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portfoliolaia · 2 years

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Changes in the Devil Over Time

Our culture today is riddled with references to the bible, Christianity and Judaism. Although our more secular modern world has turned its focus away from scripture, the character of Satan is still prevalent in our surroundings and his symbolism snakes its way into daily life and the mundane. What he stands for, though, has changed. The devil we see in popular culture today is not the same devil as the one described in medieval works. In the early medieval period, Satan was designed to provoke disgust, so his first depictions are purposefully unattractive and animalistic. According to scripture, we are created in God’s image, so it stands to reason that the Devil would be devoid of human qualities and would instead be better represented by the animals in our world fused with each other, creating an ungodly and irrational body and expression. It should be noted that Satan is not as central a figure in Judaism as he is in Christian denominations.[1] He has multiple facets and can be characterized by his position as an anti-Christ, a devourer, a messenger for God, the other, or the great manipulator.

In this paper, I will examine artistic depictions of the Devil and the changes in his image through time. Those changes represent the evolution in our human understanding of good and evil. I will focus on Satan as portrayed in European countries, since the devils in other colonized parts of the world were not strictly Lucifer Morningstar, but rather mainly pre-existing native deities demonized by colonizers.[2]

Satan is initially represented by the color blue, which turns into red over time, symbolizing blood and fire.[3] His original blue hues, like the one we can observe in Coppo Di Marcovaldo’s Florentine Bapistry mural (see Fig. 1), highlight his relation to sickness and plague. The tragedies brought forth by disease during the time were easily attributed to the suffering inflicted on people by the devil so that they would account for their sins. He was a tool to frighten and guilt people into obeying the law of God (and that of religious authorities). By the 1800s, his image had shifted to a more human devil, with a less unappealing exterior. The idea of Satan changed to that of a trickster, and the idea of evil turned into that of a deceitful source with a pleasing appearance that serves to lure in the unsuspecting and innocent.

Giovanni de Modena’s Inferno Fresco (Fig. 2) shows us Satan the devourer, swallowing bodies from his mouth as well as from his crotch. That beast reflects a literal interpretation of the devil that appears in the bible, an irredeemable figure standing solely for evil and the lack of goodness in the world. In this version, his skin is covered with a blueish fur, supposed to reflect his unnatural qualities. Early interpretations of Satan reflect the elements of life that he stood for, these being primarily jealousy, drunkenness, sex, violence and manipulation.[4] He is chaos, disharmony and corruption. This first version of Satan is a perfect scapegoat for feelings of dissatisfaction and injustice in medieval times. A relief at the Lincoln Cathedral made in the 1100s (Fig. 3) shows Christ stepping on another bestial devil with an animalistic face which the viewers are not supposed to empathize with but rather root against. The Church of Hablingo in Sweden shows two ravens telling Cain how to kill Abel, the Devil standing in between as if commanding them.[5] Again we see his inhumane nature in his messengers being birds. Moreover, some Georgian work from around 600ad depicts two versions of the devil disguised as ravens, also showing Cain how to murder his brother.[6] There is a definite ease in portraying him using animals, thus distancing him farther from humans and from redeemable qualities.

The Devil became an important part of Latin-American cultures throughout central and South America after colonial times. Spaniards, and specifically Spanish friars, would convince natives in Mesoamerican cultures that not only was the devil real, but his corruptive influence would persecute your soul and urge you to commit heinous actions.[7] The cultures that they colonized, though, already had their own religions, belief systems, and deities. The result of this amalgamation of beings was the purposeful demonization of native gods. This is an extension of what was already happening in the very early years of Christianity, where Egyptian gods as well as those of other cultures were considered biblical demons under different names. After the colonization of the Americas, new terms arose for these Devil-gods and blends of biblical figures with local mythology. There was already the belief that people could turn into animals, fire or meteors in what is now modern day Mexico and other parts of Central and South America. [8] These ideas were molded to fit those of the animalistic portrayals of the European Lucifer. There were already similarities between Christian and Mesoamerican beliefs, like the association of the left with malice and evil. Thus, concepts that were already a part of the Zeitgeist and local mythology were able to be simply reformulated in Christian terms. Friars writing in the Nahuatl dialect gave the Christian version of Satan the name “Tlacatecolotl”, which directly translates to owl person.[9] In Mixtec, this name turns into “Tiñumiñaha”. In addition, the pre-existing Nahua deity “Tezcatlipoca” was occasionally named Lucifer by the Spaniards.[10] Through these examples we can see the use of Satan as a tool to coerce natives to adhere to Christian ideas of right and wrong. The fear of manipulation from part of the devil became so instilled in natives that criminals would often blame their acts on Satan, using him to depart from full responsibility of their actions.[11] The devil became a figure that appears to the downtrodden in times of need, offering help in exchange for some sort of sacrifice or promise. This version of the devil is more complex than previous popular interpretation. He confuses, deceives, and leads humans down the worst path, but is not initially an instigator of pure fear.

In the early middle ages, the view of Lucifer changes radically due to the rise in literacy. When nobody knew how to read, the mythic and bestial devil that was widely known was not questioned. After the rise in scholasticism, contemporaries began to feel they must justify scripture through logic and reasoning. Suddenly, Satan became more complex. An interest arose in understanding where he comes from and why he is what he is.[12] As this shift takes place, Satan’s presence in medieval art becomes slightly more human. While previous works showed him as primarily animal, he starts to gain completely human body parts. When Michelangelo painted the Sistine Chapel, one of the scenes he depicted was of Adam and Eve in the garden of Eden, being tempted by a snake with a human head—this is Satan, and now we can see him with a normal and attractive face (Fig. 4). The painting originates from 1511 and can be directly related to Jacob de Backer’s painting titled The Last Judgement completed in 1583 (Fig. 5). De Backer’s work shows several demonic figures underneath heaven attacking mankind, but one of the figures stands out. A completely naked, mostly human man is thrusting his spear into the back of another. However, this figure has the head of what appears to be a boar mixed with the features of a rodent. The bestial head is more similar to that of devils even a hundred years prior, but the body is familiar, save for a mouselike tail. It’s an inversion of Michelangelo’s snake, but both are perfectly split between man and beast.

In the late 1700s and 1800s, Satan has a new look. In John Milton’s work, Paradise Lost, we start to see Lucifer’s own perspective and his backstory is viewed as a tragedy.[13] The devil’s suffering is a focal point, and he can be related to be the public. In 1708 we can observe Giacomo del Po’s interpretation of Lucifer in his work At the Gates of Hell (Fig. 6), which shows a solid red-skinned Satan with wings, horns and a tail. This is the beginning of the devil we can now see replicated as a caricature in ads, old cartoons and modern brands. The Manchester United shield features this caricature, one that can be taken a little less seriously than the previous versions that are meant to instill fear. This is a friendly looking devil with all the traits of a recognizable human, adding on a few more. He now looks like a demonized man, or somebody wearing a costume. He is like us, but not quite the same. This is the devil that grew to be associated with the other, with witches, Southerners, immigrants, people of different faiths, and people of color.[14] He has inched closer and become adjacent to the average onlooker. The danger lies in his ability to blend in and confuse, to convince others that he is, in fact, normal, though he is not the same as us. This version of the Devil is the one that influences the character of Him in the 1990s animated children’s show The Powerpuff Girls. Him is feminine and fits under the umbrella of the “other”, the strange and not accepted by society. Although excluded from what is considered “normal”, he is still a part of regular life. At this stage, it appears as though western society has not made it’s mind up about whether or not to give him a chance. Some problems arise with a devil that is easier to sympathize with, though. A great example of this is the two statues erected by the Geef brothers in the 1840s for Saint Paul’s Cathedral in Belgium. The younger brother, Joseph Geef, sculpted a winged version of Lucifer that was rejected due to his “seductiveness” (Fig. 7). His stature is relaxed, and he is poised looking downwards and slightly to the side. He was deemed too feminine and sensual for the church, since he could provoke desire in the feminine gaze. The fact that such a statue was even made already proves the difference in the average person’s interpretation of Satan and his traits. If you remove his wings, Joseph’s Satan is a completely human-looking being. His brother, Guillaume Geef, redesigned the statue to be less sensuous and more miserable, yet his tight muscles could make anyone question what made him less alluring than his predecessor (see Fig. 8). Regardless, both versions represent an almost ideal male beauty, and we can see modern versions of Lucifer from the 2000s who are also ripped and beautiful, playing off of the alluring nature of his association to sex, which has become less and less taboo over the years.

The contrast between the Satan depicted in the 1200s with the ones we can see in the present day is the widest. He is not an uncommon character in current supernatural TV shows and movies, in which he is seldom represented as solely evil, but rather a shade of gray in the scales of good and bad. We have shed the Manichean view of life that we used to hold, and even the Devil himself can stand to be redeemed. In the TV show Supernatural, Lucifer is shown as a victim during parts of the story, and he himself gets the chance to tell the main characters (and the audience) how he was wronged and where his malice came from. He is given agency, a level of respect, and the chance to justify himself. Lucifer represents rebellion, and the characters of the show who have also rebelled against their parents and suffered consequences because of it understand him to a certain extent. On another hand, cartoons have a tendency to depict him as a fool and a character to ridicule. In The Emperor’s New Groove, the devil on the character Kronk’s shoulder is comedic and fits the archetype of the joker. In the show Rick and Morty, one of the main characters, Summer, dates the devil and does not seem to care that he is Lucifer. Eventually, he betrays her, but throughout the episode, Lucifer displays human characteristics like disappointment, regret and defeat. At one point, he is even driven to attempt suicide. He is somewhat lovable, but definitely shown as another fool. He is easily defeated by Rick, who mocks and taunts him on television and beats him up at the end of the episode (alongside Summer). This version of the devil no longer holds the power and authority that he used to. He is no longer feared, but rather gawked at comedically. Even Supernatural’s Lucifer is not the biggest villain and can be overshadowed by other sinister characters. He is not the single representation of evil that he once was. In contrast, The Chilling Adventures of Sabrina (CAOS) does represent him as a terrifying and evil source, seeming to reference older artistic depictions of him, featuring a full goat’s head and animalistic qualities. We can see this more realistic and true-to-scripture devil in modern media that fits under the horror category, such as The Witch starring Anya Taylor Joy. The devil in that movie is a lot like the devil in CAOS. Remnants of medieval devils are present, but no longer hold the spotlight.

Why has this happened? Those qualities that were always associated with the devil, such as reality-altering substances and sex, have become less taboo. Homosexuality has begun to be accepted in countries like the United States, with a strong societal focus on fighting discrimination based on sexual orientation. “Sexual deviance” is no longer the issue that it was in medieval times. In TV shows like MTV’s My Strange Addiction have given a voice to members of different kink communities, and the term “kinkshame” was created to reflect the idea that sexual practices outside of the traditional are okay, and should not create guilt or shame as long as they do not harm other people. Nowadays, famous artists and singers can openly talk about their sex lives and promiscuity without fearing for their lives. Celebrities that come out as gay receive waves of support from audiences worldwide. Even though other countries still face harrowing levels of homophobia and transgression against people who do not identify with traditional gender roles, this is changing day by day. Weed has become legal in 18 states, and drinking is no longer such a sin that Christians hesitate to partake in it. The devil is no longer black and white, but rather a figure that can be reasoned with, and can be related to. Since the issues he used to represent have been reclaimed, so has he. Gay singer and songwriter Lil Nas X released Satan Shoes made with real blood, a continuation of the theme he was playing off of with his music video for his song Call Me By Your Name, which features a lap dance with the Devil himself. He is reconciling the shame he used to feel and using the devil as an allegory to do so. In tarot decks spanning from the early 1300s to the present day, the Devil represents the parts of yourself that you hide, feel shameful of, or restrict you. These are the meanings that Lil Nas X subverts, and his use of satanic symbolism is supposed to rebel against the power held by the toxic beliefs that people should be ashamed of their desires and natural feelings. The complete opposite values would be freedom, serenity, and confidence, all of which he emanates from his brand. Satan, then, is not the negative character we knew, but rather a part of the human psyche that should be accepted rather than rejected. This is particularly easy to see in the modern TV show Lucifer, which features Satan himself as the main character. In the show, the Devil grows bored of hell and decides to open a nightclub, in which a murder takes place. He joins a detective to solve murders, and throughout the show, Lucifer is shown as being charming and lovable. He is not entirely evil – he has love for other characters in the show, and a bit of a protective spirit. The viewer roots for him, understands him, and can grow to care for him. Interestingly, something similar has happened to the character of the witch, who went from being feared to being thought of as cool, mostly thanks to their portrayal in media like Sabrina the Teenage Witch, Practical Magic, The Craft, and countless other classics. After a rise in feminism, the witch turned into an attractive and cool “girlboss” character, a woman who does what she wants and will not be shamed for it.

As globalization and technology have united different concepts from around the world, we have come to accept the different and the unorthodox more and more over the years. Our art reflects the values and thoughts of our cultures, and the depictions of Satan have changed accordingly over the years. In the modern day, he is not irredeemable, but rather another aspect of ourselves to view, understand, and maybe even accept.

Figure 1. Coppo Di Marcovaldo “Florence Bapistry Mural” (1260)

Figure 2. Giovanni de Modena “The Inferno Fresco” (1410)

Figure 3. “The Harrowing of Hell” the Lincoln Cathedral (1141-1160)

Figure 4. Michelangelo “The Sistine Serpent” (1511)

Figure 5. Jacob de Backer “The Last Judgement” (1583)

Figure 6. Giacomo del Po “At the Gates of Hell” (1703-1708)

Figure 7. Guillaume Geefs “The Genius of Evil” (1848)

Figure 8. Joseph Geefs “Statue of Lucifer “ (1842)

[1] Matos, Morgan. The Satanic Phenomenon: Medieval Representations of Satan (2011) Page 5. https://scholarship.rollins.edu/cgi/viewcontent.cgi?article=1027&context=mls.

[2] Sousa, Lisa. The Devil and Deviance in Native Criminal Narratives from Early Mexico. Oclc.org. Page 164 (2021). https://www.jstor.org/stable/1008533

[3] Matos, Morgan. The Satanic Phenomenon: Medieval Representations of Satan (2011) Page 22. https://scholarship.rollins.edu/cgi/viewcontent.cgi?article=1027&context=mls.

[4] Sousa, Lisa. The Devil and Deviance in Native Criminal Narratives from Early Mexico. Oclc.org. Pages 162-163 (2021). https://www.jstor.org/stable/1008533

[5] Gutmann, Joseph. On Biblical Legends in Medieval Art. Oclc.org, 2021. Page 137 https://doi-org.aurarialibrary.idm.oclc.org/10.2307/1483588

[6] Ibid

[7] Sousa, Lisa. The Devil and Deviance in Native Criminal Narratives from Early Mexico. Oclc.org. 2021. https://www.jstor.org/stable/1008533

[8] Ibid

[9] Ibid Page 164

[10] Ibid Page 165

[11] Ibid

[12] Matos, Morgan. The Satanic Phenomenon: Medieval Representations of Satan (2011) 28 Page 18. https://scholarship.rollins.edu/cgi/viewcontent.cgi?article=1027&context=mls.

[13] Steadman, John M. The Idea of Satan as the Hero of ‘Paradise Lost’ on JSTOR. (1976). Oclc.org. 2021. https://www.jstor.org/stable/986321

[14] Wightman Fox, Richard. Speak of the Devil: Popular Religion in American Culture. (2021) Page 186. Oclc.org. https://www.jstor.org/stable/490100

#the devil #art history #essay #txt #text

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newcrests-townie · 2 years

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This is Giovanni De SanSim. He comes from a very wealthy family. Well... His family was wealthy. And was, in general. After the tragic and a very mysterious incident with Landgraabs and tons of gnomes involved, Giovanni lost everything: his parents, his money. And now he's very dedicated to build his own new empire and take his revenge.

Это Джованни Де СанСим. Он из очень богатой семьи. Ну... Она была богатой. И вообще, в принципе, была. После трагичного и загадочного инцидента, в котором были замешаны Ландграабы и куча гномов, Джованни потерял всё: своих родителей, своё состояние. И сейчас у него лишь одна цель - построить свою новую империю и отомстить.

P.S. Sim was taken from the gallery, and I've changed him a little. It's Lucifer Morningstar by BadDeal1019

#ts4 gameplay #ts4 #thesims4 #ts4 scenarios #its one of my characters in my save file #simiverse: giovanni

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giovanniussi · 3 years

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Morning sun - Photo: Giovanni Ussi @giovanniussi #morning #goodmorning #morningmotivation #sunrise #giovanniussi #morningsun #ussi #mornings #giovanniussiphotos #morningsky #photography #sunflare #lighthunter #eveningsun #eveningsunset #flarelight #sundaysky #nature #morninglight #morningstar #morningview #morningglory #morningside #morningworkout #sun #mist #outoffocus #fuzzy #hazy #blurred @giovanniussiphotos https://www.instagram.com/p/Bx6OUiMiagQ/?utm_medium=tumblr

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writerly-ramblings · 3 years

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Books Read in December:

1). Penelope Fitzgerald: A Life (Hermione Lee)

2). Israel, Palestine, and the Politics of Race (Yasmeen Abu-Laban and Abigail B. Bakan)

3). Making an Elephant: Writing from Within (Graham Swift)

4). Morningstar: Growing Up with Books (Ann Hood)

5). Love Poems (Nikki Giovanni)

6). Polyglot: How I Learn Languages (Kató Lomb)

7). Fire (Kristin Cashore - audiobook)

#my literary life #booklist #booklr #adult booklr #hermione lee #yasmeen abu-laban #abigail b. bakan #graham swift #ann hood #nikki giovanni #kató lomb #kristin cashore

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pyrrhiccomedy · 5 years

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I. The Fool: Isaiah Masson. Tremere Tzimisce. (Capricorn Sun, Aquarius Moon) Survives. He went into the second world with Kolya at his side, both of them determined to reconcile his path, and their devotion to one another, for as long as possible.

II. The Magician: Casimir. Toreador. (Gemini Sun, Leo Rising) Survives. Successfully directed the Kindred of New York City to animate the city with Baali magic in order to create an ark that could survive the end of the world. He went to the second world with his lover, Krystiyan.

III. The High Priestess: Cora Jeong. Malkavian Baali. (Sagittarius Sun, Cancer Moon) Survives. Although she left Clan Malkavian to become Baali, she retained her connection to the cobweb, and she experienced a moment of godlike perception as Clan Malkavian ascended: which gave her the ability to see the future with clarity and purpose. As the high priestess of Surgat, she remained behind in the dark world, and reigns as its wise and gentle queen.

IV. The Emperor: Krystiyan. Tzimisce. (Taurus Sun, Scorpio Moon) Survives. He nearly usurped Casimir’s ritual to animate the city to instead power his own metamorphosis, but was confronted by Isaiah, who convinced him to let go of his alien ambitions and return to the path of Humanity. He went to the second world with Casimir.

V. The Empress: Selene Santiago. Toreador. (Leo Sun, Gemini Rising, Taurus Moon) Survives - in a sense. Selene diablerized her Antediluvian, Arikel, in order to save Arikel’s life, and now will gradually become her, as Arikel wakes up and subsumes her identity. She went to the second world with her knight, Marina, and Ventrue, who wears the body of Selene’s lover.

VI. The Hierophant: Marina. Lamia. (Scorpio Sun, Libra Rising). Survives. She went into the second world with Selene, who had earned her loyalty by freeing her from an unworthy lord. Served Selene - and later, Arikel - as her faithful knight.

VII. The Lovers: Katrin Presse. Human. (Aries Sun, Virgo Moon). Survives. She accepted with resigned gratitude the loss of her great power as the price of being freed from her family’s curse. Although she never made peace with House Murnau, she ultimately accepted Ellard as family, and bears his gun in his memory. She remained behind in order to defend the innocent against the dark world’s many monsters.

IIX. The Chariot: Margueritte Delacours. Baali. (Gemini Sun, Capricorn Rising) Survives. Having mastered all magic in the dark world, she proceeded to the second world to find new arcane lands to conquer. She was accompanied by her childe and companion, Alice.

IX. Strength: Vidke. Niktuku. (Aries Sun, Capricorn Rising, Venus in Libra) Survives. Vidke took his revenge upon his brother Absimilliard, although he lost nearly all of his beloved childer in the process. He remained in the dark world, finally the inheritor of the kingdom that was stolen from him, and reigns at Cora’s side.

X. The Hermit: Henry Milliner. Giovanni. (Scorpio) Survives. After the party prevented his suicide, he chose to step back from his family, and ultimately played no part in their final fate - which was the greatest release he could have hoped for. Remained in the dark world in order to deepen his study of necromancy. Eventually becomes a revered and mysterious figure, and the only real authority in the dark world outside of Cora, Vidke, and Surgat’s control.

XI. Wheel of Fortune: Nikolai Zantosa. Tzimisce. (Libra Sun, Venus in Aquarius) Survives. Kolya took terrible vengeance against Clan Tzimisce for a lifetime of pain, nearly annihilating them, leaving Krystiyan as the only survivor: but died in the process. Isaiah used an artifact of the Morningstar to bring him back, and they go together to the second world. Kolya’s true nature, and the actual extent of his powers, remain a mystery.

XII. Justice: Tippecanoe. Nosferatu. (Cancer Sun, Gemini Rising) Survives. Escaped into the second world alone, her intentions for the future unknown.

XIIV. The Hanged Man: Ellard Murnau. Human. (Pisces Sun, Aquarius Rising) Dead. Cora shot him in the back of the head in order to free the Morningstar and open the gate to the second world.

XIV. Death: Trevor. Malkavian. (Virgo Sun, Pisces Moon) Dead. Trevor diablerized Malkav’s twin sister Nahema, then fed himself to the Teeth of the Broken God: the infernal device which contained Malkav’s heart. His martyrdom suspended the Malkavian curse of madness long enough for Malkav’s clan to comprehend God’s mind, and they ascended out of corporeal reality.

XV. Temperance: Clara Knight. Salubri. (Cancer Sun, Sagittarius Moon) Dead. John Copley killed her to defend Selene, after Selene attempted to become the high priestess of Asmodeus.

XVI. The Devil: Hetepheres. Setite. (Leo Sun, Sagittarius Rising) Dead. Hetti inevitably betrayed the party in order to steal Malkav’s heart. She used it to get everything she wanted - for a short time. Cora and Isaiah killed her in order to recover it.

XVII. The Tower: John Copley. Ventrue. (Capricorn Sun, Venus in Pisces) Dead. Although Selene betrayed him in order to save his life from the explosion at Morninglight, nothing could save him from being the last surviving vessel prepared for Ventrue’s consciousness. While Ventrue wears his skin - and, at times, adopts his mannerisms, for Selene’s benefit - nothing of John as an independent entity remains.

XIIX. The Star: Manfred Sauer. Human Malkavian. (Libra Sun, Cancer Moon) Ascended. Cora brought Manfred to her sire, who made him Malkavian: putting his visionary madness into context. He ascended with the rest of his clan.

XIX. The Moon: Eleanor St. John. Gangrel. (Virgo Sun, Aries Moon.) Dead. Eleanor believed that Nahema was Lilith, and worshiped her. Isaiah tore her apart in order to reach Nahema’s shrine.

XX. The Sun: Eva Brodeur. Malkavian. (Virgo) Ascended. Eva was also a Lilith cultist who believed that Nahema was her goddess. She fought the party at Nahema’s shrine, but came to her senses when Nahema was diablerized. She ascended with the rest of her clan.

XXI. Judgement: Alexandra Murnau. Human. (Aries Sun, Aquarius Moon) Survives. After the death of her brother, she learned that her family had, for centuries, served as the vessel of the Morningstar. She became the Morningstar’s sole vessel and high priestess in order to pursue God into the second world and punish him for abandoning his creation.

XXII. The World: Surgat. Annunaki Demon. (Aquarius) Survives. Surgat saw God’s blueprint of the universe before it was destroyed at Morninglight, and later saw the mind of God during the Malkavian ascendance: both events which changed her nature. She later became the genius loci of New York City, and the god of the dark world. Cora serves as her high priestess.

#for posterity #what a wild bunch #dice matters

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firekitten830 · 4 months

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More Gio posting but this time I couldn’t be bothered with my usual art style

#my art #baldur's gate 3 #bg3 #giovanni morningstar #my ocs #wyll ravengard #wyll bg3 #tav bg3 #tav x wyll #astarion #astarion bg3 #tav x astarion #kind of. not really

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wonderfulworldofmichaelford · 5 years

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My OCs

Finally, after ages and ages, I’ve finally come up with names for some of my OCs who have until this point remained nameless. Here they are with brief descriptions of the stories I’m trying to write them in. Not sure WHEN I’ll get to writing them and I’ll probably be making more characters but I’m at least getting a start and that’s what counts.

Oh yes, all the story titles are tentative. I’ll probably change them. Questions and all that are obviously welcome.

Six Shots

Set in an alternate timeline where superpowers are a thing and the United States government has a department of superpowered mercenaries who work to either recruit or terminate the most dangerous superpowered individuals around, the empathic gunman Eric Madden is tasked with taking down a superpowered serial killer known as “The Jersey Devil;” however, his dark and troubled past rears its head and complicates matters.

Here’s a link to all the OCs I have for this story.

Here’s some worldbuilding stuff I did with an ask.

Here’s more worldbuilding.

Killer Queen

Jenny Queen is a young transwoman who has finally, after years of adveristy, gotten her life on track thanks to the support of her best friend, Mark Prince. However, tragedy strikes when Mark’s abusive ex rolls into town with his gang and kills him in a senseless act of violence, leaving Mark’s wife a widower, his child fatherless, and Jenny without her childhood friend and biggest supporter. Vowing vengeance, she decides to put her skills learned when forced to go to military camp and her self defense lessons to use by killing each and every member of the gang that killed her friend.

Jenny Queen

Mark Prince

Henry Duke

Mary King

Genesis

In the middle decades of the 21st century, explosive events occur that gives some of the world’s population superpowers. One such person is David Paine, who was rendered homeless by the event and due to his power being a Wolverine-esque healing factor, he found himself unable to die before finally finding shelter in a brothel/safehouse for empowered young women. Years after finding this new home, he soon has to protect it when someone from his past shows up in his life and a superpowered supremacist begins to make moves against the city and its people.

Here’s a link for all the OCs in the story.

Mama I’m Coming Home

On her 24th birthday, Lilith Crowley is attacked by a strange assassin, and soon after an interstellar warship appears over her town containing a mysterious man calling himself Ozymandias who is out for her blood. Her eyes soon opened to the mysterious powers that are her birthright, Lilith must fight for her and her family and friend’s lives against this strange assailant.

Lilith Crowley

Venus Crowley

Ozymandias

Gideon Golightly

Grandpa Crowley

Trevor Osborne

Chad Colfer

Tales of Aethra

My oldest and most expansive story I’ve come up with. Set at the dawn of the 7th Age of the world of Aethra, a strange set of circumstances leads to worlds colliding, mysterious truths being uncovered, and the looming threat of a powerful evil force being revealed.

Michael Brightwyn

Lucille Fairfeather

Anabelle

Nova

Zinnia

Damien

Evan Brooke

Nil

Aurus Xenon

Mercy MacMurphy

Asmodeus Angelslayer

Giovanni Giamatti

James Skelton

Yorick, the Faceless King

Trixie Cloudrunner

Argus Hellstrike

The Fallen

Lucifer Morningstar (Technically not my OC but I did come up with his backstory and whatnot here so it kinda counts)

Jezebel Pandorum

There’s a lot more I have in a saved document, though these are the msot major ones.

#My writing #My OCs

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justicereborn · 6 years

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Zane Giovanni Zatara, Filho de Zatanna

1#. Zane é um nome do gênero masculino, de origem hebraica e significa “presente gracioso de Deus”.

2#. Quando estava grávida, sua mãe achava que ia ter uma menina e tinha preparado todo um enxoval de bebê e o quarto em tons de rosa e roxo. As roupas obviamente mudaram, mas o roxo se manteve e permanecesse até hoje como a cor das paredes do quarto de Zane. É também a sua cor favorita.

3#. Zatanna quando estava escolhendo o nome do seu filho ficou entre Zane e Zephiro. O garoto nunca vai admitir, mas quando soube disso fico agradecido por sua mãe ter tido o bom senso de optar pelo que era mais comum e menos chamativo.

4#. Zane demonstrou magia logo cedo quando fazia seus brinquedos flutuarem até o berço ou dava vida eles. Demonstrando o quão precoce sua magia era e por vezes poderia ser descontrolável quando ele chorava.

5#. Quando criança, Zane ajudava sua mãe e avô a prepararem as apresentações no teatro deles. Então, desse modo aprendeu alguns truques para palco por trabalhar nos bastidores e por vezes como convidado especial.

6#. Zane diferente do que acreditam, não despreza mágicos comuns que utilizam de truques, na verdade costuma gostar de vê-los em ação. Ele em suas viagens quando está sem dinheiro costuma fazer truques na rua para ganhar algum que dê pelo menos para pagar pelos seus cigarros e bebida.

7#. Zane nunca frequentou a escola normalmente, ele aprendeu tudo através de um tutor particular, Jason Blood, a contraparte humana do demônio Etrigan. Ele tinha um colega de estudos que era Marcus Blood, o filho de Jason.

8#. Zane já visitou o inferno uma vez para buscar a alma de Rose Constantine. E teve que jogar Black Jack com a morte para conseguir sair dali com a sua e a dela. Ele, obviamente, venceu.

9#. Zane quando pode vai a Los Angeles para tomar um drinque com o diabo, também conhecido por Lúcifer Morningstar.

10#. Depois de uma experiência de quase morte, Zane despertou poderes de clarividência. Vislumbres do futuro que o permitem ver sinais de coisas que estão para acontecer. Porém, um fato sobre isso é que ele é apenas capaz de ter visões ligas a ele e sua vida.

11#. As visões do futuro de Zane na maioria das vezes precisam ser interprestadas e compreendidas. Porém, sempre parece que deixam uma coisa incompleta para que ele venha descobrir sozinho. Como por exemplo, ele sabe que terá dois filho chamado Zaniel e Giovanna Zatara, porém desconhece quem seja a mãe das crianças. Zane também sabe com quantos anos vai morrer, que idade ele terá e como irá morrer. Porém, desconhece a data especifica.

12#. Antes de entrar para a equipe Justice Reborn, Zane andava todo o tempo de roupa social. Foi por um pedido de Katherine que ele passou a andar mais informalmente em busca de não chamar tanta atenção.

13#. Ele é um rapaz vicioso, começou a fumar aos dezessete anos e beber aos dezesseis o que lhe causou grandes problemas com sua mãe. A desculpa que ele utiliza é que para as coisas que já viu as pessoas não devem esperar que ele fosse sóbrio o tempo todo.

14#. Zane nunca conheceu seu pai, as perguntas iniciais vieram quando ele tinha sete anos, porém sua mãe costumava desconversar do assunto. Depois de um tempo, ele deduziu que ou eram alguém que já havia morrido ou simplesmente o sujeito tinha abandonado sua mãe grávida. Mas era fato que ele nunca precisou de um pai de sangue, ele tinha seu avô e John mesmo Jason para assumirem esse lugar.

15#. Zane foi aprendiz de Constantine, porém ele não era o único. John também foi o responsável por treinar sua protegida Rose e Desmond Fausto, neto de Felix Fausto.

16#. Zane e Desmond nunca se deram bem desde que surgiu uma competição entre os dois de quem seria o melhor mago. A rivalidade deles acabou por tornar-se uma inimizade muito forte com o tempo.

17#. Zane possui uma vaga na Liga da Justiça Sombria reservada para ele e geralmente atua ao lado de sua mãe quando solicitado. Ele, no entanto acabou por ser convidado para formar uma própria equipe com os filhos de grande nomes feiticeiros e magos, eles assumiram assim o nome de Sentinelas da Magia.

18#. Zane começou a namorar Marcus nessa época ao descobrir que também se sentia atraído por rapazes. Ambos ficaram juntos por um tempo duradouro até que terminaram algumas semanas antes de Zane deixar a equipe.

19#. Zane Zatara já visitou dimensões paralelas, já conheceu equipes de filhos de super-heróis de outras Terras tendo inclusive conhecido uma “irmã dimensional” certa vez. Ele a odiou, para seu desagrado já que esperava se relacionar bem.

20#. Zane abandonou a equipe das Sentinelas da Magia após quase morrer por negligência de Desmond. Afastando-se e ficando alguns meses trabalhando sozinho antes de por fim ir atrás dos membros que viriam a formar Justice Reborn.

#Justice Reborn #Fanfiction #Zane Zatara #Zatara #Headcanons

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ao3feed-brucewayne · 2 years

Text

A Deal with the Devil

read it on the AO3 at https://ift.tt/iWyP2T4

by C_Goodnight

Daniel Thames, dies in a dirty Gotham alley. He meets someone who offers him a second chance, and he accepts damn the consequences.

Words: 6305, Chapters: 1/1, Language: English

Fandoms: Young Justice - All Media Types, Celestial Forge - Fandom, Lucifer (TV)

Rating: Teen And Up Audiences

Warnings: Creator Chose Not To Use Archive Warnings

Categories: Multi

Characters: Original Characters, Bruce Wayne, Giovanni "John" Zatara, John Stewart (DCU), Lucifer Morningstar (Lucifer TV), Amenadiel (Lucifer TV), Eve (Lucifer TV), Mazikeen (Lucifer TV), Billy Batson

Additional Tags: Original Character(s), Celestial Forge, Science Fiction

read it on the AO3 at https://ift.tt/iWyP2T4

#IFTTT #bruce wayne #batman #the dark knight #the cape crusader #gotham #dc universe #ao3 #ao3feed

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gdrunplugged · 5 years

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Sorensen, 2018).pdf Pasion De Las Pasiones - Ashcan Edition Pataphysic Wander (Alberto Tronchi, 2017).pdf Perfect (Joe Mcdaldno, 2010).zip Perfection (Jason Morningstar, 2019).pdf Perseverant (Ben Dutter, 2017) Phasers + Photons Phones of Glory (Jason Morningstar, 2018).pdf Pickets _ Blinds (Kevin Allen Jr., 2011).pdf Pigsmoke (Chris Longhurst, 2017) Playing Nature’s Year (Meguey Baker, 2015).pdf Plunderground Zine Poet Glorious (Kimberley Lam, 2018).pdf Poison’d (D. Vincent Baker, 2007).pdf Polaris (Ben Lehman, 2005-2009) Posthuman Pathways (Jason Pitre, 2014) Praxis PreciousPDF__BR.pdf Pressure Drop (Eric Mersmann, 2019).pdf Primetime Adventures.zip Prism (Whitney Delaglio, 2018).pdf Project Ninja Panda Taco.pdf Promethean The Creater Psi Run italiano.pdf Punk as F__K (David Kizzia, 2018) Punks and the Fever Pitch (Linda H. Codega, 2019) Purgatory House (Robert Turk, 2018) Questlandia (Hannah Shaffer, 2014) Quilt Of Shadows Radioactive Bison (Jason Morningstar, 2018).pdf RavenDeath IT (Iacopo Frigerio, 2008).pdf Ready, Willing, Prepared (Nora Blake, 2019).pdf Red Like Roses Pt. III (Nora Blake, 2019).pdf RedMarkets.pdf Reflections (Jim McClure _ Tobie Abad, 2016).pdf Remember Tomorrow (Gregor Hutton, 2010).pdf RESISTOR Vol. 1 (Elissa Leach _ Kira Magrann, 2016).pdf Retrocalypse-8-18-11-Final.pdf Retrocausality (Paul Matijevic, 2019) Reunification (Travis D. Hill, 2019).pdf Revenant (Paul Stefko, 2012).pdf Revenant World Ribbon Drive (Joe Mcdaldno, 2013) Riders - A Game About Cheating Doomsday (Caias Ward, 2015) River Knife Trilogy Robber's Kin Romance Trilogy (Emily Care Boss, 2016).pdf Route Clearance (Andrew Millar, 2017).pdf Royal Blood v. 5 (Grant Howitt, 2016).pdf Ruma - Dawn of Empire (Martin Greening, 2017) Ryne Ryuutama - Natural Fantasy.pdf S-Lay w-Me (Ron Edwards, 2009).pdf Sagas of the Icelanders - A Roleplaying Game About the Lives Icelandic Settlers in The Saga Period Sail_the_Stars.pdf Scarlet Heroes Scarlet Wake (Ben O’Neal, 2017) Scheda Questlandia Italiano.pdf schedewip.pdf Schism (Nora Blake, 2018).pdf School Daze (screen) (Tracy Barnett, 2012).pdf Scum And Villany SCUP Preview April 2017.zip Sea Dracula (Nick Smith _ Jake Richmond, 2008).pdf.pdf Seat Five (Jason Morningstar, 2019) Seco Creek Vigilance Committee (Keith Stetson, 2018) Secrets _ Lies - Hardboiled Triple Feature (Daniel Bayn, 2011).pdf Seppuku (Emanuele Galletto, 2018) Serpent’s Tooth (Ross Cowman, 2012) Sertão Bravio Seven Wonders (Becky Annison et al., 2016) Sexytime Adventures Shahida (Ron Edwards, 2012) Shards - Worldbuilding Zine (April 2019).pdf Sharp Swords _ Sinister Spells (Diogo Nogueira, 2016) Shelter - Wartime Survival Shock - Social Science Fiction 1.2 (Joshua A.C. Newman).pdf Shooting the Moon (Emily Care Boss, 2006).pdf Short Film (Josh T. Jordan, 2016) Showdown (Seth Ben-Ezra, 2014).pdf Sign (Kathryn Hymes _ Hakan Seyalioglu, 2016).pdf Singularity (Caitlynn Belle _ Josh T. Jordan, 2016) Sixty Mile Sky - A Sci-fi Tabletop RPG by Ben Arndt Skew (Ben Lehman, 2013).pdf Skill Points (Daniel Kwan et al., 2019) Sky Deck (Jason Morningstar, 2019).pdf Smallville Roleplaying Game - The Watchtower Report (Margaret Weis Productions, 2011).pdf Sognami (Vas Quas, 2013).zip Solar System 1.1 (Eero Tuovinen, 2008).pdf Solipsist (David Donachie, 2008).pdf Something_to_Hide_(8879650).pdf Sorcerer Soth (Steve Hickey, 2015) Space Post (Jason Morningstar, 2019).pdf Spark (Jason Pitre, 2013) Spione (Ron Edwards, 2007) Spiralis - Lovecraftian Roleplaying Spire (Grant Howitt _ Christopher Taylor, 2018).pdf Spirit of 77 (David Kizzia _ Bob Richardson, 2015).pdf Spirit of the Century (Leonard Balsera _ Rob Donoghue _ Fred Hicks, 2006).pdf Spirit of the Season Upgraded Edition - cover (Atomic Sock Monkey _ Evil Hat, 2007).pdf Sporchi Segreti (Seth Ben-Ezra, 2007-2009) Star Crossed (Alex Roberts, 2018) Star Wars World Star Worlds - Streets of Mos Eisley Starblazer Adventures (Chris Birch _ Stuart Newman, 2008).pdf Steal Away Jordan - revised (Julia Bond Ellingboe, 2007-2008).pdf Stealing Cthulhu (home-edited).pdf Stories of Love in Manila (Jamila R. Nedjadi, 2019).pdf Story War (Brad O’Farrell _ Tom McLean, 2013).zip Strange Magic - Il gioco di ruolo fantasy old school (Stuart Robertson, 2016) Strange Nations (White Marble Block _ R. James Gauvreau, 2016).pdf Strangers (Hannah Shaffer, 2019).pdf Strings (Barak Blackburn _ Ellie Hillis, 2019).pdf Summer in Woodlake Summerland - Revised and Expanded Edition (Greg Saunders, 2009.pdf Summoner's Fate Sun and Daughter (Freeman Owle, 2019).pdf Super Destiny High School Rumble!! Super! (Chris Rutkowsky, 2008).pdf Superhuman Support (Wendy Gorman et al., 2016).pdf Swansong (Joe Prince, 2006).pdf Sweet Agatha (Kevin Allen Jr., 2009-2016).pdf Sword’s Edge (Fraser Ronald, 2017) Swords _ Wizandry Swords Without Master Synthesis (Riley Rethal et al., 2019) Tale - The Roleplaying Game Tales From The Loop.pdf Tall Pines (Miles Gaborit, 2017) Tears of a Machine (Russell G. 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Jordan et al., 2017) The Journey to the Whispering Tree The King is Dead The Known World (Samantha Day, 2019) The Ladykillers (Matt Snyder, 2013).pdf The Last One (Alberto Tronchi, 2012).pdf The Madstone (Jason Morningstar, 2019).pdf The Marquis of Ferrara (Pompey Crew Design, 2013) The Melon Child of Radnor (Jason Morningstar, 2018).pdf The Ministry Initiative (J. R. Blackwell, P. J. Schnyder, 2014) The Misery Index (Rudy Johnson, William H. Duryea, 2014).pdf The Mountain Witch (Timothy Kleinert, 2005).pdf The Name of God (Alessandro Piroddi, 2016) The Nightmares Underneath The NO Press RPG Anthology (Luke Crane et al., 2004).pdf The One Ring (Cubicle 7, 2011-) The Page I Didn’t Write (Lauren Bryant-Monk, 2019).pdf The Plant (Jason Morningstar, 2009).pdf The Princes’ Kingdom (Clinton R. Nixon, 2006).pdf The Queen’s Men (Matt Machell, 2018) The Questing Beast (James V. West, 2003).pdf The Quiet Year (Joe Mcdaldno, 2012) The Regiment The Reliquary The Rustbelt (D. Marshall Burns, 2010).pdf The Shab-al-Hiri Roach.rar The Shadow of Yesterday (Clinton R. Nixon, 2005).pdf The Skeletons (Jason Morningstar, 2016) The Sky Is Gray and You Are Distressed (Josh T. Jordan, 2016) The Society of Dreamers (Matthijs Holter, 2010).pdf The Sprawl (Hamish Cameron, 2016) The Starship from Hell (Rafael Chandler, 2013) The Streets of Karazun (Grant Howitt, 2019).pdf The Strings of Fate 0.1 (Takuma Okada, 2019).pdf The Sundered Land The Sundered Land (D. Vincent Baker, 2013).pdf The Sword, the Crown, and the Unspeakable Power (Todd Nicholas _ Thomas J., 2018) The Tribe - Humanitys Last Hope The Veil (Fraser Simons, 2016-2017) The Very Important Task (Storybrewers, 2017).pdf The Ward - Acute Care Edition The Warren (Marshall Miller, 2015) The Warring Woods (Dimitri Balcaen, 2015) The Watch (Anna Kreider _ Andrew Medeiros, 2017) The way you make me feel The Weight She Carries (Anna Anthropy, 2018) The Whispering Road The Witch is Dead (Grant Howitt, 2016) The Zombie Squad - Death Row Edition The_Nightmares_Underneath.pdf They Became Flesh (Elizabeth Shoemaker Sampat, 2011-2012).pdf This Is Not a Place of Honour (Grant Howitt, 2019).pdf Those Who Play (Daniel Boyle, 2014).pdf Thou Art But a Warrior (Anna Kreider, 2008-2012).pdf Threadbare - Stichpunk RPG Threadbare (Stephanie Bryant, 2017) Three Black Crows Three Dead Men (Brennan Taylor, 2010).pdf Three Days (Avery Alder, 2013) Three Dooms (Michael Sands, 2017) Tides Of Gold - Piracy, Magic, And Trade Wars Time _ Temp (Epidiah Ravachol, 2010).pdf Time Cellist (Megan Pedersen _ Todd Nicholas, 2015) Timestream (Nathan D. 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(Kenneth Hite _ Karim Muammar, 2018) Vampire the Requiem Velvet Glove - Notebook Edition ViewScream (Rafael Chandler, 2013).zip Vornheim Vow of Honor (Ben Dutter, 2015) Wallis-BaronMunchausen.pdf Wands in the Aether (Nora Blake, 2019).pdf War Birds (Moyra Turkington et al., 2016) Wayfarer - Things Beyond Wonder (Ill Gotten Games, 2014).pdf We Are Abandoned (Karl Larsson, 2016).pdf We Made Them Look Like Us (Takuma Okada, 2019) We Used to be Friends - Ashcan Edition Werewolf the Forsaken What Ho, World! What Will I Do When You‘re Gone (Takuma Okada, 2019).pdf While the World Ends 2nd ed. (Wilhelm Person, 2017).pdf Wicked Lies _ Alibis.pdf Wild Strawberries (Giulia Barbano _ Luca Ricci, 2012) Winterhorn_digital_edition Witch - The Road to Lindisfarne (Kevin Barthaud _ Richard Lacy, 2012-2017) Witch Scouts - Magic, Friendship, And Making Mistakes Witch_House.pdf With Great Power - Master Edition (Michael S. Miller, 2016) Witness the Murder of Your Father and Be Ashamed, Young Prince (Nathan D. Paoletta, 2011).zip Wizards Aren't Gentlemen Wolfspell World of Darkness World Wide Wrestling - The Professional Wrestling RPG of Narrative Action Worlds in Peril (Kyle Simons, Adam Bosarge, Jason Faulk, 2015) Wraith the oblivion Wrath of the Autarch (Phil Lewis, 2016) XXXXtreme Street Luge (Ben Lehman, 2008).pdf You & I (Josh T. Jordan et al., 2018) You Are Autumn (Hannah Shaffer, 2018) Zombie World (Brendan Conway, 2019)

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