I think John Dory should have 7 (evil) exes and you have to defeat all of them in order to date him.

Choose your fighter 💥💪

Sorry if this has already been asked before but why did the band break up? And did they break up on decent terms? Do they still talk to each other sometime?

It has been asked before, I just never answered jshfbdjcbh I'm still piecing everything together and stuff is changing or getting tweaked all the time, so I'm always super hesitant about answering these types of questions, afraid that people will take whatever I say as the final answer. So basically what I'm going to answer now will already contradict what I told some people already. And maybe in the future the story might go a little differently too (although I'm pretty satisfied with the current events)

Uhhh, get ready for a long info dump. I didn't expect I'd write this much...

Floyd basically stayed with the band for 8 years (from 14 till 22) and got pretty messed up in the process. The rest of the guys are all quite older than him so I guess I could say they were more responsible, or at least had a better understanding of their own limits (also they grew up in this kind of environment or grew up aware of it, while Floyd was oblivious and naive about all of it) and while they do get drunk and do drugs often, none of them are really dependent on them. They are also pretty good judges of character and know how to avoid trouble. Floyd on the other hand drove in with no breaks and constantly got himself in trouble that the rest (mostly Les) had to drag him out of. He also developed bipolar during this time (in my story Floyd constantly fluctuates between being saturated and being desaturated because of this) and his manic and depressive episodes started getting out of hand after his teenage years. (None of them are aware it's a mental disorder that's making him act so out of character.)

Floyd was becoming miserable because of this and all of his problems pilling up, and started blaming Les for the way he was. Les never argued this which only fueled Floyd to blame him more. In the end he was getting so frustrated and irritable that Floyd constantly tried starting arguments with him, even putting him down and getting aggressive at times because Les gets very unresponsive and closed off during personal conversations (guy is a giant onion of suppressed trauma that Floyd is hellbent on peeling open).

Eventually there was one fight too many, terrible things were said, some objects flew through the air, and Floyd walked out (or Hed kicked him out, I haven't decided yet) with the promise of going home and never seeing them again.

So, yeah, it was very messy and Floyd was the primary asshole, even though he's not really to blame either...

But Floyd didn't make it home (was too scared to sneak through Bergen Town to get to the tree (i don't think i can judge him for that either)) and he just returned to the reckless lifestyle, this time without anyone being there to keep him safe. So if he was messed up before, this is the time period where he got absolutely fucked up. This is also when he got heavily addicted to sour worms. And when he chronically slept around (half the time just to get offered free worms or have somewhere to sleep, other times because he was having manic episodes and was feeling hypersexual). (This is also potentially the period when he had the two eggs with that techno troll, but I'm still thinking if I want that to be canon to the story or not.) During this time he also grew to become very anxious and his self-confidence went to shit when he was being himself.

Then after about three years of that, he bumped into Les at some party. He wanted to dodge him out of shame but Les grabbed his arm and manhandled him outside to talk. Floyd felt like shit about the way they had split up and tried apologizing for all the stuff he had said and done to Les, but Les wasn't having any of that because he wasn't angry at Floyd, he was just worried about him. Les is also insanely empathetic like Floyd, and he knew that Floyd never really meant any of it, and that he was just looking for an outlet when he was hurting. Also he does think he is to blame for the way Floyd ended up.

Les wanted to know why he didn't go home like he had said (because that was the only reason Les had even let him walk out in the first place). A few exchanged words later and Floyd broke down telling him all the awful things he'd done, and Les promised to help him, feeling insanely guilty. Floyd wondered if he was allowed back in the band but Les made it clear that the band wasn't good for him and that he was never taking him back. Instead Les helped him go though rehab. I don't think trolls have those institutions (or at least not many are aware of them or how they work (I'm sorry but I refuse to believe the Trolls world has internet and cellphones, Mountrageons can keep that for themselves lol)), so it was more or less just Les finding Floyd a job and his own place to stay in the middle of bumfuck nowhere where he had no option but to detox, and constantly checking up on him to make sure he was doing okay. During this time they grew pretty close again. Or maybe the better term would be that Les slowly started putting his walls down again.

Hed needed a while to warm up to Floyd again. He's almost as protective of Les as Les is of him, and he resented Floyd for the way he had treated him.

Flea is pretty phlegmatic when it comes to any sort of arguing or drama. He was casual about seeing Floyd again, they were never super close anyway.

And Liv, she left the band when she and Hed broke up (haven't decided if that happened before or after Floyd left), so Floyd didn't get to see her again after bumping into Les at the party. And I haven't thought yet if they'd ever meet again somewhere later in life. But if they did, I think they'd both be happy to see each other.

Anyway...

Floyd managed to detox and successfully kept the job for about a year, but then he became manic again and messed it all up. After that he returned to his nomadic lifestyle, but he never fell as hard as those three years again. In my story Floyd's life is a constant cycle of getting his life together and fucking it up and booking to the next place. And he and Les are trapped in a never-ending cat and mouse game where they're both trying to fix each other.

So, uh, Les and Floyd are still very close and see each other somewhat often...

(sometimes monthly, sometimes yearly)

Yeah...

I am so fucking obsessed with them I'm gonna hurl. Please take this song before I combust:

House M.D. but it's when a character says the name of the episode

My best friend and I had a call recently---she’s back with her family for a bit helping out with some hometown stuff. As part of the stuff, she’s been going through a (deceased) relative’s scrapbook, compiled in the American Midwest circa 1870-1900 and featuring mostly cut-out figures from the ads of the day.

She talked about how painstaking this relative’s work was. (Apparently the relative was careful to cut out every finger, every cowlick; this was by no means carelessly or hastily assembled.) But she also she talked about how---the baby on the baking soda ad is ugly, it is so ugly, why anyone would clip this heinously ugly illustrated baby and paste it into a scrapbook? Why would you save the (terribly told, boring) ghost story that came with your box of soap?

(Why include these things in the first place? we asked each other. ”There’s a kind of anti-capitalism to it,” she mused.)

And we discussed that for a bit---how most of the images, stories, artists, and ads were local, not national; they’re pulled from [Midwestern state] companies’ advertisements in [Midwestern state] papers, magazines, and products. As a consequence, you’re not looking at Leyendecker or Norman Rockwell illustrations, but Johann Spatz-Smith from down the road, who took a drawing class at college.

(College is the state college, and he came home on weekends and in the summer to help with the farm or earn some money at the plant.)

But it also inspired a really interesting conversation about how---we have access to so much more art, better and more professional art, than any time in history. As my bff said, all you have to do to find a great, technically proficient and lovely representational image of a baby, is to google the right keywords. But for a girl living in rural [Midwestern state] of the late 1800s, it was the baking soda ad, or literal actual babies. There was no in-between, no heading out to the nearby art museum to study oil paintings of mother and child, no studying photographs and film---such new technologies hadn’t diffused to local newspapers and circulars yet, and were far beyond the average person’s means. But cheap, semi-amateur artists? Those were definitely around, scattered between towns and nearby smallish cities.

It was a good conversation, and made me think about a couple things---the weird entitlement that “professional” and expensive art instills in viewers, how it artificially depresses the appetite for messy unprofessional art, including your own; the way that this makes your tastes narrower, less interesting, less open.

By that I mean---maybe the baby isn’t ugly! Maybe you’ve just seen too many photorealistic babies. Maybe you haven’t really stopped to contemplate that your drawing of a baby (however crude, ugly, or limited) is the best drawing of a baby you can make, and the act of drawing that lumpen, ugly baby is more sacred and profoundly human than even looking at a Mary Cassatt painting.

And even if that isn’t the case....there was this girl in [American Midwestern state] for whom it was very, very important that she capture every finger, curl, and bit of shading for that ugly soap ad baby. And some one hundred years later, her great-something-or-other took pains to preserve her work---because how terribly human it is, to seek out all the art we can find that resonates with us, preserve it, adore it.

It might be the most human impulse we have.

(3) remaining

📷 @/ch_leclerc16_

vincent voice claim!! hes auggie and anton's son ^_^

VA: Catbug from Bravest Warriors, voiced by Sam Lavagnino

Playdate in peril, the homosexual thoughts be upon ye.

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Sing is literally a piece of genius. They made a bad pop song with simple but very direct lyrics, the kind of thing that would get itself on teen choice awards and glee and pop radio stations but still very clearly get their point across. an infiltration of mainstream culture. using the very thing they were critiquing, mainstream media, as a platform to spread the message to a larger audience who hadn’t been exposed to that kind of thinking yet. the people who really needed to hear it, who were the people who wouldn’t have paid attention to the same message being conveyed in the same style as their music on the black parade or earlier, the people, specifically younger people still trying to find a place in the world, who would have been consuming exclusively mainstream pop. popular tv shows, teen pop culture award shows, pop radio, etc all spreading the words “they’re gonna sell what tomorrow means” “raise your voice every single time they try to shut your mouth” “cleaned up, corporation progress, dying in the process” “I am not the singer that you wanted but a dancer, I refuse to answer” “wrote it for the ones who want to get away - keep running”

sing accomplished exactly what it was created for, it was executed perfectly in that regard

Jared and Jensen at the SNS special at CreationHL last night!

Did you bring anything(like a phone or something) or a reason to be in the factory before you got thrown into the metaphorical deep end of “Toy hell”

Also, what happened after you got pass Huggy

“And Huggy? Honestly, I tried to get back to the front entrance after he took his tumble to The Depths. But whaddaya know, the vent was closed! So, downstairs my grumpy ass went. Then I met Poppy. But I’m lucky enough to still have song downloaded on my Spotify, so we get to play music, albeit sparingly.”

More Ben fam stuff I believe I have neglected to put here

band au rahhhhhhhhhhh

twn is so funny because they'll write amazing scenes like jaskier singing about burning all his memories of geralt because they're too painful for him to even think about and then him literally being tortured for those memories of geralt. and then they'll turn around and write whatever the voleth meir shit was

You want me to go full on crazy Tedependent theorist? Because I will, I will go full on crazy Tedependent theorist. What do I have to lose? (Except my dignity but that’s non-existent to begin with so 🤷)

Ted once said this: "I remember being a little kid, sitting in front of the television and watching Queen perform right over there during Live Aid."

He has a moustache that resembles Freddie Mercury’s. He’s even brought up the whole back story as to why he has it. (Also being told that he shouldn’t have a goatee right before he walks down the aisle and then he decided on this moustache and he never looked back…) in the same speech he says “Since I was a straight fella in Middle America working in sports.” Which leads me to episode 11.

In this episode they mention that Freddie Mercury owned Richmond briefly in 1980 and that he tried having “Fat Bottomed Girls” as the team’s song. And Rebecca tells Keeley and Higgins that her father went to art school with Freddie and that Freddie supposedly said that his greatest talent was “flipping straights”. So young Ted saw Queen perform at Live Aid and then when he was older he grew a moustache similar to Freddie Mercury’s? 🤔

Then we have the song in itself. You know who wrote “Fat Bottomed Girls”? Brian May. Who famously has fantastic, long hair.

Whose hair was brought up for the first time, explicitly, in the show this episode? Trent’s hair. And it was brought up by Ted’s mum. And Ted has previously commented on hair as something he seems to like. (He kind of alluded to Trent’s hair in the second episode of the third season but he never outright states that he likes it. And Trent asks Ted if he assumed that Trent could ride a bike because of his hair and the whole vibe). And I’ve talked about hair in THIS POST but the gist of it is that hair has been referenced before, in relation to romantic couples with Roy and Keeley, Higgins and his wife, Sam and Rebecca.

I can’t verify this quote because I don’t have the magazine. But I’m adding it here anyway:

May told Mojo magazine October 2008: "I wrote it with Fred in mind, as you do especially if you've got a great singer who likes fat bottomed girls… or boys."

“Fat Bottomed Girls” is also connected to the song “Bicycle Race”, written by Freddie Mercury, they were released as a single together. And they both reference each other. “Bicycle race” is sometimes viewed as a metaphor for being bi. (Sport as a metaphor, anyone?)

Who doesn’t know how to ride a bike? Trent. Who has a moustache similar to Freddie Mercury? Ted. Who might be bi? Ted.

Look, I told you it’s crazy but I couldn’t help myself. I’ve talked about Queen/Freddie Mercury in relation to Ted before. So I couldn’t let this opportunity pass me by.

rumbelle + the raven king (a french fairytale) au moodboard