Tumgik
#exorcising the brain worms
despair-tea · 17 days
Text
hmph. you mongrels would dare use bastard enums to hold your states before my kingly self? looking at your state machine, it's clear that peasants have not learned to code even a little in the 5000 years you've had to practice. what doggerel you've written!
begone, cur.
let the sight of my enum {a, elish} be the last thing you see
Tumblr media
12 notes · View notes
pokeberry5 · 9 months
Text
Tumblr media Tumblr media
directionless anger
(or, something like: the robin mantle is a curse, but that isn't inherently anyone's fault and someone has to wear it)
i adapted the two pages below the cut bc they were haunting me—tim having a nightmare the day of his mother's funeral, from Batman (1940) #455: “Identity Crisis, Part 1”, from this post
Tumblr media Tumblr media
2K notes · View notes
nerice · 7 months
Text
殺戮人形. puppet of carnage. murder doll. killing machine. however u wanna name it; on the violence level, the outfit, beatdowns, it's ofc typecode for dark maiden gray. but on the mechanic behind it (animated beyond death) the design (black eyes!!) the unhinged strength (shadow of future maki content, too.. :))!) it is a no-mercy-kill-scenario endgame boss sky U KNOW I CANNOT RESIST THAT. the family confrontation too... easy avenue for dark maiden but at the same time, (i hate it) leah is around in dream game. you can do the math from there >:)
3 notes · View notes
youssefguedira · 1 year
Text
thinking about diabolik again this morning. who taught him to read
12 notes · View notes
adastra-j69 · 1 year
Text
I don't have the energy to write this now, but i've been crying over @/goopterror's jockey dirk au and that led to me thinking about farmer/ranch owner dirkjakes. i was suddenly just overtaken with the need to write this like 30 mins ago so this is very bare bones but i wanna get the general idea down for later. consider: dirk somehow comes into possession of an old farm house from some distant relative. he's like the next in line bc no one before him wants it bc its old and rundown and needs a lot of work, but he decides to take that chance bc he just dropped out of school for reasons i will come up with later and he wants a fresh start. he didn't even know this relative existed, but free land, so why not.
So he's exploring the land to get an idea of like where his property ends and accidentally stumbles into his neighbors side. It's completely abandoned, so it's not a big deal. He ends up finding an even older and more rundown barn. he was going to turn around thinking that was that, but he hears a noise that sounds a lot like a horse. he decides to investigate bc that makes no sense considering how run down the barn in, but what do you know? it's a horse. a very malnourished one, but it's a horse. it takes dirk weeks before he's able to get the horse to come any closer to him. he bribes him with hay, apples, carrots, sugarcubes, anything he can to gain his trust. finally after weeks, he gets closer and he's able to coax the baby to come out and takes him home. by that point, he's made some good progress, enough where there is a safe place for his new friend to live. it's dirk and his horse for a while.
Throughout this, he's making friends and getting closer to a farmer nearby around his same age. Its Jake of course. He lives nearby with his goddaughter, who is in his care. It's Jade (i'll think of why later too). He brings over fresh produce for Dirk while he's fixing up the farm house and barn and helps out when he's not busy with his own farm. he grows produce for a local grocery story and has a good thing going on due to his family having been doing this for a while now.
The thing I've been crying about it Dirk eventually getting things fixed up and expanding and getting more horses. He ends up holding classes for kids and adults, but I want to focus on the kids classes rn. Kids come in to learn how to approach and interact with horses respectfully and small general maintenance that comes with owning a horse, or working with horses. at the end they get pony rides and they hold a bon fire where they get little certificates.
I just want Dirk to grow, make friends, do things he enjoys, find love and just settle for a bit and be okay. Get to the point in domesticity where it's "boring, but in the most exquisite of ways." (x) and just him, jake, jade, and other loved ones gathered around a bon fire just making smores for kiddos and having a really good time. lots of smiles and laughs and dirk being so glad life led him down this path :')
dirk also has like 2 goats, maybe a couple cows too, ducks, chickens, barn cats!!! and like one or two doggos to help with some of the other animals on the farm. its a full fucking house by the time he's done and opens up classes, but it's great and it's full-filling and he's happy!!!!!
i am shutting up now thank you for coming to my very last minute ted talk. goodnight. but also talk to me abt dirk and the alpha kids.
7 notes · View notes
phrootsnacks · 1 year
Text
~all about that process of self discovery~
~~~~all about that process of self discovery~~~~all about that process of self discovery~~~~all about that process of self discovery~~~~all about that process of self discovery~~~~all about that process of self discovery~~~~all about that process of self discovery~~~~all about that process of self discovery~~~~
2 notes · View notes
ariadynamics · 2 years
Text
.
2 notes · View notes
badooney7 · 1 year
Text
Tumblr media
Percy Weasley wrote the report.
0 notes
ayanominitrash · 6 months
Text
Act Cool, Senpai! (Geto Suguru x reader)
Tumblr media
₊˚ ♡
Geto-san falls for his dearest kouhai.
⁺‧₊˚ ♡ ˚₊‧⁺˖˖⁺‧₊˚ ♡ ˚₊‧⁺˖˖⁺‧₊˚ ♡ ˚₊‧⁺˖˖⁺‧₊˚ ♡ ˚₊‧⁺˖˖⁺‧₊˚ ♡ ˚₊‧⁺˖˖⁺‧₊˚ ♡ ˚₊‧⁺˖˖⁺‧₊˚ ♡ ˚₊‧⁺˖
4th Entry. First part here. Fifth Part here. Masterlist. 
˖⁺‧₊˚ ♡ ˚₊‧⁺˖˖⁺‧₊˚ ♡ ˚₊‧⁺˖˖⁺‧₊˚ ♡ ˚₊‧⁺˖˖⁺‧₊˚ ♡ ˚₊‧⁺˖˖⁺‧₊˚ ♡ ˚₊‧⁺˖˖⁺‧₊˚ ♡ ˚₊‧⁺˖˖⁺‧₊˚ ♡ ˚₊‧⁺˖
Today was the day Geto realized he’d fallen for you. 
The moment of understanding was sudden, like getting his head submerged in cold water - earning him clarity when he finally pulled his head up from it; his head empty, only the feeling of exhilaration in his veins remained for the time being. Indeed, the second he came to terms with his feelings, it was a shock in his system, but it wasn’t a surprise. 
His overwhelming feelings built up from the second he saw you materialize your weapon from across the stadium, swinging it to exorcise curses in your way, Haibara by your side. There was a bit of hesitancy in your movements - the mannerisms of a rookie, but you still managed to stay elegant in the way you weaved through the chairs as you chased the curses, but harsh enough to not be afraid to get a few tears in your uniform, either from the cursed spirit’s attacks or just from bumping into places. How his heart longs for you, trying to get closer to you during this mission. He also loves the way your eyes lock on to each other unintentionally of the two times you two ran into each other looking for more curses, exchanging soft smiles before walking on by. 
Geto knowingly smiles to himself when the adrenaline of his feelings dies down, gradually descending into contentment and calmness when the once-disturbed freezing waters of his soul finally stills.
“Why are you smiling to yourself? Have you lost it?” 
Gojo approaches him near the railings, hands on hips after just killing a curse behind him that’s now dissipating in thin air. “There’s nothing to smile about - the curtain is still up so we’re still missing a curse or a few.”
“Is the Gojo Satoru worried for the first time?” He smirks up at his classmate while summoning his cursed spirit back to him, having just defeated a cursed spirit himself. “Is it because of the number of people that will soon be here?”
“No, I’m hungry and sleepy.” 
“Ah - of course.”
The two of them started talking about lunch - Gojo adamant that the Juniors treat their seniors, Geto saying it’s the other way around - when you and the others join them in the stands that are in the middle part of the arena.
“The veil is still up,” Haibara says once he’s within earshot. “It looks like we’ve got all of them though, since we’ve swept the entire place.”
“Not yet, my six eyes can still pick up a few curses nearby but I can’t exactly pinpoint it with how vast this place is.”
“Well,” Nanami starts, palming his blunt cursed tool,” is there a place that particularly has a majority of curse energy?” 
Gojo closes his eyes and puts a hand to his chin, contemplating, “My brain’s a little foggy, I can’t focus because I’m sleep-deprived and a little worn out.” He holds out a hand to you, “Prove yourself useful? Lend me some of that RCT.”
Geto’s shoulders tense up - does Gojo get to hold your hand before he even could?
How does he even stop it from happening without seeming suspicious? Without jeopardizing the mission? 
You dematerialize your weapon into nothingness before clutching the ends of your uniform, “G-Gojo-san, I t-thought I’d just hold you all back?”
Everyone looks at you dumbfounded. You’re clearly holding a grudge against your senior.
“Oh please. Don’t be butthurt. Isn’t this the very thing you’re here for? I’m throwing you a bone here.” 
You cross your arms this time, about to open your mouth but the next thing you know, you’re screaming at the top of your lungs as a large cursed spirit worm suddenly manifests itself from the arena’s roof and lunges at you, tearing you away from the group and across the room. Panic, Geto launches his spirit toward the attacker, and at the very same time, Gojo releases a lapse blue in the same direction. Much to Geto’s dismay, his summoned cursed spirit got caught in Gojo’s attack, exorcising it as well as your attacker.
The veil disappears.
Haibara and Nanami quickly ran towards you as you hit the wall across the venue, letting out a pained grunt before falling onto the ground. Gojo was going to offer his apology to his classmate but Geto was already sprinting your way.
“Are you okay?!” Haibara asks as he and Nanami pull you up by your arms. “You didn’t get hurt, did you?”
“I’m fine,” You shrug them off of you, annoyed and embarrassed, patting your uniform.
Suddenly, Geto catches up to you and puts his large hands on your shoulders, eyes frantic and all over you, checking if you garnered any injuries. “Hey, are you alright? Did it hurt you?”
You freeze for a moment, mind still taking in how your beloved senior looks so worried for you. If you weren’t so ashamed of how you were caught off-guard by the cursed spirit just now, you’d be swooning. “Just a few scratches, Geto-san. I can heal myself.” You try to calm him with a smile, but his worried expression isn’t letting up.
“You should forget about staying on the field.”
Gojo butts in between the two of you, like he always does. “Imagine if it were only you juniors just now.”
“Satoru, it’s done. The curse has been exorcised.” Geto holds a hand up when his classmate stops right in front of you, face to face. 
The tall man ignores him, “Do you understand? You should stay in Jujustu High - you’re just too weak for this.” 
Haibara nervously bows beside him, “Gojo-san, this is understood! We’ll definitely train harder - “
“I’m not talking about you now, am I?”
“No…Gojo-san…”
“Satoru,” Geto says.
What are you thinking right now? He thinks. 
Geto watches your glassy eyes look straight to your confronting senior, an angry look on your face before it eventually crumbles into a guilty one. You look down at your shoes and bow, “I apologize, Gojo-san.”
With that, you went running.
Haibara calls you out, ready to chase after you but Nanami holds him back with a hand on his shoulder, “Don’t worry, there aren’t any more curses.”
Geto frowns at his classmate, who only gives him a shrug.
“I’ll go check if she’s okay,” He finally says. “You guys can inform the managers.”
“Geto-san, we can - “
Nanami quickly covers Haibara’s mouth. “Understood, Geto-san. Please get back safely.” 
“Hey, Suguru - what about lunch?!“
₊˚ ♡
It wasn’t long before Geto found you.
You were sitting in one of the outside seats of a convenience store, rapidly typing into your little phone - probably ranting to Shoko with the way your face is contorted in a precious little frown. Despite all of the events that have happened so far and his weariness starting to seep into his bones, he can’t help but chuckle to himself.
You look up and jump in your seat as the very subject of your conversation with Shoko helps himself with sitting from across the table. You close your phone.
“Geto-san…”
He beams, “I thought you’d make it harder for me to find you.”
“Ah…To be honest, I thought Haibara would come after me.”
“So, you’ve noticed, huh?”
“He’s always like that.” 
“He’s a good kid, always looking out for others.”
You hum in agreement, then look down to twiddle with your fingers. “I-I’ve noticed you too, Geto-san.”
He paused, before huffing out a chuckle that leaves your heart doing 360s, “I’m not exactly subtle, am I?”
You try to stifle a giggle before fiddling with the hem of your shirt, “No. But I am honored G-Geto-san, to be receiving your, um, attention.”
Silence fills the air between the two of you, and it stays like that for a while. Both of you people-watch, eyes squinting against the bright light now that the sun was high up in the sky. When you take a peek at your senior, you catch him already looking at you, before the both of you look back to watching the bustling streets. 
“I hope you don’t hold too much of a grudge against Satoru,” Geto starts, “He can be, well, blunt,  but I’m sure it’s his way of looking out for you.”
“...I know. It’s more that, I’m…angry at myself.” 
“What is there to be angry about?”
You stare at your hands. “Geto-san, I became a Jujutsu Sorcerer not for some heroic reason or out of the goodness of my heart, but to really leave the place I used to live in.” 
He looks at you from the corner of his eye, “You’re angry because that’s your reason?”
“No, I’m not really looking for some kind of self-fulfillment. Jujutsu gave me a new home and new people in my life. I’m just hoping to be useful while I’m here, to somewhat give back. But…earlier, hearing Gojo-san say those words…am I even doing it -  am I supposed to be here? Who am I to think that any different from one of the strongest in this generation?”
Geto watches your sullen face as you continue to stare down at your hands and notices how he can see contentment in your features and your posture like your whole body has submitted to his classmate's words back there. 
A thought.
Then, “Well, if it means something, I’m one of the strongest, and I think you’re pretty great.”
You whip your head in his direction, eyes wide with a red tint across your cheeks.
There’s the cutie I’ve known, Geto thought.
You keep staring at him before shaking your head with a smile, “You’re always too nice, Geto-san. Even going far as to say things just for my sake.”
“But I’m serious.” He shifts his attention to the birds perched on one of the street lamps. “Gojo is different from us - he was raised to be who he is now. He was destined to be a sorcerer, so he was able to start training from a very young age. Meanwhile, we’re here trying to catch up.” The two of you lock eyes, “Remember, you’re still in your freshman year - you’re just starting your true journey to become a Jujutsu Sorcerer. And well, I didn’t always think that sorcerers existed to protect the non-sorcerers. They recruited me from my small village, and I’ve got no reason to say no.”
“You always seem the type to be so kind and motivated though, Geto-san. So when you said about the thing about protecting normal people, I always thought that was your ideal from the get-go.” 
“No, it was something I’ve come to terms with as I’ve started my path as a shaman. You’ll eventually find your own meaning along the way of the journey you’ve chosen. You and I are not that different.”
The both of you exchanged soft smiles. Your Geto-san reaches a hand out to you, “So if you’re going to listen to the words of one of the two strongest, believe in mine.”
You look at his hand, noting how there’s a subtle swell in them. Probably from constantly fighting curses. You take his large hands in both of yours and start to heal him, much to his surprise, missing how his cheeks are painted in bright red which mellows out to a peaceful grin.
Geto was certain, that this was the day he has truly fallen for you.
“Thank you, Geto-san.” 
₊˚ ♡ - - - -
Meanwhile. . .
“How come you didn’t tell me sooner, Nanami?! Geto-san must hate me for shutting down his advances - I’m such an idiot!” Nanami only shrugs next to him, taking a bite of his bread as he’s seated next to him at a cafe. “What are you guys talking about?” Gojo asks wide-eyed and a mouthful of food.
˖⁺‧₊˚ ♡ ˚₊‧⁺˖˖⁺‧₊˚ ♡ ˚₊‧⁺˖˖⁺‧₊˚ ♡ ˚₊‧⁺˖˖⁺‧₊˚ ♡ ˚₊‧⁺˖˖⁺‧₊˚ ♡ ˚₊‧⁺˖˖⁺‧₊˚ ♡ ˚₊‧⁺˖˖⁺‧₊˚ ♡ ˚₊‧⁺˖
(❀❛ ֊ ❛„)♡ reblogs and comments are appreciated//do not repost my work anywhere
//
I appreciate how a lot of ya’ll liked this series <3 thank you as always and happy leaks day :))) 
***Drop an ask or comment to be added on taglist bc I don’t want to assume and tag you even though I see you following the serious huhuhuhu: @dookiemeshibear @pochapo
221 notes · View notes
talenlee · 11 months
Text
Goncharov Card Game Concepting
I am tired and my brain hurts and I am exhausted as I try try try to make graphic work for Bloodwork happen. The website is down and up and down again and that’s maddening as hell, and the dog is weird and the dishwasher’s replaced and aaaaaa so what I decided to was exorcise a brain worm about a Goncharov card game.
At the moment the prototype starts with an ordinary deck of playing cards, face cards removed. Face cards are your character, which get played face down in front of you, and we’ll get into what that means. At the start of the game, you deal everyone a face down character card from the available options, and your character determines what you value, and the kind of scenes you want to have.
Then you shuffle the numbers, every player draws one card, and you start the drafting.
The gameplay loop goes:
You draw two cards.
From two of the three cards in your hand, you shuffle, then pick one to present to another player face down, one face up.
You’re going to get to do this to every single player once each round – so you get to make choices that way.
That player picks one of the cards, face down or face up, and adds them to the set in front of them, in columns to represent each player who’s given them a choice.
You get the other card, in a corresponding column.
Once you have a card in your column, you can look at it!
During this period, you can talk about what you shared and why, and you can even lie about what you were handed.
You’re trying to collect different kind of scenes with different people – Icepick Joe wants to have a violent scene with everyone, Andrei wants to try and share romance and violence with Goncharov and gets no points for scenes with Katya, but can make mileage out of scenes with Sofia.
That’s the basic engine. Next question:
How big is this game?
If there are fifteen cards in the deck, then you get to give every player a round of sending drafts, but they don’t get a round of receiving each. At the minimum play experience, for five players, one round of drafting fully means that each player should have 2x the number of players cards, meaning that the minimum card pool gets bigger quick. In five players, each player gets 8 cards, plus one extra, per round, so that’s 45 cards to start with.
That means a normal deck of cards is just barely big enough to have everyone have a scene with everyone else, but also, everyone gets two scenes with everyone.
There’s also a matter of information leakage. There’s a reason players are goin to want to hoover up cards of a particular type. Also, this could be made Fantasy Realms style, or Tussie Mussie style where every card has a simple mechanic on it that makes other cards better, with your character card represents a single big advantage – Goncharov may get a bonus point for each suit he can collect, Katya may get bonuses for every heart she has, Mario may want diamonds, that kind of thing.
Similarly, cards can be character specific, and therefore, you might have a reason to want to keep something in hand. Like hey, this card says Katya and Sofia get 2 points? Well, maybe that stays in your hand because you’re playing Icepick Joe. But maybe you could offer it to someone else when you see the players you think are Katya and Sofia are in last place, and therefore bum them with a dead draft.
That’s the basic idea.
Now here’s the funniest thing here:
With 45 cards at base, and 7 cards for characters, the game gets to look like a 52 card deck of cards, and a maximum of 5 players. So the mechanical limits for a very simple draft game are right there in a standard deck size.
The problem is:How do I get art for this.
There’s a ton of cool as fuck fanart for Goncharov. There’s definitely an aesthetic for it too! It’s so mangled and weird and ostensibly uncreated, there’s a case to be made for using stock art for it, maybe. Or a particular film aesthetic, maybe, and instead abstracting everything. But there are some symbols that are seen as very important to Goncharov, like the clocks.
One of the things I love about Goncharov as a memeplex is that the artistic representation of these intense scenes deserve to be platformed. I want people to see them and enjoy them and I think it’d be amazing to make a card game that looked like them.
But also: I can’t print cards for free! I can’t make this game and distribute physical copies of it for free (like, literally, I can’t afford it). And the overlap of Goncharov fans and card game fans? Probably not necessarily huge! And you can’t go to a fanartist ‘hey can I pay you for the rights to your fanart’ when it’s not really fanart, it’s original art that just happens to somehow all have a shared corpus of inspiration. What’s more the most iconic piece of Goncharov art is something the artist has more or less said ‘go nuts’ about, but it’s transformative art of a bunch of other posters so I’m not sure how far it gets me from the actual generative art discussion!
At the same time, man, man, it seems so close to attainable. The Goncharov poster style, the entirely arbitary name of the game, the lore and fiction, it’s already meant to be an homage to the greatest mafia movie ever made, rather than anything that anyone could actually account for.
Am I going to get sued by a bootleg shoe company?And if I ignore the inspiration, what’s left? An interesting emotionally complex mafia movie kind of game generator, but it somehow feels so much more artificial to imagine I’m a fan of any of those that I’m not actually that into. Mafia movies aren’t my thing, I don’t think.
But I do love Goncharov.
Weird.
Check it out on PRESS.exe to see it with images and links!
41 notes · View notes
greatwyrmgold · 5 months
Text
I've been catching up on Jujutsu Kaisen, and boy is Mahito fun. His personality, his design, his Idle Transfiguration.
For those who don't watch or read JJK, Idle Transfiguration lets Mahito twist the body and soul of anyone he touches. He turns people into monsters, or weapons, or walls. And he twists his own form even more elegantly, turning his arms into whips or blades, or giving himself rabbit feet to run faster, or taking on a whole new shape, or even splitting in two.
The part of my brain that tries to turn everything into a Worm crossover made a connection between Idle Transfiguration and Panacea's power. And they're almost complete opposites aside from that. Amy insists on a harsh dichotomy between good and evil, and worries that she's sliding into villainy by failing to be the best paragon she can be. Mahito has beliefs and such, but mostly seeks his own pleasure—even, or perhaps especially, at the expense of others.
There's gotta be a way to make that into something. Force the two of them to live together for a while. Maybe Mahito gets nearly exorcised, reduced to a blip of a cursed spirit, and takes up residence in Panacea's head while he recovers. He convinces Amy that there's no way she'd survive if the heroes/sorcerers knew she had something like him living in her.
Maybe he tries to convince her to act out, live a little; he's bored and she's boring. Amy's already acting selfishly by not telling anyone about the monster in her head, so she's a bit more receptive. Mahito pushes Amy to go farther than she's comfortable, but with a little guidance from her family (who don't know what's going on), she finds a happy medium.
Maybe Mahito picked Amy because he figures resonance between her power and his will make it easier to assimilate her, when he's ready to return. Amy's iron principles mean she'd never bend to that kind of pressure; she'd hold fast until she shattered, making her easy prey. But when he tries it at some critical moment, what should be Amy's weakest moment, she finds the strength to bend—to compromise—to accept Mahito merging with her, and in doing so direct it, absorbing Mahito more than he absorbs her. A way of externally reflecting the character development she went through.
If I was gonna write something like that, it would make sense to set it in motion shortly before the Slaughterhouse Nine arc, right? The Shibuya Incident could replace Leviathan, the moment of weakness could be something the Nine do, like when they almost killed Victoria or when Jack Slash and Bonesaw were trying to pressure her to join them. And absorbing Mahito—gaining his power—that could be the turnaround against whatever the Slaughterhouse Nine were planning.
Am I crazy, or is there something there?
13 notes · View notes
Text
ALRIGHT, here we are, ladies and gentlemen, a collection of 3 of my favorite bosses from Pikmin 4, converted into D&D 5th Edition! Turns out two of the bosses were pretty close to other monsters that already existed, particularly the Hellfire Engine and the Nightwalker, used them as a rough base, but don't worry, they're heavily edited to still feel like unique critters, and you'll be happy to hear that the 3rd monster is a 100% original statblock, and I think is INCREDIBLY interesting!
Feel free to toss them into your games and give me a review of how they play! I'd be happy to do some balance patches if need be, and I honestly wouldn't be against tackling some other monsters from Pikmin later on if there's enough interest! If you have any critters you wanna see converted, feel free to suggest it in the reblogs or comments!
Outside of that, I also have a 100% original monster on the way eventually, stay tuned for that! It's been cooking for a while, but I got Pikmin 4 brain worms really bad and had to exorcise them first.
Hope you're able to put these beauties to good use!
Oh, and spoilers for Pikmin 4, obviously.
11 notes · View notes
mittensmorgul · 2 years
Text
since there’s no spn on the tnt loop today, i’m rewatching the Winchesters pilot. this is just general episode notes and things I haven’t talked about yet, for reference purposes mostly :D
Their meet cute... it feels “true-ish” to the story Dean shared with Mary in 12.01 as proof of identity. They met coming out of the theater where Slaughterhouse Five was playing by running into each other physically. But so many details-- TINY details-- aren’t quite “right.” They’re edited, but in a “the story became the story” way that we all probably have “sanitized” versions of our life history that we share with outsiders, you know? Or our kids... 
This was a major thing that Dean did throughout spn canon. I have whole tags about it: “the story became the story” and “sanitized for sammy,” and if we’re being completionist about it, also “sam vs reality.” And Dean began doing this ON JOHN’S ORDERS. He was to keep the truth of their lives from Sam, and there was a whole episode about Sam losing his innocence about monsters and hunting, and Dean blaming himself for it while STILL attempting to reframe the truth in a way that was more palatable and comforting, you know? Sam still didn’t get the details, he got “Dad’s a superhero” and “he always comes back.” Even though he didn’t, really.
The Story of John and Mary feels similar, especially since Dean’s our narrator now. The details are all the same-- ran into each other, they even joked that Mary really got John there even though Mary was the one knocked to the ground. Mary didn’t even see the movie but commented to John that the book was probably better-- i.e. she didn’t love the movie like Dean’s story before. It wasn’t Mary who apologized by taking them to a diner for coffee, it was John bringing her coffee trying to get her help/help her in their parallel searches for their respective fathers that feels FAR too coincidental, like a cosmic set-up scenario.
We know the cupids had to work overtime to get them together, you know? What better than to give them an Epic Quest to work through together? Which feeds directly into Chuck’s Process, his favored method of getting his characters to do what he wants. I.e. making people believe they’re seeking/doing something they personally want to by placing carefully orchestrated problems in their path. Even if Chuck isn’t the one TELLING us this story, since Dean is our narrator/storyteller now, he’s narrating events that had ALREADY HAPPENED, in theory. At least that’s the PREMISE we’re being invited to observe here, so until the narrative tells us otherwise, that’s how I’m personally observing.
I have no doubt that the reveal of The Trick Of The Thing in episode 13 will shed new light on this viewpoint, or shift our understanding of what we’ve watched to that point, but I do think they are laying out clues in the small details that we already think we know about the Winchester family history, you know? So how they’re choosing to present them to us now feels important, too.
There’s also the demons. That first one they encounter outside the clubhouse that Mary knocks into the holy water kiddie pool, I think that one ESCAPED rather than having been exorcised. That’s the only reason it was able to take a new host so quickly without having been redirected through Hell, you know? Even if we only saw John give about half an exorcism in the alley behind Ada Monroe’s place, I think we’re supposed to understand that’s what a successful exorcism actually looks like-- not with the smoke running off the way it had before, but sort of... poofing in the air and disappearing. Only at this point was it returned to Hell.
John and Mary are already doing the whole “stealing glances at each other when they think the other isn’t looking” thing, and it’s giving me brain worms.
Mary saying “there’s no secrets in our family,” I honestly had to pause it here to laugh. Five minutes later, it’s still fucking hilarious.
She’s never heard of the Men of Letters, but her father definitely has. Ada has. And now John learns his father had... and even Millie had... So was Samuel keeping this from Mary to protect her from the mysterious fate that befell the entire MoL organization 15 years prior to this time? Or shielding her from the heaviest of it all because he believed it had been defunct? Questions questions questions...
John being goofy asking Carlos how he got involved in hunting feels very Sam-like. 3.01 anyone? Carlos’ answer is fantastic though. The only thing worse than how someone gets into hunting is how they end... feels very Dean (it ends bloody or it ends sad, etc.)
John and Lata... really does feel like a thing. And it’s being framed as Mary SEEING it happen, and thinking John has feelings for Lata, and vice versa.
Mary’s deal here-- when we find my dad I’m walking away from hunting-- feels VERY Sam in early seasons. The only reason Dean was able to convince Sam to go with him to hunt their dad in the pilot was on the understanding that Sam was going back to his “normal” life as soon as they were done. After the pilot, it became “as soon as we find Dad, I can be free, be out, never hunt again” for SAM. That was Sam’s deal, for YEARS.
And even when Mary came back in s12, it was what she thought she was fighting for, working with the BMoL (maybe thinking they were the same as the MoL she’d known prior, if she retained any memories of any of this, which remains to be seen) to make it so her children wouldn’t HAVE to fight monsters, if there were no monsters left to fight. It’s kind of horrifying, her believing that’s what Sam would’ve wanted (and Sam... kind of going along with it in s12, even hiding it from Dean for a while). But the parallels between parents and kids are never 1:1 and never had been, either. There’s so much “Mary is just like Dean, John is just like Sam” commentary happening, that I don’t want to brush off “Mary’s also just a bit like Sam, and John of course shares some traits with Dean,” too.
Mille telling John that she hid the truth about monsters and the MoL from him because she would do anything to keep him safe, and that maybe one day when he had kids, he’d understand. And like... yeah maybe. The immediate reaction was PFFFT NO. HE MADE HIS KIDS INTO HUNTERS, INTO WARRIORS. But... not at first. He and Mary had been trying to keep them safe, normal. Until the demon came for Mary and flung John back into the life. Like... how different would things have gone if not for that? If not for The Story™ coming for them?
And again, this also feeds into “how much will they actually retain from this entire experience, or even possibly “how real is this entire experience to our known SPN Prime Universe?” Those seem like important questions to bear in mind.
I feel the need to put this link here now, before it gets pushed waaaaay down the google search results by results from the show... but Akrida has several definitions I think may all be relevant to some extent or another. It’s a garden, a place of leisure and play or sporting. A “play-ground,” created by the king either exclusively for the royal family to enjoy, or for the public to enjoy. And isn’t that what The Winchesters is? I mean, Dean is our King in this metaphor. But the Akrida in the show is a force intent on devouring or destroying all of existence, too. It’s a very ouroboros concept from that zoomed out perspective, you know? Creation devouring itself. More on this as our understanding expands through the season.
The last thing I think I really need to mention here: Dean, our driver picking the music. Our Storyteller. Also functioning as the Man of Letters chronicling and precepting for us. One other important thing that I’ve seen discussed since we got the first promo with Dean writing in a journal: THIS IS NOT NEW FOR DEAN, NOT OUT OF CHARACTER, and NOT GROUNDBREAKING.
In early seasons, it was clear that Dean DID keep his own journals. He didn’t just use John’s Journal. It sort of became their default master collection of lore at some point, and obviously was their “clue book” during s1. But all through the early seasons we’re shown Dean writing in other notebooks, keeping records for himself. Off the top of my head, we see it in 1.16 Shadow, and it looks like it’s very well organized and that Dean had been using it regularly, even if we only see it for a brief moment. I know that wasn’t the only time we saw it, either, but I don’t have time to scour the first few seasons for references today. We know he and Sam both eventually came to rely more on John’s Journal since they were partially using it as a clue book to find JOHN HIMSELF, and to follow the trail of clues laid out for them by John, you know? That journal functioned sort of like a codex to follow their family history, more than just a straight-up hunter’s journal of lore and info the way Dean’s journal worked. But now that he’s the storyteller, we’re finally getting HIS family history, written by him. I just needed to say all this, to note it down for reference.
33 notes · View notes
youssefguedira · 2 years
Text
watched diabolik 2021 (again) the other day. saw the scene where diabolik's in jail. thought wow i wonder what he is thinking. wrote this in half an hour about it
Rating: General
Summary:
He has not been in a situation he cannot completely control for years. He has not placed his life in anyone's hands this way before.
He hopes Eva will not leave him here.
10 notes · View notes
truly-morgan · 8 months
Text
[Adult Mob with a 9-to-5 job and his exorcist adventure]
Shigeo Kageyama | Mob Psycho 100 20-03-2023
Now @unashamedfully made me have brain worms
But Mob ends up having a normal and boring 9-to-5 job, even tho he still helps Reigen from time to time with spirits.
and every time coworkers ask him what he did on the weekend and he answers honestly with stuff like:
"I travelled to Fishing City to go to a house near the sea so I could exterminate some evils spirit that was haunting the place since my shisho needed help"
and everyone is either "😃" because wtf senpai or "🤨😒" because they believe that he's lying or crazy
And it is always like this, no one actually believes that he does any of this. Shigeo Kageyama, one of the most normal dudes in their department, playing exorcist for a shisho he keeps mentioning?
yeah, sure.
but they still listen because it's entertaining.
but then I had two routes here.
1-
Someone who is stuck with what they believe to be a spirit and although everyone says that Kageyama-senpai is lying about his story or has to be insane, they still ask him for help, and they are ready to take a gamble for that.
sweet old Mob who accepts because why would he ever reject someone in help? When they end work he follows them home and takes a look at their apartment.
Sure enough, a spirit had been bothering his kohai and taking care of it for them. The spirit has gotten stronger from feeding on them for so long, but it's obviously nothing Mob cannot deal with, he has seen a lot worse.
He does apologise for all the stuff that ended up knocked to the floor as he replace everything in their place.
Lill' Kohai who is dumbfounded by what just happened, barely managing to say that it's nothing at all really.
they aren't sure if what happened was all true, but sure enough, all the weird event and feeling weirdly exhausted even after sleeping properly is gone.
now Kageyama-senpai always has someone listening to him like "😲🤩" when he talks about what he does of work with Reigen-Shisho.
Maybe they also try to make the other stop slandering him like that, what he says is true!! But everyone thinks that poor Kohai is gullible.
but it's okay because they know, and if anyone seems to be having a similar problem they are ready to refer Kageyama-senpai for help.
or 2-
Someone who wanna "catch Kageyama-senpai being fake" and asks for help about evil spirits.
They take him to an abandoned building where they planted speakers and stuff like this to pretend there's a ghost. And when Kageyama-senpai will pretend to exorcise something they are gonna reveal everything.
Only, Kageyama-senpai doesn't react much, and makes his way around the place while they follow him. They try pushing him to say something, but Mob simply says that he doesn't feel any spirits, but he'll keep looking.
He does follow all the weird sounds and all the weird movements, but he doesn't pretend to be an exorcist.
The college loses sight of him for a moment, only to see him reappear and continue searching. then after so long of just searching around Kageyama-senpai turns to them as he checks the time on his phone. "There's nothing in here AA-san, Maybe what you saw was someone playing inside of some animal who got in"
and the college isn't sure what to say. After all this time looking around, he isn't going to show off his "exorcist talents"?!? But there was plenty that could have convinces so.
"But I am certain there was something here and people say there is a ghost here" they try to push.
Meanwhile, Mob is already making his way out.
"Sometimes ghost stories are just that, ghost stories," Mobs says.
And then, just before he exits the room, "Oh and AA-san, it's not very nice to fake a place being haunted just to trick people". Then Mob is out, leaving them alone in the very normal abandoned building.
I can imagine Mob eating ramen with Reigen a couple of days later and retelling that story and Reigen is just like "I can't believe people would fake it just to trick you and make you lose your time"
Original
4 notes · View notes
al-the-remix · 8 months
Text
does anyone have that wip ask meme that's like "i'll post the names of all my wips so people can send in asks about the ones they want expanded on" ?
i need to exorcise some of these brain worms
5 notes · View notes