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#here's your essay
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An analysis of Alhaitham's egoism in relation to Kaveh
(Update: The essay this is taken from is now uploaded! It can be accessed here and here as as a pdf <3)
Max Stirner's anarchist egoism is speculated to be the basis of Alhaitham's personal egoism, therefore I will be drawing upon Stirner's 'The Unique and Its Property' for this analysis.
Property and power are key principles within this philosophy. The egoist recognises himself as an individual, separate from the general collective of “humanity”, in which concepts such as freedom and property are governed to and over the people, for then the individual is not considered as such, rather they are a part of “humanity”, rather than a whole individual (Stirner, 170). This thinking is demonstrated within Alhaitham’s Story Quest, where he dismantles Siraj’s Hivemind by targeting individuals that compromised the Hive and reminding them of their own beliefs and preferences – the individual in themselves is a whole, and is not a “part” of a system (Stirner, 170).
In this, the egoist governs himself by what he owns and what he wants to own: “ownness is my whole essence and existence, it is myself. I am free from what I am rid of, owner of what I have in my power, what I control. I am at all times and under every circumstance my own”(Stirner, 106). This relates to the concept of freedom, which, for an egoist exists according to having the power to be free of something, for example, being freed of hunger, thirst, or societal expectations (Stirner, 105). This is reflected within Alhaitham’s description: “He lives free – free from the searching eyes of ordinary people,” but also extends to the power to own.
As power is considered something which the egoist owns, property then becomes something which the egoist exerts power over, and in this, can property be made use of by the egoist – all the while, the property remains an independent vessel (Stirner, 162). This is seen within Alhaitham’s view on his vision, in that it is “no more than a useful tool”, as it can be used to serve his own needs, and that since it in his possession, he has obtained it with his own power, it makes no difference to check on it as he continues to retain that power.
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In this sense then, Alhaitham has constructed his life around this form of egoism, in that anything he wants, he has, such as his job as the Scribe, his house, the interests he pursues, the people he enjoys. In order to maintain this way of life, he will deal with, or be rid of, anything he deems as "harmful".
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With this, the egoist seeks satisfaction in themselves through the satisfaction of another. Ownership, in relation to another person, can become love, which like all things the egoist has power over, is ultimately theirs – as in their love for a person (Stirner, 187), which is given willingly by the egoist, for loving a person is done for the satisfaction that love brings: “But I love them with the awareness of egoism; I love them because love makes me happy, I love because love is natural to me, it pleases me,” (186).
In loving another comes sacrifice, which the egoist can give into without compromising himself, as he himself sets the “purchase price of [his love]” (187) according to the happiness attributed to the loved one, as in return, the egoist shall also receive happiness (186). To enjoy someone, in an egoist fashion, is to be able to sacrifice all possessions and ownerships without foregoing the sense of an individual, of “ownness”, as the egoist would then lose his objectivity:
“I can deny myself countless things to heighten his pleasure, and I can risk for him what would be dearest to me without him, my life, my welfare, my freedom. Indeed, it forms my pleasure and happiness to feast on his pleasure and happiness. But me, myself I do not sacrifice to him, but rather remain an egoist and—enjoy him. If I sacrifice to him everything I would keep without my love for him, that is very easy… But if I sacrifice others to one passion, I still do not…  sacrifice my particular worth, my ownness. Where this nasty incident occurs, love looks no better than any other passion that I blindly obey.” – The Unique and Its Property, 185
It is relevant to note that just as the egoist receives happiness from a loved one’s pleasure, so does an egoist suffer from a loved one’s despair. Just as the egoist would sacrifice something of their own to provide happiness for a loved one in order to exact their own happiness, so too would an egoist sacrifice something, or act, to eradicate the root problem of a loved one’s misery, as this, in turn, would then resolve their own misery:
“If I see the beloved suffering, I suffer with him, and I find no rest until I’ve tried everything to comfort and cheer him…. It doesn’t follow from this that the same thing causes suffering… his tooth gives him pain, but his pain gives me pain. But because I cannot bear the sorrowful crease on the beloved forehead, therefore, then for my sake, I kiss it away. If I didn’t love this person, he could go right on creasing his forehead, that wouldn’t trouble me; I’m only driving away my troubles. – The Unique and Its Property, 186
The phrasing of “driving away… troubles” is particular to note here, due to similar usages of language used within Alhaitham’s Character Stories, in relation to him acting in accordance with his self-governed rules and serving his own self-interest by: “[acting] on his own will and deals with anything that appears harmful in his eyes”.
Kaveh, however, interprets Alhaitham’s egoism as a detached, pragmatic view of humanity, in which the individual isolates themselves not only as a means of prioritisation, but by elevating oneself over others by refusal to intermingle and to cooperate for the benefit of others. Not only is this a harmful opposition to Kaveh’s view of individuals sharing their knowledge and talent in order to pursue a better society, but due to Kaveh’s experience of Alhaitham’s personal egoism, it is harmful to Kaveh personally. Kaveh refuses to prioritise himself over others because he has seen a negative consequence of egoism, in which he has been “cut to the quick” and it has ended one of the few stable relationships in his life.
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By Kaveh seeing Alhaitham’s comment about his altruism as malicious, Alhaitham has elevated himself over Kaveh, since Alhaitham does not have the same struggles as him, and has trivialised Kaveh’s trauma. To Kaveh, Alhaitham’s prioritisation of the self actively harms others as it desensitises the self to the emotions of others. Therefore, Kaveh opposes the egoism which Alhaitham advocates for, since he interprets it through his own lived experience. Hence, by Alhaitham asserting egoism over Kaveh as a means of Kaveh prioritising himself, it only reinforces Kaveh to strive to consider the feelings of others, as well as to not prioritise his own way of thinking if it undermines someone else’s.
In actuality, Alhaitham’s frustrations with Kaveh lie in his belief that Kaveh’s talents are incongruous with his values, and that if Kaveh were to prioritise himself, he would save himself suffering and enable himself to discover his “true self”, unrestricted by others placing labels onto him.
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This is a personal frustration which Alhaitham would not compromise himself to assert onto a person he was indifferent to, due to his belief of not getting involved with other’s fates. However, he has been observed to ‘subvert’ his own rules to accommodate Kaveh. Through egoism, it can be seen that rather than ‘subverting’ these rules, Alhaitham adheres to them as an egoist, since he sees Kaveh as his mirror, they offer each other a contrasting perspective he believes they need to have a complete, objective vision of the world.
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This is necessary for Alhaitham to consider within his own life, and therefore has extended his house to Kaveh, in order to expand his scope of thinking, and to consider perspectives he otherwise would not entertain. Kaveh’s ideals, his beliefs, and his philosophies explicitly interest Alhaitham, in contradiction with Kaveh believing that Alhaitham is disdainful of his perspectives.
In this way, Alhaitham enjoys Kaveh. He willingly pays for some of Kaveh’s tabs; pays for crates of wine for the two of them; and goes out of his way to pursue interactions with Kaveh. Just as Alhaitham is to Kaveh, Kaveh is an old friend, as unchanged in his beliefs as he was in the past and thus is a constant: “the most unshakable part of one's past is a friend that will never change”’.
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Alhaitham strives to act in accordance to his own egoism and therefore assesses what “appears harmful” to him, in relation to these rules, so as to be rid of them. This can be extended to Kaveh, as Kaveh falls under what ‘belongs’ to Alhaitham, in the sense that ownership equates to Alhaitham’s enjoyment.
Alhaitham wants to have Kaveh in his life due to the alternate perspective which Kaveh offers him, thus expanding his horizons and granting him knowledge he otherwise would not obtain. As well as this, Kaveh is seen to be considered part of Alhaitham’s way of life that he wants to protect. In line with Stirner’s egoism, it follows that as Alhaitham enjoys Kaveh, as in, ‘owns’ the contentment Kaveh elicits, he therefore is affected by Kaveh’s self-inflicted grievances. Therefore, Alhaitham sees Kaveh’s altruism at the expense of his own wellbeing as something “harmful” to be dealt with, as this not only causes Kaveh inward misery, but also detriments Kaveh finding his “true self” (Alhaitham Character Story 3), which the egoist pursues above all else.
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today i spent like 15 minutes vividly picturing a fake video essay about fiction podcasts and the theme of misguided worship (drawing parallels between welcome to nightvale, camp here & there, and the magnus archives) and now my dash is filled with fiction podcast posts. suspicious
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corruptimles · 1 year
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Grocery shopping, except one of them is significantly worse about it than the other (I know absolutely nothing about Mob but Reagan looks like he’d be a cringe fail loser at mundane things)
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Understandable BUT a fun thing about Reigen is that he's actually really good at mundane things even with the cringefail energy
Mob and Serizawa are more anxious duo, and Serizawa specifically was isolated so he'd probably take a bit to get used to grocery runs
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whiskeyswifty · 28 days
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Sometimes I can’t tell what is genius and what is accident with Taylor, genuinely like I’m not diminishing what she does. For instance, the recent album phenomenon where almost right away, every single person, critics included, made their own “TTPD Edit” if you will. A trimmed down selection of the 31 songs that either they think made a tighter album, fit into a narrative they liked, created a new narrative, or whatever compelled them. Obviously I don’t think Taylor wants anyone to cut any of her songs off an album she herself made, of course. So here is where I err on the side of accident. But then… I think about how the number one thing all artists, even Taylor sized ones, are tasked with is creating engagement around a product. Taylor for this album tried to start the “fortnight challenge” which went absolutely nowhere. However, the fact that everyone, haters and lovers of ttpd alike, have made their own edits, which is an incredibly active form of engagement and stream booster, is an astoundingly brilliant stroke of….. luck? Genius? I can’t tell. I can’t fucking tell!!! Maybe it wasn’t accidental and she was intentionally clever to drop an obscene amount of songs that resemble more of a sketchbook than a solid story or even sonic cohesion (again not a knock just a pretty objective observation compared to previously more cohesive works of hers and others). An album almost… stay with me here, almost too messy that it begs you to finish it up, clean it up. Engagement that was so compulsive and universally experienced by everyone that its unreal to me how that’s unintentional. And she’s especially intuitive in this arena, finger on the pulse, mirrorball woman that she is. The data dump release format feels almost like a strategy in that way. But I can’t quite believe she would ask of us to pluck our own apples from her abundant but still carefully cultivated tree and make our own pies. She encourages us to incorporate the songs into our lives yes but don’t tell her how to do her job, surely not! So I guess even if it was accidental, I suppose that’s still somehow a form of genius to me, that even her impulses are in tune with how to best engage a modern audience. Having been in this business, and on this end of it, for so long that she can just sense when to drip feed us and when to stuff us like foie gras geese. Does she fundamentally understand that audiences hate being told what to do, as she feels the same way herself, and knows how to guide engagement without forcing it? Is that also insane? Giving her TOO much credit? Idk I can’t decide but it’s a stone I turn over and over in my brain. She figured out that the house always wins and so she became the house. Astounding.
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public-trans-it · 3 months
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i was a trans man until after a lot of build up of doubting myself, i finally realized that we are putting ourselves further into boxes by not accepting that we are the biological sex that we are and we can do WHATEVER we want at the same time.
clothes and makeup and certain interests do not equal gender.
and not liking being a woman is an unfortunately natural symptom of puberty and/or experiencing society’s deeply ingrained misogyny. and everyone deserves support for those problems.
but we can all fight together against gender social constructs in a healthy way without prescribing people hormones and invasive cosmetic surgery to make them more like the sex they “should” be according to… social constructs…. and help them be comfortable in who they are
Alright. Its been like 9 fucking months that I have been staring down this ask. What better time than to give TERFs some nuance than right in the middle of a fucking hate campaign going on where people (well... singular person probably) are calling me a TERF. This wont backfire.
This post arrived in my inbox shortly after I made another post about gender, and just how fucking weird it can be, and how I genuinely believed every single person on this planet has a fascinating relationship with gender, and so much nuance and personal identity in theirs. Even cis people. Even TERFs. In the tags, I even begrudgingly encouraged TERFs to talk about their gender on that post if they wanted. I genuinely think that TERFs do have really cool relationships with gender. As I mentioned in those tags, the quickest way to explode a group of TERFs is to get them to start talking about their own relationships with gender, and see how vastly different it is, and watching them stab each other in the back over it. So I told them to ramble away about how they view gender, as long as they stayed the fuck away from the rest of the blog WHICH THIS ANON CLEARLY FUCKING IGNORED.
But... this anon does bring up another topic I want to talk about.
Detransition.
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I am a huge supporter of detransitioning. This is... surprisingly... not a very common stance in the trans community, and it breaks my fucking heart. Like, I get it. I understand why. A LOT of detransitioners, like the person in this ask, end up weaponizing their feelings of gender against other trans people.
My support of transition comes from the intersection of two very central beliefs of mine:
Everyone should explore their gender without feeling a need to commit! This is a pretty common belief in the trans community! Damn near universal in fact! We even have a fun little term we use for people who decide to play around with gender, only to end up a bit closer to where they started and being perfectly happy with that: Cis+. Someone who is cis, but at least put in the work to understand the trans experience, and actually CHOOSE to remain Cis instead of just defaulting to it with societal pressure. Many trans people are much more comfortable around 'Cis+' people, because they know these are people who have taken the time and put in the work of being an ally. Self examination isn't easy, especially not publicly, and doing so is genuinely one of the strongest ways a Cis person could ever show their support.
It is never too late to transition. This is also a pretty common belief in the trans community! It is... sadly not quite as universal though. But it is something very important that needs to be said. You could be 80 years old, sitting in a retirement home, and go "You know what? I think I'd rather wear a dress and be treated like a lady. I don't want to be buried as a man." And I think every single trans person should have that freedom!
I was discussing this with @thydungeongal the other day, far more paraphrased than this post, and she said something incredible that has been knocking around in my head ever since.
"Gender is an ongoing process"
Those five words they said to me sum up my feelings far more than this entire post could. Gender IS an ongoing process. My gender has changed SO MUCH over the past three decades. From the straightjacket of assigned gender that I was once forced into; to the very stylish and still lovable finely tailored suit of femininity that grew a little too stuffy to wear constantly, even though I do still enjoy it and try it on from time to time; to the wonderful and freeing losely fitting clothing of being aegogender, finally feeling free to be myself and just act naturally and feel natural without having to keep up an appearance!
And I think, there is no length of time you can try out being trans, and trying out new genders, before eventually coming to the realization you were cis all along. Even if you started HRT. Even if you got SRS. Heck, I don't even think you should have to call yourself trans to do either of those things in the first place, why would I be upset that someone did them and then realized they weren't trans? No single moment in your life should EVER lock your gender in place into some unchanging, set in stone thing.
So I support detransitioners completely, with my entire heart. They deserve just as much support as every other 'Cis+' person out there.
So anon, while many people may hate you and lash out at you for detransitioning, I want you to know, that I am not one of them. It sounds like your detransition might have been forced by peer pressure, which is heart breaking to hear. No one should ever force their own gender expectations on another. I hope that wasn't the case. I hope you came to the decision yourself, after realizing whats right for you. I will never give you hate for your detransition.
I WILL ABSOLUTELY GIVE YOU HATE FOR BEING A FUCKING TERF THOUGH. YOUR OWN EXPERIENCE WITH GENDER DOES NOT GIVE YOU THE RIGHT TO POLICE THE GENDER OF OTHERS, FUCK OFF. GET THE FUCK OFF MY BLOG, YOU PIECE OF SHIT!
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cherubytes · 2 months
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ultrakill is the only fandom where i've actually enjoyed the fact that people will literally ship anyone with anyone
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poorly-drawn-mdzs · 6 months
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Imagine if Jin Zixuan DID yeet his brother from another mother (🥲) down the stairs.
Meng Yao: I'm your brother. Happy birthday! 🥰
Jin Zixuan: There can only be one. YEET
I am truly sad he didn't; think of the 'No Doubles' memes that we could have had...
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shadow-the-crow · 2 months
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I think i finally understand how the Distortion works. I mean, i don’t think it’s possible to ever fully understand it, and i don’t know the whole picture yet because i don’t know what Helen will be like, but i feel like i’ve just been granted a glimpse at the lovecraftian (as in ineffable) thing that is this being.
It’s not a person and a creature fighting inside one mind. There’s no Michael clawing himself to the surface to express his emotions and get his revenge.
Michael Shelley is dead. The Distortion became Michael. It sounds so simple, yet a least in my opinion it’s hard to fully understand.
I think what provides the best metaphor is a small thing the Distortion says after becoming Helen: "without a proper mind." The Distortion does not have its own mind. It’s only a what, but in order to really exist in this reality, it needs a who. It needs a body, but also a mind.
So if i understand this right, it’s like this: Michael Shelley is dead. His conciousness is not there anymore. And the Distortion got forced into that mind, an empty mind of a dead person. This doesn’t make it human, it’s still able to understand the impossible, it’s still the thing that was created to scare and kill. But in the mind it’s living in… the previous owner’s furniture is still there. It gets the dead person’s memories. It becomes Michael, in the sense that it has to be someone. Its existence got tied to being Michael, although Michael Shelley is dead.
When Michael got "emotional", that wasn’t Michael Shelley coming through. It was the Distortion grappling with the side effects of being someone - of living in a mind with all the memories and the human emotions that a human mind can’t fully turn off, even when the thing inhabiting it isn’t human at all.
The Distortion was Michael in the sense that it was thinking with Michael Shelley’s mind. When it became Helen, its consciousness, its being stayed the same, but it needed to adapt to this new mind. It could see clearer now, realizing that the windows of the previous house had been dirty, realizing that the wirings of the previous mind had driven it to do something that it actually didn’t want to do. The throat of the Spiral itself getting caught in the spiralling of its own, borrowed mind.
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simplydnp · 2 months
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okay what do you think, easter baking video?? april fools joke?? both???
dan and phil have made a point in their return to be like 'remember all the things you loved about the d&p era? they're all coming back! but this time more gay!' it was literally the focal point of their return: the tatinof dil head. and since then, they've proved this. sims revival, spooky week, halloween baking, google feud, calendar & calendar vlog, dan vs phil, gamingmas, wdapteo--these are all returning projects. the only 'traditions' they have left are pinof (not returning, though we did get pinof reacts), danandphilCRAFTS (which was intended for 3 years and completed them), and easter baking. ergo, why bring everything else back and not this? i won't be like, mad, if we don't get one, but i will be confused, given their all-or-nothing commitment to the revival of the gaming channel.
regarding april fools itself: dan and phil love april fools because they love fucking with us (earned) they plan their pranks out and i respect them for it. while there's been many good ones throughout the years, which other duo, who have been stuck in sexuality and relationship speculation for their entirety in the spotlight (and have finally gotten the nature of their relationship mostly out of the public eye), has ever or will ever do a joint fucking nude and post it. no context. no takebacks. no nothing. to me that is peak dan and phil shenanigans. i expect them to do something for it because they adore april fools. will it eclipse last years? who knows. to me, it doesn't need to, and almost shouldn't. cause that was such psychic damage and i think it should be perceived how it's perceived, but dan and phil are feeling ✌️🤪✌️ lately so i wouldn't put it past them.
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beanghostprincess · 5 months
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Sanuso Childhood Best Friends AU in which Sanji ends up in Syrup Village because the Orbit has to stop there for a while. They send little Sanji to buy food on his own with a bit of money (or, just, do whatever until he has to meet the crew again. They're a bit careless with the kid) and he meets Usopp when he sees the younger kid trying to steal food from the market. Usopp gets caught easily and the stand owner tells him to go away. Usopp replies with something along the lines of "If you don't give food to the great captain Usopp I will just send all my allies to destroy your business!!!" but it doesn't work (quite obviously) and the guy just ignores him. That just makes Usopp start begging because he doesn't have the money to buy anything and he doesn't want to go to Kaya's again. Besides, he doesn't want to go to the people who usually help him out because it's embarrassing and he doesn't want them to know. It's better to just either steal from this guy or beg. That makes 9 y/o Sanji's heart ignite with a passion and strength he didn't know he had inside, and he approaches the kid, staring intensely into the man's eyes and saying (with the angriest voice a 9 y/o can make) "Food exists to help the ones who're hungry!! You don't deserve this job!!" and the man stares down at him (Sanji's literally shaking, poor boy) saying that food is business and nothing else. And if he doesn't have anything to buy it with, he can go fuck off along with little long-nose. Usopp is amazed by Sanji's bravery and heroic behavior. Sanji hands him some beris, starts listing some stuff he has on display, and buys it. The man just has to give him the stuff, after all, but once he does he looks at Sanji like he's about to murder the kid. Despite being visibly shaking, little Sanji turns around at Usopp, his tiny hands being barely enough to grab everything he's carrying. So Usopp helps him, and they get out of there as quickly as they can once the man starts shouting at them.
They run for a while until they end up finally far enough to not see the man. Usopp is catching his breath when he turns to Sanji. "That was great! I- I could've handled it on my own, of course, the guy was super afraid of me, but-" And then Sanji just- He starts crying so damn loud. Usopp is completely lost as to why he's the one crying, but Sanji is literally shaking like a leaf and Usopp doesn't know what to do. "What's wrong?! I- Did- Did he hurt you or-"
"It was so scary!!" He holds the food tighter to his chest and tries to hold back the tears. "And- And he was so loud- I- Why were you arguing with him, dummy?!"
Usopp is, uh, a bit confused by the change of tone and meaning behind the kid's words. But he keeps crying and crying and shaking and Usopp can't help but feel awfully lost. "And why did you come to help? I had everything under control, you know?!" He really didn't.
"Because I-" He tries to wipe the tears away but they just keep on falling. "I'm a cook. I don't like it when people treat food like this. Especially when people are hungry." That catches Usopp a bit off guard, Sanji calming down for a few seconds before the crying starts again. He really tries hard not to cry. Like a man, or whatever. But his lower lip is betraying him. "He was so loud." Usopp really, really wants to do something to help, but right when Sanji says this, somebody riding a bicycle passes right behind Sanji, so close and loudly it makes him jump and sob harder. He makes himself even smaller. "Make it stop!" And so, of course, Usopp, as the hero of the village and bravest pirate and warrior of the seas, he takes Sanji's hand and leads him somewhere the older kid can't see because he refuses to open his eyes. But Sanji asks anyway, with the softest and smallest voice ever. "Where are we going?"
Usopp squeezes his hand. "You're a cook, right?" He turns his head around to Sanji, but doesn't stop walking. A huge grin shows up on his face when he sees the kid nodding. "Then you're gonna have the privilege to cook for the great Captain Usopp!"
And-
Usopp swears to this day that he will never forget Sanji's laughter at that moment. "A captain?" And it's like all his worries suddenly faded away with the simplest of lies. Usopp doesn't know if he's being genuine or if he's making fun of him, but the kid's smile makes his hands sweat. "Then I better make a meal worth of a king!"
Long story short, Usopp takes Sanji to his home and lets him cook in his very lonely and depressing kitchen. While the kid works, Usopp can't help but stare at him with impressed eyes. Sanji, on the other hand, has never felt such a rush when cooking for somebody. Not ever since- ... Mom. They talk about that too. They learn everything about each other. Usopp tells Sanji about his dad being a pirate and his mom passing away not long ago. He tells him about how the village and his best friend Kaya help him out most of the time, but he refuses to keep being so dependent on them, even if he has to beg strangers. He tells him about all of the adventures he's had and how people call him a liar out of jealousy. Sanji often believes what the kid says, being the naive kid he is, but he's smart enough to always think twice and realize that, okay, Usopp's stories might not be true, but if they make him happy, then they make Sanji happy too! If his dreams are told in the form of lies, it's kind of like Sanji's wish to find the All Blue. And so he tells Usopp all of that too. He skips the whole, um, family thing to talk about his dream. He tells Usopp about wanting to be a cook because of his ill mom (something they have in common!!). He tells him about his abilities in the kitchen! He keeps saying he'll be the best cook in the east blue!
It's nice having a friend. Usopp thinks Sanji looks really young for being two years older than him, and Sanji complains about Usopp being taller when he's younger. But it's nice, after all, to be with somebody who doesn't want to take anything from you.
Sanji's food is surprisingly good for a kid his age, and he's really glad Usopp likes it because he's been practicing for a whole year with the crew! Even if he makes the simplest of dishes, he's really proud of himself when Usopp won't stop praising him!
One thing leads to another, and when Sanji's crew finds him, they tell him they have to stay for a long while because their ship needs repairing and it's pretty grave. Sanji wishes he could say he's disappointed and sad, but he looks behind him at Usopp, and it kind of feels exciting to stay.
So they grow closer.
Sanji is always going back and forth between his ship and Usopp's home, but he barely spends time with his crew the days he stays in Syrup Village. Most of the time he even sleeps with his new friend! Sanji cooks for him and borrows money for them to buy the ingredients, explaining to Usopp everything that is to know about them. Usopp, on the other hand, is awesome at fishing, so they spend whole days at the beach trying to catch their food. It's the most fun they've ever had in their life. Usopp stops feeling lonely, and Sanji finally finds somebody who loves him for who he is. Usopp shows him beetles and insects and finds out that they make Sanji cry... He isn't proud of this, but sometimes (only sometimes) he places bugs on Sanji's way so he can save him. Sanji calls him his hero with the shiniest of looks, and Usopp just- He feels really warm inside. Sanji is always going to his crew to ask them about new recipes and things to learn while they're there, and he always makes them for Usopp because every praise about his food goes directly to his heart. They just keep on enjoying each other's company and many talents. Usopp even introduces him to Kaya! She's the cutest girl Sanji has ever met (not that he has ever met other girls besides his sister) and he's a bit jealous because it's obvious she likes Usopp, the guy just doesn't notice! If little Sanji isn't sure of who he's jealous of, that's something he refuses to think about.
"We're best friends." Sanji once says.
That gives Usopp the courage to respond with: "Then, when I become the bravest pirate of them all, you'll be my cook! You- You will, right?"
"Of course!" Sanji doesn't think he has ever smiled this much in the short period of time he has been alive. "Captain Usopp and the best cook in the East Blue- No! In all the seas!"
Loneliness is a word that now feels foreign to them.
But then, of course, Sanji has to go.
They promise to see each other again. They will, someday.
Sanji asks Usopp to come with them, though, but Usopp refuses.
"Come with me, Usopp! It's your chance to become a pirate!" (Don't let me go).
"I- I'm already a pirate, Sanji! Did you forget? I need to stay to protect this village from any harm and evil pirates that aren't like me!" (I'm so scared that not even wanting to go with you helps my legs move).
"But you said I'd be your cook!" (You promised).
"You'll always be my cook! And I'll always be your-"
"What kind of captain lets his cook go?!" Sanji yells, but he's the one crying the most.
"Sanji! Please! I- I'll do it. I'll sail someday and we'll see each other and we will be together but- But not now." The shame in Usopp's voice is obvious, and he can't tell lies from promises anymore.
"But I- What if-"
"I'll find you. The sea will bring me to you, don't worry! I told you I'm so good at fishing because I can speak their language, right? I'll just- I'll just send you messages through the sea! Just talk to the fishes and they'll tell you all you need to know. I'll always be with you!"
That, at least, makes Sanji laugh. "Liar. I know you can't speak-"
"But I'm not lying when I say we'll see each other again! Really! Believe in me!"
And Sanji has no other option but to believe.
Usopp tries to live years and years without regretting his decision that day, failing miserably. And Sanji keeps trying to talk to fishes even if he knows it won't work. He even asks some of them to save him (to tell Usopp they might not see each other again, at least) when he's stuck at that damn rock with Zeff, but they don't do anything. They don't even talk back at him. But he keeps believing for a while.
Until someday a gorgeous pirate asks him: "You're not in any crew, right?" Because she apparently wants him to go with her. And he would. He really would. But he owes too much to Zeff. So much he can't give it up. Not even for a girl, even if it hurts.
Her question is more painful than denying her the pleasure of being her cook, though. Because he has to respond with: "Huh? I- No. Had a captain once, though... Not that it matters now. Just- Not anymore."
When Luffy asks Usopp to come with him, he can see the shape of their long-lost best friend in Kaya's eyes. She always knew there was more between them than what they wanted to admit, but then again, they were just kids, so she couldn't really know at the time. Usopp hates having found out so late about it, but now this is a chance he won't waste. He can accomplish his dream and fulfill his promise at the same time!
And they do find each other, earlier than Usopp was actually ready for. Sanji drops a glass of wine when he sees him. Usopp basically trips and falls over the table and makes Zoro's food fall on his lap. Sanji's eyes never move away from him.
There's a long silence and a few weird looks being shared between the rest of the crew, but Usopp can't help but smile. He's extremely scared of what Sanji might say.
"I told you I'd find you, didn't I?" He tries to sound confident, but his voice falters.
Sanji can't stop smiling. "Took you long enough, captain."
Nami almost chokes on her food. "CAPTAIN?!" And the other two share the same startled expression.
But Usopp doesn't look at them. He's still over the table. It definitely looks ridiculous. "You- You're taller."
"And your hand is ruining my Quiche Lorraine." Sanji groans. "Could you not-"
"I'm sorry! I- I'm sorry. But don't speak to your captain like that!"
Nami interrupts him. "I thought you were lying when you talked about this guy!"
Oh. So he has talked about me. Sanji pretends he isn't forcing his heart to slow down.
So he just smirks at the redhead. "To be fair, madame, even if he tends to lie a lot-"
Nami rolls his eyes. "No shit, I figured."
But Sanji keeps going looking at Usopp. "Even if he does, he also keeps his promises."
By the way, you have to imagine them like this:
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fleshadept · 2 years
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Rocky + magic
Boy (2010) dir. Taika Waititi
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chirpsythismorning · 1 month
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waystar-royco · 1 year
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rebecca’s description of the beginning of her and rupert’s relationship actually serves as the perfect example of how rupert and ted are perfect foils of one another.
both men have a capability to make a person feel “special” and “chosen” like rebecca describes having felt when rupert was trying to get with her. likewise, both men have a same relentless drive to win over the people that they want to impress. i mean, is rupert’s persistence in asking out rebecca after her initial refusal that much different than ted’s stubbornness in his attempts to win over those who doubt and resent him? we’ve seen it in the way he developed his relationships with jaime, roy, rebecca,trent, and all the others who have treated him poorly since his arrival in london. just like rupert, ted is not one to take no for an answer.
the difference of course lies in their intentions. rupert is selfish - when he sets his sight on his “chosen” one, it’s because he wants to possess them for himself. rebecca was his prize, so of course he wouldn’t give her up just because she said no. as a result, his persistence was rooted in manipulation - after all, how could she deny him after he worked so hard to win her over? after he chose over over everyone else, his own wife include? furthermore, his respect and care for a person is finnicky. the second he decides he’s bored of someone, they are no longer special to him, and they no longer see themselves as special either. that’s why he was so willing to leave his former wife for rebecca after just meeting her, and also how he was just as capable of making rebecca feel like a nobody after he left her as he was at making her feel special when they first got together.
ted, on the other hand, is so unbelievably genuine. he makes people feel special because he truly believes that every single person is uniquely capable and important. we know that after losing his father, he promised himself that he wouldn’t let anyone live (or, as he fears, die) without understanding their own importance. for this reason, his refusal to let someone walk away from him isn’t because he doesn’t want to lose some kind of contest, but because he is so desperate to help everyone that he truly believes he can’t give up on anyone.
all of this is exemplified further in how both of them treat nate. both rupert and ted have made nate feel special at times and have helped nate see more value in himself. however, only ted was willing to do so from the moment he met nate, who at the time was just an insecure and disrespected kit-man who everyone else was quick to laugh at. rupert, however, only noticed nate once everyone else thought he was great. and once he did notice him, of course he had to have him for himself, and, more importantly, had to take him away from rebecca. i can only imagine that rupert will soon dump nate just like he has everyone else that was once special to him. and who will assuredly be there to catch nate during his downfall? ted, the one who’s love and support never came with any string attached in the first place.
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glamfellens · 10 months
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not to fallout on main but the new california republic is flawed actually and it isnt meant to be the purely good alternative to caesar’s legion
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asurrogateblog · 4 months
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David's Role in The Wall
as always my favorite hobby is Reading Into Things about the concert tour of the wall, and this week's topic is: "since roger is clearly supposed to be playing pink, then 'who' - if anyone - is david?" obviously david sings a good portion of the songs, and in the audio-only album its easy to say "they're both pink who cares" but in the live show, the audience isn't just listening, they're also essentially watching a play, so it matters if two different people have 'lines' for the same character***
...and one interesting thing I noticed is that david never sings lines in which pink is speaking directly to another character. whenever it's his turn, he's either speaking to no one in particular (young lust), as a voice pink has internalized (mother), is physically obstructed by the wall (hey you), or is singing at the same time as roger (run like hell). when its time for pink to actually speak out loud, roger takes over. "well what about comfortably numb?" nobody asks. well, if you watch the concert videos, when david begins his verses in comfortably numb, roger (playing the doctor) freezes still – indicating that pink is thinking that, not saying it.
my conclusion from all of this is that yes, they are both pink, but its not arbitrary. roger is the "real" pink***, and david is a storytelling device that represents pink's internal dialogue, as well as different facets of his psychology that were not outwardly expressed during the album's events.
(***remember that "in the flesh?" takes place at the opening of one of pink's concerts, so during the shows for the actual tour of the wall, the concert itself is -part of- the storyworld. the live show is not roger telling the audience pink's life story, it's pink (played by roger) telling the audience his own life story. the narrative implications of this have done irreparable damage to my psyche)
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desceros · 6 months
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I feel like Donnie would be mush for his teeny, itty bitty little baby girl.
someone has been peeking in my google drive again i see....
yeah i think he (rise donnie specifically since that's the papatello i'm working on) would be one of those dads who has a big talk about how he's so strict, about the intense regiment he has his kid on to maximize their development, and he's always the most annoying piece of shit at the PTA meeting. flex brag flex brag
but then his little toddler comes up to him on wobbly legs and puts her hands on his calf, tapping at him for his attention and looks up at him with paint all over her face from where she got into the art supplies at the back of the classroom and made a huge ass mess, and he just melts at her crooked little grin (bc dad is the favorite) and is completely incapable of chastising her in any shape or form
that changes when she grows up and starts to act so much like him that he HAS to be firmer with her. the first time he has to put her in time out they both ugly cry a lot
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