Originally, my history BA thesis was going to be deconstructing the Starz/Sky TV collaboration Penny Dreadful.
I changed it.
I had been forcing my way through the show to make notes for my work, but then one day I started thinking about Bill Gunn’s ‘Ganja and Hess’ way too much and it changed my whole concept.
Now, I’ll be writing my thesis on linguistic violence against women and the monstrous feminine in horror, examining terminology used against women and how those words are contextualized historically within horror as a genre.
There’s a lot of material to cover in this paper, as I already have over 50 sources, but to give an idea of what I’m looking at, the following are the movies I’ll be using for the paper:
Am I Quiet Enough For You Yet?
Audition (1999)
Last Night in Soho (2021)
...Will Still Become a Wolf When the Autumn Moon is Bright
Ginger Snaps (2000)
The Company of Wolves (1984)
I Drank All the Blood That I Could
Ganja and Hess (1973)
A Girl Walks Home Alone at Night (2014)
Holy Water Cannot Help You Now
Def By Temptation (1990)
Possession (1981)
They Come to Drink, They Come to Dance, to Sacrifice a Human Heart
The Lure (2015)
She-Creature (2001)
Burned But Not Buried This Time
The Craft (1996)
The VVitch (2015)
So stay tuned for ‘At Least You’ll Sanctify Me When I’m Dead: A History of Linguistic Violence Against Women and the Monstrous Feminine Within Horror’.
Darlings. is it gay when the phantom you created as a manifestation of your dreadfull loneliness takes the form of one of your closest friends.
Fanart of this pretty good horror rarijack fanfic, "The haunting of carroussel boutique" personaly i am surprised the writer didnt take the chance to point out how fucking funny this is. Me n kim started laughing about it during stream and i just had to draw this
Some art of another hunter OC because I have been playing bloodborne again
Distantly connected to cainhurst and discovers a proficiency for bloodtinge weapons. Prefers lighter weapons and mainly uses the Reiterpallasch
You’ve probably noticed how in Good Omens 2 Crowley’s eyes are brighter, more saturated, as if glistening with liquid gold. We’ve already covered his hair. And it’s not only the visual aspect of him — even in objectively stressful conditions, Crowley appears mature and put together, way cooler and more protective than before. Even his faults are heavily romanticized in the past and present scenes, reminding of the S1 body swap, when Aziraphale projected his love to him on the way he played the demon in Hell.
It’s not just the demon. The whole season is more vibrant, bolder, filled with sunshine. Just like a summer that was never supposed to end. Like a memory of a loved one seen through the eyes of someone who thinks of them every day until the end of the world.
S2 seems ridiculously saturated, whimsical, and full of red and gold, just like a certain demon. Aziraphale not only painted his bookshop in his image, but literally colored the whole world in Crowley’s colors. It was such lush and saturated and blooming with warmth and hazy light.
It’s either that all the newest events are just another memory seen through a certain angel’s eyes, or said angel actively made it appear this way — as in, his feelings grew so strong that they’ve started to warp the reality around him. And it’s a well-known fact that Aziraphale has a tendency to affect his surroundings, either unconsciously, when his presence in the bookshop literally lightens up the sky seen through its windows, or very much consciously, when he takes over the position of a master puppeteer and manipulates people with or without the help of his miracles.
S1 was more dramatic and apocalyptic, but not particularly gray — at least not as much as the color grading typically used in portrayal of similar apocalyptic narratives. S2, at least as seen through Aziraphale’s own La Vie En Rose lens, is vibrant and saturated. And those colors drastically fade in the heavenly light of the elevator during the credits, suggesting that they won’t be as visible in the course of S3.
But I don’t want to ramble about the apocalypse sandwich and the three-act structure here, so let’s circle back to S2.
Good Omens 2 was really set in a summer that was never supposed to end. But it did, autumn crept in, and there was no chance of hearing the nightingales sing. They all had left by the time an angel and a demon finally kissed.
In the most literal sense: the very last nightingales usually migrate from the UK to their wintering grounds in Sub-Saharan Africa in the first days of September.
Aziraphale was right that nothing lasts forever — and the passage of time on Earth is marked by subtle details invisible to the immortal eyes.
The main thing about autumn migration is how sudden and hard to predict it is. The birds start disappearing gradually, often without notice, until at some point they are no longer here. Much like the angel leaves the bookshop — their shared nest — to spread his wings and fight.
And it was basically announced on the poster.
Can you see the migratory formation of birds up in the sky? It looks like Aziraphale is the last one to get off the ground and fly.
I love how Spider-Man: Into the Spider-Verse said “Anyone can be Spider-Man”. I love how it inspired everyone to imagine their own Spider-People, saving the day in their own universes, with all kinds of cool, interesting personalities and aesthetics and mutations and life stories and relationships. We all put pieces of our soul into these homemade heroes. We had fun. We found community. And then Spider-Man: Across the Spider-Verse said, “Wow, great job! You’ve really taken our message to heart. Well, get ready for even more of everything you liked from the first movie and a new message to complement the first. Anyone can be Spider-Man… and anyone can be pulled into a cult.”
So now we all have to contemplate whether our lovingly crafted heroes would ever be on Team Mandatory Trauma Because Martyr Complex or not and why.
Cant believe the mafia version got a “ref” before his actual one LOL.
Balsam has a powerful hand in the medical field in his part of the city and some parts outside it depending on alliances. If an unfamiliar subordinate ends up in one of "his" facilities, it's not uncommon to hear from a another boss or even a Don looking for "cures" for their family who got in a pretty bad tussle. Don Bal doesn't really show himself in public unless it's to visit his favorite diner—or his favorite waitress, and meet for business. People who know his practices well nicknamed him "The Doctor.”
thinking about how i watched a javanese horror (i don’t speak javanese) with a friend that speaks javanese but terrified of the movie. Spent the entire movie with her not looking at the screen and me going “WHAT?? WHAT DID THEY SAY??”