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#dr David cohen
kindsoulbuddy · 1 year
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When you listen to the office ladies podcast, they don’t just talk about an episode of the office; they go on deep dives.
And today I was listening to the latest one and they talked about lists. And you know I love lists.
Did you know we can thank Shakespeare for the word “list” as we know it??
Transcript:
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I’m sharing this transcript because I was fascinated by this fact and I also I like the other tidbit on why we love lists.
Dr. David Cohen, psychologist and author has 3 specific reasons (and hey let’s make a short list) :
Lists dampen anxiety about the chaos of life.
They give us structure.
They are proof of what we have achieved.
The chaos in my brain can be put to paper, or on a notes app, and it’s now out of my brain and in front of my face, nice and (mostly) orderly. I have adhd and ocd and it’s so helpful.
But I admit I tend to write brain dumps down or wishlists; or too many lists.
And it’s interesting to note that some of us think we’re writing to do lists but we aren’t; hence the frustration.
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What is the Future? - Reviving The Venture Bros & Futurama in 2023
Reviewing the 2023 Revival of #TheVentureBros and #Futurama
2023 sees two long running TV shows with irregular shows and cancellations make a return after a long absence. One is The Venture Bros who after ending with a cliffhanger in their prior final season, returned with a direct-to-video feature film called Radiant is the Blood of the Baboon Heart. The other is Futurama which after its last revival in 2013 [Season 7], picks up where it left off a…
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mrbopst · 9 days
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Today in Bopst Design/Promotion/Programming: 4/20/2017
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thecurvycritic · 10 months
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Every Body is Unapologetic Look at Intersex Community
#JulieCohen has done it again and her timing couldn't be better with her latest @focusfeatures doc #everybody #documentary
Director Julie Cohen has never backed down from a cinematic challenge so why should she stop now.  Produced by Focus Features, Every Body is told through the stories of three intersex individuals who set aside medical advice to keep their bodies a secret and instead came out as their authentic selves. River Gallo, Alicia Roth Wiegel and Saifa Wall are not monsters. They just happen to be three of…
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transmutationisms · 9 months
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Long time listener first time caller (well not really I'm pretty sure we've talked about Succession before). I wanna read up more on anti psychiatry but I'm fucking shithouse at reading, are there any like videos or podcasts or audiobooks you'd recommend, because that would make my life ten times easier
yes great question honestly. i haven't heard all of these podcast episodes, but i curated the list based on knowing the speakers' work (not necessarily the podcast hosts/shows!), and i think these are good places to start.
"Debunking the Myth of the Chemical Imbalance with Dr. Joanna Moncrieff" interviewed by Dr. Caroline Leaf
Revolution Health Radio: "Reviewing the Evidence on the Serotonin Theory of Depression, with Dr. Joanna Moncrieff"
Mad in America Radio: Lucy Johnstone on the Power Threat Meaning Framework
NPR Fresh Air: Anne Harrington on psychiatry's "troubled search" for a biological understanding of mental illness
New Books Network: Mical Raz on her book "What's Wrong With the Poor: Psychiatry, Race, and the War on Poverty"
The Mental Breakdown Morning Show: "Bruce Cohen and Psychiatric Hegemony" (Cohen, unlike most on this list, explicitly aims for a marxist explanation and understanding of mental illness)
Madness Radio: "Bipolar Medication Myths" (Joanna Moncrieff interviewed by Will Hall)
What Your GP Doesn't Tell You: "David Healy Discusses SSRI Drugs, Suicide and Sexual Dysfunction"
Coming From Left Field: "The Political Economy of Mental Health Systems with Joanna Moncrieff"
States of Mind: "Mental Illness in America" (includes segments with Katherine Bankole-Medina, Jonathan Metzl, Allan Horwitz, Jamie Cohen-Cole, and Elyn Saks)
Jesse Meadows's podcast on ADHD, "Sluggish" (haven't listened to this one, but have read a lot of their writing; they're challenging the psychiatric view of ADHD as a person who struggles with the symptoms and behaviours the diagnostic label describes)
audio books: i'm honestly not sure where's the best and cheapest place to actually download these from, but i know there are audio books of 'mind fixers' by anne harrington (narrated by joyce bean) and 'desperate remedies' by andrew scull (narrated by jonathan keeble). uh, if anyone has a good list of audiobooks on this lmk :-)
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mrs-weasley-reid · 1 year
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An Escape from Reality
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platonic Spencer Reid x geniusbau!reader | part 3
part 1 | part 2 | part 4
Summary: bau!reader kept Spencer up on his toes and consistently became his source of reality, but what would Spencer do when he watched her drop on her knees the same way he did for Maeve? Does he let her drown in a tragic reality or offer an escape from reality?
Warning: details of death, curse word(s)
A/N: not my gif, credits to the owner :)
— ✿ — ✿— ✿ ✿ ✿
Your scream was writhing. A one-syllable word never held so much misery, never sounded so agonizing. Tears ebbed away from your glossy eyes and down to your pale cheeks.
Derek held you back, telling you to stay away from the crime scene. But it wasn't a crime scene. It was your lover's life slowly dissipating. How the damn hell could you stay away?
Your knees almost broke as you fell to where the love of your life lay in his own blood. You collected him in your arms, tears annoyingly blurring your vision. You wiped your eyes aggressively. You needed to see him.
Everything felt too real. His shallow breath. Your pants soaking his blood. Your hands messily pressed on the wound that shot through his back.
"No! No, no, no! Please, no!" And the sobs came stumbling out of your lips, bouncing on every solid matter, piercing through every heart in your vicinity. And that meant a few members of your team.
You craned your neck, finding Derek and JJ standing at a distance. Their worried looks were nonexistent in your eyes. "MEDIC?! WHERE'S THE FUCKING MEDIC?! CALL THEM!" Your throat barely handled your outburst, coughing in soreness while you whimpered in fear.
His hand reached out to you, coughing a smile. "Don't shout, honey. You barely recovered from a cold." His voice was soft and caring, weak and slowly decreasing in volume.
You scoffed. You couldn't believe he had just asked you not to shout when he was a whisper away from death. "Stay awake, Theo. Don't you dare die on me. You can't die on me." You vigorously shook your head for two reasons: shedding tears off your vision and showing your eager disapproval.
Spencer slowed as he watched you hold on for your lover's dear life. He returned from tackling the culprit for you, leaving the rest for Aaron and David to take care of.
It broke his heart. One thing he has wished for you over and over, each night he prayed for peace, was for you to never go through the pain that he went through with Maeve. But it seemed like he didn't pray enough.
"Hey, you forgot your... oh," Spencer halted at the sight of your smile he had never seen before.
You dragged your smile into a straight line as you turned to Spencer. Blush spread on your skin as your eyes widened like a deer caught in headlights.
Spencer wanted to tease you after all your constant bullying over his love life that slowly bloomed once more. But he was familiar with the same look on your face. You weren't ready. He didn't want to push you.
But the man who had an arm around your waist had different plans. "Dr. Reid, right?" He started with a smile, looking at you for confirmation.
You finally recovered from the shock and decided that if it was only Spencer who knew about your lover, it wouldn't be as bad. You cleared your throat, "Reid, Dr. Theo Cohen. Dr. Cohen, Dr. Spencer Reid." You didn't know why you used their respective honorifics as if you weren't a doctorate holder.
"Theo is fine," He chuckles, squeezing your side comfortingly. He turned to Spencer with a friendly smile. "I've heard so many great things about you. It's nice to finally meet you."
Spencer glanced at you and then back to Theo. A smug smirk momentarily twitched his lips, "Nice to meet you too." He noticed how the man didn't move an inch to offer a hand, and Spencer knew then that this man held importance in your life. Why else would you train Theo accordingly to refrain from shaking Spencer's hands? "What are you a doctor in? If you don't mind me asking."
Theo bounced on the balls of his feet, "I'm a trauma surgeon!" He excitedly blurted, prepared to ramble about his passion if triggered.
"Really?" Spencer raised a brow directly at you, who made a promise that you would never date anyone who dove inside someone's body and touched organs. What a hypocrite. He said through his eyes.
You snatched your wallet from Spencer's hands, gulping. "You should go back inside. They're probably looking for you. Go on. It's cold." You rushed, pushing Theo around the car to the driver's seat.
When you came back around to jump on the shotgun seat, Spencer gave you a look. A smile that he only used whenever his heart genuinely felt happy. And your chest tightened.
You paused. A saccharine smile over your lips as you get inside the car.
Theo rolled down the window excitedly, "Let's do trivia night when you have the time!" He peeked his eyes as you rolled the window up from your seat. He was ever the childish one.
Spencer chuckled, shaking his head as he watched the vehicle speed off his line of sight. Finally, his meanest best friend found someone she truly loved. He was proud of you, considering your bitterness every valentine's day. You never failed to point out the fact that it wasn't kissy-face as everyone thought.
The smile never faded off your lips. Spencer approved of Theo. Not that you needed his approval. You'd do whatever the hell you want. However you want. And not that it mattered to you — it did. You couldn't help but feel giddy. You finally chose right. Your genius colleague, best friend even approves. And if that wasn't genuine pride and happiness, you didn't know what else to call it.
Your chest felt tight, "Hey, Dr. Cohen," You started, unsure what to say. "Stop being overdramatic and stay alive. I've been shot worst than this." You bragged, unable to be sweet, gentle, and loving as he knew you.
"Listen, Agent." He retorted with the same tone, except he was quieter and forced. "From a professional's perspective," He laughed blood, making you regret engaging in a conversation with your bleeding boyfriend. "It seems like the bullet created an exit wound. That means I've bled twice as fast. You have to accept it, sweetheart. I will die any moment and need you to move on after that. Don't dread over me. Okay? Promise me you'll move on." It was a dying man's farewell to his weeping lover.
You held his hand closer to your face, leaning against it as if it would keep him alive the more you pressed your skin into his palm. "I hate you. Hear that?" You sniffed in broken words. "I hate you so much. So you better haunt me. Haunt me every single night." Your body shivered as his hand began to lose heat.
He chuckled, sucking in a sharp breath from the pain in his abdomen. "I can't do that, honey. I want you to move on, remember? That means you can't act like this isn't happening." His grasp loosened, breath hitched one last time. And he never recovered.
Agonizingly, your eyes slowly shut. It hit you like a truck. It was real. His body stopped heaving, finally over with the struggle of being alive. His hand dropped limp on his side. His lips stopped quivering from excruciating pain. It was real.
You leaned down to his face, kissing his lips as if, by some miracle, it would wake him up. But you weren't in a fairy tale movie. You weren't a princess. He wasn't a prince. So he remained breathless on your lap.
You gasped, falling over his body. You wept for his life. You cried in despair and heartbreak. The ambulance was too late. And you were one to support the phrase, better late than never. Well, your boyfriend would never come back to life. He was dead. No return after that.
You felt arms wrapped around you, "He's dead. What am I going to do? Theo's dead." You knew the owner of the arms very well, gripping them for support. "Spencer, he died. He left me!" You babbled in sorrow, leaning against his chest.
"I know," Spencer kissed the top of your head, clutching you closer, tighter. "I'm here. I'll be here. It's okay." Even he couldn't stop the tears trailing down his jaw to water down your hair. His heart broke for you. He never wished this type of ache for you, and he felt guilty for not praying hard.
I know it hurts. I'm here, you can break down. I'll be here, don't worry. It's okay, cry it out.
You both knew the entirety of his vague sentences. So the tears that should've dried up minutes ago kept flowing like a bottomless ocean. You wept, screamed, and sobbed for an hour in the safety of the street and Spencer's breath-crushing embrace.
When the paramedics decided it was time to separate you and Theo's lifeless body apart. The agony had faded to a dull throb. No tears. No sobs. No inaudible cries for Theo to start breathing again.
You moved on. It was real. It was over. You moved on.
You sat at the back of one of the SUVs. You felt a jacket wrap around your shoulders, turning to see Spencer sitting beside you.
You bit your bottom lip, "Theo was going to propose." You wryly chuckled. "Bastard didn't get the memo that his girlfriend is a genius profiler even after two years."
"He asked for my blessing," Spencer admitted, earning another laugh from you. Tonight was supposed to be a fantastic night for you. Tonight was supposed to be the night Theo proposed to you after he finally convinced you to invite the team over to your apartment.
"He thought he was so slick. You all thought you were so slick." Tears tattooed stains of anguish on your cold skin. Theo's blood on your cheek didn't seem to encourage your own to flow back up your face. "What an asshole. Dying after getting my hopes up. I even told my parents. They were so happy someone finally tolerated their presumptuous daughter." You let out a shaky breath, wiping your tears.
Spencer released the lip he held between his teeth, gripping the edge of the vehicle. "You don't have to act like it did happen." He stated, staring ahead at the red and blue lights that flashed across your faces.
Your brows knitted, turning your gaze to him. "Don't you mean, didn't?" You laughed.
"You heard it right," Spencer met your empty eyes. "I'll be your escape from reality." He declared, drilling the idea in your head. "Forget about what happened tonight. Just think this was a horrible case that hit close to home, but it didn't happen to you. We can go for a drink. We can fly to Vegas and rob a bank. Let's get on a cruise and act like wealthy, spoiled, genius brats. You don't have to think about Theo's bloody hands and shirt. And when you have nightmares about this, it's just a bad dream. Lose focus. Just remember Theo's smile and how he beat the two of us on trivia night. He's just somewhere out there. Falter. Breakdown. Get mad. It's okay. I'll—" You cut him off.
Déjà vu.
Hilarious.
Ironic.
"But Theo did die, Spencer. He died in my arms after I asked him not to. I told him to haunt me, but he never would. That's real. What happened just now was real. I felt it in my fingertips, Spencer. I felt his life slip away." Pain. That was all you felt.
Spencer rolled his eyes, "I don't remember you making a promise." He blurted.
Your head whipped back to look at him with furrowed brows. "What?"
"Theo made you promise to move on. That's what you're trying to do, right?" Spencer watched as you blinked guiltily. "You didn't make a promise. You just cried. You have the power to do whatever you want. If you want to act like this is not real for a second and feel happy, then do so. No one is holding you back. I fully support it. If you want to act stupid during a case, that's fine. I'll be a genius for both of us. You don't have to face what's real. I still love dreaming about Maeve, about her giggles and us dancing. I still dial her number at a random phone booth whenever I miss her too much. So, just tell me if you want to escape all of this. I'll help you. I'll be your escape from reality. One thing, though." He formed his expression into a serious one. "I can't ever fall in love with you or act like Theo." He lifted his forearms in a cross pattern.
You scoffed, smacking his arms off your sight. "Bold of you to assume you're any match to my boyfriend." You stood up, stretching your arms high as you could. The stars were so bright, and you remembered how Theo loved to point out constellations like they were available for purchase.
Sorry, darling... I don't want you dead yet. Not tonight. You thought as you stared at the brightest star.
You closed your eyes with a smile, a tear falling down your temple, "Spencer," You looked down at him, twisting your body a little. "Theo got called in the ER, but I want to do bomb shots. Wanna come?"
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Ships that have already qualified (read before submitting):
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Peter Parker (Spider-Man)/Gwen Stacey
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Susan Ivanova/Marcus Cole
Kate Kane (Batwoman)/Renee Montoya
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Jack Zimmermann/Eric "Bitty" Bittle
Justin "Ransom" Oluransi/Adam "Holster" Birkholtz
Danny/Reuven
Larissa "Lara" Bogdan/Jasmine
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Rebecca Bunch/Nathaniel Plimpton
Samantha "Sam" Manson/Danniel "Danny" Fenton
Bruce Wayne (Batman)/Selina Kyla (Catwoman)
Bruce Wayne (Batman)/Clark Kent (Superman)
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Harley Quinn/Pamela Isley (Poison Ivy)
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Miryem Mandelstam/The Staryk King
David Rose/Patrick Brewer
James T Kirk/S'chn T'gai Spock
Worf Rozhenko/Jadzia Dax
Kanan Jarrus/Hera Syndulla
Brian Jeeter/Krejjh
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Anshel/Hadass
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autistpride · 3 days
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How many of these famous autists do you recognize? And this isn't even a complete list!
So many amazing wonderful people are autistic. I will never understand why people hate us so much.
Actors/actresses/entertainment:
Chloe Hayden
Talia Grant
Rachel Barcellona
Sir Anthony Hopkins
Dan Akroyd
David Byrne
Darryl Hannah
Courtney Love
Jerry Seinfeld
Roseanne Barr
Jennifer Cook
Chuggaaconroy
Stephanie Davis
Rick Glassman
Paula Hamilton
Dan Harmon
Paige Layle
Matthew Labyorteaux
Wentworth Miller
Desi Napoles
Freddie Odom Jr
Kim Peek
Sue Ann Pien
Henry Rodriguez
Scott Steindorff
Ian Terry
Tara Palmer -Tomkinson
Albert Rutecki
Billy West
Alexis Wineman- Miss America contestant
Athletes:
Jessica- Jane Applegate
Michael Brannigan
David Campion
Brenna Clark
Ulysse Delsaux
Tommy Dis Brisay
Jim Eisenreich
Todd Hodgetts
John Howard
Anthony Ianni
Lisa Llorens
Clay Matzo
Frankie Macdonald
Jason McElwain
Chris Morgan
Max Park
Cody Ware
Amani Williams
Samuel Von Einem
Musicians:
Susan Boyle
Elizabeth Ibby Grace
David Byrne
Johnny Dean
Tony DeBlois
Christopher Dufley
Jody Dipiazza
Pertti Kurikka
James Jagow
Ladyhawke
Kodi Lee
Left at London
Red Lewis Clark
Abz Love
Thristan Mendoza
Heidi Mortenson
Hikari Oe
Matt Savage
Graham Sierota
SpaceGhostPurp
Mark Tinley
Donald Triplett
Aleksander Vinter
Comedians:
Hannah Gatsby
Robert White
Bethany Black
Scientists/inventors/mathematians/Researchers:
Damian Milton
Bram Cohen
Michelle Dawson
Carl Sagan
Writers:
Neil Gaimen
Mel Bags
Kage Baker
Amy Swequenza
M. Remi Yergeau
Sean Barron
Lydia X Z Brown
Matt Burning
Dani Bowman
Nicole Cliffe
Laura Kate Dale
Aoife Dooley
Corrine Duyvus
Marianne Eloise
Jory Flemming
Temple Grandin
John R Hall
Naomi Higashida
Helan Hoang
Liane Holliday Willey
Luke Jackson
Rosie King
Thomas A McKean
Johnathan Mitchell
Jack Monroe
Caiseal Mor
Morenike Giwa- Onaiwu
Jasmine O'Neill
Brant Page Hanson
Dawn Prince-Hughs
Sue Robin
Stephen Shore
Andreas Souvitos
Sarah Stup
Susanna Tamaro
Chuck Tingle
Donna Williams
Leaders:
Julia Bascom
Ari Ne'eman
Sarah Marie Acevedo
Sharon Davenport
Joshua Collins
Conner Cummings
Kevin Healy
Poom Jenson
Amy Knight
Jared O'Mara
David Nelson
Shaun Neumeier
Master Sgt. Shale Norwitz
Jim Sinclair
Judy Singer
Dr. Vernon Smith
Artists:
Miina Akkijjyrkka
Danny Beath
Deborah Berger
Larry John Bissonnette
Patrick Francis
Goby
Jorge Gutierrez
Lina Long
Johnathan Lerman
Julian Martin
Haley Moss
Morgan Harper Nichols
Tim Sharp
Gilles Tehin
Willem Van Genk
Richard Wawro
Poets:
David Eastham
Christopher Knowles
David Miedzianik
Henriette Seth F
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andrewlloydwebber · 2 years
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WICKED, 1776, AND THE BAND’S VISIT AUDIO GIFTS
Quite random selection audios from my recent theatregoing experiences. I don’t know if anyone is interested but I figured it’s better than hoarding them. Reblog if you download, gift to anyone if requested.
WICKED 2nd National “Munchkinland” Tour / June 29th, 2022 / Boston, MA, USA / Lissa deGuzman (Elphaba), Jennafer Newberry (Glinda), Jordan Litz (Fiyero), John Bolton (The Wizard), Lisa Howard (Madame Morrible), Kimberly Immanuel (Nessarose), Jake Pedersen (Boq), Michael Genet (Doctor Dillamond) / Note: A cellphone went off during the Fiyero reveal. 
Google Drive (2 untracked M4A files)
THE BAND’S VISIT 1st National Tour / June 16th, 2022 / Worcester, MA, USA / Janet Dacal (Dina), Sasson Gabay (Tewfiq), Ramin Doostdar (u/s Haled), Ali Louis Bourzgui (u/s Itzik), Coby Getzug (Papi), Hannah Shankman (u/s Iris), Yoni Avi Battat (Camal), Joshua Grosso (Telephone Guy), David Studwell (Avrum), Billy Cohen (Zelger), Dana Saleh Omar (u/s Julia), Marc Ginsburg (Sammy) 
Google Drive (1 untracked M4A file)
1776, Pre-Broadway / May 28th, 2022 / Cambridge, MA, USA / Gisela Adisa as Robert Livingston, Nancy Anderson (George Read), Becca Ayers (Col. Thomas McKean), Tiffani Barbour (Andrew McNair), Allison Briner Dardenne (Stephen Hopkins), Allyson Kaye Daniel (Abigail Adams/Rev. Jonathan Witherspoon), Elizabeth A. Davis (Thomas Jefferson) , Rose Van Dyne (u/s Charles Thomson), Joanna Glushak (John Dickinson), Grace Stockdale (u/s Richard Henry Lee), Eryn LeCroy (Martha Jefferson/Dr. Lyman Hall), Crystal Lucas-Perry (John Adams), Liz Mikel (John Hancock), Patrena Murray (Benjamin Franklin), Oneika Phillips (Joseph Hewes), Lulu Picart (Samuel Chase), Sara Porkalob (Edward Rutledge), Sushma Saha (Judge James Wilson), Brooke Simpson (Roger Sherman), Salome Smith (Courier), Sav Souza (Dr. Josiah Bartlett), Imani Pearl Williams ( u/s Caesar Rodney) /
Google Drive (2 untracked M4A files)
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Abdul, Paula Accardi, Gimena Aniston, Jennifer Apatow, Judd Baddiel, David Baron Cohen, Sacha Bass, Lance Bayer, Vanessa Beckham, Sara Benson, Ashley Bialik, Mayim Bieber, Justin Biel, Jessica Black, Jack Bloom, Orlando Braun, Scott Brie, Alison Brolin, Josh Cain, Dean Carr, Jimmy Chastain, Jessica Chenoweth, Kristen Cohen, Andy Collins, Lily Condor, Lana Cooper, Bradley Cox, Courtney Crystal, Billie Curtis, Jamie Lee David, Cazzie Davis, Viola Debose, Ariana Del Rey, Lana Deschanel, Zooey Deutch, Zoey Dewan, Jenna Diddy Combs, Sean Dobrev, Nina Douglas, Michael Dr. Phil Eric, Andre Fanning, Dakota Ferrell, Will Fisher, Isla Foster, Chelsea Fry, Stephen Gad, Josh Gadot, Gal Gage, Lukas Garner, Jennifer Garner, Julia Garrix, Martin Gellar, Sarah Michelle Gelman, Brett Gilmour, David Gomez, Sarah Goodblum, Jason Groban, Josh Groff, Jonathan Haddish, Tiffany Hamil, Mark Hamm, Jon Handler, Selena Hargitay, Mariska Hewitt, Jennifer Love Hudgens, Vanessa Hyland, Sarah Imbruglia, Natalia Jackson, Paris Jenner, Kris Jenner, Taylor Judge Judy Kailing, Mindy Kardashian ,Amy Kardashian, Khloe Kardashian, Kourtney Kemsley, Dorit King, Joey Kiyoko, Hayley Kloss, Karlie Kunis, Mila Lautner, Nicole Leggero, Natasha Levine, Adam Levy, Eugene Levy, Shawn Lohan, Lindsay Lohan, Lindsay Longoria, Eva Lucas, Matt LuPone, Patti Madonna Mamet, Zosia Marguiles, Julianna McGregor, Ewan Mendel, Howie Messing, Debra Meyers, Seth Mia, Pia Michele, Lea Miguel Milano, Alyssa Mirren, Helen Moore, Mandy Morrone, Camila Munn, Olivia Norris, Chuck O'Donnel, Rosie Oberman, Tracy-Ann Ora, Rita Osbourne, Kelly Osbourne, Sharon Oyelowo, David Pascal, Amy Paulson, Sarah Peck, Josh Peele, Jordan Peltz, Kim Perry, Katy Phillipps, Busy Plaza, Aubrey Pompeo, Ellen Portman, Natalie Prisloo, Behati Richie, Sofia Riley, Rachel Rock, Chris Rock, Chris Rose, Ruby Rosenthal, Phil Roth, Ellie Rowling, JK Saldaña, Zoe Sandler, Adam Savage, Ben Schnapp, Noah Schreiber, Liev Schumer, Kylie Schwartz, Lorraine Schwarzenegger, Patrick Schwimmer, David Segel, Jason\ Seinfeld, Jerry Seinfeld, Jessica Shannon, Molly Shields, Brooke Short, Martin Silverman, Brooklyn Snyder, Zach Sommerhalder, Ian Spears, Lynn Jamie Spektor, Regina Stiller, Ben Sting Stone, Sharon Sudeikis, Jason Theroux, Justin Thorne, Bella Timberlake, Justin Tisdale, Ashley Waititi, Taika Walsh, Kate Washington, Kerry Whiterspoon, Reese Wilde, Olivia Williams, Tyler James Wu, Constance Yatra, Sebastian Zimmer, Constance Zinchenko Zoe, Rachel Zuckerman, Jeremy
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docrotten · 4 months
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THE REPTILE (1966) – Episode 168 – Decades Of Horror: The Classic Era
“This has become an evil place. Corrupt and evil. Ignorant fools! Peasants! … Oh. Good evening sir. Ever so sorry ma’am. Beg your pardon.” So corrupt evil, ignorant, … and polite? Join this episode’s Grue-Crew – Chad Hunt, Daphne Monary-Ernsdorff, Doc Rotten, and Jeff Mohr – as they dip again into the Hammer well with The Reptile (1966)!
Decades of Horror: The Classic Era Episode 168 – The Reptile (1966)
Join the Crew on the Gruesome Magazine YouTube channel! Subscribe today! And click the alert to get notified of new content! https://youtube.com/gruesomemagazine
ANNOUNCEMENT Decades of Horror The Classic Era is partnering with THE CLASSIC SCI-FI MOVIE CHANNEL, THE CLASSIC HORROR MOVIE CHANNEL, and WICKED HORROR TV CHANNEL Which all now include video episodes of The Classic Era! Available on Roku, AppleTV, Amazon FireTV, AndroidTV, Online Website. Across All OTT platforms, as well as mobile, tablet, and desktop. https://classicscifichannel.com/; https://classichorrorchannel.com/; https://wickedhorrortv.com/
Harry Spalding and his wife Valerie inherit a cottage in a small country village after his brother mysteriously dies. The locals are unfriendly and his neighbor Dr. Franklyn (a doctor of theology) suggests they leave. They decide to stay only to find that a mysterious evil plagues the community.
  Director: John Gilling
Writer: Anthony Hinds (screenplay) (as John Elder)
Music by: Don Banks
Cinematography by: Arthur Grant (director of photography)
Editing by: Roy Hyde
Production Design by: Bernard Robinson
Art Direction by: Don Mingaye
Makeup Department: Roy Ashton (makeup artist); Frieda Steiger (hair stylist)
Selected Cast:
Noel Willman as Dr. Franklyn
Jennifer Daniel as Valerie Spalding
Ray Barrett as Harry George Spalding
Jacqueline Pearce as Anna Franklyn
Michael Ripper as Tom Bailey
John Laurie as Mad Peter
Marne Maitland as The Malay
David Baron as Charles Edward Spalding
Charles Lloyd Pack as The Vicar
Harold Goldblatt as The Solicitor
George Woodbridge as Old Garnsey
The Classic Era podcast returns to Hammer for another monster movie gem. This is one of their far too infrequent original creations, The Reptile (1966), directed by John Gilling from an Anthony Hinds (writing as John Elder) script. The film features a stellar cast that includes Noel Willman, Jennifer Daniel, Ray Barrett, Michael Ripper, John Laurie, Marne Maitlan, and Jacqueline Pearce as the titular character. Shot at the same time as Dracula: Prince of Darkness, The Plague of the Zombies, and Rasputin the Mad Monk – all four released in 1966 – The Reptile was featured on a double bill stateside with Rasputin: The Mad Monk. Are you a fan of The Reptile and if so, do the Grue Crew agree with you?
At the time of this writing, The Reptile is available on physical media as a Blu-ray from Scream Factory.
Gruesome Magazine’s Decades of Horror: The Classic Era records a new episode every two weeks. Up next in their very flexible schedule, as chosen by Doc, is Konga (1961)! You knew when they covered Gorgo (1961) in episode 157, Konga wouldn’t be far behind. Written by Aben Kandel and Herman Cohen and starring the inimitable Michael Gough, this one should be fun!
Please let them know how they’re doing! They want to hear from you – the coolest, grooviest fans: leave them a message or leave a comment on the Gruesome Magazine YouTube channel, the site, or email the Decades of Horror: The Classic Era podcast hosts at [email protected]
To each of you from each of them, “Thank you so much for watching and listening!”
Check out this episode!
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historyhermann · 6 months
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Futurama Season 8 Part One Spoiler-Filled Review
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Futurama is a mature animated sitcom with elements from the sci-fi and comedy drama genres. The original series aired from 1999 to 2003, then 2008 to 2013. Matt Groening created this series, like The Simpsons and Disenchantment. He developed it with David X. Cohen. Both were executive producers along with Ken Keeler and Claudia Katz.
Reprinted from Pop Culture Maniacs and Wayback Machine. This was the fifty-fifth article I wrote for Pop Culture Maniacs. This post was originally published on November 9, 2023. By this article, I've surpassed how many reviews I wrote for The Geekiary (52 posts), meaning I have written more for PCM than The Geekiary!
Part One of Futurama's eighth production season (and eleventh broadcast season) is a Hulu revival. It focuses on a crew of six misfits who work for Planet Express, a package delivery company. Turanga Leela (voiced by Katey Segal) pilots the Planet Express Ship. In a continuation from the Season 7 finale, she is the girlfriend of Philip J. Fry (voiced by Billy West), a man cryogenically frozen for 1,000 years before arriving in January 2999. They are joined by a foul, impertinent, alcoholic, smoking, and egocentric robot named Bender Bending Rodriguez (voiced by John DiMaggio), or Bender for short, the staff physician and lobster-like extraterrestrial John A. Zoidberg (voiced by West), and long-term accident-prone and ditzy intern Amy Wong (voiced by Lauren Tom). Other protagonists include company founder Professor Hubert J. Farnsworth (voiced by West) and company accountant/bureaucrat Hermes Conrad (voiced by Phil LaMarr).
Some characters play supporting roles. This includes Amy's partner, Kif Kroker (voiced by Maurice LaMarche), a lieutenant and assistant of Captain Zapp Brannigan on the Nimbus, a Democratic Order of Planets (DOOP) starship. Brannigan, like Fry and the Professor, is voiced by Billy West. He is a general with 25 stars, part of DOOP, and has feelings for Leela. There's also a highly intelligent animal, who often acts cute and innocent, named Lord Nibbler (voiced by Frank Welker), the rough janitor Scruffy (voiced by David Herman), and an aggressive corporate CEO named Carol "Mom" Miller (voiced by Tress MacNeille). She heads a mega-conglomerate known as MomCorp, which monopolizes robot production. She has three sons (Walt, Larry and Igner), and previous romantic relationships with the Professor and his nemesis, Dr. Ogden Wernstrom (voiced by Herman).
The first episode begins by re-introducing viewers to Futurama's characters. Bender cheers return of Leela, Fry, and their friends. The series takes place in 3023. Fry believes he has "achieved nothing" for his 23 years in the future. After taking Leela's advice, he pledges to watch every show ever made. He does this even after Bender warns him about the terrible TV content out there. There are also jokes on actual show names in blink-and-you-miss-it moments. Fry subscribes to the fourth-biggest streaming service in the world, known as Fulu, a play off Hulu.
The episode has social commentary about the binge model: Fry wears goggles which drill directly into your brain. Such devices allow a user to watch all the episodes in one continuous stretch but you must sit perfectly still in an all-encompassing metal suit. In the real world, binging a series can lead to regret, depending on whether viewers plan binging ahead of time. It can contribute to people feeling like they are "bored" unless they binge shows. In the case of this episode, Fry stays in a chair, sitting perfectly still for months without any breaks. His mind is soon overpowered by binging. He loses touch with reality.
In a plot line which echoes the goals of the recently concluded WGA strike, and ongoing SAG-AFTRA strike, Fry's friends convince the robot bosses of Fulu to reboot All My Circuits. They produce episodes as fast as they can, so that Fry doesn't die. To make matters worse, Fry watches the episodes at double-speed. The writers can't keep up with the fast script production. Bender declares that "any idiot can be a TV writer," beginning to write scripts himself. This episode makes clear how writers are so stressed/crunched in the current entertainment industry. The writers collapse from exhaustion during the episode.
The episode ends with the reality of the entertainment industry: executives give constructive notes, say the show isn't working, cancel it, and declare "you will always been an important part of the Fulu family." The episode undoubtedly comments on how TV shows work and ravenous corporate executives. I the past year, Ridley Jones, Inside Job, Dead End: Paranormal Park, and Human Resources were cancelled by Netflix, while The Owl House and Archer ended. For Fry, his friends attempt to shift his focus from the streaming world back to the real world. This plan is unsuccessful, as there is a huge explosion, and they believe he is dead. In reality, he had left the suit two days before, so he could catch up on reading.
Fry admits he stopped watching All My Circuits because the show quality decreased in the last couple of episodes (because Bender wrote them). In another timely moment, there is a mock presidential summit on the dangers of streaming television. Fry declares that shows should not be rebooted without quality. He states that viewers must binge responsibly, streaming no more than 10 episodes in a row. He adds that a TV show must be cancelled every few years if it cares about its audience. This episode is an effective way to begin the series. Even so, it is more dramatic than funny, with some comedic moments.
The next two episodes focus on entirely different subjects. One talks about definition of motherhood, noting that Amy is the smizmar of Kif Kroker and mother of their child even though she contributed no DNA, unlike Scruffy, Kiff, and Leela. Another is on the nose when it comes to social commentary about the cryptocurrency boom and Bitcoin. In that episode, Leela calls the latter a "pyramid scheme for rubes," after the Professor reveals that Planet Express went bankrupt because he invested in it. What follows is an episode spoofing the Gold Rush. The characters go out West, hoping to strike it rich, traveling to a town where all the electricity goes to Bitcoin mining computers, with everything else resembling the Old West.
If that isn't enough, everyone has a Wild West-flair. Roberto has a knife-shooter gun. Leela becomes a barmaid/sex worker. Fry meets a man made of borax (Borax Kid). Zoidberg becomes the town doctor. Dwight tries to team up with Roberto to rob a stagecoach (and take a USB stick). Bender kills a donkey by accident. In one of episode's, best jokes, they use Bender's "shiny metal ass" to sift through river stones. Amy complains there is very little Thalium and just "worthless gold."
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The episode ends with their confrontation at the Bitcoin mine. The saloonkeeper, Delilah (voiced by MacNeille), is using robot heads to calculate numbers. She defends her action, says that all the money earned is donated to an orphanage. In the end, she gets away with it, even putting three heads of the robot mafia into "the mine." Even so, the Borax Kid is punished for copying public domain stories almost word-for-word and changing a few words himself, so he could get the glory. This story ends with a classic so-called "Mexican standoff": everyone fired guns at each other, and the characters shown from multiple angles. The episode closes with everyone walking off into the sunset together, a good ending for the main cast.
The fourth episode is one of the best in this series revival. The beginning, which centers on worms attacking Nibbler's brain, seems to be on par with usual shenanigans in other episodes. This changes when the crew are transported in a toy tank, inside of Nibbler's litter box. They come across dung beetles and magic psychedelic dust. In a clear parody of Dune, the beetles lead them through the sand to find the worms, setting off a pounder (like a thumper) to attract the sandworm. In a callback to the original series, these worms are the same ones that once made Fry smarter. This goes even further: Nibbler claims to be "the messiah." He declares that everything is interconnected and should stay as it is, undisturbed.
As a result, Leela becomes despondent. She even surrounds herself in pure uncut magical sand. It helps her see how everything is interconnected. It is revealed that smaller parasites are weakening the worms. They put aside the whole "everything is connected" mantra to stomp out the smaller parasites, saying a line must be drawn somewhere. This is akin to characters discussing eating good "meat" in a 2000 Futurama episode, entitled "The Problem with Popplers." Later, Nibbler talks to his fellow intelligent beings about how Leela's bravery and loyalty allowed his previous consciousness to be restored.
More than other episodes, this is the most inventive, even featuring a character chewing on a Bart Simpson doll. As Jean wrote in a review on this very website, Dune, based on the well-known novel by Frank Herbert, can have a twisted timeline, dense plot, and have a wide scope and scale. It is, more than anything, a sci-fi epic, centering on the desert planet of Arrakis, with the resource of spice sought after by all. Even with its sweeping visuals, make-up, and CGI, there is exposition over the top. Characters are often referenced by their full names rather than abbreviations. The film is relatively long. Some of this energy comes through in this Futurama spoof, which is a sci-fi series quite different from Dune or Release the Spyce.
The fifth episode has extreme relevance when it comes to corporate conglomerates which dominate the economic landscape. Mom is the epitome of this, with her Momazon service, a play off Amazon, which runs a "fulfillment center" on the Moon. Some people resist these efforts, saying that her warehouse is polluting the Moon. She buys everyone off with speech recognition software known as Invasa, her version of Alexa. The way that the warehouse functions echoes criticism of Amazon for avoiding taxes, toxic work culture, and mass data collection from consumers. These workplaces take the conditions of the real-life equivalent a step further. They are fully automated by non-union robot workers who endure the conditions 24 hours, 7 days a week. When Mom is challenged by Leela, saying the robots are engaged in forced labor, she says the workers enjoy the work.
Not everything is happy: Bender, after quitting Planet Express, is forced to work at the plant. He even sends a package with a warning so his friends will save him. To make matters worse, the "wonderful" artificial intelligence (A.I)., turns against Mom, going rogue, and it ends up taking over the entire universe. As such, they can order what they want from Momazon with quick deliveries, which is supported by abysmal labor conditions. There are many Futurama callbacks, like the destruction of the Apollo lander, the man with a hat declaring "The Moon Will Rise Again," and the return of Al Gore's floating head. Bender ends up back in the same apartment with Fry and Leela, and is fine being the third wheel, rather than working in a warehouse.
This episode is not unique in criticizing A.I. Take Light Hope in She-Ra and the Princesses of Power, who tries to activate a planet-destroying weapon to annihilate the universe, and attempts to exploit Adora (as She-Ra) to accomplish that end, or Lunella's A.I., Skipster, in Moon Girl and Devil Dinosaur, which skips important parts of her life that she found "boring." Also consider Cyrano in Cleopatra in Space, an A.I. created by series villain Octavian who tries to control a protagonist, and a paranoid A.I. scared of ghosts, the godlike A.I. depicted in The Orbital Children, or malevolent A.I. in Star Trek: Lower Decks.
Moon Girl has a living/A.I. supercomputer named LOS-307. An A.I. named T.O.M.I. (Technical Operations Management Interface) is in Supa Team 4. A ship navigator named KRS is in My Dad the Bounty Hunter. The worst example of A.I. is in the first, and second (to a lesser extent) of idolish music series Kizuna no Allele. That series had a pro-NFT segment and almost encourages creation of anime by A.I. This Futurama episode leans toward criticism in Cleopatra in Space, Star Trek: Lower Decks, Moon Girl, She-Ra and the Princesses of Power, and The Orbital Children, and away from other depictions. The episode acknowledges prevalence of A.I., as Carole & Tuesday does, with a music producer named Tao using advanced A.I. to ensure performers are profitable. It hints at danger of relying on A.I., which relies upon models trained by extremely low-paid workers.
Other episodes are callbacks or more relevant now than they would be even five years from now. One is an X-Mas themed episode featuring efforts to stop murderous Robot Santa with a time travel machine. Another parodies the response to the COVID-19 pandemic. This involves quarantines, masks worn on ears, people working remotely, and conspiracy theories on Facebag (the version of Facebook in this world). The latter is enhanced by competition between the Professor and his sworn nemesis, Wornstrom. The Professor gives people a flimsy paper card (a dig at COVID-19 paper cards) and 3D chips inside of a vaccine to track it. The episode ends when everyone gets a vaccine using voodoo practices, likely a reference to Louisiana Voodoo rather than Trinidadian Vodunu or similar syncretic religious practices in the African diaspora. The episode ends with the statement that any sufficiently advanced magic is distinguishable from science.
This Futurama episode was one of the more hilarious ones. It echoed a "missing" Cleopatra in Space episode about protagonist Cleo facing the consequences of avoiding quarantine, and the August 2011 Futurama episode "Cold Warriors." The former includes Cleo realizing, after she infects the entire campus (but is a carrier), the importance of quarantine. At the episode's end, she enters quarantine as she presumably has common cold, and declares “quarantine stinks!” The Futurama episode is different because it parodies the oft remote work and hints at delays from the virus.
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The eighth episode is just as strong. Zapp is brought before a DOOP disciplinary hearing after an egregious incident with Kiff. It is declared that he is "cancelled." DOOP strips him of his title and states that he must undergo mandatory sensitivity training. The episode centers on "cancel culture," known as consequence culture. It has been covered poorly in some media and better elsewhere. In this episode, Leela becomes captain of the Nimbus. Fry and Bender join her as first officers. The sensitive training class teacher, Dr. Kind (voiced by DiMaggio), is abusive, and DOOP's worse groper.
While Zapp apologizes to those he harmed and Leela gets a medal of valor, there's a lot more going on. There are sequences which resemble Star Trek films, part of an all-around parody of Star Trek itself, including about the Prime Directive. Leela, Fry, Bender, and others come down to the planet in a bucket, making the residents of Tacila believe they are not advanced. Their society has sophisticated machinery running on pneumatic technology. This aligns with the original Futurama series where DOOP engaged in intensive mining operations and worry of Beckett Mariner in Star Trek: Lower Decks Season 3 that Starfleet has become a fighting force involved in armed conflict. DOOP only wants a treaty with Tacila to acquire air rights.
This episode ends with Dr. Kind, almost ruining the air with a Durian. At the last second, Bender (likely) orders the Nimbus to fire upon Dr. Kind, killing him. Later, Leela gets the aforementioned medal. She is discharged for not wanting to fire on innocent civilians. Everything returns to the status quo. Leela, Fry, and Bender return to Planet Express. Zapp goes back to DOOP. He doesn't care about civilian casualties if it "gets the job done." At the episode's end, the idea of consent is emphasized. Zoidberg sucks on Leela because of the Durian smell, and she thanks him for asking first.
Futurama's penultimate episode is a mixed bag. It includes some good moments poking fun at toy commercials, but is also dark with death, dismemberment (of cars), horrors of war, and the like. There is a strange plotline about a Space Prince (voiced by LaMarr), who Leela only loves because of a spell. Even so, there are good points about absurdity of religion (to an extent) and respecting ability of women to voice their opinions (although Bender doesn't support that view).
The final episode, for now, goes further, touching on the meaning of "life." The Professor creates a simulated universe, with copies in three-bit form. He declares that the simulation's beings are "nothing more than ones and zeroes" and aren't real. After he promises to Bender that the simulation won't be terminated, he changes his mind. He even finds an alternate power source to keep the universe functioning. Bender goes into this simulated world, wanting to tell them the truth (that the Professor made the world). He decides to not do so after that world's Fry, declares that it doesn't matter.
The episode closes with Bender returning to the real world. A solution to preserving the simulated world is presented: underclocking the processor. Although these beings realize the world is simulated, they care little about it. In many ways, this episode echoes the computer programs, known as "programs" in Tron: Uprising, but those depicted here are more basic.
Moving on, a largely-circulated spreadsheet in which people anonymously described their conditions in animation studios, does not mention The ULULU Company, previously known as The Curiosity Company, an animation studio and production company, that produced this series and Disenchantment. The company previously worked on the five Futurama films. Sadly, it isn't listed on Glassdoor. So, the company's conditions cannot be determined. Hopefully, people are being treated fairly and the work environment is productive.
The same spreadsheet had eight entries for Rough Draft Studios offices in Glendale and Burbank. These reviews were overwhelmingly negative, with anonymous entries saying there was overwork, disorganization, harsh treatment, and inflexible hours. These revealed an anti-union environment with unionbusting in Burbank. The same studio previously reached an agreement with Local 839 of the Animation Guild, which covered animated TV series and features at their studio in Glendale.
It is hard to know where the series will go from here. This is only part one of the eighth season. It has ten more episodes of its Hulu run, as part of the revival. Watching this revival is nostalgic. It was one of the first animated series I ever watched. I fondly remember episodes parodying Napster and homophobes opposing same-sex marriage, and visual jokes. Some episodes coined terms such as robosexuality, meaning love/sexuality between a robot and humanoid. The strong sci-fi themes stuck with me: the series premiere had the protagonist (Fry) time travel from 1999 to 2999. More than that, there was dimensional travel, voice actors such as Dawnn Lewis and Frank Welker, commentary on worker exploitation, heartfelt moments, advertising parodies, and storylines focusing on family history, roots, and connections.
Overall, the Futurama revival is different feel than the original. Even so, it differs from Final Space, and others like Disenchantment, and Steven Universe. The series is not fundamentally different than the original show. It is improved without few changes. For instance, there are no episodes about queer identity of main cast members or anything along those lines. In this way, it is like The Proud Family revival. Hopefully, the series continues to improve as it moves forward into Season 8 Part 2, and beyond. Futurama is currently streaming on Hulu, Apple TV+, and Disney+ (in some jurisdictions).
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© 2023 Burkely Hermann. All rights reserved.
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eretzyisrael · 2 years
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Queen Elizabeth II and the Jews
[I, like millions around the globe I'm sure, were shocked and saddened to hear that Queen Elizabeth passed away this evening. Many of those millions, like me, have gotten to know the Queen as a human being and wife and mother and monarch through watching "The Crown." All of us Crown viewers learned that Queen Elizabeth didn't have an easy life. May she rest in peace.]
A few little-known facts about Queen Elizabeth II OBM and her connection to the Jews by Dr. Yvette Alt Miller (Aish.com)
Her Mother-in-Law Saved Jews During the Holocaust:
The third season of The Crown features a Greek-speaking, tough talking nun. Shockingly, that nun was Queen Elizabeth II’s mother in law, Princess Alice of Battenberg. Even more surprisingly, The Crown never explores Princess Alice’s heroism during the Holocaust, when she saved Jews by sheltering them in her home in Nazi-occupied Athens. It’s an amazing story that ought to be known.
Born in 1885 in Windsor Castle - where Queen Elizabeth II now lives - Princess Alice was Queen Victoria’s great granddaughter. She was deaf - a fact that the royal family hid - and learned to lip read as a child. Historians have speculated that this might have made Princess Alice more sensitive to other people who were different from the mainstream in some way.
When Alice’s brother Edward was crowned King Edward VII in 1902, one of the guests at his coronation was a dashing Greek prince named Andrew. The two fell in love and married. Alice moved to Greece where she had four children: three daughters and a son, Philip (Queen Elizabeth II’s husband). The family was riddled with dysfunction. Alice’s husband became a dissolute playboy and eventually moved away. Her three daughters all became ardent supporters of Hitler and each one married senior Nazis. Only her son Prince Philip resembled her, eschewing Nazism and spending time with Jewish friends and his British relatives.
When World War II broke out, Prince Philip volunteered for the British navy, and battled Nazis with distinction. Princess Alice resisted in more secret ways. Remaining in Athens, she invited the Cohens, a distinguished Greek Jewish family with whom she and her husband had long been friends, to hide in her house. Rachel Cohen, her daughter Tilde, and her son Michel moved in with the princess. The apartment was small and located just yards from Athens’ Gestapo headquartered. Once, Princess Alice was even brought in for questioning, but she refused to divulge the fact that she was sheltering Jews in her home.
After the war, Princess Alice founded an order of nuns. She returned to London in 1967 and died there in 1969. She requested that her remains be interred in Jerusalem, and in 1988 they were buried on Mount Zion in Jerusalem.
Queen Elizabeth II Hired Jewish Mohel to Circumcise Prince Charles:
Queen Elizabeth II hired an Orthodox Jewish mohel to circumcise her son Prince Charles. Rabbi Jacob Snowman (1871-1959) was a London mohel of great renown, and it’s said that the Queen was impressed with Rabbi Snowman’s skill and experience.
The tradition of British royals to ask Jewish mohels to circumcise their sons goes back to King George I, who was born in Hanover, Germany, and reigned over England from 1714-1727. Back in Germany, some aristocratic parents hired Jewish mohels, and George I brought the custom with him to England. Years later his great great granddaughter Queen Victoria hired Jewish mohels to circumcise all of her sons. She is said to have believed that her family tree went directly back to the Biblical King David.
Coincidentally, Queen Elizabeth’s mohel Rabbi Jacob Snowman had another royal connection: his younger brother Emanuel Snowman was chairman of Britain’s renowned Wartski jewelry dynasty, which sold wedding rings both to Prince Charles and his wife Camilla, Duchess of Cornwall, and to Prince William and his wife Kate, the Duchess of Cambridge.
British Jews pray for the Queen every Shabbat:
It’s a Jewish custom around the world to recite a prayer on Shabbat for their government leaders. In Britain, this means praying for the welfare of Queen Elizabeth II and her family. British Jews ask God to “preserve the Queen in life, guard her and deliver her from all sorrow.” The prayer goes on to ask that the Divine “put a spirit of wisdom into her heart and into the hearts of all her counsellors” too.
ath at a memorial to Arab soldiers who died attacking Israel.
She Departed from Royal Protocol to Listen to Holocaust Survivors:
While Queen Elizabeth II seems notably cool towards the Jewish state, when it comes to Britain’s Jews recent years have found her conciliatory. The royal family has shown a particular interest in the welfare of Holocaust survivors of late.
On January 27, 2005, the 60th anniversary of the liberation of Auschwitz, Queen Elizabeth hosted a group of Holocaust survivors in St. James’s Palace in the center of London. Notably punctual, on this occasion the Queen threw protocol to the wind. As she mingled with the survivors, one of her aides informed her that it was time to wrap up the event.
Instead, the Queen continued to talk, to listen, and to reassure. Rabbi Lord Jonathan Sacks was present and later recounted: “When the time came for her to leave, she stayed. And stayed. One of her attendants said that he had never known her to linger so long after her scheduled departure. She gave each survivor - it was a large group - her focused, unhurried attention. She stood with each until they had finished telling their personal story.
“It was an act of kindness that almost had me in tears. One after another, the survivors came to me in a kind of trance, saying: ‘Sixty years ago I did not know if I would be alive tomorrow, and here I am today talking to the Queen.’ It brought a kind of blessed closure into deeply lacerated lives.”
In January 2022, Prince Charles commissioned a royal series of portraits of Holocaust survivors. “As the number of Holocaust survivors sadly but inevitably declines,” he explained, “my abiding hope is that this special collection will act as a further guiding light.” The portraits are to be displayed in Buckingham Palace, Queen Elizabeth II’s official home.
Jewish MOM
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unwelcome-ozian · 2 years
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hey oz hope you’re doing well was wondering if there’s a government connection to what happened at elan school
Elan was founded in 1970 by psychiatrist Gerald Davidson, investor David Goldberg, and Joseph Ricci.
Many of Elan's behaviour-modification techniques were taken directly from the methods used by Synanon.
Synanon has individuals who were involved with Mk-ultra. (Dr. Keith S. Dittman and Dr. Sidney Cohen)
Oz
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drarreckyninja · 2 years
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drarreckyninja’s top 50 ships of Jan 2022 (as collected by downloads, Word, and online history) [part 2/5]
40. Ponycake
Ponyboy Curtis x Johnny "Johnnycake" Cade [The Outsiders]
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39. Shelnard
Dr. Sheldon Lee Cooper x Dr. Leonard Leaky Hofstadter [The Big Bang Theory]
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38. Beckavicci
Dr. Samuel "Sam" Beckett x Rear Admiral Albert "Al" Calavicci [Quantum Leap]
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37. Ratread (formerly Navid)
Emil Nigel Ratburn III x David Read [Arthur]
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36. Clawdget
Dr. Claw x Inspector Gadget [Inspector Gadget]
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35. Carsera
Carson Kressley x Esera Tavai Tuaolo [Celebrity RPF]
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34. Lucidan
Lucifer Morningstar x Detective Daniel Espinoza [Lucifer]
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33. Coophen
Anderson Cooper x Andy Cohen [Celebrity RPF]
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32. Nug
Nigel Townsend x Mahesh "Bug" Vijayaraghavensatanaryanamurthy [Crossing Jordan]
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31. Choni
Cheryl Blossom x Toni Topaz [Riverdale]
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jacobsvoice · 1 year
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The New York Times, Zionism and Israel
(December 21, 2022 / JNS) How ironically revealing that The New York Times would choose the pending first day of Hanukkah for an editorial board opinion column entitled, “The Ideal of Democracy in Israel Is in Danger.” As if that was insufficient, Thomas Friedman, for decades the Times’ critic-in-chief of Israel, contributed a two-page rant titled, “What in the World Is Happening in Israel?”
The Times’ Hannukah editorial denounced the Jewish state’s new “far-right” government, led by Benjamin Netanyahu and “ultrareligious and ultranationalist parties,” saying it poses “a significant threat to the future of Israel.”
As for Friedman, he focused on his familiar targets: settlement expansion and the fading two-state solution. Now, he laments, Netanyahu’s election victory assures the “most-nationalist, ultrareligious” government, led by “religious zealots,” in Israeli history.
This is nothing new for the Times. Decades before the rebirth of a Jewish state in the biblical homeland of the Jewish people, the Times displayed discomfort with Zionism and the danger statehood would supposedly pose to the loyalty of American Jews.
Adolph Ochs, who purchased the floundering newspaper in 1896, was proud of his Reform Jewish identity, which defined Judaism solely as a religion, not a nation. Early on, his newspaper was hostile to the Zionist movement and welcomed submissions from wealthy and prominent anti-Zionist American Jews.
According to prosperous banker and philanthropist Jacob Schiff, “The promised land of the Jew” was in America. Zionism, he warned, “threatened the very existence of the Jewish race.” The Times published a critique of Zionism by Dr. Henry Moskowitz, co-founder of the NAACP, who labeled Zionism “romantic and impracticable.” The paper printed a letter from Henry Morgenthau, ambassador to the Ottoman Empire during World War I, that identified America as “a holy land,” where Jews “are Jews in religion and Americans in nationality.”
Ochs’s first visit to Jerusalem in 1922 left him “unsympathetic with Zionism,” because “the Jewish religion is secondary.” Speaking at a temple dedication, he declared, “I know nothing else, no other definition for a Jew except religion.” He feared that “Zionist activities in Palestine … would be a menacing danger to Jews throughout the world.”
Adolf Hitler’s rise to power posed a challenge to Ochs. Horrified by Nazi persecution of Jews, he was determined that the Times would not be identified as a Jewish newspaper. He was succeeded by his son-in-law Arthur Hays Sulzberger, who opposed the identification of Jews as the primary victims of Nazi extermination. The plight of European Jews failed to qualify for the Times’ daily ranking of important events.
The birth of the State of Israel compounded the Times’ Jewish problem, heightening its concern lest a Jewish state compromise the loyalty of American Jews. Once the Times began to post bureau chiefs to Jerusalem, beginning with David Shipler in 1979, its coverage of Israel became more focused, probing and, eventually, relentlessly critical. Fascinated by the struggle between “Arab and Jew,” Shipler understood that the motivation of Jewish settlers was “biblical,” while “a Palestinian people has come not from an ancient source but largely in reaction to the creation and birth of Israel.”
Shipler’s perceptive reporting yielded to Thomas Friedman’s persistent criticism. Chastising Israelis for ignoring the plight of Palestinians, he dismissed terrorist attacks as merely “a continual poke in the ribs” and anticipated that “scary religious nationalist zealots” might lead Israel into the “dark corner” of a “South African future.”
Columnist Anthony Lewis identified the occupation of Judea and Samaria with South African apartheid. Roger Cohen suggested that the U.S. should engage in “hammering” Israel in response to the “scourge” of occupation. Jodi Rudoren wrote preposterously that Israel was building 3,500 new settlements. Following horrific Palestinian terrorist attacks during the second intifada, Times editors held “both sides” responsible. Current Jerusalem bureau chief Patrick Kingsley refers incessantly to Israeli “occupation” of the Jews’ biblical homeland in Judea and Samaria.
For nearly a century, The New York Times has suffered from Zionism- and Israel-phobia. There is no cure in sight.
Jerold S. Auerbach is the author of 12 books, including Print to Fit: The New York Times, Zionism and Israel 1896-2016, selected for Mosaic by Ruth Wisse and Martin Kramer as a Best Book for 2019.
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