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#going for “romantic” vibes
002yb · 5 months
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While Roy would argue that the leaky faucet in their apartment adds to its ramshackle, rustic charm, Jason doesn't share the sentiment. The persistent dripping is white noise to Roy, but for Jason it's an irritant. It's a reminder of home and a childhood Jason would rather forget - a too small apartment that was rundown and falling apart, all stained surfaces and broken fixtures because no one cared to take care of anything. Jason doesn't want to live like that again. It's why Jason does so much to keep the place up despite Roy's absence because it's not just a safe house - it's their home.
Which is why when Roy comes home and is greeted with that steady drip, he grimaces. The leaky faucet is something Roy promised to fix months ago and promptly forgets about between so many other responsibilities, but he resolves himself in that moment: today is the day.
Guilt and shame are strong motivators and Roy feels an ample amount of both if only because the place looks as good as it does. Everything is clean and smells fresh in a way that makes Roy feel at ease and yet here he's left Jason to suffer with a faulty sink.
The old saying of, 'happy wife, happy life,' crosses Roy's mind and while they're not married, Roy resolves that he needs to do better by his partner. If not out of love, then certainly because Roy isn't sure he could withstand being at the forefront of Jason's provoked ire.
It's not a hard task. Challenged as Roy likes to be, he finds enjoyment in the straightforward nature of the problem and the clear steps needed to resolve it. Compared to the other work he does, it's mindless and it's something of a relief.
That he's going to get brownie points with Jason is an added bonus.
Jason, who walks into their apartment that's been empty for months while Roy has been tied up with Justice League missions and bureaucracy to find his partner on his back, crowded into the cabinet beneath their sink finally making right on his promise to fix the damn plumbing. Jason, who sees Roy following through and preens about it because the poor kid is all crossed wires and fucked up associations about the men in his life taking care of shit like this. Jason, who comes home and straddles Roy's hips like he's done so often in the past, casual and alluring - the menace.
It takes all of Roy's willpower not to react. For as often as Jason tries to seduce Roy, Roy has been painstakingly mindful to not take advantage. Making Jason happy and flirting around is one thing; letting him believe he has to pay Roy back for fulfilling a promise Roy made months ago and forgot about is another.
"You gonna help?" Roy asks instead.
"Depends on the plumbing." Jason quips, grinding his ass back against Roy to tease him and-
Bang!
It feels good until it doesn't. Roy sees stars for too many reasons and all he can think is that this was karma coming to bite his ass for 1) not fixing the sink sooner and 2) being tempted by the vixen that is Jason Todd.
The weight on his pelvis is gone in an instant and Roy groans in disappointment. Just because he won't come on to Jason doesn't mean that he doesn't enjoy when Jason tries to seduce him. It's his guilty pleasure, fuck!
"Shit, are you okay?" Jason asks through an incredulous laugh, dragging Roy out from beneath the sink by his calves. Roy goes easy, one hand to the bump on his head from hitting the pipes beneath the sink. Jason looks both embarrassed and sheepish and Roy can't say the kid has ever looked more gorgeous than in that moment, hovering over Roy with cool fingers pressed to the swelling bump just beneath the edge of Roy's hat. "My bad," Jason snickers, knocking his knuckles just shy of the hurt.
Roy makes a face at him and, just to tease, torments him with a lighthearted taunt: "Kiss it better?"
The mood has come and gone though, so all Jason gives Roy is a smirk and a pointed kiss to his own hand before he smacks it over Roy's head.
"Maybe after you finish with the sink." Jason says, gesturing to the broken pipe, courtesy of Roy's forehead. Roy turns his attention to it, lips pursed because wow, fuck. That's another trip to the store.
"Since it's your fault-" Roy says and Jason scoffs. Still, when Roy holds out his hand, Jason hoists him up. Roy smiles at him, easy as anything, "-come get the parts with me."
Roy loves the work he does. He's happy to do it, but he's missed this; he's glad to be home.
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seagull-scribbles · 1 year
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what if they where T4T?! What then?
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riacte · 1 month
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so hey guys i finished dungeon meshi yesterday and i'm still thinking about it
#ria.txt#i spoiled myself so at first i was like 'this is bonkers wtf are they doing in those last few chapters?????'#but then it was like. yeah. i see#love those ch when it's just clearly putting the squad into Situations#also. izutsumi#what i really liked was how tightly the protagonist and the deuteragonist were wound up in the overall themes#the plot the themes the conflict the characters it was very neatly connected#hence i am also now accidentally invested in whatever going on between laios and marcille#not just platonic not romantic not enemies i just think they work well tgt and deeply care for each other its great watching them develop#it's the leader + most trusted advisor / anxious girlfailure + the annoying freak she's somehow attached to vibes#haha that rabbit chapter with marcille. hahha i was like what the fuck man. it was funny and then boom whump [tears streaming down my face]#those shapeshifter chs were sooo much fun esp seeing other chara's perceptions of each other. stealing that#the changeling ones were great too elf senshi is the fucking funniest he looks sooooooo unserious#marcille's evolving perception with death starting with saving falin and saving the squad and her nightmares of outliving everyone-#-and her dad and her 'temper tantrum' and UGH when at the end she said she was fine with falin not coming back.... WAAA. OUGH.#i think dunmeshi handled the trope of 'prophecy of chosen one becoming king' pretty well and it makes sense why laios is the protag#the worldbuilding is so thoughtful as well i liked seeing different characters with different worldviews interact#very solid and well rounded series wooo#the main 4 has such a fun dynamic together#anyways. dunmeshi au.....#more like borrowing the worldbuilding bc charas are too nuanced for a one to one comparison#ren is like some prince of his own species but he's like 34th in line and no one cares about him so he fucks off to eat monsters#which is why he's both snobbish AND a total freak when it comes to his food taste#false is originally in for the money from ren and plans to scam him but unfortunately the cringefail swag captures her#martyn is Obnoxiously Clueless and thinks he's smart but he's not. he's resourceful but also pathetic and crazy#stress cant cook but she thinks she does so everyone goes (≖_≖ ) when she picks up a pot. they delegate her to killing and chopping duty#the mvp is iskall who keeps on saving everyone's asses and somehow has resources for everyone#i think ren is actually aware false is going to scam him but he has too much money to spend anyway and he thinks shes cool so he lets her??#and somehow she doesnt take the money and run. and goes back to eating monsters w/ the party. everyone is crazy
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eldritch-thrumming · 7 months
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no offense but steve and nancy’s talk in the woods in season 4 was hands down the worst thing stranger things has ever done
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lokiusly · 19 days
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delulu hours: if lokius were to be the steggy of this multiverse saga, what would be THE song that plays at the end?
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padfootswhiskers · 1 month
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i haven't read DH in years and years and idk if it's because i'm older now or what but i am legit distressed reading about lupin's reaction to tonks at the end of the seven potters 😭 (the s2 tenth doctor of it alll......!!!!) he is so fucking scared and angry, and harry's outsider pov (that isn't very good at picking up on romantic cues) is such a good way to describe it. idk. it's been hours since i set that chapter down and i'm still thinking about it!
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eastgaysian · 5 months
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eddiezpaghetti · 3 months
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going off of your BEAUTIFULLY worded post(s) about byler being inevitable and treating queer characters with respect, do you think they will explore byler's sexuality with a sex scene or just keep it to a kiss? Or perhaps another kind of scene?
Honestly...I don't feel like a sex scene is likely? Not because they're too young or anything. There have been sex scenes between people Will and Mike's age on the show before--thank you Steve and Nancy--so that wouldn't be the issue. Nor do I think it would be an issue with them being a queer couple.
My prediction--and I could be wrong; this kind of depends on how the rest of the season goes with regards to the main action plot--is that Will and Mike are going to get together at a climactic moment. Maybe leading up to the final clash or during it. And sex scenes really need time to breathe. Steve and Nancy had sex at the beginning of Season 1. Jonathan and Nancy had sex in the middle of Season 2. They had time.
But I think, if the writers waited until the final season of the show to make this couple canon, it's because it's important. Not a romantic subplot, but plot. I think, in some way or another, the romantic plot and the action plot are going to be intertwined, and they're going to climax together. You know, like they're having SE-- There'd just be no comfortable place to fit a sex scene at the height of the action. Like, imagine trying to fit a Lumax sex scene when they're in the attic at the end of Season 4. It just doesn't go there. They got the cute little doodle scene instead.
I very much think Mike and Will are going to kiss, though. I'd be shocked if they didn't.
So basically what I'm saying is...I feel like Byler is going to be too important for a sex scene to happen. I could see a scene early on portraying some sort of sexuality, particularly from Mike's side, to show to the general audience that something is happening, that it's not just one-sided. For instance maybe they'd have to change clothes in the same room for some reason, a la Joyce and Hopper in S4, and Mike would look just a little too long before turning around. But a full-blown sex scene...probably not?
The more specific stuff like this gets, of course, the harder it is to predict, so I'm a little less certain about this prediction than Byler simply being canon, but, yeah, gun to my head? Kiss, absolutely. Sex, probably not.
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linddzz · 4 months
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Being the stronger one in the couple while also being a full foot shorter is the best. The real life dwarf/elf couple vibes. The physical comedy of picking my husband up and his feet are still scraping the ground. The confused people at stores when I'm the one who's picking up the big heavy bags as an ongoing theme of us existing as proof positive that you can have an m/f couple that still makes Straight people clock and get confused that something Not Normative is going on there
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tsuchinokoroyale · 1 month
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How are you not someone's wife already???
I’ve licherally got no room for a man like where’s he gonna fit??
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Not to mention…
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infizero · 6 months
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i cant phrase this well but infinity train book 2 is for the aroace transgenders. lake transgenderism is obvious but nothing in my life has screamed to me queerplatonicism as much as lake and jesse like their qpr readings are off the fucking charts
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carcarrot · 3 months
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poll blog that asks "did you understand x sparks song?" and the options are "yes, but only lyrically" "yes, but only emotionally" "yes, both lyrically and emotionally" and "no, i dont understand it at all"
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allbluedepths · 4 months
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Queued post for later: A bit swamped with working school graduations this week, but it does give me time to scribble down fluffy, plotless ficlets. Here’s a snippet of one that’s just Shanks and Benn hammock cuddles to make me happy, haha.
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They *really* didn’t both fit in their old, thin hammock anymore, but like hell Benn was going to ask him to move.
His fingers gripped the sides of the hammock, an attempt to hold it steady as Shanks squirmed around, settling in like a dog on a warm bed.
“Just— almost there—“
“Captain. You’re gonna tip us over.” Releasing one hand, he wrapped his arm around Shanks in a firm grip, pulling him snugly into his chest. “There.”
The contented sigh brushing against the thin fabric of his shirt made him huff, more fondly than frustrated. If he had known two decades ago that Shanks would still be clumsily climbing on top of him, maybe he wouldn’t have encouraged it, or instead found a calmer way to do so.
(He wouldn’t have. He knew that. Shanks knew that — the lax smile and the tension seeping out of his frame said so.)
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literary-heights · 2 years
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love of my entire life
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foundationsofdecay · 25 days
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Thinking again about this post that @a-s-levynn made a while back, as well as @moonchild-in-blue's and @tonguetyd's comments there, about Vessel and the mask's own identity and the idea of the person Vessel used to be before meeting Sleep, this nebulous Him that we hear in intermissions during rituals, was "cocooned" inside a body that was no longer his and is experiencing this all as a spectator, and that Vessel kills the current version of himself that he's become, a spiritual suicide of sorts. How that was done so that He, without the influence of the mask and by extension Sleep, can move forward and start anew even after being irrevocably changed by what He's seen, and Vessel finally obtaining that "redemption, eternal ascension, setting [him] free" that was described in "Ascensionism".
I'm especially thinking about the funeral pyres reflected in Sleep's eyes. This could imply the fates of past vessels of Sleep, or it could imply that Vessel is dead in all ways but physical, or perhaps it could be a promise of Vessel's demise, burned alive and left to turn to ash - or are "those eyes like fire" and the raging flames within doing much, much more than that?
To add a very belated addition to the discussion, I want to bring up something regarding the lyric "I'm a winged insect, you're a funeral pyre." In fact, it is going to be the focus of this entire post. In continuing with this idea of the death and rebirth/resurfacing and possibly rebuilding of the self, and identity fractures that I described in great detail in this post on "DYWTYLM", it's important here that I start off stating that there's two underlying assumptions that I'm making, which first is that He and Vessel are both the insect at first, their own selves tangled as noted by Levynn but capable of separation under the right circumstance, like a fantastical version of plurality where they can separate physically while still being connected as parts of a whole. My second assumption is that Vessel meets his death voluntarily, and Sleep is involved, regardless of whether or not Sleep is actually the one to do the job.
I'm using these as bases because in my interpretation of this theory, Vessel has to die, and that even though the two of them connected in mind and soul and often body, He is ultimately able to survive and live on, which requires physical distinction. This separation is in accordance with descriptions in the same song we've been discussing of Vessel fighting back against Sleep. Vessel, who used to fight Sleep's enemies "to let them know that they contend with [him]", now turns the blade against Sleep, his new enemy that he faces for Him. Perhaps this is a show of both his anger and his newfound devotion, a final attempt to damage Sleep to whatever extent he can while he has the chance, not with any hope of surviving but to give Him the best chance to carry on, since Vessel knows firsthand how much Sleep struggles in a weak enough state.
Describing Him and Vessel as a winged insect is a very interesting choice, which is what I ultimately want to focus on here and dissect. What kind of insect would that be, I wonder? I don't recall if there is official artwork depicting that, but without anything official as reference there's a near-infinite number of possibilities to choose from - flies, mosquitos, cicadas, bees, wasps, butterflies, moths, beetles, the list is endless - all with their own symbolic interpretations and impacts on this original theory and extrapolations. I would need an entire separate post to go over all of that, though - imagine examining just the different eyes that vary from species to species! - so I'll just go into one possibility and leave the rest as an open question.
One major question I have about this winged insect, and about Sleep, is this: Does Sleep still have eyes looking in other directions like we had seen several times in previous songs, or is Sleep's attention all on Vessel now, "[taking] aim at him for once" like he used to ask for?
See, there's an inherent contradiction here, going back to the labeling of a pyre. Sure, it's said to be for a funeral, but it's never explicitly stated who it's intended for. Not only that, but we also questioned at the end of the first paragraph if there is something else to be said about the fire and its behavior, what all Sleep is doing with it and plans to do with it. That's the thing about fire - perhaps it's been created and cultivated for a specific purpose, as part of a funeral in this case, but when you take a look at how Sleep has historically behaved, and the kind of language we see used to describe this behavior and motivation, there's other themes that comes up that give Sleep's fire another layer of meaning.
For fire doesn't just burn, it consumes. It has an endless hunger, latching onto anything it can grab hold of that can fuel its existence, taking and taking until there is nothing left. There's a sort of joy in that, a celebration, bursts of light and sound coinciding with the addition of more fuel, greater the more powerful that intake is over time and growing wide and tall in the most ideal circumstances. When the fire is weak, a breeze could snuff it out, but even a pinch of smoldering ash can manage to survive and grow into something that can lay waste to forests and home and towns, nearly apocalyptic when watching it as it razes thousands of square miles and jumps across roads and rivers. It, too, can rush and flood you, and swallow you whole.
Before Vessel, He discovered Sleep in a state like that smoldering ember. Yet, with the fuel of His initial deal and Vessel's inception and overtaking of Him, with every ritual bringing worship in greater numbers and greater fervor enabling rapid growth, this is what Sleep has turned into. This is what Vessel must face, not just a powerful God but one that he fed and nurtured into this state. The fire in those eyes is extreme, but it's also not eternal. It can still be deprived of that which feeds it, and if that were to happen, even be extinguished. There's hope in that.
Throughout the story, we see Vessel always coming back to Sleep, despite the flames that threaten to lick at his skin and singe and burn. Instinctively, perhaps even compulsively, he returns to this source of light and love and fear and wonder, the flame that grows each time he's fed by Vessel's worship. Examining one of the possible winged insects, his behavior is like that of a moth, drawn to the aura and essence of this God that desires him and hurts him in unequal measure.
Recall how one of our basic assumptions is that separation between the two is possible, despite how entwined they've been from the start even as they've been drifting apart. This coexistence and indeed codependency with Him is all Vessel knows, it's quite literally his entire life next to Sleep. If you consider the admission that "it's been two days since the mainframe went down and [he's] still messed up" as a reflection of the breaking down of the connection between Vessel and Him, which we've been seeing accelerate over time in songs like "DYWTYLM," with this "life like wires," severing those wires is all it would take, messy and painful as it would be.
No longer would we have "the mouth of the wolf, the eyes of the lamb," but that'd turn out to be the key to Vessel's victory, even as it sealed his fate. It's clear that Vessel would eventually get too close and be brought down by those eyes, but this time it was deliberate in a way that is fueled by something completely different than any self-destructive behavior he exhibited in the past, and it paid off. That lamb survived, by no means unscathed but still not lost.
The one thing that remained the same, persisting throughout their parallel existence that transcends life and death itself, is memory. The autumn leaves, the rain, the night. The lights of his eyes, his grin. This grief that accompanies it will never go away, will never grow any smaller, but He can break though the walls that are closing in on Him, keep running forward, become something new. Most importantly, He has to do it for Himself. He'll be alone, but the memory will always be there, knowing Vessel is just an inch apart from Him, on his own continuum.
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redpandarambles · 5 months
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There are many valid critiques that can be made of the Doctor Who 60th anniversary episodes but I also want to take a moment to appreciate the fact we got good trans/NB rep and a storyline involving someone being content to just live out their days with their best friend.
In a climate where the UK Government still refuses to acknowledge asexuality and aromaticism as sexual orientations, where every day they make it harder for trans people to exist, where they are desperately trying to return to the days of Section 28 (don't say gay) and refuse to ban conversion therapy...
... it was just pretty awesome to have RTD and the entire cast and crew raise a middle finger to all the homophobic/transphobic/racist assholes out there and create something incredibly queer in one of the most watched TV shows broadcast on one of our biggest broadcasters.
I don't know about anyone else but I really needed that.
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