Tumgik
#i hate how the eyes look in nimona SO MUCH
kyrfiore · 10 months
Text
.
4 notes · View notes
sunshine-zenith · 10 months
Text
A thought — Ballister and Ambrosius’s relationship probably wasn’t public in the movie until the end. They probably weren’t secretive about it, given how Todd (someone neither of them like or would confide in) was clearly antagonistic to Ambrosius after Ballister’s jailbreak, but even then that just might be because their connection was well known — they liked each other more than any of the knights liked them, most being neutral overall to Ambrosius and outright bullies to Ballister. No one in the public seems to know about them
Media perception is a reoccurring factor in the movie, with the opening scene giving exposition in the form of a news cast. During it, Ballister is shown to be controversial, with a there being a few comments questioning the Queen’s choices related to him. Ambrosius is also brought up as someone everyone’s looking forward to seeing officially knighted, with no one questioning his relationship with Ballister or even bringing it up
While everyone is fearing and hating Ballister after the Queen dies, Ambrosius is still popular among the masses — people stop him in the streets to get his autograph. Nimona, who admittedly probably didn’t do much digging into Ballister beyond the initial news reports on the Queen’s deaths, seemed surprised that Ballister and Ambrosius had a connection. She even had an “ohhhhhh” moment after picking up on their vibe the first time they saw each other post-arm chop (and yeah she initially calls Ambrosius Ballister’s nemesis, but she clearly clocks that something romantic was going on given the “arm chopping is not a love language!” comment). She also asks if he wants to die in a (literal) closet, which like. Y’all.
Before the Queen’s death, all their PDA is in private (on the catwalk) or subtly around other knights (helping each other put on their armor with lots of heart eyes and lingering hands). Otherwise, their interactions are those of Two People Who Are Close but aren’t necessarily explicitly romantic (Ambrosius wanting to throw hands on Ballister’s behalf, teasing each other, Ambrosius cheering with the crowd). Granted, there wasn’t a lot of screen time for them to just be happy before Everything Went Wrong.
We can’t really judge whether they were private from their interactions after the Queen’s death, since most are focused on a “so this traumatic thing happened and I don’t know where we stands right now” vibe or have them just fighting. The three times Ambrosius says he loves Ballister, one was just the two of them on the catwalk, one was in a mental rant and not actually out loud, and one was while they were trying to hide their identities. Ballister continues to defend Ambrosius, saying he’d believe them if they could just talk and that the arm thing is just “complicated,” “part of their training, up until Ambrosius outright tries to arrest them (which might as well be a breakup without saying “we’re breaking up”).
In the comic, the Director says she knew about their relationship and that she disapproved. Given how much she manipulates things, it wouldn’t surprise me if she knew in the movie, and encouraged them to downplay things at least — “you should keep your private lives private so you don’t taint your public images/yes we support you, obviously, but you’re here to protect the people, not show off to them/you don’t want to overshadow things with more controversy, wait a few years until after you’re knighted/what if this is just a phase, it would be a mess to clean up if you go public now/people will talk if they hear Gloreth’s only current descendant, a promising young man, is being courted by someone they aren’t certain about who comes from nothing and can’t pass your genes on/you have each other, shouldn’t that be enough?/etc.”
We don’t see them be in a relationship publicly until after the wall — the symbol of fear of the unknown, systematic abuse and oppression, refusal to learn and grow, and let’s be real homophobia/transphobia — comes down and the Director — the one going to murderous extremes out of fear of change — is dead
I dunno. This movie is a large celebration of being queer, but it’s also about how queer people are demonized by society to the point of everyone suffering. Ambrosius is the model minority everyone loves but no one knows because all eyes are on him; Ballister is both tokenized and targeted from the moment the public meets him, having to prove himself over and over until the public unquestionably turns on him entirely; and Nimona is called a monster for just being herself. All three already had to hide who they really were. I’m not 100% sure if Ballister and Ambrosius were out or not about being together, but it’s not a stretch to see, and it fits in with the themes/arcs of this movie
1K notes · View notes
romeoandjulietyouwish · 10 months
Text
another Nimona fic, are we really surprised?
Nimona doesn’t know what to make of Ambrosius. 
Of course she knows who he is, everyone knows the golden boy, the descendant of Gloreth. Her first instinct is to hate him, to snarl and growl whenever he gets close. And at first she does. But that makes Ballister upset, he wants her to like him, even though she can’t see a single redeemable quality in him. 
So she keeps her glowering to herself and snarls at him whenever Bal can’t see it. Plus it’s fun to see him jump when she breathes fire a little too close to his hair. 
Eventually, she gets more used to him, but she doesn’t like him. It’s hard when they’re all living in the tower together, but she still finds ways to let Ambrosius know that he’s on thin ice with her. 
The first time her opinion of him shifts is when she is a cat walking through the tower. She can hear Bal talking and follows his voice, fluffy tail swaying behind her. She pads down the stairs and peers into the makeshift living room.
Perched where they can’t see her, Nimona sees Ambrosius and Ballister sitting on the couch. Bal is curled against his partner’s chest, tears visible on his cheeks as his whole body shakes. Ambrosius holds him tight, murmuring softly words that Nimona can’t hear.
“I feel so useless,” Ballister says softly.
“I’m sorry,” Ambrosius murmurs, running his fingers through Bal’s thick hair. The look on Ambrosius’s face is what gives her pause. In addition to love, there’s clear guilt. It sits in his brow and in the tension of his jaw. 
Nimona’s eyes fall to the metal arm sitting on the coffee table. It doesn’t take much to understand why Bal is upset, the robotic arm has been glitching more and more recently.
Nimona watches them for a long moment, she watches how Ambrosius wipes away Ballister’s tears and the strength in which he holds him and the way his comfort seems to diffuse all the tension in Bal. If Ballister feels so safe and comforted around him, maybe he’s not so bad after all.
Things like that start to happen more and more. Nimona notices how gentle and kind Ambrosius is with Ballister, even with her. He’ll touch Bal’s back or her head as he passes behind them, he learns how to make her favorite foods. But more than that, he is accepting. 
Every time she shifts in front of Ambrosius, she expects him to look at her in fear and disgust. Instead he smiles, and far too seriously says, “Metal.” She and Bal are rubbing off on him apparently. She can’t say that she doesn’t like it.
When Ambrosius is making dinner, he’ll always let her steal some of the ingredients, he won’t even snap at her, which takes away half the fun. Ballister will hug him from behind and kiss the back of his head. They’re so mushy together, it’s gross sometimes. 
But her feelings about Ambrosius change completely one night. 
She’s in the middle of a nightmare, rapidly shifting between animals, curling smaller and smaller in on herself. And suddenly she’s shaken awake. Expecting Ballister, she barely even opens her eyes before throwing herself against his chest.
Ambrosius lets out a soft, “Oof,” but holds her nonetheless.
When she realizes who it is, she freezes and tries to pull away. Ambrosius lets her, but looks down at her with a concerned frown. His hair is braided back out of his face, allowing her to read him more clearly. His voice is almost unbearably gentle as he says,“You’re okay, Nim. You’re safe.”
She swallows thickly and pulls her knees to her chest, shifting into the younger version of herself almost instinctively. She’s not sure why, but being like this makes it easier for her to accept comfort. 
Her hair falls into her face and Ambrosius reaches out and smooths back her hair with a soft touch. “Want to talk about it?”
She shakes her head and asks him, “Why are you here?”
“Because you were having a nightmare,” he tells her gently. “I got up to get some water and I heard you. Is that alright?”
Nimona’s heart clenches in her chest. He came to wake her up, to comfort her even though he used to hate her, even though he called her a monster. He cares about her, he must or he wouldn’t be here. Maybe he’s not so bad.
Ever so tentatively, she leans back into his chest. Just as slowly, Ambrosius embraces her again, pulling her into his arms. He’s warmer than Bal, she realizes, but not as soft. But just like Ballister always does, he cradles the back of her head. Despite herself, the gesture brings her an immense amount of comfort, chasing the nightmares all but away. 
Maybe, she thinks, she could be his sidekick too.
784 notes · View notes
Text
More Nimona headcanons because these dorks have taken over my brain
I feel like Nimona tried really hard to hate Ambrosius
The first month they knew each other Nimona tried so hard to antagonize him and poke fun at him and remind him of the shit he’s done wrong 
But it’s kind of hard to hate someone who’s slow to anger and quick to forgive 
Reminding someone of their past mistakes with the intent to hurt them kind of stops being fun when the person is constantly aware of their mistakes 
And owns up to them without making excuses and is constantly trying to undo the damage their mistakes caused  
After a while, he grows on her and she starts to trust him and in return he trusts her
This one is based heavily on me and my best friends 
Nimona and Ambrosius will talk shit loudly in public 
They won’t use code names and if they don’t know the person they’ll start describing them like “Did you see that dude in the yellow shirt? He just pushed that kid out of line what a dick!”
They won't check to see if the person is out of earshot either they simply don't give a fuck
And this gives Bal so much fucking anxiety enough that he starts pleading with them to stop
You hear them going off about something and Bal saying “Ambrosius love hun sunshine I’m begging you to keep your voice down” 
“Nim Nimona starlight hi I would like to remind you that they’re still behind us and I don’t want to explain to Ambrosius why you’ve gotten into another fight this week so please stop” 
To which Nimona responds with “Tell him he’ll probably laugh”
Whenever Nimona and Ambrosius want to rant they rant to each other 
Because Bal is the type of person to give advice in the middle of a rant 
Talking some “If you explain this to them in a calm and compassionate manner I’m sure they’ll stop”
And while that's excellent advice sometimes you just want to scream your most unhinged thoughts at someone 
And they never judge each other either 
Nimona can look Ambrosius dead in the eyes and go “Have you ever gotten so angry during an argument that you’ve considered lighting their car on fire?” 
And Ambrosius won't even think about it he’ll respond immediately with a “Who hasn't?” while Bal slowly backs out of the room and silently vows to hide his car the next time they fight 
Whenever Ambrosius comes home from a stressful day at work he just walks into the house and lets out the most dramatic drawn out sigh 
And whenever Nimona hears that noise they’ll run to the living room and sit on the couch patiently waiting for their daily rant session 
Whenever Nimona gets home and wants to rant he’ll walk around until he finds Ambrosius
And if he can't find him he’ll sit by Bal and stew in his anger while he waits for him to come home 
He can't even take one step through the door without Nimona saying something like “How dare you make me wait” 
And Ambrosius will always respond with something like “Oh I’m so sorry firecracker it’ll never happen again”
And encourage them to tell him the information they’ve been patiently waiting to spill
Bal doesn’t rant unless he’s literally at the end of his rope
Like you have to royally screw him over for him to go home and rant to his family 
When he finally rants to them they don’t make a big deal out of it 
But they do however try their best to take care of him without raising his suspicions 
Nimona will conveniently make Bal’s favorite dinner 
Ambrosius will just so happen to pick up his favorite dessert on his way home (cause they both know the signs of a Bal rant and they plan accordingly) 
They listen to his rant and let him eat his favorite food in peace while they play his favorite movies 
You know real wholesome shit 
All the while they’re coming up with plans in their head to destroy this person's life
1K notes · View notes
mvjerbs · 9 months
Text
Beyond the wall au
CW: some depictions of gore and murder and blood
Present events of the story:
Years have passed since Ambrosius, and his search party have disappeared. (planned it to be 15 but still unsure)
With Gloreth's descendant gone, people have been anxious of the fate of the kingdom. And everyone pretty much blamed Todd since he and his group were the reason why Ambrosius went out in the first place.
He lost everything to say the least, and he was getting tired of it.
With the director's permission (he's not going to make the same mistake again), he left the wall with a group of 6 knights to search for Ambrosius and regain his old life back.
Which is easier said than done because all evidence or traces left behind by Ambrosius are gone since it's been years.
They searched and eventually stumbled upon the village, but due to the villagers being sacrificed and imprisoned, the village was abandoned.
Thinking that Ambrosius might have camped there once, they split up and searched the place to look for possible clues to where he might be.
Two of the knights went missing not long after they parted ways as they were caught by Nimona. The lucky ones ended up finding Ambrosius, not too far from where the village was. He was chopping up some wood from the tree that he had just cut down.
They almost didn't recognize him because of his long hair, but they all soon felt relief and joy when they found him.
Meanwhile, Todd searched on his own because his partner abandoned him because of annoyance. In his search, he stumbled upon a small cabin with a garden in the front.
Todd was surprised that Ambrosius (he assumed) lived and survive outside the wall that was infamous for being dangerous. He approached the cabin when someone suddenly emerged out of the house, and his eyes went wide,
Ballister was the said person who emerged out of the cabin, holding a small basket in his arm. He could faintly hear him hum happily as he headed to the small garden, this of course stopped when he saw Todd.
Todd froze when Ballister greeted him with a smile, asking how the kingdom and he has been. It was a warm smile, and it could have been a warm smile if it wasn't for the situation he was in. It was eerie and sinister.
Todd tried to hide his fear and went back to his old and arrogant self. Trying to taunt and insult Ballister saying that he's so lonely and all because the realm hated him. Todd expected him to snarl or glare at him
What he got almost made him shit his pants.
Ballister laughed at him, it started out as contained laughter then turning into giggles and eventually a full blown laughter. Laughter that made Todd shiver in fear.
"Oh silly idiotic Todd, I'm not living alone, I have a family! And besides, even if I was, I'm never alone out here."
The way Ballister looked at him and how he said it gave Todd the urge to run away. but before he could do anything, Ambrosius arrived along with the other guards.
Feeling relieved from the sights of the others, Todd regained his confidence he ordered the knights to capture and kill Ballister. Even taunting him that he'll just cut off the other arm for him.
Todd raised his sword along with the other knights who moved towards Ballister, but before he could bring down is sword and slash Ballister, an axe flew and lodged itself deep into Todd's arm.
Todd screamed as he dropped his sword and gripped his wounded arm. Everyone was surprised to say the least, and they all turned to the person who threw the axe.
There they saw a very enraged Ambrosius, breath raged from the immense anger that is seeping out of him. His eyes that are filled with rage were focused on Todd who was staring at him in horror.
"Don't. Fucking. Touch. My husband"
The threat and the anger really surprised the knights, not that they haven't seen Ambrosius angry, but seeing him harming a fellow knight out of anger really surprised them.
With everyone distracted, Ballister took the chance and ripped the axe off Todd making him scream. The things that happened next was like a blur to Todd, the bloodshed, the clashing of weapons, and eventually a monstrous scream.
It was the scream that snapped Todd back to reality, and when he looked at the direction of the scream, he saw Nimona.
Todd abandoned the others and ran away to escape, though it was hard with his dangling bleeding hand. He eventually reached another cabin, and he immediately went in, ignoring the fact that the door was a bit heavy.
Turns out it wasn't a cabin but a walk-in freezer that Ballister made from scraps that they got when they went hunting in the kingdom. Upon realizing this, Todd turned to leave only to find the door locked. Panicking, he started to pound on the door.
Meanwhile on the outside of the freezer, Ballister, Ambrosius and Nimona(who was currently snacking on a knight) watched as they listened to the desperate screams and banging of Todd. Mocking and talking about how Todd was a fool and an idiot for trying to run away while leaving a trail of blood.
Nimona, who had just finished her meal, moved towards the freezer only to be stopped by Ballister.
"Nimona, I know you want to, but I won't let you eat him. There are others back there you can eat sweetheart."
"Listen to your dad on this one Nimona, we don't want you to eat trash."
The family left and abandoned Todd in the freezer.
The next morning, they cleaned around the cabin before heading to the freezer to check. Sure, enough they saw Todd lying on the floor, frozen, pale, and surrounded by his own frozen blood.
The couple smiled, satisfied as they watched Todd's frozen and lifeless body.
Nimona came in a few moments later in her (disproportionate) child form, immediately walking towards Todd before she was stopped by Ambrosius who grabbed her and carried her in his arms.
The kingdom was once again in a state of panic as Todd's search party never returned and the killings continue.
That's the last part :) I might add something soon if I have time in college. hopefully.
329 notes · View notes
jamiedc-they-them · 8 months
Text
Family (Platonic)
This one is a bit long!!! Nimona was so good, and meant so much to me! Wanted to do this as soon as I saw the film and have finally completed it! Just a quick warning, story contains some mentions of self doubt over lgbt identity, some mentions of Suicidal Ideation, and I think that is all (if I have forgotten anything, please let me know!!!). All my love to my lgbt siblings with everything going on right now <333 you matter so damn much! And this film coming at a time like this (and even more so after I learnt about the author of the graphic novel!) is everything!
Also, all my love to the WGA and SAG-AFTRA, keep fighting the good fight!!! I wouldn’t be here writing this (or really any fanfic) without your incredible writing and work! <333
Anyway, I hope you enjoy!
Summary: Nimona and Y/N are not siblings by blood, but choice, friendship, and loyalty. They find that support and acceptance in each other; but, when they catch wind of a knight who is just has hated as them, they see an opportunity to find someone else to add to their family.
Tumblr media
If you had parents, you didn’t know them.
You just remembered always being out in the streets, just about standing by.
You never stole, you just took whatever left others you either found, or were given out of sympathy.
Pity did get you a long way, you had to admit.
People felt sorry for you, but then did nothing else to help you.
While it hurt, it never really put a chip on your shoulder. There was nothing anything you could do anyway. You couldn’t fight. You didn’t have a lot of strength in you.
One time, a group of people decided to leverage that. People like you; left behind and given nothing but scraps. Instead of coming together, however, they saw you as a weak link; something to blame for their issues and lot in life.
Just when you thought that would be it for you, someone called out. The pain stopped, but even if it lingered. You weren’t hit again. Your hearing was fuzzy, eyesight blurry.
You blacked in and out a few times.
When you came to, you are on a couch. You hear someone humming. You sit up, slowly, and see a girl around your age cooking.
“Oh, hey!” She says, turning back to you with a smile on her face, “don’t worry about those guys,” she assures you, “I took care of them.”
She seems almost proud.
Still, you just feel good that they’re gone now.
“You can have some of this, if you want,” she says, gesturing to her food.
“I don’t…I don’t want to be a burden,” you say.
You hear a growl, and see a red tiger in front of you, baring it’s teeth, “who said that?” She demands.
“No one really. Just…just the vibe, I guess?”
You look down, subconsciously; the girl seems to notice this, only watching you as you scramble to find the words you need. Then —
“I’m sorry…for not – for not knowing anymore. Could use someone like you out there.”
You feel something on your leg. Looking down, you see a red cat, rubbing itself on your leg. It looks up at you, before jumping on the couch.
“It’s not your fault, kid,” the cat says, “we’ll find them.”
You stroke the cat again. You feel safe. Sure, it’s a talking cat, but the cat was a girl a minute ago. You’ve seen what the world can hold magic wise. You know different things exist. Some people thrown out for all sorts of things they can’t control; this is that for her.
“‘We’?” You echo back to her, as she changes back to her redheaded form, arms crossed with a smirk on her face.
“Hell yeah, us!” She says, arms now up in the air, “we can watch each others back! Like a –“ her eyes light up, “like a sidekick!”
Something in your eyes brighten; something in hers soften, slightly.
They both do that a bit more as your smile widens, “ok then, where do we start?”
“Well, how about names?” She says, but there’s excitement in her eyes, “I’m Nimona!” She says, holding her hand out.
“I’m…” you say, holding out your hand and then pausing, “oh…”
She seems to catch onto what you mean, “I have a bunch of lists of names if you want to look?” She offers.
You nod, eagerly, and she fetches it – throwing some other items over her shoulder while she looks. She presents it to you. It’s a massive scroll that unfurls, “take your pick!” She says, arms outstretched to it like a ‘ta-da’ like pose. She’s proud of it.
You do pick one, even if it takes a bit of time. Still, you find one that works for you:
Y/N.
“Had a feeling you’d like that one,” she says, “I like it!”
You smile again. She does too, even if hers looks a bit like a snarl in a way; seems she’s already thinking of the damage you’ll do together. For you though, it’s about not being alone anymore.
You do get up to trouble. A lot of trouble. You paint art on walls; you play pranks on the guards so you can get somewhere – or sometimes just for fun.
Nimona’s ability to shapeshift is so damn cool. Internally, she feels a spark of happiness she hasn’t felt in a long time at your genuine acceptance and awe of her ability.
She, in turn, helps you find yourself as well. Your style, clothing wise. She notes things that make you uncomfortable as well. Sometimes that leads to deep chats; like the one you have about your lack of care for anything to do with sex or romance, or gender norms.
All she has to say to that is, “metal. Norms are for losers, anyway. I mean, end of the day, you’re Y/N, and I’m Nimona. That’s all that matters.”
It doesn’t matter if it’s something small or major that changes identity wise, her words are always the same and always true.
Her loyalty to you is the same as yours is to hers. You’re always defending her – despite her not always needing it – and backing her up in fights.
You always assure her she has you. You see her moments of vulnerability. Where the mask sort of drops. She always appreciates it. As while she’s not like you in the way of comforting people, she tries to learn from your softness and comforting manners.
You’re all each other have. At least, for a while anyway. You see the news of the manhunt for a man who killed the queen. Someone almost as hated as you are.
Nimona looks to you, and you know what your best friend is thinking.
So, you track him down. She does the talking; though at one point Ballister does look at you and seem to start implying you’re a monster to, and says, “hey, don’t look at them. Look at me,” he complies as he sees you looking around his room. You’re a curious thing.
“What — um, who are…?”
She raises an eyebrow, “they,” she starts, “are Y/N. My best friend and partner in crime and all things evil,” she then leans forward, “and I’m Nimona.”
“Yes…but, what does that mean?” He asks, trying not to piss her off. In his mind, scared he’ll become one of her – he’s sure – many victims.
A smirk appears on her face as she answers, “whatever we want it to mean.”
“Right. Yes. Ok,” he says, “that’s understandable.”
He sees you fiddling with one of his spare arms, “please be careful with that!” He says in fear. You put it back carefully, backing away from it. Nimona raises an eyebrow, letting you handle this. She knows you’re tougher than you look. Don’t get her wrong, you look better now; both a bit more comfortable in your own skin, but also decently fed.
“What is that?” You ask.
“Oh…it’s one of my spares. Just an old prototype I guess, for this,” he says, gesturing to his arm.
“Hm,” you say, looking at it and then the old version, “it’s always nice to have a spare.”
“Like a sidekick!” Nimona says, adding it one to try and persuade the knight – or ex-knight you guessed.
“No, no! Those things do not match!”
“Oh, come on!” Nimona snaps at Ballister. You just watch the interaction go on. She’s always been a stubborn one.
Still, he leaves on his own. You sigh, looking to your friend, “come on,” you say, opening the door to go to where he will end up.
“Ok, kid. You ok with a quick flight?” Nimona asks you as you look at the scale of the building. It’s intimidating; that, and heights were never your thing.
You gulp, “y-yeah.”
“Alright!” She says, happy you’re trying to put yourself out there more.
So, up you go. Despite the fact that she can shapeshift, she keeps you in mind as well as you sneak into the cells section. You do, however, keep watch, letting her go into the cell and break Ballister out the old fashion way – and the way she more enjoys, violently punching the release.
In the closet, you help keep it closed, finding more items. Out of the two, you’ve always been the more resourceful one.
She gives you a single look after Ballister makes his promise. You know what she’s going to do, so you just pull Ballister back a bit as Nimona shifts once again.
Having had some close calls and only gotten away via her shifting, you’re able to stay on better than Ballister, though you do help him when you can reach him. As for you and Nimona, however, you’re pretty much in synch with each other.
However, then comes the need for an exit. You know Nimona can fly, but she can’t hold both of you. So —
“I’ll lead them away,” you say, not allowing anyone to stop you as you take off in the opposite direction.
“Y/N, no! Come back!” Nimona calls out to you. She knows you are quick on your feet, but this is a bad place to try to be. Don’t get her wrong, she’s having fun causing havoc, but now what she might gain in a boss, she may lose a friend. She won’t do that.
Still, nothing she can do. Boss comes first.
So, off she goes, getting them both to the floor.
“Do you see them?” Nimona asks; and he hears the concern in her voice. She’s violent, but cares a lot. He respects that. Despite being surround and fighting, he tries as much as he can to keep an eye out for you.
“There!” He shouts, pointing up before dodging another strike.
Nimona turns as well, smirking, but concern still in her eyes as she sees you near a ledge. You don’t even think about it, you just jump.
So, with the wings once again, she flies upwards, dodging any attacks, before catching you and bring you down to the ground.
You both roll, before joining the Frey once again. You’ve never been as good in fights as her, but your agility and quick thinking does help. Nimona goes more aggressive once she sees Ballister in trouble. You go around some of the guards to help, but you’re taken down too.
That’s only enrages her further.
After you escape, you both start to bond with him. And, he seems a bit more at ease with you both now. You did break him out after all. So, he lets you help. Being a bit more open to ideas.
You all get down to the subway, seeing your wanted images. Somehow, you had never been photographed, so you were just a question mark. Seemed fitting, in a way, you guessed.
“Hm, no,” your best friend says, looking from you to the question mark you, “I don’t see the semblance.”
You roll your eyes, and she just giggles to herself. Ballister watches you both, eyes softening slightly at your genuine friendship and connection.
On the subway, he asks you guys, “so, how long have you both known each other?”
You share a look; her’s is asking if you want to say it, and also asking if you are ok with it being said; yours is the same.
You both shrug. She goes first with her tale, using it to make fun of Ballister.
He still seems a little disturbed by her ability to shift, even asking her to go back a to the ‘normal’ version of her. You both raise eyebrows at him. Sure, he tries to cover up by saying that it’s for other people, and not him, but you don’t exactly buy it.
“Are some of your best friends, ‘normal’?” You say, having heard that before with some people trying to cover up their hatred for you by saying that they know others. It’s bullshit.
“What? I — I, no… No, that’s not what I meant —“ he says, trying to correct his error.
“Too late,” you say, folding your arms, looking away.
Nimona changes back to her human self, putting a hand on your shoulder.
“I, uh, I’m sorry,” Ballister says. You keep looking away.
“Boss means it, Y/NN,” Nimona says, squeezing your shoulder a bit.
Ballister goes to say something else, but Nimona only holds up a hand. He nods, knowing that this is your moment. You need your own breather.
After a moment, you look up at him, seeing his eyes holding a genuine guilt to it. And a plead to make this all better. It’s the first time someone other than Nimona has looked at you. Like a person. A friend, maybe even.
You look at your best friend, the only person you’ve ever been able to call family, and she gives you a smile. You mirror it, putting your hand on top of hers.
“Thanks, Nim,” you say softly.
She removes her hand, before nudging you with her arm, “course, squirt. You and me, right?” She says, holding out her pinky finger. You link yours to hers.
“You and me. Nimona and Y/N.”
“And that’s all that matters.”
Ballister smiles. Then a thought comes to him about the question he asked but didn’t get answers to.
“Are you guys siblings?”
You look at each other again, and nod in sync.
“Closest we’ll ever get to it.”
“That’s cool,” he says, “seriously. Having a friend is…it must be nice.”
Again, you share a look; your journeys have been rough, and you’ve saved each other more times than you can count, but he’s right.
Nimona changes to a small boy, and you smile at her comment of “I am today,” before she goes off to do her part of this hastily cobbled together plan.
Ballister notices your look, “what’s wrong?”
“Just…it’s weird.”
Ballister chuckles, but not in a mean why; more surprise than anything else, “can’t be, especially not compared to my day so far.”
You nod, only really half listening. But, the words come out of your mouth before you can stop them, “I don’t…I don’t feel a fit in with…all this,” you say, pointing to him and then a random woman across the road, “and Nim…she’s fluid with it, you know? Labels don’t really matter to her. I like them. But…I can’t find the right ones. We do our names, and it works and it…I mean, it’s a statement and I love that, really. I just — I don’t know.”
“We’ll find it,” he says, not catching himself on the first word, “trust me, from what I’ve seen of Nimona, she’d burn it all down for you to find it.”
“We’ve taken up too much time,” you say, clearing your throat, gesturing for him to follow you, as you watch the man Nimona was – well, once distracting, but now chasing, went around the corner, “sorry.”
You don’t give him time to say anything back in return, you just take his hand and lead him out into the street once again, trying to find a getaway.
He recognises someone; the one with the punchable face? Maybe, you can’t quite remember. Either way, Ballister is terrified.
He hastily gets you into the vehicle with him, but you do see Nimona with a giddy smile as she shuts the boot.
Then, off you go, though Nimona does call out to you to get down.
With nothing but blind luck, you make it to an alley way. Ballister freaks out at Nimona being hurt, but she doesn’t show it hurts that much. You’re sure it does, but not as much as what is going on inside of her. You sit on the boot of the vehicle as they talk, though they do make their conversation loud enough to make you feel included.
You watch with soft eyes at the interaction, and how Nimona describes it all. When she jumps down when saying “I just wouldn’t be me,” she puts a hand on your leg too, “just like they wouldn’t be them.”
She then nudges you, “go on, bud,” she says softly, gesturing over to the bench, “go have your lil session. I’ll stay with this guy,” she says, jumping up on the boot, legs swinging.
Silently, you go over to Ballister. He looks at a cut on your arm. You aren’t entirely sure when you got it, but he does what he can to clean it.
“May I try ask again how you met?”
“Sure,” you say, looking to Nimona, she nods, encouraging smile in tow, “not the greatest of origin stories. I was always a street rat,” a crumbled up piece of paper hits your head, thrown by your best friend, “Was just always out on the streets. Never remembered anything from before. Guess either I was abandoned by parents dying, or they just left me.”
Ballister pauses, looking at you with sympathy. Nimona’s eyes are casted down to the floor. Like noted before, your lives weren’t easy, even if you had each other. The chaos was always fun, when you guys controlled it. Rebellion was something you both loved, but you were always focused more on survival than rebellion; even though you tried.
“I’m so sorry.”
You give him a sad smile, “I have my moments where…” you drift off. Nimona’s eyes shoot right up to your figure. She knows where your thoughts are going.
“Your parents were either unlucky, or bad people,” she says, “if it’s the latter, then they lost out on someone awesome.”
“Thanks, Nim.”
“No, she’s right,” Ballister says in support, “you’re a sweet, kid. You’re loyal, and kind.”
“But I don’t know who I am.”
“Well, if it helps, I thought I liked girls when I was around your age,” you chuckle softly at that after he does.
“I don’t think I want that from anyone,” you admit. Nimona smiles, glad you feel safe enough to say it. It’s your own small rebellion; she can’t be prouder of you, even muttering out a small ‘hell yeah’ under her breath.
“That’s cool,” Ballister says; you scrunch your eyes brows up slightly, not expecting him to say that, “we want what we want from life. And…if I may ask, about the other thing?”
“…I – I don’t…I don’t think ‘he’ or ‘she’ fit me. I mean,” you look to Nimona in self consciousness, “I know that’s swapping one label for another, but —”
“Labels can help us find a home in ourselves,” she says, wisely. Ballister looks to her, seeing her gaze soft as she continues, “sometimes they change. But, as long as it’s your choice on it changing, then it’s all cool with me.”
You nod, but Nimona catches the slight guilt in your eyes. She hops off the boot, approaching you as Ballister finishes his work on the cut – having only resumed it after your addition, “I always said I’ll tell ya as many times as you need. And I don’t mind, really,” she says, putting an arm on your good shoulder, “you’re my little buddy. My best friend. You’re Y/N, and who that is may shift and change, but you’re still you at the core of that.”
Emboldened by your friends and the feeling of safety to be honest, you look to the man in the boot, “shall we?”
The two look to the man, who then speaks. Saying he’s happy for you all, but now really just wants to be let go.
“Oh, yeah,” your best friend says, cracking her knuckles.
You get the video evidence that’s you need. This is it, your boss – and maybe even friend at this point – can be free. Sure, it pisses you both off at his want to still believe in this system – this system that is built to hate people like you – but you still go with him. Nimona says she’s in it because everyone hate’s Ballister too; and yes, that is part of your reasoning too – you guys aren’t alone anymore. But…if you’re honest with yourself, it’s mainly the latter part to that. To find your crew, you go by your labels and accept you fully.
The plan goes well, and you all escape together this time. Ballister holding you as you fly away.
“Why didn’t we think of this the first time?” You shout over the wind.
“We’re not very smart!” Nimona says with a chuckle.
“You have your moments, though?” Ballister asks, cheekily.
You both laugh this time, “seems so!” You say in sync.
Back at Ballister’s, the events of everything, including another brawl - this time you were more successful - though Ballister was almost taken in but you guys won, and feeling of safety, allows you to sleep soundly for once. Nimona runs a hand through your hair, head in her lap. Ballister puts a blanket over her.
“Don’t wake them, Boss,” is all Nimona says, quietly.
Ballister chuckles quietly, “I won’t, don’t worry,” he assures, before going to his computer.
Nimona soon falls asleep herself.
When Ballister meets with Ambrosius, nothing on your past comes up. Ambrosius is question on it, and says, “I’m sorry, Bal. I really am. I think that (he/she) —“
“They,” he interjects.
“Ok, sorry, yes,” Ambrosius says, correcting himself, “I think they may of met Nimona and been taken down a path. But,” he reaches out and takes Ballister’s hands in his own, “you can stop this. You can save them. We can.”
When Ballister comes back, Nimona seemingly has a sixth sense about this. She wakes up, happy, but slightly on edge when she sees the look on his face. Carefully, she removes herself from you.
“What are you?” Ballister seethes.
“We aren’t doing this here,” Nimona says, moving to the back of the couch, as if a shield.
“Answer me.”
“You aren’t dragging them into this,” she says, a fiery protectiveness in her gaze, “do you know how much they’ve been –“
“How much as done because of you?” That stings, she won’t lie, “you drag them around with you into your schemes. They’re an innocent pers-“
“Exactly,” Nimona says, keeping her voice quiet, but letting the anger still roll through her words, “so, if you wanna blame someone, which you oh so apparently do, then blame me, ok?”
“What’s going on?” You say, slurred as you still adjust to the world. You blink a few times, before slowly sit up on the sofa. You turn to your friends, and both have angry looks on their faces, “what’s wrong?”
“Gloreth,” Ballister says, “the darkness she was fighting to keep out? It was her,” he says, ripping the bandaid off instantly.
You look to Nimona, eyes wide, but not filled with fear, just shock.
“Y/N…” Nimona says, seemingly only seeing what she wants to.
“Nim,” you say, taking her hands in your own, “it doesn’t matter,” despite the reassurances, her mind is already made up. Those voices that she’s kept at bay for herself, and help you fight – and you have returned the favour in both small and large ways – are back in full force. You can see it on your friend…on your sister’s face. It pains you to no end.
“Get away from her, Y/N,” Ballister advices.
“No,” you say, firmly.
“Y/N, please…” you hate how her voice cracks a bit, looking at you.
“Hey, what was it you always said? We’re all we’ve got. You and me, yeah?”
“Don’t you understand what she is. She’s a —”
“No,” you spit, looking to Ballister, who is a bit taken aback, “it doesn’t matter. It matters who she really is. She’s Nimona. Just like I’m Y/N, and you’re Ballister. You’re the ex-knight. I’m the street rat, and Nimona is the reason this broken system was made in the first place.”
“It’s not broken,” Ballister says, running a hand through his hair.
“It always has been!” You shout, he jumps, “don’t you get that? Someone framed you for power. That power is used to make people like me hate themselves. It turns people against each other. It tears people apart, and you still support it!”
“Because it keeps us safe from monsters who want to destroy it!” He can’t stop the words as they tumble out. But, as soon as he sees you both flinch, he wants to take it back.
Nimona runs first, and as you go to follow, you pause at Ballister’s door, “you know, I really thought you’d be different,” the words strike him just like Ambrosius’ sword did. Then, you’re gone.
He slams his hand onto the table, swiping objects away. One gets his attention, that old arm he’d made. The spare. The useful spare. The one that got him through a lot before this better one.
Sure, he knew the metaphor didn’t completely work, but you were curious being. You just wanted to find safety, and Nimona just wanted to find that as well. You were both just looking for love in a world that hid it from you because of who you were.
He remembered when he first came out, how it was rocky. You were both young (sure, Nimona was old in terms of this story of her, but she was a young girl in physical form) and your lives had been several levels below rocky.
You and Nimona were all you had. He…god he realises, he was part of that too. For a moment, they let someone else in. Let someone else be a lifeline.
The words he’d said…he could see on Nimona’s face when she looked at you that something had changed in your dynamic as soon as he said it. She looked at you like she was a poison, and there was no antidote. He always remembered your words, about how at the beginning you would…oh, oh he knows what you mean now by what you wanted to do.
That pain because you couldn’t be free; you couldn’t completely be you. Oh no. Oh god.
He finds his sword. The thing that started him on this path. A path that led him to you both. Two spirited, loyal people.
He then feels the ground shake. He looks to the tv. He knows who that is. He knows who is on one last run.
“Good Gloreth,” he says, before running out of the door, just hoping that he isn’t too late. That he can make this right. As right as he can, anyway.
As for you, you try all you can to get Nimona’s attention, and she only flies away. God, you hate it; you’ve never really been out to this part of the walled off city before. You don’t know where she would go. You go to the town. There’s an abandoned building you went to one time when at a low. Nimona saved you that day, flying up to you and sitting with you. It must’ve been hours, but she managed to get you down and home. Sure, that location changed. But Nimona was a constant. She was family. She was home. She was security; always there for a pep talk or defence. You were always there with a plan or a way out. She’d always follow them, executing them to a T. You just worked.
You affirmed each other. Any doubts you’d talk about. You’d clean swap clothes, steal some if they didn’t fit or felt wrong. Tag areas with different names, but the same style so everyone knew it’s was you.
You feel a rumble as you reach the top of the building. A dark, shadowy creature, makes its way into town. Stomping over things, but not hitting anything. The only time it does is when it’s shot, screeching out in pain as it falls down.
You know who it is. You recognise a part of the scream.
It’s Nimona.
You look down the building, a hell of a drop. You see more of the flying vehicles going for her. Quickly, you do some calculations. You take a few steps back. Don’t get yourself wrong, you’re not in the healthiest of mindsets right now. If you miss, it’s a big drop, and then…well, whatever comes next. But, you have to try this. You have to try and protect your family as best you can. So, counting down quickly, you run.
You jump.
You land right on one of the vehicles. The guard is too shocked to really do anything. So, you push him with all your might, and he falls, but catches himself. You just focus on the controls of this thing. Not that many. It’s simple, but effective. It works.
So, despite some near crashes, you sort of get the hang of this thing. You use it to shoot at the attackers hurting Nimona. Some fire back at at you, others dodge and keep going at this person they decided needs to be put down for the benefit of the people.
You try your most, even get lucky, but there’s a lot of carnage going on; all their own doing.
You see, however, what Nimona is making a bee line for. The sharp end of a sword that was pointed at her so long ago.
You race forward, not even noticing your previous guard friend managing to climb back up. He wrestles with you for the controls. Once again sending you pretty much into things. However, he then pulls the breaks, but catches you before you fall. He’s not looking at you now, he’s looking at Nimona, who is stood in front of the sword, white, beating heart out.
“NO!” You cry, sending the vehicle forward once again. You get to the sword, jumping off it. The guard tries to stop you, but just misses.
“Stop —“ he calls. But, a new voice stops him.
“They’re with me!” Ballister, “they’re with me.”
He looks at you; so many apologies and silent words being sent at you at once.
You nod, “later,” you say, before running to save your sister. He follows. You both hold her back. She looks down at you.
Ballister apologises to her as well. She looks to you.
“Please don’t,” is all you can say, “I need my sister. I need my sister,” you say, repeating it as your tears finally leak.
She changes back, and you both catch her. She looks a mess, beaten to high hell, but alive.
“I love you too,” she says to you as the three of you hug. You pull back, looking at her with elation -she’d always shown it, never said it; but you did always, sort of selfishly, wanted to hear her say it – and she chuckles tiredly and brings you into a hug of just the two of you, “I need my sibling in my life too. Besides, you rebelled completely against them,” she says, having seen you on the roof and your stunt, “guess I could do something a bit different, yeah?”
You chuckle, tightening the hug. It feels right. Like pieces of a puzzle coming together. Ballister joins, and it mostly feels complete.
A hug of a family. Of people who love and accept each other.
People soon start running again, and you all see a giant cannon aimed directly at you all. You all look at the citizens, knowing it will hurt them as well.
“No –“ you say, looking to Nimona, knowing what she is planning.
She smiles, however; her mind is mind up.
She kisses you on the forehead, “I love you,” she mumbles, before giving Ballister a wink, “take care of them for me, Boss.”
“Nimona,” Ballister says, trying to stop her. To try find another way.
However, “we know I’m fast enough to stop that thing,” she says, “and we’re wasting too much time. I get to punch someone with a punchable face, like really hard,” she then looks back to you, and sees you about to break again, “hey,” she says, cupping your face in her hands, “I’ll always be here,” she puts her hand on your chest, “you’ve got this. You’re gonna build a new, better, world.”
With that, she turns into a phoenix, and flies right into the cannon. The explosion rocks the wall, creating a massive gap in it. What does it show? It shows that the outside world is beautiful, that they had anything to fear. There is danger there, but also beauty. So much beauty.
Ballister and you go down to try and find Nimona, instead you only find red specs flying around.
You curl up into a ball, letting out sobs.
Ambrosius comforts Ballister, but saw how you were with the guardsman above. Granted in glimpses, but given your friendship with Nimona, your distrust of this system that he too is now questioning is understandable. So, he lets Ballister take his time before bringing you into a hug as you both cry for your fallen friend.
Some time passes, and you are all called heroes. You move in with Ballister, and your friendship rebuilds. He becomes this role model to you of perseverance and light. Softness and love. He becomes a sort of parental figure. He supports you when you stumble, and you do the same for him.
Ambrosius respects your boundries. He’s a nice person, even if you have your many issues with the system. He listens, like actually listens to them, and does what he can to set them right. He knows it will take time, but he knows you’ll appreciate the effort.
It’s slow going with him, but he is sweet. He’s kind. So, you are warming up to him. And he’s getting to know you. And, you do have to admit, him and Bal are sweet.
One day, when you’re in home alone, Bal and Ambrosius out on a date, you hear something. It’s like the wind, but that’s not possible as it’s a peaceful day. You then turn, seeing a glare of light. It gets brighter and brighter —
And then it stops. You lower your hand, and drop your bowl of popcorn. It doesn’t break, but the effect is there.
“Hey, champ,” you hear her say.
And you barrel right into Nimona’s awaiting arms. She chuckles, spinning you around before putting you back on the ground, “oh, look at you!” She says, turning your head with her hands, noting the subtle changes to your style and your looks, “you look so good!”
You chuckle, before going in for another hug. She hugs you back just as tightly.
She shuts her eyes, hoping to hold this moment in her mind forever; just as you are as well.
She pulls back, then looks to the TV, “what you watching, squirt?” She asks. You grab her hand, and pull her to it, hopping over it, which she mirrors on the other side, before now sharing the blanket with her and handing her the bowl and filling it up with more popcorn.
You hit play, and both watch the TV.
Bal comes back, and does a double take when he sees you both. It’s like a mirror version of the last time he saw you asleep on her lap, hand going through your hair again.
“Oh, hey, Boss,” she says, “just figured I’d pop in, say ‘hi’ and all that.”
Ballister can only laugh, tears of happiness forming in his eyes.
“Hi,” he says, holding his arms open.
“Hey,” she says, hugging him.
The family is complete.
Y/N and Nimona the siblings; and Balister and Ambrosius the parental/older siblings. The label isn’t exactly exact, but sometimes labels aren’t. They fluctuate.
But the love, just as the person, is still there. Still them. Still have all that love and hope inside of them.
Some people like labels, some don’t.
Either way, you all fit together. You all know what you are.
Family. And a family who aren’t going anywhere anytime soon.
158 notes · View notes
madlad-sadgal · 9 months
Text
I got bored so here's a few things I noticed in Nimona that either made my day or made me cry or made me question everything I know. No in-between.
Also, yes, I know, almost everyone already pointed most of this out, but I just had to do it as well. It was destroying my brain. This is gonna be a long one too.
Nimona Spoilers!
The Director, not the Queen, being the one to give Ballister his sword for the first time, showing how much she truly worked to show Bal is the true villain, probably acting with him as she would any other knight all throughout his training and caring for him, making her betrayal that more hurtful for Bal.
Probably everyone expecting Ambrosius to be that classic "Noble asshole who's gonna make Bal's life hard just because he's a commoner" but instead not only is he kind, and goofy and himself around him but they're DATING!
At the beginning, they make out how most people aren't accepting of Bal being a knight, but in reality, we only see three people disagree with it, and the whole kingdom cheers for him when he's knighted (until his sword kills the queen that is)
Ambrosius slightly swinging his dangling feet when he's sitting with Bal. (Not that important but I just found that cute)
The first time we really see the clear difference between commoners, nobles and Gloreth's descendant is when they're putting on their armor. Nobles = Grey, white and gold. Gloreth's descendant = White and gold. Commoner = Black and grey.
Todd coming in, we haven't even heard of him at all so far, and yet we all hate him immediately because of how much of an asshole he is.
Also, Ambrosius' reactions and facial expressions when Todd is insulting Bal. Just, it's cute. Protective BF Ambrosius.
Bal knowing his sword doesn't feel right.
The Director telling Bal "Today the kingdom will see you for who you really are." Foreshadowing that they will see him as a queen-murdering villain and that she's the bitch who framed him.
"Wait, what do you mean? You think I'm her favorite?" Clearly not. She hates you. But that doesn't matter because we love you and your wet kitten eyes <3
The Director having the fucking audacity to look horrified. Also, the sword fired 2 shots. Does that mean she was hoping for someone else to get hurt/die?
Ambrosius looking fucking horrified, scared and confused as he looks down the hole the thingy made falling down as he watched his boyfriend(?) walk away, clearly in pain.
Nimona's "It ain't that kind of kingdom. And it ain't that kind of story." being a parallel to what Bal says at the end.
One of the first things we hear when Nimona approaches the thing talking about Bal is "Not since Gloreth's monster has anything been so hated." So Nimona basically learns that someone is hated as much as her.
Bal canonically being able to take care of an amputated arm and build a prosthetic, but also him canonically listening to Grrrl Like is just funny to me.
Imma stop there because this is literally just the first ten minutes. Might make another one though!
210 notes · View notes
clanwarrior-tumbly · 9 months
Note
HELLO!!! i have a request for a platonic Crowley and Aziraphale x fem!reader with she/they pronouns 😄 if you know Nimona, then thats what i want the reader to be like. theyre a spunky, immortal, young teenager anarchist who can shapeshift and has unnaturally coloured eyes and hair. one day they find the two (husbands), and kinda just stays, so Crowley and Aziraphale accept their fate!! i dont mind if you decide to include a smudge of angst (or a shit ton whatever you prefer, but im impartial to both, so do with that what you will,) because after the newest season, i cant get enough of it.
many thanks!!
Oh! I haven't seen the movie but I know about Nimona!
......
You met Aziraphale and Crowley in 537 AD, encountering them by pure chance.
At first you intimidate them as a dragon, thinking they were two hapless knights who lost their way back to their kingdom..
Until you saw Crowley's snake eyes, and you realize he's not human at all.
"You there...I like your eyes.....are you another shapeshifter?"
"...um..nope." The demon in black armor looks incredibly confused, especially at this dragon talking to him. "Don't know what gave you that idea.."
"Well technically he is." The white knight adds on, smiling nervously. "You see, my erm..."rival" here is something of a serpent who was sent to-"
"Shut it, Angel. This beast doesn't need our lifestory! Now if you could kindly excuse us, o' great dragon, we have to discuss-"
"Hate to break it to you, but....I'm not actually a dragon."
"Then what are you exactly? You...said something about "shapeshifting" before, didn't you?"
To answer Crowley's question, you transform into a young human clad in knight armor, taking off your helmet to reveal your unnaturally-colored eyes and hair, smiling. "Bingo."
The pair are quite impressed, so they have no reason to hide the fact they were an angel and demon.
You explained how you've had these shapeshifting powers for a long time, being on the run since everyone thinks you're a "cursed child" or some monster that was once banished, wanting nothing more than to drive a sword through your heart.
When it's clear that neither Aziraphale nor Crowley have any intentions of hurting you....that's when you decided to stick with them.
It took them 20 years to realize you never aged, learning you're an immortal being in a teenager's body.
Your powers allow you to keep up with the times, disguising yourself as animals, people...or even angels and demons if your heart so desired.
Sometimes you'll turn into a snake much like Crowley's own snake form (although your scales have the color of your hair, ofc, so you're not 100% identical).
You haven't mastered turning just your head into a snake, however.
In the modern era, you enjoy being a nightingale after learning they were both fond of those birds, often singing in the bookshop out of boredom.
Although Crowley's fully aware you're not a demon, you got a spunky and rebellious personality and love getting up to mischief.
And he 100% encourages this (while poor Aziraphale's practically begging you to stay out of trouble).
But you're definitely on the angel's side anytime he compliments Crowley, who just snarls and denies ever doing something "nice" or "good".
You don't believe he's all that evil for even a moment.
While you're aware that they have to act like they despise each other bc they're on opposite sides...in your eyes, they behave so much like an old married human couple.
Aziraphale emphasizing "our car" when talking about the Bentley made you roll your eyes and joke about when the wedding's gonna start.
When Aziraphale returns to Heaven without Crowley, you realize that maybe your "marriage jokes" went a bit too far...even though neither of them blame you for their falling out.
Still, you feel bad bc you can tell Crowley was genuinely in love with him.
You overheard everything, and after his "no nightingales" remark, you're reluctant to shapeshift into one again out of fear of upsetting him.
Yet he asks you, too, as he couldn't bear the silence in the bookshop anymore...and listening to any of Aziraphale's music records would've been too painful for him.
You obliged, staying perched on his shoulder as he stared out the window for hours...hoping that his angel would come back to him.
You hoped so, too, waiting everyday by his side...until the end of time if you had to.
279 notes · View notes
the-babygirl-polls · 4 months
Text
Ballister Boldheart - Nimona
Tumblr media
Propaganda:
Spoilers: He grew up on the streets, then gets recognised by the queen, being allowed to train in becoming a knight, despite not having any ancestors that were knights. Then, boom, he is framed as a murderer, gets his arm cut off by his boyfriend. Then he becomes a friend to this shapeshifter, who is also an outcast. He realizes that he works for a broken system and loses said friend because they sacrificed themselves so they could save a kingdom which hated them
Look at his eyes. I mean no, just look at his sad wet pathetic eyes and tell me isn't the most babygirl to ever babygirl in the history of babygirls
145 notes · View notes
yrrtyrrtwhenihrrthrrt · 5 months
Note
Could you do a fic about movie ballister finding out ambrosius burns scars from the director and leads to an angsty realization and conversation about how many times he could have lost ambrosius
Ooooh, Pain (Movieverse based on context)
--
Ballister carefully finished wrapping clean bandages around Ambrosius's shoulder. Things were still rocky, they'd just gotten discharged from the hospital. Ballister was still mad at Ambrosius, extremely mad, but he couldn't help but worry. His (former?) partner was so concerned with his injuries that he neglected to take care of himself. Ballister was in worse shape, but a fourth degree burn that disintegrated flesh to the muscle cannot just be ignored.
"Thanks, Bal." Ambrosius smiled softly at him. "I don't know what I did to deserve your kindness after everything."
Ballister sighed. "You've been taking care of me, I take care of you. We're both hurt. I'm glad Nimona broke the canon, but I hate that you were up there when it happened. You were so badly hurt in the blast."
Ambrosius brushed him off. "It was nothing. The blast didn't actually do much, it's my own fault I'm injured. I tried to reason with the Director."
"It's not your fault you were up there, Rose." Ballister crossed his arms. "You were trying to stop her from destroying the Kingdom!"
Ambrosius turned around to look at him quizzically. "Yeah, but--? If I hadn't tried to reason with her, if I'd had my men rush her, she wouldn't have blasted us. I wouldn't have these burns, nor would any of them. Some of the other knights got really badly hurt, I was their leader, it's my fault." He looked down. Ballister furrowed his brow.
"What are you talking about? It's not your fault she fired the cannon."
"No, I mean when she blasted us. With a Jadegun. Same type of weapon she replaced your sword with. She shot us because I tried to reason with her, that's where I got the burns. Did you think it was just collateral from the blast?" Ambrosius's eyes were warm with concern and confusion.
Ballister had been dealing with so much pain. Now even more. He couldn't bear it.
Before he realized he was in tears, he was already in Ambrosius's arms, melted against his good shoulder, sobbing.
"Bal, what is it?" Ambrosius's soft hand stroked his hair.
"You could have died! You could have died and it would have been my fault!" He buried his face into Ambrosius's neck.
"How on earth do you figure that!?" Ambrosius squeezed him. "The Director attacking me is not your fault!"
"I knew she was willing to kill you!" Ballister pulled away and stared into his eyes. "The-the video, the viral confession video-- I never showed you the whole thing." He wiped his face. Gloreth, how could Ambrosius forgive him for this?
"In the video, Nimona pretended to be you. She confronted the Director about my accusation as you. The Director--" he sobbed. "Stabbed her, thinking it was you. We didn't release the full video because we didn't want people knowing Nimona was a shapeshifter. I was going to tell you at the pub but I was so mad and I didn't think of it--" he swallowed. "If you knew she was willing to hurt you you would have been more careful. I didn't tell you and you could have died because of it. I'm so sorry."
Ambrosius looked shocked, but he continued to embrace Ballister. "You have nothing to apologize to me for, I just, I had no idea." He buried his nose into Ballister's scalp. "I'm so sorry for everything. For not believing you. I know everything is hard now, but I'll fix us. Just let me fix us."
79 notes · View notes
deerteetharepretty · 9 months
Text
Trans Ballister Headcannon and intersectional queer theory thoughts about the movie Nimona
I absolutely ADORE the Nimona movie but as an Autigender, genderqueer, who is specifically somewhere encapsulating genderfluid and trans masc nonbinary lesbian, this movie made me sob. 
I related to Nimona so SO MUCH. But due to my love of studying the intersectionallitys of queer struggles as my special interest, i saw a specific headcannon among fans that has my entire heart. 
I dont wanna put down anyone elses, i love them all, but i wanted to take a moment to talk about the beautiful lense you could look at queer intersectionality with the Trans Man Ballistar Boldheart headcannon. 
I want to be clear i do not mean this in a weird way at all!
I think theres a lot to discuss with how we could view there kingdom as being accepting of gay people (at least a bit more progressed past where we are where there may not be hate crimes or any problems but some people are still terrible homophobs far and few) 
But through the eyes of our child Nimona we see that the society only accepts queer folks who are “the good ones” aka constantly repressing little parts of their true self to appease others. The accept gay people and say they are willing to try with binary trans people but the bigotry and outward threat of violence to anything different has kept people in the coset, hiding beautiful, normal, facets of queer joy to be seen as acceptable to the kingdom.
That's why i am so inspired by the headcannon of Ballistar, maybe not openly trans but fully living as himself accepted by doctors and the queen fully at a young age, striving for his best life, with a loving and understanding boyfriend who truly sees him.
Because its him realizing Nimona isnt the enemy, they are just a transgender/shapeshifter child. Much like he doesnt understand shapeshifters at first, he doesn't understand their gender, but you start to see him see Nimona for who she is and love her so much.  This headcannon also makes me think so much about the scene on the sword of Gloreth and the ones right before. After he hurt her Ballistar immediately regretted it. The look in his eyes and the way his hand went weak in shock when he realized he almost threatened her. He sees the fear on her face and it strikes me so much in the headcannon of them both being trans because he realized he was threatening a child, and a queer one like himself who clearly wanted to just be accepted and not hurt. I also want to talk for a moment about the ending with Ambrosius. I may need to make a part two because theres a lot to unpack with ambrosius being a cis gay man who is very supportive of the trans community and having a closeted trans partner. i feel like when the dust settles he would feel so horrible for how much he rejected Nimona in the first place.  GOD I WANNA WRITE A FANFIC ABOUT THEM WORKING TO HEAL THROUGH THIS SHIT 
103 notes · View notes
concert-bflat · 10 months
Text
Thinks about how. Gloreth only starts looking at Nimona differently/strangely when her parents call her a "monster". Just throws that label with such a negative connotation on her. Gloreth fucking fights for Nimona immediately in the beginning saying that she's her friend and never once looks at her with ridicule until her mom just holds her by the shoulders and tells her she's a monster, straight in the eye, straight in the face. And just the word is enough to cause the change.
Nimona's getting fucking attacked and prodded and Gloreth doesn't even feel sorry for her just because she's now re-contextualizing everything around her but with that word. I'm so sick. She looks not in hesitance but at disbelief before she runs away. She sees Nimona trying to defend herself from literal Danger in any way she can (she's just a kid and she's fighting with people who won't listen, never will, people that she can't get through) but just sees that as more proof of her being violent, monstrous. She sees her friend all alone, with the odds and the world stacked against her despite them being. so similar but just tells her to go back to the shadows.
And like. Of course she believes those words calling Nimona a monster and takes them to heart. Her parents, the ones she would probably trust most are the ones that told her that. And she's young, she doesn't know much about the world or much better. And of course, her parents and the whole village don't know any better. They didn't see what she saw. They don't know or feel the need to know much more than the definition of the word "monster". But it hurts. God it hurts. It's wrong. It's not fair. It's really not fair.
And it causes this whole legend that will stay with Nimona to ridicule her for generations and generations and birth this system that she's trapped by and causes everyone to be so brainwashed. The one that makes people scared and build walls. That births unecessary distrust.
God. Even in the scroll illustrating Nimona and Gloreth, Nimona is portrayed as such a bigger and scarier threat than she ever could be or would be, until Nimona internalized and gave into those images and despair of course. It's not fucking fair.
Thinking about how when the villagers saw Nimona as a "normal" person they were happy for her just living her life and playing with her friend, she was just another kid being happy like she and every ("normal", apparently) person deserves to be, and they were allowing her to be happy then when they find out what she really is they hate her. They call her a monster and drive her out immediately. They don't look into the details that contradict the stigma, they just feel betrayal when they weren't even the ones who were betrayed (Nimona couldn't fucking help being who or what she was. And she was her own person. She was still. A someone. Why do things have to be different now?). I'm so sickkk.
Thinks about how Nimona feels so hopeless as to just. Accept and yield to that label. That label that was passed down to Gloreth. To the whole world. Such simple but awful words. Aughhhhhhhhhhh
Another post I saw talks about how this is a movie about how hate is taught. And oh my god it is. Hate it taught. It's done so simply yet so, painfully effectively. So devastatingly. And that hate teaches people to hate the world back. God I fucking loooove this movie
Also Nimona's such a Creature /pos /affectionate she's so relatable I fucking love her and I'm insane okay that's the post bye
103 notes · View notes
narwhal-butterfly · 10 months
Text
Okay so the Christmas before covid hit my aunt got me the Nimona graphic novel and I loved it I still love it and when I tell you I squealed when I saw Netflix was making a movie, I squealed like I squealed, I was/am very excited
(Not part of this movie but I love that this movie is how I learned that the author of Nimona, one of the creators of Steven Universe, and the creator of She-ra(all of which I love) is trans, well looks like I'm going to go cover up their deadname on my book when I go back to my mom's house lol)
So y'all are getting my live reactions
(spoilers under cut off)
I have only watched 4 minutes into this movie and just EEEEEEEEE like they gave Ballister the biggest sad cat eyes you ever did see and he and Ambrosius are so gay and aasssahhhhhhhhfggggggdybeufbeusl
Okay I hate all of the knight (except Ballister and Ambrosius)
"You think I'm her favorite?" Yes ofc you are, you sweet little sad cat man
Eeeeeeee Ballister and Ambrosius are so fucking cute(this is probably gonna be 90% of this post lol)(edit: I was wrong)
Awww they're all cheering for him ❤❤❤❤ "Let a new era of heros begin with you" awwwww
OH FUCK SAD CAT MAN JUST KILLED THE FUCKING QUEEN WTF WTF WTF
OH SHIT AMBROSUIS JUST FUCKING CUT HIS ARM OFF WTF
OH SHIT WTF IS HAPPENING IT WAS SO HAPPY AND GAY AND CUTE
EEEEE NIMONA MY BELOVED BABY
Ooooh cool robot arm
EEEE baby has found one of her gay dads YIPPIE
"Sick arm. Did it bleed a lot? Did they let you keep the old one?" I love her, she is so fucking weird/pos
"-Then we rise like a firy phoenix from the ashes ro overthrow the government!" YESSSS down with the government!!!!
"This guy looks extremely punchable." "You're right. He is actually punchable." father and gender-fluid child bonding<3
They took his arm >:(
Aww he's going sad little cat mode;-;
Oh no Ambrosius thinks Ballister really killed the Queen ;-;
Baby is shape-shifting and I love her
Ballister sliding in on his face well Nimona is doing all of these cool tricks is the best thing ever
Nimona making her dad breakfast tacos and being unintentionally loud in the kitchen is just adorable and really shows how much of a kid she actually is
She tried to clean up the house well he was asleep awww(well more accurately she tried to make the house more of an evil lair but it's still cute)
"You're a mo-" "what? Marsupial? Mariachi? 🤌Meatball?🤌" I love her
Uh oh baby's got ✨️trauma✨️
"Why are you helping me?" Oh okay then;-; "Because I'm bored." Bullshit "And everybody hates you too." Oh ;_;
"But I'm not a girl. I'm a shark. *teeth click(×2)*" same
Ballister is such a tired dad
Ballister is such a tired dad (but now at a train station)
"He hates freestyle jazz." Pffff but also Awww
Ambrosius hair smells like lavender, alrighty then, but why are you smelling his hair Todd? that's a little fruity/hj
Uh oh the Director knows Nimona
The cereal ad is adorable lmao
"I just think it'd be easier if you were a girl." "Easier to be a girl? You're hilarious." I mean she's not wrong
Ooooh we're getting her backstory!!!! Oh nvm lmao, I love her lol
"And now, you're a boy." " I am today." Mood
Nimona attacking the Squire well Ballister's trying not to get caught as some lady's trying to sell him a car is just beautiful
He is so her dad and I love it
She's so trans and I love her
"Who would protect Todd?" No one, Todd sucks
OH MY GODS, IT WAS THE DIRECTOR WHAT THE HELL????
"Arm-chopping is not a love language!" Nimona I get that you are trying to protect your dad from an unhealthy relationship but in this case it is
Ambrosius no! babyboy do not talk to The Director, she is literally the problem!!!!
"The man I love,-" oh ;-;
Oh my gods, he's jealous of Nimona, no sweetheart, she is not your replacement, she is your new child
Uh oh babyboy's having a breakdown internally
Nimona defending Ballister is so cute
Also the director calling Nimona a 'miscreant, whispering in his ear' as she whispers into Ambrosius' ear is just 😗🤌*chef's kiss*
"It doesn't matter. You shouldn't need proof. You know I'm not a murderer." why must you hurt me like this? I just wanted to watch a movie ;-;
The lovers are fighting and Ballister defending Nimona and that's adorable but also heartbreaking
Nooooo, not the babies(Ballister and Nimona)
Oh my gods she turned into the fucking dragon from the cereal ad
Oh sweetheart, you're not a monster ;-;
"I don't what's scarier the fact that everyone in this kingdom wants to run a sword through my heart... or that sometimes, I just wanna let 'em." oh sweetie :(
Her dad is taking her away to somewhere better I'm crying oh my gods ;-;
YESSSSS AMBROSIUS STAND UP FOR YOUR BOY
Ma'am I don't give a fuck about your nightmares
Oh my gods she just stabbed him what the fuck, you bitch
Thank the gods it was just Nimona acting lmao but yes show the kingdom!!!
Oh my gods they're playing Monopoly I love them she is so his kid and he is so her dad
He sees to her reaction to him being freaked out about her breathing fire and then calls it 'metal' I just- I- eeeeeeeeeeehhhhhhhh ;-;
Awwww they're dancing and she's a shark for some reason lol
Aww they're watching scary movies
Oh no baby's having a nightmare :(
"You're safe." Awww "we're home." AWWWWW ;-;/pos
Aww Ballister and Ambrosius are going on a nachos date
Awww Ambrosius believes him
Nimona did not set him up sir, the Director is lying to you, Nimona is a sweet and innocent baby who has done no wrong, well actually she's done a lot of wrong but I don't care she's a sweet innocent baby
Ambrosius ily but do not make him choose between you and his child
Uh oh, what's Todd doing?
Sir, no that is your child, stop yelling at her please;-;
Oh fuck it's Todd
Oh my gods are we getting Nimona's backstory? oh my gods we're getting baby's backstory
Awww her and Gloreth were friends <333
Awwwww she had a crush on Gloreth
Uh oh the other people are scared of her
Oh nooo, oh baby ;-;
Uh ooh
UH OH, baby went Godzilla mode
Oh no she's hurt :(
Anndddd Ambrosius is finally getting how fuck this is
Oh baby :(
"I don't what scarier the fact that everyone in this kingdom wants to run a sword through my heart... or that sometimes, I just wanna let 'em." Oh honey noo :(( ;-;
Oh thanks the gods, her dad stopped her
"I see you, Nimona. And you're not alone." Ooooooh eeeeeeeehh ;-;
YEESSSS BABY'S SAVING THE CITY!!!!
OH FUCK IS SHE OKAY?
OH FUCK HER DAD'S MAKING THE SAD LITTLE CAT EYES AGAIN
Oh, okay, I'm crying now
Oh I'm not okay
Oh my gods, oh my gods oh my gods, she's (maybe(hopefully)) okay
AAAAAAAAAAAHHHHHHHH SHE'S OKAY!!!! THANK FUCK
59 notes · View notes
Text
These Nimona headcanons are dedicated to the people who keep asking me how I come up with them (short answer: I have no fucking clue)
While Ambrosius is the one to keep the house clean Bal is the only reason their schedules are even somewhat put together 
This man has multiple calendars one physical calendar in their living room
A digital one for just him that’s dedicated to things that he knows the duo would be bored by 
And a digital calendar for the trio themselves which is his pride and fucking joy 
His baby a digital miracle and what he genuinely considers to be his magnum opus 
Because Ambrosius and Nimona are the hardest people to organize schedules with
Every conversation with them would go something like this “Hey what are you doing next week” “Oh I’m going to work” “Okay do you know what time you have to head in” *shrugs* “Do you know if you have days off” *shrugs again* “do you even know what days you’re going in” *shrugs one last time*
And then Bal would have to walk away because he was really to commit a crime 
No one knows how he actually got their schedules 
Nimona doesn’t know how Bal scheduled plans for them when he didn’t have their friend's contact info
It scares Ambrosius how Bal’s able to fit is incredibly hectic days in nice neat color coordinated boxes 
The duo doesn’t ask questions and they don’t fuck with the schedule 
They just follow it cause it’s always right 
Which is kind of horrifying 
There is one chore in the house that not even the resident clean freak (my baby golden boy) likes 
And that’s washing the dishes 
Not a singular person in that house will ever do the dishes without complaining even a little bit 
They always take turns and it’s always a lose-lose situation 
Because even though there’s this feeling of “dodged that bullet today” they’re also a little guilty because they know the person doing it hates it just as much 
They bought dish gloves because that slightly helped the problem 
But those things tear like it’s no one’s business which is the fucking worst 
One time Bal walked into the kitchen to see Ambrosius crying over the dishes 
He asked what’s wrong and all he had to say was “glove” 
And Bal knew what he meant because Ambrosius swears that having wet rubber rub up against your skin is almost as bad as touching the bare dishes 
Every time Ambrosius or Bal have to leave for more than a couple of days the other will joke that they're a single father 
Anytime someone checks in on them they’ll say something like “The life of a single parent is hard but fulfilling” 
This basically just translates to them missing their spouse so could someone please bring them back as soon as possible 
Nimona always jokes they’re a child of divorce when the boys make that joke 
The jokes range from “Being a child of divorce is so stressful” to “Good riddance I never liked him anyway” 
Mind you those remarks come after Nimona hung off their legs as they walked out the door 
One time when Bal went on a solo trip Nimona asked Ambrosius to go to the park with him 
He didn’t question it just packed up the car and drove them to the nearest park
And he swears he only took his eyes off Nimona for a minute and when he turned back around he saw a group of sad-looking kids and adults crowding around a kid 
And he instantly knew where he went 
He watched in horror as Nimona pointed up to the sky and said “Dad!” a mom asked with a sad voice “Is your dad a pilot sweety?” to which Nimona responded with “No but Papa says he’s in the sky somewhere which is why he never visits” 
He just scooped her up apologizing while making a run for the car 
A lot of parents were very concerned about why the kingdom’s golden boy just snatched a random child they’d never seen before and will never see again
And they genuinely debate on calling the knights while Ambrosius fireman carries this cackling child away
They do and Ambrosius has to have a very awkward conversation with his old coworkers
286 notes · View notes
Note
i had too many just to put in the comments. i dont know how much you wanted so... thats on you.
jason loves heavy metal and plays the drums. he's also gay and in a qpr with leo and piper. hes got a wolf cut and still has some of his wolf-like tendencies, having adopted them from living with lupa at a young age. when he went to camp jupiter, those tendencies dissapeared over time, people telling him that it wasnt normal to eat raw meat or chew on things. but he never quite learned to smile with teeth when he was happy, and growls when hes mad. also i think he has a peircing somewhere. and i think he used to be super jacked, like shredded unhealthy jacked, but when he went to college he had less time to work out and he got some fat around his muscles and he loves it so much, and he looks a lot cuter this way.
leo is aroace possibly gay as well, and loves 80s music, like huey lewis and the news, some billy joel, and some dire straits. he also is obsessed with back to the future (his fave is the cowboy one, bc of his texan roots). on him being from texas, i think he has a little bit of a texas accent, just bc he was mostly raised by foster families in the south. he used to have a spanish accent, but it faded after having spent so little time speaking spanish and being around spanish speaking people. i think he totally wouldve been a band kid except he never had the time and the time passed a long time ago.
piper has lots of peircings, her newest one is snake bites and she always has smudged eyeliner. she likes the cure and is kind of goth. shes a lesbian, but, again, in a qpr with jason and leo and says theyre the only guys she thinks are hot. she loved heathers and totally had a crush on winona ryder. she had an ed bc of how exposed she was to hollywood culture, but shes working on it. she has a tooth gap and an indigenous nose. she has this really loud pretty laugh and she loves to dance.
annabeth listens to arctic monkeys 24/7. shes unlabeled and strictly wears jeans. no jewelry besides her necklace, not even her ears are peirced. she forgets to eat, but only because she gets so engrossed in her work, and percy has to bring her food. at that point its pretty easy, if percy just puts the plate next to her she'll absentmindedly eat it, same with a cup of water. she's got lots of band tshirts too, a lot of them stolen from percy.
percy is a skater boy. he wears baggy band tshirts and sweats or jeans and a couple necklaces and peircings. i think he has an eyebrow peircing and was really tempted to get cheek peircings before realizing that then he would have holes in his cheeks and that fucked with his brain too much to get them. he also wears eyeliner but likes doing annabeths makeup more than his, which he gets to do often, since she could never refuse his puppy eyes. hes got lots of sea animal stuffed animals on his bed instead of pillows. he wore a skirt once and wasnt opposed to them, but eventually decided it wasnt worth flashing people. in the summer he is a strictly no shoes no socks man, can only find him barefoot or with sandals.
hazel is short. thats canon ik but its important. she likes softer music like sleeping at last and music like tori amos. she also likes astronomy and stargazing, and youd think she believes in astrology but she thinks its all bullshit. she likes drawing objects like theyre sentient, not humanoid, but she makes them feel alive, like creatures. she loves stuffed animals too, and is in the process of learning the viola. she still uses old fashipned words (canon) but curses like a sailor and has very modern views for someone born in the 30s.
frank never loses his fat. hes still fat, i hate that they made him all buff like it was a part of his character arc to lose weight. frank is a theater kid. thank you for coming to my ted talk. he likes graphic novels like amulet and nimona, etc. he has a really infectious smile, wide, dimpled and too cute. again, theater kid, though i dont think he can sing very well, but he has fun trying.
i think thats most of it. honestly i got really caught up in it and made up some stuff along the way. if you dont like any of it thats fine:)
Honestly your headcanons are really interesting I never thought about 3/4 of them and I actually like them😄
28 notes · View notes
liminal-zone · 4 months
Text
fanfic round up 2023
(2021, 2022)
LIST OF FANWORKS
Posted
Crave (LOTR | haladriel | tentacles and rings of power | rated E)
somewhere in the haze (LOTR | Celeborn/Sauron | mutual stockholm syndrome | rated M)
taking me with your song (The Little Mermaid (2023) | Ariel/Eric, Ariel/Ursula | tentacles and possession and mindfuckery | rated E)
can't escape the ghost of you (The 100 | clexa, clarke/the judge | being fucked by the divine wearing the face of your dead lover is better than therapy | rated M)
Eating fire (SPN | Claire Novak | the girl who was castiel grieves for her fathers | rated T)
Bound (SPN | megstiel | a demon and her angel | rated NR)
uncharted territory (Supergirl | supercorp | the dangers of being hated by a luthor | rated M) (technically, just chapter 4 counts for 2023)
nothing can go wrong when you're in love (Nimona (2023) | Nimona/Gloreth | when your boss’ boyfriend looks like your ex, ugh! | rated Gen)
through a father’s eyes (Narnia | King Lune | dads gotta dad | rated Gen)
atomic blonde (Narnia, LOTR | Susan/Eowyn | it’s not the first time a power beyond understanding ripped Susan away from her home to fight in another world’s war | rated M)
Beware how you give your heart (LOTR | haladriel | a fourth age haunting | rated M) (a wip!!)
a little touch in the night (LOTR | haladriel | a love letter in tiny bites | rated T)
+three yuletide offerings to be revealed in January!
WIPS
MCU: the king and queen of Asgard wrt Valkyrie/Carol Danvers
MCU: the final conclusion of my winterbaron sugar daddy fic
LOTR: Doriath trash party wrt Melian/Galadriel
LOTR: “Sauron becomes a tree”
LOTR: dark Galadriel/Samwise and their garden of the world
LOTR: healing generational trauma with fourth age Arwen and her peepaw
The Matrix: Trinity and Smith as mirrors
Good Omens: Crowley haunted by his angel
Star Wars: A really scandalous dinluke sex pollen
Total number of completed works/fandoms written in: fifteen completed works in 2023 for a total of just over 32k words; six LOTR, two SPN, two Narnia, the rest sundry & various.
OVERALL THOUGHTS: ::taps the top of this car:: you can put so much monsterfucking in this bad boy, jfc.
PERSONAL FAVORITE: Getting unblocked by the most unlikeliest of sources and FINISHING MY SUPERCORP HATESEX. uncharted territory finished FIVE YEARS LATER. This has been a weight on my shoulders for years; I always knew it ended with a sadistic Lex Luthor torturing Kara (oop), but it was time passing and The Flash (2023) that got me where I needed to be to get that banged out. I’m really really pleased how that ended, and that I actually can finish a WIP.
MOST UNDERAPPRECIATED: Bound is really exceptional. It was part of my WIP amnesty week, and a revisitation and remix of a meg masters fic I wrote in 2013 after I had a terrible life-altering accident. My favorite 2023 additions are how she can only speak in the language of Sodom at the end. It’s not a GREAT fic, but I really love Meg and I love Meg & Castiel.
MOST POPULAR: Definitely Nimona (nothing can go wrong when you're in love) with 1,200+ kudos. Y’all, the teen/gen fic in younger fandoms hits hard. OOPS. re: my deeply funny stats for the little mermaid tentacles fic with over 3k hits and 86 kudos. AHAHHAHAH. welp.
STORY WITH THE SEXIEST MOMENT: OKAY, so this is sexy specific to me: in Crave, Galadriel taunts Sauron about how he has to fuck Ar-Pharazôn (a mini love letter to my beloved 5ummit!) and this, to me, is everything: “And you’ll never enjoy Ar-Pharazôn’s little prick again,” she says, drinking in the horror of his recent memories, a soured scheme. “Your play at feigned pleasure in service to a base creature will be ash in your mouth now. You will only think of the taste of my cunt with his cock shoved in your whore mouth.” The crass words burn on her lips but she can sense how he trembles, even in this form. “You’ll hunger for the taste of me. And when he’s dead, when you’ve sucked the miserable mortal life out of him, you’ll never take a lover again for the rest of your unnatural life,” she says. “You know where your dick should be sheathed. In me and no where else.”
MOST FUN STORY TO WRITE: Okay, I traveled for work a LOT this year and one night I was feeling down and angry about the world and asked on twitter that for every like, I’d write a soft haladriel headcanon and by the end of the night, i had the bulk of a little touch in the night and I was such a happy delighted lil soul. Such a highlight of the year.
HARDEST: A tie between Crave, which was writing on hard mode since I’m violently anti dominant Sauron (oop), and uncharted territory since I had been blocked for years.
BIGGEST SURPRISE: The delicious lush connection of Celeborn/Sauron in somewhere in the haze that STARTED AS A JOKE and now I’m full rarepair conspiracy theory into it.
DID YOU TAKE ANY RISKS IN WRITING THIS YEAR? Posting SPN in 2023, lol what was that. And neither of them explicitly destiel. Girl. Both tanked but I love those two fics.
MOST UNINTENTIONALLY TELLING STORY: Okay, one of my yuletides this year is really too close to something I’m working through in therapy. Oop.
FAVORITE LINES/SCENES: Okay literally everything in atomic blonde, that fic is nonstop bangers imho. I love this especially:
“Ah, there it is,” he replies. Stops, and turns to look into her eyes. To drink in her fury. “This isn’t your world, Daughter of Eve. Take your cursed horn and your beautiful face and take the little shieldmaiden too for all I care and leave Middle Earth to me. Grow old and find joy in women’s work.” He blinks, nonsense words emerging out of him: “In Christian Dior dresses and Chanel lipstick, in Italian leather handbags and silk nylons, in handsome British officers and those American boys who offer more than kisses, in the rumble of a Jaguar and the cries of healthy babies who do not fear war. Live and die on an island far, far away.” He blinks again. “I do not want you here.”
MY FAVE PART OF FANDOM IN 2023: Repeatedly saying “you hear me, baby? hold together” at the haladriel fandom like Han Solo does to the Millennium Falcon and we did! We made it another year!!! Let’s go, 2024!!!! (YOU HEAR ME, BABY. HOLD TOGETHER.)
2024 WRITING AMBITIONS: same as last year’s: Write more steadily and consistently. Get back into the drabble mode. Make time, take time, just do it. It doesn’t have to be groundbreaking, it just has to be creating something. The joy of creation is like nothing else. Chase that high.
2024 FICS ON THE IMMEDIATE HORIZON: Jan 1 - htp trash fic exchange Feb 3 - rffa exchange March - haladriel exchange!
19 notes · View notes