your ocs!!!!! please ramble about them!!!!
i love your art so much
(GRABS YOU) H. CAN DO BOSS.
So ! My ocs. I guess I'll do an overall explainer for the overall groups. If you check out my Toyhouse (LINK!) there's a bunch of folders up top that are how I categorise them. It's primarily by universe except for the folders that are just "misc."
So folder 1: Blatant favouritism:
These are silly little guys that don't fit in any specific wider universe, but I really really like. So I'll spotlight the two important ones before i get real in the weeds with my main universe.
In here are notably, my Fursona (self explanatory), Ali and Pittsburgh Cincinnati. There's also Hauntkit and Clearpelt who are warriorcats ocs that *is dragged away by airport security*
... So, Pittsburgh, lovingly sometimes called pissbug, is a weird little Thing who I made as like, an homage to characters like happy bunny and Sweetypuss. She (and her weird dog) exist to stand next to strange and offputting captions. I love her. No further context. She's just silly. and violent.
Now. Ali.
Ali Alighieri has thoroughly stolen the show, and also ties into the next folder along, Making Your MK.
With over a hundred extra images compared to second place (Sorry, Tabitha). Ali is my fucked up little scrunkly. My little baby guy. They're a shared character of mine and @samhainian's, and is from their Creature Feature setting (A modern fantasy setting wherein Cryptids and Magic are real but in our modern world.) They are as such, a modern human young adult... Who is also a demon + magic user.
Strange little pansexual altersex genderqueer poetry-nerd that they are... The modern setting also means they are literally just a tumblr user. A fellow countryman, so to speak.
HOWEVER.... Ali's true origin was in *Purrgatorio*, a scrapped visual novel of mine set in the MYMK universe! They were simply retrofitted into CF as the joke with Purrgatorio was that a regular human had mysteriously just shown up in MYMK's pure-furry setting.... And then when we scrapped the project we got all attatched to our little not-so-blank-slate protagonist. But I'll put a pin in Purrgatorio for later.
Making Your MK.
(Guest of honour: My super unfinished website <3)
Okay so here's the big one. The setting with.... (looks at spreadsheet) 109 characters not including so-called incidentals. At time of writing.
MYMK is home to... Multiple stories. As you would hope when a setting has 100+ characters. I'd wager each story has about 10-20 relevant characters tops but with a big shared universe like this there gets to be overlap between casts!!! Yay !!! 😊😊😊
MYMK is the name of the main story in the setting. Pronounced "Making your Mark", it is centered around Markus Felidae (The purple one) and their family. It's very action-adventure-y. It's also the plot I'm most secretive about the backend of since I WILL!!!!! Turn it into a nice prose story with pictures SOMEDAY!!!!! But for now tee hee hee secrets secrets. Markus' family is strange and ragtag and is keeping something from them... I can't ramble on too long here unless further prompted in asks about specifics but!!! Everyone in the MYMK folder has a fully furbished little profile with a blurb about them. So if you're curious....
But yeah, I tend to think of the MYMK setting more in terms of its Locations than its Casts, due to the overlapping nature of them all. The Malbranche may be the villains of the main plot, but they're also major players in relation to The Palsgrave who are the antagonists of Moraine, etc etc,
The country everything in MYMK is set in is called New Orphidian, Southern hemisphere little thing, here's a very cartoony map of it.
Um. Cliffside!
Since it's the best map I have... Here's an exclusive sneak peek of a Zine I'll be getting back to once the fandom brain cools down a bit.... :3c
(... I REALLY NEED TO DO A TOUR AROUND THE MINECRAFT CLIFFSIDE SAM AND I BUILT..... IT'S SO CUTE....)
Cliffside is situated on a big ol' Cliff.
A tiny hamlet of a place, it used to have reason to exist, and now does not. It's not even a good tourist locale, as the cliff is much too dangerous compared to the nicer tourist spot of Welkin just a little north. Not to mention nearby Moraine's allure as a tax haven with no labour laws place where a bunch of TV and Movies are filmed!
It's where most of MYMK's main cast reside (except the antagonists from the Big City Varmonte), and is as such a location I have a lot of tiny little worldbuilding thoughts about :)
I won't go into the other locations here just because then this post will SUPER get away from me but... I think most importantly for Cliffside right now...
Is that it's where Purrgatorio is set. Yes, that VN I said got scrapped. It's not dead. It is in fact serving it's original intended purpose as "A (mostly) noncanon exploration of character voice and setting"
It's back and its prose babeyyyyyyy!!! (A BUNCH OF THE EARLY STUFF IS ME BEING SUPER RUSTY ... BE WARNED)
Purrgatorio is currently the most publicly available coherent work I have out of my ocs! It's very low-stakes and serves mostly to bash my toys together and see what character dynamics come out, but you can look if you want to!
(There's also a whole THING on the meta of its Canonicity... It's not canon, but it's also not NOT canon. But if I talk about Metanarrative Timeline Collapse in my normal mundane non-magic setting im gonna sound bonkers ✌)
Ali's dynamics with the MYMK cast are so goddamn funny to me. Like I literally just handed my OCs some ET shit but ET is a sexually repressed tumblr user with a mood disorder.
But yeah I don't think I can coherently string together much more about MYMK without just actually explaining THE WHOLE PLOT.... Though I will absolutely elaborate on any given character's Whole Deal if i'm prompted. (OH MY GOD I DIDNT EVEN TALK ABOUT CHROME AND TABITHA. WAIT. OKAY THERE'S. OK NO IF I TALKED ABOUT THEM IT'D JUST END UP AN ESSAY ,SORRY..)
So here's some bonafide classic images for the road.
(IF TUMBLR BREAKS THE FORMATTING AND JUST PUTS THESE ONE AFTER THE OTHER INSTEAD OF IN A GRID IM SO SORRY LMAOOOOO)
... And as for the other folders on my toyhouse!
Misc and Fandom are what they sound like. Self explanatory,
Then, Ysden is @samhainian's fantasy setting. It's where our DnD games happen to be set but it's also a general fantasy setting :)
and Monster of the Week... Is currently being revamped! It used to be a modern world setting with hidden magic, now it's going to be more... Adventure Time-y. Fantasy world get iphone. Yknow. It has a lower Age Rating than MYMK's "anything goes", as it started as a Pitch Bible Project in my animation class. They're a little neglected but I still love them :) The revamp is extemely recent and not reflected in any of the art/writing yet but I'm workin on it. It still doesn't have a proper title..... OTL
So yeah!! Uh. This wasn't as comprehensive as I was hoping but it turns out I have way, WAY too many thoughts on my guys. And no idea what to do when im actually asked about them so !!!! This was not a very coherent ramble but it was a ramble !
There's things like essays on Chrome and Tabitha (Link) and also The Queer Gender Identities Of The Whole Cast (Link) hiding around on my toyhouse, and once again, Purrgatorio (Link) serves as my sandbox for playing with how these characters act in situations.
But..... ! I did try to make my toyhouse approachable for the average layman. Every character in the MYMK folder (Link) has a *blurb* of information, rather than a giant wall of text explaining everything about them. I want people to be able to understand their general vibe at a glance rather than be overwhelmed.
In any case ???? Uh. Fun game for everyone: If you know your homestuck classpect, every single MYMK character has a classpect and lunar sway. and a birthday. Try and find your andrew-hussie assigned kin! As a Prospitian Witch of Heart, I share my classpect and lunar sway with Chrome. No I don't know what this means. It worries me honestly he's kind of an asshole.
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I’m new here and I absolutely love your type of blogs with analysis and meta and long texts~~
I was wondering—is Eunyung and Haejoon’s relationship the kind that could be interpreted as romantic?
first of all, welcome and ty! and sorry it took me so long to reply, i hope u're still around anon. now to answer ur question
i'll take this opportunity to share all my thoughts on the topic bc i have Many.
TLDR: it is possible to read it as romantic if you really want to, but it's not meant to (at least not as of right now in the story aka ch.224)
deep dive under the cut as to why
-> can Eunyung and Haejoon’s relationship be interpreted as romantic?
i like how you phrased that bc, the thing is, interpretation is very subjective. you're welcome and allowed to interpret things however you want, but in EY&HJ's case, i feel like you'd have to work a lil extra hard to get to that point.
-> is Eunyung and Haejoon’s relationship meant to be interpreted as romantic?
this one's easy bc no. objectively Not. the genre of No Home is drama and slice of life (and once upon a time, horror). even if they were to ever end up in a romantic relationship, that's not what the story is about.
when i ask myself what the author's intention is with this story, i'd say it's to (realistically) portray how a young person with trauma would navigate another young person's trauma. and showing how easy it is to unintentionally fuck it up for various reasons: lacking context as to what exactly said trauma is, generally not knowing how to navigate it, their own trauma getting in the way, lacking the necessary resources. take your pick.
think of it like "how should i carry someone else's baggage when i have my own to deal with?" while also keeping in mind they're kids; they often don't have enough experience to know how to help, and even when they know what the right thing to do is, they're not old enough to take (legal) action.
and especially, the most heart-breaking yet realistic thing, when you're just getting to know someone, you can't know everything about them. it's so easy to accidentally do or say sth that cuts or offends when it wasn't meant to. but when they've got their own issues, it's hard not to take it personally (eg. EY talking about HJ's parents without knowing his mom died not long ago in the beginning of the story).
-> what even is Eunyung and Haejoon’s relationship??
this one's so funny bc i have no idea how to answer and i'm convinced not even EY and HJ themselves would know how to answer. they're not really friends; they got off on the wrong foot and kept walking with two left feet way too much to call themselves friends. the things that pushed them together the most were the dorms (not anymore) and the same friend group (more or less since EY has multiple).
what fits them best i'd say is "the universe forced us together against our will and now we're stuck with one another altho we hate each other" (<- at least in the beginning) extended with the "misery loves company" sentiment. finding comfort in someone who gets it, even tho they only kinda get it but not really but it works out anyway except it doesn't <- THERE'S NO NAME FOR THAT *cry* they invented a new type of character dynamic smh (i've never read a pairing with so much (romantic) potential only to see them completely fuck up their chance so royally by the end of their interaction EVERY SINGLE TIME. like yeah, enemies to lovers whatever BUT NOT TO THAT LEVEL HOLY SHIT)
they've changed each other, sometimes for the better and sometimes for the worse. they're compatible in the way they understand each other on a deeper level and incompatible in the way they don't.
...however...
this is how HJ thinks of EY: (and also what No Home is truly abt)
and this is how EY feels about HJ after EY found out HJ used to steal as well (aka that HJ isn't perfect like the stuck up bitch EY thought he was at first):
so...
<- -> EY's first impression of HJ was that he was looking down on him and sth like "does this guy have ulterior motives? or is he just that naive being so trusting?" until EY found out HJ wasn't that different from him. after that, EY started admiring HJ for still managing to achieve things in life despite the hardships he had to go through. the type of admiration that can easily (and sometimes does) slip into envy.
-
since the beginning, EY has helped HJ (or at least tried to) without him knowing. sometimes it worked out, sometimes not. most times EY tried doing sth nice for HJ was (from EY's perspective) in return to HJ trying to help him or doing nice things for him (which, again, sometimes worked out, sometimes not). EY was just paying back a debt to "this stubborn naive guy who keeps getting into trouble and butting into his business. gotta look out for this idiot or he might get scammed." (<- eg. when EY offered to get HJ's money back from his uncle)
he doesn't do it for credit or friendship or out of obligation, he's just doing what he thinks is the right thing bc he doesn't want to owe anyone anything. he can't accept people just genuinely being kind, genuinely caring and genuinely wanting to help. but he's been learning and slowly coming to terms with it.
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<- -> HJ first wanted to try befriending EY despite not liking him bc, well, the guy did steal his wallet and stab him in their first interaction. after trying and failing at it multiple times, thanksgiving happened, and HJ started thinking of EY as his underclassman bc he realized EY's just a kid with issues and he should keep an eye on him (discretely bc EY hates pity).
-
with time HJ has come to understand EY better by going after him whenever he ran off and slowly realized that EY does mean well and has his reasons (as fucked up as they might be sometimes). but his mentality abt EY is still "i gotta push him in the right direction cuz he's my underclassman and i unintentionally got attached to him (somehow??)" (also bc he knows EY already gave up on himself so he needs a lil help to find his way again. also also bc he knows EY is lowkey suicidal and he's scared it'll be his fault if sth happens) <- his care for EY comes from a protective/nurturing (/possibly maybe guilty) place which started when he realized EY was just a kid^^. in other words, HJ still bothers with EY out of a subconscious sense of responsibility/obligation in a way (a good way tho. or at least a way that gets better)
see, sth i struggle with is if HJ thinks he has to or wants to or thinks he should or can't just not help/care for EY. i can't exactly pinpoint where the sentiment is coming from. his face is too blank for me to read sometimes T_T
-
to summarize: HJ is EY's goal, what EY wishes he could've been. and EY is HJ's 'responsibility' so to speak (bc 'burden' doesn't quite fit since HJ is there for EY willingly) -> EY has a positive opinion of HJ while HJ has a neutral opinion of EY (which is also gradually getting better)
note1: i think HJ's intention (maybe subconsciously) was to be to EY what HJ's upperclassman was to him. aka someone who's there when you need it and can help guide you. it would explain why HJ kept chasing after EY despite not really having a reason to and EY repeatedly rejecting HJ's care/help.
note2: i also believe the 'upper-under-classman' relationship dynamic fits them the best atm bc it also matches the way the story often singles EY out as he's the only second year (aka younger) of the 6 MCs.
-> Romance in No Home?
another thing i should mention is that No Home rarely leaves things open for interpretation. the deepest arguments EY&HJ had were always spelled out for us, to make us understand exactly what the problem was, and how there isn't a good guy and a bad guy. it's just two people with issuesTM.
from what we've seen in the story up to this point, i couldn't pick out a moment where i'd go "here! that's romantic! that's the moment they realized SomeThing!" yk
when it comes to romance specifically, i feel like a handful of opportunities were missed. there are scenes which could've easily been written trough a rosy lens but simply weren't.
exhibit A:
HJ was speechless bc "wow this mf really is actively picking a fight with an authority figure. i gotta make sure things don't escalate" not bc "hoLY sHiT hE's PreTTy. all his fangirls are on to something". however, this only becomes more clear when you keep reading the next few chapters, so i understand how you could interpret it as the latter.
exhibit B:
here they got so close and the moment was so deep bc "woaa he said he believes me. no one's said to me that before!". unfortunately, EY was panicking too much for it to mean something bc of the guilt he felt for HJ trusting someone so undeserving of trust like EY.
exhibit C:
this is maybe the closest we got to romantic between these two. i think this might be the only (or at least first) ever deep interaction between them that didn't end in a fight or misunderstanding. is it meant to be romantic tho? -> ¯\_(ツ)_/¯
-> what do i think?
first, full transparency: i went into reading this story fully expecting it to be a BL and for EY&HJ to end up together. but the more i kept on reading, the more i got the ick thinking about them being in a (romantic) relationship bc, at least from what we've seen so far in the story, their relationship would be so ToxicTM (which i personally don't enjoy reading).
as they are right now, i wouldn't want them to be together like that. like, honestly, you still can't really consider these two even friends; they just tolerate each other if the stars align correctly (altho, i'll admit, their relationship is gradually getting better!!). every big argument they had i thought "god, there's no coming back from that. i'd cut ties so quickly if was them wtf". i still don't know how they managed to keep on interacting, props to them ig.
there's a lot of unresolved issues between them. and a lot of resentment which would not bode well in a romantic relationship. the smallest argument would turn explosive and they'd be, at best, in an on&off type of relationship. they both have the power to break the other and neither would be afraid to use it. they have a lot of history together, which is not always pleasant, so if they ever were to go the romantic route, it would have to be a long way to go.
technically, i could see them in a romantic relationship if they both went to therapy first and talked out all the baggage they're carrying (both individual and shared). realistically tho, what i think will happen at the end of No Home is that either they never cross paths again after high school ends (which would absolutely break my heart Wanan pls don't), or they somehow (unintentionally) end up living together bc they both desperately needed a roommate to pay rent (which would be a hilarious fucking gag LMAO). just, HJ going to uni/work and EY doing his own thing (prolly an actor) while still cohabiting together; hanging out to watch a movie before bed <- (whether platonic or romantic being left up for interpretation)
<- -> in conclusion, from what we've seen up to this point, their relationship is mainly upper-under-classman; reluctant (maybe) friends who tolerate each other but also care (too) deeply. they've changed each other, sometimes for the better and sometimes for the worse. in some ways they're compatible and in others they're not.
all this being said, their relationship is improving and romance between EY&HJ is not impossible, just rather unlikely imo. but, again, interpretation is subjective and u're welcome to read their relationship however you want.
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Hey crazy thought but maybe Kairi wouldn’t seem like such a ‘wasted character’ if this fandom would quit taking everything of narrative and thematic significance about her and assigning it to Riku constantly all the time.
(The evaluation of the ways in which Kairi and Riku are important and vital foils for each other got kind of long so it’s under a read more; to be clear, I love Riku so much, and it makes me super mad to see his narrative also being undermined by this trend, this is not a hate post.)
Kairi and Riku serve opposing but complementary purposes in the narrative. Kairi represents light, but she also represents the stagnation of the light. Many characters who are associated with just light are also associated with stagnation and a resistance to change. Hoder and Eraqus are particularly extreme examples, but Aqua exemplifies this as well. They want a predictable world where things stay as they ‘should’ be and they are threatened by changes to the status quo. Eraqus in particular refuses to change anything about himself for 60 years, only taking on students at the last minute because he’s running out of time. Kairi, like Eraqus and Hoder and Aqua, stands as the bold, sharp light that casts others into shadow.
However, the other side of “resistance to change” means that Kairi represents restoration. She is able to restore Sora in KH1, pull them home in KH2, and hold Sora back from death itself in KH3, because her power is one of restoration. She holds so tightly to their old way of being that she can stop death itself in the interest of not changing too drastically. But she is unable to move forward on her own, because she fears change too much. She wants to chase after the boys when they keep leaving her behind…but she isn’t able to keep up, because what she actually wants is for them not to run at all.
She wants to go home, and restore their previous status quo. This desire is consistent in her for the entire series; this is also why she is unable to let go of her childhood crush for Sora, even though he’s obviously not the person she wants him to be anymore. For Sora, Kairi is the rock, she is the home that will always be there, he feels that she is the secure dock he can always return to after the storm. He relies on her not changing, which reinforces her fear of change. Lea is similar, and they can bond in KH3 over both their mutual desires to restore a prior, idealized status quo where their friends were reliably there and not at risk of disappearing on them or running away from them or changing.
Riku on the other hand embodies transformation. He represents change to the status quo, growth and development and a new way to be. Too much change is as much of a problem as too little; Kairi in KH1 sees Riku wants change, and it scares her, and he does in fact go too far. At the same time, she’s the catalyst for Riku’s desire to change their circumstances. Kairi’s arrival at the islands in the meteor shower incites Riku to dream of going to the outside world. This too is a tension that creates an anxiety in Kairi - in a way, she can see herself as to blame for Riku’s desire to change. But Riku was always going to change, because that’s who he is. He is radical change, the change that cuts away restrictive dogma so that the world can advance. Riku drives Sora to also want to grow and change, to excel and challenge himself. Sora wants to be like Riku, whose strength and internal drive he admires.
Ultimately Kairi and Riku are in BALANCE with each other. Ironically, while Kairi is themed as ‘the sea,’ her narrative purpose is to be steady as the earth. Riku’s name is ‘the earth,’ but he is changing and dangerous as the sea. They are one another’s reflections in the narrative. Kairi’s arc is about learning to let go and move forward, even though it scares her. Riku’s entire arc is about finding balance, not throwing away the comfort of the past, that inoculates him from falling too far the way Baldr and Xehanort do. Riku can drive Kairi to join them by giving her a Keyblade too. Kairi can pull Riku back from fleeing from them by seeing him even under Ansem’s face. He is able to be in contrast with Kairi in a healthy way, in a way that honors her fears while also refusing stagnation. They have to work TOGETHER to find Sora, because they are one another’s narrative and thematic opposites. Kairi is too stagnant on her own, and Riku too volatile. Sora is the healthy middle between them, the center-point that can bind the light and the dark TOGETHER for one purpose.
Kairi is narratively and thematically important to Kingdom Hearts. She represents something, and trying to take the things that reinforce her narrative importance to the story (her representation of the light, her narrative purpose of ‘disruption’ in her arrival via the meteor shower, her position as the one who grounds Sora in opposition to Riku’s position as the one who drives Sora to push himself and achieve more) not only undermines her story, it undermines Riku’s.
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