One thing about Castle is that they do a serial killer plot line SO WELL. In the way that they don’t overdo those episodes, and cram like 7 into a season, so you’re like “God can’t they just catch this guy already!” (Pelant on Bones, Mr. Scratch on Criminal Minds, etc)
They’re so good at like one or MAYBE two 3XK episodes a season so every time you’re like “OH MY GOD HE’S BACK!!” And with Beckett’s mom they still manage to keep it fresh even after so long because they don’t spent so long on it every season.
i feel like not enough ppl are factoring in the cultural clash between laios and shuro and the many micro agressions shuro faced while being in their group. literally the name 'shuro' in itself is one
his name is toshiro 😭 lets also not forget that he has his own communication issues, in the opposite way that laios does- thats literally a factor in their argument, that his envy for laios's ability to express himself sincerely manifested as part of his distaste for him.
ig all this to say like, was their fight heart wrenching, especially when reading laios as autistic? absolutely. anybody whos ever been in laios's position knows how much it hurts to realize someone you thought was your friend doesnt actually like having you around, especially when they didnt tell you and you had no way of knowing due to not understanding their cues. but im begging yall to step back and see the nuance of this situation cause im gonna be real a lot of you are kinda just brushing over it acting like everything is toshiros fault and that hes a terrible person when in reality hes an average guy who really, really clashed with laios and it led to a very long misunderstanding due to their supremely opposite methods of communication. even laios and toshiro, after letting everything out in their fight, were able to come to an understanding and start a foundation for an actual friendship built on better communication
the thing about art is that it was always supposed to be about us, about the human-ness of us, the impossible and beautiful reality that we (for centuries) have stood still, transfixed by music. that we can close our eyes and cry about the same book passage; the events of which aren't real and never happened. theatre in shakespeare's time was as real as it is now; we all laugh at the same cue (pursued by bear), separated hundreds of years apart.
three years ago my housemates were jamming outdoors, just messing around with their instruments, mostly just making noise. our neighbors - shy, cautious, a little sheepish - sat down and started playing. i don't really know how it happened; i was somehow in charge of dancing, barefoot and laughing - but i looked up, and our yard was full of people. kids stacked on the shoulders of parents. old couples holding hands. someone had brought sidewalk chalk; our front walk became a riot of color. someone ran in with a flute and played the most astounding solo i've ever heard in my life, upright and wiggling, skipping as she did so. she only paused because the violin player was kicking his heels up and she was laughing too hard to continue.
two weeks ago my friend and i met in the basement of her apartment complex so she could work out a piece of choreography. we have a language barrier - i'm not as good at ASL as i'd like to be (i'm still learning!) so we communicate mostly through the notes app and this strange secret language of dancers - we have the same movement vocabulary. the two of us cracking jokes at each other, giggling. there were kids in the basement too, who had been playing soccer until we took up the far corner of the room. one by one they made their slow way over like feral cats - they laid down, belly-flat against the floor, just watching. my friend and i were not in tutus - we were in slouchy shirts and leggings and socks. nothing fancy. but when i asked the kids would you like to dance too? they were immediately on their feet and spinning. i love when people dance with abandon, the wild and leggy fervor of childhood. i think it is gorgeous.
their adults showed up eventually, and a few of them said hey, let's not bother the nice ladies. but they weren't bothering us, they were just having fun - so. a few of the adults started dancing awkwardly along, and then most of the adults. someone brought down a better sound system. someone opened a watermelon and started handing out slices. it was 8 PM on a tuesday and nothing about that day was particularly special; we might as well party.
one time i hosted a free "paint along party" and about 20 adults worked quietly while i taught them how to paint nessie. one time i taught community dance classes and so many people showed up we had to move the whole thing outside. we used chairs and coatracks to balance. one time i showed up to a random band playing in a random location, and the whole thing got packed so quickly we had to open every door and window in the place.
i don't think i can tell you how much people want to be making art and engaging with art. they want to, desperately. so many people would be stunning artists, but they are lied to and told from a very young age that art only matters if it is planned, purposeful, beautiful. that if you have an idea, you need to be able to express it perfectly. this is not true. you don't get only 1 chance to communicate. you can spend a lifetime trying to display exactly 1 thing you can never quite language. you can just express the "!!??!!!"-ing-ness of being alive; that is something none of us really have a full grasp on creating. and even when we can't make what we want - god, it feels fucking good to try. and even just enjoying other artists - art inherently rewards the act of participating.
i wasn't raised wealthy. whenever i make a post about art, someone inevitably says something along the lines of well some of us aren't that lucky. i am not lucky; i am dedicated. i have a chronic condition, my hands are constantly in pain. i am not neurotypical, nor was i raised safe. i worked 5-7 jobs while some of these memories happened. i chose art because it mattered to me more than anything on this fucking planet - i would work 80 hours a week just so i could afford to write in 3 of them.
and i am still telling you - if you are called to make art, you are called to the part of you that is human. you do not have to be good at it. you do not have to have enormous amounts of privilege. you can just... give yourself permission. you can just say i'm going to make something now and then - go out and make it. raquel it won't be good though that is okay, i don't make good things every time either. besides. who decides what good even is?
you weren't called to make something because you wanted it to be good, you were called to make something because it is a basic instinct. you were taught to judge its worth and over-value perfection. you are doing something impossible. a god's ability: from nothing springs creation.
a few months ago i found a piece of sidewalk chalk and started drawing. within an hour i had somehow collected a small classroom of young children. their adults often brought their own chalk. i looked up and about fifteen families had joined me from around the block. we drew scrangly unicorns and messed up flowers and one girl asked me to draw charizard. i am not good at drawing. i basically drew an orb with wings. you would have thought i drew her the mona lisa. she dragged her mother over and pointed and said look! look what she drew for me and, in the moment, i admit i flinched (sorry, i don't -). but the mother just grinned at me. he's beautiful. and then she sat down and started drawing.
someone took a picture of it. it was in the local newspaper. the summary underneath said joyful and spontaneous artwork from local artists springs up in public gallery. in the picture, a little girl covered in chalk dust has her head thrown back, delighted. laughing.
Vox won the hottest Hazbin Hotel character poll on twitter against Lucifer in the final round and I can't stop thinking about it I love my pathetic TV Girl he deserves it
Needlessly close reading and long commentary on chapter 57 and how the audience actually has an extremely limited view on what Marcille has been like over the course of her life.
I am once again thinking about how pre-dungeon Marcille is so quiet and stoic that she seems like a completely different person. How jarring chapter 57 is for the audience. Like you have Marcille, who has been just the most blindingly expressive person with resting baby face
And then the chapter drops a title page of Marcille hearing from Falin for the first time in four years and it's like.
Who is that. Genuinely. Would you even realize that's Marcille without the context clues?
And then the chapter just keeps coming in with the sucker punches.
We have SEEN Marcille meet strangers. It was never with this understated of a smile.
literally who the hell is this. the few times the audience gets to see some Signature Marcille Faces that they're used to is when she finally gets to see Falin again
when she's testing out her new spells
(and when Laios and Falin are fantasizing about her being their damsel in distress, funnily enough)
And then finally. Finally you get to a fully recognizable Marcille when she fucking DIES and comes back to life to geek out about necromancy.
We know she loves magic. We know she loves Falin. So it's not so surprising that she wouldn't be able to keep a mask up when thinking or talking about the things she loves. But why the mask in the first place? Where does it come from? It's tempting to think that, maybe, Falin's departure just hurt her so much that it turned her into a quiet person.
But that's only half true. If you go back, the first instance you see of this incredibly mild personality is actually introduced much earlier, in chapter 17.
What if she was always like that. What if her default after her father died was to hold people at arm's length, to never really emote past being polite and friendly. What if Falin was the first person who was able to bring her out of her shell, and when she left, Marcille just went back to how she was.
And when comparing her detached demeanour with someone else...
It's not exact, but wouldn't you say there's a resemblance? Wouldn't you think she might be trying her best to imitate what she saw of her own mother working as an accomplished mage?
It would certainly explain why she's hiding behind her portrait in her nightmare, at least.
We aren't told that Marcille has been distancing herself from everyone around her using a mature and dignified personality she modelled off her mother. But we sure as hell are shown it, I think.
Do you think we’ll see the parents/family of each of the guys???
Like, We’ve been TEASED with Ace’s brother, that I’m starting to think it’s just a reference to that Alice in Wonderland park character in Japan and nothing else….
Jack’s family, Ruggie’s grandma, Falena, Maleficia, Ms.Rosehearts, Just now Vil’s dad is in the picture which I am really happy but now I’m wondering about his mom, and so Deuce’s mom.
I mean, some HAVE a silhouette!! It could mean they do have a design in the making/ready to show. They could’ve shown us Falena in the Tamashina (hope I said that correctly) event, but didn’t (prolly to make Leona not so σ(▼□▼メ) and it’s understandable)
Anyhow, any idea/headcannon about this? Who do you want to see first?
I'm wondering if everyone might eventually get a travel event? like they've now introduced with Vil's that it doesn't have to be specifically hometowns, so that opens things up a lot! (especially if they have to figure out how to do three separate Coral Sea visits) (how would that even work otherwise)
but yeah, I hope everyone gets a chance! there's a lot of backstory characters I would LOVE to meet. :D :D :D though I do think some of them don't really suit the more light-hearted tone of the events (pretty sure you're right about that being why Falena wasn't in Tamashina-Mina, that would've just been. too much for Leona.) so like...we're probably not ever going to meet the Rosehearts. or Maleficia (although I maintain that this would be THE funniest possible way to introduce her outside of the main story, and actually I would love this a lot, can we please Twst) (I need to see her to put Malleus in a froofy little outfit and tell him what a handsome boy he is). but they've sprung surprises like Kifaji on us, and honestly anyone who shows up and tells embarrassing stories about characters' childhoods is good in my book!
characters off the top of my head who I most want to meet: literally any of the Zigvolts, Azul's mom, Ace's brother, Che'nya's grandfather (<- I think he would be a good one for Riddle) (please just any non-terrible adult in his life), any member of Rook's family because I need to see how they managed to produce him, and...really just whoever they can come up with for Silver.
It took four months of non-stop cross-stitching, but I finally finished a pattern I bought from @8pxl a little bit ago, and tonight in a bizarre burst of productivity I finally sewed a back to it and stuffed it into a cute little pillow! It ended up being pretty much perfectly sized for a neck pillow, but I'm a bit worried about it getting dirty that way.
I highly recommend the patterns from 8xpl's shop, there are SO many gorgeous ones to choose from. I might end up getting another one soon o3o
transcript below the cut arranged into stanzas to help show where the rhymes are:
“that’s why they brought gem in? as a failsafe?” as a pawn.
we were told to point her at whoever we need gone
“gem won’t hurt her allies. …yet.” the curse she carries will
it’s had its eye on her since she lost the other eye
she was specially selected for her hunting skill
it’s quite the high honor. “wow. how generous.” we try
think about it: why does almost no one fight the curse?
“given how fast scott killed skizz last season, i can guess.”
[“any pain you spare your friends, you’ll have to suffer worse”?]
it’s designed to shut down higher reasoning with stress
Young Justice is always a little...concerned. With Phantom's living situation.
Now they're outright afraid for him, and Bart has decided it's time to Ask An Adult.
It was the little quips. The tiny little things. Stuff that didn't seem to matter to Phantom at all, or appeared to be normal for him, that he didn't realize weren't normal at all.
"Oh, better not hope my mom catches me."
"Doing what, staying out past bedtime?"
"Nah, using my powers; she'd vivisect me!"
"Another stab wound. Great."
"Don't worry Phantom, I've got the med kit-"
"Oh, I'm not a baby or anything, I can handle it just fine. Just gimme a sec to take it out."
"My dad has better aim than that."
"...Like, when he's hunting, right?"
"...At what other times would he be shooting at me?"
"Huh. Not as bad as my parents place. Look; they have a decontamination shower!"
"Phantom, this lab has been vandalized to the point of needing a hazmat suit."
"Did I stutter?"
Finding out each others identities did nothing to soothe the worry. Tim quietly told the others that every time he tried to run facial recognition, he kept hitting a government firewall he couldn't breach. Phantom never told them his last name, just his first, and 'Danny' is super common.
The thing that really did it though, the thing that made Bart snap and run off to ask Max, was when Danny had a nightmare.
He was talking in his sleep.
"No. Don't-stop. Stoooop. I need...my skin. Mom, no. You can't...peel off...my skin..."
Bart didn't even wait for them to wake Danny up before he was standing in front of Max, talking a mile a minute as he tried to figure out what to do, with Wally staring in horror over a plate of waffles as he computed everything that Bart was saying.
~~~~~~
Danny had a dream about his mom and Skulker arguing about how to skin him. He wouldn't really call it a nightmare, because it was just Skulker, but the scariest thing was Skulker insisting to his mom that it was possible to skin him with a potato peeler. Dream mom was arguing that it was not, and that from a scientific standpoint that was a really piss poor way to preserve a specimen.
He hadn't been begging them to stop hurting him, he'd been whining at them to knock it off.
But when he wakes up, it's to a room full of worried friends and an old man who calls himself Max.
I’ve been trying to read the ace novel to practice reading Japanese and I find it really funny how deuce describes ace like he’s the heartthrob surfer dude male lead in some 2010s Disney film
Anyways here’s an ace since I was thinking about him
Update on the French protests: we've had a well-known expert in contemporary political history call the situation we're in "the worst democracy crisis France has known since [the end of the 4th Republic]" and meanwhile the government is trying its hardest to maintain a façade of normal functioning by a) hiding from protesters, b) hiding protesters from view, and c) banning saucepans and other means of drawing attention to the protests that are being swept under the rug.
I mean casserolades are an old tradition in this country but they wouldn't have been needed if Macron &co hadn't started almost systematically banning protests in entire districts of the towns they visit and setting up police roadblocks to prevent peaceful protesters from going anywhere near them. (Too bad because these are the kinds of images the media get (these 2 are from Le Monde) when protesters get to talk to Macron <3) :
Protesters corralled away where they can be easily ignored started banging pots and pans so the protest could at least be heard in the background of TV footage, and then pans started being confiscated.
French courts have repeatedly struck down the bans as illegal but police prefects keep churning new bans out every time Macron goes somewhere anyway, trying to publish them at the last minute so there's no time for a judicial review. (I saw a sign at a protest last week that went "Stop with all the bans we no longer have time to disobey all of them")
After boldly banning saucepans by calling them "portable sonorous devices" last week, today a police prefecture banned "festive gatherings of a musical nature" in a town Macron will be visiting tomorrow. They're (ab)using counter-terrorist legislation for all this, so these days we get to read unheard-of court rulings that go like "We are suspending this prefectural decree as we do not consider festive gatherings of a musical nature to pose a significant terrorist threat to the President."
If Macron had people showing up in support I don't think we would see so many pissy protest bans because then the media could show backers vs. opponents and things would look normal (and not like 70% of the country is very pissed off with Macron). But there's not much for them to show if they don't show the angry people banging pans and it clearly rankles Macron—we learnt yesterday that he sent a letter to 200,000 political supporters of his essentially ordering them to start making appearances all over the country, to show they are "proud of what you are and of what our country has become [since I got elected]." That seems a bit desperate.
For months Macron &co have been predicting that people would get tired of taking to the streets in large numbers, and now that people are going like—right, let's try a new strategy, small local protests greeting gov members everywhere they go!—we're hearing a clear "no not like that, that's not what we meant :l " reaction from the government.
They've also been trying the strategy of announcing stuff at the last minute, like on Monday the Minister of Education announced at noon that he would visit a higher learning institution in Lyon 2 hours later, and a hundred of protesters still showed up and tried to force their way into the building. They were held off by cops using tear gas and trying to block entrances (there's a pic that made me smile, showing cops trying to barricade university gates with garbage bins—how the tables have turned...!) and the Minister ended up not showing up and moving on to the next step of his schedule (protesters tried to follow him there but police vans were blocking the street.)
The first half of the video is at the uni in Lyon; the second half is in Paris later that day. When he returned to Paris the Minister was greeted by protesters with saucepans at the train station, it's like a national relay race of protesting at times. He had to go back through the train to leave via the other end of the platform under police escort so as not to meet any protesters (god forbid).
Macron commented that this was "uncivic" behaviour and I agree, civic behaviour on the part of gov members would be to at least face the people they choose to fuck over, instead of hiding behind cops and fleeing. Obviously Macron was condemning the 'uncivic' protesters though, and the Minister said he felt "physically threatened" by the "violence of [the protesters'] speech" which is a shit thing to say considering on the same day that he was mildly inconvenienced by having to take a different exit and felt physically endangered by words, yet another protester was mutilated after being shot at by police with a rubber bullet. Not a peep about this incident (or previous ones) from the government. The Minister of Education never even condemned that time high schoolers trying to protest got tear gassed and threatened with riot guns by cops in front of their school earlier this month.
But while people continue protesting despite the actual violence from cops, our ministers are looking pretty scared of citizens banging pots and pans. Here's a list of official visits that got cancelled "for safety reasons" (saucepan terrorism) in the past week:
1. Minister P. NDiaye cancelled a visit in Lyon 2. Minister F. Braun cancelled a visit to Evrard Hospital 3. Minister Delegate O. Klein cancelled a visit in Bobigny 4. Minister Delegate O. Grégoire cancelled a visit in La Baule 5. Minister S. Guerini cancelled a visit in Castelnau 6. Secretary of State B. Couillard cancelled a visit in Rochefort 7. Minister S. Retailleau cancelled a visit to the Paris Saclay University (electricity trade unionists cut the power in the building she was supposed to inaugurate, so) 8. Minister C. Grandjean cancelled a visit in Toulouse (this article says it was probably because the visit was quite near a big highway protest where protesters among other things were building a concrete wall on a national road)
In the same bullshitting vein as "portable sonorous devices", gov spokespeople have been insisting that visits aren't being cancelled, ministers are just "adjusting the course of their trips" which is funny to me. I guess we never beheaded any royalty we just adjusted the course of their necks. I also read a newspaper article that made me laugh, that went like "Minister cancels visit; trade unions disappointed" and I thought it was because the cancelled visit was a meeting with the unions which they wouldn't get to have, but the article said it was actually because they had a good protest planned and wouldn't get to hold it...
Watching protesters mess with the government in small ways on a daily basis has been good for morale—on Twitter the hashtags #IntervillesMacron and #IntervillesduZbeul popped up (zbeul = chaos, mess, and Intervilles was a TV game show that aired for over 50 years, where French cities competed against one another in goofy challenges). I only mentioned cancellations above, but fun things also happen on non-cancelled government visits, like a Minister having to leave a building via the emergency exit because of protesters blocking the building entrance (which some people argued is worth more points than a cancellation as it's more entertaining):
Various websites were created to keep track of all these smaller protests and to officialise the point system that ranks cities on their efforts to fuck with the government:
(the first symbol means a protest, the second means a casserolade, the last one means protesters managed to get inside a building where a visit was taking place)
(Translation:
Ruckus (saucepans, heckling...) 1pt
Protest: 1pt
Creative action (chasing minister in the woods, etc): 2pts
Measures of energy conservation (= power cuts by unions) 3pts
Action that leads to a political figure fleeing: 4pts
Cancellation of a visit: 5pts
— then there's a weighting system where the score is multiplied by 3 if it's a Minister, by 5 if it's the Prime Minister, by 6 if it's Macron.) (I also saw an interesting debate on Twitter this week—since our leaders often embarrass themselves, how should the government's own goals fit into the point system?)
Right now the Hérault department is winning because on top of protests, power cuts and casserolades, protesters greeted Macron with a giant "MACRON FUCK OFF" sign hung from a cliff (!) and took over a highway display so it'd say "Welcome to [region] Butthole Ist"
These past few days I've been discovering unknown French cities (and Ministers) thanks to them showing up in the hashtag after a good protest. I discovered a mediaeval castle I'd never heard of when unions hung banners featuring our most famous revolutionary dates from the castle's battlements. (Two days later, another protest with eloquent banners in the Musée d'Orsay in Paris:)
People are very creative—last week we heard that protesters got prosecuted for giving Macron the finger and insulting him during one of his official visits (< we are a healthy democracy), so protesters in another region tried a more sarcastic approach, and greeted a deputy from Macron's party at a strawberry fair this week with clapping and confetti and "Thank you for making us work 2 more years, thank you for police repression, thank you!" The deputy beat a hasty retreat. Then said he would file a complaint against the harassment and intimidation he had been subjected to. (The tear gas and riot guns and arrests and protest bans are not intimidation of protesters on the other hand. Or the fact that another deputy from his party recently said on TV that they were "ready for war"... They're ready to wage war, but run and hide when people clang saucepans and throw confetti.)
Anyway. I'm enjoying the fact that they can't even attend a small strawberry fair without getting heckled right now. In one of my first posts about the political crisis in March I wrote something like "How will Macron and his gov have any legitimacy to speak about any issues after this?" and it cheers me up to see a lot of people across the country agree that they have no legitimacy to talk about anything, not even the strawberry harvest.
The next nationwide protest is of course for May 1st, but in the meantime it's been really fun following the smaller protest actions all over the place. Members of government & Macron's party keep making whiny statements along the lines of this is terrorist behaviour, we can't go anywhere, why are people not getting tired of fucking with us and the answer is, because it's really entertaining!
This was the last sentence of a recent Le Monde article about Macron's situation and it has such a sinister, end-of-reign tone:
"I'm moving forward," Macron concluded, on April 20th in the Herault department, while behind his back echoed the sound of saucepans.
that ivan loves till is the most obvious thing about them
but. does ivan know that…?
the ivan that regards his own feelings as shallow, the ivan that learned how emotions are expressed only from copying others… does he even know that the love he’s felt for so long is love?
probably not. and part of the reason is the one he loves himself
because the easiest example he has of love is till's feelings to mizi. till outright calls it love, and ivan watches him so much he has to be aware of this
and till’s love to mizi is totally unselfish, right. he doesn’t seem to actually want much from her—just that she's still there and still "mizi"
but ivan can't be satisfied with just watching
he… wants. ivan wants till’s attention, till’s affection—
surely this selfish wanting can’t be love
...no wonder he was never able to express his feelings straightforwardly when he belittles them so much
but he can’t stand not having anything either, so he does… whatever he does instead to get any scraps of attention he can, from someone he's convinced doesn't care about him at all
only showing affection when till can't see it, right until he knows he's going to die
but ivan's feelings for till are all he still has of himself... to think of them as shallow...
I've seen this translated as "I should've been kinder" to him (till) or to her (sua)
but really, the one he should've been kinder to was himself