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#heard it literally once
agendratum · 1 year
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for @kpanniversary week 4 - favourite romantic relationship
vegaspete
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comradekatara · 6 days
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sokka gets offered the position of chief first because he’s the eldest and (let’s be real) hakoda’s favorite, but he immediately turns it down bc he has no idea why he’d even be offered that position in the first place when katara is right there. and katara is like “i should not be chief it is simply in my nature to rebel against all forms of authority but if I AM Authority then who am i supposed to rebel against now??? huh???” and sokka’s just like “idk. figure it out.” and eventually she relents, but also the second she “takes office” sokka starts micromanaging her every move the way he does with zuko and kuei and everyone in the white lotus, and katara is like “why did you even turn it down if you were just gonna be like this….” and sokka’s like “nooooo trust me. this is so much better. for both of us.” and eventually they learn to strike a balance where she actually takes his advice but also he trusts her to make good decisions on her own. so they’re basically co-running the swt in everything but name, but they’re also both very insistent that KATARA is chief and sokka is simply her second in command (because he knows that distinction is important to her, and he respects that). but then it leads to the kind of awkward situation where because he’s not officially chief of the swt, arnook approaches him and is like “hey i’m getting kinda old, and i don’t really have any official heirs…. can we just say that you married yue so that you can be chief of the nwt once i die???” and sokka’s just like “ummm let me think about that……… no <3”
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caeslxys · 9 days
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I’ve mentioned this elsewhere but it feels relevant again in light of the most recent episode. Something that’s really fascinating to me about Orym’s grief in comparison to the rest of the hells’ grief is that his is the youngest/most fresh and because of that tends to be the most volatile when it is triggered (aside from FCG, who was two and obviously The Most volatile when triggered.)
As in: prior to the attack on Zephrah, Orym was leading a normal, happy, casual life! with family who loved him and still do! Grief was something that was inflicted upon him via Ludinus’ machinations, whereas with characters like Imogen or Ashton, grief has been the background tapestry of their entire lives. And I think that shows in how the rest of them are largely able to, if not see past completely (Imogen/Laudna/Chetney) then at least temper/direct their vitriol or grief (Ashton/Fearne/Chetney again) to where it is most effective. (There is a glaring reason, for example, that Imogen scolded Orym for the way he reacted to Liliana and not Ashton. Because Ashton’s anger was directed in a way that was ultimately protective of Imogen—most effective—and Orym’s was founded solely in his personal grief.)
He wants Imogen to have her mom and he wants Lilliana to be salvageable for Imogen because he loves Imogen. But his love for the people in his present actively and consistently tend to conflict with the love he has for the people in his past. They are in a constant battle and Orym—he cannot fathom losing either of them.
(Or, to that point, recognize that allowing empathy to take root in him for the enemy isn't losing one of them.)
It is deeply poignant, then, that Orym’s grief is symbolized by both a sword and shield. It is something he wields as a blade when he feels his philosophy being threatened by certain conversational threads (as he believes it is one of the only things he has left of Will and Derrig, and is therefore desperately clinging onto with both bloody hands even if it makes him, occasionally, a hypocrite), but also something he can use in defense of the people he presently loves—if that provocative, blade-grief side of him does not push them—or himself—away first.
(it won’t—he is as loved by the hells as he loves them. he just needs to—as laudna so beautifully said—say and hear it more often.)
#critical role#cr spoilers#bells hells#orym of the air ashari#cr meta#imogen temult#ashton greymoore#liliana temult#this is genuinely completely written in good faith as someone who loves orym#but is also about orym and so will inevitably end up being completely misconstrued and made into discourse. alas#I could talk about how Orym’s unwillingness to allow the hells to actually finish/come to a solid conclusion on Philosophy Talk#is directly connected to one of the largest criticisms of c3 (that they are constantly having these conversations)#all day. alas. engaging with orym’s flaws tends to make people upset#it is ESP prevelant when he walks off after exclaiming ‘they (vangaurd) are NOT right’#which was not only never said but wasn’t even what they were talking about#he even admits as much to imogen like ten minutes later! that he is incapable of viewing it objectively#which is 100% justifiable and understandable but simultaneously does not make his grief alone the most important perspective in the world#also bc i fear ppl will play semantics on my tags yes the line ‘i hope she’s right’ was said but it was from ASHTON#who does not believe they are at all and wasn’t saying they actively WERE right. orym just heard something to latch onto and ran with it#ultimately there is a reason orym only admitted that he was struggling when he had stepped away to talk to dorian#who has not been around and thusly has not changed once n orym's eyes#and it isn't that the hells never check in or care. they do. they have several times over#it is dishonest to say they haven't#the actual reason is that all of this is something He Is Aware Of. he doesn't mention it bc he KNOWS it's hypocritical and selfish#he says as much!#EXHALES. @ MY OWN BRAIN CAN WE THINK ABT MOG AGAIN. FYRA RAI EVEN. FOR ME.#posting this literally at 8 in the morning so I can get my thoughts out of my brain but also attempt to immediately make this post invisibl
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tubbytarchia · 4 months
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r...renchanting mayhaps... if you're comfortable with it!
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"Hold me"
Alts and other stuff under cut
These are SUPPOSED to be next to each other to save space. But if Tumblr puts them in a downward row, I apologize!!!
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I wanted to include the sunglasses because with my Ren design, I was afraid it didn't look enough like him but idk, thought it might also look stupid!! Ahh but oh well, you can have that as an alt! And ohhh my god screw the crown from this angle
My Ren design is still brown ofc but since his skin tone on his red life skin turns completely pale, I really liked the idea of his fur in my design turning white (but not completely, maybe only going full white before death) to mirror that. It works especially well since blood stands out a lot more that way hehe, good intimidation, if even for a man who just wanted to run a little business and for the bloodshed to end...
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bonus for checking the read-more
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sorry I haven't actually seen either of their 3rd life POVs but one day I will
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Chewing my arm off over Dónal Finn getting to keep his irish accent in Hadestown because I never heard an Irish accent in a musical before. He sounds like my grandad!! Like my friends!! He gets to be onstage and sound beautiful and keep his fucking accent!!!!!
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"evan, i find you adorable". adorable as in able to be adored. as in capable of being adored. as in i find you worthy of adoration. adorable, from the latin adorare (to worship) to adorabilis (in the sense 'worthy of divine worship') to the current day adorable. as in maybe if we had made it to the movies or if eddie didn't show up, i could've showed you just how much i want to worship you. as in i look at you and there is a font of adoration in my heart for you. adorable as in i flew into a hurricane with you and yet this date is a thousand times more thrilling than that. adorable as in there is a person in your building who saw me jump up and down like a little kid in the lobby after i had kissed you for the first time. adorable as in i kissed you and immediately thought fuck i could do this forever if he lets me. adorable as in i want to press kisses to your birthmark. adorable as in i spent the entirety of the days leading up to our date wondering about you, if you liked your coffee with two sugars or one. if you liked storms or if the lightning strike had put you off on them all together. if you liked cats or dogs or if you were the kind of weirdo who liked goats instead. if you thought about the kiss as often as i did. if your stomach tangled into twisted knots as saturday drew closer. if you would be agreeable to sitting in my lap. if you would blush as prettily as you did the day i kissed you. if your world also realigned when our lips met. if our orbits had matched up now that we flew into a hurricane together. if the gravitational pull between us had finally been too strong for either of us to resist that night in your loft. or maybe, more simply, adorable as in, "evan, i find you adorable."
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ace-trainer-risu · 2 years
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I truly believe that nona is alecto/the body for the very simple and vitally important reason that harrow and nona/alecto/the body will meet at some point and harrow will be like O immortal Body, I have kept troth with you these many long and darkling years, I have sworn my heart, worthless thing though it may be, to you, I cast my fragile and aching body at your feet (and etc etc)
and the Body will look at her with those ineffable golden eyes and open her imperfectly beautiful mouth and say, her own true voice ringing out in harrow's ears for the very first time, "Hi! I like dogs, do you like dogs? I kissed you in the mirror once. Do you want to be best friends?"
And harrow will instantly be like Ohhh :/// I'm cured. I'm not in love with her anymore. where's gideon. ianthe? anyone.
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kirby-the-gorb · 1 month
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coldgpa · 2 years
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I'm saying Joseph quinn purposely made eddie gay on his own accord. Like I think he read the script and saw exactly what we saw
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shadow-the-crow · 19 days
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Tma au but it's 2010's ya dystopian. Everyone is sorted by fear alignment, like factions.
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tequiilasunriise · 10 months
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Annabel Lee & Fears: A Short Essay Based On Ep70
Here it is, folks, the truest crux of Annabel’s character, her deepest fears is not going mad or even people discovering she’s not as put together as she tries to appear, but rather:
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Was that gambit of constant scheming and using others worth it, Annabel? Was always trying to think ten steps ahead and always keep yourself in a position of power and control truly worth it, because how can you ever be trusted when all you do is play 5D chess with everyone?
There is is, folks!!! Just like her greatest strength- her cunning willpower- is centered around a certain bright moon, Annabel’s greatest fear is rooted in Lenore. The deepest, darkest trenches of her soul, the one thing that would shatter her heart and send her lungs choking fer breath? The killing blow that would end her and make all these charades worthless? It’s Lenore seeing her constant conniving and asking Annabel, “Why would I be any different? You already have no problem using everyone else as a pawn, how could I ever possibly trust you, Annabel Lee?”
The way Annabel is SUCH a great morally grey character, y’all tell me you love hot villains yet many a time I’ve seen people calling Annabel too heartless. She’s the opposite! She cares!! SO MUCH!!! She would burn the world down if it meant kissing Lenore one last time, to the point where her deepest fear is losing Lenore in the process of trying to protect her. All Annabel knows is using manipulation to gain the upper hand because simply being born a woman in the Victorian era she was so throughly disadvantaged by such a horribly misogynistic society that girlypop had to scrape together any form of control she could. Annabel wants so badly to protect Lenore but all she knows are her own methods of protecting herself, which involves plausibility deniability and facades and sometimes sheer cruelty, and that’s where the conflict arises. From the start Annabel assumed Lenore and her had the same understanding of this ‘fake enemies’ ploy going on but surprise surprise babygirl, not everyone is overthinking four parallel universes ahead like you do. This boils over into her lover having doubts on what’s real and what’s not, which then culminates into Lenore asking if Annabel is using her affections as empty currency to get what she wants, and Annabel’s first move to tell Lenore to fucken kill her????
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“To you alone, I have left myself completely defenseless.”
The drama of it all!! The shattered facade leading to exploding vulnerability of it all!! The dim sun sparking out into a heat death just to prove her sincerity of it all!!! The exposed innermost organs ripping out my heart with my bare hands and begging you, “Do you see it now? Do you see the way it beats for you and only you? Tell me you see it, tell me you see me…” of it all!!
Oh baby the way Annabel still retains this deep fear of Lenore not truly believing in the “only thing that’s real” to her, the way her lover’s ghost still lingers and haunts her and is then ripped up from her innermost psyche like a desecrated grave and given form by Ada’s power. The way, after all this time- and I mean all this time from Lenore’s constructed resurrection, to their relationship blossoming into a wedding, all the fucking way up to that bell tower scene, the fucken way Annabel still never truly let go of her fear that Lenore doesn’t see her, doesn’t see how she alone bashed through all of Annabel’s walls and made a home where her heart laid. I’m sure during their living relationship all the way until the wedding Annabel’s fears were greatly settled, but it’s the fucken way these panels implied that this wretched heartache never completely left Annabel’s guilt-wracked soul.
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I just know, okay I just KNOW, that even up until she was putting her wedding dress on Annabel still questioned if she even deserved this happy ending because she still feel phantoms of guilt fer this betrayal. This comic only furthers this implication of unabsolved guilt when it’s made clear as day that Annabel’s biggest fear is Lenore not believing in her love. And before anyone argues how Annabel can currently feel guilt fer betraying Lenore when she hasn’t recovered the memory yet, I’ll argue back that from the very beginning of the comic these two were inexplicably drawn to each other even when they had NO memories. Therefore, even if she doesn’t have the explicit memory, I highly doubt Annabel’s subconscious would ever let go of something as huge as deeply hurting the one person she truly cared about in such a wretched way.
Fuck, dude, I mean Annabel’s greatest fear wasn’t even Lenore dying- which was already a huge thing if y’all remember her tearstreaked, panicked, “What is left? If she’s not here, what’s the point?”- no her greatest is Lenore!!! Not!!! Believing!! Her!!! Like yeah losing Lenore physically definitely would’ve cut so deep even her bones would bear the scars, but losing Lenore in the form of the other woman walking the same ground as her but choosing to stay away?? Call her fucking selfish because some people would rather have their other half still be alive even if they’re not by their side, but Annabel ain’t one of them that’s fer sure. Babygirl has spent a lifetime perfecting the craft of deceiving others fer her own gain, but the ONE TIME she’s genuine her heart is to be called nothing more but empty??? Oh babbyyy that’s gotta fucken hurt.
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The thing is, I don’t think Annabel really loves herself all that much. I really don’t. A huge focus on self-preservation doesn’t necessarily mean one really loves themselves, and when we add the aforementioned guilt she carries? Plus, the fact that Annabel being forced to swallow down her anxiety attacks from a young age could easily lead to her having a rather sour view of her 'not normal' self? Yeah no yeah, I truly don’t think Annabel loves herself that much, if at all. So really, this line is adding immense insult to already grievous injury. Not only does Annabel deeply fear Lenore not believing her affections to be true, she also fears the New Yorker misconstruing her as nothing more but a shallow as hell, prissy, little pampered damsel, a role pretty much everyone else regulates her into whether she wants it or not (right from the beginning, before she even set her schemes in full effect, Annabel was already explaining, “Ada wanted a queen, so I gave her one”). Lenore, the only one Annabel had believed to ever really see her fer her, is now discrediting Annabel’s vulnerable affections AND seeing her as that unloving ice queen like everyone else?? Horrible terrible horrible!!! She may have a ribbon threatening to strangle her right now, but it’s clear that ghost!Lenore’s words are what truly cut her down to size. Y’all seeing that fucken pain in Annabel’s eyes? Her worst fear is just so… personal.
Which actually leads me to my next point, which is how just before Annabel’s worst fear is revealed in stark, horrifying detail, we see Prospero’s. Lemme just preface this by saying what Prospero went through is n o t any less terrible and is a super fucken mega valid fear/trauma, but let me cook y’all just hear me out. Prospero’s fear seems to be about medical malpractice and/or being conscious during a painful operation that likely went south (aka ‘oh shiiitttt he fucken DEAD-‘), and that’s fucking tragic as all hell. Yet, okay let me cook here, it’s more… I don’t want to say general, because that does NOT mean his fear is any less significant but it’s like. Way back when, death via medical bullshit was more or less fairly common, especially during wartimes (which is the era I headcanon Prospero to be from); meanwhile, Annabel’s fear is so uniquely hers, it’s borne of a culmination of specific experiences tied together by her relationship with Lenore.
By contrast of a more common fear vs something so deeply personal and specific to this one person- because it’s not just unrequited love, it’s being so vehemently denied and misunderstood by the ONE (1!) person who you wholeheartedly trusted in your entire life who also oops mega died on you- this distinction gives way to an almost more raw, more visceral feeling to Annabel’s fear sequence. Again!!! I am not undermining Prospero’s own trauma, I promise!!! But you have to admit that there’s something, from a narrative standpoint, that hits so much harder with how deeply personal Annabel’s fear is. The contrast is even more great when you look at how Prospero’s involved a buncha bloodied hands not really tied to any faces or even any indication of personhood like accessories, scars, etc etc. It could’ve been a group of anyone holding him down hurting him; on the flipside, Annabel is being restrained by one very specific person we see in full view. The faceless crowd who could’ve been anyone at anytime vs the lone perpetrator whose history you know like a second name. It’s just!!! So personal!!!
In conclusion, on the surface level, one would think a character so deeply ingrained in using deceptions and manipulation would have her greatest fear tie into having her true nature revealed to everyone she’d fooled, but then it turns out it’s the complete fucking opposite. What homegirl fears the most is her truest, innermost self not being believed and accepted by just one (1!) person. The way it’s framed is just so heartstabbingly personal, especially when you parallel it to a previous fear sequence just a few panels preceding it. This is it, your honor, this is Annabel’s deepest driving force broken down to its bare essentials. To hell with whatever reputation she’s carefully crafted! Who cares what anyone else thinks of her if she doesn’t believe her, if she doesn’t SEE her. Really, truly see her. Lenore is the defining point that Annabel has revolves around so wholeheartedly, and there’s no point to anything anymore if Annabel loses her. This crux of her character, OHHH BBAAABBYY it’s just so well done because we, as the audience, have been given clear evidence to build up this narrative of Annabel’s characterization fer so long now and to finally see it come together in a fiery explosion of lesbian angst with this latest chapter??? Gods, the writing of Nevermore will never not drive me absolutely insane in the membrane.
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im-no-jedi · 1 year
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Hunter’s Spidey Sense™ tingling in “The Crossing”
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buckypascal · 2 years
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Cassian "Cass" Andor
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ughgoaway · 7 months
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How do you think the parent-teacher conference would go?
okay yes I have been thinking about this since i originally thought of this au
(Also, quick psa- these are never proofread, so if they are incoherent/ littered with spelling errors...shhh)
I can see matty getting the email through about parents evening and just PRAYING it's with you. Annie has two teachers (bc fuck having a class of 30 kids on your own are you mad) and he thought it might be with the other one. who is fine, she's an older woman and is very lovely... she's just not you
little does he know behind the scenes you had to kind of fudge things to get him for parents evening, your deputy head teacher comes up one day and tells you the plan for parents evening this year, he explains youre only getting half the class. so rather than doing it with your co-teacher, you'd do half and she'd do half. of course, you immediately ask, "Oh... okay, can I see my list?"
you read it and feel your heart drop, Annie wasn't on there. and you swear it's not just because you want an excuse to sit across from matty for 20 mins... you also genuinely love Annie and would love to talk about her and her progress.
you catch the other teacher in the staff room and have a quick chat, "Mrs Richards, do you think we could go over the parent's evening lists? I was just wondering if there's any students that you don't have that you might like?"
"Oh yes dear, let's have a look," she says, grabbing your list, "Ah yes, if it's okay with you, I'd quite like to see Jason's mum and dad. After the paper aeroplane incident last week, I think I need to have a proper discussion with them"
you scream internally, thankful you won't have to have that conversation, and that you might be able to snag Annie, "Oh yes, that's fine with me! why don't we swap for say... Annie Healy?" You say trying to play it off and act like you didn't already have a child in mind when you started this conversation.
luckily, Mrs Richards is completely oblivious to your crush (that you insist is not a crush) and says, "Of course dear, consider it done. I'll send all the emails tonight"
////
cut to actual parents evening and you are wearing your favourite dress. well, favourite appropriate dress. it's nothing much, floral and flowy, but it just works, and you love it.
and you totally did not try on every combination of dresses and shoes that you own to find the perfect one. at 3am.
you definitely did not do that because that would be insane...
anyway, you just finished your appointment with Lucy's parents, and it all went well. You did have to have a discussion about her habit of punching her male peers in... certain places, but it went down surprisingly well.
you completely forget who your next appointment is until you stick your head out of the door and see matty standing with a cig in the corner. for a good few seconds, you just stand and stare, enamoured by the glow of the cigarette lighting up his features. and the way his cheeks hollow as he takes a drag.
matty finally spots you and waves, dropping his cig and crushing it before rushing to meet you. you take a deep breath and straighten up, trying not to die from nerves before this meeting.
"matty! hi! come in, come in, " you say, waving him in. Neither of you notice the receptionist raising her eyebrows at you, calling him matty. she makes a mental note to talk (tease) to you about it later.
he comes in and sits down, and for the first 10 mins, it's a completely normal meeting. You discuss how Annie is doing, how she's interacting with her peers, and what progress she is making.
obviously, googly eyes are being thrown both ways, but you are both beautifully oblivious.
but soon somehow, you both get completely off topic.
"you've never seen true romance! oh love, that wounds me, " matty says, holding a hand to his chest in faux hurt.
you giggle lightly at his reaction, brushing over the pet name so you don't have a mental breakdown over it in front of him.
"I know! I know! it's been on my list for years but I've never got around to it, is it one of your favourites?"
matty then of course goes on a 5 minute rant about how amazing the film is and what it means to him, "I mean I wrote one of our most popular songs about it, as soon as I wrote it at 18 I knew it would be such an important song. to me. to the band. even to our non-existent fans at the time. well, our one fan, my dad"
you smile at him just in awe of his passion for that band, "Oh yeah, robbers, right?" You say shyly, trying not to show the intensity of the stalking you did.
matty just stops and looks at you, his face a mix of cockiness and pure adoration, "Yeah yeah, you been listening to my band?" he teases and pokes at your arm. Soon, his hand slips down and lightly rests on yours as you speak.
you just nod dumbly because how can you focus on what he just said whilst he's practically holding your hand?? thankfully, you catch yourself reasonably quickly and realise just nodding is not the appropriate reaction to what he just said.
you don't know what comes over you, maybe it's his hand on yours, the soft look in his eyes or the gentle smile on his face but you decide to just be honest.
"Honestly?" You say, and matty nods softly, eyes flittering around your face (perhaps even down to your lips) , "I didn't know who you were before, but now? I am a little bit obsessed. I listened to you on the drive-in this morning, " you say whilst avoiding eye contact.
"No way," he says, laughing to himself. He squeezes your hand to encourage your eyes up, and you give in and make eye contact, "what's your favourite song? you've got to tell me that"
"well i-" Of course, before you can finish, there's a harsh knock on the door. you both jump and separate hastily as you spring up and get it.
before you can say anything, the person behind the door starts talking, "Hi, we're Jackson's parents, are you miss y/n? I thought our appointment was at 6. it's 10 past, and I'm kind of in a rush"
you start stuttering out apologies, and matty is already behind you preparing to leave. He quickly grabs your hand and squeezes it as he brushes past.
you squeeze his to grab his attention, "paris. my favourite song is paris", you let go and usher the other parents in. they squeeze past a frozen matty, just standing and gazing at you.
soon you are closing the door to mattys shocked face, giving him one last grin before clicking it shut.
(paris is not my fav song, but it's matty's, so we gotta have a bit of romance)
blurb masterlist here!!
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rainbow-arrow · 5 months
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you're telling me Inertia almost dIDN"T MAKE THE ALBUM.
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horce-divorce · 1 month
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I said this the other day but i was right and I should say it again, and so should everyone else whos been saying it:
"transandrophobia truthers aren't oppressed for being men because being a man isn't an oppressed identity, you inherently have male privilege and are therefore Men Invading Women's Spaces" is THE SAME ""argument"" from a few years back about "ace people can't be oppressed for sexual orientation because you can't be oppressed for something you dont have, you are Cishet Ppl With Cishet Privilege Invading Queer Spaces." It's the same fucking picture.
A lot of you are picking up on the concept of "transandrophobia truthers are the new MRAs so let's mock them" without actually knowing ANY of the context for what we're talking about in transmasc circles. You're literally just gossiping about secondhand misinformation and you look stupid as hell.
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