I've been connecting with my family and I found out I am Coahuiltecan! As a reconnecting native person this is amazing and important for me!

I want to learn more about my culture and heritage so if you are seeing this and are from the same nation, I would love it if you messaged me! Thank you for reading this y'all

Here are some mini beaded hoop earrings I made!

These earrings are handmade with Red Jasper + Carnelian chip beads, and glass beads! They are supported by an 18k gold plated base and hooks

Red Jasper ~ is a stone of deep grounding, balance, and security. Red Jasper may help enhance both spiritual and physical healing, vitality, emotional strength, and sexual energy! Red Jasper is also associated with the element of Earth, the East cardinal direction, both divine masculine and feminine energies, and the Root chakra ❤️

Carnelian ~ is a stone of passion, vitality, courage, creativity, confidence, and strength. Carnelian encourages passion and creativity, as well as physical and sensual/sexual energetic flow. Carnelian is associated with the element of Fire, the South cardinal direction, both divine feminine and masculine energies, and the Sacral chakra 🧡

~ no longer available! ❤️

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chihuahua, coahuila, nuevo leon, tamaulipas.

Oh, the glow

Big Bend National Park, Texas, USA

Ndé Kónitsąąíí Gokíyaa (Lipan Apache), Mescalero Apache, Coahuiltecan, Jumanos, and Chiso land

Build a Cowboy Round 6!!

Weeeeeeelcome back gamers, i am once again bringing you beloved boys. This time: hair!!! 🥺

[ID: Four drawings of a chubby and muscular Coahuiltecan Payaya man from the back with various hairstyles. He has straight black hair. The first man has his hair in twin braids down his back starting from the same origin point. The second man has his hair in a single braid down his back. The third man has his hair loose over his shoulders with a small braid on the side. The fourth man has his hair cut shorter, at collar length. End ID.]

My headcanons for the Rise! boys.

Raph is Japanese/Muscogee(Creek)

Mikey is Japanese/Comanche/Black

Donnie is Japanese/Iroquois(Seneca)

Leo is Japanese/Coahuiltecan

For awhile now i have been attempting to cover up my left sleeve tattoo.

And i used to want koi fishes(Pisces) and a geisha. Japanese style tattoo, BUT i have realized how inappropriate it was and culturally offensive that is. And i realized why did i want a different culture tattoo when MY culture itself is just absolutely beautiful. Coahuiltecans and Mayan culture. The borrados, my culture is amazing and im learning more about it every day. Therefore, my entire arm will be a representation of my homeland. my parents are From Monterrey, Nuevo Leon, Mexico.

In the future thats where i will be buying a second home.

So my idea, i want marigolds, native to mexico. On my forearm. Orang yellow gold, and around them my arm will be black, and up top, i want Ix Chel or a different goddess but with the face of Selma Hayek.

Witte Museum gibt indigene Überreste an Stammesangehörige zurück

  Ramon Vasquez verteidigt seine Kultur mit Stolz. In der Zentrale seiner gemeinnützigen Organisation American Indians in Texas at the Spanish Colonial Missions hat er Fotos von denen, die ihm den Weg geebnet haben. "Das zeigt, wie lange wir schon dabei sind. Das ist meine Großmutter, Olivia Sanchez", sagte Vasquez. "Das ist unsere neueste Kampagne, die Kampagne für ermordete und indigene Frauen. Er ist der Sprecher der Tap Pilam Coahuiltecan Nation, einer Gruppe, die seit Jahrzehnten für die Rückgabe der Überreste ihrer Vorfahren kämpft. Die Gruppe wird ihre Wünsche bald wahr werden lassen. "Wir haben unsere Briefe bei den verschiedenen Institutionen eingereicht, von denen wir wussten, dass sie die Überreste der Coahuiltecaner aufbewahren", sagt Vasquez. Vasquez meint damit Einrichtungen wie das Witte Museum in San Antonio. "Das Witte hat 62 Individuen, die entführt wurden. Die Hälfte der Individuen stammt aus West Texas", sagt Marise McDermott, Geschäftsführerin des Witte Museums. McDermott sagt, dass die Überreste zwischen den 1930er und 1980er Jahren immer wieder ausgegraben wurden. Als das Gesetz zum Schutz der Gräber der amerikanischen Ureinwohner und zur Repatriierung 2013 aktualisiert wurde, schuf es einen Weg für kulturell oder geografisch verbundene Ureinwohner, die Überreste anzunehmen. Jetzt wird die Witte 31 Überreste von Coahuiltecan-Ahnen zurückgeben, um sie in West Texas zu bestatten. Linda Ximenes, ein Mitglied der Coahuiltecan, ist der Meinung, dass diese Entscheidung die Geschichte der Coahuiltecan formaler machen wird. "Sie kommen zurück in eine Grabstätte, in der sie ruhen können, und außerdem wird damit die Tatsache anerkannt, dass wir mit diesem Gebiet kulturell verbunden sind", sagte Ximenes. Das Museum musste zunächst mit allen Stämmen sprechen, die mit dem Land verbunden sind. "Sie kamen über all die Jahre zum Witte und konnten schließlich einen Weg finden, um mit dem Volk der Tap Pilam Coahuiltecan zusammenzuarbeiten", sagte Vasquez. In diesem Jahr wurde dem Antrag der Witte und der Coahuiltecan auf Umbettung durch das Native American Graves Protection and Repatriation Review Committee stattgegeben. Die Witte wollten aus Sicherheitsgründen nicht bekannt geben, wo die restlichen Überreste untergebracht sind. Museen und Universitäten nutzen Schlupflöcher, um die Überreste aufzubewahren, indem sie sie als "kulturell nicht identifizierbare menschliche Überreste" einstufen. "Ich kenne keine indianische Gemeinschaft, die jemals von einer Studie profitiert hat, die mit menschlichen Überresten durchgeführt wurde", sagte Vasquez. Die Witte sagt, dass diese Arbeit unter der Leitung des Volkes der Coahuiltecan sie der Wiedergutmachung näher bringen wird. Für Vasquez geht es darum, sicherzustellen, dass alle Überreste der Vorfahren zurückgegeben werden. "Dies ist eine Gelegenheit, um um Vergebung dafür zu bitten, dass wir dies zugelassen haben, aber gleichzeitig verstehen wir, dass es noch mehr gibt", sagte Vasquez. "Das Wichtigste ist, dass sie wieder in die Erde gebracht werden. Es gibt keinen Grund dafür, dass die Überreste der Vorfahren noch irgendwo aufbewahrt werden sollten. Originalartikel Das könnte Sie auch interessieren   Read the full article

“Fear of Going Outside” (FOGO) Podcast Second Season: When FOMO Overcomes FOGO

Outdoors / Nature TV shows usually include some rugged outdoor person like Bear Grylls, who eats armadillo skin and sucks on cactus roots to quench his thirst to survive in the wild.

Even nature podcast feature the sounds of nature from bird song to insect chirping while the narrator waxes poetic about the visual beauty that podcast listeners can only hear, not see.

How about a podcast where the host /narrator enjoys her four walls and the comfort and security of climate controlled air?

Believe or not, there’s a podcast for that. It’s called Fear Of Going Outside. And it’s beginning a second season on February 13.

Fear of Going Outside (FOGO) is a nature show — by the most reluctant host ever. Most nature shows are hosted by reckless white men, but avid indoors woman Ivy Le is an Asian mom with severe allergies. Last season, Ivy conquered camping. She’s back, braving the outdoors, to go hunting — or die trying!

Listen to the brand-new trailer for the upcoming season HERE.

This season, Ivy Lee shares her experience conquering hunting, from the preparation, to learning how to find animals in the wild and how to break them down in the field.

She seeks out the answers to questions “indoor people” ask: why are outdoor clothes so ugly? who do you call if you break a leg in the wild? and does it smell bad when you skin an animal?

Ivy Le is a Vietnamese American stand-up comedian, actress, and writer based in Austin, Texas. Ivy was selected to be one of the 10 out of 18,000 applicants to go through Spotify’s first Sound Up podcast accelerator for women of color. She co-hosts the only queer comedy mic in Austin, is a producer for Austin Sketch Fest, and performs at comedy festivals all over the country. She speaks Spanish, German, Vietnamese, and English, and is a mom of two kids.

Fear Of Going Outside premiered in May 2021. Through its ten episodes that ran till August 2021, listeners followed Ivy’s journey from indoor cocoon expert to communing with nature in its most basic form. Listeners followed Ivy through therapy, training, a shaky introduction to bugs and plants, and her preparations to finally go camping.

Fear of Going Outside is produced by Fearless Squirrel Productions. On the website of FOGO, the podcast communicates this important message to listeners: “Fear of Going Outside is created in a space that was and is still home to many Indigenous people. We acknowledge that the land on which we gather and create is the traditional territory of Tonkawa, Lipan-Apache, Karankawa, Comanche, Jumano, and Coahuiltecan people. We also want to acknowledge and give respect to the various Indigenous people and nations who live in the land we now call Texas…We are grateful for the opportunity to work in the community, and on this territory.”

Good for you, FOGO.

Check out Fear of Going Outside on Monday, February 13.

A couple days ago I went to the Birding and Nature Center on the island I live near, South Padre Island. I'll be making another post about some specific plant life, but this post is about the overall environment and some of the wild birds and sanctuaried alligators here. This very beautiful and unique place consists of about 50 acres of wetlands along the bayside of the island! It's likely that my Coahuiltecan ancestors migrated to this area depending on food availability throughout the seasons, for plant medicine, and for tool and art crafting materials like wetland grasses and reeds, bones, feathers, shells, and seeds

Pic 1 ~ An overall look at a section of the area, including the bay

2 ~ A wide expanse of Black Mangroves, an extremely vital tree to the ecosystem, and a very spiritual as well as medicinal botanical

3 ~ I'm not sure what this colorful dude's name is but I also see them often in my city! If someone could help me ID him, I'd appreciate it! <3

4 ~ White Ibis, preparing to fly off

5 ~ Big Padre!! A rescued 12' 7" gator, and his lovely wife, Lady Laguna!! I love them, relationship goals fr

6 ~ Some kind of blue Heron, though I'm unsure of the exact species. If anyone knows, I'd appreciate if you could help me ID him!

7 ~ Creepy front view of a Great Blue Heron staring at me

8 ~ A gator using a cattail stump as a pillow! 😭 Too cute not to share

Though raised in a Chr.istian household and now dispossessed of both it and its religion, there are plenty of superstitious stories that Cole can sit u down with by a campfire and relay. His mother baked him in desert folklore; how dust devils are dancing spirits of the dead, and, to know if they are benevolent or malicious, you'd need to watch which way it spun; how tumbleweeds are lost souls forever ensnared in their own wanderlust. How flies congregated at the window en masse bears reckoning that rain was sure to come. Everything, she'd tell him, has life and rhythm. The Coahuiltecans knew this, she says, everything that is, came from something once large and alive, and shrunk into what became rainbows and natural phenomenon when they slowed and stagnated. She pointed at an overburdened fruit tree. She told him, it is on the verge of death. It will celebrate life with a sort of bacchanal desperation, producing more bushels of offspring than it ever has in its lifetime to the point you will hear its own branches cracking and breaking under the sheer weight of its accumulative fruit.

That night, beneath the stretch of stars, he listened as its branches snapped off, to the thudding of its children tumbling free, bouncing off dirt, bound to rot in summer heat at the foot of its parent.

At the age of 10, something about this struck him with both a profound sense of awe and nausea.

In his days after the war's ruin, he found himself habitually lulling younger, shell-shocked kids to sleep with these same tales. In some ways, it kept the memory of his mother alive. But in others, it tied him down to the name Cassidy - of which he no longer deemed worth keeping.

As such, upon uprooting himself from the Foster Homes, he spoke of them less. No more children to sway to sleep.

Still, somehow, he'd find himself speaking of them. Murmuring them in rare, late nights, by the warmth of fire, to farmhand co-workers who he thought he developed a rapport with, and, later, with Deadlock in that same fire-cast bedside when things got slow and boring and nobody felt up to tinkering with an out-of-tune banjo or guitar while on the buzz of alcohol.

In Blackwatch, the words seemed to die altogether. Muted by a sense of oppression. By some demand that he was now considered an Agent. (But, then, they'd come whispering back to life, stubborn and refusing to die in some odd echo of himself; when he'd meet angela, when he'd meet genji, when he was put in charge of echo. When gabe would be struck with shrapnel and be bed-bound, comatose. and by then, its rarity became a tell; some way to understand that he considered you close beyond just his normal charismatic and welcoming attitudes;)

These days, as Cole Cas.sidy, his hold on them is not so tightly gripped. If you ask him, he will share. Speaking in low, soft murmurs, gaze alight with the warmth of a hearth. He's good to take with you if you want bedtime stories.

Forest view toward Casa Grande 7,325 ft (2,233 m)

Big Bend National Park, Texas, USA

Ndé Kónitsąąíí Gokíyaa (Lipan Apache), Mescalero Apache, Coahuiltecan, Jumanos, and Chiso land