love the idea of the Avengers adding new members but being stingy about rooms so the OG Avengers each get their own but Bucky and Loki are forced to share one under the guise of it being 'healthy interaction'
so in HoO we get a totally unaddressed thing about the Hephaestus cabin apparently have an underground tunnel system beneath their cabin that they’ve been excavating for almost a century and haven’t found the end to yet. We never hear about this again. But when Jake Mason is explaining it, he jokes to Will Solace that “You Apollo guys can’t have all the fun,” which implies the Apollo cabin also has secrets.
Anyways I think we should just start headcanoning random wild secret areas of each cabin just for fun.
I present a very unnecessary analysis of the scaralumi talk before the big fight
First of all I love the way they both can see through each other. I think often times we overlook how good Lumi is at understanding the feelings of others - mostly because Paimon does most of the talking - but here we can see just how good she is at reading him since (I believe) this is the most she has ever talked in a quest. Scara believes he knows what he wants, but Lumi knows what he needs.
I like how he says this because it is true. We have been proven time and time again how Lumi cares about others, which is why despite her being enemies with Scara she can’t help but empathize with his situation.
But she’s not stupid, there’s where it comes the “almost” part. She is saying that as a way to try and stop his plans, not simply because she is worried about him and he knows that, but he still tries to convince her about him being, even though for a moment it almost sounds like he’s trying to convince himself.
Scara then moves on to say how his life has been meaningless up to this point, as if becoming a god is his only purpose and without it he is nothing. So he tried to understand why would Lumi bother going through such “futile errands” of protecting everyone.
But once again Lumi sees through him asking why then would he keep the connection with Haypasia (and consequently with Lumi herself). Even with his answer she is not convinced so he just deflects with his arrogance.
Not to mention how everything he says about Haypasia can also be applied to Lumine, since they both share a connection with him and saw his past. I find it interesting how he was able to sense Lumi and immediately entered her consciousness to observe her
Once again Lumi is able to figure him out and say what she needed to tick him off. He says how bad she is at sewing discord, but he still goes ahead and attacks the fatui calling it an “expression of affection”like he did for Haypasia, putting the two girls on the same wavelength
I am really shy but aaa wanted to share these with u.. since you said u shipped it :P and just an excuse to draw them hanging out more :D
hehe ty for the doodles! i love them!! <333
made me wanna doodle something myself :3
hehe
don't let the boy fool you! he's not possessive in the slightest, he's just a little shit sometimes, and thought it'd be funny to mess with Fangs.
gonna get himself killed smh.
the "i am not throwing away my shot" "just you wait" foreshadowing in nonstop still goes SO HARD even a decade later. lin was insane for this. truly a mastermind
Thinking of writing a mlc liansanjiao modern au where di feisheng and fang duobing are like, in a pool (if they're at dfs', because he's a super rich CEO, but if they're at li lianhua's they're in a fucking lake because lotus tower) and dfs is like oh he's doing that cheeky little sarcastic grin at me (you know the one). How is he so small how is his waist so thin how are his shoulders that broad I can see the water rolling down his chest. He's having an entire gay little panic for the nth time.
This is where it gets revealed that dfs, however, thinks that llh and fdb are in a sugar daddy/sugar baby relationship. Except without the money? Because he sees this attractive sticky little puppy that li lianhua calls xiaobao and comes to that, quote, "very obvious conclusion." So he's all sad about fdb already being "taken." However this is the moment llh walks about and sees them in the water together.
HE thinks dfs and fdb are kinda-sorta hatefucking but they're actually figuring out they like each other. His "irrefutable" evidence to back this up is that he's seen them fighting (physically, 99% of the time) every time they're together and honestly it's all a little bit homoerotic. He cannot be dissuaded from this.
Meanwhile fdb sees llh come out and offer dfs a bottle of water (he has one for him too, but baby boy has tunnel vision) and is like. Ahhhh llh is back. Dfs' boyfriend. HE thinks this because he knows they have history together (aka they were infamous in certain circles for having the HOTTEST beef) and once he saw them sparring except it turned into wrestling on the ground and THAT turned into making out. It was essentially fdb's gay awakening except he already knew he liked boys. It was more like his gay awakening for "men who could definitely pin me down and throw me around and oh my god do I like that???"
They're all moronsexual and don't realise they all like each other lmao (I only focused on these lenses but they do all like each other. Dfs has liked llh since their rivalry days. Fdb attaches himself to llh because even though his cooking is atrocious and he likes playing around with him aka little white lies he has the most beautiful smile fdb has ever seen in his life and he's nice to huli jing. Llh is deep in self-denial because he's doesn't think he deserves them they're happier without him etcetera.)
If anyone wants me to I might be able to write it lol but writer's block has been kicking my ass
(PS: I don't know how they get together (actually llh probably runs away and dfs and fdb team up to hunt him down) or how llh kind of dying comes into play. Maybe he doesn't die at all. Maybe he briefly gets the flu and is like guys. I'm dying. Please don't mourn me *sleeps for twenty-four hours straight*)
Mike Wheeler's emotional/moral ambiguity actually makes him one of the more fascinating younger characters in this show. Why?
Because he isn't following the same simple linear narrative line that Will and El are because of their supernatural interactions, but rather existing as a special, third thing that often exists in contrast to the villains in the story, where he gets to be messy and confused and insecure—and where he has spent entire seasons moving in the direction of what has always been the true enemy of characters in Stranger Things: conformity—and STILL CHOOSE WHATS RIGHT. Y'all are just so used to caricatures in television / thinking that "heroes "& "villains" exist in two entirely separate, non-overlapping camps (rather than existing in shades of gray) that you over-simplfy him...and miss the forest for the trees.
Mike being the one who struggles most with conformity and wanting other people to fill the gaps of insecurity are why all those goddamn Brenner parallels exist. It's why Vecna, who is paralleled to El in many ways, said something to El when she was tied to that door about a "mediocre man looking for power in someone else great" and it applies as much to Mike calling her a Superhero 2 seconds later as it does Brenner trying to use her powers. It's why the tension between him trying to "act normal" / date El (who exists on a pedestal for him) and him being the kind/loyal nerd who exists in "being human" with Will does—that love triangle exists to showcase his flux between his two sides, the one that embraces himself and the one that follows the path of the things he's always been told to want (like S1 Jonathan/Nancy/Steve).
Its why Mike is such a confusing mix of heroic energy and an immature chaos—why his insecurities have pushed him into some oddly toxic mindsets even at a young age...like thinking "a girl" will solve all his insecurity problems which sounds a hell of a lot like beginning of modern incel thought processes if you want to get into it, but he was 12 so we'll let that go and why he seems so wishy-washy now. Mike is just now aware enough of how his desires compete within him (and how they affect the people around him) to start making a choice about how he will respond to them...but we had to present all the sides he was conflicted by first, because for him, those conflicts almost always come at him in the form of relationship, like it does in most of our own lives.
Mike is not "under-characterized." He is not "poorly written." He is written human in a space (and two people) steeped in the supernatural, and is learning to accept himself for who he is in the midst of that. He is messy and morally ambiguous at times just like his mother and sister—and more interesting for it, because he isn't so easy to pin down as an "everyman central protagonist" that way.
If anything, Mike as a character is harder to follow because he exists as an entirely relational character in a show that often allows you to easily put all its other characters into caricatures (aka the superhero (El), the gay kid (Will), the final girl (Nancy), the POC kid (Lucas), the Guy in the Chair (Dustin), etc) and why, as the character that required four entire seasons to be fleshed out, he will probably be as central in the final season as the first. Mike has always needed external action to move through character growth...and Vecna, the being literally designed to push people to their limits, is the way he will probably go through that.
By S5, he will have to face his ongoing confusions and fears (aka major insecurity) and come into himself...for the sake of himself, his party and the one he truly loves. Mike's ability to make mistakes over the course of five seasons and still make a difference to defeating the ultimate evil in real life (and not just in the games he played as a kid) is what will give him the courage to self-actualize, admit that he is important even surrounded by people "more special" than he is, and come into his own—while embracing what makes him different.
You don't have to like him. You don't have to relate to him or even enjoy what The Duffers have done with him as a character (or any character tbh). But damn if you're gonna roll up and act like he doesn't even have a character because he's not Will or Eleven LMAO
Sidebar: to all the people mad m*leven went romantic...Mike would have never been able to realize that a girl wouldn't solve his problems...without having ever been in a (however poorly executed) romantic relationship with one. As a character motivated to learn through interaction with other characters, Mike needed to experience for himself that El—or any girl, really—wasn’t ever going to fill the hole of his internal insecurities. If he never got the thing he thought would solve his problem, he would have either never grown...or fallen into resentment while in the closet even longer, like men do about that in literal real life. Just saying.
For Mareach, who do you think ended up making the first move? Who said I love you first? (Who realized they loved the other one first?) 🤭
So you remember how, in my Marioverse, Bowser kidnapping Peach only happens twice, and rescuing her the second time almost kills Mario? Yeah, that comes into play here, and I'm gonna dump all of the details on ya.
By the time Peach is kidnapped again, she and Mario have been desperately in love with one another for A While, but they're still oblivious to the fact that their feelings for one another are mutual... but maybe not quite as oblivious as they let on. There's hope on both ends, hope that those hours of quiet company and gentle touches and held gazes mean just as much as they both want it to. But there's still so much uncertainty and fear that they've both convinced themselves that, even if the feelings are mutual, it doesn't matter, because it's never happening. That final barrier is one that they just can't get over.
By the time Peach has watched her dearest friend bleed out, brought him back from the brink of death, and has been carried to safety in his arms — all of this after weeks of stewing in dread and regret over uncertain fates and things left unsaid — she's suddenly a lot less inclined to recognize that barrier.
They're an hour away from Bowser's keep, and they're just too exhausted to go any further, so they've found a secluded section of the woods to take shelter in for a short while until they can push further. Mario's still gravely wounded, so Peach does what she can to help him with the weakened remnants of her magic and makeshift bandages fashioned from torn strips of her dress. And even though he's clearly in pain, he still looks so serene, because Peach is safe now, and he's bringing her home, and that's all that matters to him.
He's too drained to hide his feelings. He doesn't speak them, but the adoration he usually hides fairly well is on full display, and the way he looks at Peach as she tends to him, so full of raw, heartrending devotion — she looks at him to assess his pain levels, and he just smiles and cups her cheek, the reverence in his gaze telling her everything she needs to know, everything she's been wanting and hoping to accept as truth.
She kisses him. The first one is brief, and Mario goes still under her. The second is slower, and he finally melts into her, cradling her face in trembling hands. The third goes on for what feels like an eternity and it's somehow still not long enough. He's soft and gentle and warm, and it's everything Peach has ever dreamed of...
But then he pushes her away. She's confused and maybe a bit hurt, and she searches his face for answers, and she doesn't like what she sees at all: his guard's back up. The smile he gives her would pass as sincere (if tired) to most, but she can see how forced it is, and nothing could fully hide the sadness in his eyes. He tells her quietly that she's his dearest friend, and he would have saved her no matter what; he all but begs her to understand that she doesn't owe him anything.
And it hits Peach, the realization that Mario thinks her kiss was insincere, given to him in carnal gratitude and nothing else. Not because he doesn't trust her, but because he genuinely can't fathom the notion that she could feel the same way. Because he doesn’t believe himself worthy of her love. Peach knows she should say something, anything, but she’s so devastated that all she can do is double down and kiss him again.
Kiss #4 so thoroughly wrecks him that once they come up for air, he can’t utter anything else but a meek, shattered, “I love you.” And hearing those three words in his voice, his accent thick and his intonation light, Peach shatters too.
Their bodies depleted, their clothes bloodied and torn, they hold each other and whisper their affection against each other's smiling lips until they find the strength to continue dragging themselves back home.
this doctor who fanfic solving The Gay Fanfic Dilemma of same-pronoun vagueness by having the doctor go exclusively by they/them is the best way to go about it.
Hey I saw some people sharing an infographic with this logo on it and, uh, I’m assuming you don’t know much about this group?
Stop Zionist Hate is a neo-nazi organization and platform. If you see the SZH logo do not spread their posts. They’re using your sympathy for Palestine to lead you into agreeing with their white supremacy. Don’t fall for it. Fuck Zionists. Fuck Nazis.
i think some of you need to sit down and interrogate why you dislike sabina so much because from where i’m sitting a lot of it is just thinly veiled misogyny. you don’t have to ship her with alex and you don’t have to like her but i’m so tired of people treating her as nothing more than an obstacle to their ship of choice and then trying to shift the blame onto horowitz for writing her poorly when there are literally dozens of male side characters who we know nothing about that get more fandom attention than sabina does. she’s not some evil irredeemable wench for struggling to support alex after the events of eagle strike. she’s a fifteen year old girl whose entire life was upended and has to watch someone she cares about be blackmailed into putting himself in danger again and again. if you can forgive yassen for sending alex to scorpia or k-unit for treating him like shit in brecon beacons, why can’t you forgive sabina for pulling away and trying to live a normal life. you can find her annoying or boring or pointless as a character, but alex very clearly cares about her. acting like he doesn’t says more about your attitudes towards female characters than it does horowitz’s lol