Yeah no I'm still not over Kohane's fes card.

Soooo... That side story huh. The "fragment of a feeling" Kohane touches taking her to Vivid Street. The townsfolk all calling her An. Kohane trying to imitate An. Kohane who has been in Vivid Street for only a short period of time but has come to love it anyway. The townspeople calling her by her partner's name.

I could make a whole separate rant about how Kohane being linked to Nagi at the end of Kick It Up A Notch makes me feel. It doesn't feel fair for her. She has grown so much in a short period of time and yet when her talent reaches it's highest point she isn't just Kohane, she is like someone who has been dead for years. Even her partner can only think of Nagi looking at her.

The fragment sekai is a mix of Kohane's memories of places she has been since Vivid Bad Squad formed all collected in a gallery of shattered glass. Kohane loves Vivid Street yet every time she is likened to someone else. She sings like Nagi. She is An's partner. In a way it brings back to RAD Weekend. The idea that to surpass it they need to be just like it. They can't achieve that because RAD Weekend was the celebration of Nagi's life. Kohane can sing like Nagi but she can never become her, and I fear that, subconsciously, that's what certain people (Taiga) were hoping she would be. (He saw Nagi in her. He saw his dead sister. He still hasn't been able to fully move on.)

Then there's An. Her partner has become what she has aimed for her entire life. To be someone like Nagi, to be like her mentor. Vivid Street called Kohane by An's name. Does that mean they replaced An, or does it mean they can only think of An when they see her?

Kohane Azusawa went looking for a purpose in life. She found it, a group of street musicians with a shared goal. She loves it, yet the world only ever sees her as a distant memory. Someone who won't ever return.

(And something just hit me. Kohane is the only character without a proper backstory. We just had an entire event to go through the lead up to RAD Weekend which gave us a clear view of Nagi. An starts off VBS's main story yet Kohane is the "main character". They set this up right from the start I need to find colourful palette and fight them.)

The girls are plottinggggg

[First] Prev <–-> Next

"sounds nice... having a partner"

i finished it, was kicked out of the game, and then spent the next 10 minutes drawing this. i will now go take a shower, most likely cry, and then go through the emotional turmoil of convincing myself to reset so i can do a geno run. i hate it here :D

[ “SOMEBODY TOLD ME”]:

BREAKING MY BACK JUST TO KNOW YOUR NAME. SEVENTEEN TRACKS AND I’VE HAD IT WITH THIS GAME. A BREAKIN’ MY BACK JUST TO KNOW YOUR NAME—BUT HEAVEN AIN’T CLOSE IN A PLACE LIKE THIS.

— The Killers, Hot Fuss (2004)

Princess Rhaenyra’s insolence is wearing her stepmother’s patience thin. Queen Alicent is not ten years her senior, but even during her own sixteenth year, she cannot recall herself behaving so brazenly. She would never burst into courtly discussions in nothing but gilded armor and the underskirts of her riding leathers, awash in blood. (She would never be spotted in blood that was not her own, anyway. Alicent has never picked up a sword, not one that belonged to her.) Nevermind that Rhaenyra is attending to diplomatic affairs with bared teeth and scales, no—the crux of the matter is just that, her affairs. Rhaenyra is the Realm’s Delight, a beauty incomparable to any fair maiden, Alicent included. She indulges herself with appetite of a spoiled child, the confidence of man, and the pickings befitting only to her royal blood. Criston Cole. Daemon Targaryen. Harwin Strong. Laena Velaryon. She’s full of love, isn’t she? That selfish, foolish girl. What does Rhaenyra Targaryen know of love, of duty? She is a child in so many ways—she thinks killing makes her a man, thinks the throne is hers despite being a woman, thinks she can have her knight and her uncle and her protector and Laena Velaryon in one fail swoop. She’s wrong. She doesn’t know herself half as well as Alicent does. Alicent, who sees her for what she truly is, who wants to see all of her and more of her and none of her. Alicent has been stolen into the Keep by her own father—both of their fathers—but Rhaenyra is the key to this place, is the window to everything barred. Rhaenyra Targaryen has a dragon. Rhaenyra can fly.

That’s what Rhaenyra had promised her once, with her lips pulled back in a grin, exposing the white of her teeth like the violently radiant creature she was. “Perhaps when you grow tired of plotting against me, we shall ride on dragonback together,” she had said. The tease.

Alicent had yanked her into an empty corridor by the silk of her sleeve, ready to chastise her for her ill behavior. Conversing with the lords and ladies of the court at a feast was one thing, but chattering about her bloody encounters in battle over the pudding tureen were another. The lord at her elbow was going green. Alicent’s own face was likely red; her heart raced whenever Rhaenyra got like this. Alicent had never seen the battlefield—only seen battered men in dented armor and the slumps of corpses lined along dirt roads in the aftermath of war—but her own imagination terrified her like nothing else.

(Rhaenyra is better with a sword than half of the knights in Westeros, and more lovely than the lot. Her reign has not yet begun, but already the commoners flock to her—lured in by tales of her beauty and fine hair—and soldiers would follow her into battle. Alicent would not follow, but she would watch and bite her nails down to the quick.

She thinks of the figure Rhaenyra cuts in full armor, the heat in her gaze underneath the slots of her helmet. Alicent remembers the weight of her own hand in Rhaenyra’s—which was gloved—when the princess rode up to the spectators box and grasped it in her own, bringing Alicent’s knuckles to her lips. She thinks of Rhaenyra murdered in the sky, skewered with another man’s sword, plummeting to the ground, torn in half, streaking crimson across the clouds. Alicent would scream, or cry. She might laugh. She would throw herself from the window of her tower. Rhaenyra’s bloody exploits terrified Alicent for reasons she could not identify, and excited her for reasons she refused to.)

“I’d sooner be confined to the castle for the rest of my days than get on the back of that bloody lizard,” Alicent scoffed. Rhaenyra only tucked her hand over Alicent’s, where it was resting on her forearm. She flexed her fingers, moving to release her grip on the dark fabric, but Rhaenyra intertwined their fingers and held them fast.

“You’re confined already. You are already accustomed to such a thing. I know you. But—”

“But you forget yourself. You think you’re invulnerable, Rhaenyra. You don’t know who you are.” Alicent intends for it to be a sneer, but instead it comes out quietly, and too gentle for disdain. She can’t know. Rhaenyra is as trapped as she is, but they’re trapped together. They belong together. She belongs with Alicent.

“I am Rhaenyra Targaryen, Heir to the Iron Throne and all of Westeros. I am a dragonrider. I am—I am your daughter. In a way. Your sister, too. Your enemy. Your sword, your shield.”

“And what am I?” What else is left for me? Alicent wonders.

“My Queen. For now.” Rhaenyra cocks her head, and the gleam in her eyes burns like fire raining down. “When I am Queen, you will be my lady.”

Still thinking about just how deep in it Liliana Temult is. Like in the eyes of the narrative she went from

absent & possibly dead, very sad -> alive just estranged?? mysterious! -> possibly involved in a cult, tragic, can her daughter reach her? -> uncomfortably high up in said cult -> the cult's goddamn General and striking such terror into the local population of the Ruidus that they are afraid of even her appearance or someone who looks like her

Ordinary people who are trying to resist the dictatorial Imperium/Ruby Vanguard alliance and their iron control of the populace are terrified of her. You don't strike terror just by "being there". Terror happens because of actions. And it leaves us to wonder what exactly Liliana Temult has done during her time on the moon to make the citizens fear her so much.

post ep 11

I'M GONNA SEE MY MAN, 'TIL I GET SATISFIED / for @izzy-hands

you don't get it. she loved him once. she didn't have a maester, she had a brother. he sold their mother's crown to keep them fed. he said Dany, please. she loved him, once.

wish you were here

Vash's face when he was reaching for the rope Meryl threw at him is hilarious.

Bonus:

arthur repealing the ban on magic and sitting merlin and morgana down to figure out who is going to be court sorcerer and ready to mediate a debate but before morgana can even open her mouth, merlin passes to position onto her. arthur and morgana just stare, morgana makes feeble attempts to spark an argument, to instigate merlin to at least fight for it. even arthur is like “…you don’t even want, like, a room or something for your magic work?? none of the perks?? a different position in the court?????” and merlin’s just like “nope! i’m good!” and morgana and arthur exchange a look before arthur asks why. merlin’s answer is that his position, where he belongs, is at arthur’s side. besides. morgana deserves it. she was snubbed from becoming queen so it was only fair.

MDZS Disco Elysium AU part 2 - Psyche Skills

Part 1 - Part 3

'I flirted with the idea that instead of being trans that I was just a cross-dresser (a quirk, I thought, that could be quietly folded into an otherwise average life) and that my dysphoria was sexual in nature, and sexual only. And if my feelings were only sexual, then, I wondered, perhaps I wasn’t actually trans.

I had read about a book called The Man Who Would Be Queen, by a Northwestern University professor who believed that transwomen who were attracted to women were really confused fetishists, they wanted to be women to satisfy an autogynephilia. And though I first read about this book in the context of its debunkment and disparagement, I thought about the electricity of slipping on those tights, zipping up those boots, and a stream of guilt followed. Maybe this professor was right, and maybe I was only a fetishist. Not trans, just a misguided boy.

About a year later, on the Internet, I come across a transwoman who added a unique message to the crowd refuting this professor. Oh, I wish I remember who this woman was, and I wish even more that I could do better than paraphrase her, but I remember her saying something like this: “Well, of course I feel sexy putting on women’s clothing and having a woman’s body. If you feel comfortable in your body for the first time, won’t that probably mean it’ll be the first time you feel comfortable, too, with delighting in your body as a sexual thing?”'

-Casey Plett, Consciousness

it's so sad that talia still doesn't have good friends when her loneliness is what allowed nyssa to get talia to lower her guard

okay but sarah celebrating tommy every year for mother’s day