Obi-Wan: *approaches Anakin*

Obi-Wan: *detects same exact feelings of passion and love and anxiety leaking from Anakin as when he was with Padme*

Obi-Wan: lol that's weird she's not even here?

have realized that while i am not a fan necessarily of "people meet and immediately fall in love" i am a fan of "people meet and are immediately obsessed with each other." the love can come later but the absolute fixation should be immediate

the machine.

a comic about being a 'creator' online.

creative notes:

My turn to be skk-posting

in my ideal vision, when they finally get in something resembling a relationship (as adults, they were Not There as teenagers), it's because they both want it, which means they unlock previously forbidden features with each other like sharing a bed instead of a couch (you all know about my weird obsession with skk and couches), but also freely touching.

Dazai is a rather tactile person; my guy is freed after 2 weeks in prison and the first thing he does is dance, poke at, lean/hug and play with the hair of the first non-evil person (a stranger) he meets. Being with Chuuya, he constantly finds himself in Chuuya's bubble, and indulges in ways he usually can't with others. That often means direct skin contact, not even with ulterior motives, but really just because he is allowed and he wants to.

Chuuya on the other hand has never done something gently ever: he is fierce, he cares and loves intensely, and he never lets go, but he barely knows the concept of a reassuring gesture (working on it). Dazai being in his bubble wouldn't bother him at all by that point, but the handsy part? it's awkward. needs some getting used to. It's a learning opportunity.

And when Chuuya gets used to it and finally makes a move to return the favour? it's Dazai who short-circuits.

Top 5 most annoying Tamlin scene misinterpretations

1. ''There is no such thing as a high lady'' I hate this one, because it is always taken as some sort of proof that Tamlin is a raging misogynist who doesn't want an equal woman by his side or some similar type of nonsense. I don't know where this is coming from. Tamlin never wanted to be a high lord. He would probably welcome for someone to take over most of the work so he could just keep running through the woods. He also has absolutely no issues with taking advice from women in power (Ianthe? Hello??). His first reaction to the high lady question is literally this:

“Is everyone just going to call me ‘Tamlin’s wife’? Do I get a … title?” He lifted his head long enough to look at me. “Do you want a title?”

And let's not forget that Feyre's first reply is ''No, I don’t know if I can handle them calling me High Lady”. To which he then answers that she doesn't have to worry about that, since ''there is no such thing as a high lady'' because the magic choses the title and it keeps chosing males. Also this whole scene happens while he eats her out. Not that it's relevant or anything, just saying...

2. ''Tamlin killed Rhys' family'' No. Tamlin's dad killed Rhys' family. I have no idea how Tamlin doing it is ever the takeaway from that whole story. Let's just quote the actual scene:

“Tamlin’s father, brothers, and Tamlin himself set out into the Illyrian wilderness, having heard from Tamlin—from me—where my mother and sister would be, that I had plans to see them. I was supposed to be there. I wasn’t. And they slaughtered my mother and sister anyway.”

Yeah okay, Tamlin gave the information (supposedly) and was there (supposedly) sure, but it's highly unlikely that he was so willingly. Let's not forget that it's established that Tamlin was afraid of his father, that Tamlin's father is worse than Beron (who, I might remind you, tortures his sons) and that Tamlin was friends with Rhys at the time - which neither family approved of. Even Rhys doesn't actually believe Tamlin did anything besides being spineless:

''I didn’t care that Tamlin had been there, had allowed them to kill my mother and sister, that he’d come to kill me because he didn’t want to risk standing against them.''

In the end we don't know the details. Tamlin could've been tortured and tied up or whatever. Making him watch could've been a cruel form of punishment for being friends with Rhys. We don't really know until SJM graces us with Tamlin's side of the story.

3. ''It's really Tamlin's own fault that the spring court fell'' Alternatively also phrased as: 'Feyre just opened everyone's eyes to Tamlin's incompetence' and....honestly? This low key makes me question the reading comprehension of people.

Yes, Tamlin made a deal with Hybern, which was extremely risky, but the war was coming regardless (as we learn from Rhys in the first half of ACOMAF) and the spring court would be the main target because of its location next to the wall. Inviting Hybern into his lands in a trade is actually a pretty smart way to avoid a lot of death on Tamlin's part - plus he needed help to rescue Feyre and get her out of the deal she had with Rhysand (people forget that Tamlin didn't know Feyre didn't actually need rescuing from the guy that was abusing her in front of him in ACOTAR).

So yeah anyway, Feyre did several things to make the spring court fall: 1. She manipulated the solstice ceremony to make herself seem cauldron-blessed in the eyes of the people, 2. She made a sentry accuse Ianthe (who WAS doing sneaky shit) which essentially did nothing except putting Tamlin on the spot in front of Hybern, so he was kind of forced to throw the sentry under the bus. Good job Feyre, you got a poor sod whipped! But it also built resentment within the soldiers, which was her plan all along and 3. before leaving, she did this (let's just quote the whole thing):

''I had a people who had lost faith in their High Priestess. I had sentries who were beginning to rebel against their High Lord. And as a result of those things, I had Hybern royals doubting the strength of their allies here. I’d primed this court to fall. Not from outside forces—but its own internal warring. And I had to be clear of it before it happened. Before the last sliver of my plan fell into place. The party would return without me. And to maintain that illusion of strength, Tamlin and Ianthe would lie about it—where I’d gone. And perhaps a day or two after that, one of these sentries would reveal the news, a carefully sprung trap that I’d coiled into his mind like one of my snares. I’d fled for my life—after being nearly killed by the Hybern prince and princess. I’d planted images in his head of my brutalized body, the markings consistent with what Dagdan and Brannagh had already revealed to be their style. He’d describe them in detail—describe how he helped me get away before it was too late. How I ran for my life when Tamlin and Ianthe refused to intervene, to risk their alliance with Hybern. And when the sentry revealed the truth, no longer able to stomach keeping quiet when he saw how my sorry fate was concealed by Tamlin and Ianthe, just as Tamlin had sided with Ianthe the day he’d flogged that sentry …When he described what Hybern had done to me, their Cursebreaker, their newly anointed Cauldron-blessed, before I’d fled for my life … There would be no further alliance. For there would be no sentry or denizen of this court who would stand with Tamlin or Ianthe after this. After me.''

So, the sentries left Tamlin because of a lie. A fake story. Without sentries, Hybern decided to take over rather than just be guests and had a prime spot to attack the summer court in turn. Which is also why Tarquin is extremely pissed at Feyre - not Tamlin. So no, Tamlin wasn't a bad high lord. His only real mistake was ever trusting Feyre.

Sure, some argue that Feyre thought Tamlin genuinely sided with Hybern and might be a threat to the rest of Prythian, so taking him down would make sense for her even outside of petty revenge. But there's just one problem with that: Feyre is a mind reader. She could have just.....checked. lol

4. ''Tamlin didn't do anything Under the Mountain'' This one really gets my goat because it's not really true? Things Tamlin did to help Feyre: 1. He sent her away to the human realm. (People forget this, but he basically doomed his court to protect her ass - it's not his fault she came back!) 2. He made Lucien check up on her. (Yes Lucien was Feyre's friend but he still acted under Tamlin's orders!) 3. He ignored Feyre as to not rile Amarantha up even more (Come on, have you seen Amarantha? It totally makes sense) 4. He tries to get to Feyre, begging Amarantha to stop even as he is tied up, bleeding out from a stab wound to his chest that he can't heal because he has no powers - like what do you want him to do??? 4. He literally kills Amarantha the second he is able to

Also personal conspiracy detour: That music that Rhysand supposedly sent to Feyre was SO originally supposed to be Tamlin, you can't convince me otherwise. I will never not believe that this wasn't just a lazily done quick change when SJM rewrote book 1 and 2 to account for the boyfriend switcheroo. Attributing the music to Rhys makes absolutely zero sense. He's not a musical boy at all, come on! Music themes never come up with him again either! Meanwhile Tamlin played for Feyre before, is generally a musical guy COME ON! /conspiracy detour over

5. ''It's Tamlin's fault that Nesta and Elaine got turned to fae'' No. No it's not. He knew nothing about this. Ianthe did this on her own accord because Feyre told her where her sister's lived. Tamlin actually attacks (!) the King of Hybern over it (to no avail, but still).

Some people blame Tamlin for keeping Ianthe around afterwards, despite of what she did. Those people I want to refer to point number 3 in this list. Ianthe was working with Hybern. Tamlin tried to be buddies with Hybern for reasons. No, he can't just throw out Ianthe.

i think a lot about hot sauce and jeannemary. two young girls so ready to kill and to die. a comparison made all the worse when you recall that hot sauce lost all her family to the cohort, that she can specifically recall fourth style necromancy (using corpses as bombs). a fourteen and thirteen year old that could easily have been on opposite sides of the same front line. 

i miss the rage (being hypersexual)

ok but like, Modest!Alicent Hightower au (more modest than she already is) cause I feel like it, it adds ✨layers✨

Alicent who veils her hair during her day to day life, elegant laces and silks adorning her long ginger-brown hair, covering it completely at the Sept.

Alicent who wears dresses with long heavy skirts and always covers her elbows with billowing sleeves.

Alicent who conceals her silhouette with thick shaping garments. they also just helped her back during her pregnancies and taking care of kids (her servants recommended them so she'd have full range of motion and support)

Alicent who was stripped of her modesty, her dignity and sense of security whenever Viserys wanted her. stripped of it by her own father when he sent her to Viserys's chambers in a dress that didn't cover as much as she would have liked, especially when she visited a man with those (silent) instructions.

Alicent who lets her hair down around people she trusts. covering it around Rhaenyra after she abandoned her, a blow to Rhaenyra, a blatant "you hurt me and broke my trust". letting Criston see her hair after he becomes her sworn sword. covering in front of Viserys until he demands she stops. Alicent putting a little makeshift veil on her daughter, who wanted to look like her mum, promising it would protect her from how loud the world was.

Alicent who only trusts her closest servants to dress her, and even then insists on being in a full shift before they can come in.

Alicent who felt stripped bare while giving birth to her children.

little Alicent looking up to her mum who was also very modest, and spending her childhood playing in long skirts.

Alicent who wears shawls and scarves out in public or at events. Criston watches to make sure she remains properly covered. her hands fiddling with the patterns or tassels while she talks to others.

Alicent doing this with her kids:

Criston offering her his cloak when she's put in bad situations like sudden crowds or outings.

wearing flowy but opaque fabrics during the summers, looking ethereal and goddess-like with her layers skirts and sleeves.

the whole Larys situation being even more sickening.

all 3 of her sons being protective of her modesty alongside Criston, always offering their cloaks to her or standing to block her from the wind or wandering eyes. Aegon holding her veil in place when it's windy, Aemond placing a cloak over her in public, Daeron fiercely defending his mum from lusting glances or lingering stares.

Helaena continuing to veil with her mum when they go out, they love matching veils and trying ornate styles.

Alicent fixing her daughters veil in attempts to get it to stay in on dragon back. it doesn't. but they don't mind the extra bonding time none the less.

gold veils that literally make her look like she's dripping in gold.

tucking her babes in her shawls or holding them against her skirts that are practically swallowing them whole.

Alicent collecting layers. Ornate undergarments that cover her arms in gold and embroidered patterns, some almost like tapestries others more simple. undershirts that cover her neck, with "choker" patterns and sewn in jewels. modest nightgowns and robes made of the softest, most breathable fabrics in existence.

covering her face on holy days/days of importance.

I just have so many thoughts.

happy mochizuki monday!!!

you will NEVER see anyone writing paragraphs after paragraphs hating on keefe like they do with sophie.

yes, we shouldn't ignore the terrible events going on right now (Palestine, Sudan, etc), but I think we need some reminders because some of the posts i've been reading have been giving off *extremely* guilt-trippy vibes: Not posting about current events or bad things =/= not caring. Not reblogging =/= not caring. Adding "don't scroll past this" or "reblog this or block me" to posts is guilt-trippy as hell. And lastly, online activism is not the only form of activism.

You know, I feel like other trans people might get this, but it's honestly kind of refreshing when a cis person has, like, undeniable tboy/tgirl/whatever swag. It's like when you come across somebody who speaks the same language as you and you only find out when they start speaking it, too.

the candle.

a comic about rediscovering passion and recovering from burnout.

creative notes:

ok sure i'll talk about farleigh start. i'll talk about his tragedy of never being enough as it were and then having to deal with fucking oliver. sure. disclaimer: it's about class (and race) and the horrible reality of the rich. the horrible reality of living as farleigh.

another disclaimer: i'm white! and poc definitely pick up on everything i'm talking about here as it is, and better. i was and am specifically interested in farleigh vs. oliver but it's impossible to examine without considering race. definitely let me know if anything abt this sucks!

farleigh and oliver are similar. it's annoying because every intruder that is not himself is annoying, partly because felix's attention swaying from farleigh is dangerous; there is always a threat of being discarded, even if no precedent existed. the potential is terrifying.

but you'd think he's seen this before, every summer (if venetia is telling the truth) or at least often enough to learn to recognize it fast, so he should know this will pass. part of it is i think still the deep anxiety, and i think he hated every boy that was there before, and it is sort of routine.

but definitely a huge factor in farleigh's annoyance is the fact that he's a biracial (black for cattons, that's all they see) man in a white rich household. he's alert and exhausted all the time. of course he's angry at oliver, regardless of whether he's the first to crash at saltburn for the summer or the fifty-first.

but the important thing is this.

farleigh is very jealous of and angry and pissed at oliver because farleigh sees all the similarities between them. outsider, in financial trouble, whatever it is, in need of cattons; and yet oliver is preferred. and farleigh seems to be the only one to really consider it. felix does not pick up on the hint when farleigh brings up the birthday party vs. his mother. felix's clumsy "different or... anything like that" is as much about race as it is about class, of course. the "we've done all that we can" bit is felix absolving himself of guilt because surely they had, surely the mysterious collective cattons that he's not really part of had tried all they could do. to him, farleigh is different from oliver, because farleigh has been helped. felix is rich and white and twofold uncomfortable with farleigh, even if he's nice about it, even if he genuinely enjoys his company; he doesn't look too close at farleigh because he feels too guilty to come too close. and farleigh can't do anything about it. he can't nice himself into it. the fucking tragedy of him is that he's never enough in the world of the ultra-rich white, even if (especially because!) he's born into it.

farleigh is very pissed at oliver because farleigh also sees all the differences between them. you know who can be nice poor white enough to fit in? fucking oliver. felix says "just be yourself, they'll love you" when oliver first moves in. farleigh was also probably told the same thing, and felix also probably believed that farleigh could just be himself, but even if the cattons were magically not racist at all (impossible), it wouldn't make a difference to farleigh. he would still self-censor, keep in check, be in dangerous waters (because racism is not just about the individual, but about the system). we see that he'd won himself leeway by years of trial and error by the way he speaks to the family, but it's still within the boundaries of acceptable, built by the cattons. he's part of them because they allow it, and farleigh is very, very aware.

the annoying thing is oliver can be himself. like, truly, genuinely, he can just be. and farleigh can't help but envy that.

as a side note, oliver is obviously jealous of farleigh in the beginning as well, because regardless of the reality of farleigh's situation, he was born into it, and hence, at least in oliver's mind, has his position solidified. oliver's whole thing is unquenchable thirst and hunger for whatever and everything the cattons have (including themselves!). he wishes to have been a catton from birth. to oliver, at first, there's nothing farleigh can really do to lose it. and until he figures out the cattons completely, he can't help but envy that.

but i think farleigh senses something different about oliver early on. at least on the level of the text, we have "you're almost passing [for] a real, human boy", which is so important because farleigh is the first to point out oliver's weirdness. the next to do so is venetia in the bath scene calling him a freak, but it's too late. farleigh is too early.

and i like to think he clocks oliver too early because he sees the jagged edges that he recognizes in himself. i think that one other thing that farleigh envies is oliver's freedom to let go. freedom to let go is very similar to freedom to be, but not quite the same.

to be is about perception: farleigh knows he cannot fall out of line, but would like to, and oliver does not have to worry about it at all (i mean, he does, because oliver also performs for felix, but farleigh doesn't know that).

to let go is about the self: farleigh is too scared to even want what oliver eventually does, to even consider the possibility. oliver can let himself want. oliver can let himself act. oliver just can do things and want things. i'm not sure farleigh can.

and so in this scene, when oliver's wants and actions have landed him nowhere with farleigh, felix, venetia, the cattons, of course farleigh gloats. he can let himself do that, because if the cattons are slowly discarding him, farleigh can allow himself this one small victory. he's relieved because despite the dangerous similarities, oliver is, thankfully, not really the same as farleigh, right?

but like. this movie is a love letter to all things gothic. oliver is a white man. he prevails. the brief performance that oliver put on did eventually end up more effective than farleigh's lifetime of constraint. my heart fucking breaks for him to be honest.

the issue that remains is the fact of farleigh's survival. i like to think that oliver came to respect him. oliver is smart, but farleigh is clever. he picks up on everything oliver does (to refer back to the karaoke scene, farleigh immediately retaliates in the cleverest way, in the moment), and he's the only one to do so consistently (venetia, again, for example, comes close, but too late; oliver doesn't like that, there's nothing to work with). hence, stay with me for a little longer, the paradox: farleigh survives because he was never enough for the cattons, but he is very worthy of oliver's attention. in his own freaky way, oliver wants him. look at that.

so. farleigh. farleigh might come back. he always comes back. and i think oliver wants to try harder next time.

Do I find Damian incredible annoying? Yes Will I fight every single motherfucker who resumes his entire character to violent and 'bad'? Also Yes.

obsessed with your latest steddie au! steve’s relationship with his parents is so emotionally abusive and manipulative and my heart is breaking that nobody seems to recognise that

Thank you!!

I really wanted to focus on how Steve's parents are abusive in a way that is a lot harder to clock.

They're not out there screaming and kicking him out of the house. These people want you to like them, and they lie like they breath.

These are the adults who downplay serious issues, who make you doubt yourself, who smooth things over or even apologize on your behalf as a way to control and isolate you.

If everyone thinks you're terrible, and your amazing, doting, angelic parents are once again swooping in to save you, then your escape routes close up rapidly--which is of course, the whole point. They want their victims to rely on them and them alone.

For a lot of the Party, that's just not an evil they've encountered yet.

Throw in the fact that Steve does in fact, have a head injury, and things get muddy FAST.

It makes for delicious, angst-ridden scenarios and I am delighted everyone's happy to come along for the ride.