sally: oh good, you’re out! i was just gonna come get you. wanna tell annabeth dinner is ready?

percy: sur– wait… how did you know annabeth is here?

sally: magic mom powers

percy: but, she got here before you got home. and–and we were whispering. there’s no way you could have known that she was here

sally, smirking: moms know all

percy: you scare me. and that’s saying something coming from me. and fine, i’ll go get her

sally: okay. oh and by the way, i like the new look

percy: new look?

sally: yeah! the inside-out shirt along with your pink lip gloss really makes a statement. and the redness of the hickies on your neck and collarbone really make the lips pop

percy, blushing:

sally, trying not to laugh:

percy: well… it is the new style, after all

I don't understand how all you angst writers here do it. I'll draw like, 2-3 scratch marks on a character and go -- oh no! I've hurt him too much! He's so injured, can't do any more, nuh-uh. Gotta stop there.

Damn shawty, your haunting eyes, unique nose and janky teeth have bewitched my mind, body and soul.

All I kept thinking about, over and over, was ‘You can’t live forever; you can’t live forever.’ 8/10

The Great Gatsby, F. Scott Fitzgerald

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rick and morty wiki: rick *implies* he might be neurodivergent in mort: ragnarick. this means he COULD have autism, adhd, bipolar disorder, ocd, or a number of other conditions BUT it’s unlikely because he’s so dang smart! we just don’t know !!

rick in the show: you know autistic people? that’s me. im one of them. other people know im autistic too and im cool with that. im not neurotypical. just so we’re clear im not neurotypical in an autistic way

Huh

Huh.

(For context, this was about Paris Paloma’s song, Labour, which is about the unfair treatment of women in society; both comments were found on a post with Dick Grayson and Jason Todd with the song “The Fruits” also by Paloma, which is about how unfairly society perceives/treats women regarding SA.)

*please leave the posters alone btw this is not meant to be an attack or anything*

so many people can’t conceptualise emotional neglect as anything other than ‘my parents were cold and distant and never talked about feelings with me’, and this, while being just a general awful problem of course, is also what leads to so much john winchester mischaracterisation. in this essay i will

There is a universe in which i was caught up properly on CR whenever what the fuck went down and Imogen verbally and definitively declared that- after everything leading up to this and the back and forth and indecision- that she'd be willing to take down her mom if need be. and i would have been deeply insufferable and writing 20+ separate meta posts and liveblog yelling posts and shitposts. This is not that universe so instead we will put this post here where i can have wildly uninformed (aka 20 eps behind) Emotions about it until someday i actually catch up.

(I know. i accidentally wrote potentially wildly off base/deeply out of date meta again. what can i say. i like shaking the concept of An Imogen (even if it is Outdated Imogen) in a jar. sorry.)

Because i was watching long enough, I think, to see Imogen in the throes of the hope for something better, to understand that Imogen was viewing her mom was a figure and an idea and an answer, that would make things easier. Her mom was- gone, so early. And so her mom, in her mind, was not a person she was an idea, and there was so much hinged on that! Dogged determination and anger at her father and a deep seated dislike of the powers in her hands and head even as they gave her a guilty rush. There were promises there that maybe no one else had made, but Imogen believed. Things built up. Expectations made. Lore crafted, even unconsciously, around someone who was, yes, important to Imogen, but more importantly: Missing. Gone. A blank slate to be filled in. A promise of an answer guide to open questions.

And then she meets her mom, and Liliana Temult goes from a figure to a person- with all the bells and whistles and rough edges. She meets her mom and her mom turns her away. Tells her to run. Tells her she should go. Tells her to leave.

And Imogen doesn't. In the same way she kept visiting libraries, keps asking, kept pushing for answers when it was just about her magic and her headaches and the voices. Imogen always, always wants to know. She keeps digging, she keeps trying, she reaches out, over and over and keeps trying to touch this figure in mist until she's real under her hands, and. Evidence piles up- of deeds gone wrong, blood on her hands, a figure standing next to Otohan (her friends bodies scattered, lifeless, around Otohan). She keeps reaching out, keeps trying, and is rebuffed, over and over. Things get worse and the skies get redder and magic goes dead and she's still- unsure, because what if there's a better reason, what if there's a better way, there has to be a reason, why. There has to be, right- maybe if- maybe. Maybe-

Its just like- a person as an idea. As a symbol. As a promise. One you build yourself up around and towards. One you talk about, not talk to.

And then the fog clears, and they are a human.

(And she's your mom, and she's not what you imagined. She's done you wrong. She's done your loved ones wrong. She's hurt you. She's hurt others. She's going to keep hurting you. She is going to keep hurting everyone. She is too far gone to reason with. She is not listening to you. She is flawed. She is. dangerous. She looks so much like you. You look just like her. You are so similar. You have always known you were similar. You always hoped. You.

Are not her. You are not hers. She is not yours. She is not who you thought she was. She was always someone else. So are you.)

Imogen walks through the bases pretending to be her mother. Liliana is a known face- a powerful one, a figure people fear. A well known silhouette. Imogen slips into the shadows of it, sometimes, when it serves her, but we know- she knows- its all an act. All a lie.

Liliana, after all, is alive, and well, making choices that she believes in and fighting for things with a dogged determination maybe only matched by her daughter.

Imogen knows this. I think. There's a part of her that maybe wishes that wasn't the case.

"There is no loyalty with this blood." And after all- only living people bleed.

regarding common tropes about ganon's writing in fics, I am kind of always taken aback a little anytime ganondorf uses degrading sexist terms in fics and such. Because to me, even his most evil interpretations would probably have no reason to have negative associations with women who have sex a lot, unless he picked it up from elsewhere (like there's some room for it to be interesting psychologically speaking if that's directly addressed, but it never is). I'm not sure why the gerudos would ever cultivate these kind of misogynistic ideas in their own culture, or why Ganondorf would spontaneously decide to form any essentialist ideas he may potentially develop on the basis of promiscuity, of all things. And, if he would pick that up from Hyrule... why would he, why this, and how does that map out with him remaining proudly gerudo in most iterations if he sees any non-married woman getting funky in a negative way?

it's kind of a very small thing, but it does kind of beckons a lot of questions regarding worldbuilding and psychology and it tends to take me out of fics a little, because it's always kind of assumed and never investigated

not even gonna tag this properly bc i don't wanna get Involved but i do have some Thoughts i need to get out into the void so here we go

(aaa quick edit: CW for mention/discussion of Boothill leaks)

Wiggins!) the bizarre thing about the vampire men in the cullen family all seem to be at least subconsciously what Smeyer wants Bella to have but can’t seem to get over her initial vision of what she saw in her drafts or whatever. It’s odd that every single one of the Cullen men are like strongly devoted (but mostly devoid of personality because it’s so Bella centric) but when you compare them to Edward they seem interesting in some ways. Like Narratively we’re supposed to have this threat that Edward is constantly holding back from killer her but I don’t feel like we see that. Conversely, Jasper is constantly the one who is suffering about human smells and is the more vampire-like. But he’s also a glorified lap dog. So it’s like ‘oh he’s a monster but he’ll never hurt me” (things Alice has said out loud. Man even psychics slip up. I swear her powers weren’t so accurate until Smeyer needed an excuse for plot reasons)

Emmett feels like when some women say they like waifish guys because they don’t want to seem like they’re vapid for liking “big dudes with muscles” so of course you pair Emmett with the “shallow blonde”

Carlisle, I swear only exists so Edward has someone to model but I would also argue that he’s proto-Edward before whatever reworking she had to do when writing Twilight for a YA audience and brought him back as a different character.

Yeah a rant

hello again bestie Wiglet! (note to self: learn Photoshop so i can shop Jacob's bad wig onto a pic of Piglet)

this is such an interesting take! thanks for sharing. i totally see what you're saying. in all the Cullen men we see both a blend of softness & devotion *and*, interestingly enough, a patchwork of patriarchal ideas of what a man "should" be. & this idea comes to the forefront with the depiction of the love interests

smeyer wants us to see Edward as the chivalric gentlemen from the Days of Yore. we see this in the opening doors, the cutsey little romance taglines ("you are my life now," "look after my heart; i've left it with you," "so the lion fell in love" etc), the knight saving the damsel in distress, the expensive tokens of his affection, etc.

at the same time, in both Edward & Jacob we see the crude traits of the Patriarchy Dreamboat kinda guy. if i had to sum it up, it's like the guy you see in 80s movies. "bad boy." "opposites attract." he's a jerk. he's a hunk. he's domineering. he's allowed to show emotion only & especially if that emotion is anger. he's persistent in his efforts to get the girl, going so far as to kiss her without her consent if it's For a Good Cause (Edward in New Moon post-Volterra, Jacob in Eclipse). he's a cool guy who's In Control 👉😎👉

perhaps that's why the Twilight saga appealed so such a large swath of women & girls. the women, who grew up with the notion that they could have the true love of their dreams so long as they submitted to the patriarchal social contract, saw the contract being fulfilled in Edward. (i.e., "you can be the king if you treat me like a princess.")

on the other hand, the 90s/00s girlies who grew up in the midst of a feminist revolution & who could see the glimmer of a dismantled patriarchy on the horizon were attracted to Edward for the flashes of radical feminist love they saw: the unapologetic expressions of emotion, the honesty of him sharing his vulnerabilities & weaknesses, Bella's ability to override Edward's will when necessary, etc.

sorry, i know this isn't really the crux of the rant you submitted, but it is extremely interesting to see these contradictions playing out in all the male characters of the saga. it's almost like smeyer is having this internal debate with herself without even realizing it...

Idk I'm gettin kinda sick of the idea that Medic tf2 doesn't care abt/is constantly purposefully harming his friends. The whole thing is that he is extremely important to have on Your Side because he is so dangerous. I can't really think of any instances where he does weird science on his teammates that isn't directly beneficial to them (baboon hearts, bringing Sniper back to life, attempting to give Demo his eye back which is something Demo really wants, etc.) or at least neutral to them (injecting a blue whale's pineal gland directly into Sniper's brain stem. He seems to have turned out all right). Medic isn't this gaping void of pure evil, he obviously cares about people and has people who he does not want to die. He doesn't really do intentionally malicious, harmful procedures on people he cares about

AUGH can we PLEASE have an animated show about Nightwing plEASE. like it could be about his character growth after he moves to Blüdhaven, how he and Bruce eventually talk and warm up to each other again. how Dick struggles to deal with everything on his own but he does his absolute best. or it could be about his brotherly, almost parental relationship with Damian.

plus points if you make him openly bisexual too.

My mind has just realized something fantastical. I’ma GENUIS.

Sephiroth is called both a One-Winged Angel, and The Demon of Wutai. He’s both. He’s both! He’s a demonic angel! He’s good and evil, yet those titles are swapped based on his actual morality! He’s a Demon in Crisis Core and an Angel in, like, not Crisis Core! Ahh what symbolism! I think!

not a main character and not a side character but a secret third thing (left out of a huge chunk of the series because the author lost interest in you as a character)

Started watching a show with one character that my friends just absolutely hate, like truly despise, they think he's shallow and see no sense of redeeming qualities or characteristics or anything, they cannot *stand* him, but I... think he's so far the most complex and compelling character of the series.

Like, sure, he's done some questionable things, he's very much the product of his terrible upbringing, perpetuating the cycle of abuse; he's not quote unquote "good," but he's interesting *as a character,* you see how he cycles between doing good things and bad, you understand why he is the way he is, you see how he digs himself deeper, and my friends said well, they prefer characters who *break* the cycle, who dig themselves out of it, which, yeah, that's fine, sure, but... you do realize it doesn't always work like that, right? Some people don't break the cycle, some people can't, and not always for lack of trying. And even if it did work like that, you do realize the difficulty of that task, right? Breaking that cycle doesn't just happen overnight (or over the length of a single episode or even several), it's messy, it's ugly, it's gradual, it takes time, and this particular show is still very much in its infancy.

Even then, if that really is their caveat, in this case, in the little details, even if he screws up more often than not and isn't directly shunned, even if it's not in conventional, accepted or huge ways, you can clearly see this character actually *is* trying? To be a better father, to care for his friends, amidst his own issues and his fear of being seen as vulnerable or taken for granted, underneath a very obvious mask *designed* to make people see him one way or be disgusted by him, but audiences have no patience anymore... and no ability to sense when a mask *is* a mask, even when it slips, even when presented on a stage.

I mean, I'm not saying they have to *like* this character, to each their own, he's weird, he is occasionally awful, I understand the distaste on that front, but it's genuinely disheartening to see all the other details of his personality just completely fly under the radar or over everyone's heads because no one wants to look beyond the surface, and no one wants a "damaged" character anything less than pure or palatable in specific ways. No one wants a less than perfect victim.

And yeah I know I'm overreacting a little, again, I reiterate, you can like or dislike any character you want for whatever reasons you please, god knows I hate plenty of characters and some don't have any redeeming qualities even writing wise, but... sometimes looking at things just a little longer or through a different perspective can give you a whole new respect or understanding you might never have thought of.

Characters are complex. People are complex. And sometimes, it really *is* that deep, and you can't expect every character or piece of media to hold your hand and directly spell out its moral code for you like it's made for children.