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pyrrhiccomedy · 18 days

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A DM’s Fair Play Guide To Plot Twists

I love running a game with a lot of surprises. The challenge to pulling this off well is that, unless you’re playing a one on one game, your players outnumber you: and between them, they have a good chance of figuring out what’s going to happen, no matter how sneaky and clever you are.

The first way of dealing with this - which I’ll just call the bullshit way - is to not give your players the information they need to solve the mystery. Don’t let them find out about the secret society until it’s too late. Don’t give them any reason to suspect that their NPC ally is planning to kill them. Don’t let them find the murder weapon, don’t let them locate the witnesses, don’t give them the chance to skip to the end of their investigation.

This sucks, and if you run your games like this, you’re going to piss off your players. Because it isn’t fair.

In mystery literature, a “fair play mystery” is one where the reader is given all of the information they need in order to figure out the solution before the Big Reveal. It’s what makes the reveal good: that GASP, the “oh shit, the knife! the knife from the party! that was hers! I forgot!”

Pulling off a twist in a fair play game is an incredible feeling. Your players will think you’re a genius (or an absolute dick bastard, which is just as good) and they’ll respect it more when they land in hot water that they plausibly could have avoided. So how do you run a fair play game without your players figuring out the twists ahead of time, given that you’re definitely not smarter than all of your players put together?

By fucking with their expectations.

Here are some things that I keep in mind, to keep my players guessing. And it’s important, with all of this, that if your players see through something, let them have it. They should figure out a lot of things on their own! But if you’re regularly seeding your stories with all of this stuff, eventually your players will miss something. Those are somethings you can build on. The same way that a low level enemy who gets away once can keep coming back again and again until they become an important antagonist, a misapprehension your party proves to have a blindspot for can grow and develop until they get smacked with a breathtaking twist.

What’s a twist if not the sudden overturning of an assumption you never thought to question?

1: Make your powerful friendly NPCs know a lot...but not as much as the players think they do.

Player characters often end up with powerful allies. It would be very convenient for the party if those allies always had accurate information. Make sure they don’t always enjoy that convenience.

It’s a balancing act: you want your powerful NPCs to be powerful. You want this alliance to be meaningful and beneficial to your players. But give your NPC an Achilles heel of some kind, when it comes to the information at their disposal. The Noble General commands powerful forces and knows the lay of the enemy’s land well...but that doesn’t mean he knows what every squadron and scouting party is up to. The Political Mastermind may know the ins and outs of the court, and have keen insight into the motivations of others: but he has an enemy who pisses him off so much that he loses all objectivity around her. The Powerful Wizard can call upon great magic to aid the party: but his divinations aren’t as accurate as he thinks they are, and he’s prone to finding, in his signs and omens, what he wants to see, more than what’s actually there.

Most of the time, their information should be good! That will make it more likely that your players will trust them the one time when it isn’t.

2. Let (apparently) less powerful NPCs sometimes know more than the players think they do.

Most NPCs aren’t the Noble General or the Powerful Wizard. Most NPCs are Daves, designed to get the players from place to place. Most of those Daves know about as much as you’d expect them to. But some Daves have plans of their own.

You don’t always have to signpost with big blinking lights which of your NPCs are ‘important,’ and which ones are ‘unimportant.’ Sneak in a crafty Dave from time to time. That assistant they talk to, every time they go to see the prince? That bitch knows everything, and she’s almost ready to make her move.

3: There is no such thing as a completely reliable witness.

If the players only get information from one person, that information should be flawed in at least one, potentially small, but important way. Smart players will seek a second opinion, or at least allow for the possibility that their information may be incomplete. But even smart players get out over their skis sometimes.

4: Let your NPCs be aware of the power of a first impression.

If an NPC gives a strong first impression of being a particular kind of person, it’s because they’re comfortable giving that impression. That might be because it’s who they are. But maybe not.

One of the first characters the PCs met in a VtM campaign I ran was Gawaine. Gawaine was a good old pine-scented man’s man, with salt and pepper stubble and a blue Ford truck. He listened to AC/DC, and talked about the war. He was affable and honest and willing to lend a hand. You already know Gawaine. Everybody knows a Gawaine. Gawaines are trustworthy, salt of the earth types. You don’t necessarily think to question a Gawaine.

That’s exactly why Gawaine was such a useful persona for Krystiyan, the Tzimisce Voivode, a cruel and alien sculptor of flesh who “never left his haven.” There were plenty of clues that they were the same person, but that campaign was in its endgame before the players put them all together.

5: Sometimes, dangerous and villainous NPCs should be helpful and cooperative.

Not even necessarily because they’re manipulating the players, or even deceiving them about their true natures, but because their interests and the players’ interests genuinely align...for the moment.

One of the easiest levers in your players’ brains to exploit is the expectation that people who help you are your friends. Even if your players know, consciously, that they shouldn’t trust this person, most of the time they kind of can’t help it, if the NPC is genuinely helpful to them and at least a little charismatic.

6: Sometimes, good and valuable NPCs should be unhelpful and uncooperative.

No matter how mature your players are, there’s a natural tendency to react to uncooperative NPCs with a reflexive, “Hey, fuck you! We’re the protagonists! This guy is an asshole!” so from time to time have a helpful, honest, good-aligned NPC have a wholly justified but as-yet-unknown-to-the-party reason to flatly refuse to deal with them.

7: Every NPC should have a secret.

Not necessarily a bad secret. Were it to be revealed, it might even make the party like them more! But for their own reasons, the NPC does not want their secret to come out, and they will lie to the party to protect it. Players go crazy when they realize they’re being lied to, and often jump to some wild assumptions about your NPC’s motivations. I’ve had an NPC lie about the opening hours of a shop, and had the PCs assume that they were black market dealers for the villain when the dude just wanted to be able to close early so he could go smoke weed in the park.

8. As a DM, it’s polite to remind your players of the common knowledge their characters would possess...even when it doesn’t reflect the truth.

We all know it’s tedious when the DM calls for a roll when you’re just asking for common knowledge. I shouldn’t have to make a roll to know the dumb space word for plastic in a Star Wars game. I shouldn’t have to make a roll to know who the Holy Roman Emperor is in a game about medieval vampires. The DM should supply common knowledge for free, whenever it comes up.

That doesn’t mean common knowledge is true.

This is different from just lying to your players, because you don’t put the weight of DM word-of-God behind it. It’s not “You would know this guy is a Ventrue, based on XYZ.” It’s “it would be a common assumption that this guy is a Ventrue, based on XYZ.” He might not be a Ventrue. It might in fact be extremely important that he is not a Ventrue. But if it is commonly assumed that he’s a Ventrue, that is - word for word - something you can share with your players. If they don’t look any deeper than common knowledge, that’s on them.

9. Obviously untrustworthy NPCs provide great air coverage for less obviously untrustworthy NPCs.

The obviously untrustworthy NPC might or might not be planning to betray the party. But if you introduce two untrustworthy NPCs in the same storyline, and one of them seems normal and cool and has a genuine plot-related reason to be there, and the other one is Jaffar, Jaffar’s gonna get clocked, but Susan over there will probably slip under the radar, and might even get tapped to help out with the whole Jaffar situation. They might get Susan’s number, by the end of the session. Susan might become an ‘ally.’ Susan might even get romanced by a party member. Play your cards right, and Jaffar might just end up a footnote in the introduction of Susan, Scourge of Worlds and most hated NPC in the entire campaign.

10. Your villains should always have a secret plan B.

Your villain isn’t stupid, right? And your villain probably isn’t so arrogant that it is inconceivable to them that their plan might fail. They’ve been planning this ritual for ten thousand years, after all. It’s always possible that some plucky band of heroes could show up at the last minute and murder your high priest, or steal your amulet, or seduce your second in command. So what does your villain have in his back pocket to make the players go, “Oh, shit - he planned for this!”

This may mean that there is a whole separate plot happening, running alongside the main story. This is great, because when weird things happen, the players have to figure out whether this is part of Plot A or Plot B, and working out who did what and why gets a lot more interesting. If they end up foiling Plot A, great - your villain was also secretly behind Plot B the whole time, and will transfer all of his resources over to that.

Sometimes your players will figure out that Plots A and B were both the same plot the whole time, with the same villain at the head, and they’ll feel like the smartest people on the planet, and it will be their favorite moment of the entire game. That’s great! You gave them that!

Sometimes, they won’t. And when the villain of Plot A, apparently defeated, starts laughing and reveals that he was also the mastermind behind Plot B, which is now too late to be stopped, that will probably be your favorite moment of the entire game.

#dice matters

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geemyfirstluvstory · 7 months

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hey boy, listen…

“my first love story…my angel…and my girls…my sunshine. hey, hey, lets go!”

fem reader. matching halloween costumes with bllk characters. bllk x reader. fluff. characters (separate): michael kaiser, oliver aiku, bachira meguru, hiori yo, chigiri hyoma, kunigami rensuke, itoshi sae+rin, isagi yoichi, shidou ryuusei, nagi seishiro, mikage reo

michael kaiser - joker x harley quinn

• this man is certified bonkers so of course he’s the joker and as his loyal worshipper you’re harley quinn

• perhaps a prophecy of the status of your relationship perhaps you just look stylish (ITS THE SECOND ONE PLEASE PICK THE SECOND ONE)

• such a softie for you but would never admit it, you chose the costume and he made sure to get the finest ones money could buy though the pictures you took…he’d rather not see himself dressed as a clown criminal mastermind.

oliver aiku - nick & judy (zootopia)

• this was his idea, y’know damn well this man is a party animal so you just have to trust he’s not cheating

• so he decides to make you feel better, he’ll bring you along and do matching costumes. • i just know this man likes putting on animal ears and kids movies thats why y’all are nick and judy

bachira meguru - thing 1 & 2

• remember how he got called a weirdo as a kid? he’s definitely a weirdo. eats toothpaste, drinks milk from the carton, milk before cereal. a total goof ball

• he loves children’s books and even as at his big age of 17 he still makes you read them to him and pretends he’s a kid going to bed (IN A WHOLESOME WAY)

• so when the halloween party came up he wanted to go as his favourite book characters, thing 1 & 2. and of course you agreed

hiori yo - kuromi and my melody

• of course he’s my melody and you’re kuromi. this was his idea so he gets first dibs

• being the gamer he is he enjoys playing with you, you two are always the cringe couple in the lobby with matching usernames and avatars and he does all the carrying but he also enjoys playing those silly little retro girls games like ‘hamham heartbreak’ and the old cardcaptor sakura games.

• in conclusion he’s a total nerd thats a total sucker for the female gaze

chigiri hyoma - team rocket

• this man is a total princess and every year you guys dress as a cartoon couple only to do the same costume the next year but switch the roles so one year he might be james and the next jesse

• this year he’s james, he even did a temporary dye on his hair for accuracy but of course no cutting.

• he loves doing hair with you and for this year’s costume you were the one washing and dyeing his hair

kunigami rensuke - raven and beast boy

• you like cartoons, he likes superheroes, you both need a cute matching costume, easy compromise. you both came up with this together while brainstorming

• this man is a lovesick loser so beast boy was very easy to pull off and the most perfect costume for the two of you. the only real inaccuracy is that he’s pretty big

• homemade costumes for the win, of course you’ll buy bits and pieces but overall a homely look because rensuke will do anything to bond with you

itoshi sae - light and misa

• sae canonically likes chibi maruko san, who’s to say he isn’t a big weeb? in fact this was his idea. he’s really convincing when it comes to halloween

• he’s a lot like light, cold, calculating, smart so it suited him and besides since light dresses similarly it only fit and since you’re so hopelessly in love with him, it was destiny

• sae isn’t the type to work with his hands but he also didn’t like the quality of pre made costumes. living in europe gave him refined taste so you two went on a designer shopping spree for individual pieces to make your costumes.

itoshi rin - coraline’s parents

• you’re probably a total wuss, even if you’re not, rin still can consume more horror, gore, and other gross things than anyone. accumulating in him wanting to do a matching costume with you only if it was some horror character.

• you agreed and settled on coraline since it’d be fun and easy, to match you dressed as coraline’s parents, specifically the other parents with the button eyes

• your favourite part was doing his hair and makeup, rin is like a cat taking a bath you really had to pin him to his office chair or on the bed to do his makeup properly, and yeah theres plenty of kisses

isagi yoichi - alice and the cheshire cat

• he’s so bland, (im kidding pls dont come for me) but he loves you so, so he’ll sacrifice the main character spot for you just this once. you’re alice and he’s the cat, of course this was completely your idea

• yoichi doesn’t care too much for this kind of thing, he originally intended to spend halloween cuddling and watching movies with you, perhaps invite some friends over or have some fun without them if you know what i mean….

• but he enjoyed being your cute kitty for a night, you dragged him out and about to take pictures and being blue lock’s hero there was no short of attention

shidou ryusei - cleo denile and deuce

• ryusei is very eccentric, kind of weird, in a hot way not in a cute way like meguru. and as you made him watch boo york with you he took one look at cleo and was like “yeah” so in away it was your idea but not really

• you’re his princess and he’s the douche looking boyfriend, i’m not sure about you but it most definitely suits him.

• as you guys went out and about this halloween you know he’s already thinking about next year, perhaps raven queen and derick charming. maybe barbie and ken?

nagi seishiro - veggie tales

• let me tell you i’ve actually done this costume irl, seishiro is a lazy fellow he doesn’t like putting in much effort but he’s a cutie patootie and he does adore his pookie

• matching costumes was your idea, to dress as the cucumbers from veggie tales however was his idea as all he had to do was buy the costumes and look cute

• fan reactions and his friends; they found it so stupid it was hilarious, compared to all the other celebrity couples costumes you two chose….children’s cartoons.

mikage reo - the adam’s parents

• he’s rich so it’s gotta be classy, you two were going to some gala held by his family company, the mikage corporation, cute and classy lets go

• reo really isn’t one for movies so this was your idea, he’s a total simp for you, absolutely floored all the time with no exception. kissing you up and grovelling at your feet like his morticia adams

• in the end your costume really did suit the occasion made for the best pictures. you guys are now pinterest king and queen every halloween

___

School’s been kicking my ass so i had to do this quickly, anyway what are you guys dressing up as this year?

#michael kaiser x reader #oliver aiku x reader #bachira meguru x reader #hiori x reader #chigiri hyoma x reader #kunigami rensuke x reader #itoshi sae #itoshi rin #isagi yoichi #shidou ryuusei #nagi seishiro #mikage reo

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clay-tries-his-best · 1 year

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! atsv spoilers !

when i sat down in my theatre seat to see atsv im telling you i was being the most autistic fuck you've ever witnessed. you could practically see the sparkles in my eye, dude.

the spot. my godddd he's so silly. the marketing ploy to make him seem like the side villain from the trailers was so fucking smart. I really thought that Miguel was going to be the main villain considering him fighting miles in pracgjcalky every trailer ever and being in the post-credits scene of itsv. and miles dealing with having to be everywhere at once was very realistic and gave me the classic "oh my god this poor boy this is painful to watch". oh and gwen's beginning scene of the drums just gave me the feeling that the movie was going to be fantastic. like, betrayal, amazing visuals, more gwen?? already a wonderful start. also the fact that the spot's whole reason to turn into a major villain is that nobody, not even the person who caused his disfigurement, would take him seriously- like- HUH???? perfect. wonderful. bro just wanted miles to pay attention to him for a little while.

Pavitr and Hobie were also really great additions to the spider team. Despite the fact that Hobie's accent was so thick and deep that I couldn't understand what he was saying a good third of the time, he still managed to work his way into my top 5 characters of the movie. THAT is good character building. At first I thought he was going to be the stereotypical love rival, considering his first mention was miles getting jealous of him and gwen being friends. I was worried that was how the story was actually going to go when he upstaged miles by breaking done the collider force field, but hes actually a really chill and cool guy. pretty sure he even roots for gwen and miles, so that's pretty funny. Pavitr was also super funny with a great character design. " Chai means tea, you're just saying tea tea! " was probably one of my favorite lines / jokes from the whole movie. His world was also very pretty and SUPER detailed. Props to every artist for Mumbatten.

Miguel and Peter B.'s dynamic was really fun to watch as well. This cryptic emo ass mastermind vampire who has watched people die and destroyed a universe next to this middle aged man in a pink fuzzy bathrobe who's oogling over his daughter. also, the line where Miguel said " I've had the right amount of you today " to peter b instead of " I've had enough of you " like the normal saying goes was kinda queer. just saying. but yeah, great villain, and I do want to see him in the final battle against spot, but I eventually don't want him to be the one to beat spot, y'know? If it was to be anyone, it's obviously going to be miles. Whether it's just miles or miles and gwen or miles and the gang gwen assembled at the end of atsv (WHICH HAD SPIDERNOIR YESSS SPIDERNOIR FANS LETS GOOOOOOO I HAD THE STUPIDEST SMILE ON MY FACE WHEN I SAW HIM IM TELLKNG YOU), in the end it's still gotta be miles.

the collider scene with the spot was really cool. spot may be silly, but he's not dumb enough to be " saved " by his archnemesis who only cared about him when he was about to become a transdimensional eldritch horror. boss move. his final form was really pleasing to look at because you can just see the detail that went into it. Looking at some screenshots, I noticed there were a lot of eyes and I'm pretty sure I saw a version of spiderman (original world 1610 peter, possibly?) staring at miles / the audience. despite him not showing up for another hour, hour and a half, I wasn't mad. If a movie can avoid showing the main villain for that long and still have them integrated properly, just, wow. blown away. oh and this part made me even more interested because his beginning ost, spot 1, I think? his random beats and tunes sounded more silly and disorganized and clumsy, like him trying to take the atm. near the end, he got spot 2, which was more shrill and frightening. I'm not musically trained, and I could still tell that it was scarier, and to me, they sounded very similar. To not have too far of a difference between the two and stroke two entirely different chords is just. ugh. wow.

don't even get me started on prowler miles... RAHHH THE CHARACTER AND WORLD DESIGN FOR UNIVERSE 42!!!! it was so beautiful and scary and breathtaking because there is. no. spiderman. when miles's mom didn't know what he was talking about and gwen wasn't really outside, it hit me like a brick in the head. and alternate aaron??? hello??? he made me physically uncomfortable because of how terrifying his face was. i couldnt even tell if he was wearing makeup or he was just that dramatjcally shaded. the turn miles does to see that it was his dad painted on the wall instead of aaron.... GRAHHHHHH

as an aspiring artist, I can say nothing but wow. that movie, the fact that it was 2 HOURS AND 20 MINUTES???? HELLO??? DO YOU KNOW HOW MUCH WORK THAT MUSTVE TOOK??? unbelievable. and you know that sony felt bad for making us wait on a cliffhanger, so they probably were around 3/4 done with atsv and started working on beyond, so we didn't have to wait as long as we would've if they finished atsv and then started beyond. I'm so glad that those 5 years in the Sony team paid off, because that. was. amazing. my depression is vaporized. im going feral, going wild, going insane. i will not think of anything else until beyond is out. can't wait to see my bbg spot have his villain moment in March 2024!!! <333

#spiderman #spiderman atsv #atsv #atsv spoilers #miles morales #gwen stacy #pavitr prabhakar #hobie brown #across the spider verse #peter b parker #miguel o'hara #spiderman 2099 #spider gwen #spider punk #spider woman #spider noir #spiderman noir

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katherinearandez · 7 months

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Who created the disassembly drones?

We’re told in the first episode by Uzi that the murder drones were sent by JCJensen, and presumably made by the company as well. However, this is thrown out in the next episode when we learn through flashbacks that they started out as worker drones. Yes, they were originally manufactured by JCJensen, but what I’m interested in learning is who modified them into killing machines, when this happened on the timeline, and why it was done?

Of course I have a theory, but this one makes a lot of inferences between the shows past and present to try to piece together the middle part.

It all began with Tessa and Cyn. While some distinguish between Cyn and the absolute solver, I don’t and won’t in this post. Cyn is not the absolute solver; but I believe she has fully embraced it and the powers it entails. I don’t see her as a victim or a helpless host; rather as, at best, an accomplice partnered with the entity which is the absolute solver, or, at worst, the ultimate mastermind, with the solver being a tool at her disposal.

After Tessa brought Cyn into her home, Cyn began the work of recruitment. She began spreading the absolute solver among the drones working in the Elliot household, infecting them and bringing them under her control. A YouTube video helped me understand what was happening in this episode, because initially, I was very confused 🫠 It’s a great channel and if you have questions about what is happening in this show, I highly recommend their videos.

After infecting all the drones and biding her time, Cyn made her move, using the drones under her control to massacre the gala.

At first I thought the extra points of yellow light in this scene were Cyns eldritch cameras spreading out… but those are x signs. The points of light are infected worker drones under Cyns control. Here’s a shot from just a few frames forward, which confirms this.

Cyn even had J under her control.

So Cyn not only infected all the background drones with the absolute solver, but Tessa’s salvaged drones as well.

After the gala massacre, there’s a long blackout of information. We only have hints as to what happened next, but I think I’ve worked it out.

After the massacre, JCJensen arrived at the Elliot’s mansion and immediately started running damage control, likely confiscating all their technology and taking measures to hush Tessa. We see federal penalties mentioned throughout the episode, giving the company a compelling incentive to cover up what happened, aside from potential damage to consumer perception and tanked stock prices.

This is how Tessa ended up employed at JCJensen; I think she agreed to keep quiet about what happened at the gala in exchange for technician training and an inside track on unfolding events. Maybe she didn’t want to be separated from N, J and V, who at this point would have been reduced to evidence by the company. To Tessa, however, friendless and newly orphaned, they were all she had left of her old life. A job at the company which was treating them like secret bastard children would have kept her close to them, or at least given her occasional access. Or, maybe she wanted revenge on the rogue AI that killed her family, or maybe she just wanted to understand it. Lots of possible motives for this potential scenario.

I think Cyn either escaped the initial roundup, or escaped from JCJensen sometime down the line. Then she began a genocidal campaign against humanity, infecting more and more drones, and using them to kill.

This created huge problems for humanity on earth, but also the company, who would have found themselves in the hot seat, with governments and citizenry alike pointing the finger at them and their tech.

The company’s solution? Fight fire with fire. They created the first disassembly drone models, designed to exterminate Cyn and her army. And so began a war.

I don’t think the first murder drone models were based off N, J and V. I think they were an original line of units, who did their job fine for a while. But eventually, I think Cyn managed to infect them with the solver, and this made matters even worse for the humans. Eldritch-enhanced worker drones were bad enough, but drones armed to the teeth and now turned against their creators? This must have seemed like humanity’s 11th hour.

I believe it was at this point N, V and J were retrofitted into disassembly drones, as a desperate Hail Mary project, lead by none other than Tessa, their original savior. This was her final bid to turn the tide and destroy the monster she felt responsible for unleashing upon the world. Perhaps she hoped to use the absolute solver against itself, modifying its coding just enough that it would be immune to reintegration into Cyns network. Maybe she hoped her “dumpster pets” indentured gratitude to her would be enough to keep them loyal to her, the company, and humanity.

I think this desperate final play worked, and Cyn and her forces were actually beaten back as the company ran with Tessa’s idea, cloning her original three drones and their Cyn-immune software to create the army they needed to save the world.

Meanwhile, the war raging on earth caught the attention of other colonies and exoplanets, who at some point went ahead and uploaded Cyn to study her. Cyn may have helped this process along, posing as a human and communicating virtually with the exoplanets to foster the idea and facilitate the transfer.

Once uploaded, Cyn was unable to assimilate enough drones to launch a full scale offensive on these exoplanets(notably, places Tessa and dogs weren’t), possibly due to time constraints, cybersecurity obstacles or a lack of resources. Rather than play the long game, Cyn opted for a nuclear solution.

On earth, JCJensen saw what was happening in the colonies and assumed Cyn had infected all the worker drones on any exoplanet she infiltrated. They sent their disassembly drones to eliminate the threat they assumed the worker drones posed.

And it’s at this point that things start to get complicated and speculative(lol, jk, this entire post is obvs totes complicated and speculative).

In episode 6, we are directly told by Tessa and J that the batch of murder drones we’ve been watching were actually sent to copper 9 by Cyn, not JCJensen…

… Unless Tessa is lying about this to manipulate them. My distrust of Tessa is well documented, though I don’t know what her ends are at this point. Clearly something complicated happened with Cyn, Tessa, N, J and V(the originals?) toward the end of the war. Maybe Cyn managed to find a way to control the murder drones by taking over their administration?

She “reformatted their memories to soup”, hence Tessa being so excited that N could remember her. But why send them to copper 9? A colony she had already successfully wiped of human life?

I actually think it was a deception.

I think that after Cyn’s huge success with the exoplanets, she decided to do the same thing on earth, end the war once and for all with a final, devastating blow. There was one thing standing in her way; Tessa, the only human she cared for, was on earth. Imploding the planet core there would mean sacrificing Tessa. Unwilling to do this, Cyn tried to lure Tessa off of earth by sending her treasured original trio of drones to copper 9.

This clearly didn’t work for nearly twenty years, because that’s the span of time between the murder drones arriving in copper 9 and the events of the show. We ‘know’ this because Uzi is 18-20, and her mother was killed early enough that she has few to no memories of her(that we know). Something on earth held her up for 20 some odd years, maybe company business, but it’s honestly anyone’s guess as to what it was 🤷🏼‍♀️

Eventually, she did take the bait and follow her drones out to copper 9, and as soon as she was clear of Earth…

This is why the disassembly drones weren’t aware of earths destruction, why N was so shocked to see this satellite image. Earth was still intact last they saw(which, to be fair, was 20 years ago).

Depressingly, this likely makes Tessa the last human in existence. If not the very last, she’s certainly now a member of an extremely critically endangered species.

And that’s a wrap! Now we’re caught up with the present and just waiting on more episodes. I can’t wait to see if any of my theory is correct 😁

#murder drones #murder drones tessa #serial designation n #serial designation j #serial designation v #theory #md theory #Cyn #absolute solver

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elisysd · 1 year

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Seasons – Bebe Rexha

Masterlist - Previously - Next Chapter

I lie awake inside a dream And I run, run, run away from me

Sitting on the bed, in the little apartment she rents, she sighs. She doesn’t seem to get her lines right. She is supposed to begin the shoot of her movie tomorrow at Jardin Exotique. It’s going to be beautiful; she knows it, she went there to get a hold of the atmosphere. But no matter how heavenly the locations where the movie is being shot are, she can’t seem to forget how nightmarish the three months shooting is going to be.

She is an actress. A pretty good one. Hell, she was nominated for Best supporting actress last year. Didn’t get the award though. Damn Florence Pugh… But since her big break in the last Steven Spielberg movie, she is getting calls from a lot of people dying to work with her. Well, her agent Sophia is getting calls while she is trying to stay away from this madness as much as possible. People would say she is ungrateful. After all, she is living the dream life of so many people. But she doesn’t see it that way.

All that she has ever wanted to do is telling stories. She has always loved acting for as long as she can remember. Having the possibility to be another person, to craft the life of an imaginary character from A to Z and Z to A, that’s what she loves the most. All the characters she had the chance to embody, she knows them like the back of her hand. They are a part of her more than she is a part of them. She never wanted to be famous, she just happened to be. She always chose her projects because it resonated deeply with her, no matter if it was a short movie, an independent one or the latest fantasy of a masterminded director.

Of course she worked hard to be where she is today. She left her home country as soon as she turned 18 to go to London to pursue her passion. She has eaten more BLT sandwiches in her life than caviar and drinking champagne. Her acting debut were not easy, far from it. She fought to get where she is today. It’s just the fame aspect of her job that she is struggling with. But lately it seems to be harder than usual.

She booked a role in a romantic comedy. She has never done one of those so when she got the opportunity, she took it, thinking that it would be fun. It’s a low budget movie, it doesn’t have the ambition to be serious. She liked the script and thought that after the Steven Spielberg’s movie that got her the Oscar nomination it would be a nice change. People, and by people mostly journalists, thought that she would aim for bigger and more dramatic roles, things that could get her an Oscar for, this time, best actress. But it was never her intention. Sure, it was nice to be recognized by industries professionals, but it was never her goal. She doesn’t act to get awards. She acts because it’s where she feels like she belongs.

The movie is about an interior decorator that gets a contract with the royal family of Monaco. It’s a cliché story, a nobody that happens to catch the attention of the prince, but in the beginning, Sally the woman she’s playing, doesn’t know about him and happens to be quite mean to him. It’s a basic enemies to lovers story. But she doesn’t care, she likes it.

At first, when she learned that she was actually shooting in Monaco and not in some studios with green screen, she was excited. It’s a dreamy location and it would not be far away of where she grew up. She comes from a small town in the east of France. She thought that it would be a good opportunity to see her family. With her career, she didn’t get to see her loved ones very often. Christmas was quite lonely these last few years for her. But then reality hit her like a truck driving at the speed of light with no brakes functioning.

There is a reason she doesn’t live in Los Angeles and rather stay in London. She hates all the sparks and hypocrisy that come with Los Angeles. People flaunting their money and designer bags, fake friends pretending to like you because you are popular at the moment but as soon as you are starting to lose interest from the public eye, you become irrelevant, the endless partying… she hates everything there. Sure, she lost some professional opportunities when she made it clear that she would never move there. But she rather loose contracts than who she is. London is where she loves to be. She doesn’t dream, nor want to go anywhere else.

Monaco reminds her of Los Angeles. Luxurious cars, luxurious shops, luxurious everything everywhere. People like to show off. She doesn’t. So she doesn’t go out much, only when she needs it… Though she arrived in Monaco with the firm intention to spend the few weeks before the beginning of the shooting behaving as the perfect tourist, she has to admit she completely failed. She doesn’t like the vibe. And when she doesn’t like something, good luck to change her mind.

So she spent her days locked in her apartment, learning her lines, and breaking down her script and her nights near the beach, when people are out in bars and clubs and when the city is less crowded. Really, Monaco doesn’t feel like a dream to her.

The only thing that she admits enjoying is the sweet piano melodies that she sometimes hear from the apartment below hers…

#writing #fiction #charles leclerc x female reader #charles leclerc x reader #charles leclerc #charles leclerc imagine #charles leclerc imagines #cl16 #cl16 x reader

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dnpanimationstudioclone · 1 year

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Rewrite Ideas for Lila Rossi

I know there’s been a lot of criticism about Lila’s lies and how Marinette’s friends and other people trust Lila’s word over hers, especially Alya her best friend and journalist. What if Lila wasn’t just more careful with her lies(telling more believable lies with fake proof or atleast have benefit of the doubt, more cautious about threats and frame ups), but instead of telling negative lies about someone people should know better about, she instead uses already known truths against them. Does still manipulate certain things but also make those are unto her or see as a threat, dig their own graves, expose their own issues. Ex, Like how Lila made Aya think the issue was just Marinette having a crush on Adrien and being jealous.

I think it would’ve worked more if Lila actually played into this more. Not just using Marinette’s crush on Adrien but her and the other’s biggest flaws(overthinking things, insecurity, digging herself deeper into her problems, etc) Using their issues and past mistakes to manipulate things in her benefit or atleast make people consider past issues that would make people have to also consider.

Marinette if she decided to just come out and say why she doesn’t trust Lila when she comes back as a new classmate, similar to when she talked to Alya and Nino.

Lila-I really dont get where all this skepticism’s coming from. I was only here one day and I don’t think we even got to meet, let alone talk, so how could you know anything I did-

Marinette-BECAUSE I FOLLOWED YOU!

Class-What!?

Lila-I’m sorry, what?😈

Marinette-I said I…oh boy. Realizes how bad that sounds and can’t really tell them the stuff she’d have to known as Ladybug.

Adrien-Wait I don’t get it, why follow us?

Class knowing Marinette’s huge crush on Adrien and the crazy things she has done involving him-…nervous coughs.

Ayla who also knows this and who Marinette told she was gonna follow them-Oh boy.

Later

Ayla-Listen Lila I’m really sorry, I should’ve stopped her. Are you gonna bring this up with the teachers?

Lila- Hey, don’t worry about it. I mean you’re her friend, not her mom, it’s not your responsibility to watch what she’s up to. I’m just happy this was simply because she likes Adrien and not because she really thinks I’m some “evil manipulative mastermind”, this doesn’t feel like anything I need to involve a teacher with, not like anyone got really hurt. I’ll be honest I have a problem sometimes being fully honest, I may exaggerate or tell a few white lies just simply to fit in, I’m not trying to hurt anyone. But seriously, we've only hung out like only a few times, he really is just a friend to me at this point. I’m sorry for all the trouble.

Alya- Don’t worry about it, honestly this isn’t really ur fault.

Lila-Well thanks and seriously, this isn’t really your fault either. Alya- Thank you. Still, maybe I should’ve been more concerned.

Lila- I mean these things happen, We’re teens, sometimes we might let our hormones get the better of us but I doubt this stuff happen all the time, she seems like a good person. Besides if she did do something that really crossed the line, as her best friend, I’m sure you def would call her out or atleast make it clear u don’t support it, right?

Ayla-…

Lila-Do you think I should talk to Marinette?

Alya- No, no don’t worry about that. Maybe I should though.

Lila-Yeah, I’m sure you’re right. she’d probably listen better to a friend anyway 😈

and doesn’t just do this kinda stuff with Marinette but can pit the whole class against eachother If she plays the cards right, full on Mean Girls Watch The World Burn🔥🔥🔥. All while, looking completely inconspicuous and whatever she could’ve done would be seen as simply indirect or unintentional and certainly no way she could’ve known it would lead to such an outcome…right?

Lila-As such a great designer Marinette, I’d figure you’d understand that rather try to make something completely new, better to make the best out of the materials you already have! And there is just so much to work with, especially with you😈

And rather Marinette not trying to expose her because of Adrien's advice but rather her own self doubt. “What if I really am just jealous and overthinking this whole thing”, “I technically was in the wrong first for following them, granted I had to for the book but I didn’t know that at first”, “what if I make things worse and Alya…won’t be my friend anymore”…”she’s probably right, maybe Lila’s just harmless and it really is all in my head”…”maybe it is just me”.

I just like antagonists who make the protagonists consider their own moral character and actions, if they’re really as good as they think they are. Even if they’re manipulative liars who are trying to be dishonest, there’s always that certain part of what they say that can’t be fully brushed off as entirely wrong, sometimes even being the ones to call out the protagonists’s less moral actions and mistakes. And I think Lila could’ve really had that sort of potential with Marinette. For better or for worse, her impact could make Marinette reflect on herself.

Lila-You’re the type of person who sees themselves as the hero in their own story and that everything you do is right, but truth is you can just as easily be the villain! You think my lies are bad? Half of what I say is just calling you out on your own mistakes. You just can’t handle the TRUTH!😈

what do u think? How’d u wanna rewrite Lila? I’d love to know💖

#miraculous ladybug #lila rossi #mlb lila #mlb rewrite #alya cesaire #marinette dupen chang #mlb marinette #marinette #lila #alya

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feverdreamsandlucidnightmares · 2 months

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Okay, these are some of my opinions after finishing both Trigun 98 and Trigun Stampede:

Tri98 Vash’s pervier moments were annoying and I liked Tristamp Vash better in that regard. Not bashing, it’s just not for me. My biggest complaint with this is in ep. 6 with Elizabeth and the otherwise very sad backstory reveal for both of them. I feel like having Vash follow her like a dog for most of the episode kind of took away from that, but whatever.

Tristamp Wolfwood is openly a bastard. He knows it, I know it, you know it, etc. Tri98 Wolfwood is also a bastard, but he’s a charming bastard - or at least trying to be.

Getting to see an/the origin of Derringer Meryl in Tristamp is heartbreaking and wonderful. Seeing Tri98 do her cape flare of derringers was deranged and so fun.

Both Wolfwood’s early introductions being strangers saying that he’s a well prepared dead man (“That is one heck of a well prepared dead guy.” in Tri98 and “He’s not long for this world” “At least he’s prepared - the dead man’s got his own tombstone.” in Tristamp) is killing me (and it’s very on the nose…mean).

It’s interesting that Gosef is much more person-sized, but otherwise unchanged in Tristamp. I want to see what they do with Gray the Ninelives.

I do like the slow reveal of Vash’s prosthetic and it’s gun in Tri98.

Wolfwood’s confessional is ridiculous, 10/10, love that he always immediately tries to con people, good for him.

Meryl takes soooo long to accept that Vash is actually Vash in Tri98 and even though it made me impatient I get it. She suffers all the time lmao.

Tristamp Zazie is so much more interesting to me. More fleshed out motivations, cooler design, more gender, some body horror eldritch being vibes, just a lot more fun for me as a viewer.

However, I generally liked the Gung-Ho-Guns and Tristamp barely had them at all. Also, I expected to see Midvalley more ngl, with how much I’ve seen people talk about him.

Legato my beloathed. He’s more interesting in Tri98, but he’s pretty flat and unsympathetic in Tristamp so far. Maybe we’ll get more of his manga backstory in season 2. He’s such a good antagonist and I’m fucked up about it.

Millions Knives is a good antagonist in both versions, but Tri98 builds up this mysterious mastermind persona while Tristamp makes him more immediately sympathetic and humanizes his motivations to an extent while also firmly establishing him as an incredibly violent, single-minded character. It’s made clear so much earlier what drives him. Still very fucked up solution and execution, but that’s the point.

Millywood shippers: I get it

Vashwood shippers: I also get it

Meryl is still forever and always aroace to me, but I get Vashmeryl to an extent and wish you all the best in your shipping endeavors.

Honestly all four of them are very shippable in a lot of different ways, so good for them.

I liked Milly a lot as a character, love her dynamic with Wolfwood.

They all feel so fucking young in Tristamp. I know I’ve joked that Roberto unexpectedly got custody of three college students, but they’re so baby. Tri98 has Wolfwood and Meryl in their mid-to-late twenties, they’re more experienced and you can tell.

And now, by the power vested in me by finishing both series, I am going to talk my shit once again.

#my totally unsolicited opinions #trigun #trigun stampede #tristamp #trigun 98 #tri98 #trigun 98 spoilers #trigun stampede spoilers #trigun spoilers #feverdreamsandlucidnightmares

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apex-academy · 1 month

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Chapter 6: The Decay of Our Lives (#20)

“......”

I’m not sure how long he stands there with the rest of us closing in. His gaze flits from person to person, like he’s searching for his master’s approval—or just afraid we’re gonna mob him. As if that’s ever been an option.

“Um, well, if it’s that belated, I might have to check to see if it’s really necessary.”

“The rules don’t have a timeframe, you know...! M-maybe I can open the investigation in a couple of months?”

“MONTHS?! How many MORE of us will be DEAD by then?!”

“Um, none, ‘cuz we’re totally not staying that long.”

She takes one big stomp towards Monochap.

“Just call the stupid body discovery already!”

“U-uwah! But...”

We’ve got him right here. Right at the edge. And with his master right in front of everyone else, there’s not much they can instruct him to do. If this comes down to his interpretation of the rules, he can judge it just about any way he wants. Even if that means pushing the mastermind investigation far past the point any of us would still be standing.

But if it’s up to his own judgment, I know exactly how to handle this. He’s our chaperone—his whole purpose is to make sure we’re playing the game that we’re supposed to be playing.

But, intentional or not, there’s more to him than that single purpose. And that’s what I can easily target.

I was hoping it wouldn’t come to this... But if it can tip the scales, I’ll do whatever I have to.

Several of the others are still clamoring over each other, so I slap my hands together in a sharp clap that startles at least some of them out of it. Enough for me to be heard.

“Monochap.”

“Um, yes?”

“Call the body discovery and start the investigation now. If you do that...”

“I’ll call you my waifu!”

“Gaspu!”

“....”

Yeah, okay. My trump card is ridiculous. But what here hasn’t been?

“R... Really?”

“Really.”

“Nothing more waifu-worthy than helping your—”

What the heck is the other half of that relationship called? Husbando? Also waifu in my case?

Master?? O... Otaku???

“—someone who needs what only you can provide.”

“..........”

“Like, yeah, okay.”

“Bring the dude responsible for this crap to justice ‘r whatever, and you can totally be my waifu, too.”

“!!”

“Like, sad little binch waifu, but. Waifu.”

Well, it sounded helpful at first.

“I can also accept these terms, I believe.”

“If I’m, er, understanding the situation correctly...”

“It doesn’t obligate you to marry him if that’s what you mean.” I hope?? “More of a title than anything, I guess?”

“Titles I can handle.”

“I hope you lot don’t expect me to endorse your absurd little christening.”

“As though the holy one herself would designate such honor upon an abomination.”

Yeah, I wouldn’t have expected different.

“I don’t see why it would be necessary for everyone to accede. The fact of the matter is, Mister Monochaperone has no hope of any of us ever referring to him as our waifu if he doesn’t cooperate.”

Aidan pauses, like he needs a moment to come to terms with the combination of words that just left his mouth.

“But there’s a chance if I do...?”

“You have my word.”

“Mine as well.”

“Like, both of their words’re way fancier than mine, but same.”

Monochap looks hopefully to the only one who hasn’t spoken up on the matter.

“I...”

“...do NOT agree to call this WHACKADOODLE anything of the SORT!”

“...”

“But I won’t stop the REST of you morons, I GUESS.”

“I’m EVERY BIT as TIRED of this as YOU are.”

“Mmn...”

He’d probably be chewing on his lip if he had lips. Or teeth.

“Well?”

“W-well...”

“I... I’ll do it!”

“Seriously?”

“Heck yeah!”

“You will?”

I really shouldn’t be the most surprised when it was my idea.

“Mmm-hmm!”

“I-I guess I have a lot to get ready...”

“Please excuse me!”

He does about half a curtsy before speeding down the hallway. Upon hitting a dead end, he panics before turning around and speeding the other way until I can’t hear him anymore. I’m not convinced he didn’t just stop in the middle of the hallway once he was out of sight. Guess it’s not too important either way.

The awed silence in his wake doesn’t last long.

“Well. I rather think it’s high time that abomination called off its little game.”

Kanagi cuts off before she can loose a very visible whoop.

“Uhh, called off? But, like, he’s totally doing more of the game-y stuff?”

“But the trial is to locate... the young master.”

“.....”

“So the GAME should be OVER once they get SNIFFED OUT here! Do I have to spell it OUT more than THAT?”

“I think we get the picture, thank you.”

“I may ask for a more exact timetable for this investigation. Mobilizing the current investigators efficiently over so many floors will be, uh...”

“A little tricky.”

“I’ve never wanted to ask, because I feel like he’d give us less time than we’d have otherwise.”

“I suppose I wouldn’t be surprised either way.”

“Do we, like, even gotta get all the floors?”

“We’re totally just looking in the lab room or whatevs, right?”

Mahavir frowns and retrieves his student ID.

“My, you’d have difficulty organizing this lot to examine a single room?”

“Unsurprising, but still pathetic.”

“Wrangling this crowd is a feat no matter how many rooms are involved.”

“It ought to be more than Lab Room A regardless.”

“WHAT? How about you SPEAK UP! Unless you DON’T want anyone to hear you, then SHUT up!”

Mahavir glances between Ichiriki and Tsunyasha, who at least isn’t facing him. I casually step between those two.

“How so?”

His eyes go to his electroID screen.

“10. All rooms with relevant evidence will be accessible during murder investigations.”

“Thus...”

“...If it has to do with the killer’s identity, we should have access! Right?”

I look to the other smart person in the room.

“It’s a valid reading, certainly.”

I start to ask if there’s a less favorable valid reading, but on second thought, why give the young master any ideas they may not already have?

“Good. Let’s see what we can do.”

Is it wrong to be optimistic? Or maybe it’s been so long since I’ve felt that way that I’m completely misidentifying the feeling.

But this is really the end. Us versus the young master. Whoever outsmarts the other wins, and the game is over. And no one else even had to die.

Of course, if we get it wrong...

“..........”

But we won’t. Even if one person here is against us, there’s no way five Apex Academy students can’t win out.

Let’s finish this.

[BACK] [NEXT]

#apexplot #apex6 #fanganronpa

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aha-chuu · 7 months

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I've seen some discourse about Fontaine Act V, specifically some posts discussing misogynistic characterisations and other such things, so I wanted to throw my hat in the ring and air out my thoughts.

Firstly: most of the game up until 4.0 had sexism rooted deeply within the writing. You can look to the actual character designs to see the mistreatment of the female characters most plainly, but it's a gacha game selling waifus - whatever, that's not pertinent. More pressing is the actual writing of the female characters; despite there being several more women than men, the male characters on a whole seem to get more screen time, story presence and deliver more narrative weight than their female counterparts.

Who are the characters who seem like they'll be relevant throughout the game? Which characters are awarded a greater diversity of personalities?

There have always been well-written female characters in the game, but so many are not given ample screen time to explore that. Even more get given interesting backstories with no personality to follow through on the obscure lore.

Even in Inazuma where the quest is dominated by feminine presence, it's Kazuha who has the most voice lines throughout the game out of the Inazuma cast, Ayato (who didn't even appear!) who gets retroactively awarded the title of mastermind. The writing in Inazuma does just suck in general, but still nobody thinks of Yae in the same way they consider Albedo, Scaramouche, Neuvillette. You can make ten million arguments for why Ayaka's demure disposition is relevant to her strength as a character in non-combative ways, but the game's narrative does not capitalise on that, leaving her to feel very samey to characters we've had before.

The point being: the argument for Fontaine being a misogynistic hell hole does have a backbone in how Hoyo has previously dealt with their characters. However, in my opinion, this is yet another case of "trying and falling short is a worst crime than making no attempt at all".

Fontaine has a huge diversity of women characters who all feel distinct. You could read an unmarked line of dialogue by Lynette, Navia, Charlotte, Arlecchino, Clorinde, Sigewinne, Skirk, Furina or Foçalors and you could pretty accurately distinguish who has said it. Now, a lot of these characters are written to be victims - Lynette being child trafficked, Navia having her whole family die around her, Arlecchino an abused orphan, Foçalors doomed to die and Furina is cursed. But in no way does this diminish their individual strengths or leave them without agency.

There's a misconception that a "strong female character" has to be, basically, an 80s male action hero but with boobs this time. If she is feminine then it better be in service of her badassery. In reality, the mark of a well-written female character is her agency in the story to change it - agency here is important, because throughout fiction female characters have often shaped entire stories... By being doormats that you could replace with a sword the hero really wants.

So in terms of Fontaine, how do these characters stack up? Not just in terms of their diversity of personality and depth of story, but also their power and relevance in the Archon quest itself?

Furina is presented as being trapped in suffering, but the reality of the situation is that she has the option to give up at any time. You cannot replace Furina with a cool treasure that the Traveller really wants; she makes active decisions in service of the plot constantly, in spite of her torture and fear and weakness. That weakness is never portrayed as some huge flaw that we the player must fix, it's in fact evidence of how strong Furina has been for centuries.

Navia too - though (by virtue of what the story is about) she has less to do, Navia thrusts herself into the quest in our defence, rallies our team and, yeah, needs saving along the way! Just like Freminet in the primordial seawater in Act IV or Lyney on trial in Act I.

Arlecchino maintains many feminine traits while also twisting them on their head. She is the "Father" of the House of the Hearth - obviously gendered - but she is most defined by her maternal love (feminine). She is never placed into a position of weakness in the Archon quest, always in control and saving others.

I think looking at Neuvillette's ascension to the position of leadership in Fontaine and labelling the whole ordeal "misogynistic" is insanely reductive. If every nation were ruled by a man despite 5/7 "archons" being women, sure. But Mondstadt is presently led by Jean, Liyue by Ningguang, Inazuma by Raiden (& Yae?) and Sumeru by Nahida. If the problem people have is instead that in this process Furina becomes more meek and emotional, then I point again to the wide variety of personalities the female characters in Fontaine display. If every woman is meek and emotional that's a problem, but those are literally only adjectives you would use for Furina (who is severely traumatised). Navia would be resolute and kind-hearted, Clorinde reserved and courageous, Charlotte curious and assertive - the list goes on.

And to pretend like Neuvillette doesn't bow down in many instances to the whims of other characters is a frustrating take. Yes he gets a cool cutscene of fixing all the problems of the prophecy, but that's only surface level; he did that after Foçalors explained that it was all her plan and her sacrifice. He takes Skirk's advice to give Arlecchino the gnosis. Even back in Act II, Neuvillette admits his own weakness of understanding to Navia - in that moment she is grieving and upset, but the narrative never treats her as unreasonable for her feelings. In fact, Neuvillette (who is supposed to seem wise and level-headed) admits his own wrongs and apologises to her!

Anyway. Please try to look at Fontaine with a bit more nuance.

#genshin impact #critique #fontaine archon quest

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humunanunga · 1 year

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Project: Eden’s Garden prologue just dropped and here’s my thoughts on the cast so far 👀

Damon: Oh, so we finally get to play as a tool. Just a total trashman. It’s almost like if we went into the first Danganronpa playing as Byakuya LMAO. Can’t wait to watch his guy slowly figure out he was being a gatekeeping prick just to feel self-important and not have to think about having an identity apart from his talent.

Eva: I love her. I already liked her design when the voice cast was announced, which I also really like, and now I’m really looking forward to how her arc pans out. I like how a lot of her dialogue consists of questions/guesses, directives, or observations you wouldn’t need to take her word for. I also like that, assuming it’s true-- and so far, I’m willing to bet it is-- that, while hesitant, she was honest about being the Ultimate Liar. Imagine how that’d blow up in her face later if she tried lying about what kind of Ultimate she was. She knows it’s a lot to ask for with her talent, but she definitely acts like she wants to be trusted. I already said this in Youtube comments, but the contrast against Kokichi really makes a point for why she’s the Ultimate Liar: a good liar knows when not to lie. For one, a bad liar tells lies they can’t get away with, and for another, if your reputation precedes you, all it takes to deceive everyone is to tell the truth and let their suspicion do all the work.

Grace: Uncalled for, but Damon kinda earns it later.

Wolfgang: A polite boy. A lad, even. Save for how riled up that “demo” got him. Wondering whether he’ll be Damon’s Kaito or his Kokichi... Right now, it seems like Damon’s set himself up to be Wolfgang’s Kokichi. Yikes.

Toshiko: We haven’t seen her mouth yet... curious. Could mean nothing... but if this fangame also includes a plant among the killing game participants, she’s my first guess. Danganronpa loves red herrings, so I don’t think it’d be Eva, but Toshiko? Her color scheme would also fit, everyone woke up in pairs, and a lot of those pairs seem to work well together or at least balance each other out.

Eloise: Hello, so you have red eyes, huh? Is there something you’re not telling us? What was that about analyzing your opponent and predicting their next move, almost like you would in chess? Sorry, you seem very sweet, I just know how these games go.

Desmond: Oh no, you’re gonna get a lotta heat for your talent later, aren’t’cha. I am so sorry, you seem like a real chill dude.

Jean: idk, guys, he's jacked and reliable, and beefcakes with integrity tend to strike out on the fourth case in this series...

Ulysses: Another design I loved from the get-go. I get the impression his habit of note-keeping could be important later... I’m rooting for his survival, but that journal could easily be evidence later.

Ingrid: We love a beefsteak.

Kai: I could see the Ultimate Influencer being a traitor or mastermind and using their talent to gather an audience for their killing game, cuz the games are always streamed and he has a lot more black and white in his outfit than Cassidy, but I... kinda doubt it’ll be him unless they’re all revealed to play roles as the mastermind.

Diana: tbh I’m really hoping she’ll be one of the killers. There’s a lot of potential for a makeup artist to cover their crime, like concealing or faking injuries. They did say she’s done makeup for cinema, I’m just saying. I’m just saying! At the very least, even if she’s cleared, I really hope she’ll be a suspect.

Jett: Don’t know what I expected, but I’m loving his energy. He is doing his best.

Mark: What was with that leer on the train? Did he recognize Damon?

Cassidy: Ohhh boy, are she and Wenona gonna duke it out at some point?

Wenona: Damon... my guy... I woulda thought you’d get along with her. You are a certifiable hypocrite if you’re gonna judge her for being an Ultimate elitist.

Cara: Oh, this wasn’t Eden’s first killing game, was it. I’m surprised none of them pointed out after the practice trial how Cara was an Ultimate too... Wolfgang was right. Asking why would’ve been just as important as asking how. We’re gonna circle back to this case later, aren’t we-- hold on... was... was the point of doing this... did... could Cara’s killer have won a class trial?

Tozu: Did... did he sound like Dr. Frank-N-Furter to anyone else or is that just me? Great voice either way, interesting that it looks like he’s wearing a grey body suit under that coat that'd make him look more like an unnamed Danganronpa culprit. Interesting.

Mara: idk, she yoked tho.

#project: eden's garden #project eden's garden #fanganronpa #danganronpa #tldr #etc

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herrlindemann · 9 months

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Sonic Seducer - 2015, Interview with Till

"Rammstein is my life. My job, my family."

Sometimes a man's gotta do what a man's gotta do. A truism that no one knows as well as Till Lindemann. For more than twenty years, the 52-year-old muscle man has been playing as Rammstein's frontman on records, stage and paper with the Neue Deutsche Härte-Feuer - after several postponements, the time has finally come: with his solo debut 'Skills In Pill’s announced at the beginning of the year will be released in mid-June, the most discussed album of the year!

Outside of the limelight, Till Lindemann tends to be the introverted, taciturn type who likes to avoid public appearances and feels much more comfortable in the rough wilderness night fishing than on red celebrity carpets. After one or the other time in the recent past at least raised eyebrows - on the one hand through the rather bizarre guest appearance of pop singer Heino during the last Rammstein show at Wacken Open Air 2013, on the other hand through Lindemann's songwriting work for Roland Kaiser's new album, also keep your fan base in suspense with the collaboration with Hypocrisy/Pain mastermind Peter Tägtgren: On the joint album 'Skills In Pills' Till Lindemann rolls his enigmatic lyrics in English throughout and thus causes divided reactions within the metal World.

«Writing in English is a kind of a new start,» says Till Lindemann, explaining his discovered affinity for foreign languages. « A whole new field in which I can let off steam. It has become very difficult to write German texts today because I have already said almost everything in some form. Everything has already been covered. With Lindemann I'm starting from scratch lyrically. Free choice! An unplayed place waiting to be deflowered. »

The themes dealt with by Lindemann on 'Skills In Pills' don't really differ that drastically from those in his Rammstein texts or his two previously published books: Dark passions, the curse and blessing of various pills, and of course sex in all conceivable ways or form. This time, however, not in German, but with a double dose of deep black humor. « At first I wasn't so sure if the lyrics were really good because they came together so easily. It was too easy compared to the German texts. At Rammstein, six people work in their designated areas. Everyone has their place and their fixed area that they work on. However, you still have to reconcile six different opinions. Of course, this is not always entirely without complications. Nevertheless, we of course also learned a lot from each other. »

Knowledge that Lindemann brings to his solo project today. Until recently, the Berliner focused almost exclusively on his work with the Berlin pyro-metallers, but his urge to express himself seems to become stronger and more unpredictable with each passing year.

« I think it's normal to express yourself in different ways over the years. When you're young and you start a band, you put all your energy into that band. Music, stage shows, artwork, everything. Today everything is better divided so that each of us can concentrate our energies elsewhere. I can already say that this project will be a big part of Peter's and my future together, but my priority will always remain Rammstein. Rammstein is my life. My job, my family. I spend my vacation from this family with Peter. »

Holiday fun with a difference: With loud widescreen guitars, electronic programming and dark, erotic doom prose - switching off in Lindemann style. « It was also nice to travel up to the countryside to see Peter again and again. It only takes about three hours from Berlin and you're there. I visited him 20 or 25 times; even if sometimes it was just for a day. Sometimes he called and said I needed to come in for a quick recording. Then I quickly got on the plane and was there straight away. »

The result of these spontaneous excursions can be heard in the form of the Lindemann debut 'Skills In Pills' from June 19th, 2015. The continuation of the interview with Till Lindemann and Peter Tägtgren can be found in the next issue.

#till lindemann #lindemann #rammstein #2015 #interview #translation #*scans #*#thanks to ramjohn for the scans!

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lestappenforever · 1 month

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So, it’s official, Adrian is leaving in the first quarter pf 2025.

No one can even deny the fact that he is an Engineering Mastermind, and he is one of the pillars of Red Bull’s success. Building this team from the ground to its glory, and we can’t deny that he will be missed, and we (as Red Bull fans) will miss seeing him on that pit wall. And I do hope and wish him the best in his next step, whether that is Ferrari, Aston Martin or retirement.

But let’s be real (we as Red Bull fans again). Adrian is not and was not the only engineer who worked on the car all by himself. He’s not the designer of the car. Actually read somewhere that the RB19 and RB20 mainly were Pierre Waché and Enrico Balbo. And let’s be real, these 2 have been involved in the design of Red Bull’s cars for quite a while, and both have definitely learned from the best. Also, a car is not only a design, there’s an engine, the’s mechanical components, there’s a shit ton of systems, so it’s not only Adrian who brought Red Bull their massive success, its him and everyone in Milton Keynes. Let’s not underestimate the people who are maybe not as well known, or not shown in the spotlight in the cars design, as well as the other engineering principles.

And finally, let’s not forget the man in the cockpit and how much of a machine he is. From everything he’s dine so far, in addition to taking an overweight, not the fastest car in 2022 and turning it into a championship winning car.

All that we can hope (again as Red Bull fans) is well for Adrian, stability in the team, and mo other major departures, because that would be the downfall, Max to be happy and NOT LISTEN TO TOTO WOLFF

(That’s kind if my take, because I saw a lot of people saying Red Bull downfall because Adrain is leaving) (also hoping he’s going to shift his focus to hypercars and not go to another team just because it will hjrt seeing in a different team)

A lot of excellent points here!

Red Bull will absolutely notice his absence and miss him, but you're absolutely right: he's not the only talented engineer and brilliant mind at Red Bull. I do, however, think there's a big chance Red Bull will have to scramble to remain as good as they are once they're going to have to build their own engines for the first time, and there is no guarantee whatsoever they will succeed. We'll just have to wait and see.

Personally I'm thrilled for Newey. He's been with the team for almost two decades and he's been so important in all the success they've had. It's no secret that he's been eyeing new challenges for years, and with the shit that has gone down at Red Bull over the past few months, I don't blame him at all for finally leaving. I will always admire and support people leaving jobs, families, relationships, friends, etc. that they no longer feel comfortable staying on, even if it of course sucks that he's leaving as a Red Bull fan.

We'll see what the future holds for this genius, but I don't know, babe. I wouldn’t mind seeing him in another F1 team. And @valyrfia with her Lestappen Ferrari teammates in a Newey designed car agenda? I would absolutely love to see that. I've always been a driver-over-team kind of F1 fan at the end of the day, and as we're clearly not going to get Charles and Max as teammates at Red Bull, I would be more than happy to see them as teammates at Ferrari. (As long as Ferrari would be able to build them a competitive car, that is.)

#Asks #agentofchaos001 ❤️#AN asks #Lestappen asks #Adrian Newey

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motherfuckingbrad · 10 months

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not completely finished with s3 yet but i just finished To Catch a Mouse and i need a moment to dive into poppy and ian’s relationship dynamic because holy shit

i just think it’s so fucking interesting the way they view each other, because it’s clear they both think very highly of the other but they react to it in very very different ways

for example, poppy obviously has a lot of respect for ian as the mastermind of mq, and she shows it mainly in wanting to be like him. she looks up to him, both as a mentor and a friend, and wants to be where he is one day. she wants to design her own game, to have visions of great things like he does. she wants to be cool like him and control a workspace like him and joke around at his expense the same way he jokes around at hers. poppy wants so badly to just be like ian because she sees what he’s accomplished and thinks it’s fucking awesome. she thinks he’s fucking awesome, she has since she was a nerdy little 19 y/o MIT student bouncing in her seat to get to talk to him.

and ian has respect for poppy as well, but it’s surrounded in a thick, thick coating of jealousy. ian knows that poppy is insanely talented, he knows that mq would be absolutely nothing without her. she built the entire thing, but he can’t let her have claim to a single bit of it, not even a fucking shovel. he is terrified of poppy because he knows she’s better than him, she’s smarter, more talented, and has the ability to not only dream up a game but then actually make it. he thinks so highly of her that he actively tears her down with little comments every chance he gets, but as soon as she gets upset with him he steps back, gives her a little validation and a little encouragement, and manipulates the situation until she feels crazy for being mad. for gods sake, the man’s biggest fear in the entire world is poppy overtaking him, because he knows she could and very well just might, and his huge fucking ego can’t allow that to happen. it’s safer for him to control her, to keep her engineering his vision, so that she can never surpass him.

and all poppy fucking wants is to be like him, with a legacy of her own.

#like shit #i was rooting for them to be like a couple or something at the end of s2 #and got THIS instead???#once again mythic quest has gotten TOO REAL #don’t know how the show keeps doing this #like how am i 75% thru season three and starting to realize that i’m anti-ian grimm ….#HES THE VILLAIN!!!#god i have so many thoughts and they’re specifically about these two #anyway poor poppy :(#poppy li #my beloved #ian grimm #(derogatory)#jk i know he’s multi dimensional i just hate him rn #mythic quest s3

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m34gs · 9 months

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Please tell me what sort of Saw trap each house warden in Twisted Wonderland would design if they were the mastermind in a Saw movie.

Hello friend! Well, this is a fun ask! I am actually very excited to get into this, ahahaha. You have no idea how eager I got when I read this ask. I literally went "AHA" and started grinning. I'm going to write each scenario out as if the Housewarden is a Jigsaw Apprentice, and I might even take it a little further and describe what kind of apprentice they would be.

I'm putting a cut, both for length and because these will get a bit graphic. Please see the tags for trigger/content warnings.

Riddle - Riddle is the Rule Boy, By the Book, Stick to the Pattern. The one who adamantly protests every time to the other Saw masterminds "It's not a trap, it's a TEST".

Because of this, Riddle's tests are not overly imaginative, but they get the job done. I think, due to the nature of his signature spell, Riddle would lean toward decapitation being the end result in his traps. It's easy, effective, and doesn't prolong suffering. I like to think he's not one to wish others to suffer. Indeed, if he was a Jigsaw Apprentice, he'd be the one to parrot John Kramer the most about learning to love and cherish the life you have and atoning for past mistakes.

The rules for Riddle's test would be simple. "Find the key to unlock your chains in a certain amount of time, or a saw will cut your head off". Of course, the tricky part is getting the key. No one escapes a Saw trap without some kind of mark, be it visible or invisible. The placement of the key I will leave up to the imagination, as it will have to be specific to the individual in the trap or it will mean nothing. (Keep in mind, canon placements have been: at the other end of the room needing a mad dash that puts co-victims in danger to get to it, in the stomach of a heavily sedated companion in the trap, surgically implanted inside the victim's own eye...etc.). If the victim survives, they are off the hook. Riddle wouldn't dare mess up that part of the game. If they die, he follows John's example and dutifully cuts a puzzle piece out of their flesh, the symbol of that person's "missing piece" that prevented them from winning the game(this is also how Jigsaw got his name).

Leona - Leona can do the job, he understands the assignment. He thinks John's a bit nuts, though. He's another one where there's not a whole lot of imagination involved; he designs the trap to get the job done, makes sure it meets the requirements (because he will not be given a bad grade on Jigsaw Traps, something apparently possible to achieve and normal to worry about?...), but it won't be overly complex, and he makes Ruggie and Jack do the muscle-work for him. Don't worry, he pays them well.

Leona's traps will probably involve some test of strength (keeping in mind the different physical capabilities of individuals, of course). I'm thinking something like a low tunnel filled with various-sized shards of broken glass the person has to crawl through to get to the exit, or climbing through a vent connected to an oven that is on max. heat to get out. Something like that, of course tweaked for the individual.

He makes Ruggie cut the puzzle piece. Ruggie doesn't mess around when it comes to his finances. He cuts every piece perfectly.

Azul - Let's be real, Azul doesn't mind suffering...as long as it's not his own. His traps are always complex, and he sees each new victim as a chance to one-up himself. And it's no problem getting his victims; Jade and Floyd help with that.

I think most of Azul's traps will involve the victim inflicting pain on themselves on purpose. Not just doing things that result in pain (such as crawl over glass) but actively cause themselves harm; probably ripping their own molars out or cutting off a limb, or something, and dropping it in a bin/chute to trigger the exit to open.

Jade and Floyd help with set-up...but Floyd is Not allowed to cut the puzzle pieces afterward. For obvious reasons.

Kalim - In order for Kalim to be an apprentice, he would need to have something awful and drastic happen to someone close to him that pushes him over the edge. When it comes to it, he sees the traps as a job, a duty. It's not something he enjoys and he always observes with a tired distaste but, because of whatever trauma pushed him into this life, he believes it's necessary.

He can't stand the sight of blood and brutality. Nor does he want to know they're dying a slow death. His victim is hooked up to a syringe pump, hands restrained, and they need to figure out the code to turn off the pump before time runs out (probably voice password or something; definitely based on important memories related to the reason they are in the trap, which is hinted at in the tape) or the syringe will rapidly infuse a lethal dose of potassium into their veins and they will go into cardiac arrest.

Jamil has to cut the puzzle piece because Kalim cannot stomach it.

Vil - Vil, like Kalim, needs to be of the mind that what he's doing is necessary, even if he doesn't like it. He has to believe that people need him to teach them in this way, or he won't be able to stomach it.

He also doesn't want a bloodbath; that's not his style. Vil would rather use poison. Poison for his victims, already injected/ingested, with an antidote they have to get...probably behind a locked door needing a combination password. But, in order to get the code, they will have to face what they've done and figure out what the code is, very similar to Kalim's style. However, unlike Kalim's, if the victim gives the wrong code the door will seal shut forever and the victim will be doomed. They need to get it right and they need to be certain.

Vil may request Rook's assistance with making sure people are brought in and the trap set up properly, but he cuts the puzzle piece himself. He believes it's his role, and he refuses to put that onto anyone else. It disgusts him, but he treats it like his cross to bear for the acts he is committing, because a part of him still feels uneasy about all of this and he hates looking at himself in the mirror some days.

Idia - Idia is so removed from the front lines of the traps, he's actually quite desensitized to the violence. He treats it a bit like his video games and he does try out a variety of different traps, each one extremely individualized. He's got all the info on his victims; every single trace of them online, their social security number, their bank statements, anything and everything that can be accessed via computer is his. He knows them inside and out. Every trap is an attempt to be more unique and "entertaining" than the last. It's questionable if he's even in it for the "righteousness" that John preaches, or if he got bored and decided this was an interesting way to pass the time.

All his traps are set up to run completely independently, and all are under video surveillance. I think Idia would get to the point that there's not enough moving parts for him if there's only one victim in the trap, so he starts doing bigger traps, with groups of people, where it's a challenge to try and predict how they all will react, how they would push each other's boundaries and if they would try to see the hints laid out for them or if they would misinterpret it (for anyone who's seen Jigsaw, think about the gun scene with the keys at the end. That kind of a hint. Idia would like to see who gets it). So, yeah, Idia probably builds a maze-trap with multiple little traps within it that the victims have to go through to get out.

While he hasn't yet created something that can cut the puzzle piece and deliver it to him, he has developed a little punch that he can bring to punch out the piece of the victim's flesh should they fail. It's the only time he's on-site after the trap has been set. (Ortho refused to do that part because the dead bodies made him sad.)

Malleus - Malleus believes he is helping people, and he's curious to see how far a person would go to save their own life. He thinks it's his job to bring out the worst and the best in the person in his trap to help them be better than they are now. He's not beyond pushing buttons and upping antes; he sees it as doing what he can to help someone value their life and overcome their own shortcomings.

A trap from Malleus is probably going to involve some form of self-mutilation, giving enough flesh or giving enough blood, but also some emotional pressure. He will bring their families into the traps; likely remotely so as not to harm the innocent, but to use as leverage to make someone push themselves more. He wants them to succeed. But he will not go easy on them. In order to succeed, they need to pull on their own inner strength.

He cuts the puzzle piece himself, but he's always sad when he has to. He feels less that the person has failed and more that he has failed to help them bring out their better self.

Thank you again for the ask, friend! I hope I answered to your satisfaction :D If you have any questions or comments to add, please let me know, I am always happy to expand on these kinds of things!

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yuzu-all-the-way · 1 year

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Conquest of Paradise - Impressions

I usually write impressions about entire ice shows, but special attention needs to be paid to the collaboration between the Winter GOAT (Yuzuru Hanyu) and the Summer GOAT (Kohei Uchimura) at Notte Stellata 2023.

Conquest of Paradise is a program designed to blend figure skating and gymnastics, something that hasn't been attempted before. The mastermind behind this idea, no one other than Yuzuru Hanyu.

When the teasers came out about the collaboration being in the works, I was highly skeptical about what could come out of it. How can skating and gymnastic be put together in a cohesive manner and allow people to enjoy both? I had my own ideas of what the final result would look like - however, my ideas didn't come close at all to what was shown at Notte Stellata.

When I was watching Notte Stellata's day 1 show live, I was on the edge of my seat waiting for the Yuzu x Kohei collaboration to start. Nothing could've prepared me for the moment when the music began playing and the beam of light appeared at Yuzu's feet. I remember exclaiming excitedly when seeing the costume in its full glory and getting lost in watching Yuzu move across the ice so much so that I didn't focus at all on what kind of jumps he did.

The music - Conquest of Paradise - fitting, in my opinion. I didn't expect an epic music score (I've been dreaming of seeing Yuzu skate to epic music), but there it was. When Kohei's turn to perform came, I was curious what he'd do. I don't even have basic gymnastics knowledge, although I have watched a few competitions some years ago, but what Kohei showed, definitely met my expectations. It was a good performance on his part, even though the first day he seemed a bit insecure (I suppose performing in front of an audience at an ice show it's not something Kohei could've gotten used to in just a few minutes).

The highlight of the entire performance was, obviously, the simultaneous spins - Yuzu doing his own spin adding a couple of positions that seemed to be new, and Kohei doing his pommel horse spin. It was well-matched, it was entertaining, it was never done before.

Further on, Yuzu and Kohei continued to perform simultaneously and they ended the program on a high note. It was something for the history books, for sure.

Although the entire program was well-executed for something that was new for everyone, there are some discrepancies. The program was shaky (although well-executed) during the first day. Yuzu and Kohei each seemed to focus a lot on their own thing without bringing forth unity. I partly blame the camera angles that did not exactly pan properly. The program got better during day 2 and, I think, that's the best performance Yuzu and Kohei put on - right on the day it mattered the most. Kohei was definitely more comfortable being out there and, this time, the two GOATs seemed to find a balance and perform together instead of together, but separately. The camera angles were better this time, too, in showing the unity. I admit the third day program I cannot properly recollect - I blame this on Yuzu dancing to Dynamite during the finale because that's been on my mind for days now. What I do remember is that Kohei finally grew comfortable enough as both gymnast AND performer.

Overall, I'm pleased and happy with how Conquest of Paradise turned out to be. And I also managed to pay proper attention to Yuzu's jumps on the 2nd and 3rd day (3F, 3A and 4T). Yuzu wrote history alongside Kohei and I'm looking forward to seeing them work together in the future, if the chance occurs.

#yuzuru hanyu #kohei uchimura #notte stellata 2023 #ice show #rambles #conquest of paradise

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