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#especially when they have zero growth or agency
sealwithfeels · 10 months
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Sometimes I see someone describe a book/thing as 'character-driven' and I recognise it/go check it out and go 'bitch, what characters? Those bland cardboard cutouts who get bounced around by the plot?'
I'm seriously confused by your definition here
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welcome-to-oslov · 2 months
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One thing that keeps me hooked is how Tilrey's growth/healing journey/setbacks/etc are woven throughout the saga, and central to it.
Unfortunately when something really traumatic & ongoing happens to you at such a young age, you definitely spend time re-facing it/re-facing yourself at every stage: in your 20s, your 30s, your 40s, in your friend/family/lover/colleague relationships, when you become a parent, as you build career, when you see yourself reflected in others, etc.
The recent ask about how Tilrey told himself at the beginning that "he'd made his choice" (which he implied no one but a worthless person would do, so he must be - devastating indeed, and you would subconsciously carry that with you) really struck a chord. And how you've said that in Oslov Unraveled one thing he must finally figure out (and overcome) why he's so uncomfortable claiming power.
What do you think are some of the most pivotal moments of growth/healing/self-knowledge Tilrey's had over the years - and some of the most pivotal setbacks to his healing/evolution? Or, if not most pivotal, what have been your favorites :)
I'm also dying to ask your thoughts of what you hope to see in Oslov Unraveled, but don't want to spoil it for ourselves - since you're the author 😅🙌
I have to think about this, because Tilrey has had such a long character arc across all the stories! I just started writing some “deleted scenes” from the very beginning, before the start of AtKoB, and I remembered something, which is that young Tilrey initially believes he’s “saving his sector” when he goes to Redda, because that’s what Supervisor Fernei told him to make him cooperate.
So that’s where his arc starts: naively believing that every trauma he experiences is for a good cause. When he starts suspecting that’s not the case, he also starts seeing his “choice” to cooperate as cowardly and bad.
I think this is a pattern he experiences over and over. Sometimes he thinks that everything he undergoes is in service of a higher cause, which gives him an incentive to be active, plan, scheme, fight. Then everything suddenly seems useless, and he feels powerless and falls into depression and self-hatred again.
He feels a sense of triumph every time he learns to exercise some control over a situation, even if it’s as bad as living with Malsha or Verán. But with Gersha, and then with the True Hearth, he finally starts to get some traction and find ways to have agency. He sees that he can do more than just survive.
The interrogation where Ranek Egil forces him to admit he was raped is a milestone, because he starts acknowledging that not everything was a “choice” as he once believed. He can realize he lacked agency in the past and still seek agency now. Reclaiming his sexuality and ability to feel love with Gersha is a milestone. Confronting Malsha and not being afraid of him anymore, same. After that, and reconciling with Gersha on his own terms, he’s ready to work with the rebellion and be a leader and not just a tool.
But throughout all these stages, he has moments of backsliding into self-hatred and feeling powerless. I think one problem is that he still doesn’t know how to express his anger except by turning it on himself. He does express some of it with Vera and Tollsha during the whole unexpected pregnancy debacle. But usually he uses sex, especially D/s, as a way to channel anger and aggression.
The character of Einara is sort of a shadow self who represents Tilrey’s anger and aggression to him. So when he asks her to hurt him, it’s therapeutic, but he’s still not fully facing those emotions.
I just reread the moment in Crosscurrents and Consequences where Tilrey says no to Besha for the first time. It may seem trivial, but it’s a big deal to him, the beginning of saying no more often. Years later, when Lindahl asks him for sex, he says no with zero apologies, and that one seemingly small no becomes a catalyst for the sequence of events leading to the revolution.
So: At the time of Unraveled, he has love and affection and support in his life, but he still struggles with forgiving himself, with expressing anger, with claiming the power he now has, with saying no. I don’t know if anyone ever entirely solves these problems, but he can still make progress.
One thing I want him to do is make peace with his angry, raging inner self, and I do have an idea for that. ☺️ Having sex with Einara helped him but didn’t really heal their conflict.
So anyway, I’m still thinking about these character arcs, but it’s great to have readers who understand how these issues recur cyclically throughout a person’s life and don’t just get “cured.” Thank you for the question! ❤️
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kyndaris · 3 months
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Artisaint? Arti-Hell no!
On my quest to find a possible romance partner, I've met a range of different people. Some have been nice. Most are far too nervous. And then there are a few who fail to pass muster. While I usually like to get to know someone before meeting them face-to-face, I'm not too opposed to go on a blind date once in a while if it's for coffee in the middle of the day and at a public place. So, when my grandmother's friend, who runs a dating agency, told me about a man she thought it would be good for me to meet, I said 'Sure, why not?' After all, the whole dating experiment is meant to be about testing compatibility and seeing if we could be together in a romantic sense.
Long Black - the codename for this particular individual - didn't really chat to me much via text message but was keen to have a coffee. In the end, he suggested the Artisaint cafe at Burwood. I readily agreed. It was, after all, a nice in-between location filled with a ton of people.
Unfortunately, I was late to the date. Due to a few personal circumstances, I had to take my grandmother to the bank in order to reactivate her debit card and set a pin. Then there were the groceries to purchase as well as a few household chores that needed to be done. By the time I left my place, I knew I would be late and summarily texted Long Black the situation. He seemed understanding about the fact.
Open communication. One of the first tenets to the establishment of a long-term relationship.
Trying to be the good Samaritan that he thought he was, Long Black did ask me if he ought to order anything for me and was kind enough to send through a copy of the menu. As I was driving, I couldn't respond to him but by the time I parked, I informed him I didn't drink coffee and it wouldn't be a problem for me to order when I got to the cafe.
I arrived at Artisaint twenty minutes after the assigned time - something which bugged me because I dislike being late at the best of times - said 'hello' to Long Black and quickly perused the menu. In no time, I'd ordered an ice chocolate and a spaghetti bolognese as I'd not had the time to enjoy lunch. As I ate, Long Black peppered me with questions about my interests and life. He zeroed in on murder mysteries, after I mentioned studying criminology at university, and began asking about good shows.
There were a few other questions like my job, my family make-up and a few of my hobbies. Long Black was especially quick to say 'me too' if he agreed with anything I said. While these were all good and fine, considering we didn't manage to go over shared interests during our very short-lived text conversation, it did feel like I was being interviewed.
But, dear readers, let me first paint a picture of our Mr Long Black.
On the profile he submitted to the dating agency, he provided a photo where he was out on a cliff overlooking the ocean, advised he had studied computer science and that his hobbies included singing. The man I met was a nervous introvert. While the photo showed him in jean shorts and a nice black shirt, the man I met wore a baggy black t-shirt with 'Tradie' written on it in big block letters. He also had on a pair of grey sweatpants and white tennis shoes. He'd also done a poor job at shaving, with patches on the right side of his face. I later learned he'd only studied computer science to secure himself a permanent resident visa and that he was now working in a warehouse catering to eBay.
To say I was disappointed was an understatement.
In fact, by the time I finished my spaghetti bolognese, I was looking to leave. Mr Long Black simply wasn't cutting it for me. Especially as he seemed adamant to speak in English although I'd told him (and demonstrated my ability) to speak in Mandarin. He also expressed some views that I found a bit narrow-minded, without much potential for growth.
I don't like to speak ill of the people I meet but there was an air of desperation to him. Or maybe it came from the fact he kept sipping from his coffee cup (which already looked half empty by the time I arrived). Whatever the case, he reminded me of a high school friend of mine whose girlfriend had brutally broken up with him during their overseas trip and had lost hope of ever finding someone.
Coupled with the fact that Mr Long Black didn't like his job but wasn't making any steps to changing his situation, I had the feeling he was a man looking for a woman who could encourage him out of his shell and to force him to try new things. An extrovert who didn't mind 'fixing' him, if you will.
This, of course, is not me.
If you've read my post about Stray Gods, you know Apollo didn't much appeal to me because he was just a sad boi. I would prefer a manic pixie dream boy/ himbo golden retriever, or a power mummy who will step on me.
Okay. Well, maybe they don't have to be those archetypes (especially if they're an actual flesh and blood human), but I'm definitely not someone wants a problem project of a human. And after trying to 'fix' the one ex-friend I had, who also lived an incredibly sheltered life and has only now discovered gender fluidity at thirty because of their lack of exposure to basically everything, I don't need or want to fall back into old habits.
Although, to be perfectly honest, I think I do have a type. Shout out to my friend Redoubt asking me about this during our Christmas/ New Year party at the end of 2023. But honestly, I think my type might be women. Their the ones who can draw you in because they're energetic and bubbly and you don't feel silly around when you goof up. And while their laughs can be loud, it's also endearing?
I know! Revelation after revelation!
I was reading A Man Called Over for my work bookclub and while I'm not as good with my hands as Ove is, I'm definitely the more curmudgeonly type of individual. As I've told quite a few people, I'm the grump who needs a sunshine to brighten up their days. The one whose nose is booped when they're being stubborn.
So, what I need is the Enid to my Wednesday. The Harley to my Ivy.
In any case, I didn't stay long with Mr Long Black, feigning an excuse to leave after an hour and a bit in his stomach. Given I'd also ordered more than he did, I also paid for the bill. In this age of equality and feminism, it seemed like the decent thing to do despite his objections (Long Black was seated on the cushion-y seats inside the booth while I sat outside).
Afterwards, I took a gander around Burwood Westfield before heading home, retreating once more to the comfort of my books and video games.
So ended a not so successful date.
But who knows, maybe I might have found a spark as I've been travelling overseas. By now, @bleachpanda and I are probably in Japan and will be making our way back home to Australia in a few short days. True, we'll miss out on the cherry blossom season but there's always next time!
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China Microbial Fuel Cell (MFC) Market Share 2025
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The global microbial fuel cell (MFC) market is anticipated to make significant strides with a projected compound annual growth rate (CAGR) of 9.8% between 2021 and 2025, culminating in a valuation of US$15 million by the end of 2025. The prevailing energy crisis on a global scale has spurred the expansion of this market, as renewable sources gain prominence as potential solutions to the scarcity of traditional resources.
With growing concerns about climate change, investments in zero-pollution fuel sources like fuel cells have gained traction. While several fuel cell technologies have already been extensively commercialized and employed in the transportation sector, companies continue to invest in research and development activities to enhance fuel cell efficiency and explore new application areas. This ongoing effort has significantly benefited the global microbial fuel cell market.
Microbial fuel cells, or MFCs, have garnered attention for their ability to meet low-to-medium power requirements. These fuel cells employ microorganisms to convert the chemical energy of organic compounds into electricity, making them a promising alternative energy source. Extensive studies have shown that MFCs can utilize a wide range of carbon sources, including waste materials, through various microbial strains. This enables the efficient generation of energy while simultaneously employing bioremediation strategies, showcasing the environmentally benign nature of MFC technology.
Access Full Report: https://www.fairfieldmarketresearch.com/report/microbial-fuel-cell-mfc-market
The outbreak of the COVID-19 pandemic has temporarily hindered research and development in the MFC field. The International Energy Agency (IEA) reports a downturn in hydrogen demand from industries such as oil refining, steel manufacturing, and chemicals due to the pandemic. However, the overall potential of MFCs in research and development remains intact.
The demand for microbial fuel cells in wastewater treatment facilities has witnessed a surge due to their ability to reduce environmental impact. MFCs play a crucial economic role in wastewater treatment, offering dual advantages. Firstly, they produce electricity at a lower cost, which can be utilized for in-house electricity needs. Secondly, they contribute to reducing overall wastewater treatment expenses. By removing environmental pollutants, such as bacteria, from wastewater, MFCs prove to be an ideal solution for minimizing treatment costs. Given that global wastewater treatment costs amount to approximately $30 billion annually and continue to rise, microbial fuel cells have emerged as an effective means of cost reduction in wastewater treatment plants.
Moreover, the adoption of microbial fuel cells in various applications leads to a reduced dependence on fossil fuel-driven energy, thereby decreasing the overall environmental footprint. MFCs offer a direct positive impact on the environment, establishing a strong foundation for their widespread adoption as renewable energy technology and a potential alternative to fossil fuels.
Compared to other types of fuel cells, MFCs are still in the nascent stage of development and adoption in the majority of nations worldwide. Consequently, there is ample room for improvement in power density, particularly when it comes to scaling up power generation through higher substrate volumes. Scientists and researchers are actively fine-tuning process efficiencies, especially in areas that involve power generation optimization.
The successful application of MFCs in wastewater treatment also relies on several variables, including the concentration and biodegradability of organic matter, wastewater temperature, and the presence of toxic chemicals. In addition to reliability and scalability, MFC systems need to be simplified to enhance cost-effectiveness, particularly at a time when solar and wind power are becoming increasingly competitive with coal.
The demand for mediator-free microbial fuel cells is expected to grow stronger in the market. Mediator-based microbial fuel cells rely on chemical mediators or agents to transport electrons to the anodic surface, whereas mediator-free microbial fuel cells utilize bacteria present in wastewater that naturally transport electrons to the electrodes through long nanowires. Mediator-free microbial fuel cells offer cost advantages over their mediator-based counterparts, as they are less toxic and require lower production costs. Consequently, extensive research and development investments are being directed towards mediator-free MFCs, increasing their market attractiveness and potential to minimize overall costs.
The Asia Pacific region currently dominates the global microbial fuel cell market, driven by the adoption of MFCs in a variety of applications, including wastewater treatment and biosensors, as well as numerous ongoing research and development endeavors. Noteworthy examples include a special MFC developed in Hyderabad, India, that generates bioelectricity by degrading wastewater, and power generation from cylindrical microbial fuel cells inoculated with P. aeruginosa as feedstock in China. Asia Pacific is poised to maintain its leading position due to its easy access to affordable and eco-friendly energy sources, aligning with the region's significant investments in green fuel and government support.
In North America, the demand for hydrogen is increasing in both the power generation sector and wastewater treatment applications, with over 90% of hydrogen consumption occurring in refineries and the industrial sector. Notably, researchers at WSU have developed a sustainable wastewater treatment system that utilizes electron-producing microbial communities to purify water, showcasing the region's commitment to innovative MFC applications.
Europe sees several investors funding research and development activities aimed at improving microbial fuel cells through groundbreaking technologies. Researchers at the University of West of England (UWE), Bristol, have made notable contributions by investigating various environmental conditions to achieve faster growth and maximum power transfer in MFCs. This effort led to the development of the EcoBot (Ecological robot), an autonomous robot that utilizes MFCs for its operational energy supply. Another example is the Slugbot, which employs microbial fuel cell technology to generate electrical energy directly from unrefined biomass, enabling the capture of slugs in the field.
Latin America and the Middle East & Africa are still in the introductory stage of adopting microbial fuel cell technology. However, notable advancements have been made, such as the development of a tin-coated copper microbial fuel cell in Turkey that achieved the highest power density of 2,965 mW/m2 by generating electricity from algae. Moreover, Morocco has set ambitious goals to increase its electricity generation from renewable sources to 52% by 2030, aligning with its green energy vision and triggering potential investments in the global microbial fuel cell market in the coming years. The competitive landscape of the global microbial fuel cell market includes key players such as Cambrian Innovation Inc, Vinpro Technologies, Open Therapeutics LLC, Triqua International BV, Sainergy Tech, Inc., MICROrganic Technologies, Prongineer, Fluence Corporation, Microbial Robotics, Emefcy, Protonex, and ElectroChem Inc. Notably, Open Therapeutics LLC focuses on the commercialization of a patent granted to Bacterial Robotics, LLC in 2015, showcasing the ongoing drive for innovation and advancement in the field.
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How to help your agency survive, thrive, and grow in turbulent times.
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In perpetual search of the half-full glass moment, I remain an optimist by nature, but if you work for an advertising and marketing agency, you know just how volatile this business can be, populated by fickle clients, unanticipated agency reviews, and the threat of diminishment or, even more dire, dissolution, ever present.  
Add to this the uncertainty wrought by Covid, with offices closed, people compelled to work remotely, and meetings banished to perpetual purgatory, and you have a cocktail that spells potential impending doom.  
So I was glad to read Media Post’s story about “The 4A's Latest Mission: Drawing Up 'Recession Proof' Plan For Agencies,” which quotes Four A’s CEO Marla Kaplowitz:
“Developing and retaining the strongest talent is the top challenge, Kaplowitz asserts. While some might be tempted to cut back on training and other development programs, she strongly advises agencies against doing so. ‘They should be doing more, not less’ in those areas.”
I’ve had my issues with Kaplowitz, but I agree agencies be doing more, not less, to train their people.
Kaplowitz no doubt is thinking agencies should hire The Four A’s for training. I assume (but frankly don’t actually know) their trainers are competent enough, but if this were my decision to make, I would look elsewhere.
If you call the UK home, you should hire Jenny Plant.  If you call here home, you should hire me.  
Jenny runs her very well-developed Account Accelerator Program, the only person I know who works with agency people to make them better. She’s good, very good, and if you determine there is an issue in need of attention – client attrition, lack of client growth, low-level or acute client dissatisfaction – you should connect with her straight away.
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As for me, most people claim to “have written the book on account management,” but I am the only person who actually has written that book – three editions no less – that defines and deconstructs how to build and sustain trust-based relationships with clients and colleagues.  
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I complement the book with a series of workshops focused on the “how” of things, as in how you build those relationships, write a Creative Brief, run a meeting, brief a colleague, do a conference report, proposal, or presentation, or handle any one of countless other details agency people confront day-in, day-out dealing with clients and colleagues.
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It costs nothing to speak with Jenny or me; all it takes is a little time for a conversation.  If it goes well, with me it leads to a letter of proposal, again costing zero.  
More now than ever agency people remain with shops that support them, develop them, grow them.  Agency people -- especially the really capable ones -- who don’t get this kind of support, inevitably leave, draining the agency of talent, at a time when continuity of talent is what you need most.
If our conversation doesn’t go to your satisfaction, we shake hands (figuratively, given we likely will do this via Zoom) and you go on your way. If it does go well, a letter of proposal from me comes next, still costing nothing.  
Based on the proposal and our subsequent discussions, you decide if what I offer benefits your team. Then and only then is there a cost, one that pays dividends far exceeding the investment in terms of reduced client and colleague frustration and increased satisfaction.
I no longer run an agency, but if I still did and the shop was in the UK, I’d make calling Jenny a priority.  
If the shop were here, a priority would be getting in touch with me.
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sleettent24 · 2 years
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a few Best Ecommerce Sales strategies And Tactics
Ecommerce organizations were already viewing excellent growth just before COVID-19. But the pandemic accelerated client adoption of online shopping, taking that to booming ranges that were not necessarily expected for the few more many years. People who have been previously averse in order to ecommerce suddenly started out buying in hundreds and thousands. And many, in case not most, regarding these people are usually likely to continue acquiring online long right after the pandemic is over. But these kinds of customers aren? capital t gonna simply stretch of land on your lap. If you? re not getting your current brand in entrance of prospects, they will likely go to someone else. This tremendous opportunity has spawned multiple competitors. And even in order to stand out coming from the crowd in addition to truly maximize your own growth, it is advisable to obtain ahead of the ecommerce digital marketing and advertising game. You add? t just will need a? excellent? e-commerce marketing strategy; you need the best internet commerce marketing plans you could find. Fortunately, that will? s where this blog post comes inside. That? s in which we? re right here to aid. In this kind of blog post, many of us? re going to be able to examine 10 regarding the most productive online marketing techniques for ecommerce internet sites that we? empieza seen work like a charm and drive explosive growth. These ecommerce marketing tactics are usually: Proven. We? re also not just talking hypotheticals here. Typically the ecommerce marketing tactics we? ll handle in this article happen to be derived by our agency? s i9000 most successful ecommerce digital marketing plans. We all know these function, period. Actionable. They are designed to work for your organization using a minimum of prior setup. Several require more arranging than others, although for the most portion, you could place these into exercise today, if an individual really wanted. Flexible. Zero two businesses happen to be the same or have the same needs? especially given the particular useful options intended for ecommerce marketing platforms out there. Almost all of00 the strategies right here will be platform-agnostic: Whether you? re also using Google AdWords, marketing on Myspace, focusing on SEARCH ENGINE OPTIMISATION and content marketing and advertising, or something different, you? ll get able to set these to use. Complementary. Why use one top ecommerce marketing strategy if you could use 2 or three? You can utilize as many of these best e-commerce marketing strategies simply because makes sense regarding your business. Well, that? s adequate introduction, don? t you think? An individual? re not in charge of the intro, an individual? re here regarding your ecommerce advertising and marketing plan. So allow? s dive directly into it. Ecommerce Marketing and advertising Strategy #1: Raise your Ecommerce SEO Whenever you? re looking to use the internet, how carry out you find new products to buy? When you? re like most people, an individual probably begin by proceeding to your alternative of google search (Google, Bing, and so forth ), entering your concern, and seeing exactly what pops up. That will? s how folks shop online these types of days, and that? s what makes it so critical to obtain proper search motor optimization, or SEARCH ENGINE OPTIMISATION. To be straight-forward, the benefit of ecommerce SEO is definitely this: You desire search engines like Google to screen your products prior to they display your own competitors? products. How often do you scroll all the way up down typically the search results web site? Or go to be able to the second page, or the finally? Probably not as well often, right? Merely being on the initial page can be quite a big boost to your visitors? as can your own rank even upon that first web page. There are numerous things you can do to improve SEO to have an ecommerce website. You possibly can make sure images have appropriate alt-text, or that will your page titles use common research terms. But possessing the best ecommerce SEO isn? capital t easy. If that was, everyone would do it. Truly effective ecommerce SEO needs covering your web site from top to bottom having a fine-tooth, SEO-enabled comb. Action 1: Ecommerce SEO Audit The best ecommerce SEO approach starts with an sincere assessment of exactly where an individual currently stand in typically the search results. Similar to stepping on the particular scale before a person begin a diet plan, you need to understand where you currently in order to decide where you need to visit. An ecommerce SEO audit inspects how your web site ranks for your research terms most related in your business. 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Would you forget to be able to change existing back links when you has been renowned previous URLs? If search engines always keep hitting dead ends, they? ll punish your search ranking. Identical content. Whether it? s duplicated tag words, meta descriptions, or perhaps on-page content, look for engines don? to like to view it! Security issues. Did your site have HTTPS pages that hyperlink to HTTP ones? Of which? s a no-no. Fixing technical issues like these (and many others) will improve your blog? h SEO health drastically. Technical SEO intended for ecommerce is usually ignored, but is not a significantly less critical than any others. Step 3: Ecommerce Keyword Research Your own ecommerce SEO review assessed the way you were undertaking in all the keywords you were currently concentrating on? but what concerning the ones you aren? t? Targeting new keywords and keyphrases is a great way to grow your viewers with zero advertising spend. In order to realize what new key phrases you should be targeting, you have to do broad ecommerce keyword analysis. Ecommerce Keyword Analysis Thankfully, you can find sites like SEMrush plus AHREFs that will make this particular process very intuitive. Try to think that like a customer: Exactly how would someone browsing for your items start their search on Google or Bing? What questions would they ask? Think like a new consumer, and your ecommerce keyword research will be a lot more effective. Step 5: Streamline On-Page SEO Once we say? website SEO for internet commerce,? we mean accurately what it claims on the container: How does a search engine assess every person page on the site? Is the particular product clear? Conduct the algorithms know what it? s regarding, so that these people can deliver this to your target audience? The very best on-page SEO for internet commerce involves optimizing things like the pursuing: Meta descriptions. Your own meta descriptions should always include primary keywords (even extra keywords, when you can match them) while getting around 150 figures. Don? t recycling descriptions from webpage to page. Photos. Images is never also large (this reduces page load instances, which negatively effects technical SEO); try out to bear them underneath 1-2 MB. Document names and alt-text should always include keywords you? lso are trying to focus on. Which do an individual think search machines will prefer, some sort of file named img43_070820. jpg, or an image named mothers-day-chocolate-collection2020. jpg? Page backup. Is the written content on your page primary? Would it contain just about all the keywords of which you? re concentrating on? while still becoming intelligible and making sense, not only being? keyword packed?? Make sure that your content material is substantial; pages that are way too short tend to acquire dinged by search engines. On-page SEARCH ENGINE OPTIMIZATION for ecommerce web pages is crucial, in addition to this is likely where bulk regarding your time plus effort is going to be expended. Step 5: Build Off-Page SEO At first glance, this might not really make any feeling. How do off- web designer in Kolkata for ecommerce actually be a specific thing? An individual can only management SEO on the own website, proper? That? s correct, but don? capital t forget that the Planet Wide Web is still an internet. When other websites connect to you, this kind of indicates to locate motors like Google of which your site is usually trustworthy and authoritative, and your SEARCH ENGINE OPTIMISATION will improve as a new result. Build Off-Page SEO Off-page SEARCH ENGINE OPTIMISATION for ecommerce web sites tends to require various link developing strategies. You are able to create blog posts and hope others find them insightful (more on this later), create high grade content like e-books, infographics and a lot more. You can inquire from your distributors, suppliers, or other partners to url back to you personally. Will be a blogger connecting to one of your competitors? Why not offer a hyperlink to one of your own pages instead? When your internet commerce SEO strategy beefs up the strands on the planet wide web that will link to the site, you? lmost all be rewarded simply by better search positioning.
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chickcurve30 · 2 years
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a few Best Ecommerce Sales strategies And Tactics
Ecommerce businesses were already viewing excellent growth just before COVID-19. But the pandemic accelerated client adoption of on-line shopping, taking this to booming degrees that were not necessarily expected for a few more many years. People who were previously averse in order to ecommerce suddenly started out buying in legions. And many, when not most, associated with these people are usually anticipated to continue purchasing online long after the pandemic is over. But these kinds of customers aren? t gonna simply get on your panel. If you? re also not getting your current brand in entrance of prospects, they're going to go to someone else. This incredible opportunity has created multiple competitors. And in order to be able to stand out by the crowd plus truly maximize the growth, it is advisable to find ahead of the ecommerce digital advertising game. You don? t just need a? excellent? internet commerce marketing strategy; you will need the best ecommerce marketing plans you can find. Fortunately, of which? s where your blog post comes throughout. That? s where we? re here to assist. In this particular blog post, we? re going to examine 10 associated with the most successful online marketing methods for ecommerce internet sites that we? ve seen work like a dream and drive explosive growth. These internet commerce marketing tactics happen to be: Proven. We? re also not just speaking hypotheticals here. Typically the ecommerce marketing tactics we? ll deal with in this write-up are already derived through our agency? h most successful online business digital marketing plans. Many of us know these function, period. Actionable. These are generally designed to function for your business with a minimum associated with prior setup. Some require more setting up than others, although for one of the most element, you could place these into practice today, if a person really wanted. Flexible. Zero two businesses will be the same or have the same wants? especially given the particular wealth of options regarding ecommerce marketing websites out there. Almost all of00 the strategies in this article will be platform-agnostic: Whether you? lso are using Google Google adwords, marketing on Facebook, focusing on SEARCH ENGINE OPTIMISATION and content marketing, or something different, you? ll get able to put these to use. Complementary. Why make use of one top online business marketing strategy when you could use 2 or three? You may use as many of these best ecommerce marketing strategies just as makes sense regarding your business. Well, that? s enough introduction, don? capital t you think? You? re not in charge of the intro, you? re here for the next ecommerce marketing and advertising plan. So let? s dive into it. Ecommerce Marketing and advertising Strategy #1: Elevate Your Ecommerce SEO When you? re looking to make an online purchase, how do you find new items to buy? When you? re love most people, you probably begin by proceeding to your choice of search engine (Google, Bing, and so forth ), entering your question, and seeing exactly what pops up. Of which? s how folks shop online these kinds of days, and this? h what makes that so critical to have proper search engine optimization, or SEO. To be straight-forward, the benefit involving ecommerce SEO is this: You would like search engines like yahoo to screen your products prior to they display your current competitors? products. When do you scroll all the way up down the particular search results site? Or go to the second site, or the third? Probably not too often, right? Simply being around the very first page can be quite a massive boost in your targeted traffic? as can your rank even in that first site. 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I’ve seen a lot of people saying things along the lines of ”portal!Catra just wants to be with Adora and doesn’t resent her so obviously Catra is uwu soft baby who just wants to be loved and doesn’t actually want power” and implying that all Catra needs to find happiness and fulfillment is to give up the power-hungry charade and go be with her girlfriend. As an abuse survivor myself, I find this troubling on a number of levels, and I have a few things to say to this:
1) Portal!Catra is not real Catra.
Portal!Catra is something straight out of a really ooc high school au. She is very different from real Catra, and the contrast is meant to be shocking (much like the asshole au version of Buffy in BtVS 3x09 “The Wish”). It’s a reflection of how people are shaped by their circumstances, it’s not a character study of Catra’s actual wants and needs.
The Catra we saw in the portal, before she remembered her real history, was not dealing with the fallout of a lifetime of abuse. She did not know to be afraid of Shadow Weaver. In fact, she rolled her eyes and groaned when Shadow Weaver scolded her and Adora for goofing off and said she had high hopes for both of them. Real Catra would have killed to hear Shadow Weaver say she had high hopes for her, and here she was acting like it was an annoying lecture she heard all the time. The Catra of this “perfect world” has not spent her whole life being tortured and degraded and humiliated and told that she would never amount to anything.
So yeah, it makes sense that this version of Catra is happy for her friend who got promoted, in contrast to real Catra’s reaction. In this reality it’s good for the whole squad, and they all got the chance to prove themselves in Thaymor. In this reality it’s not a reminder that no matter what she does, she’ll never be as good as Adora, always be seen as useless and never get a chance to prove her worth. This Catra knows maybe she could become a Force Captain one day too. And if she didn’t, maybe it wouldn’t be the end of the world; she hasn’t been told time and time again how incapable she is, so she doesn’t have her canon self’s all-encompassing urge to prove people wrong about her.
In the portal reality, Catra wasn’t blamed for Adora’s failings or treated like a nuisance - a sidekick at best, a liability at worst. She wasn’t pushed down so Adora could be lifted up, they were lifted up together. Of course this Catra doesn’t resent Adora the same way she does in canon or have the same obsession with proving herself.
2) “Just being with Adora” is what caused this problem in the first place.
Catra spent her childhood finding solace in Adora while battling a growing resentment towards her. We’ve all seen “Promise,” this fact is right there in canon. Just being with Adora was Catra’s strategy to try to stay happy throughout her childhood, but it wasn’t working.
Adora was the only good thing in Catra’s life, but this relationship brought her pain as well, and not just from Shadow Weaver. She felt like Adora didn’t respect her, didn’t believe in her. And it’s hard to blame her when you see some of Adora’s cocky posturing, like the “sure you did” and “riiiiight” comments. Adora’s just teasing and playfully asserting dominance (perhaps even trying to flirt a little), but to Catra it doesn’t feel playful, it feels malicious and disrespectful. The one person who makes her feel like she’s worth anything at all so casually dismissing her abilities is devastating.
Sacrificing her need for respect and validation to go be with Adora is not going to fix Catra’s problems. It is not progress, for Catra or Catradora. It’s regression into the unhealthy dynamic that caused much of the conflict between them in the first place.
3) There is no reclaiming this “ideal Catra.”
This may seem like a callous thing to say, but it doesn’t matter what Catra could have been under better circumstances. We are all shaped by our experiences, and no amount of love or therapy will undo what we have already gone through and how it shaped our psychology. All we can do is learn how best to live with who we are now. I’ve had to learn this the hard way, as someone with an acquired disability and a boatload of trauma. There is no ideal version of yourself to get back to, only future versions of yourself to work towards.
This is as true for Catra as it is for anyone irl. It’s not fair to say that Catra “at her core” just wants to be safe and loved and with Adora and therefore all her other needs borne of her abuse and neglect are meaningless. That’s extremely negligent, actually. That attitude minimizes Catra’s trauma, implies that she just needs to learn to get over it and then she won’t have these “impurities” in her personality anymore.
Catra has been abused, and she will always be hypersensitive to indicators of abuse. She’ll get triggered and riled up by seemingly innocuous things when it feels like someone is trying to dominate or subjugate her, take away her agency. She is always going to need to feel a certain sense of power and control just to feel safe and comfortable. In certain situations and around certain people she may feel safe enough to let that guard down and just relax and trust, but that’s a privilege, not a right. On that note...
4) Catra does not need to chase this ideal for anyone’s comfort.
Yes, Catra needs to change. She needs to stop pushing away everyone who loves her, she needs to curb her self-destructive impulses. She needs to take steps toward not just redemption, but healing. This will only be possible once people finally start to acknowledge her trauma, but that’s a whole other story.
However, Catra does not need to change the ways her abuse has shaped her. That’s impossible, and an unfair expectation. Healing from trauma is not the same as erasing it, and this is a very common misconception in the real world as well as in fandom. It’s also an extremely harmful misconception.
Now, this idea in particular is a popular theme in discussions of Catradora’s relationship dynamics, the implication being that Catra will only be happy/healed if she can get to the point where she not only can, but wants to yield control to Adora and that if she can’t/won’t then she doesn’t really trust her and their relationship is broken. The yikes level of this argument, especially in NSFW contexts (which is where you will often see it), is off the charts. It is not fair to expect an abuse survivor to put herself in uncomfortable and potentially triggering situations just to prove she trusts her partner or to demonstrate personal growth. Period.
Now, that’s not to say expressions of trust on Catra’s part wouldn’t be good for the relationship. Adora wants to take care of Catra as much as Catra wants to take care of her, and feeling like Catra trusts her (in those contexts or in others) would certainly stroke Adora’s ego. The problem lies in it being an expectation or us treating it like a milestone, something to celebrate. If Adora is a good partner she will work with Catra as she is and let her express trust in ways she feels comfortable with, rather than pressuring her to do things she’s not comfortable with to prove her feelings for Adora or illustrate her progress.
In short, erasing her history and ignoring her abuse is harmful.
Like I said, portal!Catra is not real Catra, and we can’t treat her like she is. It makes zero sense to ignore or villainize her perfectly legitimate need to feel powerful and in control over her own life just because someone who lived a totally different life didn’t have that same need to the same degree.
And I know I will get comments that canon Catra doesn’t really want power either, but I disagree. Catra doesn’t really want to rule the world, it’s true, but she wants to prove that she can. We’ve seen her enjoy being in a leadership position because she’s good at it and it reminds her of her own competence and worth. Just because she found no satisfaction in losing her soul to take over the world does not mean she finds no genuine fulfillment in being in a position of influence.
Even regardless of how much she enjoys it, Catra is still drawn to power because she has grown to associate it with positive outcomes like safety, agency, and self-actualization. Yes, power may not be Catra’s ultimate goal, but that doesn’t make it meaningless to her. And I really wish people would stop acting like a perfectly normal response to abuse is a character flaw that needs to be fixed.
It seems a lot of people are quick to forget Catradora’s real history as depicted in “Promise” because they like the “Remember” version of their relationship better. Because they like this version of Catra better. It’s understandable - who doesn’t want to see Catra happy, right? But like Adora so devastatingly told Catra (and all of us), it’s not real.
We need to stop pretending it’s real.
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springsaladgaming · 3 years
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i love the demo up to now but im getting very mind blind vibes from this (mysterious traumatizing childhood event which tore your family apart, determinable relationship with your brother, unapprochable older RO (ansel and ambrose), cold edgy RO where you have to be kinda rude to get their attention (teagan vs k), and just like, general vibes) and like this isn't a bad thing but i think it's important to keep in mind and make sure your story has its own remarkable distinguishing features
This story is loosely based off of a short story that I wrote when I was in University about a decade ago. The two stories don’t have anything in common in terms of plot anymore (especially since the short story was Postmodern realistic fiction and HEAVILY influenced by Chuck Palahniuk), but the entire family dynamic was based on the main character, then called Jamie, who was struggling with depression and suicidal ideation, and his family, who seem to be oblivious to what’s going on with him. Sun is a pretty close equivalent to the brother in that story, whose name was Graham. Graham was the successful older brother, the one who, in Jamie’s eyes, was everything his parents ever wanted out of a kid. He was also the only one in the family who seemed to notice what was going on with Jamie. The parents in Ninelives are also very similar to the parents in that story, only the family dynamic had to do with the mom giving the dad placebos for an imagined medical issue and lying about it for years. Jamie inadvertently discovers this and has to decide between exposing this or keeping it secret. (The two stories actually start in the same place; the bathroom. Only, in the original story, Jamie was in the bathroom after a failed suicide attempt, trying to OD on the very meds that his father took, which is how he discovered the placebo thing.) I was eventually planning on turning that short story into a novella with the main theme really touching on visibility of mental illness, but between all the writing I was doing for school and some personal issues in my own life, that short story got dusty in a digital folder on a USB drive I have somewhere. Can you believe those used to be a thing? But I digress.
I have read Mind Blind, and I’m not going to pretend that it (as well as other IFs I have read) didn’t influence me to start this project. So you aren’t totally incorrect. There are similarities, but the similarities don’t come from me basing my content off of Mind Blind. Rather, prior to deciding to try my hand at writing IFs, Mind Blind reminded me so much of this short story from college that I finally decided to revisit it, albeit reshape it into something new. And, hey, that’s Structuralism, baby.
So I can definitely understand feeling these similarities at first glance. That being said, it’s also quite early in the story still, and there is a lot the MC doesn’t know, even about their own brother.
So I guess what I ultimately want to say is, give it time. I don’t personally find the characters that similar, but I also have the advantage of knowing what’s going to happen in the story. It’s definitely my goal for this story to be its own unique beast, and I hope to live up to peoples’ expectations of that. The last thing I want is to rip off of someone else’s content. >.< It’s something I always try to keep in mind when I feel inspired by other works.
I want to touch on this subject more, and I love talking about my characters, but I don’t want to ruin anything for people who want to go in blind, so I’ll talk about the rest under this cut. No spoilers, just more background information.
Ansel is actually one of the most approachable characters in the story. If you’re referring to a specific scene that occurs with a specific choice, there is a reason that he is unapproachable in that situation, and it’s something you will get to talk about with him should you trip that flag. The thing about Ansel is, there’s enough going on with him already, even after a single day, that a player might choose to be suspicious of him. And for good reason. I want to say more on that, but honestly it’s hard to talk about what’s going on with him without touching on major spoilers, so I’ll just say that Ansel is probably the easiest character to get close to (besides maybe Rene), provided you don’t let your suspicion stop you.
Sun is in a similar boat as far as the “hard to talk about without spoilers” thing. There’s something more to his overprotectiveness besides just being a loving sibling. Ulterior movies is definitely a somewhat large focus of some of this plot, and this could become a conflict with more than one character, depending on what the player chooses to pursue. Can’t say more on Sun without heading into spoiler territory either, but your relationship with him could end up really terrible for completely justified reasons later, or you can keep it pretty great, or it can be a mix of the two. I wanted that to be determinable as well as fluctuating with him because sibling relationships are rarely ever one or the other, and I didn’t want to impose that choice on players, especially not since I was already imposing a bad relationship with the parents. I hate taking away player agency when creating their character, but there are some things I just have to do to railroad the plot in the right direction. I didn’t want Sun to be one of those things.
Teagan ultimately appears a little bit tropey. I would go so far as to say there is one of him in a LOT of interactive fictions out there. Tropes aren’t necessarily a bad thing - this is how we, as a society, have formed recognizable archetypes. But that’s something I want to work on with him. My goal is to give him his own flair. Once we start seeing Teagan interact with characters like Alex, Lucia, or Rene, he should start to show his true colors a lot more. One of my major goals with this story is giving the ROs significant opportunities for personal growth, and Teagan is one of the people who needs this the most. 
As an addendum to Teagan, he actually doesn’t respond well to people being rude to him, even though sometimes it might seem that way. 🤣 Poor guy is pretty socially inept and doesn’t have a very high emotional intelligence. Ansel also doesn’t challenge him to be better, which doesn’t help. If he smiles or smirks in response to a comment or a dialogue choice, it would be safer to err on the side of caution and make zero assumptions on what it means. There are a couple of smile/smirk scenes in there that are actually considered negatives for him. I’ve been having a little fun with this, because the choices that might seem like the “right” ones to increase relationship when we’re talking about other IFs or visual novels, for example, are often not the right ones with Teagan.
The good news here is that getting to know the characters and getting close to them in Ninelives is more about just spending time with them and learning about them than it is about making “wrong” choices. I play a lot of visual novels, and one of the things I’ve always disliked about them is how often a single wrong dialogue choice (one that usually seems arbitrary at the time) locks you out of certain routes or brings you to a game-over screen. I’ve really never like that. Between that and the fact that fully-released CSGs don’t have a save feature, one of the things I decided early on was to remove anything that resembled a game-over mechanic or a complete failure to achieve something. When applying that to character relationships, that means players are going to get ample opportunities to get to know the characters without locking themselves out of friendships or romances. This doesn’t mean there are no consequences to being an asshole to the characters all the time, but consistently failing to pick the "best” reactions with characters isn’t necessarily going to ruin your chances with them either.
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dazedandlucid · 3 years
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pls elaborate more on the manic pixie trope i like hearing u talk
anon i am hijacking your message to answer other anon(s) as well i hope that is okay!
first, we must look at what a manic pixie dream character (yes this doesn’t apply only to girl characters so if it’s a dude, manic pixie dream boy, keep going from there) even is! girl or boy or non-binary, etc, a mpdc was a trope identifier coined in the ancient year of 2005 in a film review of cameron crowe’s ‘elizabethtown’. the criticism was basicaly that this type of character isn’t their own character at all and a very specific one at that. they are whimsical. quirky. they’re not like other girls/boys/nb’s. usually they are childish, bright and optimistic about life. they have cool obscure music taste. sometimes weirdly colored hair. but the biggest tell is that this character has no goals or wants of their own. they don’t want anything independently of the main character. they are there to show the, usually very drab plain boring miserable stuck in a rut protagonist, a new fresh bright way of life. they are there to “save” so to say the main character not through any heroic action but by their mere shiny oh so special ~existence~. it was originally a criticism of the way male writers wrote these, usually, female characters, with zero agency or purpose other than being a receptacle for the male character to project all his boring bullshit onto. this is a valid criticism. characters like kirsten dunst’s in ‘elizabethtown’, natalie portman’s in ‘garden state’, to a debatable extent the movie version of ramona in ‘scott pilgrim’. for male characters there’s the dude in ‘the fault in our stars’, the dude in ‘pitchperfect’. these characters are by and large thinly written vehicles for the plot, for someone else’s growth and not much else. they do not have their own journey of growth as well. but then, as people are known to do, we lost any and all nuance.
basically every sorta alterna-ish female love interest was deemed a mpdg in the mid late 00’s. even ones that either clearly were not (ie clementine in ‘eternal sunshine’) or ones that were meant to serve as a deconstruction of the trope (summer in ‘500 days of summer’) or worse ones that were a critique and deconstruction of the lazy criticism of the trope itself (ruby in ‘ruby sparks’). why are none of these characters mpdg if they surface level fit the bill? because all of these characters have agency. they want things that have nothing to do with their love interest. they actively are in opposition to the idealization of who the male main character wants them to be. (especially in ruby sparks’ case, the main character descends into insanity when the female character from his book comes to life and, try as he might, he cannot control her. she develops her own consciousness/identity completely independent of him. that’s the point.) but what does any of this have to do with rwcbmt, taekook, and who is or isn’t the mpdc? i’ll get to that, but first: we need to talk about penny lane.
i’ve talked about her at (relative) length before, so i’ll get to the point. penny lane is the main female character in cameron crowe’s (yep same cameron, see a pattern?) 2000 film ‘almost famous’. the jist of the film is a coming of age tale set in the 1970’s where the main character at 15 years old gets sent to cover a rising rock band in the last hoorah in rock’n’rolls last golden dying age. he meets penny lane, the leader of a group of “actualized” groupies, self monikered as band-aids, who takes him under her wing and is pretty much his guru in all things rockstar. af came out a good 5-7 years before mpdg internet insanity became a thing TM, and was retroactively shoved under the umbrella term (as was annie hall, katherine hepburn in ‘bringing up baby’). now, penny lane is definitely whimsical. she has a different outlook on life. she is mysterious. she is a muse. and she very much is a supporting character who helps william, 15 year old wunderkind, on his merry way. but reducing her to a mpdg completely rips her of who she is as a character. as much as penny lane is a muse, as much as william is in love with her and wants to possess her, as much as russell (our shaggy haired rock boy band lead guitarist) lusts after her and wants to posses her, penny lane is not a possession. even when she makes decisions because of men, these are her decisions. she has desires and wants beyond these men. she course corrects her life when she decides she no longer wants anything to do with either of them. she causes action in the film. she is, in fact, the catalyst of the resolution. now, you could say this makes her a character in service of the story, but all characters either serve or direct the plot in some way. and this story is william’s story. everyone is here to lead to his growth in some way, from his mother to his mentor to the band to his sister. but penny lane has her own growth, her own journey. her personal resolution has nothing to do with anyone else except herself and what she wants. if anyone wants to sit around and still argue that no penny lane is a mpdg, then i’m going to have to sit around and argue back that there’s a bigger case that if anyone is the mpdc in this movie, it’s actually russell, our shaggy haired lead guitarist idol god turned almost bff turned antagonist turned just a guy really. but i digress.
depending on when you got into bts, you may have been introduced to taehyung as “the 4-d member” which is kpop lingo for “the weird one” as in so weird they are privy to a whole entire other dimension the rest of us just aren’t. a little out there. not normal. bizarro. not like the other k-girls/boys/nb’s. and sure while he talked about pink bunnies on the moon (which is actually based on a sk folk story but w/e), spoke in a colorful language, had an outside of the box thinking style, it wasn’t all he was. the idea in itself is reductive. but it was sort of everywhere. and a huge part of the mdgc is the concept of the muse. in essence that’s what they are. they are inspiration in whatever way that is for a comparatively “grey” character. they bring the color. so when i thought up the idea of rwcbmt, i was thinking about taehyung, and i was thinking about how often jungkook is often depicted as the polar opposite of “the muse”, but i was also thinking about the mpdc trope but mostly how deeply flawed it is as a trope but also as a character critique. badly written characters should be critiqued, especially female ones for how one dimensionally they are often written, but sometimes the critique itself is derivative and trite for how it leads to the generalizations of certain archetypes. and, beyond this, the way a lot of romance is written, the love interest, not always but often enough, tends to be what the originator of mpdg was criticizing: a fantasy, a plot device for the main character, someone exciting who saves an otherwise mundane character of their own mundanity.
so in terms of rwcbmt, who is the mpdc re/deconstruction? both of them. but also, neither of them. taehyung is in some ways the “grey” character. he’s in a standstill in his life. he’s the less exciting one. he’s not the one who leads them on their adventures, argues that life is so much ~more~. but one of the first things jk asks him is something along the lines of “are you fucking real?”. he’s not like most “other guys”. an entire universe lives in his head. he does have this very wondrous rosy view of life at times. he’s very q-word and very very w-word. but he also has a very grey view of life. he’s not all that whimsical and his optimism is not rooted in the belief that life is ultimately good, but that, as a human person, it’s your responsibility to make it so. jungkook, as the non pov character, takes on the role of the object of desire. the muse. the one who is desired. he pushes taehyung’s comfort levels, makes him reassess what he thinks he knows about almost everything. but he’s in direct opposition to what the mpdc traditionally looks and acts like. there is nothing whimsical or openly childish about him, he’s not a heart on your sleeve optimist on paper. he looks and acts like the “bad boy”. but as the story unfolds, all of that is partly a facade, not because he’s secretly the archatype all along, but because characters should have the space to be multidimensional. tbh, the main reason neither is the mpdc, is because, in the end, they both have agency. they both want things beyond each other. regardless of them ending up together, the thing i’m trying to show with these characters, the thing they in essence show each other, is that no one saves you. not acknowledging that the person who “saves” you is you is removing your own agency. it’s pushing pressure and idealization onto another human person who’s kinda busy with their own shit. i harp on this a lot but my rejection of not only the mpdc trope + critique but how a lot of romantic love is depicted is because i’m trying to posit the idea that love is in essence respect, and viewing your romanic partner as their own separate person completely removed from your own wants and desires, is one of the most important but underlooked aspects of love. to love someone is, again in essence, to respect them for who they are completely beyond you.
and you know fiction is fiction and romance can be just that. idealized versions of characters/relationships/people in fiction are not some grand evil. but they do tend to be the norm so i think there should also be space for attempts of the opposite.
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rachelbethhines · 4 years
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Tangled Salt Marathon - The Brothers Hook
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It’s time to say goodbye to Hook Foot. He won’t be missed. 
Summary:  Rapunzel takes everyone to see Hook Hand in concert. However, this brings back bad memories in Hook Foot, as he was always overshadowed and looked down on by his elder brother. Hook Hand is revealed to be employed by the self-centered King Trevor who wants Hook Hand to play at the ceremony of the marriage between the Seal of Equis and his female mate. When Hook Foot sabotages his brother’s performance at the wedding he must face King Trevor in a dance off to save Hook hand’s career. 
The Episode Placement Is Indeed Wrong  
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I talked about this last episode, but the ordering of episodes is confusing. 
The Brother’s Hook does come after Rapunzel: Day One in terms of production order and is placed after it on the Disney Plus, but it supposedly aired before Rapunzel: Day One originally and the events make more sense in that aired order. As they’re traveling on foot here because they lost the caravan, and they’re all stressed out and fighting in the first scene of this episode. Also it world explain Hook Foot’s absence in Rapunzel Day One. 
Yet why would they order things that way? Why hold off on resolving the Raps and Cass argument if you’re not going to even hint at it here? Why not place this earlier in the season so that you wouldn’t be dragging Hook Foot along in the Great Tree for no reason? 
It just goes to show how rushed and poorly planned out season two actually was. 
This is Another Pointless Parallel 
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So Hook Foot is suppose to represent Cassandra here and Hook Hand is supposed to be Rapunzel in this scenario but like that doesn’t work for several reasons. 
For one, Rapunzel never discouraged Cassandra’s dreams. Cassandra herself just never opened up to tell her what those dreams were, and indeed even the audience don’t know what Cass’s dreams are now that she’s already achieved her goal of becoming a guard back in the first season. I don’t think even Cassandra knows what she wants. 
Second, Rapunzel and Cassandra’s conflict isn’t actually about ‘dreams’, it’s about control. Each wants to control the other, to be in charge, because they think themselves always right. Both equate ‘being right’ and a lack of criticism as validation and to them, and this show in general, validation is equated with ‘love and compassion’ and is the ultimate end all and be all goal for everyone. Even though that’s not how validation works and a it’s a very unhealthy mindset to promote. 
Third, no one owes you anything. Yeah, Hook Hand is a jerk here, but at the end of the day giving up on his dreams was Hook Foot’s choice. You are in charge of your own choices, and at some point you need to decide if you’re going to listen to rest of the world telling you no or have some self respect and do what you want because you want it. You don’t actually need anyone’s approval but your own. By making ‘validation’ the end all and be all of the narrative, it undermines characters agency and fails to teach people about self respect and accountability. 
Same goes for Cassandra, even more so in fact. She needs to be the one to get off her ass and try for what she wants. No one is going to hand it to her and Raps doesn’t owe her a damn thing. Cassandra is the only thing getting the way of Cassandra because time and time again the series gives her chances that she refuses to take for ill defined reasons. There’s nothing at stake for her to lose if she just left. 
Last off, no one learns anything from this. Cass gets nothing out of it despite being right there the whole time, and Rapunzel is too hypocritical and self centred to see that she is very bit the bully same as Hook Hand. Not because she crushes Cassandra’s dreams like the narrative wants you to think, but because she tries to insert herself and her views on to everyone. 
Bullshit
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Once again, may I remind you that there is over twenty villians in this show and only four of them get redemptions. Four! And one of those four was Eugene’s doing not Rapunzel’s. 
The narrative does not support the ideas that it wants to push. If you want me to believe that Rapunzel does sincerely believe in second chances then you need to show her giving that chance to everybody equally. And no, not everyone has to take it, not everyone needs to be redeemed, but she needs to at least try. Especially if they’re a recurring baddie with a tragic backstory like Lady Caine’s.
Oh, and may I also remind you that currently a 15 year old orphan is rotting away in a jail cell because of the corrupt government and Rapunzel does not give a crap! 
The Song Is Sounds Good But It Adds Nothing
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It doesn’t add anything to the overall narrative and it fails to add anything to the episode itself because it gives us no new information.  
This is extremely wasteful. Not only because Alan Menken and Glenn Slater are highly respected artists who are wasting their talents on crap like this, but also for pure budgetary reasons. Tangled has a limited budget for songs that is worked into the contract. Each season is suppose to get eight original songs and two reprises. (tho season three trades out one of those songs for an extra reprise) 
In an arc heavy series like this, with such a limited number of songs to convey information, then you need to choose where those songs go wisely. The writers did not choose wisely in this instance. 
Rapunzel You Are Not In A Position To Give Advice Here
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This episode is foreshadowing for what season three would become. Which is a complete formula switch up that undermines the narrative’s goals. 
This is suppose to be a coming of age tale. That’s in its mission statement. It’s what the writers supposedly wanted to achieve according to interviews and the very pilot episode itself.
That requires Rapunzel learning and growing. She can’t be in the mentor role. She can’t be the one to give out sage advice if she is the one who is meant to grow the most. She not there yet. She’s not experienced enough to fulfill that place in the narrative.  
Season one may have been repetitive in it’s lessons but it at least tried to show Rapunzel owning up to mistakes and changing as a person, but here and in season three they toss that out the window and have Rapunzel teaching other people lessons instead. People who ultimately don’t matter to the overall narrative. 
Instead of showing her growing as a person and coming to fit in that role over time due to experience, it has the opposite effect of showing Rapunzel as being patronizing, selfish, and unworthy to rule. Because she has no grounds for having an opinion, no basis for her advice to go off of, no experience to back up what she says, and zero claims for being in charge except for being born in a classist feudal system. 
Had the narrative actually bothered to call out  this instead of just having Cass pitch a hissy fit over nothing, then we could have gotten a really complex character and unique moral to the show, but that’s not what actually happens. 
King Trevor Is the Saving Grace of This Episode
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I don’t think the writers realize that Trevor isn’t the hateable douche that they believe him to be. 
Oh sure he’s not nice, he’s essentially the equivalent of an annoying ‘I want to speak to the manager!’ type customer. But there is a huge, huge difference between being a Karen and being a fascist dictator. One’s irritating and the other is actively malicious and a danger to people's lives. 
Frederic might be outwardly more pleasant but he’s still a person who abuses his power in order to harm poor people. Trevor is just a mother-of-bridezilla here and a perfectionist. Like big deal. 
 And to be honest Rapunzel isn’t that much better. 
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Like you are a bully Raps. You’re every bit a pushy and demanding as Trevor is, particularly in season three. 
While she’s not actively malicious like Frederic, she’s still a danger to people because she refuses to acknowledge that the power she wields has an impact on others lives and that that impact can indeed be negative. 
There’s something called the banality of evil. That being simply mean to others isn’t how true evil spreads. It’s people refusing to challenge the system, and if you are a part of that system then you are a part of the evil it spreads no matter how nice you are outwardly. 
Rapunzel and the show at large, does not understand the difference between being nice and being kind. It introduces the concept of flawed government and systems but then does nothing to actually challenge it. It forgoes the actual work it takes to make change happen by focusing on easy outs and proformative progressivism. 
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Trevor does more than either Frederic or Rapunzel here with this one line alone than they do in three full seasons. 
Eugene did indeed commit a violent crime, no matter how much the show tried to present such a crime as ‘funny’. Trevor is in his legal rights to prosecute the person who tried to kidnap his child/pet and assaulted his personage. 
Yet he’s actually granting mercy here. More than that, he’s inviting them to his child’s/pet’s wedding. He’s offering friendship when he could have had them killed. Because Tevor, for all his faults, recognizes the power the that he wields and then makes the conscious decision not to abuse that power. 
Moreover over he acknowledges the difference between what is a personal offense and not a an attack on his kingdom as a whole. What Eugene and Frederic did could have been considered an act of war and Trevor never even considered that an option. 
It’s sign of bad writing when the person we’re supposed to consider a jerk and a recurring antagonist is more compassionate than the main heroine herself. Even as he jeers and makes an arse of himself. 
This is the Point Where Rapunzel’s Characterization Buckles and Breaks 
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At first glance this seems like growth. She’s now assertive and taking charge, and Hook Hand did indeed had this coming, but in context of the greater narrative and how Rapunzel’s character develops past this episode, this is the point where the wheels start to come off. 
Rapunzel is a hypocrite. We’ve established this as a fundamental part of her characterization back in season one and it’s the driving force behind all of the main conflicts with her in the first two seasons. But before now, her hypocrisy at least had consequences. It caused enough problems that if you were paying attention you could see it for the flaw that it was.
But here her hypocrisy is presented as being right. She looks over Hook Hand even as she tells him not to look down on others. She dictates to him how his relationship with his own brother should go, when she has zero context for said relationship. She’s heard only one side of the story and only a piece of it. She doesn’t know what actually went down between them while they were growing up nor does she honestly care why Hook Hand does what he does. Even as she asks him why. 
Yet she is rewarded for this behavior. She’s never called out as wrong. The narrative bends over backwards to accommodate her and reinforces her views. Without direct consequences a character’s flaws are rendered meaningless, and so the character will only frustrate the audience rather than endear themselves to us. 
That is the opposite of what you want to achieve in a story. You want to the audience to like you’re main characters, or at least find them entertaining in their awfulness. Making them right all of the time, even when they’re wrong sabotages this goal. 
Trevor’s Still the Better Person Here 
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Like it may not have been Hook Hands fault, but at the end of the day he did screw up at his job and a paying customer has the right to be upset and refuse to work with you again or even demand their money back. That’s what being self-employed means. It’s part of the risk you take as being a contractor.  
Trevor’s not being unreasonable here just because he raised his voice and wants Hook Hand to leave the wedding premises. Yeah the insults are uncalled for, I’ll give you, but remember that Frederic locked a tailor in a stockade for accidently ripping a robe; that he has the ability to fix if he wasn’t locked up. 
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And he resolves conflicts and personal insults with a dance off! 
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What happened when someone called Frederic out for being a poor leader and endangering lives, oh yeah they wound up in jail! 
Also This Episode’s Big Climax is a Fucking Dance Off
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Out of all the low stakes conflicts in this show this is the lowest. 
And it’s coming right off The Great Tree and the big Cassandra vs Rapunzel fight. This shouldn’t be here. It’s throws off the pacing the tone. 
Well I Guess Trevor Kept HIs Word, Which Is More Than What Frederic Would Do 
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Like Trevor is defeated and he does indeed complain about losing, but everyone is apparently free to leave afterwards and Hook Hand still has a career so I guess Trevor kept his side of the bargain. Even though he has no reason to and no one to hold him to account for it. He just has a code of honor I guess. 
Meanwhile, Frederic throws a teenager in a dungeon after promising to help him and completely ignores his supposed friend Quirin being encased in amber.  
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So What Was the Point In Bringing Hook Foot Along Again? 
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What did Hook Foot add? What did he bring to the story that no other character out there could bring? What does writing him out of the story now achieve, and why couldn’t he have been left out of the narrative all together? 
If your answer to all of those question is ‘Nothing!’, then congratulations you have more sense than the showrunners. 
I have seen a few people get angry and suggest that Lance should have been the one to go because getting rid of Hook Foot meant getting rid of the shows main disabled rep, but that’s ignoring that getting rid of Lance would mean getting rid of the shows only real black representation as well. Because tokenism isn’t real representation.  
Yet for all of how poorly handled Lance’s character was, he still has more reason to be there than Hook Foot. He has a unique connection to one of the main characters that, once introduced, would be hard to ignore. There’s nothing connecting Hook Foot to the plot or the main characters, and that’s why he shouldn’t have been in the show at all. Regardless of how much you may have liked him. 
Destiny Isn’t a Goal!!!
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How many times do I have to say this!? 
A goal needs to be specific. It needs to have logical motivation behind it. It needs a clear obstacle to be overcome for the character to achieve it. 
A vague ‘destiny’ has none of those things. 
Conclusion 
Meh. That’s the word that best describes this episode and the majority of season two. It’s not the worst thing ever if you just want to shut your brain off for 30 minutes, but it’s not actually good either, and if you stop to think about any of it for more than two seconds it falls apart.  
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kristofffaust · 3 years
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The Growth of Nihilism in the Contemporary United States: a brief essay on a somewhat optimistic take on nihilist ideology.
Pictured: Existentialist anarchist Jean-Paul Sartre and his longtime domestic partner, existentialist feminist Simone de Beauvoir.
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“Freedom is what you do with what's been done to you.” — Jean-Paul Sartre
“All oppression creates a state of war.” — Simone de Beauvoir
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Foreward: This is meant to be a polemic against commonly accepted post-modern takes on nihilism. I find the postmodern take on nihilism a somewhat cyclical and tedious affair, and, quite frankly, their professed monopoly on existentialism is nauseating. Question everything, even if it agrees with your accepted worldview, especially if it agrees with your accepted worldview.
This is an observation on why nihilism has seen such a rapid resurgence in the modern and what it could mean if used differently than the historical stereotypes beholden to it. Indeed, if nihilism is a form of reclaimed agency, then blindly following the pre-existing dogma that nihilism is inherently destructive is, in effect, surrendering your agency to an external ideal and, quite frankly, the most anti-existentialist thing one could do.
Conversely, this is not a profession that nihilism is an entirely benign and benevolent philosophy, but that viewing it as strictly one or the other is narrow-minded and lazy. I acknowledge, with tongue-in-cheek humor, that the average nihilist would deny the existence of either category.
I guess one could say this is an attempt to profess that absurdism and nihilism are two sides of the same coin and as reliant as they are antagonistic towards each other.
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Nihilism is a subcategory of existentialism and sister ideology to absurdism. Existentialism believes if nothing in life holds any intrinsic value, nothing in this reality matters outside of our subjective experience. As a result, our agency is our responsibility and nobody else’s. Pure nihilism, also known as cosmic nihilism, professes if nothing matters, any action we take in this life doesn’t matter in turn, so why bother. Absurdism, often attributed with existential nihilism, affirms that since nothing matters, nothing is telling us that we can’t enjoy life. This article will focus on cosmic nihilism as it stands with existential nihilism and how our current global and political climate has served as the perfect incubator for a resurgence of both. I argue that nihilism isn’t an inherent negative despite the reputation it carries. Unfortunately, I have to start with the negative as it is generally the negative which births nihilism in the first place.
Nihilism is a recurring and pervasive theme in the millennial generation. When the layers peel back, it’s easy to see how this happened. We were born on the mountain of Apocrypha with nowhere to turn. We manifested in the period between Boomer idealism and the total implosion of ‘traditional’ Amerikan ideology. Our elders taught us that the only thing we should want out of life is to get married, have children, go to college, and get a desk job. Life conditioned us to believe that our worth is directly tied to our income. We grew up thinking that we could do and achieve anything as long as we realized a dystopian dream of the perfect little citizen.
Fast forward now that we’re all in our 30’s. Only a handful of us is successful with families. Most of us divorced from our spouses at least once, if we make it to marriage at all. Most of us, who didn’t sell our souls to Uncle Sam, who had gotten college degrees are now up to our necks in debt which we will never be able to repay. Those who pursued labor jobs struggle to make ends meet because the average salary of the most commonplace millennial jobs is insufficient to live comfortably. Most of us realized we inherited the trauma of our parents and their parents and, as a result, are terrified of having children who will inherit our trauma in turn. Mental health is a privilege, even though those in the direst need of mental health come from underprivileged backgrounds. The list goes on. Indeed, there are positives of the millennial generation, but those exposed to the negative see little else. David Bowie and Jimi Hendrix give way to Cannibal Corpse, SlipKnoT, Dying Fetus, and a multitude of other extreme genres which were unheard of before the millennial generation.
Now, we can turn our analysis towards the ironic positives of nihilism. Nihilism serves as a powerful panacea to the torment of daily existence. When an individual recognizes that nothing in the universe matters and holds zero intrinsic value, suddenly, the suffering ceases to be consequential. The pain doesn’t matter. What are emotions but a complex chemical reaction engineered to elicit a specific response from our fleshy meat suits? Our mistakes don’t matter. In the infinite expanse of time, any mistakes we make in this life eventually disperse like so much dust in the wind. The only thing that truly matters is the cognizance of our current existence and the experience we glean from it at the moment. For instance, why do I write these essays which nobody bothers reading anyway? Well, why not. Whether I write them or don’t write them, in the end, holds no intrinsic value. Consequently, to write the essay is equally valid as abstaining from writing.
To be extant is the only accurate declaration we can make. Thus every stimulus we feel, every sight we take in, every smell we experience, if it’s all equally worthless, then by extension, it all holds equal value. Feel nothing if you so choose. That nothing still requires a something to stand in negation to it. Thus your exalted nothing in effect becomes something and back to nothing again [for a more exhaustive explanation of this principle, I recommend Hegel’s admittedly dense read ‘Science of Logic’].
Nihilism does not have to be destructive. I argue that reckless destruction underutilizes the power of nihilism. If we are all imprisoned in this unforgiving reality, why not make the experience less painful for each other. To induce pain upon others means that the individual has placed value in control and, by extension, ceases to be a nihilist. To completely erase the pain from existence is infinitely more nihilist in the act of devaluing something considered critical to life. Of course, the pain never ceases, but this shouldn’t bother the true nihilist. If the nihilist doesn’t matter, then why not devote your life towards devaluing that which attempts to rob agency from others? It can be a lonely and thankless road, which makes it just as good as any road. Nihilism is an expression of existentialism which is the exaltation that the only objective truth that manifests is your subjective reality. If we should destroy, we should destroy the authoritarian act of robbing another of their agency.
Or maybe it doesn’t matter in the end, and the nihilist can exist in their bubble and waste away. Such is your choice in the end.
“Will you perish like a dog, or will you fight?”
Ave Satanas
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wisdomrays · 3 years
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TAFAKKUR: Part 434
OUTER SPACE: MANKIND'S NEW FRONTIER: Part 1
It is barely three and a half decades since the Soviet Sputnik entered orbit in 1957. It was taken that space, long regarded as the last frontier, began to be thought of as the newest area of human dominion. A glance at the history of the ‘space age’ reveals that it was proclaimed from the outset that space would not be subject to national appropriation, would not became an arena for new colonization and international conflict; rather, the interests of mankind as a whole would prevail over all national and private interests (1967 Outer Space Treaty, Articles 2-4).
This universalistic spirit is explicit in Article I/l of the 1967 Space Treaty: ‘The exploration and use of outer space, including the moon and other celestial bodies, shall be carried out for the benefit and in the interests of all countries… and [outer space] shall be the province of all mankind’. Two years after the Treaty was formally signed, the American astronauts broadcast the same message from the moon. When Neil A. Armstrong landed on the moon, he saw the new frontier as open not only to space-faring states, but to all mankind: ‘one small step for man, leap for mankind.’
In the quarter century since then, the rapid growth of aerospace technology, thanks to the Cold War between the then two super powers, has led to remarkable achievements and technological spin-offs. However, for most of that period space technology and science were largely focused or directed to the production of weapons of mass destruction. The end of the Cold War should herald a new era in which existing aerospace technology will only be used for ‘the benefit of all mankind’ and only ‘for peaceful purposes’ (Walter, 1985, pp.l20).
In the new post Cold War the Russians and the Americans, once rivals, have begun to pool their brain power and hardware with the aim of building space stations in orbit around the earth, then on the moon, finally on Mars (Time, 19 April 1993, pp.62-3). The European Space Agency (ESA) has already laid down its long-term space programmes that are to lead Europe’s space efforts into the 21st century (Von der Dunk, 1989, p.426). Japan, China, Brazil, India, Israel and even Australia have achieved significant satellite technology and launching capability through independent efforts (for an account of those programmes, see Gatland, 1989). They all aim to explore and exploit the natural resources and potential usage of space.
Within ‘peaceful’ uses and exploration of outer space, there are a wide range of possible activities related to scientific research and experimentation, remote sensing, telecommunications and commercial aerospace manufacturing (Tennen, 1979). It is worth considering the benefits that God, the All-Mighty, has made available to man in space.
A) SATELLITES
The first major benefit is satellite communication. Telecommunication and especially direct broadcasting satellites can only be located in an exceptional orbit known as the geostationary satellite orbit (the GSO). This orbit is a three-dimensional corridor lying on the equatorial plane, at a distance 36,000 km (22,300 miles) above the surface of the earth. The importance of this orbit is that satellites rotate in the same direction as the earth does every 24 hours. That is to say, if satellites follow an equatorial path in the direction of the earth’s rotation, they will appear to remain fixed at the same spot above the equator.
The GSO facilities those services such as direct broadcasting satellites, navigational aids and solar energy stations which require round-the-clock coverage of a given area of earth (Wihlborg and Wijkman, 1979, pp.2S-6). The great advantage of the GSO for communication purposes is that one satellite can observe approximately 40 per cent of the surface of the planet, which means that three satellites are enough for global coverage.
However, the GSO is a physically limited natural resource. Satellites located in orbital slots wander around 100 miles horizontally. Hence, once a satellite occupies a spot in the orbit, it precludes the use of the same slot by any other since slots are located in a three-dimensional tube with a total length of 150,000 miles, the GSO only has room for 1,500 such slots with a zero probability of collision.
However, no one knows exactly how many satellites can occupy the GSO. The orbit is expected, in the very near future, to be used for the gathering and transmission of solar energy from very large space objects to earth by microwave or laser beams (Christol, 1980-81). This will increase the problem of orbital slot scarcity and bring about contentious debates about use of the GSO. There are at present around some three hundred satellites in orbit so the congestion does not present a problem for the time being. However, in the decades to come the GSO will be saturated and there will be no ‘slot’ to locate a new satellite.
Since few states have satellites in the GSO, telecommunication via satellites is a very lucrative business. The overwhelming number of satellites are owned and run by the handful of technologically advanced states. Hence, they earn very significant amounts of money out of these activities. The full-time use of one single channel is around US$ 200,000 per month. A satellite transmitting 100 million message units, for example, earns $1 million each day.
Apart from broadcasting and communication satellites, there are observation satellites rotating vertically and horizontally around the world keeping their owners informed about weather, ocean conditions, catastrophes, pollution levels, atmospheric changes, the kinds and conditions of agricultural crops, the position of hidden minerals and fossil fuels (Schneider, 1986).
B) MINING
The samples collected by the Apollo showed that lunar soil contains, as percentages, 41.3 oxygen, 21.6 silicon, 15.3 iron, 5.4 aluminium, 6.8 magnesium, 0.1 potassium. There are also traceable amounts of sodium, sulphur, hydrogen, nitrogen, copper, zinc and lead in the samples collected (Bille, 1990, p.109). Out of these lunar materials, various minerals and metals, alloys, cement, electrical conductors, glass, silicone resins, rocket propellants and numerous industrial chemicals could be produced. One study concluded that hydrogen and oxygen, stored in lunar rocks, could be used to make air, water and rocket fuel. It is also said that the moon is rich in helium-3, which, almost non-existent on earth, may be usable as an ideal fuel for fusion power plants because of its low radioactivity (ibid., p.110).
Apart from the moon’s rich resources, asteroids are seen as extremely valuable celestial bodies. Scientists have found that there are dozens of mineral-rich asteroids circumnavigating the earth. These asteroids are on average 500 metres across and made of solid nickel-iron. Just one such asteroid could possibly meet years of global demand for these elements. Scientists reckon that asteroids within the vicinity of the earth contain abundant amounts of nitrogen, hydrogen and free metals. It is technologically feasible to process these asteroids on an industrial scale in outer space, more easily than exploitation of the moon’s resources. Such extraterrestrial production could avert earthbound pollution and potential conflicts over scarce earth resources (Condora, 1984, p.178). It was estimated in the 1980s that an asteroid could be worth five billion dollars. It is also projected that asteroids would be processed in outer space for extraterrestrial construction of space stations.
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Some thoughts on Hanyo no Yashahime ep. 15 (some serious, some not):
1. Hats off to Riku for being at least a mildly interesting OC. I care about his motivations enough to keep watching the show, which is more than I can say about most anime-only characters. Congratulations to Riku and his amazing eye makeup, here’s to the rest of the season
2. Inuyasha finally got to live the life - more or less - that he and Kikyo originally dreamed about, and I think that’s nice! He has a little house with a garden, and a “job” exterminating demons, and a local community of friends and neighbors, and friends from further afield who come and visit him, and his social circle is a nice mix of humans and youkai. Inuyasha is fully and (by the looks of it) happily integrated into his found community without having to sacrifice either his demon or human side, and I THINK THAT’S NICE
3. In modern times, Kirinmaru would be known as “our family friend” and Sesshomaru would be obligated to introduce him as “Uncle Kirinmaru - well, not my real uncle, I just call him that because he’s known my dad for, like, forever” 
4. At first blush, this would make Zero Sesshomaru’s mean auntie, but what with the whole “humiliated by your father” line and the Gold and Silver jewels being made from her tears, I suspect she’s actually a jilted lover - or would-be lover - of Toga’s who now lives to stir up trouble for his kids. Toga probably tossed her aside for Izayoi and she’s clearly still salty about it
5. Rin’s childbirth scene is the worst thing I’ve seen in a long time, but not for the reason everyone’s fighting about. It unfortunately exposes two major flaws, one of writing female characters in the shonen genre, and one of Rin’s character specifically. The first problem is that shonen writers usually have no idea what to do with pregnancy and childbirth, because, I suspect, they have no actual interest in the mother’s experience; for them, pregnancy and childbirth serve purely as plot devices, and the postpartem female body becomes a problem to be gotten rid of as soon as possible.
Usually this is ‘solved’ by killing off the mother right after giving birth. Rin escapes this fate, only to be subjected to having both her babies and her agency taken away. Shedding a single tear? Uttering such an inane line as “I have faith in Sesshomaru-sama” when he didn’t say a single word to her after what was likely hours of being in labor? I confess that this is the point when I lost it and just started laughing, the scene was so bad-hilarious. Nobody is this long-suffering and trusting about being ignored by their husband as he silently kidnaps her children literally from under her nose. Nobody. Rin was done dirty by this scene, and it just underscores the misogyny running through the shonen genre.
Unfortunately, this scene also doubles down on Rin’s role as a device for Sesshomaru’s character growth, which is itself pretty problematic. Her (multiple!!) deaths in IY prompt Sesshomaru toward emotional turning points in his character development, and here again in HNY her confusion and sadness over losing Towa and Setsuna lend pathos to Sesshomaru’s actions. We, the viewers, know that Sesshomaru is hiding the twins away so that Kirinmaru and Zero can’t find and kill them; I think the writers somehow wants the viewer to feel anguish on Sesshomaru’s behalf that he must commit such a seemingly cruel act for the sake of his family’s safety and can’t tell anyone about it because he’s such a tough guy loner etc. etc. But instead it comes across as confusing and unnecessary, especially since Kagome already knows the whole story and asks Sesshomaru point-blank about it. [Edited to add]: This model of stoicism-as-masculinity has not aged well from the original IY run. Female characters should not have to passively accept pain and confusion inflicted on them by male characters in the name of male characters acting “for their own good.” Sesshomaru’s refusal to communicate anything, ever, is not a romantic character trait: it does not make him mysterious or cool or badass, it just makes him kind of an asshole to the people he supposedly cares about, and I hope the rest of the series will actually grapple with that. Sesshomaru, in this scene, kicks off a whole chain of events that end up going disastrously for his family. One daughter stuck on “the other side”? One daughter with her memories and sleep stolen? His wife stuck in a tree? I have a hard time believing all of that was planned. The whole scenario is contrived and stupid and I hate it. 
6. Not least because Sesshomaru’s proposed solution makes no sense! What are these babies going to eat? Where will they sleep? If Sesshomaru is ok with bringing newborns into a forest and leaving them under a tree, why wouldn’t he just bring Rin at the same time and make her recuperate from - again- a physically grueling ordeal under said tree? It’s not like he knows what the heck childbirth involves anyway! His whole decision-making process is bizarre and confirms my suspicion, held for some 15 years, that Sesshomaru is not some cool lone wolf type who has it all together, but instead is merely a fuck-up like the rest of us. As any quiet person (*raises hand*) knows, a great way to pick up a reputation for being ‘aloof,’ ‘cold,’ or ‘intimidating’ is to say as little as possible, even if on the inside you are hopelessly just trying to keep your head above water. 
This is HNY Sesshomaru in a nutshell:
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Where were you going to get all of these things, Sesshomaru?! Oh that’s right you didn’t think that far ahead DID YOU?!????
7. If Sesshomaru is at his mom’s house, and Jaken is at his mom’s house, then who is watching the babies????? (Tbh probably Sessho-mama)
Anyway this episode was A Mess but it was nice seeing Inuyasha and Kagome again. More of them and the rest of the original gang, please! 
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springsfordays · 4 years
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Okay so this is entirely self indulgent and incredibly silly but I keep thinking about it so imma type it out lol!
PNF x BNHA AU
Where UA is the best hero academy in the tri state area and is actually a middle to high school academy.
O.W.C.A.
OWCA is one of the many hero agencies in Danville and is specifically made for heros who have animal based quirks.
Major Monogram
Quirk: not sure probably something with acrobatics.
while technically a retired hero in action he still runs his hero agency with an iron fist. (Eh or so he claims in reality he can hardly control most of his agents.)
Carl Karl
Quirk: Squirrel (anything a squirrel can do he can do)
While he is a 3rd year UA support course student he also interns at OWCA for first hand hero and support experience. Though the agency actually has him spend a lot of time there rather than school. It didn’t cause him too much trouble though cause of a couple new students he’s been mentoring at school.
Perry the platypus
Quirk: sentients
I was thinking about how could Perry be a animal based hero while still being involved with the Flynn-Fletchers somehow but I think I like the idea of him being a Principal Nezu of sorts. Where he’s an actual platypus but was experimented by humans and given the quirk of sentients but he’s also their pet still.
Pre-Support Course
(Just wanted to point out that all the kids in this au are 13-14 years old instead of like 10)
In this course middle school students have the chance to get a head start for their support studies. Not many apply for this class but there are a few. These students specifically help the pre-hero course students the most. And are mentored by Carl.
Most notably students are the very talented Flynn-Fletcher brother duo.
Phineas Flynn
Quirk: Work hands (he can turn his fingers into small work tools such as a blow torch, screwdriver, magnifying glass, essentially his hands are Swiss army tools. However he cannot do this for significant amount of time so he uses regular tools more often)
Phineas has always wanted to be hero since he was very young. But as time went on and he became slightly more realistic he realized he couldn’t be the hero he wanted to be. But he was fantastic at building and has been doing it since he was little. He then realized his talent and love for building gadgets didn’t have to be a hobby or a completely different career. He could support heros and make their quirks more powerful with his inventions.
Ferb Fletcher
Quirkless
A very quiet nearly mute young boy Ferb is but also an extremely intelligent one at that, with a knack for building. When he was younger he had been waiting and waiting and counting the days until his quirk would appear. But his ripe ages of 5-7 when most kids got their quirks quickly passed and upon examination was told he was quirkless. He was down for a while since he couldn’t be a hero but quickly followed his brother’s philosophy and decided that ensuring the safety and strength of heros so they can save more lives was good enough for him.
The brother duo are also still best friends with Isabella, Buford, and Baljeet since they’re all neighbors. The five grew up together and experienced one by one how they all got their quirks. Isa, Buf, and Jeet have amazing quirks which only made the anticipation and eventual disappointment of Ferb being quirkless that much heartbreaking. But never did any judgement hold up and the three used their quirks to defend their friends from constant bullying. And in return the duo were always coming up with new ways to help them advance their quirks.
Also Irving is in general studies and is still an obsessive fanboy. He keeps journals similar to how deku writes and analyzes heros and such. His quirk is camera eyes. (Which explains all his weird photos) He likes to hang around Phineas and Ferb since he really admired their inventions for the cool hero students.
Pre-Hero Course
In this UA the middle school side has a pre-hero corse where students can get a head start for their high school’s hero course but only accepts the strongest of students.
Isabella Garcia-Shapiro
Quirk: Firey Explosion ((Okay so this is basically bakugou’s quirk but a bit different sorry but his quirk matches Isabella’s firey determination plus her having a quirk that you wouldn’t expect for a little cute girl to have is funny to me,,,) a combination quirk since her mother had acidic fluids that concentrated enough can make small flames or tiny combustions and her father could sweat glycerin the two combined making Isabella create giant explosions from anywhere in her body. Since all her fluids, sweat, blood, spit, tears, etc have the acidic glycerin she can also create flames that come out of her body when she over uses her explosions that she usually has come out of the palms for her hands. (She can also breath fire because of this which makes a pretty cool surprise attack))
Isabella is one of the best and most powerful students in her class. She has always had a protective nature to her and is a strategic genius when it comes to battle. When her quirk had first developed she had used it to defend Phineas (she still has a huge crush on him lol) and Ferb, her best friends that were constantly made fun of for being ‘useless’. One day Phineas told her that she was his hero and from there she’s worked hard to one day become a hero.
Baljeet Tjinder
Quirk: Giganta Growth (He could grow into any size he desires even taller than most buildings and mountains. However he cannot retain size for very long and becomes extremely nauseous.)
Another top student in his class similar to Isabella. Most people cannot actually figure out his quirk sometimes and are extremely surprised when this turns out to be his actual quirk. Appearance wise he has longated fingers, ears, and feet. He has blue skin and monkey tail and even has fully red eyes. His blue skin, which is from his family’s genetics, is actually mostly gravity resistant so when he is normal sized he can fly. Not only that but he is remarkably intelligent. In fact when he was little he had zero interest in becoming a hero, he rather had been a scientist of sorts. But it was when two of his best friends couldn’t realistically become heros he felt selfish that he was given such a great power and he was choosing not to save lives with it, with that he decided to become a hero.
Buford van Stomm
Quirk: Wind Gust (From his lungs to his breath he can control the air around him to create powerful gusts of wind and manipulate air waves. But he must be careful with this because he endangers himself of collapsing or bursting his lungs.)
Buford just like Isa and Jeet is one of the top performing students in his class. This is because he can control his quirk pretty well and is great to have in battle. However he is still a bully by nature and most say he suits being a villain more than a hero. He considers this a compliment since this means most villains will fear him. His motivations of becoming a hero are entirely selfish. Wanting to be a star and make tons of money. He wants to blow away all the villains and become center of attention. (Also as a gross joke he’ll collect a bunch of wind and blow it out by burping which disgusts everyone)
Other students and advisors call these three the “Mini Three” modeled after the “Big three” who are in the hero course and are the top students in their class. But there are about seven others in the pre hero course so I’m just gonna name them off with short quirk descriptions.
Ginger Hirano Quirk: Wing growth (for this one just look to Stacy’s cause it’s pretty much the same since it is a hereditary quirk)
Adyson Sweetwater Quirk: Werewolf (Can change into a large wolf man at will)
Katie Quirk: Electricity (Essentially Denki’s I just like this quirk)
Holly Quirk: Hallo glow (She can exude out hallo like rings from her arms and legs stunning villains when they are hit by them)
Milly Quirk: Spikes (She can create large spikes from any point in her body and can even control them to create some forms)
Gretchen Quirk: Erasure (Like Erasurehead’s but she can erase multiple quirks at once but she has to use special glasses since it strains her eyes)
Django Brown Quirk: Vine Hands (He can shoot out vines from his hands)
Hero Course
I don’t have to many ideas for the hero course students but whatevs here’s the “Big Three” of the hero course!
Candace Flynn
Quirk: Sonic Voice (it’s Present Mic’s SORRY BUT COME ON IT SUITS HER SO WELL. But yeah she can make her voice create sonic booms in whichever direction she wants.)
A 3rd year student in UA. Ever since she was young she has always wanted to protect those around her especially her little brothers. She was almost slightly relieved when she learned neither of them could really become heros. But she always had a nervous breakdown whenever they’d build ridiculous gadgets that could potentially harm them. She became a hero mostly for fame and glory too but her natural protective skills puts her as one of the school’s best students since she can use her quirk so well. She also can do parkour pretty good which only makes her a better hero.
Stacy Hirano
Quirk: Wing Growth (As said before this is a hereditary quirk amongst the Hirano family. Basically  she has multiple pairs of wings on her body (one on each side of her head, two pairs on her back, and a pair on each foot. For reference look to Ryo’s satan design from devilman crybaby) but can only grow one pair from her back to any size. With her strength and agility she can use her wing growth to hit her opponents. She can fly extremely fast but growing too much hurts her ability to move her body)
A 3rd year student in UA. All Stacy’s life she’s wanted to impress her mother. Dr. Hirano being a highly respected doctor within the hero industry has high expectations for her daughters. So Stacy opted to become a hero and is shaping up to be a fantastic one. Even if she’s a little dopey at times she’s extremely agile with her wings making her a great rescue hero.
Vanessa Doofenshmirtz
Quirk: Demon Titan (She can turn into a gigantic demon looking titan, similar to Baljeet’s but her physical appearance changes entirely and she could only grow to one size. She can’t retain this for too long otherwise her muscles give out entirely)
A 3rd year student in UA. As the daughter of one of Danville’s top villains combined with her quirk and physical appearance most people think she’s a complete villain in the making. In her normal form she has blueish gray skin, a demon tail, large horns, completely white eyes and black lips. Most are afraid of her especially since she’s seemingly so cold and distant to everyone around her. But in reality she really does wish to right the wrongs of her family and help people around her. She interns at OWCA.
There’s about seven other students in their class as well but I don’t really know too much about them and their quirks but just know their classmates are Monty, Jeremy, Coltrane, Jenny, Lacie, Johnny, and Albert (he’s like the Mineta of their class).
Villains
Again haven’t put too much thought into this one but yeah.
L.O.V.E.M.U.F.F.I.N. is still a villain organization in Danville and their main rival for control is OWCA.
Dr. Doofenshmirtz
Quirkless
We all know Doof’s incredibly sad backstory and it is still all that but with the more embarrassing tale of how he brings shame to his family by being quirkless. So he dedicates his life to learning evil science and to destroy the tri state area and heros all together. But of course he’s always thrawted by Perry the platypus. Even though he’s super disappointed in the fact his daughter wants to be a hero (who by the way looks nothing like him all her looks come from her mother) he’s still loves her the same and even supports her. He’s even attacked certain places in Danville just so she could get hero practice by defeating him. Which she’s super embrassed about.
And that’s about it for now. Just thought this would be a fun au to write about sometime lol. But yeah I love my hero and Phineas and Ferb totally is works for this super intellect society.
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