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#but this is a repost from my deleted blog
ryuuryuuhoney · 2 years
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some shit i did-
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effemar · 2 months
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one for my heart and two for show! / three tears for all the souls below!
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loveboxd · 2 months
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wanna court my men so bad. buying them flowers for no reason kind of thing. thought about deku. coming home with the prettiest pink tulips. he's in the kitchen and his mind works insanely (anxiously) quick. did somebody else give them to you?, did he forget an important date like your birthday?, are they just for the house? then you hand them to him and he goes "for me??? 🥺🥺" bakugou takes them from you with a tsk and shaking his head talking about your sappy ass looking for a vase to put them in, smiling as he turns his back at you
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meowthplushie · 4 months
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my lil classic amy design :>
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lilium--bosniacum · 10 months
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I’ve made a (renewed) list of documentaries, lectures and other videos I’ve watched about Srebrenica
Documentaries
A cry from the grave
Srebrenica Genocide: No Room For Denial
ICTY remembers: Srebrenica genocide
Why Srebrenica had to fall
A deadly warning, Srebrenica revisited
The house Fata didn’t build
Women who refuse to die
Channels
Remembering Srebrenica channel on YouTube with many short videos
FAMA methodology channel - has many short videos and lectures
Lectures
Establishing the facts - Jean-Rene Ruez
The place of the Srebrenica massacre in the Bosnian genocide - Marko Attila Hoare
The role of the UN - Hasan Nuhanović
Genocide memorial day lecture (role of the UN) - Hasan Nuhanović
(the last two are important for understanding how the UN abandoned Srebrenica and contributed to the massacre)
Drone footage of Potočari from above, just so you can see how the Memorial Center now looks.
Bosnian only, no translation
Daleko je Tuzla
Putevi spasa
Zbijeg - priča Hasana Nuhanovića
Zločin i kazna - Srebrenica
Preživjeli
Nesmireni snovi
And here is a lengthy but detailed and well written text on why a revisionist documentary called “A town betrayed” is not a good source to learn about what happened in Srebrenica.
In addition, there are separate posts about Višegrad and Prijedor.
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warming your bed ; 18+
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requested by ; nobody — reposted from another blog of mine
word count ; 772
content ; one night stand, oral, technically the set up for smut but there’s still sexual content hence the rating
fandom ; pirates of the caribbean
pairing ; captain jack sparrow x female reader
read also on ; ao3
minors and ageless blogs will be blocked
It’s a quiet summer evening; the type of day where you have the time to sit out on the balcony and watch the sun set from a cloudless sky over a calm ocean. A few dozen docked ships partially silhouetted by the gradually fading light as your patrons slowly filter out of your tavern doors. One by one they stumbled and tumbled out onto the pier, arm in arm and exchanging plentiful raucous laughter and drunken conversation (as far as one would call it that) with each and every one of them grinning widely from ear to ear.
Yeah, a quiet night indeed. At the very least you had been spared from having to play witness or mediator to many bar fights — only having seeing the tail-end of one before another customer broke it up to spare you the trouble. No hassle, minimal mess, not very loud. It was a harbour-business’ dream. Some people were just good like that — you just wished you’d see them more often than just through the summer.
But even with the consideration of your pillaging patrons, there was still a great deal of work to do — and you couldn’t very well have them do the chores for you. They were your guests, after all, not your employees (lord knows you couldn’t afford any with all of the expenses you have to look out for; the joys of working with pirates). So you turned to go back inside, soapy bucket and rag in hand.
Or, rather, you tried to go back inside but your path was obstructed by a swaying figure that reeked of rum. Another pirate, it seemed.
Oh joy.
Like many others before him, he says he’s looking for shelter and a drink — says he’s on bad terms with his crew and got kicked off for the night. Part of you wants to turn him away or pry about what exactly got a captain (as he identified himself) voted off of his own ship, but you decide against it and put on your best service smile and usher him over to the messy reception area, writing his name with a worn down quill before leading him to the bar.
Captain Jack Sparrow, he introduced himself with a slight drunken slur to his voice, and you can’t help but feel like you’d heard the name before. Mostly in complaints from customers, remarks about how ridiculous and illogical he is — how he doesn’t seem to have very much self awareness or adherence to the code (a code you knew better than to pry about). But none of that really mattered here; the captain was now a patron of yours and so long as he payed you fairly you couldn’t care less for his reputation.
Business is business, after all.
From there it doesn’t take very long for him to start getting rather talkative — and, very openly flirty at that. He takes each drink offered with a smile and a wink and thanks you with compliments that gradually get more and more flustering than flattering… and yet you find yourself getting more fond of the eccentric man’s company, engaging him with conversation and listening intently to each (likely heavily embellished) story he tells.
A few short minutes after he began spinning his elaborate tales of the seas, the two of you were stumbling your way through the halls of your inn — wanting to hear more than just his fantastical stories and needing to feel more than just his hand on your thigh. You could feel his greedy hands roaming freely over your body as you just barely manage to grab the key and unlock the door before you both fall into a heap on the wooden floor.
He tasted of rum and the sea, with an eager tongue and teeth that bit your lips red and raw — leaving his mark without shame or regard for the outside world and letting you get drunk off of him. Large, calloused hands pinched and groped at you through the thin fabrics of your sullied dress; pushing your skirts up to your waist and tugging your bodice down to expose your breasts to his greedy gaze.
Pinching, tugging and twisting; he payed close attention to your chest until your nipples pebbled under his fingertips and only then did he turn his attention to your soaked pussy — reaching down through your undergarments to slide his index finger along your slit. And when he pulls away from the kiss to suck it clean and comments on your taste, you know that you’re in for a long night, and you can’t even bring yourself to complain.
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danielslaw · 1 year
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RALPH MACCHIO AS BILL GAMBINI IN MY COUSIN VINNY (1992)
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Some old TGS shenanigans art 😩😩
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murdockmeta · 8 months
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Matt's Protective Tendencies Regarding Gwen
So, for this post, I want to focus on three moments (cause with that many this is still gonna be too long aha) that stuck out to me on my second read-through. It's important to note these examples because Matt's relationship with Gwen is the closest we get to seeing him caring about anyone or anything.
Matt threatening George Stacy
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This one is the most complex of the three. There are many layers to this scene but I think it's telling how Matt makes Gwen the center of the conversation. Also, he resorts to personal attacks on George's ability to protect Gwen and be a good father to her.
Matt does seem controlled in this scene to a certain extent, clearly there with the intention to taunt George, but I think he's... not as controlled as he appears.
This is the first time in the run we've really seen him use a more hands-on approach. So far, he's used legal loopholes, threats, manipulation, and so on. He's dodged (quite literally in some cases) every chance at a physical altercation.
Here, he shows up in relatively casual clothes (another interesting choice. the only time we ever see this.) and he eventually ends up holding George Stacy in a chokehold over the side of a building.
In the previous panel he's in, he's meditating when he's contacted by George. He picked up his phone on the second ring (not the first, despite how obvious the disruption is. hes trying to give the impression of nonchalance). He goes through the efforts of pretending to not know who's calling even though he definitely does.
When we see him again, it appears as though he's only changed his shirt before showing up at George's house. It's not the next day, it's probably not even an hour later. He was waiting for George to call. I'd be tempted to say he was growing impatient.
He starts with cheap attacks on George's morality and his job, petty things. It very quickly escalates.
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Frank Castle had recently proven to be quite a threat to Gwen. Castle wants to kill Spider-Woman. Matt is refusing to let that happen. But, he wants George to be the one to make the call.
He's very dedicated to protecting Gwen but he also needs Gwen to trust him a tiny bit. He knows that if he outright kills Frank that Gwen would lose all faith in him. She would drop contact immediately and refuse to work with him again.
Yet, he's so persistent about protecting her, he goes to George to try and get him to do it. Matt wants Frank dead. Out of the equation. He's willing to physically threaten George, to get angry, to show maybe just a little too much of himself. He's trying every personal attack he can. And in his desperation to force George's hand, he reveals a lot about his motives. Even George picks up on this.
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George is talking about what he thinks he sees in Matt. He thinks Matt killing Frank outright would show how bad Matt is, how cold and immoral he is, therefore losing Gwen's willingness to work for him. When really, it shows how dedicated and desperate Matt is. Matt cannot-- cannot-- lose Gwen. He needs her because for the first time since he was a child he has the chance to no longer feel alone.
He needs his plan to work. He can't have Frank mess it up but he also can't push Gwen too far away from him. So, he does all of this instead.
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This is one of the most interesting goddamn lines in the whole scene. This is in the middle of Matt's attempt to attack George's ability to be a good father, his ability to protect Gwen. In that, Matt lets this slip out.
He's obviously projecting himself onto Gwen. And I also think he projects his relationship with Jack onto George but that's a discussion for another post.
So, does he think he's protecting Gwen from becoming like him? Making the hard decisions so she doesn't have to? He acts like he wants Gwen to become as bad as he does but even Gwen says in the end: he wanted to lose, he wanted to be caught. So...? We know he hates himself. And with the above line, we see the closest Matt ever gets to admitting how he truly feels to someone he lets live.
Gwen's different because Gwen represents a chance for things to go right. Matt needs to protect her because he needs her to succeed.
2. Matt refusing Gwen's apology
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I was going to just highlight his first few lines in this panel but the whole thing seemed relevant to this post.
So, when I first read this line, I thought it was borderline out of character. He, of course, can't just refuse her apology, he has to give some self-centered reason why. But, everything he follows up with unintentionally reveals his hand once again.
To Gwen, Matt's reasons sound selfish and cruel. She thinks he just wants to use her, control her. She thinks he's interested in what she can do for him. And, well, he is. But it's never just that.
He wants her safe. He plainly says it. He wants her safe so that he can make sure she's not in danger, to make sure she doesn't die or make any decisions she's going to genuinely regret.
I think Matt's heavy-handedness in regard to Gwen's morality is extremely intentional. You don't change someone's mind about their personal morals by telling them how ridiculous their morals are all day. You don't change their mind by trying to force them to make deals they rather wouldn't. Arguably, that's how you make them stand their ground.
And I think that's what Matt's counting on. He sees it as a win-win, whether Gwen ends up turning evil or not (because if she does then he can finally die). But really... I think he wants her to have a reason to be good. He knows how hard-headed she is, it's one thing he likes about her. So, he knows that antagonizing her will just make her more assured when she comes out on the other side.
If she can stick through to the end and beat him, there's not much that can stop her after that. One important thing about Gwen's development as Spider-Woman is that at the beginning, she doesn't have the strong conviction to do good that 616 Peter has due to his uncle's death.
Peter died in her universe, but it didn't serve the same purpose. She felt guilt over Peter's death, but not the kind that strengthened her morals. It was this crushing guilt that dragged her down, made her lose faith in herself. A lack of confidence like that can quickly lead down a much darker path and we see that in Gwen throughout volume two.
She still needs that push. That final act that'll let her come into her purpose fully. And Matt intends on giving that to her if she's willing to go along with his plan long enough. He crafts himself into a big, bad villain for her. Just so she can be good.
3. Matt protecting Gwen's identity
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Matt goes out of his way to make sure Gwen's identity stays safe. He knows her secret identity is important to her. He made sure he tied up his loose ends with Toomes so he wouldn't tell.
The one that's more interesting to me is the fact he didn't even tell his ninja her name. These ninja are assigned to protect her from any harm while they are in a foreign country and an assassin is after Gwen. But Matt doesn't bother giving them her name.
There's not even really a reason for him not to tell them other than him being overly protective of her. It's not like they're going to tell anyone, they're fucking ninja. They're sworn to secrecy out of pure principle.
Yet, Matt doesn't say anything. He could've even used it as a bargaining chip but he doesn't genuinely threaten to reveal her identity even once. Would it have really even affected his plans long term? Her identity is revealed at one point, and he still gets what he wants in the end.
But he never brings it up unless it concerns her identity being revealed in a way that may harm her. He never dangles it in her face. He respects it and protects her.
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These are just a few moments I wanted to talk about. Honestly, the George Stacy one could've been its own post and I'll probably end up making another about it eventually.
Matt is so multifaceted and he shows that best with the people he dares to form attachments to. The main one being Gwen. The way he treats her is the closest he got to caring about someone. It's the closest we get to seeing what he's really like under all his disguises.
He demands control because he thinks that is the only way to protect the ones he's attached to. He knows, in his particular position, that there really is no other way to go about it. And he doesn't want the people he cares about to like him. He doesn't think he deserves it, really.
He wants Gwen to be better, to do better, so he allows her to hate him so much that she has no choice but to come out stronger in the end.
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WHEN THE NIGHT HAS COME AND THE LAND IS DARK
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Sometimes, on cold nights—and even some not-so-cold nights—Geralt wakes abruptly in the forest with something tickling his cheek and bothering the inside of his nostrils.
Jaskier's hair is like silken web; soft and fine, and fucking irritating when it tangles itself in your eyelashes like dandelion fluff caught in tree sap.
On these particular cold (and not-so-cold) nights, Geralt wants to grunt loudly and swear and push Jaskier roughly from Geralt's space on Geralt's bed roll because what the fuck, bard?
He never does though.
Not even this time, as Geralt awakes to that mass of brunette spiderwebs in his actual fucking mouth, with one of Jaskier's surprisingly muscular arms and a long shapely leg wrapped tightly around Geralt's midriff as if the cretin is some sort of tentacled ocean dweller. Oh, and, for fucks sake, the idiot bard's stupid slackened, drool-covered face mashed right into the crook of Geralt's neck.
Half blowing, half spitting Jaskier's hair from his mouth, Geralt balls his fists and grits his teeth and sighs, heavily.
With the moon fat and high in the inky sky and sounds of the wild all around them, he will try once more to find sleep.
Closing his eyes again, Geralt pointedly ignores how Jaskier smells of lavender and forest ferns. He shuns the way Jaskier's soft, rhythmic snores play their easy tune in his ear. He takes no note of Jaskier's even heartbeat and how the sound of it is a welcome comfort in the dead of night, pays no heed to the shallow breaths leaving Jaskier's mouth and the way each exhale warms more than just the spot underneath Geralt's jawbone, and he doesn't spare even a bit of attention for the way those smooth lips with their perfect cupid's bow feel on the skin of his throat as Jaskier mutters the sweetest song lyrics from his dreams.
As sleep finally does pull him under, Geralt also most definitely does not take to heart the way the idiot bard makes everything better.
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(from my deleted witcher blog behonesthowsmysinging)
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space-apples · 1 year
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writing some of the posts that i had on my other account lol. (@stiffyck @cryptic-bee hope you don’t mind the tag, but you two seemed to like this one lol)
———
after grian talks about his watcher trauma to scar, he says he doesn’t really want comfort, and so scar, a genius, goes:
“i’m sorry that happened. i’m sure you couldn’t have seen it coming.”
and grian calls him an idiot, but scar can see the small smile that he attempted to hide.
the thought of making grian smile, even after talking about his incredibly horrible experiences with omnipotent beings was enough for him.
and unbeknownst to scar, the way the joke was so out of pocket made grian feel like he was… normal, for lack of a better word. scar made him feel like he was normal, even tho they both were far from it. still, still, it was enough for him. scar was enough for him.
maybe one day grian would be able to tell him.
————
on the flip side, scar starts talking about his his backstory (tcd), and grian trying to do what scar did, goes.
“wow- uh- i bet you wouldn’t be found dropped dead near one of those then, huh?”
but it goes very very wrong because scar starts actually crying and grian’s like fuck man, that did not work sjsodhskdh.
he apologizes, but doesn’t stop scar from crying his heart out because grian knows that it’s the first real cry he’s let out in a long time. if he held on tightly to his hand as if it would disappear at any moment, grian wouldn’t mention it. no, instead he would reciprocate that touch.
and for the first time in a long time, scar would feel warm.
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alwri-tes · 5 months
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Someone, to Henry Clerval about Victor Frankenstein: Can you collect your freak of a man please. He's doing things.
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hychlorions · 11 months
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i don't think there should be a blog that reposts art from deactivated accounts 🤨 and i don't think their policy should be "if you made this art and you're on a different account now dm us to take it down"
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danielslaw · 1 year
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RALPH MACCHIO AS JACK LAMBERT DISTANT THUNDER (1988)
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