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#haha i know
lordofsummergodofrizz · 2 months
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Dawg I mean this in the nicest way possible but your banner is a jumpscare 😭😭
I think I make a handsome bald man… I feel as though you all may be overreacting. Have you seen Loki without hair?
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cannibalchicken · 1 month
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hamletthedane · 4 months
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I was meeting a client at a famous museum’s lounge for lunch (fancy, I know) and had an hour to kill afterwards so I joined the first random docent tour I could find. The woman who took us around was a great-grandmother from the Bronx “back when that was nothing to brag about” and she was doing a talk on alternative mediums within art.
What I thought that meant: telling us about unique sculpture materials and paint mixtures.
What that actually meant: an 84yo woman gingerly holding a beautifully beaded and embroidered dress (apparently from Ukraine and at least 200 years old) and, with tears in her eyes, showing how each individual thread was spun by hand and weaved into place on a cottage floor loom, with bright blue silk embroidery thread and hand-blown beads intricately piercing the work of other labor for days upon days, as the labor of a dozen talented people came together to make something so beautiful for a village girl’s wedding day.
What it also meant: in 1948, a young girl lived in a cramped tenement-like third floor apartment in Manhattan, with a father who had just joined them after not having been allowed to escape through Poland with his pregnant wife nine years earlier. She sits in her father’s lap and watches with wide, quiet eyes as her mother’s deft hands fly across fabric with bright blue silk thread (echoing hands from over a century years earlier). Thread that her mother had salvaged from white embroidery scraps at the tailor’s shop where she worked and spent the last few days carefully dying in the kitchen sink and drying on the roof.
The dress is in the traditional Hungarian fashion and is folded across her mother’s lap: her mother doesn’t had a pattern, but she doesn’t need one to make her daughter’s dress for the fifth grade dance. The dress would end up differing significantly from the pure white, petticoated first communion dresses worn by her daughter’s majority-Catholic classmates, but the young girl would love it all the more for its uniqueness and bright blue thread.
And now, that same young girl (and maybe also the villager from 19th century Ukraine) stands in front of us, trying not to clutch the old fabric too hard as her voice shakes with the emotion of all the love and humanity that is poured into the labor of art. The village girl and the girl in the Bronx were very different people: different centuries, different religions, different ages, and different continents. But the love in the stitches and beads on their dresses was the same. And she tells us that when we look at the labor of art, we don’t just see the work to create that piece - we see the labor of our own creations and the creations of others for us, and the value in something so seemingly frivolous.
But, maybe more importantly, she says that we only admire this piece in a museum because it happened to survive the love of the wearer and those who owned it afterwards, but there have been quite literally billions of small, quiet works of art in billions of small, quiet homes all over the world, for millennia. That your grandmother’s quilt is used as a picnic blanket just as Van Gogh’s works hung in his poor friends’ hallways. That your father’s hand-painted model plane sets are displayed in your parents’ livingroom as Grecian vases are displayed in museums. That your older sister’s engineering drawings in a steady, fine-lined hand are akin to Da Vinci’s scribbles of flying machines.
I don’t think there’s any dramatic conclusions to be drawn from these thoughts - they’ve been echoed by thousands of other people across the centuries. However, if you ever feel bad for spending all of your time sewing, knitting, drawing, building lego sets, or whatever else - especially if you feel like you have to somehow monetize or show off your work online to justify your labor - please know that there’s an 84yo museum docent in the Bronx who would cry simply at the thought of you spending so much effort to quietly create something that’s beautiful to you.
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notherpuppet · 1 month
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Sloppy comic based on me and my friends conversation on my bday last week 😝🥳 this is pretty much verbatim hahaha
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slimylittlemaggot · 8 months
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If this gets 10,000 notes, then I'll go to therapy.
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linkeduniverse · 8 months
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September Art
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kathaynesart · 25 days
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REPLICA PLAYLIST
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MUSIC UNDER CUT
I have been receiving requests for any songs that inspired Replica, so here, have my personal playlist. Sorry it’s not Spotify/Soundcloud but they don’t have some of these songs available so uh… guess you’re stuck with YouTube vids. For fun I'll include my personal titles for them (which might give a few hints of what to expect in the future/end).
Replica Main Theme - “Die for You” by Grabbitz Like Father Like Son Like Brother (Omega and Shelldon) - "As Above So Below" by Alistair Lindsay Mikey's Theme / The 1st Vision - "Suzume no Tojimari" by Nanoka Hara Military (Mad) Dogs / Central Park Colony - "Imperium" by Madeon Shanghai - "Icarus" by Madeon Boom Goes the Donnie-mite (Mikey/Donnie vs the Sweeper) - "The Red Zone" by Mitsuoto Suzuki The Day the Sky Bled Red - "7 Seconds Till the End" by Nobuo Uematsu Going Out Like a Boss (Raph and Leo) - "Agape" by Nicholas Britell Remembering the Right Way (Mikey and Leo) - "The Souls of Many" - by Alistair Lindsay Mystic Hands / The 2nd Vision - "Am I Dreaming" by Metro Boomin x A$AP Book 2 Trailer - "Sea Dragon" by Covet 7 Years Later - "Iron" by Woodkid Leo's Theme / Attack on the Labor Camp - "Ego Death" by Polyphia Omega's Theme - "Touch" by Daft Punk Flat Lines (Omega Alone) - "Die Toteninsel Emptiness" by 1000 Eyes Spear - "Monsters" by Tommee Profitt Final Protocol - "The Kraken" by Katie Dey Rise / Epilogue - "Close in the Distance" by Masayoshi Soken & Tom Mills
I will admit, it's a little embarrassing since you can easily see the patterns of what I've been listening to for the past year or two. I swear I listen to more than just videogame OSTs, these songs just jive well with the story and I often find lyrics distracting when brainstorming scenes. Regardless, the music I listen to is such an important part of my creative process and some of these songs really defined the scenes I now have locked in my head. So I figured it was only fair to give them the credit they're due.
I will continue to add to this playlist, and will note in comic updates when one of these songs is applicable!
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unripe-lemon · 19 days
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PLEASE REBLOG FOR MORE DATA!!!!!!!
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hayden-christensen · 25 days
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It all started with a farmboy, a scoundrel, a princess, and a dark lord...
HAPPY STAR WARS DAY STAR WARS WEEK 2024 DAY 6: MAY THE 4TH BE WITH YOU
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radiance1 · 1 month
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This au again lawl. Where Danny wears these special sunglasses to hide his eyes that also track down ghosts in his human form.
The Justice League tracks down a summoning for the ghost king, an eons old tyrant of the infinite realms and known to bring war and devastation whenever he is summoned.
The cultists do manage to summon the ghost king, except, not how they wanted. They did indeed summon the king, but Pariah Dark is still trapped in eternal sleep and somehow, just, somehow, they managed to draw the lottery and dragged the Sarcophagus of Forever Sleep to the summoning circle.
So there the Justice League were, wondering what to do with the (currently) locked away and sleeping ghost king.
Until Constantine's coat flipped itself open and a boy with glowing white hair and a mist of blue blowing from his mouth.
"Old man." The boy greeted.
"Brat." Constantine said.
"Do you mind explaining why and how this," The boy gestured to the Sarcophagus. "Is here and not in Pariah's Keep?"
"Funny story, that one." Constantine said, only half-jokingly. He then went on to explain that the Justice League came to track down cultists, said cultists somehow managed to drag that here, and now they didn't quite know what to do with it.
The boy stood still for a moment, before taking off his sunglasses to pinch the bridge of his nose and sighed, a large amount of blue flame spilling from his mouth. "Ancients above, why is it every time something notable happens, it's always you?"
Constantine snorted, reaching into his coat for a pack of cigarettes and lighting himself one. "Hypocritical coming from you."
"I know, but still." The boy walked over to the Sarcophagus and sat on it, as if it wasn't the thing currently holding one of the most powerful ghosts in the infinite realms. "You know smoking is bad for you, right?"
"What, you learned that in class?" Constantine snarked, making no move to do anything and causing the boy to sigh again, toxic green eyes looked around the room, falling over each hero present before homing in on Flash. The boy pointed to him. "You. Come here."
"Whatcha want with red?" Constantine asked and the boy simply shrugged his shoulders. "Passing on a message."
The boy blinked once, and if he was surprised that the Flash was already in front of him, then he didn't show it. He reached into his pocket, pulled out a green sticky not, motioned for Flash to bent down and stuck it on his forehead.
Superman was... concerned. There was a heartbeat there, he could hear it, but it was so slow and seemed rather weak, like the boy was near death.
"Alright, now I gotta get old mean and green back to his keep before the Observants get on my case." The boy put back on his sunglasses and got up, waving Flash away and lifting up the Sarcophagus above his head he walked over to Constantine, whose face wrinkled.
"That ain't going to fit." The warlock pointed out and the boy scoffed, probably rolling his eyes behind his glasses. "And you've fit bigger things, just shut up and lift the coat old man."
Constantine did so, and somehow the boy just shoved the entire Sarcophagus inside. The boy was very obviously smug as the blue mist that was blowing from his mouth the entire time petered out. "I'll clean up the mess on my end," The boy said before waving his hand in the Justice League's general direction. "You deal with all that."
"Just get going already, I'm not about to get those sentient eyeballs on my ass."
"Yea, yea. You got enough to deal with as is." The boy then stepped inside Constantine's cloak and as soon as the man let it drop, he disappeared.
Constantine looked around the room, silently assessing the situation as he brought another cigarette to his lips.
He lamented the fact he would have to deal with this sober.
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possamble · 2 months
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Needlessly close reading and long commentary on chapter 57 and how the audience actually has an extremely limited view on what Marcille has been like over the course of her life.
I am once again thinking about how pre-dungeon Marcille is so quiet and stoic that she seems like a completely different person. How jarring chapter 57 is for the audience. Like you have Marcille, who has been just the most blindingly expressive person with resting baby face
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And then the chapter drops a title page of Marcille hearing from Falin for the first time in four years and it's like.
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Who is that. Genuinely. Would you even realize that's Marcille without the context clues?
And then the chapter just keeps coming in with the sucker punches.
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We have SEEN Marcille meet strangers. It was never with this understated of a smile.
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literally who the hell is this. the few times the audience gets to see some Signature Marcille Faces that they're used to is when she finally gets to see Falin again
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when she's testing out her new spells
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(and when Laios and Falin are fantasizing about her being their damsel in distress, funnily enough)
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And then finally. Finally you get to a fully recognizable Marcille when she fucking DIES and comes back to life to geek out about necromancy.
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We know she loves magic. We know she loves Falin. So it's not so surprising that she wouldn't be able to keep a mask up when thinking or talking about the things she loves. But why the mask in the first place? Where does it come from? It's tempting to think that, maybe, Falin's departure just hurt her so much that it turned her into a quiet person.
But that's only half true. If you go back, the first instance you see of this incredibly mild personality is actually introduced much earlier, in chapter 17.
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What if she was always like that. What if her default after her father died was to hold people at arm's length, to never really emote past being polite and friendly. What if Falin was the first person who was able to bring her out of her shell, and when she left, Marcille just went back to how she was.
And when comparing her detached demeanour with someone else...
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It's not exact, but wouldn't you say there's a resemblance? Wouldn't you think she might be trying her best to imitate what she saw of her own mother working as an accomplished mage?
It would certainly explain why she's hiding behind her portrait in her nightmare, at least.
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We aren't told that Marcille has been distancing herself from everyone around her using a mature and dignified personality she modelled off her mother. But we sure as hell are shown it, I think.
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cannibalchicken · 2 months
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qiinamii · 9 months
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races and naps
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cutepotatook · 10 months
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Today I made apple cinnamon pie and strawberry juice! And you know what? I think he doesn't care where the apples are!! He's just enjoying himself bwhaha
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destiny-islanders · 8 months
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i get it now
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inkskinned · 1 year
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there are a lot of posts out there that are positive and healthy coping mechanisms for handling the holidays. this is not one of them :)
i think there's like. going to be times in your life you will be stuck in a social situation that you cannot escape from gracefully. i do not know why the internet doesn't believe these times exist. it's not always just that your physical safety is at risk - sometimes it's legit like "i just don't currently have the energy or time to put in the effort of responding to this." sometimes it's a coworker you hate so much. sometimes it's just like, fine, you know? like you know you can handle your aunt when she's cheerily horrible, but if you actually set a boundary around her, it's going to be weeks of fallout with your father.
i don't know why people think the answer is always just "cut them out!" or "don't let them get away with that!" because ... the real world is tricky and complicated. i think kind of a lot of us have an internal "radiation poisoning" meter for certain people. like - i'm talking about the ones who are absolutely giving you gradual ick damage. like, you can handle them, but you'll be exhausted.
and yes. you absolutely should listen to your therapist and the good posts about handling others and set good boundaries and take care of yourself. prioritize peace.
HOWEVER :) ...... since im often in a situation with a Gradual Sense of Ick person i cannot just "cut out" of my life (without losing someone else precious to me) - i have sort of developed the most. maladaptive form of mischief possible. because like, if i'm going to have to listen to this shit again, i like to have a little bit of private fun with it.
now! again, i am physically safe, just mentally drained by this man. you should only do this with people you are not in danger with. which leads me to my suggestions for when your Unfortunate Acquaintance shows up and says oh everyone pay attention to me.
my favorite word is "maybe!" said as brightly and happily as possible. whenever the Horrible Person starts in on a topic you do not want to go further with, particularly if they make a claim that you know to be inaccurate, do not respond to it. you and i have both tried to actually argue with this person, and it hasn't gone well, because this person just wants the drama of an argument. however, "maybe!" gives them literally nothing to go on. it is incredibly disarming. they are used to people having some response. they know they can't prove what they're saying, and maybe! treats them like the child they are. it dismisses them in the politest way possible.
i like to say maybe! and then, in their stunned silence, immediately change the subject. this is because i have adhd and i will have something unrelated to talk about, but if you can't think of topics fast enough, i recommend just pointing to something and saying, "isn't that lovely?" because fuck you let's bring in some positivity.
by the way. that second trick - of pointing to something and stating an opinion about it? - that just works on its own, like, 70% of the time. i picked it up from teaching preschoolers. it's an intentional "redirect". it stops children crying and it also stops grown adults from finishing their explanation on why women belong in kitchens. dual wielding!
keep it silly for yourself. i absolutely do not care if people think i'm fucking stupid (it's more fun if they do) and as a result i will purposefully misunderstand things just to see how long it takes them to realize i've completely removed them from the subject at hand. when they say "women aren't funny" i get to be like. "which women." "all women." "all women in america?" "no in the world." "like the mole people? the people in the world?" "what? no. like, alive." "oh are we not counting the mole people?" "what the fuck are you talking about." "you don't believe in the mole people?"
similarly, i play a personal game called "one up me." my Evil Acquaintance literally knows this game exists (my family & friends caught onto it and now also play it) and it always fucking gets him. i don't know why. you have to be willing to be a little free-spirited on this one, though. the trick is that when they make one of those horrible little bigoted or annoying comments they are always making, you need to go one unit weirder. not more intense, mind you - just more weird. "you don't look good in that dress." "yeah, actually, my other dress was covered in squid ink due to a mishap at the soup store." "you shouldn't wear such revealing clothes." "wait, what? oh shit. sorry, your son tears off strips when no one is looking and eats them. i swear it was longer before we left the building."
the point of "one up me" is to completely upend this person's narrative. we both know this person likes setting up situations where you cannot "win" and then they really like telling other people how badly you handled it. in a usual situation, if you respond "please don't say something that rude", you're a bitch. but if you let it happen, you're letting yourself be debased. they are not usually expecting door number three: unflappably odd. because what are they going to say when they're telling everyone how badly you behaved? "she said my son eats her dresses" ".... okay?"
if you can, form an allyship with someone whomst you can tagteam with. where they can pick up on your weird "soup store" story and run with it.
the following phrase is amazing and can be deployed for any situation: "oh, be nice :) it's the holidays!" i do not know why this works as often as it does. i'll say it for the most random shit. i think this is bc most of the time these people know they're being impolite, they just like to fight.
godbless. when in doubt, remember that you could always start stealing their pens.
the whole point of this is - if you can't escape. maybe see how long you can just be. like. a horrible little menace.
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