Hello my friends. I have been absent from tumblr because I was dealing with my health issues. I'm relatively fine and safe.
I've seen that I have many notes and messages. Unfortunately I can't answer them right now. The Internet connection is really weak and any moment it can be shut down. I'm only back to ask you a favor. You might have heard what's going on in Iran right now. If you don't know watch this.
TW: Graphic content
The internet speed is so low that I can't upload any photo or video. Follow #مهسا_امینی , #MahsaAmini on twitter or instagram for more info.
Iranians have been in the streets all over Iran since then. They are protesting, women burning their headscarves and wanting regime change. It's a revolution. And the regime is shooting at people and killing them. They blocked Instagram and WhatsApp last night. The only remaining available social media apps that you could use without a VPN. They're also shutting down Internet so the world doesn't know about their atrocities.
So please be our voice. We need global support more than ever. Don't let your politicians and governments normalize this inhuman, criminal and terrorist regime and the negotiations with them. Islamic Republic don't represent Iranians. They are fighting with us and murdering us. Please reblog this and be our voice.
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dp x dc prompt #68
Danny’s ice core is very good for enjoying extremely cold temperatures without having to drag around a coat. It even helps cool him down in ghost form, and even in human form when there’s enough ambient ectoplasm.
The problem is that his human form has grown to completely rely on it to keep cool, so when there’s not enough ecto to use and his core has to choose between continuing keeping him semi-alive or continuing cooling him down? That’s when the problems start.
It really was just his luck that he chose to visit Metropolis and one of the more destructive rogues started tearing things apart while he was walking to the college he was scouting. And he really should have expected it when something exploded and suddenly the whole city seemed to be burning.
Clark took too long to get there. It wasn’t as much of a self deprecating thought as a fact. By the time he actually took down the criminal that started all this, three blocks were completely engulfed in flames.
His own heart stuttered when he heard a rapidly fluttering heart that kept stopping and starting erratically in the blaze, but he recovered quickly and swooped down to try and save whoever was unfortunate enough to get caught up in the destruction(he ignored how it seemed like it was already too late, and how he hadn’t seen anyone pull through with a heartbeat like that before.) and landed in the rubble that toppled into the street.
The teenager(oh god, it was a teenager, no older than Connor-) reached out and tangled a hand in his cape as soon as he was lifted off the ground. He kept trying to tug him down so Clark could hear him, and when he finally obliged, the kid took a deep breath and rasped:
“Put me in the freezer.”
…What??
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A lawlight thing I don't think people talk about enough is the sheer amount of confidence Light has in L's competence.
(I'm not talking about the handcuff bits either—Yotsuba!Light actually has far less confidence in L's abilities than regular Light does, because Yotsuba!Light thinks L is wrong, and that every move L has made against him has been wrong. Yotsuba!Light only regains his belief in L near the end of the arc, when Light himself begins to suspect that L might not be wrong.)
But those little inner monologues we make fun of all the time, the ones where Light basically talks himself in circles trying to the find the best, most non-suspicious answer? That's him acknowledging that L is incredibly intelligent.
Light, before even properly meeting L, was completely sure that L would think of every single possibility, every single response to every single word Light could spout, a counterattack to every move he could make, even if he didn't know exactly what they were. And yes, you could say that it's Light simply being overly cautious, but Light is so sure of L's responses in those moments; his sheer belief that all L needs is for him to slip up once, even though that cannot possibly be true (one hint of suspicion wouldn't have been enough for the Task Force I don't think, not even compiled on the fact that Light fits their profile) is honestly....kind of staggering??
Light had no clue that L even existed before the broadcast, and the only true shows of L's ability that he saw before they met in person were the broadcast (a loss) and the cameras (annoying, but a win).
As soon as they meet in person, Light is thinking battle strategy. There's a moment of "Oh fuck" when L reveals himself, and that moment is because Light is certain that L would've been a fox in his henhouse if he hadn't.
But Light, again, doesn't take the moves that he can't be certain of the meaning of as proof that L is stupid—he takes it as proof that L is smart.
And at every turn, L proves him right. :)
I just think it's interesting that Light very much respected L's intelligence, even as he hated him. Light's faith in L's abilities was pretty much instant and I thought it might be fun to explore :3
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parting deferred
For perhaps the last time, Joui talks to Liz. pre-desconjuraçao, also posted to my ao3.
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Shamefully, his gaze passes over her at first. She’s only another old woman sitting in the back of the library, white head bowed over a study table. But the way she frowns at the mess of papers before her is all Liz.
Joui tries his best to assess her condition as he navigates the shelves. She’s alive. And unhurt, and perhaps even sober. He can breathe more easily now that he sees her.
Someone unexpectedly exits a row in front of him—he startles, reaches for the weight at his hip, apologizes, heart racing—arrives.
Another moment of unfamiliarity. Joui could be looking at someone else’s grandmother reading the paper.
He shakes off the moment, and the uncertainty that suddenly rises in his chest.
“Liz-senpai?”
It takes a moment for his voice to register—she’s absorbed in whatever the papers are telling her. He can see the recognition in her face, the way the hand that holds the pen stops its motion.
She covers her notes as she turns to him. He tries to suppress the sting.
“Joui? What do you want?”
“You didn’t respond to the group chat,” he says, his tone more accusing than he means it to be.
“I muted it. It was distracting me.”
“We were worried. Liz, I went to your apartment and the landlord said it had been sold. And you weren’t answering calls or texts and—“
“How did you find me?” she asks.
Joui is thrown off. “Ce-Kaiser tracked your phone,” he says honestly.
Liz purses her lips. “I see.”
“We were worried,” Joui explains. (I was worried) “You disappeared—what if something had happened to you?”
“Well. As you can see, I’m fine. As fine as I can be. You can tell that to the others.”
Joui looks at the pile of papers—newspapers, dated recently. “Liz-senpai, what are you working on? Can I help?”
She slips her notebook into her bag, covering the table with the other hand. “Joui—I appreciate your concern, but I’m fine. I can take care of myself.”
And she can—Joui knows Liz, and she’s strong—but how strong is she now? She’s smart—smart enough to get to the bottom of this, whatever it is, and put herself right back in danger.
He misses hearing her theorize, brow furrowed and eyes alight. He misses her laugh and her smile. He misses Liz herself—she’s right in front of him again, but she feels a thousand miles away.
“Don’t disappear again,” he pleads. “We need you.” (I need you, he wants to say, but he’s terrified that it won’t be enough to keep her with him.) “The Order needs you.”
That makes Liz laugh—a bitter echo of his memories. “The Order doesn’t know what it’s doing.” She straightens the papers on the table. “Symptoms,” she says. “They’re treating symptoms, and the heart is rotten. We throw ourselves into a brick wall over and over until every one of us is dead and broken.”
Joui doesn’t know what to say. It’s a mirror of the thoughts that haunt him at night, laid over the memories that never fade. He doesn’t have words of hope—he has to be the strong one now, but he doesn’t know what to do.
Liz turns over the newspapers, arranging and rearranging them feverishly. Joui watches and he doesn’t know what to say and he doesn’t know what to do.
He puts a hand on her shoulder, finally, clawing past the uncertainty that freezes him in place.
“Liz-senpai. Look at me, please.”
She meets his gaze, and whatever he’d tentatively planned to say next escapes his mind. Her eyes are older than the wrinkles on her face. The eyes of the monster of death flash into his mind—a thought he despises as soon as he has it.
“Liz-senpai?” he repeats.
“Get out, Joui,” she says, and she just looks tired now.
He isn’t hurt that she’s still putting herself in danger—he understands the itch to do something, anything. He’s hurt that she doesn’t want him beside her. Joui isn’t sure of many things these days, but he knows bone deep that they need to protect each other. If he loses Liz—and Arthur and Kaiser—every part of him that matters will have died.
“If you think I’d leave you, you don’t know me,” he snaps.
Something flashes over Liz’s face. “I suppose I can’t make you do anything—it’s not like I’m your mother.”
Joui wishes she had hit him instead. He tries to say something else and can’t manage it.
He thinks she wants to say something else too. She pauses as she walks away, looks back—but she leaves anyway.
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Ultimately, I think one of the worst things Hopes does wrt its writing of Claude is take out all of the complexities and contradictions that had made him so interesting to begin with.
OG Claude lies and manipulates people and closes himself off while still searching for the truth and wanting people to come together and be open with each other, because of how his traumas meld together with his dreams. He says that he'll do whatever it takes to get what he wants and shows off opportunistic tendencies and then buckles at the first sight of innocents getting hurt, because no matter how much he wants what he wants he still prioritizes the lives of the people around him over anything else. He knows of people's capacity to hurt others for petty or illogical reasons - was raised with that knowledge beating its existence into him - and yet still dreams of a world where people of different lands and cultures can still be friends, because that is how tightly he holds onto his dreams. He's a kind person with the capacity for being a dick, and his contradictions add on so much to his character; they in large part are his character.
Hopes Claude? He lies and manipulates people and closes himself off... and that's it. He says he'll do whatever it takes to get what he wants... and he does. He knows of people's capacity to hurt others for petty or illogical reasons... and has no real dreams of stopping it (or dreams of anything in the future really, by his own admission) and he indulges in that very behavior himself, seemingly without any awareness. He is untrustworthy, and manipulative, and opportunist... and that's it. What you see is what you get. And if this were a character unto themselves, if we're kind and we ignore all of the other issues with Hopes!Claude's writing, that would be a fun enough villain to follow around.
But it's not; this is supposed to be Claude. This is a character who has so much of his foundations be built on the idea that what he presents on the surface isn't all that he seems. That he's more than a character who is just "tee hee I'm only pretending to be nice but I'm actually eeeeevil evil evil evil evil evil evil," but someone who both uses kindness as a means to an end and embodies it genuinely. Warm yet calculated, a good man with real flaws - THAT is who Claude is. Hopes Claude is who Claude is if you strip him of any complexity - He Is Only Pretending To Be Good, But Actually He Is Bad.
He's just... easier to swallow, in a sense. Claude is a good person who is willing and able to do bad things, but only up to a very specific, very clear point, all for a good dream he's held onto for years and plans extensively to make a reality in the future; Clyde is a shit person who's willing to do everything short of bombing specifically whatever land he himself is ruling, all for what essentially amounts to no concrete purpose. There's no need to think about Clyde as hard, since he just does what he does because he's doing it and that's enough.
It's why I'm glad I am Dev-Approved to just fuckin' ignore Hopes entirely as a horrific fever dream, because Hopes does not understand what made Claude so lovable at all
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The flashbacks in this episode were…something. I’m going to likely be that person who goes against popular opinion and say that I actually liked the use of the flashbacks. Were there too many? Absolutely! However, I do appreciate what they were trying to be. A way of visually showing Kang contexualizing his feelings for Sailom as they happened. Most of the time, when a character in a drama realizes that they like another, there is that montage of romantic moments of the two characters growing closer to each other. The big difference is that while there is usually only one, this time, the editors seem to air on the side of being too heavy handed with the metaphor.
Kang spends the episode conflicted about his feelings about Pimfah, about Sailom and about Pimfah’s feelings about Sailom. Love triangles are tricky things to do and I liked this one. I even liked how quickly it started and got resolved. Going too deeply, and spending too much time lingering in, Pimfah’s feelings for Sailom would have slowed the show down in a way that wouldn’t have worked (and yes I do agree that the show needs a bit of a slow down). It also risks turning Pimfah into a character she isn’t. She isn’t meant to be a jealous girlfriend nor a competitor for Kang. She is her own character with her own storyline (*looks at Pimfah and the student teacher* Harold they’re lesbians). She also serves as a narrative device to help Kang and Sailom get close (Guy also serves this function within the episode). Kang needed to see her feelings for Sailom in order to confront his own about her and Sailom.
Each flashback serves this function. Every time something happened, it would be accompanied by a flashback and more often than not, a pensive look from Kang (a part of me would very like to know exactly how many times Perth got “now I need to stare thoughtfully into the middle distance” as an instruction). Kang had to rethink and recontextualize just about every interaction he’s had with Sailom since being forced to be tutored by him. Kang does not have much in the way of emotional intelligence (which is the result of many factors both within and outside of Kang’s control) so he doesn’t, can’t, figure it out quickly. Kang himself has said that it has been told to him since he was young. He has to grow up, find a nice woman, get married and have children to carry on the family name. He doesn’t believe he can deviate from that path. That it’s the only path that will make his father proud, that will make his father pay attention to him and love him. It’s the only path that will make him feel worthy of something he should be getting already, his father’s love.
Which also brings to a thought I’ve been having since the beginning. I don’t know how many other people have thought this, but I don’t think Kang has ever actually liked Pimfah. They get along fine and are friends, but I don’t think Kang has ever actually had anything in the way of romantic feelings for her. I think he just decided on her because she was a safe choice. She is his friend, one he knows he gets on with, she seems to like him well enough and also, she is the daughter of one of his father’s business associates. There is no way his father would disprove of her. In fact, I wouldn’t be surprised to find out that Kang’s father has mentioned something about Pimfah in the past or Kang and Pimfah’s fathers wouldn’t have tried to get them together a few years down the line.
Kang has buried how he really feels so far down. He has to take the time to truly dig it up and come to terms with it and I honestly don’t even think he really did that before he kissed Sailom. He figured it out sure, but he hasn’t come to terms with it. He just knows that if he doesn’t act now, he’ll lose Sailom to someone else, whether that is Pimfah or Guy or someone else. It also hasn’t escaped my notice that both of the possibly “love rivals” Kang has had have been characters that are a part of the shows secondary ships, which I also absolutely think is intentional.
The flashbacks are a narratively and visual tool to help the audience go on that journey with Kang. There were too many of them sure, but even that works in this situation, because it shows that Kang isn’t just going off of instinct. He is re-examining his feelings, even if he always jumps to the wrong conclusion in the end, but hey denial will do that to you. This show does have its issues and I think a lot of them do stem from the philosophy of “airing on the side of too heavy handed for it’s own good” in its use of tropes and pacing but in this particular case, even if they were kind of annoying by the end, I think it still worked.
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