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#but. I just wanted to get hired so.
seilon · 7 months
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so I’ve never worked in food service or hospitality (technically? not sure what my last job counts as but functionally it was more like security than anything) does anyone have any tips or anything for being a restaraunt host/server (in a hotel but that’s not that important here)
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faeriekit · 29 days
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The Foster Mother
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Now on ao3 and VHS release
There was, supposedly, someone waiting for him in the green sitting room.
“…Why?” Tim asked. Most of the usual suspects had already come by to give their “condolences”—former Drakes Industries investors, curious about the newly orphaned heir; fellow socialites, once again flocking in to give and receive sympathies for their “close friends, the Drakes”; gawkers come to see what they could scavenge off of a dead family’s home, never mind that their child was alive.
“She claims to know you, Master Tim,” Alfred offered, kettle in his hand. He spent a moment deciding between different two canisters of tea; a sign of possibly difficult future conversation. “Her interest in your father's estate seemed quite…minimal.”
…Alright.
Tim was still in his formalwear. Dissolving Drake Industries would take at least another year, and plenty of future hours cementing the future home of certain resources in their dissolution, but the outfit probably was more appropriate for whatever oncoming conversation that was about to ensue than his planned change into Dick’s old hoodie and board shorts.
Okay. Tim steeled himself. The self-determination…mostly worked. Whatever. He trudged up into the green sitting room from the kitchen with his usual introduction ready on his tongue.
And then Tim walked into the room.
And then Jazzy was there.
*
Tim had been three, and Miss Jasmine had been his had been his third nanny. He’d outgrown the wetnurse early on, and his second nanny had been dismissed, so although Miss Jasmine was the third nanny, she was first nanny Tim could consciously remember.
She’d had red hair. She’d been very gentle with him.
She got him up in the morning and put him to bed at night; for the first time, there had been someone who sat with him until he was asleep, reading all sorts of books his parents had left to engage him with as an early genius. Then, when those were over and done as promised to his parents, they got unauthorized books from the library: silly books with made-up words, dinosaur books, books about teddy bears and adventures around the world.
Tim hadn’t been allowed to travel the world. Tim hadn’t been allowed a teddy bear. His parents had thought it would encourage undue attachment.
(It had been the same reason he’d never been given a pacifier.)
Miss Jazz had given him a knitted bunny. She’d said her dad had made it especially for him.
The toy’s name was Bunny and Tim remembered him being very soft.
She didn’t smile all the time, but smiles were rewards that were easy to earn. He finished his meal and she smiled. He finished an educational puzzle and she smiled. He was quiet all through her phone call and she smiled, and answered all his questions once she was done.
Jazzy had been the first person in his life who was there all the time. She’d kissed his forehead after the bath and kissed his scraped knees; she’d carried him in his arms when he was tired and sometimes even when he wasn’t. His parents had wanted him to be independent, proactive, and not clingy, but Jazzy had been someone who he could run to from his bed when he’d had nightmares and someone he could cuddle on her lap with when he’d cried.
She was gone when he was seven. He didn’t remember why. His parents had probably never told him, but still; he'd assumed he'd have found out why eventually.
Jazzy looked the same right now as she looked in Tim’s memories, although she was likely no longer a college student at a nannying gig. Her red hair was pulled into a high bun, her dress modest and conservative from her neck to her ankles. There was a backpack beside her foot. She was sitting, one leg crossed over the other, on the high-backed loveseat in the green sitting room.
She looked up when he came in.
Tim. Stopped in his tracks.
It didn’t matter. Jazzy—Miss Jasmine stood up as soon as she saw him, eyes alight with worry. Foggy memories were swimming to the forefront of Tim’s brain. He couldn’t move.
“Tim?” Ja—Miss Jasmine asked, teal eyes raking over his frame. Tim froze where he was. He didn’t move, wide-eyed and terrified for no reason at all when Miss Jasmine got closer to him, at a distance that was more appropriate for a conversation.
She stood there. Watching him. It felt like his mother had just come home from her trips with Dad, and a ghost of old terror wafted through him as he waited for her to decide he’d done something wrong. Her voice got softer. Her eyes got softer. Why was Tim feeling so wrong-footed?? It was only a former staff person!
“Tim?” her voice was so gentle. “I don’t know if you remember me. I’m—“
“M’s Jazz,” Tim croaked. Which. Wasn’t the level of formality he’d been going for, but better than Jazzy. He wasn’t a toddler anymore.
Miss Jasmine was so tall—honestly, was she taller than Bruce? She’d seemed insurmountable as a child; he hadn’t expected her height to truly be so statuesque as an adult.
(Or. Well. Almost an adult.)
She didn’t quite kneel down, but she did stoop lower, as if Tim was small and he needed to be on equal footing in order to have a serious conversation.
He could see all her freckles. Tim swallowed. It was too familiar. Everything about her was too familiar.
“You’re so big now,” Jazzy whispered, looking at his hair, his suit, his polished shoes. He didn’t feel it. “Oh, you’ve grown up so well.”
Thanks, Tim almost said. Something stopped him—something thick in his throat, to impassable to break through.
“I—“ he tried. He coughed. “Why…you… You’re here?”
Jazzy threw him an incredulous look, and then an incredibly wry one. “Well,” she drawled a little too primly, in the way that Alfred occasionally made obvious statements, “I’d think it obvious that when one’s parents have passed away, that those who care about you might come to check and see if you’re alright.”
Which. That didn’t make sense. Jazzy hadn’t come back for any other reason; she hadn’t come back for his mother’s funeral, nor when his father was injured publicly by a villain. Why start now?
“And,” Jazz added, seeing his visual confusion and distrust, “Your parents can’t exactly threaten me with a kidnapping charge for visiting you when they’re dead.” Pause. “Which I am sorry about. My condolences.”
Which. Whiplash. What a statement.
“Uh,” said Tim, who was rapidly losing control over the situation.
Jazzy stood again, and went back to her seat; she didn’t set herself down, though, as she only stooped to grab her backpack. “I am sorry for being unable to visit, although I really wanted to; you were at a very vulnerable age and had already moved into a class a year above you, and your parents should have been less hasty about replacing your main caretaker. The assassination attempts were unwarranted, but they did drive the point home that attempting contact was perhaps discouraged.”
“What,” said Tim. “Assassin what.”
“They were ninjas,” Jazzy offered, as if that was an answer. “Except the last one, which was a former marine. The point is that I do care about you, and wanted to ask if you had any idea where you’re going now that your parents are no longer…available guardians.”
Tim’s mouth opened. It closed.
Jazzy waited patiently.
“…How have you been?” Tim tried, resorting to a part of the script they hadn’t gone through yet.
Jazzy’s laugh was tired, but no less real. It was nothing like listening to his parents titter politely; he didn’t think Jazzy would even know how to fake a laugh. “Well, my brother told me that my former bosses had died, which was somewhat stressful. Otherwise, I’m pretty happy: I live with my brother and worked with him for the last few years. I was going to pursue medicine, but…well. The assassination attempts made it hard to interview for scholarships. I suppose that I could return to that now,” Jazzy mused, attention now elsewhere. She pulled the backpack off the floor and up into her grip. She opened it, and flipped through its contents. “How are you doing? I know that Wayne Manor fosters, but your parents were always rather…hands off. I thought the difference in levels of attention might be overwhelming.”
It was. Tim should be surprised how clearly she sees through him—
—But Jazzy used to watch him stim for almost a full hour after school, twisting Bunny’s arms back and forth until he could calm down. Seeing other people all day had been too much for him. Coming home from his parents’ parties had been similarly stressful.
She’d never been mad at him for it. She held him while he talked and stimmed and talked and talked and talked, and brushed his hair sometimes, or if it was very late and he was very young, helped him brush his teeth through all the medieval execution facts he could name.
“It is a lot to get used to,” Tim agreed quietly. He didn’t want to be ungrateful. He didn’t want to let on anyone about his plan to leave.
He had an out. The papers had already been filed; there was an actor waiting to play his uncle for a custody battle, ready for the fight.
Tim was ready to up and go. It was no hardship to leave all the good things here; anything beat making Bruce stick his fingers into Tim any deeper than they already were, compromising the dynamic they’d already established.
It was for the best.
“I can imagine,” Jazzy sympathized easily. “And I wanted to offer—well. I know there’s probably a lot of choices available to you, but my brother and I recently moved back to Gotham proper for the time being. He’s teaching astronomy courses at the university and I’m filing paperwork for Arkham patients. It’s not so privileged a home, but it’s quieter, and more central in town.”
…Tim’s heart skipped.
He. He couldn’t stop staring. Jazzy stared back at him, quiet and sure. Sure of what, Tim had no idea, but…
Why? Why would she want Tim? There was no way she would be able to get to his trust fund without his help, and he for sure knew better than to enable her ability to leech from him. The last time she’d known him, Tim had been a snot-nosed kid who cried all the time and couldn’t be normal for twenty consecutive minutes. His parents couldn’t even stand to be on the same hemisphere as him as a child. What appeal did this have for her?? What could having a teenager with severe baggage living in her house do for her?
And it’s not like there was any chance she knew he was Robin!
“Oh,” Jazzy suddenly interrupted. “I brought these for you, by the way. Your parents had tossed them out at various points; I’ve washed them since, of course.”
She handed him the backpack by the handle.
…Tim peeked inside.
On top was Bunny, still a washed-out faded sort of pink. He looked as fresh as he had the day when Tim’s parents had ”cleaned out” Tim’s nursery—in other words, a faded, a little gray, and slightly discolored from an old spaghetti stain. His button eyes were big and blue.
And beneath him were books that hadn’t passed his father’s muster as appropriately masculine reading material: The Velveteen Rabbit, with the cover a little scarred from a fierce attack of wet wipes. There’s A Monster at the End of This Book, with a goofy-looking Muppet on the cover, gold spine beat up beyond belief. Art Tim’s teacher at the time must have laminated and sent home; Tim’s dorky, crayon cat proved he would never make it as an artist, but attached to it was a photograph of a grinning boy with a bowl cut and a missing tooth.
Tim stared. There’d been purple marker on his hands and face. His grin looked…really bad, actually, like as if he was baring his teeth because he didn’t know how to smile. There was no formal grace there. Nothing to show the neighbors, nothing worth framing to put into the line of sight of the investors in the office.
Jazzy had kept it and brought it home with her. Jazzy had fished it out of the trash, and brought it with her to give back to him in Gotham.
It was crinkled like it’d been folded, over and over again. Further down in the bag was a crumpled certificate dedicated to “Timmy Drake, for: knowing a lot about octopi”, and a baby blanket Tim didn’t even remember. It had rocket ships on it. It looked as if someone had cut into it with scissors, although it had been obviously and brightly mended with red embroidery floss later on.
Jazzy had only been his nanny until Tim was seven. She had simply been gone one night, and Mom and Dad had been home for ten nights after without help before giving in and hiring Mrs. McIlvane and Mrs. Edith. Ms. Edith had never been so…permissive…with Tim as Jazzy had been.
Tim swallowed. He carefully put everything back into the backpack, unsure if he even wanted to keep it or not. It wasn’t like he could leave it here; he’d be gone, ideally, before the week was out. There was no point in taking it with him if he only planned to live with a stranger until he was eighteen.
“J…” Tim tried. He cut himself off before he could get too informal without prompting. “Miss Jasmine—“
“Just Jazz,” Jazzy corrected politely.
“—Why are you here?” Tim asked, ignoring how she’d technically already answered. He didn’t believe her. “What made my parents fire you?”
Jazzy’s expression turned…soft. Tim couldn’t look at her. Something horrible was welling with it, and he didn’t know how to cope.
“I’m here because I care about you,” Jazz repeated, and knelt beside him. She looked up into his face, and took his hand. Tim didn’t know why. He was practically an adult—he didn’t need this!
“And I was fired because your Mother overheard you calling me ‘Mommy’ on accident when you were tired. I suppose she was insulted, although I’d never know why; it’s not like she was ever home to bond with you in the first place.”
Tim’s throat closed. He missed his mom. He missed waiting up for his parents’ flight home, seeing their headlights outside the window, and knowing they’d bring home gifts from overseas. He missed using Mom’s perfume, and knowing he’d used more of the bottle sitting on her dressed than she ever had, but that it still smelled like her. He missed hearing his Dad telling all sorts of adventure stories and promises through the phone to be home for the holidays, even if Tim knew there was every chance he’d find some other way to spend the time back in Gotham.
And there was some small child in him who missed Jazzy, who hugged him and walked him to the library and made him soup from a can instead of fancy dinners and, who’d never needed to be waited for in the first place.
Tim looked at Jazzy’s round, freckled face.
He swallowed.
Tim moved out before the end of the week, as expected.
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jq37 · 5 months
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Who Is Allison Moore?: A Disney's Wish Mystery
OK, this is a little off the rails and random but this has been driving me crazy since I looked into it last night.
So, Disney's 100th Anniversary movie Wish is coming out soon and people have had a lot of hot takes about it so I wanted to do some digging. As part of that, I looked at the writers and two people have a "Screenplay by" credit: Jennifer Lee and Allison Moore.
Jennifer Lee, of course, wrote Frozen--their biggest princess hit in the modern era so that makes total sense to me. If you're coming out with a new princess movie for the big centennial of course you'd tap her. But I'd never heard of Allison, and when you look at her name on Wikipedia:
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No blue link. So I headed to IMDB to check out her credits, figuring maybe she was some hot new talent recently promoted from within who did storyboards on some recent projects like Moana or something. But when I went to her IMDB page, this is what I found (after a brief mix-up with a Dexter's Lab actress):
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Her Producer credits come up first and...huh. That's a lot of adult live action TV projects. Well, maybe her Writing credits are where this starts to make sense:
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What? That can't be right, can it? The only vaguely Disney-esque thing on that credit list is Beauty and the Beast and, to be clear, that is a CW reboot of a 1987 procedural with the logline, "A beautiful detective falls in love with an ex-soldier who goes into hiding from the secret government organization that turned him into a mechanically charged beast." And she wrote two episodes on it.
And look at Disney's official page about Wish!
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Everyone else on this page has credits that make sense--Frozen, Frozen 2, Raya, Encanto. And the two credits they list for Allison?
Night Sky and Manhunt.
Night Sky, an Amazon Prime show that she wrote one episode for and was cancelled after one season. And Manhunt--and show about hunting the UNABOMBER--that ran for two seasons and that she wrote two episodes for. Those are her two credits that they put up there next to Frozen and Encanto.
I have been scouring the internet trying to figure out who this woman is and how she got this job and I have come up *empty*. This is the big 100th anniversary movie! Why would they have one of the two screenplay writers be someone who seemingly has never done something like this before??? Like, I understand that not having done something before doesn't mean you can't do a good job, but it usually means you don't get the keys to the biggest most anticipated projects in the company's history!
They presumably could have gotten anyone they wanted for this and they picked this person and I have zero clue why and it's driving me crazy. If anyone has ANY information that could illuminate this at ALL--an interview, a social media post, gossip from your cousin who's a gofer at Disney--please let me know because I feel like I'm going full Pepe Silvia over this.
12/26 Edit: A SMALL UPDATE IS HERE!
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koipalm · 1 year
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more akira outfits
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mishapen-dear · 4 months
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tbh i think that even unwinnable fights should be winnable. some of the BEST fights i've ever run as a dm were ones i built kill the players (in a fun way. I had some cutscenes prepped so even the loss would be a different flavour of win)- but then they were clever bastards and managed to either win the fights or pull themselves out of trouble. I think it's perfectly fine to plan for a fight that players aren't supposed to win, but you need to let them. if they can't win, they can't lose, and the meaning of that encounter is diminished. do that too many times, and they stop trusting you to give them roleplay prompts and start expecting to sit there waiting while you drive the story for them.
but if they can win... if there is always the chance to win, no matter how impossible the odds, then they ALWAYS have hope. they always get invested. they feel the big emotions of success or the big emotions of failure, and you fucking Win as a dm/roleplay prompter/lead bastard.
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reikurusu · 3 months
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ghostbeam · 1 year
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Bye thinking about Touya working at Trader Joe’s is so funny actually
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blinkpen · 5 months
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as requested: mutates a terribly boring character the narrative is SCREAMING at me to finding sploosh-inducingly charming on the basis of Evil Is Sexy and literally nothing else by injecting him with secret cringefail loser genes
i did not put much effort into visual changes bc that'd be a waste of my own creativity, but i did a lil sumn at least. i spent less than 30 minutes total brainstorming a new baseline concept for whatever his deal is supposed to be and drawing this.
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lynnbutlertron · 24 days
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^^ might be getting a job at a cute little ice cream shop on the beach in my town GRAGGHHH. i have a trial shift tomorrow i hope i dont cock it up
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puppetmaster13u · 8 months
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Meat Marionette 7?? 8????
Thinkin of the lil robins and other kids and just, them trying to build Jarro a meat body maybe. Idk, still rotating Jarro and if he'd have one seeing as they had to build his human form via some different body parts and such...
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Anyway did some sleep deprived sketches of each- though I just realized I didn't label Cullen, oh well lol. I like to think the first couple robins are all more flesh and exposed muscle looking as the Tunnels adjust to building bodies that can still, well, grow and develop. They've only just succeeded in building a body that can move and semi function with Bruce after all, and even then it takes a couple years for that body to shift into something more alive with like, a stomach and such that needs more than time in the Hive and some Lazarus water for food and hydration. And even then it's another year or so of the bodies needing to be fed via IV before everything actually becomes semi functional as well, a body.
But anyway, his eleven children!
Dick's body starts out the most simple, but is also the first that they discover that the meat marionettes can in fact evolve seeing as he starts to grow electricity-producing organs almost akin to something like an eel. Which is probably very distressing to Bruce because like, this is his baby?? Who can suddenly tase people which is fine, but what if it gets stronger?
Jason's robin body doesn't get a lot of evolution before the Joker Incident, and then it formed a cocoon to become the next form over a year or so. I do feel like his wings were fluffier and had some down still, not enough to prevent flight, but enough to slow down say, take offs.
By the time Tim & Steph comes around, their bodies have started to develop more armor similar to Bruce's. Like the bodies are slowly developing even when the Hive first creates them from the flesh walls as the Tunnels get better at building living moving bodies. Like it's still are mostly soft larva-esque chitin still, but It's still visibly learning.
And then with Cass her body is far darker, more similar to one of the Bats than the rest of the babies. There's still bits of color- bright yellows to warn for venom and poison- but it's such a sudden left turn that they're concerned about what the Tunnels might do next.
It's a relief when it goes back to more colorful designs with the next ones, even if Duke probably has ended up the most armored straight out of the flesh.
Honestly in general I feel like they're actually very soft if someone gets close enough to touch them. Like they look terrifying, especially in night when it's dark out, but compared to their parent & aunt they're like fluffy baby birds. Something the kids in Gotham are probably familiar with, because the birds will help comfort scared people and victims while Bruce takes care of whatever caused their distress. Sometimes just crouches down and pulls out a small puzzle or something from one of his bags while waiting for the police to arrive while distracting the kids, his own and not.
Jarro if he does have a body like theirs, meat marionette or made by them, I feel like it looks more like some sort of hybrid of whatever the batclan are and some sort of aquatic creature. Like an aquatic (swimming?) xenomorph compared to a runner or a drone. Visibly the same species, but looks almost like a similar caste or subspecies if that makes sense? But honestly if yall have any ideas I am open to them. ______________________________________________________________
Reminder that this Au is a combo of both mine and @phoenixcatch7 so check out their Possessed Doll au, and actually go check them out in general, they have a lot of fun ideas and drabbles <3
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allthecastlesonclouds · 4 months
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tell me about drawtectives. what is this little show.
oooooh my god oh my god. they are my guys. so.
drawtectives itself is a youtube series created by julia lepetit on Drawfee. it's an rpg mystery show– s1 is a murder mystery, s2 is just a mystery– that doubles as an art challenges show. she draws all of the backgrounds and npcs and most of the assets (the 'cutscenes', you could call them) and then the team gets together, knowing absolutely nothing besides what julia's asked them to prepare, and does some funky improv to create a very funky storyline.
there are 3 players and one dm; the pcs are rosé, york, and grendan/grenda/grandma/gma, and the Big NPCs are Jancy True (s1/s2) and Eugene Finch (s2) and they're, in their own words, a found family, so. beloved. their backup plan if all their jobs fail is to move out east and open a bookstore. jancy and eugene have fully accepted their titles as mom/ancestral ghost and son despite meeting each other likely once before the drawtectives dragged them together. overall though if i had to summarize, it's a bunch of friends getting together, making a bunch of puns, appreciating julia's art, and laughing together. the vibes are 10/10 so loving. in writing the transcripts i've written (Karina laughs) (Nathan laughs) (All laugh) So Many Times it's just fun.
so there's three pcs. first one we meet is gyorik 'york' rogdul, who's a half-orc come to the city to learn about his mother's culture. he is the character we have by far the most lore for– if I compiled all the lore I had about the Northern Tribes and Wild Trains, I think the document would be multiple pages. he's also illiterate, which was an interesting decision for the english major of the group to make (in other words, York Will Not Be Illiterate For Season Three bc Y'all Cannot Read) and morally gray if you think about it too hard (he killed his own brother) but yknow he's hot so it's okay. they're all hot any crimes committed are okay. he's also aroace (confirmed by the player, which is!! vibes!! THANK YOU SO MUCH FOR TELLING ME @axolotllee!)
rosé is the Human Rogue and the youngest of the party; her main trait in s1 was Millennial and she Dealt with that. she, in contrast with York, has so little lore we are scraping the barrel. she was a thief, then left everything about that life behind and changed her name to rosé when she went to work for jancy. she lied on her resumé. she knows how to sew; she's sewn Pockets of Holding on most of her clothing. she bonded with a stray cat that lived outside her last apartment. she's three credits short of graduating college. she's, in addition to being a drawtective, jancy's intern, and cried when jancy got her a cupcake. she won't tell her best friends when her birthday is or where she goes to school or what her last name is. that's all we know about her and i love her and she could probably kill someone as she has multiple knives on her person and does not use them. she's bright and funny and can be pretty dark but really does find the humor in it which is. wonderful.
so grendan highforge starts out as The Snobby Rich Boy which. already love the trope something Always Happens To Them if they're a pc. then through s1 they make an offhand comment about a character (faucon, whose name is pronounced 'falco') and how if her name was pronounced that way it'd be grenda. faucon asks how they feel about it. they are caught very off-guard by that and then ask to be called it for the next hour or so. then the next witness calls him gma, and then grandma, and then. yeah she realizes she's genderfluid. and he uses any pronouns and has a full beard and also wears a romper and loves dogs and the player is the Most Experienced TTRPG-er so through maybe using resources a bittt grandma is the most observant character of all of them. he's also a dog walker and a lightweight and does canonically have druidic magic though that was Not Touched On Much and showed up to their first day on the job slightly stoned (they did stop doing that though.) she carries around a box to make the height difference (york is 7'. grendan is 4'. rosé is 6'. you can see the formatting issue) slightly less difficult. she doesn't know how rhinos reproduce but has had a fascination with them since a police chief said one might've committed a crime. i think they could kill someone by talking too much but they don't actually have the strength or dex to do Jack Shit.
and jancy true is the head pi (a great many of the characters are puns and i love it so much) and is there to make sure things get done and clues don't get missed. she has a cochlear implant and uses a cane and solved s1 just by Reading The Paper and hearsay. she solved about half of s2 before Someone Stopped Her. she says hello children to the drawtectives and it is such a fond thing. eugene is. a guy who i love. julia started the show thinking he would be some mysterious character to join them and then made the wonderful improv decision– avoiding having to do npc-npc conversation– of saying 'yeah eugene is spinning a camera on its stand' and rosé just says so gleefully. 'guys. i think he's stupid.' and he became their son. his character is a lot of The Plot of s2 so i don't want to get into it too much but. jancy and eugene my beloved.
they're just. such a family. to quote nathan (grenda's Player) from the s2 talkback: "That's one of my favorite things about this show, is we came in with these vague ideas for characters, and just playing them with each other, they became friends and became better people as a result of knowing each other and solving mysteries. ... Like, we all kind of independently made our characters people that either were distant from their families or, you know, just had tenuous connections to other stuff, and so these are, like, the realest connections they have in their lives."
and then karina (rosé) about 10 seconds later: "Yeah, we love a found family where they bond over just being the worst."
god. them. they're chaotic and loud and feel very real to me. they have excitement and are pretty bad at social cues but they love each other and want to die together because they would hate too much to be separated. i could articulate this better but it's one in the morning and they mean a great deal to me.
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poyopaan · 3 months
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i did some applications today and gotta say? kill me
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reasonsforhope · 5 months
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Crowdsourcing a question
Okay totally personal post here because, now that search engines suck, my research is failing me. So I'm crowdsourcing my question about the residential care work industry!
Hoping at least some of my followers have experience in/with the industry and some intel on this:
Actual question: How common is it for jobs in residential care work (residential centers, btw, not home care) to actually have two people on the night shift? vs. just saying they always have two people on the night shift in interviews and their official policies, and actually it's not true?
Because my current job was, it turns out, apparently totally lying about "you'll never be on shift alone with clients" at orientation (when it comes to the night shift, anyway). Which, holy fucking safety issues, Batman!
Suffice to say this was a very fun thing to find out like three days before my first regular shift
So, I'm thinking realllll hard about switching companies, and I'm trying to figure out if I could expect to actually have a coworker at a different company, or if it's like an open secret in the field that actually, basically all the night shifts end up being solo shifts, because the industry is so chronically understaffed or w/e
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solarpunkani · 4 months
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I hate needing backup jobs for my backup jobs
Like. Animation industry is kinda a bust rn. Local library and USPS branch aren’t hiring (unless I learn how to fix up cars and trucks REAL quick). Freelance writing implies I have articles out already, which I don’t. Anything I can find so far thats mildly naturey either pays 13 bucks an hour, involves chainsaws and bears, or both.
Like. What the fuck else do I do? Rot? *Retail?*
100 more reasons why capitalism sucks. How the hell am I supposed to get years of experience if no one’ll hire me and a MASTERS degree isn’t worth shit? How am I supposed to improve my portfolio if 75% of the jobs I apply to won’t even answer back? Why do I HAVE to have a job in order to even survive, let alone get my own place with a nice garden? And why is going back to school a near-impossible option because ~debt~ and ~loans~?
Why can’t we just have nice things
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atopvisenyashill · 3 months
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imo the time jumps are where hotd gets messy, because they just really wanted to get to the dance by season two but that’s like having ned executed halfway through season 1 just so you can rush to the red wedding in season 2, i get the urge but pull it back a little babee, let the anticipation and tragedy build.
anyways, i think the biggest miss (and one of two that i think sinks the show from “excellent” to “great but i have notes”) is we don’t see alicent and helaena give birth because of the wacky ways they skip around in the timeline.
there are easy fixes for this tho. for the first time skip where you still have milly and emma, we should have seen alicent give birth to helaena. it doesn’t have to be the whole episode, but the end of it should be her giving birth to juxtapose with Aemma, and Helaena’s reception juxtaposed with Baelon’s, Joffrey, and Visenya. THEN you do the ten year skip EXCEPT it STARTS with Rhaenyra figuring out she’s pregnant again, go through most of the plot she goes through WHILE SHES PREGNANT, THEN a birth scene. second to last episode is laena’s birth scene & death, finale is driftmark fight, then a little jump at the VERY end where Rhaenyra gets the message about Vaemond and is like “guess we’re going back to court.”
THAT WAY season two can start with HELAENA having MAELOR and also we get more time with the little versions of the black & green kids. ALSO season two can then include aegon in flea bottom so we get LADY ESSIE HAVING GAEMON and a juxtaposition of how noble women are treated during birth and how smallfolk are!!!!!!
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chipistrate · 5 months
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What if in HW2 we see Vanny's original outfit- before her fursuit, back when she used the reluctant follower mask
What if We learn how she lost/stopped using the reluctant follower mask
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