meta commentary on OFMD's cancellation.
I'll put it under a cut because this DID actually get annoyingly long.
OKAY SO. We have 1990s Ed. He's a legendary Broadway performer known mostly as a dancer but he's been getting a bit sick of it, but also doesn't know what he'd want to do next since he's still relatively young. He keeps putting it off until he injures his knee in a show and can no longer dance, and now he's forced to actually figure out what he's going to do next.
While he's depressed and recovering, he passes the time watching old black and white musicals. He discovers the dance team of Stede Bonnet and Mary Allamby (loosely inspired by Fred Astaire and Ginger Rogers, who were baby's first hyperfixation as a pre-teen, making this a VERY exciting project for me personally) and is immediately in awe of Stede, although surprised he's never heard of him before.
Through some hand-waving, Ed eventually realizes he's able to talk to Stede through the TV, and then later that he's actually able to enter the TV itself and exist in Stede's world. Except it's not just the 1930s. Stede's literally been living in a kind of grayscale purgatory that looks like his film sets. He has no concept of the passage of time, or even exactly what happened that caused him to be stuck there, and he's the only real person existing there, until Ed shows up.
Naturally they quickly fall in love, but they have a bit of a star-crossed lovers thing going on because they can't FULLY be together, and they also have different wants in life. For Ed, he LOVES being in this black and white world. He's in love with Stede, his knee doesn't bother him there, he gets to explore these really cool art deco film sets, he doesn't have to think about what he's going to do with his life. He gets to just be happy. For him, being in a black and white world cut off from everyone else but Stede is a small and worthy sacrifice for all that.
But Stede's been trapped there for 60 years with no sign of escape, and he misses being in the real world. He loves having Ed there and loves Ed, but he also wonders what else is out there. He misses being out in the real world and seeing everything in color and experiencing life off a Hollywood film set that was specifically designed to be entirely escapist for filmgoers looking to get away from their problems during the Great Depression.
So the bulk of the story is about Ed and Stede navigating their relationship and how they can really be together, as well as uncovering what happened to Stede in the first place that caused him to be trapped. It's got big themes of authenticity, acceptance, the temptation of avoidance, and being comfortable in the unknown. Influences that have wormed their way in include The Giver, Pleasantville, The Red Shoes, Barbie (lol), The Haunting of Hill House, Zaslav being a fuckhead, and an experimental art film called The Afterlight. It's taken me a LONG time to plan it because the world-building was really complex and there were a ton of little nuances to sort out, but I'm finally in a good place to really start writing it. I'm very excited because there are at least two REALLY sad scenes in it that I am 😈 about. But DEFINITELY a happy ending with a huge thread of hope running throughout, and is ultimately about creating a life for yourself where you can be your most authentic self, as terrifying as that may be.
THANK YOU FOR GIVING ME AN EXCUSE TO RAMBLE I LOVE YOU. 💕
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yellowloid · 10 months
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i think one of the main problems of tumblr (and fandom culture, and the internet in general) is that people tend to forget as human beings we are made of multitudes. nothing is ever just black or white - there are infinite shades of grey in between and that is the very thing that makes us, well, human.
sometimes people have contrasting opinions within themselves and - guess what - even contrasting feelings. sometimes people feel strongly about stuff and that is okay. you can love something/someone so much and at the same time find yourself disappointed by something related to it/them. that happens. it's okay.
i'm not gonna talk about what's going on on twitter because tbh i haven't checked so i have no idea wtf they're on about there, but i want to focus on our little tumblr community - which is so special because of the fact that it is (mostly) conflict-free, and if there's something we share it's a kind of visceral love for the boys that i'm sure everyone here can understand.
this is not an indirect @ anyone in particular, but i've seen some posts going around talking about all the negativity on the dash after last night, and i wanted to share my two cents on that.
we all love them. we all fucking love them so much and we know every time they set foot on stage we're guaranteed to be blown away by how fucking good and special and talented they are. they know how to deliver a spectacular performance (even in emergency situations like yesterday, with alex's laryngitis which is definitely far from gone) and they know how to keep the audience's attention fixed on them. they're a special kind of hypnotising, and every show is unique in and of itself *because* of their incredible presence, regardless of what setlist they might give us.
we all know that, and yesterday's show was no exception. it was amazing, powerful and breathtaking like every show they deliver. mindblowing, as always. as simple as that.
and that's exactly what can turn disappointing real quick. they know how fucking good they are. they know how much potential they have, and that all this tour they've been using up to 10% of said potential. they're incredibly talented and smart, and still decide to stick to their comfort zone every. single. night. with few exceptions, obviously, and mostly never from the album they're supposed to be touring. that's what upsets people here - the fact that they're letting their own HUGE potential go to waste.
glastonbury is a milestone. they had nothing to prove, of course, having headlined it already and more than once in the past. everyone knows what they're capable of. but glastonbury is special, too, and instead if felt like just another random show they could then go and tick off their list. done, next. rinse and repeat.
and of course we also all know it was an emergency. alex has been straining his voice for a long time now - the three consecutive london gigs were the breaking point, and i'm so glad they took a bit of time to let him rest, despite the fact that they probably hated having to cancel the dublin show. but they couldn't ditch glasto, and so they showed up and they did a fucking amazing job. alex sounded so good and i think i can speak for all of us when i say i was so incredibly relieved to see he was okay. i was shaking and biting my nails worried sick about him for DAYS up to the moment they appeared on stage and seeing him get up there and kill it with a fucking crazy performance, putting in all that effort and dedication despite the fact that he's no doubt still recovering (no way his laryngitis is 100% gone, and i hope he gets some more rest because he needs it) made me so proud of him, so fucking happy and proud and i couldn't really love him more. i love him so much, i love them all so much and i know everyone here also does. no one here is blaming it on him for whatever happened yesterday. we're all just fucking glad and grateful he could show up in the first place. he's the most special most talented most beautiful little guy ever and we all love and cherish him so much it hurts. and he did so fucking well, as always. i hope he knows that, and i hope he knows he's allowed to be sick and he's not to blame for anything. i would personally fight anyone who dared say anything bad about him because no one fuck's with tumblr's most beautiful most precious babygirlboy. no one!!!!!
having said that, big changes in the setlist - especially a live debut of hello you or other new songs - were highly unlikely and we all knew that. they probably wouldn't have had the chance to rehearse due to alex's sickness. and that's okay! sure everyone would love to see those songs finally make their grand debut. but that can wait, because alex's health is more important.
and let's face it. i don't think it's that big of a reach to say that even if alex hadn't been sick, the setlist wouldn't have changed that much anyway. there's songs that simply cannot be scrapped, songs to which they're particularly attached and songs to which average fans are also particularly attached. then there's songs that have been on rotation, and songs that have finally already made a comeback during the sheffield shows. taking away all that, the songs that have an actual real possibility of coming back aren't that many - as much as it hurts me to say it, they won't be playing secret door or piledriver waltz or batphone or whatever more niche song anytime soon. and we know that, no one *really* expects them to. because they have to gather to the general crowd, and as repetitive as their current setlist might be, it works. could house more new songs - they skipped big ideas? and songs such as mr schwartz and iaqwitia haven't made a comeback in such a long while... but still. it's bomb. it works, and it works fucking well.
however, there were other changes that could have been made to make glasto special - changes that wouldn't have been a risk to alex's health; small things that could have made a difference, even a tiny one. @mrschwartz said it perfectly in her tags (i hope it's okay to show these sbfksjf i just think you put it into words really well):
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it WAS a win. the sole fact of headlining glasto, in and of itself, is a win. a big fucking one at that. and little changes could have been made to make it memorable - to make it stand out when compared to every other gig they played this tour. there definitely were highlights - not only with alex's antics but also lyrically, with the jet skis/iwby/star treatment moment, which was OUTSTANDING - but for the rest nothing really spoke GLASTONBURY. nothing else *really* stood out, and that's a shame.
(not even gonna touch on the miles thing because yeah we all know they probably wanted to do it but couldn't for some reason; it's pretty clear rn that him showing up in london was to make up for him not being able to be there yesterday; we all had our suspicions and they were right. still bummed tho because them playing glasto together is a tradition!)
but considered all that, it is what it is. no one is gonna go around unstanning them because of last night. if anything, when they pull this shit they just make us want to follow them even more, to see what they'll be up to in the next shows. what aces they have up their sleeves - because we know just as well as they know that they have many. they're just too comfortable in their routine to pull them all out, and hopefully sometime in the near future we'll get to see more of what they can really do.
again, it was an amazing show. my heart was beating so fast and i kept grinning like an idiot at the screen, just because they were there. just because they showed up in the first place, with their talent and beauty and power and insane energy. just because i love them so much i can't even begin to explain it.
and i was a bit disappointed, too. because we know how much potential they have. because if they can put up an amazing show like that using only a crumble of that potential, we can only imagine how insanely spectacular of a performance they could deliver if they used even a little bit more of it.
but they refuse to, and that's what can be upsetting. but it doesn't take away the love we have for them. the two things can coexist, and they don't take away from each other. if anything, i woke up this morning with even more love for them than i did yesterday, exactly because they frustrate me with how legendary they are, and how bad i want them to show that to the whole world.
i love them, i'm disappointed, and that's not gonna stop me from loving them even more.
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gracieryder · 1 year
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The Fridge Magnet Theory
(Revised and Updated April 25, 2023)
The Diaz Family fridge has a collection of magnets (and more) that gets tweaked in small ways between sightings.
Most notable early on are the colored stick figures, but there are other magnets on the fridge as well. In later seasons, we also get photos and calendars.
They first came to our attention during Eddie’s surprise party because of the particular selection of magnets on the fridge and the way they were arranged ahead of that scene. There seemed to be a symbolic connection between the magnets and the people present at the party.
So, we went back and followed them from their introduction, and trends started to emerge.
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I’m going to transfer all of our various posts and discussions with necessary changes. Let’s go! 👏
As I mentioned above, the magnets first grabbed our attention during the surprise party because of @buddiestiel67′s color theory post. It seemed like the five magnets could represent Buck, Taylor, Eddie, Ana, and Chris because the clothing seemed to match. However, we later discovered (as you can see in the pic above) that there were never two red magnets. One of the “red” magnets is actually orange. It’s just difficult to tell when watching the show.
This information seemed to almost debunk that particular theory.
(I say almost because if you tell me Taylor’s bright hair doesn’t look almost orange, I will call you a liar. 😭)
But that doesn’t matter until later.
For your reference:
This is the original research thread. 
[Please take everything in the above thread with a grain of salt if you decide to look through it because we were still compiling information and trying to figure things out at the time.]
This is an early breakdown post when we thought there were two red magnets because we’re clowns.
Now that we’ve gotten that out of the way, let’s get to it!
S3 E11: Seize the Day
AKA “I’m not really a guest.”
In this episode, we get our first glimpse of all ten stick figure magnets, three of the Dr. Seuss magnets (mentioned below), and the Arrested Development magnet (also mentioned below) in the scene with Maddie and Buck in Eddie’s kitchen.
We originally thought there were only nine, but @hattalove looked closer and discovered that the green magnet person is indeed there in 03x11. It’s just way down at the bottom of the fridge.
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The circular magnets come from a 6-magnet set of Dr. Seuss magnets found by @stagefoureddiediaz here.
The three circular magnets that start out on the fridge are:
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We’ve been able to determine that the photo magnet is an Arrested Development quote magnet, but as of right now, we don’t have an image of the actual magnet to show you. So, we can’t be 100% certain of the quote.
@tsunamibuck made the connection on this post. And @stagefoureddiediaz came in to tell us that this was correct, and she’d found the magnet at one point but was unable to locate it again after that.
She believes it’s the Gob Bluth quote “I’ve made a huge mistake.” But take that with a grain of salt because as of right now, we don’t have a clear enough picture of the magnet to confirm it.
She believes this particular magnet was originally just meant to be a joke about Fox cancelling Arrested Development.
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Now that we know what the magnets are, let’s start going through their various appearances.
The main thing we noticed during their introduction was that the green figure was separated from all nine other figures. Standing right next to the figures at that time? Buck in that olive green looking shirt.
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One thing to note is that this is the episode in which Buck receives a clean bill of health regarding his leg and had been somewhat isolated from the rest of the crew as he recovered.
However, despite that isolation from the crew at large, he tells Maddie that he’s not really a guest in Eddie’s house. A sign of his comfort and place in the Diaz family and household.
S3 E12: Fools
AKA The Skateboard Incident
The magnets change position in this episode and a new circular magnet is added. (Thank you, anon!)
@theladyyavilee noted in her tags on this reblog that the yellow figure we see separated from the rest with the circular magnets could be Chris because of how isolated and conflicted he was feeling at the time.
If we go back to that episode, literally right after we see Eddie and Carla in the kitchen talking and get a glimpse of the magnets, Eddie and Chris are having their talk at the table, and Chris is indeed wearing yellow. Eddie literally walks out of the kitchen and sits down to talk with him.
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The new circular magnet that gets added is this one (which I think we all know ties to that episode pretty well thematically):
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S3 E15: Eddie Begins
AKA Eddie fucking Begins?
The Diaz fridge we get in this episode isn’t the fridge this post has been following or continues to follow. It’s the Diaz fridge in El Paso! There was a lot going on there though, so if you’re interested, click this link for The Fridge Magnet Theory: Eddie Begins Edition! 😇
S4 E08: Breaking Point (Ty, anon!) 
AKA That Episode Where Chris Calls an Uber
Back to our regularly scheduled programming and the fridge we all know and love!
The number of stick figures drops from the ten we saw in 03x12 to seven. @theladyyavilee noted it best in the tags on this reblog:  #the fact that the figures decreased from s3 to s4 when we KNOW how much chris was struggling with missing all the people in his life?
We see Chris late in the episode express those feelings of isolation to Buck after he steals Eddie’s phone and calls an Uber.
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The seven remaining stick figure magnets are dark blue, light blue, yellow, red, orange, green, and purple.
Also notable is that at no time in this scene do we see the other magnets except for when Chris is storming out of the room. We see two of them, and the choices are very telling.
We see the Arrested Development magnet with the quote “I’ve made a huge mistake” which can easily be tied to Eddie in this scene. And we also see the Dr. Seuss quote “I meant what I said and I said what I meant” which can easily be tied to Chris.
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[This anon noted that the remaining seven magnets are just kind of chaotically thrown on the fridge which could hint at Chris’ state of mind at the time. However, in my opinion, they’re usually just kind of chaotically thrown up there except for when they aren’t. So 😂.
But if you think all of the magnets in this scene symbolize Chris, you may wish to note what he’s wearing at the end of the episode when he sees Ana again.]
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S4 E09: Blindsided (thanks @theladyyavilee 💖)
AKA The One Where We Get Jee and Albert Flatlines
A fifth quote magnet gets added.
It’s the Dr. Seuss “A person’s a person, no matter how small” magnet.
We weren’t able to see exactly what it was in this episode, but the magnet remains in that position through 04x13 and becomes more visible in 05x03. It doesn’t move. So, we are able to go back and draw some informed conclusions.
@theladyyavilee put all of this together on this post: “going by the size, shape and color-sheme (blue-pink???!) it looks like it’s another doctor seuss magnet, specifically the one that only says ‘a person’s a person no matter how small’”
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Assuming that this episode is indeed when the magnet gets added and it wasn’t just completely hidden until then, it seems to be another case of a quote magnet being added or made visible because it ties into the episode’s themes. This particular episode focuses heavily on children.
Note:
This is when Jee-Yun is born.
This is also when you have the storyline surrounding Nia being returned to her birth mother.
The main emergency in this episode involved a call from a child whose mother had been drinking which caused a major accident while he was in the car. The child was badly injured and taken into surgery. The dad has a breakdown while talking to Athena about it all.
This ties back to Bobby’s stuggle with alcoholism which is what led to the death of his wife and children.
All of this going on around him is likely one of the main reasons why we get the short scene of Eddie going home and immediately hugging Chris at the end of the episode.
That hug is when we see some other changes with the magnets as well.
The magnet people decrease to five in this scene. The dark blue and purple are gone. Red, orange, light blue, yellow, and green remain. Everything is still chaotically spread.
Chris is wearing a light blue shirt with various other colors on it as well.
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S4 E13: Suspicion
AKA The One Where Eddie Gets Shot
We see the magnets in this episode when Eddie and Ana go into the kitchen to discuss Charlie and his mother.
The quote magnets are mostly grouped together on the left door of the fridge.
The exception being the fifth Dr. Seuss magnet which remains on the side of the fridge.
The five remaining figures are connected in a circle. They are the same colors we saw separated in the previous episode.
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This is where the color theory becomes particularly interesting because it’s in the next episode that we see the welcome home party where all five of them are in the same room. Which is of course:
S4 E14: Survivors
AKA The Surprise Party
Now, as we established at the beginning, one of the figures in the circle is orange instead of red. Both Ana and Taylor in 04x14 are wearing red, but I think it’s fair to argue that the orange figure could be Taylor because of her hair.
So, as the color theory linked at the beginning noted, we have Eddie and Buck in yellow and blue, and Chris is in green.
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Also, we have Ana and Taylor in very different shades of red. If you choose to acknowledge Taylor as orange because of the brightness of her hair, all five of them match the circle of remaining magnets.
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Another link to that original color theory post to refresh your mind.
And now we go to Season 5.
S5 E03: Desperate Measures
AKA The Breakup
The key difference from Season 4 to Season 5 is that the red and orange magnets have disconnected from the circle.
Also notable between Season 4 and 5 is that the main four Dr. Seuss magnets and the Arrested Development magnet are more aligned.
Three theories to address here regarding the colored figures. One is assuming that the colors still stand for who we assume they stood for at the end of Season 4. The others assume that they’re specific to this episode symbolically. This seems more likely as we’ve addressed the symbolism as changing from episode to episode in the past.
Before we get into those though, note that this is when we get the true look at the quote magnet that first appeared in 04x09: Blindsided. It’s also when we’re able to see that Eddie now has what appears to be a calendar/planner on the side of his fridge.
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As for why, @stagefoureddiediaz makes a good point in her tags on this reblog: #as for the planner thing being on the side - same thing - Eddie doesn’t know what his plans are for the future.
Eddie seems to have lost sight of what it is he wants, where he should be, and what he should be doing. This becomes a major theme throughout all of Season 5, and the calendar remains on the side of the fridge the entire time.
[She also makes some other guesses on that reblog as to why this is the moment we get a clear view of that particular Dr. Seuss magnet even though it’s been around for a while, why it’s on the side of the fridge, and what that might mean. I left all of that out because this isn’t technically the first time we’re seeing it, but check out her reblog if you’re interested!]
Now! Let’s get into the three theories regarding the stick figures!
Theory One: The red and orange magnets for Ana and Taylor are detached from the rest of the circle.
One is obviously more disconnected than the other, but they’re both disconnected.
However, the blue, yellow, and green magnets have remained connected.
This is all signaling Ana and Taylor being disconnected from the remaining group of Eddie, Buck, and Chris.
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Theory Two: We see the yellow, blue, and green magnets all connected as a unit. And we see the red and orange magnets disconnected from that unit. One only slightly. And the red and orange magnets are also disconnected from each other.
@theladyyavilee pointed out that the blue and green figures are bracketing the yellow figure, almost like parents and a child.
And we see Ana, Eddie, and Chris sitting together wearing those colors right before we see the magnets (which @xxfiction-is-my-realityxx brought to my attention with this edit that @ellelans has given her blessing for us to use. 😘)
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Which could also mean that in this episode, the red and orange magnets are Buck and Taylor.
The red one being only slightly separated from Eddie would likely be Buck in this scenario. We saw that Eddie was keeping Buck at a slight distance by not informing him of the panic attacks he experienced until pushed repeatedly. The orange could therefore be Taylor who is completely separated from the group and slightly distant from Buck at this point as well.
The blue (Ana) and green (Eddie) are only connected through Chris (yellow) who is standing on two feet between them.
This makes sense as this is the scene when Eddie breaks up with her and removes her completely from their family unit after admitting that he’s been trying to make it work for Chris.
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Theory Three: This theory is almost identical to Theory Two except that it assumes the red and orange magnets are unimportant in this case, and the only connection to be made is the blue, yellow, and green for Eddie, Ana, and Chris.
S5 E10: Wrapped in Red (Christmas Episode)
AKA Eddie Leaves the 118
We do NOT see the magnets in this episode, but it seemed very purposeful. So, we’re making a note of it.
We had an entire scene of Eddie and Carla talking in Eddie’s kitchen. They were shown from multiple angles. Yet somehow, at no point during that scene do we get even a glimpse of Eddie’s fridge. Not one.
So it seems as though they deliberately avoided showing us the magnets before we got to the next episode:
S5 E11: Outside Looking In
AKA Eddie Has a New Job
@theladyyavilee pointed it out and said it best on this post:
NO MAGNET PEOPLE, I REPEAT NOT A SINGLE MAGNET PERSON ON THAT FRIDGE, HOW VERY EDDIE-AND-CHRIS-COMPLETELY-CUT-OFF-FROM-THEIR-FAMILY OF THEM
The magnet people are gone, but the rest of the magnets are still there.
This could easily symbolize Eddie and Chris now being cut off from the rest of their family as a result of Eddie no longer working at the 118.
(For a more in depth view of Eddie’s self-imposed isolation and how the symbolism of the magnets may showcase that, check out the post by @yramesoruniverse here. The magnets appear towards the end.)
The calendar (which remains on the side) is also easily visible.
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S5 E14: Dumb Luck
AKA Eddie Has a Nightmare
We see the fridge again during Eddie’s nightmare at the beginning of the episode.
It’s a dream sequence as opposed to an actual scene, but let’s look at it.
The quote magnets from ‘Outside Looking In’ are still on the left side of the fridge which was confirmed by @stagefoureddiediaz here.
The main thing of note from this scene is Eddie collapsing against the right side of the fridge. This is generally where the magnet people are located.
However, instead of the stick figures who generally represent Eddie, Chris, and/or the people around them, that side of the fridge gets smeared with Eddie’s blood as he relives being shot.
Instead of the people in his life. Instead of himself. There’s only blood and pain and death.
That makes sense when you consider all of the compounding traumas he’s currently facing as well as the fact that he just found out multiple people in his life died without him realizing it.
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S6 E04: Animal Instincts
AKA Chris Gets In Trouble For Lying
The fridge makes its first appearance in S6 when Eddie takes a phone call from Chris’ school. There’s a lot to unpack here.
The magnet people still seem to be gone. We do believe there is a very good chance that they may not return to the Diaz fridge. They slowly disappeared over time as Eddie, Buck, and Chris underwent various traumas starting in late Season 4 into Season 5. They stayed gone as Eddie felt isolated and slowly declined in S5.
The magnet figures were representative of the people they’ve been up until this point. However, Eddie underwent great changes in S5, and he’s arguably a different person than he was before. His relationship with Chris has changed. Their relationship with Buck has changed. Blood was smeared where those magnets were once placed and could therefore additionally signify the death of who they were before. And because they’re no longer those people, the magnet people in particular may be retired.
We’re therefore starting off this season with the five circular quote magnets we ended with, the Arrested Development magnet, the calendar, and some newly added photos. All of which we will continue to follow going forward. Of course, we will keep an eye out for any of the other magnets returning as well.
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The large calendar we’ve seen on the side of the fridge before now is not visible. However, another calendar has appeared on the front of the fridge. It appears for this episode and this episode only.
It’s seems to be a calendar of events for Chris’ school. This ties into the entire scene as this is when Eddie takes the call from Durand and finds out Chris has been lying to him about his whereabouts.
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It’s being held by two of the five quote magnets, and the choices made are particularly interesting. These are the magnets for your reference.
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The first magnet stood out to us once before. This was during Eddie and Chris’ kitchen confrontation over Ana - when Chris breaks the salad bowl and storms out of the room. Of the six Dr. Seuss magnets, it’s the only one with a confrontational tone. It’s notable that it was the only one shown during that particular scene, and now during this confrontation, it’s front and center being used to hold up the event schedule for the school that calls Eddie and sparks the conflict between them in this episode.
The other magnet has also been linked to Chris in the past. This is the latest of the quote magnets added to the fridge. It was added in 04x09: Blindsided which you’ll recall was heavily focused on children, and the magnet was showcased during an end scene when Eddie goes home to hug his son. It’s now being used to hold up a schedule of events for - you guessed it! - kids.
The photos themselves are also interesting, and there are some things to note that become relevant later. (FYI, they were first discussed here after we got this BTS TikTok from @911bts pre-S6, and they were discussed further on this post.)
There are three of them. One is of Chris and Eddie. It’s a shot of them sitting together in the Eddie Begins flashbacks. The next is of Chris and Shannon seemingly from 02x10 Merry Ex-Mas. The third is of a young Chris.
Pay attention to the way they’re connected. The picture of Eddie holding Chris is being held up by the quote “Don’t give up. I believe in you all. A person’s a person, no matter how small.”
That picture is connected to the picture of Shannon and Chris not by another Dr. Seuss magnet but by the Arrested Development magnet.
As we know, the quote on that magnet just so happens to be “I’ve made a huge mistake.”
The picture of Shannon with Chris from Merry Ex-Mas is connected to the picture of a young Chris with the quote “Today was good. Today was fun. Tomorrow is another one.”
And the final magnet solely on Chris’ picture is the one that says “Think and Wonder. Wonder and Think.”
Just something to keep in mind as we move forward.
S6 E05: Home Invasion
AKA The One With Hoover the Dog
Things get a little strange here. I’ll explain why.
We see the fridge again in this episode when Eddie and Chris have the conversation about Hoover and separation anxiety.
However, we only see a small piece of it. We see the side, which is now empty. Last time we saw it, the large white calendar was there. We also get a glimpse of the photo of Shannon and Chris. (Thanks, @stagefoureddiediaz!)
She’s being held by the magnet we last saw on Chris with the quote “Think and Wonder. Wonder and Think.”
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To quote @stagefoureddiediaz on this post:
“...the first time we see them they're all interconnected on the fridge - one with Shannon, one with Eddie, and one which is just Chris (as a baby and how cute!!) suggesting that all 3 of them are still interconnected. The interesting thing is that the Shannon and Chris one is the one in the middle - almost like a connecting point between Chris and Eddie. But then we do get a very tiny glimpse of the Chris and Shannon one in the scene with Hoover, and we can see that they've moved - we cant see what the others are doing, but we can see that Shannon is now off to the side and not at the centre of things - it's likely that at this point they've all separated, we just can't see it.”
Normally, we’d move on from here to the next episode, so consider this the end of the canon portion of this episode.
However, we can’t just jump ahead because we have a BTS shot of this scene (courtesy of @911bts) that shows us the entire front of the fridge.
We can deduce that this shot is from this particular scene because it doesn’t match the previous episode with the school calendar, and the pictures to the left are straighter than they are in the next episode, which you’ll realize when we get there. (There have only been the three scenes so far.) The calendar we’ve linked to Eddie in the past has also now moved from the side of the fridge to the front of the fridge.
There is a good chance that some of the footage from this scene was cut. For what reason, we can’t be sure. But you can read more on this post if you’re interested in our (mine, @stagefoureddiediaz, and @theladyyavilee)’s discussion surrounding it all.
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Earlier, we also mentioned a BTS TikTok posted by @911bts. It seems to be for the same episode. The quality is low, but we’re able to tell that both of the orange magnets are still on the fridge [pink boxes below]. Only two of the six magnets are that color, so it has to be them. This is noteworthy because one of those magnets is gone in the next episode.
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So, more fridge content may have originally been meant for this scene that we just didn’t get to see, and the photos are indeed no longer connected the way that they were previously (as @stagefoureddiediaz concluded just from what we were able to see in the episode). None of this was actually shown in the episode though, and that may have been for a reason. It’s just something to keep in mind because the BTS will come up again in the next episode as well.
S6 E08: What’s Your Fantasy?
AKA Buck Babysits Jee-Yun & Chris Goes to a School Dance
This episode gives us our next actual view of the front of the fridge.
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Now, we know that there was a bit of separation during the Hoover episode, but it’s gone even further in this one. Whether or not you take the BTS into account, the pictures have more distance between them than they did before.
Shannon has moved even further away to the top left corner of the door, and Eddie has moved into the right corner of the door. Chris’ photo is tilted in the lower-center.
Another major change to note in this scene is the removal of two magnets.
Both of these magnets have been on the fridge since they first appeared in S3, and they were put to use in ‘Animal Instincts’ (and possibly ‘Home Invasion’ if you decide count the BTS as being canonical to that episode).
One of the magnets that has been removed is the Arrested Development magnet with the quote “I’ve made a huge mistake.”
The last time we saw the Arrested Development magnet about making mistakes, it was connecting the photos of Eddie and Shannon each holding Chris. It’s now gone.
Two quotes from @stagefoureddiediaz‘ in the replies on and reblog of this post sum it up well:
“...that was the quote and it’s not just holding up the Shannon picture - but connecting the Eddie and Shannon pictures / then it’s gone and they’re no longer connected - and then we have Eddie - seemingly having laid her ghost to rest and moving forward rather than holding onto the past...”
“But then [the photos] move again - and they've separated even more [...] almost like now that we've seen Eddie have a conversation where he talked about Shannon dying openly and with someone who is essentially a stranger and who didn't know his past, accompanied by the pictures separating and a story where Chris is growing up and pulling away from Eddie - at the same time Eddie is in a place to move forward - I'm here for it!”
The other missing magnet is the Dr. Seuss one that says “Today was good. Today was fun. Tomorrow is another one.” The last time we saw this magnet, it was connecting the photo of Shannon and Chris to the photo of the younger Chris. It’s now gone, which can tie into the hints of foreshadowing we’ve seen regarding Chris so far this season and also be a reminder that he and Shannon have no more fun days ahead of them. To quote @stagefoureddiediaz again from the same post:
“…because it just further implies that Chris in danger is incoming - because to remove [the] one that implies tomorrows going to be another good day (and after we saw Chris having a good day on the beach) is screaming that tomorrow is in fact not going to be a good day…”
To quote her from our DM:
“[…] I’m thinking it’s [also] connected to the idea of his family being whole - that we might not see that magnet [again] until buck is more a part of the family - he’s still going through his own thing at the moment so he’s not ready to fully embrace being a part of the Diaz family.”
But make of that what you will! We’ll revisit this as needed!
Because two magnets with quotes were removed, let’s also note the ones that remain and their placements.
Shannon is still being held in place by quote  “Think and Wonder. Wonder and Think.”
Eddie is now being held by the quote: “A person’s a person, no matter how small.” We last saw this magnet helping hold the event calendar for Christopher’s school.
The photo with Chris alone has two quotes holding it up. They are: “Don’t give up. I believe in you all. A person’s a person, no matter how small.” and “I meant what I said, and I said what I meant.”
These choices may be random. What stands out as more intentional is the removal of the two magnets that have been there for the past three seasons - including the beginning of this one. We’ll revisit all of these and their possible relevance as more content becomes available.
The final thing we note in this episode is the calendar representing Eddie which is now front and center instead of to the side which could show that his story is now a focus. It may also be a sign that he’s on the right path now as opposed to his struggles to figure everything out in S5. It is a blank monthly calendar with two black x’s on it.
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We know from the BTS that at least one of those black x’s was already there in ‘Home Invasion’. However, it wasn’t shown on screen.
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This is our first time really seeing either of them. The x’s are on the Monday and Thursday of the third week. No other writing is on the calendar.
Some theories (including 🤡🤡🤡 ones) were thrown out and discussed in the reblogs of and in the replies on this post, but we can’t draw any real definitive conclusions about what these x’s mean. So, I won’t get into detail about those theories at this time.
S6 E12: Recovery
AKA Buck Falls Asleep on Eddie’s Couch
There’s quite a lot of fridge content in this episode. I’m going to focus on the magnets and everything on the front of the fridge, and I’ll explain the other connections and link out to other related fridge theories as we go.
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We get a new Durand calendar in this episode. Eddie’s calendar has again been removed. It’s different from the Durand calendar we got in 06x04. The most noticeable difference is that it no longer needs to be held up by other magnets. It’s able to stick on its own – without assistance - which could be a nod to Chris’ growing independence.
The photo of baby Chris and the photo of Shannon and Chris have been moved to the right side of the fridge.  
Chris is still being held by the quote “I meant what I said, and I said what I meant.”
But the quote “Don’t give up. I believe in you all. A person’s a person, no matter how small” that was previously helping hold up Chris has moved to join the photo of Eddie and Chris instead. The picture of the two of them alone on the left side of the fridge is being held by both versions of the same quote: “A person’s a person, no matter how small” and “Don’t give up. I believe in you all. A person’s a person, no matter how small.” 
Shannon and Chris is still being held by the quote “Think and Wonder. Wonder and Think.”
Multiple things to make note of here.
First of all, despite what you may think, that is not the exact same picture of Eddie and Chris that we’ve seen in previous episodes. It’s the same image, but this one is printed in a landscape format as opposed to the portrait format we’ve seen previously.
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@stagefoureddiediaz posited two theories on this post: “there’s a part of me thinking about if it represents a widening of the picture - making space as it were but I honestly think it might just be a continuity error!!!”
These are both valid theories, and there’s no way of knowing for sure which one it is. She thinks there’s a good chance that the photo got lost when props were taken down, and they printed out a new copy (just incorrectly), but I’m personally leaning more towards it being more purposeful.
And that’s because of the photos on the right side of the fridge.
This is the first time we’ve seen photographs on this side.
In fact, the last “people” we saw on the right side of the fridge were the colored stick figure magnets, and we saw them slowly vanish as Eddie, Chris, and possibly Buck depending on your interpretation evolved as characters.
It’s interesting to me that not only is the calendar able to remain stuck to the fridge on its own, but the photos that have been moved over as though they’re on their way to being in the past (like the colored stick figures) are the photos of baby Chris and the photo of Shannon and Chris.
It becomes even more noteworthy to me when you think about what @stagefoureddiediaz points out on this post by @hattalove referencing both the photo in that post and the photo on the fridge.
#but also the fact that they oblitterated Shannons face out of the picture on the fridge of her and Chris from christmas 👀👀 #it says so much bout the place Shannon now occupies compared with the one Buck occupies #because that christmas was the christmas of the Elf - Buck was there but in the background #now shannon is there - only in the background and not part of important moments/developments etc
@sainteddie made that point on this post by saying: “but this week’s kitchen scene in particular reflected this growth so beautifully.. along with the rest of eddie’s healing… because they were able to showcase christopher existing outside of their dynamic. buck didn’t ask, eddie didn’t volunteer anything. christopher was able to exist quietly in the lunch eddie was packing without needing words. because this was about them and what they’ve built.”
There’s a lot more to that post, and I recommend reading it. This is just the bit relating to the kitchen scene. Because I’d also argue that Chris is being represented there but existing outside of their dynamic by his calendar being the one on the fridge. Particularly when looked at through a lens of independence.
This scene being focused on Buck and Eddie and their dynamic outside of Chris is also supported by another theory related to what’s going on inside of the fridge. I won’t get too deep into that because this post is already a LOT, but the general idea revolves around the fact that the water in Buck’s fridge was empty whereas the water in Eddie’s fridge was full.
To quote @yramesoruniverse from this post about the water (which was first pointed out by @anxieteandbiscuits in the tags of this post): “I lost the post, but bravo to whoever caught that the water container in Buck's refrigerator was empty. You know, before he asked for water and Eddie poured him a glass. Before he fell asleep on Eddie's couch underneath a painting of the ocean. Before Dr. Salazar told him that "water finds its own level, people do too." I mean, water was already a significant metaphor for Buck, Eddie and Chris. And then they did that? Insanity.”
[ I don’t want to stray too far from the magnets (and the content on the front of the fridge) beyond what’s necessary to explain their significance in this episode, so see this post for more detailed information. It’s a list of links for water theory, beer theory, and more conversations surrounding this episode and the fridges within it.]
Before we go, here’s an up-close look at Chris’ current school schedule. As you can see, whoever did the numbering on this for the show forgot weekends are a thing. 😂 But it looks like he’s got a science fair, another fair, an English paper, and a math quiz in his future. 😎 Make of that what you will. 🧐
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S6 E15: Death and Taxes (shoutout to @lesbiandiaz​ for sending us these pictures allowing us to get started early)
AKA Buck and Eddie Talk in the Cemetery
So much is going on in this episode, so let’s break it down bit by bit.
We’ll start with the calendars.
First up, Eddie’s calendar. Bet you didn’t catch that one! Thankfully for all of us, @catdadeddie​ did. We actually see Eddie’s calendar on the right side of the fridge where we’ve never seen anything up until now.
@stagefoureddiediaz​ sums it up well: ‘Ok so the calendar has never been on that side of the fridge before [...] and that is in and of itself telling (and heartbreaking) - Eddie has put himself to the side again - except now he's on the other side - he's moved past Shannon - the calendar has literally crossed past her pictures on the fridge from one side to the other - is symbolic of Eddies choice to move on and forward. I think that might be why we've seen it moving to the front and then back to the side - kind of like a move forward before a move back. But the  calendar is also hidden by the cupboards on this side - so Eddie has moved on and Eddie is back to waiting on the side or in this instance I think it might be him choosing to sideline himself (because he thinks Buck doesn't want him) and he's also hiding himslef a bit more - being protective - but the calendar isn't gone - its still there - if there was no hope then I think it would've been removed - it just in a different place - Eddie is in a different place now.’
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Chris’ school calendar, however, has once again been replaced with a new one. (Maybe they noticed how we dragged them last time because we got an accurate calendar this week. 😂) It’s a calendar for April 2023. We first see it when Eddie is rushing out the door while on the phone with his mom, and because everything is so detailed on this one, we’re able to determine that the date of this scene is April 7th, and Chris has Science Club.
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Later in the episode when we see it again, it’s now April 25th, the day after his science project was due.
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@stagefoureddiediaz​ talked about the callback of it all to 05x14 and ‘I misunderstood the assignment’ by pointing out the science connection and more when they’re talking about the solar oven project at the cemetery: ‘Also connecting this scene to the one from 5x14 through the hoodie is insane - [and through] the science of it all - Christopher’s factual heart drawing [last time] - chris in grey stripes - when Buck wore a grey shirt in the 5x14 scene there’s something there about the information in those two scenes being connected - heart metaphors being at the centre and with the stripes representing change I’m thinking it might be in some way connected to the idea of moving on, but also acceptance that you can let new people into your heart...’
As for the calendar, we actually see Eddie write directly on it in the first scene while discussing Chris’ plans for Earth Day which is April 22nd. He writes the words “Field trip” on the exact right date. Chris’ schedule isn’t the only schedule Chris’ calendar is being used for though. We also see the word work repeated multiple times, obviously in reference to Eddie’s work schedule. Interesting that they’d use Chris’ calendar for this when the larger one is also on the fridge.
April 25th, the day they make s’mores, happens to be a free day for both of them.
Chris’ calendar and the marker/pen used to write on it are now being held by red clip magnets which bring to mind red flags and the foreshadowing we’ve seen with Chris so far this season. It just so happens that the third red clip magnet is holding up the picture of Shannon and Chris at the beach that’s been by the front door in a frame until now.
(Speaking of foreshadowing and red flags and beaches, Chris has surf lessons coming up, make of that what you will.)
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This picture was specifically moved to the fridge and placed in that clip for Eddie to knock it to the floor in front of us.
In the words of @theladyyavilee​, ‘it NEEDED to be in the kitchen and it needed to be on the fridge’ which absolutely tracks when you consider not just the fridge symbolism that’s been at play but the recurring theme of the kitchen being the heart of the home.
@stagefoureddiediaz​ says ‘this episode was Shannon heavy - her presence was far more felt than at any other time. And when that picture falls off the fridge - eddie is feeling like he’s lost his other co-parent and so Shannon’s relevance has increased over Bucks - because even if she isn’t able to be there her presence will never leave. Buck however at that moment is different - eddie feels like he’s been left or that he’s going to be left and so Eddie seeking comfort in the shadow of presence that Shannon offers makes sense because she cannot let him down again - she can’t break his heart like buck [has] just (inadvertently) done...’
The clips aren’t our only new magnets though! We also have some new colored magnets! They aren’t the stick figures this time. They’re cubes. Specifically, red, yellow, green, and blue ones.
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We believe this is their new method of representing the Diaz boys and the people around them now that the stick figures are retired. In this scene, we get Eddie and Chris in these outfits:
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Eddie in green, and Chris in a tri-color shirt of yellow, blue, and gray.
Going to bring over some direct quotes from @stagefoureddiediaz​ to sum this up. ‘... my thoughts on that jumper are about connecting him to buck in bucks absence from the room - that the show is trying to hint at how Chris has 3 parents - 3 people who are making him in to who he is becoming - it’s something they took pains to point out in other ways - and bucks presence was in the Diaz grave scene with the other jumper too. So if the jumper is all three parents then the ochre use makes sense - Shannon is white - as she is no longer of the mortal coil. Buck remains blue and chris is the yellow - the part of himself that is him. Eddie is wearing green and is present in the scene and so doesn’t need to be represented.’
Buck’s been framed as blue and Eddie as green throughout the season, so this stays true to that, meaning the green block by Chris and Shannon is Eddie, the yellow block on Shannon is Christopher, and the blue block slightly off to the side is Buck. Also notable is the red block over by the red clips because we see Natalia wearing a red dress in this episode and she has significant ties to death and can also be seen as pulling Buck slightly away from the other two.
The landscape portrait of Eddie and Christopher has notably remained the same, including the tilt of the quote magnets being used to hold it up. Eddie and Chris’ relationship is stable, and there’s still space to add in someone new.
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Final notes:
Chris is still being held by the quote “I meant what I said, and I said what I meant.”
The calendar has the quote “Think and Wonder. Wonder and Think.” holding down the botton even though it's being held up by a clip.
Until next time! 💃
132 notes · View notes
zahri-melitor · 7 months
Text
Okay, general roundup of New 52 titles I have read so far, now I am well into 2013 in my read through:-
Batwoman, J.H. Williams run – genuinely great. This is a highlight of the New 52, honestly. If DC had stopped occasionally remembering that Kate Kane is now Bruce’s cousin and had let Kate and Maggie get married, it would be perfect.
Blue Beetle – it’s not the best Jaime run I’ve ever read, but in terms of restructuring Jaime’s origin to simplify it and remove the heavy connection with Infinite Crisis shenanigans, it worked far better than the Rebirth reboot. Let down by getting cancelled just as it started becoming more interesting (aka had finally finished the retread of Jaime’s origin story and started him having new adventures).
Threshold – this was certainly a comic I read entirely to see Jaime in it. If you are lucky enough to know nothing about it, it’s basically a planet of foxhunting tagged ‘criminals’, where Jaime ends up one of the tagged. It’s meandering, pointless and bad. I think if you’re a Lantern fan you’d also think it was bad. Deservedly knocked off after 8 issues.
Justice League Dark – I made it through 6 issues. My biggest takeaways were that everyone here was just so miserable and Boston Brand was dating Dawn Granger for reasons that surpassed understanding. I want to like it more than I do, for the cast it has.
Batgirl, Gail Simone run – appealing and infuriating in turn. There’s some genuinely beautiful writing here (the WWII paper balloons!) and Babs is recognisable as Babs, but it’s horribly let down by the fact that ‘healing’ Barbara means that she’s now both not allowed to operate as Oracle (by editorial dictat) AND she’s having trouble as a street vigilante as she’s still recovering from her injuries. It makes sense but it also makes Barbara doubly incompetent which is maddening as they’ve taken away everything that was hers specifically. Also James Gordon Jnr is always intensely irritating to have around and I am never going to get over giving Babs a villain called ‘Knightfall’ in the run immediately after healing her back. Yes. I got the reference. It’s not that funny.
Birds of Prey – it’s hmmm still finding its feet. Lacks the soul of the original run, but there are flashes of the old magic occasionally. It is hilarious to me that they decided to merge Dinah Drake and Dinah Lance back into a single character for this run, creating a bizarre new ex-husband for Dinah in Kurt Lance (seriously, Kurt Lance, why do you exist you’re so weird) and then within 6 issues or so abruptly realised WHY Dinah Drake and Dinah Lance have been separate characters since 1983 and reinvented a new Dinah Drake mother for the character. Spectacular. Sheer evidence that nobody involved in new 52 was actually spending much time thinking about how an all new origin reboot would affect characterisation.
Batman – I have my differences with Scott Snyder over his run, but he at least manages to make things interesting and spend time interrogating Bruce’s identity. It feels in conversation with the Loeb and Dini storylines around Thomas Elliot and that whole crowd of elite Gothamites. Lots of interesting set ups let down by execution or obsession with conspiracy theories. Love his work with Harper Row as a character.
Batman & Robin – okay folk, I do agree, this is a far far better Batman & Robin run than 2009. I feel like I’ve spent more time with Damian showing me his character rather than being informed by Morrison via Alfred mouthpiece about Damian’s character. There’s some lovely character work in here. It’s still suffering from getting New 52ed but it’s honestly the first run anywhere that’s actually really good for Damian characterisation (plus or minus the Damian and Colin Wilkes fight Zsasz plot in Streets of Gotham or Gates of Gotham).
Batman Incorporated – fuck you Grant Morrison. Nobody reading this title is having a good time. If you’re here for actual Batman Inc characters well I’m sorry, they’re mostly standing around the sidelines of a plot about Bruce, Talia and Damian. If you’re here for Talia I’m so sorry for you. If you’re here to read Bruce and/or Damian you get like 3-4 sweet scenes that I am sure you have already seen in screencapped panels floating around with no context. DC would be a better place if this book hadn’t been approved (also Cyril might still be alive)
Nightwing – this comic so far is obsessed with Haly’s Circus. Now I don’t like the whole Talon retcon (I think it cheapens a lot of things about Dick’s backstory as a character) but I will admit it’s nice to see Dick spending time with his Haly’s Circus friends and Dick’s optimistic side coming out in the ‘let’s just rebuild Amusement Mile as a place that isn’t Joker-haunted!’ Tragically of course because we’re never allowed to have nice plotlines involving Haly’s Circus it gets blown up again and lots of people die. But at least Dick’s back to owning the circus, amirite? (For bizarre ‘Pop Haly left it to him in his will’ reasons rather than Dick buying it out with his inheritance money that is totally not one of the many occasions Bruce has lied to Dick and told him that this trust fund is 100% based on investments of his parents assets, rather than Bruce attempting to give Dick Wayne money again so he stops living out of cardboard boxes in a tiny apartment)
Red Hood and the Outlaws – I have now suffered through three whole issues of this comic (actually 4 but I paged through that one to read like one scene at the end) and it is determined to make me hate everyone involved with it in terms of its disrespect for Roy and Kory. Also all the issues kept trying to convince me that Jason and Tim have always been each others’ favourite brothers, which lol. (If that’s actually ever true for Jason it’s the most hilarisad thing ever).
Teen Titans – I made it through two issues for crossover purposes. I am tempted to come back as I think I will get some stuff out of it once I’ve finished my Teen Titans 2003 read (and look there does actually appear to be some things in here I may enjoy). Can’t believe Kurt Lance shows up in this comic. I swear he’s my new nemesis.
Suicide Squad – I am 100% not reading this comic, I only opened it for crossover issues. What have they done to Amanda Waller. (Also why is Harley Quinn trying to date Floyd Lawton, did editorial suddenly realise how many people are into his deep uh comradery with Thomas Blake and overreact trying to remove the gay cooties or something?)
Catwoman and Detective Comics – honestly I haven’t got a good enough read on either yet from the few issues I’ve read, but ‘Tec is running a Penguin plot and I’m not in the mood for a Penguin plot at the moment.
So far, my recommendations: Batwoman I recommend without hesitation. Batman & Robin has been embroidered in fans’ memories but is worthwhile in any case. Batman is interesting stories sometimes let down in execution and may actually read better if you avoid touching any tie-in issues for a readthrough.
Nightwing, Batgirl, Birds of Prey and Blue Beetle are “these are some of my favourite characters, I want to know even if I don’t always like it” reads. They’re still the same characters, just trapped in a maddening world.
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moralpuppet · 11 days
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In your main verse, how do you envision Orel growing up? His family, his beliefs, stuff like that?
In your main verse, how do you envision Orel growing up? His family, his beliefs, stuff like that?
Okay so if I had to give some key notes this is going to be long and rambly, and feature talk of depression , death , terminal illness so please be careful going through ... starting from the end of the episode honor here you go ....
OFFICIALLY UNRELEASED CONTENT / END OF THE SHOW
talking about Grandpa Puppington / goth Orel / I mention terminal illness and death here so please skip over if needed !
Orel by the end of the show is 13 . It's not ever OFFICIALLY announced but we know from season 1 his birthday is after Halloween and before Christmas . He never fully recovers from being shot and as they said in the last episode he continues to limp even in deleted scripts that follow episodes that never made it because of the shows cancellation .
We know that in unreleased scripts he loses his grandfather on Easter after Clay basically condemns Orel's Grandpa to Orel's bed as a death bed when Arthur Puppington ( Orel's Grandpa ) comes to Clay seeking reconciliation as he is terminal .
Orel comes home to Arthur every night and tells him about his day , getting a new perspective on lessons , as we know , Orel usually mistakenly gets wrong/misguided by . Arthur is essentially a grounding perspective and helps Orel become a little more wary of what he trusts .
Orel at this time seems , at least in the scripts , to have not forgiven Clay but he's still caring about Clay , at least still showing that he has some respect and generally loves him as his father still . He prays to God for Clay and Arthur to reconcile in hopes that it would stop Clay from "getting any sadder " I quote he says " he can't afford to get any sadder " . Of course that never happens and they never reconcile .
After Orel loses Arthur , he becomes a Christian Goth for a while sort of not denouncing his faith but not fully committing to it either. He is essentially lost and he's in this state of grief for a few weeks until Reverend Putty can't stand seeing him like this anymore and snaps him out of it .
That's it for unreleased stuff really ... Here's where headcannons come into it .
HEADCANNONED STUFF !
Relationship to faith after Goth Orel tm ! Found family
Things don't necessarily go back to normal but Orel is now finding that returning back to focusing on his faith is actually helping him with the grief and loss . As my good friends @ rvrend and @ dollene have built up he comes to Reverend Putty more and more , finding that the good reverend is more like a father figure to him than Clay but not quite making that leap because of the views he was raised on that he must honour his biological father . Noellene too is far more motherly than Bloberta . She is more emotional unlike the emotionally withdrawn Bloberta .
Orel also is a far better brother to Shapey and Block , teaching them to do stop motion animation too and helping them get schooling by teaching them at home so they could enroll in a public school .
FAMILY / CHRISTINA AND DOUGHY
Eventually , in his late teens to early adulthood ,Orel finds an interest in architecture of religious buildings , something he could sculpt out of clay and design in other ways like he used in his stop-motion videos / my friend scribbs actually suggested this one . And of course all the while he and Christina are still very much sweethearts.
His relationship to Clay and Bloberta become estranged but he still invites them to important gatherings, probably had to kick Clay out of his and Christina's family home for being a violent drunk a few times . Clay and Bloberta are still stuck together ! Block and Shapey become a fireman and a police officer ! Orel and Christina of course get married and have a family of their own like in cannon.
Lastly , I will say Doughy , Orel always wanted to stay in touch and still be his best friend but I quite like the fan headcannon by the fandom that Doughy is incredibly jealous of Christina due to actually having a crush on Orel since childhood and maybe sadly he pushes Orel away .
Orel always keeps his faith .
OKAY so that was a lot but if you ever want to ask any more questions or for me to elaborate on anything let me know !
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aceofnace · 7 months
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you ever just remember that final season of Nancy Drew and get mad? I sure do 🙃
Haha, I do! I've calmed down about it a lot lately because I've started watching other shows with amazing ships to take my mind off it all, but I do still get incredibly salty when I remember all the little things like: Ace being excluded from every important Drew Crew moment of the season (and literally ALL the group hugs), Bess being ooc and the worst platanchor ever, Nace being apart for most of the season, no love scene, only one post-4x03 kiss scene and it was IN TOTAL DARKNESS, no "I love you" scene (the writers have no reasonable excuse for excluding that) unnecessary love interests, giving Nace better moments with those love interests than with each other, ending the series with Nace about to embark on their own journeys that would keep them apart for years...I could keep going. I have a long list of complaints about season 4, and I will probably never get over it. I know it could've been way worse, they could've found out about the cancellation AFTER they finished the finale, which would've left us with a Nanstan endgame (I would've never recovered), but that doesn't mean I have to be happy and satisfied with the ending we did get.
While watching 4x03, I was about to declare Nace my number one ship of all time (or at least top 3), but the rest of the season ruined them for me. I mean, I still love them. They're still on my list of favorites. But season 4 did nothing to establish them as a couple (because they didn't become one until the last 30 seconds) and it did nothing to progress them as a ship. Nancy spent more quality time with Tristan this season than she did with Ace. And not only was their kiss better lit than Nace's last kiss, but it had more feeling to it, too. Nace's last kiss was such a HUGE letdown for me. The breaking of the curse was so anti-climactic, and the lack of "I love you" before or after the kiss (and with no love scene following it) just made their kiss so meh and nothing special to me (it felt like it was only added because the writers knew we would riot if it wasn't), which was not what I wanted or what I was expecting from their last kiss ever. They truly dropped the ball on that.
Hmm...you know, maybe I haven't calmed down about it as much as I thought I had. Whoops.
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