okay i can't figure out how to write the bit and be funny about it, but, concept borne of the fact it's may and therefore mermay and also i can't stop thinking about the stupid swedishbeans bit: iskall is a selkie. joel is like, a normal person who lives in a fishing village. iskall decides joel is madly in love with him and starts trying to sneak his seal skin into joel's possession, and then do a Complain about "oh no the terrible fisherman has stolen his skin. guess he has to marry him now." meanwhile joel is confused, kind of scared, and keeps on trying to give the stupid thing back WHY DO YOU KEEP ACCUSING HIM OF STEALING IT PLEASE,
meanwhile, the b-plot is iskall getting in trouble with the local mob boss, but since beef knows that iskall is a supernatural being, it is Bad Luck to get on a selkie's bad side and beef can't get away with just making the problem vanish. somehow they have both devolved into bizarre proxy wars, with beef trying to figure out how to get rid of the most annoying man alive without either losing face with his subordinates (for seemingly being unable to get rid of this one weirdo) or being cursed for eternity (no mob boss worth his salt gets involved with the supernatural in a way that leads to them cursing them), while iskall continuously sees how much more he can get away with before making this guy snap.
meanwhile meanwhile, in JOEL'S b-plot, mysterious stranger from the woods (and secretly a shapeshifting fox), etho, owes joel five dollars, and he WILL get those five dollars back, dammit. in truth etho, despite being a trickster spirit, was actually originally going to pay those five dollars, but both of them have descended so far into the bit at this point that it'd be weird to stop harassing each other and they'd kind of miss it. meanwhile, everyone in the village has wildly different opinions on what on earth is ACTUALLY happening between them.
all of these plots eventually collide to become something increasingly stupid, probably, it would just need to be the world's silliest situational comedy/sitcom type fic where things get more convoluted before they resolve. do you all see the vision,
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No but like every time I think about Splinter and what he had to go through just to keep the boys alive, my heart hurts for him so badly. Is he perfect? No not at all, but none of them are and by god does he love his sons.
The fact that all of them are alive, and grew to thrive despite the circumstances surrounding them is a testament of how much Splinter loves his boys. He raised four babies following the most traumatic time of his life, all alone with nothing but the sewers to house them (to hide them.) I feel like he’s not given the credit he deserves for all he’s done.
And I get that it’s easy to hold up his flaws and faults when it comes to parenting, I myself like looking into them because flawed characters are super interesting and said flaws make them more realistic and engaging, but he tries, and again, so many others would have given up on the boys or failed along the way but Splinter didn’t.
He’s their father, for all his faults he did his damndest to make sure they survived.
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I'm not sure if it's intentional, are you aware images posted on your blog are full screen width? it takes a while to scroll them and you have to click on them in order to be able to see the full artwork (I have a really big monitor). Not that I don't like seeing your art up close though!
oh yeahhh tumblr made some changes a while ago which totally broke my desktop blog theme in several ways. It's not on purpose! I need to find a new one but I love this ancient theme sooo much. If anyone out there knows a lookalike/similar theme or knows how I might fix it I would love you for all time
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tfw the man you love against your better judgement gets a kid to help him with his photojournalism and dies trying to expose the criminal he's been blackmailing and then the kid puts on a uniform that's way too big for him and calls himself spider-man after ben urich and you know he's going to get killed trying to serve justice to all the criminals in new york. and now there's a sixteen year old kid bleeding out on felicia's doorstep and again despite her better judgement, she cares. how much of that is a misplaced sense of responsibility for her dead lover, and how much of that is the deep feeling of injustice over how this child is the one fighting, and how felicia knows that she could never turn him away. what then </3
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katara’s fatal flaw when it comes to politics and also just general communication is that she cannot fathom why anyone would wish to act in a cruel manner and knowingly harm others, whereas sokka’s is that he does not understand how people can be willfully ignorant or even just plain dumb. it’s why sokka is always having to point out to katara that someone is a malicious actor who is taking advantage of her compassion and idealism (jet, hama, aunt wu, etc) because he knows that not everyone has pure, altruistic intentions, but he also doesn’t understand that king kuei isn’t just sheltered, he is also straight up an idiot (or that hahn isn’t just arrogant, he is also incompetent, etc etc) until it’s too late.
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