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#homestuck essay
brawnie · 1 year
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Meenah was such a cool fucking character. She was loveable and the protagonist of the flash game she was introduced in. She was a little harsh and self obsessed but nothing that made her unlikable, and yet.
We all knew what she would become, and it was good because it was believable. If time and circumstance were just a little bit different, she would be a genocidal monster. When told about her alternate self, she was stoked about how cool The Empress was, regardless of the death and pain she caused.
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vriskan8or · 2 months
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let her go
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beescake · 3 months
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Are you an AraSol enthusiast. If you’re a Sollux fan you must be it’s impossible to enjoy him without also enjoying araSol. It comes with the xbox
HELL YEHA OFC I LOVE THEM
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theyre so endgame 4 me
i also think they are the coolest characters in homestuck. nobody else on their level
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mopbucketwithablog · 4 months
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The worst part about homestuck is a lot of it is shit like the mayor chugging tab and Howie mandel piss bottles but then it has genuinely good writing and characterization and symbolism and other elements of literature so I can't just hyperfixate on it a little bit and move on I have to think about it constantly
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cringefail-clown · 3 months
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the " ive grown accustomed to the idea of not being human anymore, yet ive got this body back. this was the last thing i wanted, and i struggle with the dissonance of my existance" vs the "ive lived as an artificial being for longer than i ever was human, yet theres still so much humanity left in me. ive made peace with the way i am" that is hal and robro in turnabout
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ouroblorbos · 2 months
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drew her again… ms paint this time
(ver w/ the UI under the cut, i just thought it looked neat)
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hartteart · 11 months
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if you hate yourself so much why don’t you hatemarry yourself?
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nekropsii · 1 year
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Let this be a living example that knowing the beliefs of any individual who wrote any piece of text- be it literature, articles, or posts- can and should drastically alter your perception on what the text is actually communicating, even if that knowledge has, on its face, changed none of the actual printed words. This is how application of real-world context works, and this is how it applies to any recorded medium.
It reminds me heavily of a quote from video essayist Jacob Geller, regarding the 1938 film Olympia- "It's different when Nazis do it". Olympia is a film that, on its face, simply depicts an artistic documentation of the 1936 Berlin Olympics. But within the context of its production taking place during the Nazi regime, with its director being a well known Nazi propagandist... The way the movie fixates on the power and elegance of the human form and Ancient Greek statues quickly shifts from being completely innocuous appreciation to the worship of what is perceived as the ideal forms of the "Aryan race". Suddenly, you understand the movie not to be a pretty inoffensive documentation of a historical event, but a propaganda piece.
Understanding the time period in which something was made, as well as the setting it was produced in/for, and whatever ideologies an artist may hold and experiences they've had is absolutely critical to getting a full understanding of anyone's work. There are some things that are near completely anodyne on their face, but the revelation of what the author thinks and feels about other people and the world around them totally redefines every word on the page.
This image is such a prime example of why context matters. This opinion, laid bare, stripped of context, is both inoffensive and nonsensical. No one's ever thought it to be lame to create your own nickname... But on its own, that's a harmless kind of wrong. ... But with the addition of them being marked as Anti-Trans (red) on Shinigami Eyes, a browser extension dedicated to crowdsourcing keeping track of Trans Friendly and Transphobic creators... Suddenly, "Nicknames" doesn't mean "Nicknames" anymore. Suddenly, you realize that "Nicknames" is code for "Chosen Names of Trans People". Suddenly this isn't about thinking choosing your own nickname is lame, this is about thinking that trans people shouldn't have the right to name themselves. Suddenly it's about invalidating identities, thinking they're worth mocking. Thinking that people who identify as trans are "just trying to be cool", and that they're not actually what they say they are, because you don't get to choose your gender nickname, that's something already decided for you.
Suddenly, you realize, it's not about "being lame".
It's about Transphobic Violence.
This is why you cannot ignore when an artist, author, essayist, developer, musician- so on and so forth- is bigoted. This is why you can't ignore the context behind their upbringing. This is why you can't ignore the context behind their lived experience, their ideals, their goals, their message. Yes, it may appear innocent on its face. Yes, it may look fine stripped from the context of it being written by an inevitably flawed human being. But what's really being said here? What do those words mean... To the one who wrote them?
Context redefines Text.
Even if the words didn't change.
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bottlehawk · 1 year
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i had this fun early 2000's family comedy spy movie idea in my head where dirk is a super secret international spy who had kids with roxy when they were young (accident). roxy took the twins and now dirk lives with his buddy and spy partner jake out at some super secret hideout in the middle of nowhere. they're planning one of the biggest heists of the century when someone manages to trigger one of the alarms and infiltrate their base and they catch the intruder and it's dirk's 12 year old daughter, rose, who's doing a presentation on her family for school and wants to interview dirk so she can get an A+ for it.
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meanwhile at home dave is freaking out because he's been dressing up and pretending to be rose for the past few days but the babysitter their mom hired after heading out on an important business trip is starting to get suspicious about the fact that dave and rose never seem to be in the same room...
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yeah. rose would be one of those advanced college reading level genius kids who uses big fancy vocab words and is extremely smart and adjusts speedily in a scary way. she'd tag around dirk and jake in the base for a while as they try to figure out what to do with her and get involved in their heist and try to help out somehow. also there'd probably be some family drama moments between dirk and rose and all that. dave would be wearing one of those gamer boy middleschool tshirts in every scene and playing fake videogames on a xbox. simon pegg would appear at some point.
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incorrect-hs-quotes · 7 months
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KARKAT: BUT CAN A CIS GUY DO THIS? [DROPS PANTS. MY DICK JUST FUCKING FLOPS ONTO THE FLOOR AND BOUNCES AWAY]
ERIDAN: once in school i wwas wwalkin dowwn the hall at a brisk pace wwearin dress pants n boxers and my (HOMEMADE wwith nylon stockings + condoms + gak) packer just fell out a my leg n rolled dowwn the hall a little wways
ERIDAN: thankfully the only other person in that hall at that time wwas gamzee makara the wweird stoner theology / philosophy student wwho rode his bike around the halls sometimes and he literally just looked at me and said "Aw BrOtHeR. i HaTe WhEn It DoEs ThAt" and wwalked awway
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psychedelic-charm · 2 months
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youtube
A young woman sits alone in her room. It just so happens that today, the 14th of April, is the day she has decided to share a video essay from one of her favorite YouTubers. Though she has been sharing and reblogging content for months now, it is only today that she shall be given a name. What will the name of this young woman be?
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autisticaradiamegido · 5 months
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Thoughts on rose x aradia!?!?
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day 360
oh i think they are SO fun but also that they 100% need supervision or they will very quickly end up opening some sort of Dark Rift In The Fabric Of Reality "just to see what would happen"
i think rose is deeply into aradias spookier and more esoteric infodumps and aradia is profoundly thankful to have a receptive audience for once
overall i think they would get along really well!! But Watch Out.
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caligvlasaqvarivm · 5 months
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do you like erikar if yes please draw erikar if you want not forcing
yeah sure have a couple doodles i didnt post yet
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nynxmacabre · 5 months
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Okay but theyre the exact same genre of character, right?
Close-ups under the cut <3
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assholepants · 2 years
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I've been wracking my brain trying to figure out why Dirk's splinters always end up being manipulative and abusive. Because, as another post on here mentioned, when you look at the actions of Dirk himself in homestuck proper, he's actually just a sweet kid who is very hard on himself and cares about his friends.
Everyone is well aware that one of Dirk's major character motifs is control. But pretty much all of the examples we see of Dirk, himself, being controlling, are all directed inwards, as he attempts to maintain a frankly unhealthy level of self control. There's lots of little examples but the most glaringly obvious one is his reaction to Calliope's juju lollipop. It's also evident in the way he insists on taking person responsibility for his splinters, despite having little to no influence over them, and in many cases, having never even met them.
So what happens, if you take a guy who maintains unhealthy levels of self control, and take away his sense of self?
Because all of Dirk's splinters are well aware that they are not the 'Original' so to speak. Even Bro, I think, is aware that he is not a protagonist in the narrative. It's pretty heavily implied across cannon that the guardians have a certain level of awareness of the game, to varying degrees, and that they are aware that their role is Guardian to the protagonists. The splinters know they're not the 'true' Dirk, and so a huge part of their identity exists outside of the realm of their control.
And I think that's where issues start to come in. The nature of the existence of these splinters forces them to build a sense of self that is defined by other people. And so their attempts at self control can never be fully internalised like Dirk's, and end up as manipulation and abuse of the people they have constructed their identity around.
Brain Ghost Dirk is fundamentally Made Of Jake. Jake is a core part of his sense of self, because he literally doesn't exist outside of Jake's mind. So in order to maintain self control, he manipulates Jake.
Lil hal manages to get involved in a lot of different things, but all of these actions boil down to manipulating Dirk's life. Because his entire sense of self is Dirk. So in order to maintain self control, he needs to control Dirk. I think Dirk was right in that hal was dangerous, but I think he was wrong to think that denying him a physical form would be safer. I think if hal had been allowed to have a physical body at an earlier stage, he could have begun developing his own identity, outside of Dirk, which would lessen his reliance on control over Dirk's life.
Bro is like. The reason I'm making this post basically because I can't stop thinking about it. Obviously Dave is the subject of Bro's control issues. Bro is aware he is not a protagonist in the narrative. His function is to Be Dave's Guardian, and so his sense of self is firmly rooted in Dave. But it's done in such a different way to how we see the other splinters behave. Dirk is a really fucking smart kid, and so his splinters generally tend to be pretty good at calculated manipulation. But Bro isn't particularly calculated as far as we can see. He's kind of a fucking mess. His abuse is far more physical and impulsive and far less wordy. He's controlling Dave, moulding him into the kind of protagonist Bro thinks he should be. But it's not elaborate and calculated. And THAT'S where Lil Cal, and by association, Caliborn come in.
There's obviously huge amount of debate and like 172784 different theories about how much influence Caliborn had over Bro, and how much responsibility he holds for Dave's abuse. Personally, I think Bro would have always ended up manipulating and abusing Dave in some way, in the same way that BGD manipulates Jake and Lil Hal manipulates Dirk. The underlying cause of Bro's abuse comes from the same control issues as the other splinters and I think it does a disservice to Dirk, as a character with flaws, to insist that Bro's abuse was 100% down to puppet manipulation. But I do think that Caliborn influenced the method. The random violence, the Saw style psychological horror, the impulsiveness, the obsession with sex and masculinity. All very Caliborn methods.
What I'm interested in is if Bro knew what Cal was. I think it's very easy, and completely plausible to say that he came across this puppet due to Paradox Space Is Just Like That, and fell under its influence without realising it. But if he's a Dirk splinter I just don't buy it. He doesn't allow himself to fall under the influence of Calliope's Juju, so why should his splinter fall under the influence of Caliborn's?
It sounds counterintuitive but stick with me, I think Bro allowed himself to be influenced by the puppet, because it gave him a sense of control. Being a guardian made him a side character. Side characters are often much less developed than the protagonists. In the case of homestuck, they don't even get to have a face. How do you form a coherent sense of self without any development from the narrative? He can channel that into controlling Dave, but at the end of the day that doesn't allow him any more agency than the other guardians. Bro knows he can't be a protagonist. But allowing himself to be influenced by the puppet places him in proximity to the main antagonist of the entire comic. And Caliborn influences EVERYTHING. He's woven through every part of the narrative, his existence sends ripples through every action we see.
Characters that are influenced by Caliborn tend to be integral to the shape of the narrative. Gamzee being an obvious example, but also those who communicate with Doc Scratch, like Vriska and Rose and even the reader themself. I just think it would be interesting if Bro knew what Lil Cal was, and allowed himself to be influenced by it anyway, in an attempt to gain even a little more control over the narrative, and by extension, himself.
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charmikarma · 6 months
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Breath as Influence and John in the Epilogues
Breath is probably one of the better understood aspects. “What is it?” someone asks – and the whole fandom is like, “Oh, Breath is about freedom and wind and detachment.” Which I don't disagree with. But I think most people miss a key piece of it – Breath as influence.
I'm no seasoned classpector, but I am a Mage of Breath, so I feel like I have a deep and personal understanding of Breath, particularly because of how it has manifested in my life. Yeah, I know, claiming I'm an authority on the subject because of my self-imposed alignment within a fake typology system makes me sound like an asshole. But I'll have to ask you to trust me, because if I start talking about my own experiences, I'll sound like even more of an asshole.
Anyway, let's kick this off with the official description of Breath, per the Extended Zodiac:
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In summary: the Breath-bound are flexible, driven, detached, and maybe a little self-centered. Also, other people tend to get caught up in their personal development, which tends to make them good leaders. But the most important thing here for the point I'm making is this:
others ... feel inspired by them.
This word, inspired, has been rolling around in my brain for the past few weeks, because of its connection to Breath. Hey, did you know that “inspire” comes from Latin spirare, meaning "breathe"? And if we include the Latin prefix in-, it becomes "breathe into."
The Breath-bound have an ability to breathe into, or inspire others. They're not aware of it – after all, they are just living their lives for themselves. But wherever they go, they are inspiring people. Or, more accurately, they are influencing people. Actually, the influence of Breath goes beyond just people. I could even get meta with it (and I will. I apologize in advance). But let's start small for now.
Tavros Nitram
So, Tavros. Page of Breath. Pretty much all of Tavros's contributions to Homestuck as a story happen as a result of someone doing something to him. Vriska paralyzes him, which kickstarts the whole FLARP cycle of revenge arc. And again when the truce is broken in Act 5 Act 2, it is because Vriska kills Tavros. If this doesn't sound like influence to you, you're right. Tavros has very little influence. He's a Page, after all, and if there's one thing I know about Pages, it's that they're weak as shit until they reach their "true potential," which is pretty much always something stupidly overpowered. Y'know, like Jake overpowering Jade's first guardian powers. That was pretty batshit, I'd say.
But Tavros's contributions don't end there. He actually does reach his true Page-y potential right at the very end of Homestuck, when he gathers an army of ghosts – honestly, probably every single ghost in the furthest ring – by just talking to them. Was this something of a punchline to a very long joke? Probably. But it is also a pretty good example of the kinds of things Breath players typically do.
On a meta level, though, this argument kind of falls apart, because... As far as I can tell, the army of ghosts doesn't really do anything. Nothing important, anyway. Lord English's defeat is pretty much entirely at the hands of John, Dave, Davepetasprite^2, and alt!Calliope in the body of Jade, as described in the Epilogues. The ghost army just isn't relevant, in the end.
But you know what is relevant? Vriska.
Half the people reading this just groaned, I can feel it. Why are we talking about Vriska, a Light player, on a post about Breath?? I hear your question and I raise you this: Why the fuck is Vriska so obsessed with Breath players???? Personally, I think it's because she has an innate sense for their passive ability to decide what's relevant.
But before we get into Vriska, let's talk about John.
John Egbert
John, Heir of Breath. The protagonist of the story. In the context of my thesis of "Breath as influence," isn't it interesting that the protagonist is a hero of Breath? And even beyond that, he's an Heir, a class typically interpreted as "becoming" their Aspect, or "inheriting" it. If you find my argument compelling, you could even say John is the influence that drives the story. Which is exactly what a protagonist does - after all, what is a story without a protagonist?
This question is actually addressed in Homestuck, kind of. At some point in Act 4, Terezi manipulates John into visiting his denizen early, which gets him killed. The story is left without its protagonist, and progress grinds to a screeching halt. Jade doesn't enter the Medium and presumably dies. The reckoning never happens. Dave and Rose are trapped in a doomed timeline. They lose contact with the trolls. For what is a world without the breeze, without air, but a place of complete standstill? The story needs John to continue. Okay, it needs Rose and Dave and Jade just as much. But it's interesting that the story makes a point of John's death being the turning point that makes this particular timeline doomed.
Okay, sorry for the wait. It’s Vriska time. Vriska's driving motivation is to be relevant. She does everything in her power to steal the spotlight, which may or may not be related to the fact that she's a Thief of Light. Again, I'm not an experienced classpecter. I only really have a surface level understanding of Light. But I'm getting off topic here.
In Act 5 Act 2, Vriska starts talking to John. Why? Well, partially because she wants to compete with Terezi, who is talking to Dave. But there's also the fact that she wants to be the force responsible for Bec Noir. And also for John reaching god tier. And everything relevant really??? She's really fucking good at being relevant, I'll give her that. Or at least presenting the illusion of relevance, but that's a big topic that I think I should save for another day. Another essay, maybe. The point here is, John has a tremendous amount of influence over Things That Happen just by existing, and Vriska knows it. Maybe she torments Tavros because she senses the same sort of potential in him, but that's probably a stretch.
In any case, this is baby shit. There's better evidence than this. Let’s talk retcon powers.
You could argue that the retcon powers are separate from John's abilities related to his classpect, and on some level you'd be right. But in a game that "knows" everything that is going to happen, I have to question if extraneous powers like this are taken into consideration when Sburb "decides" what classpect it gives a player. I feel similarly about Jade's First Guardian powers. Teleportation is a pretty space-y power, in my opinion. And definitely one that... "breaks rules," I guess. Among all the other things First Guardians get to do. Once again, I'm no classpector. But Jade getting access to First Guardian powers upon reaching God Tier strikes me as very Witch of Space-y. I feel similarly about John's retcon powers - they strike me as very Heir of Breath-y.
And not just because I view Breath as influence, though that is definitely the most obvious way the retcon powers could be interpreted as Breath-y. Even on a surface level, they're pretty Breath-y. When John first talks to Roxy, he gives a whole spiel about everything he's been to up until this point, most of which is obscured by "blah blah blah." But little phrases come through occasionally, and when he starts talking about his brand new retcon powers, he uses the phrase "UNSTUCK FROM CANON." Which sounds a lot to me like "freedom from the narrative." But maybe more telling is the fact that John's quest as an Heir of Breath requires that he use his retcon powers. Getting rid of the oil, freeing the fireflies - his quest as established at the very beginning was always intended (in universe at least; I can't speak for Hussie's intentions) to be solved by his retcon powers.
So retcon powers are at the very least Breath-adjacent. What’s that got to do with Breath as influence? I’m sure you see where I’m going with this. Retcon powers are basically the ability to do whatever the fuck you want to any point of any timeline. I’d call this influence but I’d sound silly, actually. It goes way beyond influence. It’s way less subtle. I guess you could call direct intervention like this influence at its most powerful. Well, almost. There’s one step above this that John never really taps into. Which brings us to...
The Epilogues
For better or for worse, I fucking love the Epilogues. I think Candy, on its own, is a fantastic and surreal deep dive into a mind high on depression. And as for Meat, I’m an absolute sucker for metafiction and narrative fuckery. I eat that shit right up. My favorite anime is Princess Tutu, etc., etc. This is your warning: Yes, this section will contain evidence toward my claim that Breath is influence. It also doubles as an Epilogues analysis. It kind of turns into one at the end. Sorry, but I needed to get it out of my system.
So, in case you missed it, the step above retcon powers that John never taps into is direct narrative control, like we see Dirk engaging in throughout the Meat side of the Epilogues. The fact that Dirk is revealed to be the narrator of Meat begs the question: who is narrating Candy? It’s never outright stated, but it’s probably alt!Calliope. Unlike Dirk, alt!Calliope doesn’t have an agenda, as far as we’re aware. So why is Candy so fucked up and weird? Why is everyone out of character? I know this comes as a shock, but: it’s probably John’s passive influence over the narrative.
Before the Epilogues even begin, John’s been wasting away in his house all day, every day. He’s depressed as hell. Sort of dissatisfied with how artificial and "perfect" Earth C is. Some have suggested he also feels disconnected from the post-retcon versions of his friends, and I think this holds some merit. It would explain why he feels disconnected from reality in Candy.
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(Candy, 11)
Depression colors your view of reality. It darkens some parts, brightens others. People who look happy will appear so to an unsettling degree. Fucked up things will appear even more fucked up. Depression ups the contrast, if you will. And that’s pretty much what happens in Candy. Jane’s pretty bad in Meat, but she’s like a billion times worse in Candy. Jade causes some awkward moments in Meat, but she is pretty much a sex pest in Candy. The positive parallels are a bit harder to find, since Meat pretty much sucks too, but you could speculate that John perceives Rosemary to be happier together than they actually are, so they’re, like, uber happy together in Candy and raising a daughter and shit. It is John’s warped perception of reality that in turn warps it beyond recognition.
This isn’t just me theorizing, by the way. There’s pretty compelling evidence to suggest that this idea is accurate to what is happening. It’s pretty clear in a conversation between (Vriska), who has just arrived on Earth C via the black hole in the furthest ring and her descendant/clone Vriska (aka Vrissy in HS:BC). The two of them stare up at the sky, pointing out clouds and what they are shaped like, when (Vriska) has a realization.
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(Candy, 37)
John’s influence over the reality is so absolute, even the clouds bend to his will. I think Vriska only notices it because she’s a new arrival to Johntown. It isn’t long before she’s absorbed into the John-ness of the timeline. And then, she goes on to say exactly what I’ve been saying this whole time. Remember earlier, when I said Vriska knew that John had an incredible amount of influence over Things That Happen?
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(Candy, 37)
Yeah. That wasn’t speculation.
The last thing she says, though, that he’d be relevant even if he was dead, is actually a reference to Meat. So let’s talk about it!
As we know, Meat is narrated by Dirk. Dirk’s narrative style is a lot of fun for me, personally. He’s sassy, kind of an asshole, and has no time for bullshit. The second John puts that meat in his mouth, he gets to work, pulling the strings of his little puppet show.
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(Meat, 1)
He wastes no time putting words in John’s mouth, writing him out of the story of Earth C as quickly as possible. It’s almost with a sense of urgency that he pushes John to complete his mission. Which is probably necessary, seeing as the sanctity of canon relies on him going back to tie up the loose end that is Lord English. But I think Dirk has ulterior motives. I don’t think Dirk has the ability to impose his will so overbearingly with John around, because for some reason, John’s power of passive influence prevents him from doing so. Is John more powerful than Dirk, even after his ascension to Ultimate Selfhood? Maybe. I certainly think so.
But John’s pretty gullible. He’s easily influenced. He doesn’t have the same safeguard around his own mind, for some reason. Or maybe he does, and it’s just taken Dirk this long to crack him? This is speculation at this point. Not important.
So Dirk eventually kills John. Why? Well, first of all, it’s harder to control the narrative with him around. Though I speculate that’s not very important to Dirk anymore since he fucks off to who knows where around when John comes back. I think, more likely, Dirk finds John’s influence on the narrative unsavory. I mean, just look at Candy. What an absolute disaster of a timeline. Maybe his awareness is such that he knows that letting John live will result in a similar degradation of his friends’ personalities as he knows them. I can’t really say one way or another. It’d explain why he wants John’s body on the ship with him, though. Y’know, to make sure he never gets revived. And yes, he wants him on that ship. He pretty much tells Terezi outright to captchalogue his body before convincing her to join him.
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(Meat, 35)
There’s one problem, though. I don’t think John being dead even erased his influence on the narrative?
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(Meat, 36)
Right there at the end:
The gentle breeze is all she can hear. It’s louder than my voice, and in some understated way, makes my case for me more persuasively.
I don’t think there’s any other way to read this than the breeze representing John. This is a literal manifestation of John’s influence. I guess it could be symbolic – like Terezi doing a “what would John do?” kind of thought process. But I dunno, Dirk doesn’t strike me as that kind of narrator. Besides... It’s a little too on the nose. Say what you will about the Epilogues, but I believe a great amount of care went into them. This certainly isn’t a throwaway line.
Conclusion
Okay, sorry. I really went off the deep end into Epilogues Analysis Land there. You may have noticed that I didn’t talk about Homestuck: Beyond Canon. That’s partly because I haven’t gotten there in my reread, but mostly because I’m not yet convinced that it has – or will have – nearly the level of plot consistency of its predecessors. We’ll see, I guess.
In any case... Breath as influence, huh? There’s probably more evidence for this hidden away somewhere. I probably could have talked about Rufioh. I didn’t want to though. I also probably could have pointed out the word inspire from the Extended Zodiac thing and called it a day, but instead I blacked out and wrote this. Weird!
If you read all, uh... *checks word count* 2.7k words of this??? Jesus fuck. If you read all this, thank you for reading. I’m open to feedback! I’d love to discuss some of this more! Especially the Epilogues stuff. I have a million thoughts. Bye!
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