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#cerberus cheerleader
zathura-art · 5 months
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Jack and the Cerberus cheerleader.
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deadlymaelstrom · 1 year
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                  “I'm an excellent judge of character. I think you'll find my assessments to be right on the money.”
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sneaky-ramen · 1 year
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thehypertuna · 2 years
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cerberus cheerleader boutta pounce..
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dragonflight203 · 1 month
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Mass Effect 2 replay, recruiting Jack:
Osun
-Erinie has element zero. Quite a bit of it. Why does a garden world in its last stages with a small salarian colony have so much?
I suppose if it was colonized in the last cycle, the element zero may be from various crashes at that time.
-Purgatory is run by the Blue Suns. So this is yet another Blue Sun mission. Why are they central to so many?
-The Blue Suns were started by humans or a batarian, depending on the story you go by. Yet they sure seem dominated by turians. Warden Kuril runs this place.
-When Warden Kuril gives that little intro speech he sure sounds like he’s selling Purgatory to Shepard. You can tell how proud he is of it.
I suppose it could be viewed that he’s warning Shepard how secure it is, so they don’t try to escape later.
-Kuril and Garrus are actually very similar. They’re both from Palaven, both former law enforcement, and both chose different career paths because they thought governments weren’t strict enough. They hate letting criminals get away.
In a different universe, I could easily see Garrus running Purgatory – although to his credit, I don’t think he’d sell criminals.
(Yes, I know Garrus has special dialogue for this mission.)
-I think Kuril generally does believe he’s doing the right thing. Or at least he’s convinced himself of it.
He’s also just very greedy, and thinks he can perform a public service and line his pockets.
And since criminals aren’t “real people”, it’s okay to beat them up and sell them off.
-Why are all the prisoners we directly encounter human?
The one being beaten, 780 whom we speak to, 403 who’s hearing things, Jack…
Bioware, c’mon. How hard would it have been to make one of them a salarian or an asari?
-Shepard has some autodialogue when Jack is released.
-Jack’s outfit is so bad. I don’t know why she’s even bothering with any kind of top. What was Bioware thinking?
(Between Jack and Miranda, I’m not sure the character designers were thinking.)
-Kuril’s threat to blow out all the airlocks if the prisoners don’t stand down is empty; that might cost him money.
-I think I’m slowly getting the hang of charge, but I am dying so many times. Charge was not designed with insanity in mind.
One of the biggest problems is that Shepard can’t dodge and is so, so slow. If I could run to cover this wouldn’t be so bad.
-The Kuril battle is much easier than the battles before it. One of the easiest fights so far in the game.
-If you ask Jack why it’s a problem that you’re with Cerberus, Miranda says she’s destroyed Cerberus people and property. I don’t think she knows that Jack was raised by Cerberus.
Jack says Miranda will die first. Lovely to see them get off on the right foot.
-Miranda also says Shepard is not authorized to give Jack full access to the databases. This is the first time Jack calls her a cheerleader.
It was hate on first sight.
Normandy
-Crew: I’ve never worked with so many aliens so far.
Strange line. I’ve recruited two so far – Mordin and Grunt. Last one I picked up with Jack. This should have played later in the game.
-Jack tends to respond better to neutral or renegade lines. Paragon tends to make her defensive or think you’re weak.
-The image of Jack’s silhouette in the shadows holding a gun is very well done.
-One of the biggest mysteries is why Jack doesn't bail at the first opportunity. She knows how dangerous Ceberus is. She doesn't give a damn about the Collectors. Why does she stick around?
-Grunt says humans, salarians, and asari are soft. Quarians are not – why?
Tell me more about Qurarian biology, Bioware!
-Okeer wanted Grunt to hate aliens. Why? I didn’t get that vibe when we spoke to him.
-More of Grunt’s complex is starting to come out. He’s strong, but he didn’t earn it. He just is.
The dead may have been weak, but at least they tried. He never had to.
-You don’t get this line if you go renegade and tell Grunt you need him to be strong. He tells you he’ll be strong enough to kill your enemies, and that’s all you need.
Grunt may respect you if you go renegade, but he doesn’t necessarily trust you.
-The amount Grunt thinks is itself telling. Krogan intellect is often mocked – they have no scientists. They just exist to kill.
But Grunt is the perfect krogan, and he spends a lot of time thinking. About what he was told, about what he believes, about who he wants to be.
That’s the antithesis of the view most people hold of krogan, even other krogans.
But they are capable of it. Grunt is proof. Violence is baked into krogan culture, but that’s not all they have to be. They’re capable of much more – they just have to break the cycles they’re trapped in.
It doesn’t even necessarily mean leaving violence behind; Grunt loves violence. But it can be productive violence, for the betterment of their people and the galaxy as a whole.
If Wrex is the Urdnot clan leader in ME3, he touches on this. With him, Bakara, and Grunt I think they do have a chance to rewrite the future of the krogan people.
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maryannecrimsworth · 1 year
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part 3?
Here, I don't know if you're done yet. But I was thinking that it would be cool to show the people of Jericho worried about the reader, and even showing flashbacks of the reader helping them or just being kind, either with an old man who was naturally grumpy or with a cheerleader with performance concern, or with a student who was bullied by some of the boys on the football team and the reader helped him and the boys who bullied him by taking it out on someone with pressure at home or part-time work or his position on the team being threatened. .. I think it's an interesting world building to show others besides the reader's father, it could also have Eugene, Ajax and Enid upset with the disappearance of normie who was nice and extremely genuine with them. As Wednesday seeks out and wins the reader back to Addams Mansion. Wednesday more obsessed with getting her man back and how the family is doing after they were lied to. I really liked the three sides of the reader could have more of that. You're terrified of Yandere and I found out I love yandere wednesday addams it makes me scared and horny at the same time
Part 1 / Part 2
Pairing: Yandere! Wednesday Addams x Football player! Normie! Reader
Warnings: graphic violence; Stockholm Syndrom?; toxic relationship; violence, beware!
Cerberus and Discordia
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There was something inside of you. Something you've never quite recognized.
Something dark and dominant, oppressing — as an impulse, a glimpse of thought during one of your plays, an urge you repressed before doing what you had to. A whisper in the back of your mind — only that: a whisper.
Now it was a scream.
"You're just like me" She said, and her words echoed in your mind as you walked more and more, each step further away from her. "You're an abominator."
Your muscles trembled with the memory: your body, somehow, missed it, it felt the absence of her touch and chains. You blamed time at first — it was your routine, your body naturally became used to it.
So you walked and walked, slept and hid until your body could forget it all. Until your ribs stopped showing and the bruises left your skin. Until the city you now lived was somewhere lost and distant — impossible to find. No one sane would live here, and no one sane would look for you there.
Truth be told, now no one would ever look for you.
Your coffin was empty, Wednesday was right: Jericho left you. It was easier to give you up than to investigate your missing. It was easier to cry and mourn over you than explore heaven and hell after you. 
No matter how crowded your funeral was, — the whole city was there — still, none of them would go after you. The police did, for a while. The same police officers who said bears were killing campers in the woods, and who allowed Laurel Gates to come back and to almost destroy Nevermore. They would never find you because they could not — only Wednesday could. She was smarter, better than them all — a ruler, like you.
Some of the people who spoke at your funeral said they were expecting you to become the mayor some day. To bring peace and friendship between outcasts and normies. Because you could; you were kind, helpful and thoughtful — that's why the ceremony was so full and long, that's why there were so many students, from Nevermore and Jericho High, in it. 
But it was a farce. It wasn't enough.
No matter how much they spoke, cried and mourned you, they accepted your absence. The boy who helped them constantly, who gave her blood, sweat and tears for the city and its team — the boy who the town adored, and yet, forgot so easily.
Your gravestone was surrounded with flowers in the first week, but a month later, not even your father visited it anymore. He wanted to forget too. He was ready to leave you, your house and all your memories.
It was hard to figure out all of this without being caught, but Enid's blog helped. After a time, however, she stopped talking about you too. There were more interesting gossips and news than to remember the pretty boy who was now dead.
Maybe you really were — the part of you that worshiped Jericho, the part of you that helped and loved so many people. The part of you that helped jocks, cheerleaders and outcasts. The part of you that wanted to be prom king — it was dead. It no longer existed.
Now, your chest burned at the mere thought of it, and you regretted it all. All the time you've spent with idiots from your team and with mean cheerleaders — you worked so hard to help and understand them. And they forgot you.
Your kindness was useless, and now you were completely alone.
In a city no one knew, in a place no one would dare to step in, you lived your days with pain and bitterness. There was something missing inside of you — something dead and rotten within. Maybe it was the corpse of Y/N, the dead side of you that was forever left behind.
The healer, the kind, the leader. 
You hated yourself for it.
Now, you chose to be an artist, an outcast — a cook. It wasn’t hard for you to find a job; you just had to please and know the right people and now you were working on the best – and only – dinner in town.
The menu from the place was minuscule and the helpers could barely clean a plate decently, but you managed to improve your kitchen quickly. The customers remained the same, nothing could grow there, no matter how hard you tried, but at least you started to get some tips. The money soon was enough to take you away from the shittiest motel of the city, and you got a flat next to your job. You thought, naively, that this would bring you peace: not happiness, but contentment. Something different from dirty and shame — and, in some way, it did. 
It made you feel what you also thought only Wednesday could make. It made your stomach churn, it made your skin heat, it made your breath falter. It made you alive, it made you feel wrath and rage — it made you violent. 
It made you completely different from the boy of Jericho. It made you, finally, who you truly were.
And you didn’t notice that until the metallic taste of blood was pleasant in your lips.
x
The man above you was foaming with rage: his saliva spurted from his agitated breathing, and their fists dug into your face. Your body gave way for an instant, absorbing the repeated blows and ignoring the insults shouted in the empty alley.
Part of this was your fault: you could have ignored it. You could have smiled and joked. But that part of you was gone - today, you would never let an old, drunk man grope one of the waitresses in your restaurant, and you were never going to allow there to be a reason for a lawsuit.
This scene had already happened in Jericho: at your old job. It had happened with a waitress who worked and studied with you.
"Hey, sweetie" you heard the inebriated voice grow on the other side of the restaurant. A filthy, smelly man, who had grabbed the waitress on her way to the restroom. She, with her eyes still watering from her conversation with you, reacted in a reflex and hit the man in the face. The drunk jumped up from his chair, knocking the plates and cups off his table, and advanced on the teenage girl.
"You who-"
"Sir!" You came between them so abruptly that the man took a step back. "I think there has been a misunderstanding. You don't know my friend, sir." Your smile was stiff, cold, and wide: it mesmerized the drunk like the cheerleader's walk earlier did. "I'll bring you a dessert, sir, courtesy of the house, and we can forget about it." You stepped closer, and he stepped back: in moments, the man was forced to sit down again. "Enjoy your dinner."
You were bigger than he was. At the time, your athletic build and constant training made you a menacing figure to any asshole and predator. You were an upstander, physically and emotionally. The waitresses always came to you for help.
Today, they barely looked at you. Aside from the ringing of the bell and the number of the orders, their faces barely turned in your direction.
Today, after weeks with the Addams Family, and after weeks of running away from them, your body remained slender. Almost fragile. Your skin, now cleared of bruises, revealed thinner, tauter muscles that moved with a fearful, hostile quickness. Your eyes, still deep from sleepless nights - nights when you dreamed about her - spoiled the gentle, friendly look that the boy from Jericho once possessed.
But it was that same look, dark and intense, that spotted the wandering hands of the only customer of the night. It was late, almost dawn, and the twenty-four hour restaurant in town was as full as the city - that is, deserted. There was just you, the waitress, and the man who was shouting for bottle after bottle of beer.
You were leaning over the counter, certain that the drunk's empty stomach would incapacitate him faster, and that the restaurant would be empty soon. But the sound of shattering glass distorted the silence of the night, and your body contracted in a reflex.
Your fists clenched. Your back tensed. The burning in your chest pushed you forward, and the part of you that had been restraining you was now gone.
You didn't allow his hands to reach the waitress. You didn't allow any singing or complaining to be proclaimed - you grabbed the man by the shoulders and dragged him to the back exit of the restaurant. The waitress may have screamed in the hallway behind you, but you weren't sure - your ears were buzzing, and not even the man's grumbling was enough to make you stop.
You could feel only the blood, running fast and hot through your veins, and the sweaty, smelly skin of the man in your grip.
"Go away." You suddenly ordered, overcoming your impulse to squeeze his shoulders tighter and tighter, to twist his skin: your chest burned, but your hands moved away. You couldn't see him. You couldn't. To raise your face now, to face his smug smile and listen to his slurred speech, would make you lose control. You would lose your job. You would lose what was left of your past life - you would lose your kitchen.
You would kill the cook, the artist, the outcast.
And maybe it was this - your free and artistic side - that made you wait for him to hit you first. The punch, as crooked and weak as it was, knocked you down, and a few seconds passed before the wet weight of the drunken man covered you.
He raised his arms, slowly and heavily, and hit you in the face. He screamed and cursed, threatened and swore, roared and barked until your skin was painted red.
Crimson blood stained his knuckles, and colored your lips and nose like a blank canvas. The strokes increased, layer by layer, covering your face - until you reacted.
His body fell, lifeless, in the blink of an eye: you remembered standing up, and he falling down. Now his bloodied clothes were pooling on the floor, touching the tips of your shoes and warming the soles of your feet. You reacted, until the drunk and disgusting man did not react anymore.
He deserved it. You smiled. Your chest finally softened with a feeling of satisfaction. He deserved it.
The peace of the darkness and stillness of the alley, now with bloodstains all over its corners, relaxed your body after a rush of incomparable adrenaline. Your body warmed and trembled like never before: it wasn't like when you played with your team, it wasn't like when you felt Wednesday's hands, it wasn't like the energy you felt when you escaped.
It was greater, better - it was you. The repressed, violent, unknown part of you had finally broken through to the surface: your fists showed, and so did your true nature.
The one that Wednesday saw, and welcomed. The one no one else would ever appreciate.
The one that would now make you arrested.
The police and ambulance sirens reached your ears like an early morning ringer - like the alarm that had brought you out of your trance, out of your calmness.
Before, when you heard this sound, there was only one instinct: to run away. That's why your teammates called you in the middle of a party, that's why the cheerleaders called you from inside a bar; they needed to run away from the police and solve a problem, just like you needed to now.
But your instinct was not to run.
Your instinct, now unsuppressed by any other, created a smile on your face and made your legs bend. The adrenaline coursing through your veins didn't allow you to feel any pain, and you fought - you fought and won. Your wounds and fists showed that it was a fair duel. Now, however, with your pants wet with his blood and your laughter filling the silence of the alley, the scene the police found was not of a fight.
It was of a massacre. A murder.
An abomination.
And the way the hands grabbed you and held you -- the cold metal rubbed against your skin for just an instant --made your instincts rise. The feeling of fervency before the coolness reappeared, and your body ignited in an energetic reaction.
You recognized each of the faces that were now trying to overpower you; they were very similar to the dead man at your feet. They too hissed and harassed, groped and threatened.
They deserved it too.
And they got what they deserved - and your smile returned. Blood now covered all your clothes and skin, and your hatred had brought justice to the most despicable city you could find to live in. To rectify. They deserved it. It deserved it.
And your footsteps created a trail of crimson red through the city, spilling and spreading the blood of all those who deserved so. It created a trail of violence, of bloody justice, and of peace.
One night, in only one night, and the houses of the city no longer had their doors locked and mothers no longer cried in dread. The waitress walked through the streets, for the first time, feeling safe.
You tried to do this in Jericho, by loving and helping those who threatened and screamed - and you failed. You were killed by those you devoted yourself to helping.
This time, however, your success was as firm and palpable as the calluses on your fists, and the darkness around you surrounded you like home. It was your home.
But it was an empty home.
After a week, the dirt and blackness had already become a part of you - your clothes and skin, still covered, alarmed and cleaned the city. Your smile was constant, as was the simmering in your chest, but you still felt that: the emptiness.
Like a darkness, a hollow happiness. As if an abomination like you created fear, and not safety - as if you were a monster. The people of the town looked at you with dread, no matter how much you had helped them and got rid of all their problems. You served them, you bled for them, and they hated you - you knew as soon as you tried to enter the restaurant again and they shoved you out.
Then the impulse came again. The smile broke. You wanted to raise your fists and show what you had done for them - show why they should love you, thank you. But it was useless. You knew before you even tried: there was only one person who would touch you even if you were covered in blood. Even dirty and wounded by all those you hated.
You marched back the way you had once used to escape: your steps were as steady and fast as the day of your fleeing, your certainty was as great as the fear you had once felt. The sweat from your body now moistened again the dried blood covering your skin, your face shone with wetness and redness. Your gasping breath reached the doorway before you could hear what was behind it. You didn't knock, you burst through the door, running inside the house like a predator after its prey.
Morticia and Gomez gasped and yelled at the sight of you: first in fear, then in praise. Your smile, unperceived by yourself, returned slowly, and you paced across the kitchen, past Gradmama until you found. Until you found her.
Wednesday was at the edge of the garden, with a shovel firmly handled by her dirty, quick hands; she was burying something. Later you would find out what it was - a victim of the girl, who stood in the way between her and you - now, you could just run to her.
Your loud steps didn't alert her fast enough: your body hit hers hard, and you both fell into the hole she was digging. Your arms wrapped around her in a reflex, and Wednesday pressed herself against your chest in a violent, almost bestial thrust.
"Mi Cerberus."
"Mi Discordia." you sobbed. "I must tell you."
"You left me."
"You found me." You held her face immediately, violently, as her fists sank into your chest. "I am like you."
Wednesday's eyes fell to your figure: her pale face felt the heat and blood on your hands, her cold gaze followed the strength and brutality of your features. She saw, not just the leader, not just the cook, but the vigilante. The guardian of hell. Her Cerberus.
"You came from hell after me."
"It was empty without you." You kissed her brutally: an urge you could no longer control. "Come with me. Be with me."
Her fingers stroked across your skin, the blood on her hands now mingling with the blood on your chest. She forced you against the soil, her body now covering and glued to yours.
"You're mine." She whispered, gaze locked on your lips as hers moved slowly, expectantly, only an inch away.
You grabbed her neck and pulled her closer - the closer you two could be.
"I'm yours."
@lucasm8 @izumikokomi @carlosgrimhildedevil101 @sadcat5544 @lukam8
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dawnchariot · 22 days
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To Face Your Love Chp. 3
jack/miranda | angst | 500w
She did this. This wasn’t a fair fight between them. She had swooped in to be the hero, get the now ex-cerberus cheerleader to safety, earn maybe a modicum of respect from the woman. Instead, she crushed her.
https://archiveofourown.org/works/54567046/chapters/139912111
Jack is just 5 trauma responses in a trenchcoat. Chapter 3 posted! Chapter 4 should be next week. Been going through some stuff so thank you to everyone who's been engaging with it since!
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timptoe · 1 year
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Six Words for Shepard
Hi @all-truths-wait-in-all-things, I'm your Harbinger of holiday cheer for @masseffectholidaycheer! You said you wanted something fluffy about Jack and your Shepard, so I took the six descriptive words you gave me and wrote a sestina about Marin. And then I wrote a bunch more words about Jack writing the sestina, including teaching a toddler to say "fuck." The world is dark and cold, so I hope this silliness brings you a bit of warmth.
Read it on AO3.
----
C-Sec Holding Cell, Presidium Commons, Citadel Fifteen days before the end of the Reaper War
In retrospect, it’s all Miranda Lawson’s fault, really.
Jack blows out a breath as she leans against the wall of the C-Sec holding cell. She’s seen worse. The three-meter square room is fucking spacious compared to some of the other jails she’s been in. And clean, too. Immaculate. Not even any blood on the walls. Is it really a jail if there’s no blood on the walls?
She touches the forcefield over the doorway, which sparks at the contact. Yeah, still a jail.
Really, if Miranda hadn’t put her nose where it didn’t belong— But that’s what she does best, isn’t it? Puts her fucking nose in other people’s fucking business because she’s always got the fucking best ideas. 
Shoulda flipped the table over the moment she sat down.
Jack sighs, a particular voice in the back of her head whispering, That’s not fair.
She loves that voice. Hates what a goody-two-shoes it’s made her, but…loves it all the same. Which is why she even deigned to talk to Miranda in the first place. Why she was even able to without throwing her off the balcony and straight into the Presidium’s pool.
Because of Marin fucking Shepard.
A year ago, Jack’s conversation with Miranda would have ended with a detonation of biotic energy in the former Cerberus operative’s face. But Jack’s apparently mellowed in her old age. Shepard would say she’s “learned restraint,” with that fucking mischievous twinkle in her eye that makes Jack’s toes curl, but Jack knows what it really means: she’s gotten soft. Hell, the topic of her and Miranda’s conversation itself proves how soft she’s gotten. How soft Shepard’s made her. 
So maybe Jack likes a little softness now, fuck you. She’s still a badass where it counts. And as long as Shepard never finds out about any of this, she can still hold her head high the next time she sees her, pretend she’s not some gooey, emotional, doe-eyed…
Ah, fucking hell. I am, aren’t I?
Jack sighs again, looking around the small holding cell, putting her head in her hands. She should’ve just left the moment Miranda sat down.
—— Café Majestique, Presidium, Citadel Ten hours before the present
She slams the pad down on the table with a mighty “FUCK!”
The crash of the pad echoes around the café in the brief silence that follows. She glances around at all of the patrons who are decidedly not looking at her, making eye contact with the one salarian who is. “What the fuck are you looking at?” she growls.
He beelines it for the exit.
Jack pinches the bridge of her nose and glares down at the pad where it rests on the table. What a fucking joke, she thinks. A war for survival raging across the galaxy, her own students facing Reaper-mutated soldiers every day now, fucking Cerberus ascending, and this is the thing that finally breaks her?
I’m the fucking joke.
“Glad to see you’re just as stable as ever, Jack,” comes a lightly-accented voice behind her. 
She tenses more at the accent than at the unexpected interruption it brings. Of all the people in the universe, she would rather have Harbinger himself sit down in the chair across the table instead of the woman who does. Shoulder-length dark hair, skintight white bodysuit, enigmatic quirk to her lips.
Of course it would be Miranda Lawson right now.
“Cheerleader,” Jack sighs, “what a pleasant fucking surprise.”
Miranda pops an eyebrow. “That’s a downright cheery welcome coming from you. What’s wrong?”
“Nothing, I’m real fucking dandy. Is there something I can help you with?” Jack asks through gritted teeth.
“Not really, just ducked in here for a moment and saw a familiar face, thought we could catch up,” Miranda replies, smiling wide. The smile doesn’t reach her eyes, which flicker to look behind Jack’s left shoulder, then off to her right, before landing back on Jack herself.
Jack leans back in her chair, crossing her arms. “Cerberus?”
Miranda nods once.
Jack considers her options. On the one hand, she could get up, walk away, and leave the personification of everything wrong with the galaxy to her own just desserts. She’s pretty sure Miranda would be fine—Miranda’s biotics are almost on par with hers, not that Jack would ever admit that out loud—but she might break a nail, and that would be glorious. On the other hand, though, she could help the cheerleader screw over the organization that kidnapped her as a baby and raised her to be the twisted monster she almost became, had Shepard not stepped in. She owes Shepard everything. And Shepard’s voice, as ever, is in the back of her head, telling her what she should do.
Jack’s grown to love the voice, even if she hates having to help Eugenics Barbie.
“Fine,” she says nonchalantly. “Want me to blow this place up? Pretty sure I can channel the blast so it mostly doesn’t hit you.”
“Charming as ever, Jack,” Miranda says sharply, though Jack swears she sees a hint of relief in Miranda’s eyes, “but no. Just need to sit here a couple of minutes, then I’ll be out of your—“ Miranda glances at Jack’s mohawk-ponytail. “Huh, you actually do have hair now.”
Jack glares.
Miranda waves a hand dismissively. “Sorry, sorry. Just talk to me for a minute, give the guys following me time to give up.”
“Just…talk to you.”
Miranda arches an eyebrow. “A simple enough request.”
Jack laughs. “What the fuck do you and I have to talk about, cheerleader? The weather?”
Miranda rolls her eyes. “Anything. What about…” She looks around the cafe, her eyes landing on the almost-forgotten pad on the table. “What about this? Why were you yelling at it when I walked in?”
The horror that strikes Jack’s heart at the thought of Miranda seeing what’s written on the pad is the split-second of hesitation Miranda needs to scoop it off the table. 
“Give that back!” Jack growls, practically diving across the table. Miranda deftly defends herself with one hand, starting to read the pad from the other. 
“Violets are blue Roses are red—“
“Stop it!” Jack sends a biotic pulse out, trying to pull the pad back. The ease with which Miranda blocks the pulse, not even looking her way, is infuriating.
“Violets are blue Roses are red Your butt’s really cute I’m…glad you’re not dead?”
Jack groans in defeat, collapsing onto the table.
“Jack, what the hell is this?”
Jack mumbles a response into the table.
“What?”
“A gift for Shepard.” She sits back up in her chair and squares her shoulders, staring Miranda down like the former Cerberus operative’s a charging brute. If she’s gonna die of embarrassment, she’s gonna go down swinging.
“A…gift. For Shepard.” Miranda blinks. “You wrote Shepard a poem?”
“Writing, I’m writing a poem,” Jack snaps, trying—and failing—again to snatch the pad back. “It’s not finished yet.”
“That’s actually really—“ Jack can see Miranda physically stop herself from saying cute, and the shame of appreciating the gesture is almost unbearable.
“Don’t start,” Jack warns.
Miranda fixes her with a look. “You really do care for her, don’t you?”
Jack grimaces. “I’m not talking about this with you of all—“
“Jack.” Miranda places her hand on Jack’s, the tenderness of the gesture stunning Jack into silence. “Look. I was wrong.”
Jack raises an eyebrow, keeping her hand still.
“The psych profile Cerberus drew up before recommending you for recruitment on the Collector mission said you wouldn’t be able to form attachments. That you’d be a perfect weapon: volatile, dangerous, and expendable.” Miranda withdraws her hand, focusing instead on flicking through the screens on the pad. “I believed them. And I was wrong.”
“Yeah, well, you were wrong about a lot of things,” Jack snaps.
Miranda nods. “And you were right. About Cerberus, and about Shepard.”
“Well. Yeah. Good.” 
Miranda continues idly swiping through the pad as Jack collects her thoughts. A year ago, Miranda would’ve been paste on the Presidum ceiling for daring to touch anything of Jack’s, much less something so…private. Even now, Jack’s fingers are unconsciously flexing as she holds back the reflex to destroy everything around her.  
Because that little voice in the back of head, that voice she doesn’t get to hear often enough these days, is saying, Don’t.
“Actually, some of this isn’t bad,” Miranda muses, continuing to swipe through the pad. “Good, actually. Your use of imagery is evocative, and your word choice—“
“I don’t need a fucking lit-crit lecture, professor,” Jack says crossly.
Miranda shrugs. “I’m just saying. Some of the more free-form ones have potential. So why…?” She leaves the question unfinished, clearly unwilling to say So what the fuck was up with that first one?
Jack says nothing, just glaring out into the fake Presidium sky.
“Jack,” Miranda says, exasperated. “I’ve actually studied poetry, you know. I’m trying to help you.”
“Well, you don’t have to,” Jack snaps, finally snatching the pad back. “I don’t want your help.”
“Fine.” Miranda crosses her arms, her lips pressed together in a thin line.
She probably could help, you know, Marin’s voice echoes in Jack’s brain.
Fuck you, Jack thinks back. 
Only if you’re good, Marin’s voice somehow winks at her.
Jack tries very hard not to think about what it says about her that she has conversations with her girlfriend in her head. Instead, she picks a window on the opposite side of the Presidium, stares it down like it’s an enemy Husk, and says to no one in particular, “I’m trying out metered verse.”
A beat. “I’m sorry?”
Still avoiding any sort of eye contact, she continues, “I submitted one of those free verse poems to a journal and got rejected. They said I should go for metered verse. That’s what…that was. An attempt. At meter.”
Another beat. Two. The silence stretches, so long that Jack wonders if Miranda has actually left. This was a bad idea, terrible. Telling Miranda anything, not throwing her bodily off the balcony before, deciding to write a stupid poem anyway, all of it. Fine, whatever, no worries, she’ll just—
“A sestina.”
Jack blinks, looking back at Miranda in confusion. “What?”
Cheerleader is looking at her thoughtfully, studying her like she’s never seen Jack before. 
“A sestina,” Miranda says again. “Six stanzas of six lines built around six different words, with a seventh half-stanza recapitulating the six words. Blank verse, so it doesn’t rhyme, which I think is your problem. Highly structured, which I also think will help you, given how you thrived on the Normandy.”
Jack just stares at her. “What?”
Miranda rolls her eyes and leans forward. She grabs the pad again and starts typing. “Look, I’ll find examples for you on the extranet. I know it’s unusual, but if I know you, and my extensive additions to your psych profile would suggest that I do, you need a form that lets you be evocative while giving you boundaries. Which I know you secretly appreciate, because again, you’re dating Shepard.”
She hands the pad back, having successfully found half a dozen extranet sites with examples, definitions, and commentary about this poetic form Jack’s never heard of. Jack reads silently for a little while, Miranda giving her the space to do so.
After a few minutes, she looks up begrudgingly at Miranda. “Six words, huh.”
“All built around six words,” Miranda nods.
“But…how do I pick six words?”
Miranda shrugs. “Up to you, you’re the poet. Make a list of her qualities, flip randomly through a dictionary, talk to people around here who know her. Doesn’t matter.”
This…could work, damn it all. Miranda’s been right before, not that Jack will ever admit it. And she’s sure as fuck not gonna admit it now.
But something subtle in her eyes must shift, because Miranda gives the barest of smiles. “Here, start with this word: addict.”
Jack raises an eyebrow. “Excuse me?”
“You’ve seen Shepard around coffee and you can honestly say she’s not addicted?” Miranda chuckles. “Plus, you can use it in multiple ways, which’ll help in constructing the verses.”
“Right.” Jack muses for a moment, lost in thought about poetry construction, Marin and coffee, the taste of coffee on Marin’s lips…
She shakes her head, clearing those thoughts in time to see a sly smile on Miranda’s lips. “See? Evocative.”
Then, suddenly, Miranda’s all business. “Well, thank you for letting me crash your writing session, but I think I’ve lost my tail, so I’ll be—“
Focusing intently on the pad, Jack interrupts conversationally, “Two men came in through the door behind the counter about five minutes ago and sat down at a table on your four. They’ve been staring at you ever since.”
Miranda goes perfectly, and utterly, still. “Ah. Alright. I…” She trails off, her eyes darting back-and-forth, trying to come up with a plan.
Jack chuckles, then looks up at her. “Miranda, you are an insufferable know-it-all, a war criminal, too obsessed with your own self-image, a patsy for terrorists, and just generally the worst.”
If possible, Miranda goes even more rigid, her ice-blue eyes staring daggers at Jack.
“And you’re one of Shepard’s, so I’ve got your back. Plus,” Jack ducks her head back down and mumbles, “you didn’t laugh. At this.”
She can feel Miranda’s eyes on her. She glares at the Shepard in her head. You make me soft.
Marin’s light chuckle just echoes in her brain. Doing the right thing sucks sometimes.
“Go,” she says to Miranda before she can change her mind. “I’ve got this.”
Miranda nods, and starts to get up. “Don’t…blow everything up.”
Jack rolls her eyes. “Oh look, you’re assuming the worst about me, what a shock.” At Miranda’s look, she glares. “I’d invite you to watch my finesse and control to prove you wrong, but you’re supposed to be getting the fuck out of here, Cheerleader.”
Miranda chuckles. “Right.” She turns as she walks away to say, “Send me a copy when you’re finished? I’d just love to see how the sestina turns out.”
“Not on your fucking life,” Jack calls back.
As Miranda gives a laugh and moves toward the exit, the two Cerberus thugs get up from their table, making a beeline for her. 
Jack smirks. Not so fast, dickwads.
— Financial District, Presidium, Citadel Nine hours before the present
“I’m sorry, who are you again?”
Jack rubs her temple, trying her level best not to swear in front of the toddler in the woman’s arms. Rebekah Petrovsky, mother, Citadel entrepreneur, and—crucially—somebody who asks entirely too many questions.
“Ma’am, as I’ve already said, I’m a…friend of Commander Marin Shepard. She’s spoken so…highly of you, I just want to ask you a question.”
That is a fucking lie. Shepard’s ranted about this woman multiple times in Jack’s presence, decrying “breeder culture” and “genetically engineering kids” and also “people who apparently can’t make a decision without involving me for some ridiculous reason.” Somehow, Shepard had crossed paths with this kid-obsessed lady a lot over the last three years, much to Shepard’s chagrin and Jack’s delight.
Less delight now that she’s experiencing the woman’s shrill tone for herself. But who better to know Shepard than someone she’d helped out more than once?
“Oh, if it’s a favor for Commander Shepard,” Petrovsky says, the namedrop positively dripping with…something, “that’s different. How can I be helpful?”
“Just…” Jack grits her teeth so it looks like she’s smiling. “I’m working on a…project for her, so I’m asking people who…know her how they might describe her.”
This was clearly the wrong thing to say, given the pure delight that springs into the woman’s eyes and the word vomit that  spills forth from her puckered mouth.
I’m in hell, Jack thinks, I died and I’m in hell and I’m being punished, I’m probably gonna have to plan this woman’s baby shower now, what the fuck is she going on about…
“I just couldn’t believe that Michael would put little Jake in danger like that! But that’s when dear Commander Shepard walked up and…”
“Ma’am— I’m sorry, ma’am, if I could just…”
“And I was just so tickled when she turned out to be alive after all! You know, I told Michael…”
“No, I don’t need— That’s not what I’m asking you for, just stop…”
“But Michael wouldn’t listen, he thought that the daycare on the Citadel would be—“
“Oh would you just shut the fuck up!”
Petrovsky stares at Jack, mouth wide open, for a long moment. Jack growls, “Just. Describe Shepard. In one word. One.”
The woman draws herself up to her full height, lips pursed like she’s sucking on a lemon, adjusting the laughing toddler on her hip. “Nice. She is nice.”
“Shut the fuck up!” the toddler parrots, delightedly clapping his hands.
Jack snerks.
The fury that crosses the woman’s face as she puts her hands over the boy’s ears feels almost better than sex.
“How dare you—“
“Look, lady, it’s not my—“
That’s when Jack spots the C-Sec officers in the distance over Petrovsky’s shoulder. And when they spot her. Guess her little stunt in the café got some attention.
Jack claps the woman lightly on the shoulder. “Thanks lady, you’ve been a big help. And you…” She leans in closer to the toddler, who looks at her with big, shining eyes, and says, “Fuck!”
The kid delightedly repeats, “Fuck!”
Jack sprints away, cackling as she hears the woman’s indignation. Nice certainly describes Shepard more than it describes her.
— Rodam Expeditions, Zakera Ward, Citadel Eight-and-a-half hours before the present
These C-Sec officers are better than the ones she’s tangled with in the past. That, or she’s easier to track now that she’s official Alliance personnel or whatever.
But Jack didn’t spend most of her life committing worse crimes than teaching a toddler to curse or, you know, biotically stabbing a couple of Cerberus assholes to get caught now.
She creeps along a wall, peering into the next corridor. A couple of shops, no sign of—
Wait. Shit. There they are.
Hoping they haven’t seen her yet, she darts into a nearby store, some tourism shop or other. As her body breaks the plane of the doorway, it chimes and a voice says, “I’m Commander Shepard, and this is my favorite store on the Citadel.”
Jack yelps in surprise and tumbles ass-over-teakettle into the counter. 
The turian behind it cocks his head at her and says, “You alright, ma’am?”
She pops her head up and peers out the doorway. “Uh…old ex-boyfriend. Can’t let him see me.”
Turians don’t have eyebrows. She’s honestly not sure what they have, but whatever it is the merchant does, it feels like he raises an eyebrow at her. He points behind the counter. “Hop back here for a minute, then, catch your breath.”
Jack hops over the counter and crouches down, breathing hard. She looks up at the turian, who’s staring at her like she’s a particularly weird looking bug. She starts to glare back before deciding not to piss off the guy who’s kinda rescuing her.
And then she replays the last twenty seconds in her head, and her eyes go wide.
“Sorry, was that— Did Shepard actually record an ad for this place?”
The turian grins. “About a year ago! It’s great, my business has skyrocketed since she did that.”
Jack blinks. “You know that she did one for, like, every store in this ward, right?”
Now he full on laughs. “Oh yeah, it was incredible! The looks on the other guys’ faces when they realized…oh, it was too funny. They were so pissed! Buncha them tried to do something, but she’s a Spectre, so what’re you gonna do? So they all just decided to delete her ads and pretend it never happened. Which leaves me,” he winks, “the only one left with an endorsement from the woman kicking the Reapers’ asses.”
Jack chuckles. Then, she cocks her head at him; she can use this. “So…if you were gonna describe Shepard in just a word, you’d say…”
“Funny,” he answers without hesitation. After a beat, he adds, “Or sarcastic. She roasted me when I asked her to record that, but…” He shrugs. “Worked out for me in the end.”
Funny. And sarcastic. Yeah, those both track. Jack’s been on the receiving end of Shepard’s particular brand of humor more times than she count. It used to bug the shit out of her. Now… 
She smiles softly. Hearing Marin laugh makes the worst day better.
The turian taps her on the shoulder, shaking her from the brief reverie. “Look, lady, I think your ‘ex-boyfriend’ went chasing a donut a few floors down, so if you don’t mind…”
Jack springs back up. “Yeah, got it. Uh, thanks, man.”
She vaults back over the counter and saunters out, Marin’s laugh still echoing in her head.
— Purgatory, Presidium, Citadel Seven hours before the present
“What do I think of Shepard? What are you asking me for, Jack?”
“I…it’s for a project, Tali. Just answer the question.”
Jack walks through the crowded bar, trying to blend in. Act normal. And what’s more normal than talking loudly on a call with a friend in public? Besides, there’s no point to suddenly having all this power from the Alliance if she’s not going to abuse the comm buoys for her friends.
“I mean…she’s great? Definitely one of the top ten humans I’ve ever met,” Tali responds, amused but with a note of confusion. “You of all people should know that, Jack.”
“Yeah, I know, I’m just…”
“…it’s for a project. Right.” The holo-mini of the quarian above Jack’s omnitool shrugs.
Jack swallows her frustration with a shot of…whatever she swiped from the bar, she wasn’t really paying attention. “Look, Tali, you were there at the beginning. Way before me. I’m looking for your…unique perspective.”
“I am rather unique, that’s true.” Jack can hear the smile in her voice. “Well, more than anything, I’d say that Shepard is a huge nerd.”
Jack raises an eyebrow.
“What, you think that every time she came down to Engineering it was just to visit you?” Tali scoffs. “She helped me recalibrate that intake manifold like a dozen times. I think it was her way of dealing with being on a Cerberus ship, at least as first, but she asked a lot of good questions. Like she was actually interested in how everything worked.”
Jack nods, thinking. Yeah, that sounds like Shepard: asking too many questions and, to Jack’s eternal surprise, caring about the answers. Those long talks in the engineering subdeck felt like interrogations at first, until they didn’t. Until she looked at Marin, really looked at her, and saw someone who wanted to know her.
It was terrifying. Still is, if she’s honest. But…good.
“You know,” Tali says conspiratorially, “on our last mission, Shepard stole the mounted head of a husk from this guy’s laboratory.” Jack snickers at the way Tali draws out the ‘oh’ in lab-OH-ratory. “She keeps it in her cabin so she can run ‘experiments’ on it, but really I think she’s just trying to get it to make friends with the hamster.”
Jack laughs. “What a fucking nerd.”
Tali crooks a finger at her, in a gesture Jack’s come to think of as a wink. “See? Told ya.” She cocks her head suddenly, looking at something out of the projected field. “I have to go, we’re pulling into Thessia. Call you later?”
“Sure, thanks, I—“
A large hand falls on Jack’s shoulder, another one clicking her omnitool off. She instinctively starts to flare, but the biotic explosion dies as she turns her head to see who the fuck is touching her.
C-Sec uniform. Military haircut. Stern look on his face.
“Hi, Jack,” Commander Bailey says.
She groans.
Ah, shit.
— C-Sec Holding Cell, Presidium Commons, Citadel Now
She knows she could’ve gotten away. Punched Bailey, thrown a shockwave at his team, darted out of Purgatory and hijacked a freighter to parts unknown. But her damn students need her to be on the Citadel right now, respectable, not a fugitive from justice or whatever.
So does Shepard.
Once, she would’ve been overjoyed to have a chance to punch a cop. Now…she sighs and kicks the floor. So fucking soft.
The forcefield abruptly shuts off, and she looks up to see Bailey and his un-punched face glowering at her. “Come on, Jack, you’re done.”
She stands up and follows him out of the cell. “That’s all?”
Bailey rolls his eyes as he walks. “Normally, using biotics to stab two guys through the feet with coffee spoons into the floor so they can’t move would get you a harsher punishment than a couple of hours in a cooling tank. Which…why, Jack? Just why?”
She shrugs. “They were Cerberus.”
He stops walking for a second, shaking his head. “Ah, well. I’d tell you not to do it again but…fuck those guys.”
She laughs in spite of herself.
Bailey keeps walking. “And anyway, I couldn’t keep you in there even if I wanted to. You’ve been sprung.” He glances sideways at her, eyes twinkling. “Special Spectre dispensation.”
Jack blanches. Shepard…wasn’t supposed to find out about this.
He chuckles at the look on her face. “Eh, I wouldn’t worry too much. Best soldier I’ve ever seen, but underneath it all, Shepard’s as fluffy as a goddamn marshmallow.”
They walk out into the artificial light of the Presidium proper. “Next time, try not to be so public with your vigilante justice, yeah?”
“No promises,” she bites back.
He sighs. “Yeah, I thought that’d be a bridge too far. Well. See you next time, then.” He turns to go, then stops and turns back. “Oh, right. She wanted me to make sure you got this.”
He swipes a message over to her omnitool, text only, before walking away. She pulls it up: an address, some apartment on the Silversun Strip she’s never been to. The rest of the short message just says, Meet me here. About 36 hours out. Thessia went bad. Need you.
Jack’s heart twists. Marin’s messages are usually longer, sprinkled with anecdotes or curse words, depending on who she’s dealt with. A message this short…
…deserves something soft.
Jack squares her shoulders. Well, she started today intending to write Shepard a poem, so Shepard’s gonna get a fucking poem.
Addict. Nice. Funny. Sarcastic. Nerdy. And…she thinks back to what Bailey said. Marshmallow.
Marin Shepard in six words.
Jack gets to work.
— Anderson’s apartment, Silversun Strip, Citadel Thirteen days before the end of the Reaper War
Jack is clearly not rich enough to be in this building. The doorman stares at her tattoos. The receptionist stares at her mohawk-ponytail. The guy in the elevator stares…elsewhere.
But all she has to say is “I’m with Commander Shepard,” and they move out of her way. She smirks at each one of them, reveling in the power that simple phrase contains. No wonder rich people are such assholes, this feeling is intoxicating.
Soon enough, she’s knocking on a wood-paneled door at the end of a hallway, awkwardly holding the oblong package. Jack’s cased enough buildings to know this is the corner suite, and she idly wonders who Shepard killed to get access to this place.
The sarcastic question dies on her lips as Shepard—no, Marin answers the door. There’s no trace of the soldier, the leader, in her posture. She just looks…exhausted.
“Hey, Jack,” she says. “Come on in.”
She leads Jack into the apartment, a two-story, wide-open, immaculately decorated space that immediately sets Jack on edge. Nothing good ever happens in places like this. Drug deals. Trafficking. People with too much power deciding the fates of people with too little.
She looks over at Marin, who’s now sitting on the edge of one of the many couches, head in her hands. Well. If anyone could redeem a place like this.
Jack walks over to the couch, resting the package against the table and sitting down next to Marin. “You look rough, Shepard.”
Marin chuckles bitterly into her hands. “I feel rough.”
“I like rough.” Jack puts a hand on Marin’s shoulder. She’s shaking; not a lot, but too much. “Alright, whose ass do I need to kick?”
Marin glances over at her. She’s not crying, but she has been. Her eyes are red and puffy. And kind. Always kind.
“We lost Thessia, Jack. Kai Leng beat us there and took something we need.” She takes a deep, shuddering breath. “We’re running out of time.”
She leans into Jack, and Jack just holds her for a long moment. Soft.
After a while, she says into Jack’s shoulder, “Tell me something good.”
Jack thinks for a moment, and then chuckles. “I stabbed two Cerberus jackasses with coffee spoons the other day. Felt fucking awesome.”
Marin laughs, squeezing Jack tight before leaning back to look at her. “Yeah, I think I heard something about that.”
“Thanks, uh,” Jack rubs the back of her head, “thanks for getting me out of there.”
Marin grins, tired eyes full of mischief. “What’s the point of being a Spectre if I can’t abuse my authority for my…friend?” She winks.
It’s Jack‘s turn to laugh now. “And what authority are you abusing to squat in a place this fancy?”
“Ah, yes. This,” Marin says, spreading her arms wide, “somehow belongs to Admiral Anderson, who was apparently a pirate king in another life and didn’t tell me. Pretty lavish, right?”
Jack arches an eyebrow. “That’s a word for it.”
“He’s loaning it to me for a little while,” Marin says. “Hackett wants us to go into drydock for retrofits before we take Earth, so Anderson offered me this place to stay.” She shrugs, as if the commander of the Earth resistance forces gifting her a palatial apartment is a regular occurrence.
Then, she gets a keen look in her eye, peering at the package. “But the tour can wait. What is this?”
Jack blushes out of nowhere, suddenly so fucking nervous. Ugh. Such a joke. “It’s a…present. A project I’ve been working on.” A huge grin starts to cross Marin’s face, and Jack furiously says, “Don’t you fucking start, you little—“
Marin throws her arms around Jack and hugs her tight. Jack stiffens for a moment, then awkwardly hugs her back. She mutters, “It’s not a big deal, don’t make it a thing.”
Marin laughs as she pulls back. “No promises.”
She picks up the package and unwraps it. The large frame shines in the apartment’s down-lighting, the canvas within white with swirling blue calligraphy. Jack has to physically stop herself from twisting her hands nervously as Marin’s face goes slack. “Jack, did you make this?”
“Yeah.” Jack gives a tight nod. “Yeah, uh, they taught me calligraphy when I was in…when I was little. Said it was good for fine motor skills, biotic control. I don’t get a lot of chances to…use it. You know.”
Marin nods absently, tracing her fingers over the letters. Then all at once, her eyes go wide. “Wait. This is a poem. Did you…” She looks up at Jack. “Did you write this, too?”
Jack nods again, not daring to speak.
She watches Marin read it, her lips unconsciously mouthing the syllables. Jack’s been an experiment in a lab, trapped behind glass walls, trapped under psychotic expectations. She’s been in firefights too many times to count, pinned down by overwhelming forces, out of ammunition, her amp fried, her companions dead. She’s seen horrors most people couldn’t even comprehend, in her dreams, in her thoughts, in her bed.
Never, in her whole life, has Jack been more scared than watching Marin read her poem.
It takes a while, too. A sestina is long; too long, she thinks. Marin’s eyes flit over it, back and forth, taking in every detail, every image, every mistake, probably, she thinks. This was a mistake. Too much. Too much of me, too silly, too soft, too—
Jack’s eyes meet Marin’s as she finishes reading. The look she gives her fills Jack with a warmth she’s never known.
“How?” Marin asks.
Jack huffs uneasily. “It’s Miranda’s fault. Told me about the form, told me go talk to people about you.” She grins, adding, “I got to teach Petrovsky’s kid to say ‘fuck’.”
Marin laughs, long and loud. She looks back down at the poem, and softly says, “Why?”
Jack can’t help herself. “Because you’re worth it.”
“Thank you,” Marin whispers.
“It’s a little rough,” Jack responds.
Marin’s smile outshines the stars themselves. “I like rough.”
She gently puts the frame down, and they lay entwined on the couch for a long time, reminding each other exactly what they’re worth to each other.
They don’t even need six words.
Six Words for Shepard
The light fades, dark falling like an addict Tumbling to the ground. Everywhere, the nice And the cruel, the meek and the proud, funny And serious and even the nerdy Fall silent, their echoing sarcastic Words melting like a steam-drenched marshmallow.
We are all drifting, like a marshmallow Drifts in the cup of a coffee addict, Buffeted by fate or the sarcastic Laughs of a galaxy that destroys nice People, nice places, all that the nerdy Among us hold dear, their grief turned funny.
Yet we have a champion, a funny Idea as we sink in this marsh, mellow Soil for the dark. But with her nerdy Humor, warrior’s will, she seems an addict Not of the drink, but of all that is nice, Just, and good, eschewing the sarcastic.
And although it may seem still sarcastic To extol her virtues, there’s a funny Virtue in this exhortation, a nice Reminder that my love’s sweet marshmallow Core is filled with steel, and like an addict, I’ll ever seek her, for she is nerdy.
She’s a champion because she is nerdy, Her great mind always at work, sarcastic Quips only for fools, never the addict. Her plans outstrip friend and foe, and funny Though it is to have such a marshmallow In command, her calm shepherding is nice.
Don’t think that I’m just being fucking nice. See for yourself: the Commander’s nerdy Sense of righteousness, as the marshmallow She is, kills hostiles like a sarcastic Retort, their lives short, brutal, and funny. The rest, her heart cleaves to like an addict.
So sings this addict, drunk on my love’s nice, Sweet wine, a funny showing of nerdy Verse for my sarcastic, fierce marshmallow.
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cr-noble-writes · 3 months
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For the ship game, Miranda/Jack?
Ship It
What made you ship it?
Here's the thing. I'm a sucker for a good enemies to lovers ship. I shipped it from the moment Jack called Miri a Cerberus cheerleader lol
2. What are your favorite things about the ship?
As previously stated, I am a sucker for a good enemies to lovers ship. And this ship is perfect for that. Especially with a Shepard that's actively trying to disillusion Miranda about Cerberus. And like, if you take Miranda to Pragia? She's appalled by the things that happened there. And yeah, there's a lot of "oh, this was a rogue facility" and "there's no way TIM knew the extent of what was happening here" but you know she went and dug into it as soon as they got back on the ship. And yeah, she and Jack almost have a knockdown drag out fight about it, but if either of them could get their heads out of their own traumatized asses for 5 seconds, it would be obvious they're on the same side.
3. Is there an unpopular opinion you have on your ship?
Honestly? No idea haha. I don't much pay attention to what the popular opinions are, especially when it comes to rare pairs. I do what I want, and if people don't like it? Well, I didn't do it for them tbf
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timesthatneverwere · 2 months
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random OC ask: if your OC inexplicably had access to real-world media, what character would be their favorite? what character would they unreasoningly despise? why?
Thank you for the ask, Void! 💖
Again, this is for Ida (nobody was surprised xD). The answer to this one came to me just today as I replayed my favourite game ever.
I think Ida would really, really love Miranda Lawson from Mass Effect. Despite the differences between them, Ida would see a bit of herself in her. Running away from everything she knows and cutting ties with her past, ending up living on the run? Check. Secretly feeling insecure about herself because the source of her power is not something she believes she has earned or deserved, but a circumstance of her birth (in Miranda's case it's the most perfect genetics and biotics money can buy, in Ida's case it's her draconic ancestor)? Check. Throwing herself in with more than questionable company (Cerberus and the Illusive Man for Miranda, the band of con artists and later Raphael for Ida)? Check. Ida loves the Cerberus cheerleader bitch (honorific and affectionate). She's special to her.
The character she would unreasoningly despise is Daenerys Targaryen. It is just a gut feeling she got since moment one. She just dislikes her and her overall attitude, can't be helped.
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sol-consort · 3 months
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You got to save Miranda? Lucky, I got her killed and I was so upset. If you don’t get all her interactions on the Citadel or choose the wrong dialogue options she ends up dying at the end of that mission and I was so fucking upset because I couldn’t go back since I was too far gone just had to accept she died.
Wait so you never saw her party scene with Jack? You basically get them bickering and get the option to say
"This is all just sexual tension right? Why don't you kiss and get it over with" then Jack tells Miranda she has nice tits and Miranda compliments Jack.
I never realised there was even wrong dialogue choices with her, I thought she was just...filler inbetween missions so I talked to her whenever I went to check up on Thane in the citidal, which was a lot tbh.
Man I miss Thane.
I've always liked Miranda, since the first moment I met her where she shoots someone in the head and you get to yell at her for it. Immediately clicked and I had a soft spot for the cerberus cheerleader in my heart.
Fuck I wish I had her romance, it is tempting to play the game again as maleshep or have the gay romance mod installed.
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dragonflight203 · 7 days
Text
Mass Effect 2 replay, Jacob’s loyalty mission:
-Aeia is Earthlike because of course it is, but at least it’s tropical instead yet another forest.
-It’s backstory is conflicting.
The planet description says there’s little data on it and it may be an unexplored garden world. It’s named after an asari scientist, implying the asari found it.
The Codex says the Alliance identified it as a garden world in 2165 and flagged it for colonization.
So, which is true?
I’m inclined to go with the planet description – if the Alliance knew it was a garden world, you’d think they’d have followed up on it sometime in the last decade.
-The Activated Beacon VI is supposed to play a line after Jacob says his father was the first officer not the acting captain, but it does not. The subs for it still display, however.
-The Partial Officer’s log does a good job hinting how dark things got: Distract them for two seconds and they forget what you did before the bruises show.
There’s no good possible explanation for that.
-How are there so many men left after all this time?
The men were exiled. They’ve been eating the local food, which causes neural decay. Recently they’ve started picking fights with Ronald.
Most of them should be dead by now! From the wilderness or Ronald’s mechs. What was the size of the crew of this ship?
-Backstory courtesy of the doctor: The ship went down 10 years ago. The male crew were exiled or dead after a year. Women were assigned to the officers. After the beacon was fixed the officers were killed too.
There were five officers: Medical, Engineering, Bridge Staff
-All of the officers were men? How convenient.
I suppose there could have been a female officer who was into it, but I doubt Bioware had considered that angle.
-Except the doctor who provides all this information is female. And clearly suffering from neural decay. Aren’t doctors considered officers?
Also, it’s pretty damn stupid of Ronald to lobotomize his sole medical doctor. What if he tripped and broke his arm? What if he got sick?
-Jacob started out desperate to believe any other possible explanation, but now he just wants to have it out with his father.
He came to peace awfully quickly with his father being an awful man. Not even a vestige of hope that there might be a good reason for it?
-How did Ronald brainwash his guards into protecting him? Why didn’t he do the same with the rest of the men? Why didn’t the doctor include them on her list?
Answer: Bioware wanted to have a boss battle and didn’t sweat the details.
-If you go neutral, Jacob introduces himself to his father as Lieutenant Jacob Taylor.
In other words, with his Alliance rank.
Interesting choice. He could have just explicitly introduced himself as Ronald’s son, but instead he announced his loyalty to the Alliance.
-Ronald’s excuses are plentiful, but boil down to he wasn’t ready for command and things out of hand. By the time the beacon was ready, he knew he had fucked up wasn’t ready to face the music.
Sadly human. I could see this happening today, techno babble aside.
-The Hunters only recently started fighting back. No explanation is given beyond a handwave that it may have something to do with the planet’s cycles.
-Odd that the neutral choice is leaving Ronald to the hunters and the renegade is to give him a single bullet.
I’d say the single bullet is arguably kinder. Is it because leaving him to the hunters is leaving him to face the situation he created, but giving him a bullet is an act?
-Paragon says that Cerberus can have ships come by within a few days to retrieve the people. However, back on the Normandy Joker tells you that the Alliance is about to arrive.
-Miranda passed along the distress signal to Jacob, and she didn’t even inform TIM.
That, more than anything, speaks of the depth of friendship between Miranda and Jacob. Miranda is the Cerberus cheerleader: For her to go behind TIM’s back speaks highly of her feelings for Jacob.
Given how Jacob clearly takes issue with many Cerberus personnel, I suspect the real reason he joined was her.
-But alas, there’s to be no romance. Jacob thinks she deserves a better man than him.
And that in itself is an interesting hook. Why does Jacob think so?
When you speak to him, he projects confidence in his judgment and skills. He’ll only work for TIM as long as he think TIM is worthy. He saved the Citadel Council, but it’s the nature of the work they don’t recognize what he did.
But when he speaks of Miranda, he says he’s not good enough. So why not? What traits does Jacob has that he thinks needs to improve?
Keep wondering, because you’re not going to find out.
-Overall, a pretty meh mission in my opinion. This concept is a cliched one. There’s some event that isolates a community and the men take advantage of the women.
There’s always some excuse or another, but it’s been done to death in every genre and Mass Effect doesn’t have a fresh take on it.
This is a story that could be in any work of science fiction; for Jacob’s loyalty mission I wish they had created a mission that provided more world building. As others have suggested something to do with his corsair background, maybe, or that puts the Alliance in a different light.
And most of all, something that forced Jacob to grapple with himself. All the other loyalty missions are deeply personal – Grunt finding a clan, Mordin facing the consequences of the modified genophage, Jack learning she had misremembered her past, etc.
But Ronald himself says that Jacob and he had come to terms that they were better away from each other long before Ronald left on his last mission. There’s nothing for Jacob to confront here: He’d already put his father behind him. This is just his father disappointing him one more time.
Given Jacob left the Alliance because of the red tape, I think that would have been a better hook for his loyalty mission – given him a mission that forces him to deal with bureaucracy, and he can either recognize that it has its place or decide once and for all that it’s worthless.
Maybe there’s a corsair ship run by a friend of his that has been declared a pirate. Jacob needs to use past records to determine if his friend is truly a pirate or was acting on behalf of the Alliance, who has know disowned all knowledge of the operation. Something like that.
Anyway, a long way to say: Jacob deserved better.
Normandy
-If you haven’t romanced anyone by this point, the second conversation with Mordin after his loyalty mission is amusing. He suggests you’re interested in him.
Obviously he’s fucking with you, but the conversation includes some good tidbits.
-Salarians have very little sex drive. So for practical purposes, they’re asexual.
-However, other species are attracted to them. Or at least Mordin.
Mordin: Asari offers intriguing, actually. Transspecies pheromones unlikely to work. Must be neurochemical.
How can they be neurochemical? Does this come back to the occasional reference that asari can influence others’ minds even when they’re not bonding with them?
-Jacob has a few lines of autodialogue next time you speak with him, and that’s it. No investigate options, no opportunity to respond, just that he’s glad this has been cleared up.
Jacob deserved so much better.
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iheartgarrus · 1 year
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Drabble Prompt: Branch
(AO3 Link - My parents were visiting last week so I have an excuse for coming down to the wire this time! Today, Jack gets an unexpected email.)
Flopping down on the bed in her quarters, Jack groaned as her omni-tool pinged - an academy staff email, probably.  She opened the message with a lazy swipe.
Jack,
Came across this file recently on an isolated Cerberus network. Thought you might want to see it.
-ML
Okay, not a staff email.
Before Jack could think twice, she had the file open. An audio transcript between some doctor and an unidentified woman.
Her mother.
She chewed on her lip. In truth, Shepard had sent Jack this file months ago. But she recognized the olive branch for what it was.
Thanks, Cheerleader.
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clericofshadows · 7 months
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Oooh, I would be very curious about "zorya (after)" from the WIP meme <3
thanks for the ask!
admittedly I don't have too much written for this, but I'll chat about it for a bit.
so Zaeed's loyalty mission can go in two ways: save the workers, or go after Vido. The problem is that Regis would almost never put civilians in danger if he can keep from it, and going after one man doesn't cut it, even if it is for his lover. While I do use a mod that lets me do both if I do the mission fast enough, I don't really want to do that in my fic... so there's some conflict. Zaeed is mad because he feels Regis is a hypocrite for not letting him get his revenge when Regis is biding his time to get his to Liara, and Regis is mad because he knows Zaeed knows he wouldn't sacrifice his moral code like that (but he's still with Cerberus, does Zaeed have a point here?)
it's rough and Kaidan is caught in the middle with both sides talking to him and he thinks they are both going at it wrong and they just need to talk it out instead of talking to him about it, but there's a lot of hurt feelings and maybe some hate sex to make up sex involved.
I do have a little snippet I want to share.
"So, Massani is pissed at you for not letting him go after his target."
Regis glared at Jack who only shrugged in response.
"He's been going crazy with the bags in the gym. Think he's about to blow a fucking gasket. Why don't you offer yourself so you can just fuck and make up already?"
"It's more complicated than that."
"Why am I the goddamn reasonable one here? You two are bringing down the whole ship. Even the cheerleader has noticed it. I think Joker thought you were going to tear his head off for saying good morning to you."
"That's normal behavior between me and him."
"Stop deflecting and get your ass in there to spar. Maybe wear that cropped hoodie of yours. Get him a little distracted by some skin."
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corhore · 2 years
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What da Cerberus cheerleader doin?
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drelldreams · 1 year
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as intriguing as jackanda is as a romantic ship i can‘t help but think of the beauty of a friendship between the two. imagine that, in mass effect 2, sometime after that fight with miranda, jack is taken to accompany shepard on miranda‘s loyalty mission. jack is given a mission briefing - rescue miranda‘s twin sister, who is in danger because her biological father wants to kidnap her from her adoptive family. at first jack thinks ‚what the fuck there‘s a TWIN of that cheerleader?‘ but she immediately has a suspicion what kind of person henry is. she doesn‘t need to know the details to know that some rich guy who hires eclipse mercs to kidnap his bio daughter back to him, is an abusive jackass. there‘s part of jack that is confused and she goes back to thinking ‚damn i should‘ve known this bitch is a sick liar‘ when the eclipse lieutenant says that miranda kidnapped a baby, the bosses little girl. but then miranda explains how they share the same dna, not the same birthday, and jack sees how emotional she gets, saying ‚i didn‘t kidnap her! i rescued her!‘ and that is when jack‘s theory of henry being abusive is confirmed.
and jack can‘t help but see miranda in a different way, seeing how hard she is fighting to keep her sister safe from her father. she is flabbergasted to see miranda showing emotions, those eyes of hers softening up, her body tensing, for the first time since jack has known her. she sees that oriana means so much to her, that even someone with an ice cold facade like miranda is losing a little bit of that composure. and then she hears miranda talk about her father, how she isn‘t the first one he made, just the first one he kept, how she was brought up with no friends, how she wasn‘t a daughter to him.. how she doesn‘t know what she was.
her line ‚i couldn‘t let my father do to oriana what he‘s done to me‘ is the final push that jack needs to actually admit to herself that on some level, she feels sorry for miranda. because that line just reminds her of her own fucked up childhood, and she knows that miranda isn‘t one to exaggerate, rather she is all stoic and unaffected by fucked up stuff. to hear her say that he‘s done something so terrible to her, that she is nearly crying to think that henry might do the same to oriana, changes jack‘s perception of miranda completely. while there‘s still a part of her that loathes her, that is deeply hurt by what miranda said to her, there‘s now a part that relates to miranda.
finally, towards the end of the mission, jack actually sees miranda crying at the sight of oriana. and jack is in disbelief that the person, the perfect cerberus queen, who tells her that she was a mistake, is the same person as the one who does everything to keep her sister safe. the one who cries just at the sight of her sister.
and that is why jack is the one to tell miranda to speak to oriana. ‚why won’t you talk to her?‘ jack asks. to which miranda replies: ‚it’s not about what is right for me, it’s about what is right for her. she has a family, a normal life. i’d just complicate that for her.‘
‚she‘s your sister‘, jack reminds her. ‚have some ladyballs and go fuckin‘ talk to her. you didn‘t go all the way to keep her safe just to remain a ghost in your life?‘
‚i guess not, but.. jack, of all people, i didn‘t expect you to suggest that i talk to my sister.‘
‚well, you‘re still a massive bitch, miranda, but maybe there‘s a part of you that isn‘t. you don‘t have to tell your sister the dirty details, you know. you can just let her know that there is someone out there who keeps her safe and fucking cares for her.‘
and that is the very beginning of their friendship.
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