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#he deserved better writing
yakool-foolio · 6 months
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I really wish Desuhiko wasn’t written the way he was.
I feel ya. I spoke in an older post about how his characterization is based on a trope typically seen in anime, but it doesn't excuse his actions. After replaying chapter 2 and paying attention to his dialogue in other chapters, he really does feel like a better character when he's not the focal point. It honestly fits all the more into the irony of him wanting to be a big shot superstar, but he's relegated to being the comic relief. Really the only time he says perverted things is in chapter 2 and his DLC. In the other chapters, he's much more concerned with his fame than hitting on females, which bodes well for the enjoyment of his character. I've seen someone wish that instead of being perverted, he's too gentlemanly, acting overly nice while still being clingy, and I like that idea as well! The community can definitely shape him into an improved comedic character with the foundation we've been given.
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mako and bolin parallel each other because:
mako kept everything soft and sweet inside of him, curled into a tight little ball while he trapped himself in a hard casing in order to protect his brother.
bolin kept everything hard and angry and destructive into a pit of lava in his soul, hoping it would never come out. he encased it in layers of softness and naivety because someone has to make sure that people doesn't consume themselves with their own anger but bolin being able to bend lava when there were no other "softer" options, while the fire burned in his eyes and you could see the stone and flames consume him and he knew that theres no other way to do this except embrace this side of you BECAUSE HOW ELSE ARE YOU GOING TO SAVE YOUR BROTHER WHO DID EVERYTHING TO PROTECT YOU AND YOU DID EVERYTHING IN YOUR POWER TO MAKE HIM HAPPY.
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penflicks · 10 months
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We never see Andreas in his own clothes. He's always in uniform or Alfea insignia covered clothing. Apart from the suit where he has clearly been dolled up by Rosalind to look the part. He's arm candy for her in that scene. She takes his plus one spot and gives it to Sky to keep Bloom happy rather than let him give it to the daughter she has been isolating from her friends. Rosalind caused Beatrix's kidnap. Then she gaslights Andreas about it, blaming him when he was entirely at her mercy and she'd take the decisions out of his hands.
Andreas not being in his own clothes is a story telling devise, it shows us how he has no control of his life. He is an object and property of the school marked as much by his clothing that is covered in the school insignia. Choosing to try and save Beatrix is the only decision he's been able to make for himself since he arrived at that school at 16 years old where Rosalind groomed him into what he is when he see him in canon.
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timidgarden7 · 6 months
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mandatory Master X for the ask game :3
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I don't think the most about him, but he's cool.
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Keep hearing people say maribug keep asking adricat if he's ok and he keep saying he's ok instead of telling her his problem but I don't remember it happened more than once in s4 in Rockettear but even then the circumstances of that episode did warrant the "nothing" answer he gave her unless he want to tell her that "nino tell me you let nino and alya know each other identity" which will reveal adricat identity. So when else did she ask? about the thing in hack-san, I think another credit goes to alya since she's the one who bring the topic to maribug who seems to be blissfully unaware that her leaving without telling adeicat that she send subtitute would be a problem.
I didn't get into this side of things in my other post because it was long and I wanted to focus on why Chat Noir's behavior was so frustrating, but this ask brings up the other big reason why the season four conflict was such a frustrating and terribly written plot line. Specifically, the part of your ask where you point out that Maribug seems blissfully unaware that her actions are having a negative impact on Chat Noir until someone points it out to her.
Yes, she is presented as blissfully unaware of this and every other interpersonal conflict we're given in season four. Your ask treats this as a failing on Maribug's part as if she should have obviously realized that she was in the wrong, but that's the whole problem. Telling kids - telling anyone really - that they should just magically know what others need is a frankly terrible life lesson as that's just not how the world works. You cannot just assume that everyone will have the same view of the world as you do and instantly pick up on the same issues as you do. That is the path to easily avoidable frustration and conflict. It also teaches people to assume that their view of the world is inherently correct when that is rarely the case. We often don't know the whole story and the other person's point of view may end up being equally or even more valid. This issue is extremely present in season four as Marinette has legitimate reasons to behave the way she does, which I'll get into in a bit.
If Marinette were written as feeling guilty about how she was treating Chat Noir, then this would be a different story. She'd be way more in the wrong and would shoulder a much greater portion of the blame. But as is? She has no idea that she's doing anything wrong. And until someone takes the time to tell her that her actions are causing harm, she is going to continue causing harm because she has no idea that she's causing harm.
In fact, I'd argue that the Alya thing in Hack San is a point in Maribug's favor. Throughout the episode, we see Marinette sending Alya messages on ways to be a good partner to Chat Noir, proving that she does in fact care about him. And then, as soon as Alya says, "You need to talk to Chat Noir," what does Maribug do?
She goes and talks to Chat Noir, giving him a pretty good apology for the problem she now knows she caused. Because, shockingly, Maribug doesn't actually want to hurt her partner. She also clearly cares about his feelings, making me want to take the season four conflict and tear it into itty bitty pieces because what is the conflict even supposed to be when you write shit like this?
I want to briefly step away from Miraculous and talk about this issue in a broader context via this YouTube short:
This short is from a Vietnamese woman who moved to Germany. Her YouTube channel is about her experiences there, including things like the short above which goes into the differences between what it means to be a dinner guest in Vietnam and what it means to be a dinner guest in Germany. In Vietnam, it's apparently standard for the guests to cook dinner with you where as, in Germany, you're expected to have the meal ready when the guests arrive, making this a situation where it's super easy to come across as rude just by doing what you think is normal.
Society is relatively aware that these types of culture clashes are a thing, but you don't have to be from different cultures to have these types of situations. Every person has their own unique needs and ideas of what "normal" is. The culture they were raised in will affect this, but so will their family, their personal needs, and many other factors. Two people can be raised on the same street and wind up with wildly different world views even though they supposedly share a culture. This is extra true when you add in compounding factors like neurodiversity, which is why it's an exercise in futility to say, "But Maribug should have realized..."
Well, she clearly didn't. And you can't change that she didn't realize whatever you're mad about. All you can do is have someone tell her what she's doing wrong. If she then continues the behavior, go ahead and judge away. But if she immediately corrects it like she did in Hack San? Doesn't that just prove that she truly didn't know that Chat Noir was hurting and would have probably fixed all of his problems if someone just pointed them out to her?
This is only exacerbated by the fact that Marinette's behavior in season four is largely unchanged from her behavior in previous seasons. The only major change is that she revealed her identity to Alya, but as soon as that's pointed out as a problem, she course corrects with an apology. After that, she thinks that everything is okay because why wouldn't she? Chat Noir said it was fine and everything else has been business as usual.
Bringing temp heroes into help as needed? That's been going on since season two. Having these additional members has been vital in multiple battles and there have been plenty of times where Chat Noir took a background role to the temp hero of the day like in Sapotis, Rena Rouge's season two debut. So why would Maribug suddenly think that this dynamic is a problem when it's been working fine for so long? We even had a whole episode about how Chat Noir was still needed in spite of the new heroes back in season three! Or, at least, I think that was Desperada's message? This show is shockingly bad at giving clear lessons.
Keeping guardian knowledge from Chat Noir? That's also been going on since season two and was even treated as a conflict that supposedly got resolved in the episode Syren which was the episode that ended with Master Fu coming to the mansion to talk to Adrien after everything was over.
When I watched that episode, I assumed this meant that Chat Noir was going to be more involved in things like picking the temp heroes. I actually thought this was how we were going to get Queen Bee because I knew she was going to be a thing, but it made no sense for Marinette to pick Chloe for a miraculous. Of course, I was wrong. Nothing changed after Syren. Chat Noir remained nothing more than the comic relief while Ladybug got all the insider info.
To be clear, I think that was a terrible move writing wise, but it doesn't change the fact that this is what they went with. This is the established dynamic. I can't even say that Alya learning Marinette's secret led to something new. She's just taken Marinette's old role while Marinette has taken on Master Fu's old role. This show loves it's status quo and Chat Noir has been at least tolerant of that status quo since Syren, so it's not surprising that Maribug doesn't register that this is a thing that should change and no one bothers to point it out to her even though she has a mentor in Tikki (and Su Han, I guess?) and a confidant in Alya and a whole slew of Kwamis who could also provide insight if they were allowed to do that sort of thing. (Sass and Wayzz were robbed of mentor roles.) Additional blame goes to Plagg because he should absolutely have told Adrien to talk to Ladybug. What is the point of giving these characters mentors who never mentor? It's aggravating in the extreme.
To circle back to the first part of your ask, outside of Hack San and Rocketear, I don't think there are any times when Ladybug invites feedback from Chat Noir unless you want to give credit to the end of Kuro Neko:
Cat Noir: (lands next to her) I've been a really temperamental kitty, m'lady. I didn't realize how much trouble I'd make for you by giving back my Miraculous. Ladybug: (sits closer to him) Just because I don't need you all the time doesn't mean that I don't need you at all, Cat Noir. No one could ever replace you.
Which isn't Maribug inviting him to tell her what's up, but she is clearly willing to listen to him and reassure him, further backing up my point about this conflict being some of the worst writing I've ever had to suffer through. If Maribug always fixes the issue as soon as she learns about it, you are not writing a situation where she's clearly in the wrong. You are writing an easily solved communication issue where she gets blamed for something she clearly doesn't realize she's doing wrong and it is so frustrating!!! I feel so bad for her. The next episode is Penalteam, btw, which starts the battle with this gem:
Ladybug: (laughs) Nice scare tactics, but it's not gonna work. Cat Noir and I are the best at soccer! Cat Noir: (Whispers to Ladybug) I don't know a thing about soccer M'lady. Maybe it's time to call the real team?
And basically just spends the whole episode making Chat Noir seems like a worthless partner while Maribug tries her best to make him - and everyone else - feel special.
Oh, and the episode before Kuro Neko? Well, it's technically Ephemeral, but that got magically overwritten so let's go one further back and we get to Dearest Family, which ends with this:
Cat Noir: (grabs a golden paper crown on the coffee table) Since I'm the king, (wears the crown on his head) would you be my queen, Ladybug? Ladybug: With pleasure, kitty cat! Tradition is tradition!
Oh yes, these two are in such conflict and Maribug does nothing to validate Chat Noir. He's in pain every episode and she's just totally oblivious to it.
If that was what they wrote, then I'd probably agree that we needed more instances of her asking if Chat Noir was okay. But it's not what they wrote. If you look through the list of season four episodes, you'll find that less than half of them deal with the supposed conflict of the season (by my count, only 8 of the 24 episodes before the final actually showcase the conflict and they are not in a logical order in terms of escalation as I tried to demonstrate above). The rest of the episodes flat out ignore it or even straight up work against the conflict like when Ladybug says this to Chat Noir in Guilttrip: "I probably don't tell you this enough, but I couldn't do this without you. And it'd be a lot less fun too."
Seriously, what even is this season? What is the conflict supposed to be? Because it sure as shit isn't Maribug undervaluing Chat Noir, if memory servers, season four sees her validate him more times than any other season. And it isn't her guiltily hiding things from him like so many fanfics claim because we have multiple points of evidence that prove that she's completely oblivious that there even is a conflict. So what conflict are the writers actually trying to write?
What's even more baffling is that none of this logically leads to the loss at the end of the season:
Maribug's new secrets didn't lead to her downfall. The only reason she lost was because of the secret that's always been there - a fact that's never revealed to her - and a freaking evil twin! So why did it matter that Maribug was keeping secrets? This is made even worse by season five maintaining all of the secrets, once again begging the question of what lesson were we trying to teach here???
Chat Noir wasn't needed for the final fight of the season, Maribug only needed the powers of a few of the temp heroes to win, a baffling ending to a season whose focus was Chat Noir feeling unimportant. You could scrap that conflict entirely and the ending would not change. In fact....
Adrien quitting to be nothing more than a good little boy who obeys his father would have actually saved the world from eventually being rewritten. If you think about it, the season four final actually punishes Adrien for being defiant. So does season five as, if Chat Noir had quit, his father would still be alive. I thought this show was supposed to be a romcom, not a tragedy. Why is Adrien being punished for being a hero? Is this supposed to be karma for lying to Ladybug with the whole Catwalker thing?
This shit is why I say I'm a writing salt, character sugar blog. I can't get mad at the characters when they're in such a nonsense story where things never logically tie together. They all deserve so much better.
None of this is meant to imply that ignorance is a blanket excuse for hurting others. Nor is it meant to imply that you have to forgive someone who hurt you just because they didn't mean to. There's a ton of nuance around these topics. But season four acknowledges none of that nuance while creating a situation that desperately needed nuance because there was no clear right and wrong here. Should Maribug work to be more aware of others feelings? Sure, but that journey can only start after she's made aware of her faults and no one ever points them out to her. Does Chat Noir need to work on clearly communicating his needs? Desperately, but no one is teaching him that lesson so he remains a terrible communicator who suffers in silence. What impressively bad writing.
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It is funny to me how Harry Potter is literally the main character, yet people tend to go like he didn't suffer that much or he wasn't "abused"; Like, how can one misunderstand the literal main character of the damn franchise?
He wasn't abused; yes okay. He absolutely did not grow up inside a cupboard; the tiny place that is mostly reserved for brooms or cleaning supply. He absolutely was not treated inferior to the other child who lived in the same house. He was totally was not treated like a "freak" or a "stain" that his family was ashamed off. He grew up inside a cupboard while there was a literal unused bed in the same house. And you want to know what that screamed to a child, a baby — who slept inside a cupboard while there being a perfectly usable room right there? You are worth nothing and we don't love you and we are ashamed of what you are.
He wasn't starved, or at least he was fed; Yeah, no. We see it from the first book. How Vernon was no food for you and in the cupboard you go — and by the looks of it, that was like his most common punishment. And then, in the second book — you practically see it happen. He was locked, inside a room with only a can of soup that he shared with Hedwig. Now, tell me what it would do to a child — to be given food through a cat flap, and fun fact? Harry got to eat less than people on war rations; in short? He was starved, yes.
He wasn't abused physically so it's not abuse; As for people's thinks abuse isn't abuse until it's physical (which is inherently wrong because abuse isn't only physically, fyi); Harry has learned to dodge Vernon and he states that, very proudly when his uncle tries to grab him. He dodges a flying pan and states that fact, again very proudly as if it is the norm; do you know how heavy pans are? And do you know what would happen when one hits you? If you want an even clearer proof; Vernon Dursley strangles Harry in Ootp. There you go. Also, in the first book, we clearly see Vernon encouraging Dudley to hit Harry. Read between the lines and actually try to understand what that signifies.
And favourite part; When he wasn't treated like a prisoner, or a freak— he was their servant. And that is very much canonical. Tending Petunia's garden during summers and drinking from the water hose in the garden because of how hot it was? Having to wake up early so he can tend the kitchen and when he wasn't doing all that he is locked away. And it is all canon.
In conclusion, Harry— not only grew up to think that he was inhumane, undeserving of love, a freak that didn't even get to have his own bed because someone like him didn't deserve it, physically harmed enough times that he dodges them out of reflex and also the Dursleys' glorified servant; that is not even taking into account what Harry went through in Hogwarts. And after all that if someone tells me; this child, right here — didn't go through much then well, maybe read the books again?
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wolvesandshine · 3 months
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Regulus Black being an emo writer and being a jock are two things that can and should coexist
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rendevok · 1 year
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your narumitsu art made me weep with joy and I heard you want more requests 👀
idk if this is the right place to put them but I think phoenix coming with miles to try on his glasses for the first time would be sweet :,) miles asking how they look and phoenix being just smitten. the good stuff
Dear anon… you sure know how to pick em! Things got very out of hand very quickly while drawing, and well. You inspired me to draft a comic! I didn’t want to make you wait long, so here are the sketches for the pages relevant to your request <3
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Thanks so much, and hope you enjoy~! 💜
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deadtiredghost · 19 days
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the only reason Tim Drake and Damian Wayne don't get along is because if they did the writers wouldn't be able to come up with a plot contrived enough for them to struggle with.
they would be the ultimate team if they could just work smoothly together.
but they cant so balance is restored to the world i guess.
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hypostatic-oath · 6 months
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Hydro Archon, Hydro Archon, Don't Cry
I've noticed a pattern with 5star characters in my game - they only come home after I've done their story quest or at least the Archon Quest where they appear. From an in-game perspective it's obviously because it takes me a while to finish the quest and I raise the pity in the meantime, however... from a SAGAU perspective, it's adorable that they only come around after I've spent the time to get to know them better.
Content Warnings: Angst, Furina desperately needs a hug.
SPOILERS FOR 4.2 BELOW
Imagine Furina before the Archon Quest. She's holding it together, like she has been for five hundred years. She's been performing her role so well for so long, yet she feels like she's already gone beyond her limit. She doesn't know how long she can handle doing this for, but she knows she must.
Late at night, she takes a break to catch some air. She's aware that she's still performing - she's alone, but she cannot risk lowering her mask, even before an invisible audience. She takes a deep breath and looks up, and doesn't even feel the tears flowing down her face.
A shimmering light crosses the sky.
Foçalors, it beckons. Come home.
Oh no. Not this. She's not ready, she's not ready! Not tonight. She tells herself she'll answer your summons tomorrow. In truth, she doesn't feel worthy of answering. What if she's not what you expect?
That isn't even a question. She knows she's not what you expect.
She knows you have other Archons - real Archons - among your Vessels. She panics - she doesn't even have a Vision, much less an Archon's authority. There's only so much she can achieve with acting. What would she do when you took her out on the battlefield and she inevitably failed?
Come on... Another shooting star crosses the sky, your voice a faint, ethereal whisper in her ears. I need an Archon team...
It fills her with dread. She can't answer your summons! She absolutely can't! Not only would she disappoint you - because there's no way she wouldn't, surely, she can't imagine a world in which you are not disappointed once you figure out just what she is, a fraud who can't even use Hydro much less be the literal Archon - she'd also jeopardize her only purpose.
She rushes inside, back to her room, closes the shutters and the window and the curtains and almost leaps into bed, placing the covers over herself as if to shield herself from the world.
She can still hear you calling.
The next day, Poisson is struck. The prophecy is in full swing. She's frantic, searching for something, anything that could possibly help. All the while maintaining the façade. At least you seem to have given up.
It's both relieving and heartbreaking.
At night, she doesn't even risk it - her windows are kept shut. She analises every report, and locks her door when she notices that she's crying, the papers she's holding becoming dotted with tears that fall despite her best efforts. She can hear the rain hitting her window, and the downpour has her feeling even more hopeless.
Neuvillette speaks with her in the following morning. If the pressure from you wasn't enough, she now also has to manage to assure the Hydro Dragon Sovereign that she has everything under control. It's funny, how those eyes capable of such gentleness seem to gaze into her without a shred of mercy. Just speaking to him now feels like she's been put on trial, and Furina knows, deep down in her soul, that she is guilty.
He presses. Poisson has fallen. She knows. She also knows she's likely crying, the mask is slipping, but she can't give up. She has no right - no right at all, to sacrifice the lives of every person in Fontaine for the sake of her comfort. She cannot afford to slip up. And that means she cannot trust anyone - not you, and not Neuvillette. So she gathers the little control she can at this time, tells him she knows exactly what she's doing, and dashes out the door.
Wait, Furina!
She barely hears your voice as she runs. "I'm sorry, but I can't answer!" She thinks, as she rushes to the top floor of the Palais Mermonia. She knows she gas no time to lose. She needs to get herself in check, to wipe away her tears, to figure something out. Where had she gone wrong? Five hundred years, searching for a solution. Five hundred years of observing every trial, hoping it'll finally be the one she needs. But nothing.
She has nothing, and Poisson has fallen.
She thought the Traveler - and you, by extension - would be the key. That by judgding them she'd have the "most magnificent trial" that her mirror self spoke of. And yet, at every turn, the blonde outlander had managed to evade being sentenced, or even making the trial as grand as she'd expected. She paces around in her room as she mulls it over. Should she had judged you directly? Could she have done so? That would've been a trial for the ages - the Overseer, brought to justice by the Hydro Archon of Fontaine, for the crime of... what could she even accuse you of? Posessing people's bodies? That had to be illegal - or at least immoral enough to warrant a trial...
She lets her body flop onto the bed, covering her eyes with one arm as she lets out a sigh that despite its overdramatic appearance, is in fact incredibly genuine. She's tired. So tired.
Foçalors, come home.
Furina buries her face beneath one of the pillows. She hopes it'll drown out the sound of your voice. She can't distinguish whether that ache in her chest is from your summons growing more insistent or from how much she needs to cry.
The shooting star turns golden outside the window, and Furina wonders if the fact that someone else intercepted it will be enough to dissuade you. She hopes it is, otherwise, her days are numbered.
No more stars cross the sky that night, and relief washes over her body, in a wave so intense that she once again doesn't notice the tears. She falls asleep like that, and dreams of rising waters.
Furina heads to the Opera Epiclese in the morning. She's not looking forward to seeing Neuvillette, but she prays that there'll be a trial. "Please," she thinks, as she sits down in the throne reserved for the Hydro Archon, observing the stage from on high, "let it be today."
It isn't. Instead of a trial, there is a performance... and though she usually loves them, now is not the time. Worse yet, she's spotted by the crowd as she's getting ready to leave. They're angry, of course they are. The prophecy is true, and what is their Archon doing? Furina performs as best as she can, but this time the audience is completely unreceptive. She doesn't blame them. She'd be angry, too, in their shoes. She knows they're terrified. She's terrified, too.
But what can she do? Her search has turned up empty. She has no powers, not really, none besides the power of persuasion and even that seems to be slipping more and more these days. She cannot reassure her people. Neuvillette no longer trusts her, if he ever did. The water rises every day with no signs of stopping.
"Why, mirror-me? Where am I failing?"
The crowd chases her out of the theater. Neuvillette is nowhere in sight, and even if he were, Furina isn't sure she could call upon him now. The time in which he acted as her shield if gone. Neuvillette is now just another of the many she's disappointed.
It hurts.
With no other choice, she runs - as far as her legs will take her, she dashes away from the crowd, and guilt tells her she's being a coward. That she needs to stand up and reassure the masses, that she needs to do what an Archon would at that time.
The notion feels almost ridiculous. She cannot command her element freely like Barbatos, or raise protections over her city like Morax. She cannot threaten to strike down the unruly like the Shogun, nor does she have Lesser Lord (Lesser Lord! Hah! Even someone known as 'Lesser' is leagues beyond Furina's ability) Kusanali's foresight and wisdom.
So she does what she can do.
Whether it is fate or simply her own feelings of guilt, she finds herself in Poisson, at the base of the Spina di Rosula. The place where all those people - her people - had lost their lives to a disaster she was supposed to prevent.
When the Traveler extends their hand, she doesn't know whether it is a blessing or a curse. She wants to run again - what else can she do? But her pursuers are apparently still giving chase, and the outlander offers her aid. She can feel your presence from within them - every time she's crossed paths with them, as brief as those moments were, you were there. She can tell that the longing in the blonde's eyes is, at least in part, yours.
She's sorry.
She follows the Traveler to the hiding place - someone's home? It seems irrelevant. For a moment, she wonders if she could sue you for invasion of private property. "Oh, what am I thinking? The time for the grand trial is over... and even if it weren't, suing the Overseer for something so trivial would warrant the same result as the first time I challenged the Traveler..."
The Traveler. The outlander whose presence preceeded disaster. They were known for solving it, sure, but she knew that the moment they set foot in Fontaine the prophecy would have already started. Was it their fault, or yours?
Furina still feels like it might be hers.
The Traveler offers help once again. They extend their hand, and the look in their eyes as they ask her to confide in them is so earnest, so genuine. She swars she can hear two sets of voices saying the words - the Traveler's, and yours. It's faint, and gentle, and pained, and carries a yearning she knows she cannot fix.
Through them, you reach for her and she almost breaks. She knows you'll stop reaching once you know the truth.
Furina, please. You can trust us, love. Let me- let us help. People from your world cannot know, but neither of us fit that criteria. Your people will not dissolve, I promise you. I've seen enough worlds to know.
She considers it.
She hears your voice, and considers it. But there is uncertainty in your tone. You're gambling, and she's a good enough actress to know you're not sure yourself. They wouldn't do it, that's your reasoning. Furina doesn't know who 'they' are, but you're placing all your bets on the fact that 'they' would not erase an entire Nation. Who are 'they'? Celestia? If so, she knows for certain that your wager is more optimistic than based on facts. It's not enough - blind optimism is not enough for her to risk it, not even from a being like you. Besides, that is not her choice to make.
She cannot give up. She cannot lower her guard. Not with Neuvillette, not with the Traveler, not with you. The Traveler urges her for a response, reaches out, and she's about to deny them, when the house's walls fall.
Damn it, we needed more time! Furina, I'm so sorry.
She feels your sorrow about at the same time that she feels the spotlight on her.
Neuvillette looks down from his seat as the Chief Justice, and somehow the sliver of pity in his eyes hurts more than the coldness of a few days prior.
She's on trial.
________
She's crying.
She's not even making an effort to conceal it anymore. It's over. The curtains have closed and everything she worked so hard for has crumbled. The people know. Neuvillette knows. You know. Furina makes no effort to hear your voice. She knows you're disappointed.
If she did, perhaps she'd hear how you're screaming at the Traveler to go check on her. If she did, perhaps she'd hear how despite everything, you're reaching out, still. How you wish to hold her tight, as she deserves. She'd perhaps hear your outrage at the thought of her being subjected to the death sentence, she'd hear you trying to tear Neuvillette apart for allowing it, she'd hear you slowly realising that the fact that the sentence is addressed to the Hydro Archon means it's not her who dies.
She doesn't witness your relief.
Instead, it is you who gain an understanding of her thoughts. The Traveler reaches for her, and she can feel you pushing through, but she can't stop performing. Even now, she's still holding it, as much as she can.
You tear through her defenses with more ease than she expected. Furina had, until now, thought of you as detached. She knew you saw the world as a stage, a story for your amusement. Sure, you liked them, but only to the extent that one likes characters in a play, right? You were, as far as she knew, exactly the type of god - or, er, entity? - she emulated. Fickle. Boastful. Using lives as entertainment, watching trials and tribulations like a performance and solving the Nations' troubles like nothing more than a game. She had not expected you to care.
Not about her.
Not after knowing the truth.
You push forward. She knows it's you, and not the Traveler, who's in control. She can feel it, the intensity with which you reach out is the same she felt tugging at her very being every time a star crossed the sky. She knows it's you who's still trying to reach her. Even if she's failed.
Even if she's not capable of being in your Archon Team.
So she sighs, and lets you witness. That is your role, after all, isn't it? An audience of one, watching an interactive play. You haven't given up on her character, even though it's not what you expected. You're not what she expected, either. Funny, she finds herself thinking, you're both more human than anyone realised.
You witness her life. She lets it play out like a film before your eyes, the endless stream of memories of growing hopelessness as she realised that the prophecy was slowly setting itself up and she was not any closer to finding out how to stop it. Now you know - the truth, the whole truth. She has nothing left to lose now, anyway. Everything is lost. She was unmasked. She failed.
You're pushed out of her thoughts after she invites you to take your place on stage. You act in her memory, but this time the Traveler doesn't speak. You barely have time to state your piece - all you manage is an I'm sorry before being forced away. She has nothing more to share. That is enough, she figures, and far more than she ever thought she'd share. She still feels the urge to cry, but part of it is from relief.
After that, she doesn't feel your presence until after the flood.
The prophecy comes and goes and Fontaine is unharmed. The flood lasts no more than minutes, and no one is dissolved. Furina remembers your words - 'they' wouldn't do that. Though she is unsure as to 'their' identity, she is thankful that you were right. The sunlight feels like bliss upon her skin as she steps out of the Opera Epiclese, gentle rays drying the remaining water from the streets and the tears on her cheeks, and for the first time in five hundred years she breathes easy.
"They're still hoping you'll come." A familiar voice pulls her out of her trance. The Traveler, alone, stands behind her. Your presence is nowhere near. They look the same, yet different, without you within. Furina can't quite explain it, but it feels odd after being so used to seeing you within the outlander.
"I'm not an Archon." She answers, a certain bitterness in her voice as she looks down, defeated.
"I don't think they care. I know you need to rest for now, and they don't have enough primos for a ten pull anyways, but... just so you know. They'll keep trying."
Furina doesn't quite know whether that is meant as a warning or as an opportunity presenting itself. They're gone before she can ask. Either way, they're right - she is tired, and she does need rest. Out of instinct, she heads to the Palais Mermonia, but stops herself as she reaches for the door.
"Lady Furina." The gentle, deep voice she knows as belonging to the Iudex pulls her from her thoughts. She doesn't dare look him in the eye. He opens the door for her, but she simply turns away. She cannot face him, not after that trial, not after everything she'd done.
"Thank you, monsieur Neuvillette. But I... I think I'll be going, now."
The now fully restored Hydro Dragon can only watch as Furina walks away. He knows she needs her space right now, but that doesn't stop him from worrying for her. He'll arrange the best apartment he can get for her, and make sure she never lacks for anything. In the meantime, though, he'll just try not to let his emotions get the best of him, lest he causes a downpour to fall upon poor Furina, who definitely does not need rain right now. If there is one thing he knows about humans is that rain does not, for the most part, cheer them up. So he holds it in, promising himself that he'll take a small break for a walk after the aftermath of everything is over, and heads to his office.
There is so much to do...
_________
Three weeks pass. Furina lays on her bed, her window open, the soft breeze bringing the smell of a night that promises rain into the apartment. She is busy, not with work, or with renovations, but with the azure glass sphere that she holds up to the light, examining it under her lamp. A Vision... during all those years, she had never thought she'd receive such a thing, much less after being pushed away from her role as the Archon. She is thankful, yes, for her newfound freedom, and, she supposes, for the fact that she'd gotten to act again. But it still remains that this bauble was completely unexpected.
Power. This little thing can give her power. She's still unsure on how to use it, and it crosses her mind that the Traveler - or you - might know. You owe her, after all, after what she did to help you out with the play... she could feel you trying to strangle the Traveler and Paimon on the astral plane and that was perhaps why she wasn't entirely offended by their remarks. Still, she had made a great effort for that play. It was only fair that at least one of you repays the favor, no?
Furina smiles softly, sighing. She'll have to put up a commission at the Guild tomorrow.
She examines the light reflecting within, and it reminds her of the surface of the sea as seen from underwater. The holder, a silvery ornament not unlike those she's seen worn by Vision-bearers, has a distinct characteristic - four fang-like details that seem to secure the glass in place. Before she can give it more thought, the first pitter patter of raindrops reaches her ears, and she rushes to retrieve the clothes hanging on the line she has in the small balcony of her apartment before they get too wet. She rushes outside, hearing as the rain and wind pick up.
"Damn it, damn it, damn it..." She mutters to herself, quickly shoving the clothes onto a basket, trying to pick them off the line as fast as she can. Behind her, a flash of light illuminates the night sky. "Oh, I am so not in the mood for thunder..."
Furina cringes, hoping the storm is not directly above. Maybe she'll be able to sleep if it's just a faraway rumbling. What she hears, however, is not the booming sound of a storm.
Furina. Come home.
You're still trying. For a moment, she forgets about the heavy rain, and the clothes, and simply looks up at the sky. Blue flashes, one after the other, cross the clouds in rapid succession. Even after everything, you hadn't given up. The Traveler had warned her, but at the time she hadn't been in a stable enough state of mins to even care, still shaken from everything that had happened.
Now, she simply looks up.
"Overseer." She answers. You won't be able to add her to the 'Archon Team'. She knows she's not as powerful as most of your Vessels - hell, she doesn't even know how to use her Vision yet. But you still want her.
You know the truth - the whole truth - and you still want her.
The next star that crosses the sky turns gold, and glows brighter and brighter until it lands in front of her, hovering above the railing on her balcony. It emits a soft, warm light, and Furina reaches for it like she'd reached for her Vision.
Warmth spreads over her body, and it feels like every time she'd looked at the Traveler with you in them, except everything feels more... intense. It's not like she's seeing the filtered bits of you that shine through the cracks in someone else, no. She can feel you directly, and she understands why they call it 'coming home'. It's warm. It's comfortable. And for the first time she can truly, honestly say she doesn't feel alone.
You're happy she's there. Time seems to stop around her, and she finds herself dry and in a field full of stars. If she squints, she can barely make out a form, a swirling swarm of stardust in the vague shape of a person. She reaches a hand out.
You place the cursor over her outstretched hand.
Welcome home, Furina.
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Fix it for the teen wolf movie but I haven’t seen it. And I don’t plan too. This is all based off of what I gathered from fanfics and tumblr.
So Lydia comes back to town and Derek doesn’t know that her and stiles broke up. He hasn’t really stayed in contact becuase he can’t handle the thought of stiles with someone else
Cue him running into Lydia and trying to be causal, “oh where’s stiles” acting like his heart is not a second from stopping. She tells him they broke up and he has to act all sad like he’s not fighting a smile. “Oh how terrible”
The minute he gets home he calls stiles and is like “can I visit you?”. Stiles gives him the quickest yes ever. He skips town with Eli (getting away from the demon). Eli is so confused on what is happening but Derek is like “I’m trying to get you a second dad, he owned the jeep before you” and Eli is even more confused but so down, because the jeep is awesome.
He meets up with stiles and confesses immediately “I let you get away from me once and I’ll be damned if it happens again, I can’t lose you to someone else.”
Volia happy ending of sterek and Eli. Eli fucking loves stiles, thinks he’s the greatest thing since sliced bread.
Peter is crying with joy because stiles is officially family. That creep, he just would. Cora is immediately making fun of Derek for being a loser.
And Derek doesn’t die in a fucking fire in front of his son. Like what kinda ending is that honestly.
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just-null-cult · 7 months
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Fr bro I love your energy! Noritoshi is so pretty and so criminally underrated. Keep up the good work in making more of us lusting publicly for him. You've done amazing job! That boy well-deserved it :)
tysm!! I try to open the eyes of the public to his qualities. join my cult yall, Noritoshi is so good listen to me.
but on the topic of energy, whether you're high or low energy, Noritoshi loves it. the only difference is how he reacts to it.
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Let's say you're low energy or prefer subtlety in your affection..
Noritoshi will initiate first! ..after a while... in his own way.... He needs to gather enough courage and collect his thoughts properly, then hes good to go! He prefers more subtle displays of affection too, but if needed he'll be blunt about it. He'll learn to adapt to slightly teasing remarks, going as far as to banter and tease back, moreover he's just very loving. So loving it can be embarrassing from time to time because of how intense the atmosphere can get.. the best way he can be described here is princely.
A small smile forms on Noritoshi's lips when he feels you're around. He turns to you, already memorizing each and every quirk you have so that he doesn't waste any time setting his sights on you again. His hands reach out to tug on your sleeve as he looks at you with a gaze so needy you can practically tell what he's about to ask. "May i hold your hand?" His voice comes so smooth that if you didn't know him, you would've missed the twinge of desperation it carried. You couldn't help yourself, you shook your head, a mischievous grin slowly creeping onto your lips at the sight of Noritoshi's pouted lip. Of course he'd do as you say even if it was clearly unfair, but not without some complaints. He clicks his tongue, a quiet mutter of "cheeky.." escapes under his breath. He knows you do this on purpose to mess with him, he was tempted to beg a little, but decided against it. it was an embarrassing thought to begin with. Seriously, how mean can someone be to make a guy think like this? ..Extremely, if the guy's pouting is cute enough! Noritoshi lifts his hand to his chin, thinking of the many ways he can try to get around this obstacle you cruelly placed in front of him. He leans in close, hovering next to you as he usually does when he thinks. He faces you as who knows what goes on in his head, his closed eyes not even giving you a hint as to what he could be thinking. "Ah, pardon me, I got lost in thought. I suppose i can keep my distance, so long as you keep looking at me with that charming gaze of yours." Ah, so he was just winding up for a pick up line. How lame, but.. get used to it. He's going to shadow behind you the entire day with more one liners like that unless you shut him up yourself. Wait.. was that his plan? The faint sly smirk tugging on the corner of Noritoshi's lips and the warm hue on the apple his of cheeks are all you need to figure out the rest.
If you're high energy or prefer more blunt methods of affection..
Noritoshi gets overwhelmed and flustered from such raw approaches from you that he comes off as a bit rude. It's only because you make his heart so full that he needs to shut you down or else he'll do something embarrassing!! He wants to impress you, of course he enjoys your advances very much, but it's not very slightly to see someone like him act like a crushing school girl!! or so he thinks.
Noritoshi yelps in surprise as you snake your hands around his waist from behind. He doesn't push you away or even move for that matter, he's frozen stiff. Is he still alive? Like any good lover would, you benevolently press your ear against his back to listen for a heart beat. ..You didn't hear anything until the sound of Noritoshi sharp inhale came through. That was unexpected, but it works. He squirmed a little, seemingly trying to shrug you off but quickly giving up, accepting the fact that you've got him trapped. "You imbecile, e-enough of this!" he scolded, though he made no actual effort to stop you. Noritoshi remains stiff for the most part, but looking at the back of his increasingly flushing neck reassures you that he is, indeed, alive. He's just being stubborn! Not turning or even a greeting, just rude name calling again! You raise one hand and place it over his heart to hold him tighter in your embrace. As expected, its practically pounding against his chest. He swats your hand away and finally turns back to you with those cute furrowed brows and rosy cheeks. "You're such a bully, you know that?" he huffs out, any semblance of sternness failing to take effect as his jutted bottom lip quivers. Mercifully, you finally let go and spare him by not pointing out the quiet whine he let out. He stumbles forward and turns around to face you fully, trying to keep an eye out for any more of your stunts while he catches his breath. He felt so dizzy from being in your arms, if he were held for a moment longer, he surely would've melted right then and there. Noritoshi's hands trembled as he smoothed out his clothes, his mouth opening and closing as any and all words died in his throat. He wanted to yell at you for being so forward, for giving him no chance to prepare, for letting go of him, for a lot of things..! Yet he just pouted as he tried to calm the flush on his face. His hands instantly whipped up in front of him when he noticed you took a step towards him. He can't handle another display of affection right now, he'll go weak at the knees! But how can you hold back when he's just so damn cute?
The most likely outcome is a mixture of both with a heavy leaning towards one. Either way, you're very right!! He's extremely pretty.
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k4pp4-8 · 2 months
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If I knew how to write I could make a whole essay analysing every single aspect of darrell's character because I have SO MUCH to say about him :))
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demiboydemon · 10 months
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quietscrappy · 5 months
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King Magnifico
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jeffreyfrancoeur · 18 days
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Can we just...stop comparing Colin to Anthony? Please? They aren't remotely close to the same person, and it's frankly disheartening to see time and time again now.
"Colin had no trauma related to love and self worth to deal with like Simon and Anthony had."
Unless I am very much mistaken, Colin and Anthony have the same father. They both watched said father die from a bee sting. They both watched their mother hold her dying husband in her arms and sob because she just lost the love of her life. The only difference? Anthony was 18, and Colin was 10-12, depending if we're talking show or book. Regardless, watching his father die absolutely gave Colin trauma.
Colin was sent off to Eton not months after his father died. He never was able to process it with his own family, because they stuck together and processed it together. But Colin had to go away to school. And when he was home, he would bring flowers and play games and try to keep everyone smiling. The only way he felt useful was to focus on everyone else's happiness and diminish his own needs.
He went away on travels each year to try to find himself, process his own trauma and experiences. His engagement to Marina blew up in his face, so he immediately left to go traveling, to lick his wounds away from the rest of the ton. And while he was gone, Penelope was the main one to read and reply to his letters. When he got back, his own family diminished him, said it was a waste of time, that his "prattling on about his travels" was boring. So what did that teach Colin? That his family doesn't care about him. Doesn't value him. Doesn't find his time, his experiences, worth it. Eloise says to Pen (in front of Colin) that she found his letters about Greece dull, and couldn't finish them.
So at the beginning of season 3, when he's returned from another summer away, after no one in his family replied to a single one of his letters, and in the carriage to the presentation, he's absolutely going to not want to talk about his travels with Anthony. "Who are you and what have you done to our brother?" You happened to Colin, Anthony. Colin is masking and pretending like his travels weren't a big deal, that they didn't affect him, when he straight up tells Penelope later that he used the time away to remake himself into a new man. To try out a new persona, away from the ton, where no one knew him as Colin Bridgerton, or as a Bridgerton at all. He was just some nameless man.
He felt like he had no one back home to care about him, so the problem must obviously be him. That there was something wrong with who he is as a person, and that maybe this new version of himself would finally make the people back home--and his family--care about him. Maybe this version would finally be the version of him that's good enough.
So when he comes back to London, he's a flirt. He plays at being a "rake." He sleeps with random women. He goes out drinking with his "friends" all the time, laughs with them at their conquests. But he doesn't enjoy any of it. His mother tells him that he's always been one of her most sensitive children, always putting others first, helping them, trying to lighten the mood. But she also says that he downplays himself for the sake of others. That he puts on armor, that he needs to not put others first so he can ensure that the armor will not some day rust and be unable to be removed. She is possibly the only person who sees Colin, truly sees him.
He feels like he needs to hide his sensitive side, be less needy, be stronger, be more manly. (I would eat my hat if Anthony hasn't told him to "be a man" more than once.) This flirty rake is not who he is at his core. At his core, he is kind, and sensitive, and craves connection. He craves connection so deeply. He wants to be seen, to be loved, to be cared for, to be cherished. Ultimately, he wants someone to value him, like he does for all those around him that he cares about. His family ignored him for that entire summer, and he still brought back incredibly thoughtful gifts for each of them, that shows how much he knows them and loves them. He wants to be able to love, care for, and cherish someone in return.
How is his desire for love and to be loved and this ease in which he creates a new Colin to try and please everyone else not a trauma response related to love and self worth?
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