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#but for now its important that i take this decision as a up-and-coming young artist
c0smiccom3t · 1 year
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I'm going to be a little honest with you.
I've had some deep thoughts last night. Yes, its about Pocket Adventures, but not only that, it's about IRL stuff as well. I've been trying my best to find a school for september (either in another country in the EU or in Germany) and ive been trying to pay close attention to finish pocket adventures as well. So... here's the thing.
I'm thinking of taking a break from social media.
Yes. It's not only due to personal reasons. But it's also about how i want to not distract myself and want to work on D.D full-time. Which means i'll work like everyday off social media until P.A production has wrapped, so we can take a 2-month or longer break from working on d.d content and just focus on drawing art pieces. I don't want to stress myself or anybody else out, so from now on 'll try to get a decent sleeping schedule so i can wake up early to have breakfast, stay hydrated and work on d.d.
Sure, it's tough. But that's the indie creator thing for you. Not to mention, I'm a newcomer, so i still need to be taught and know how things work in the community. Especially for webcomics. (I'm not in animation yet, i am used to making comics, but once i finish animation school and get a degree i might as well start making indie animations as well.)
You all as well have to keep in mind that content creators and artists have a life outside of the internet, they have irl stuff to do and serious stuff to do as well. And right now, if i don't get enough money to go to Canada, i'll have to think of a Plan B, which is, find a school in another country part of the EU. It's challenging, but i'm trying.
In conclusion, i want to tell you all the truth. I think it's about time i take a break from social media. I've been active on socials for like, years! (2016 in my g+ era to 2023, today.) and i think it's about time i take a break. working on d.d full-time is important for me, but self-care and handling IRL responsabilities is even more important.
Now, if i DO end up going on break from socials, you can always find me on Discord, however, i'm not going to be available to talk all the time. mostly because of working on Dimension Dyfenders. The reason why i'll use discord is to contact the co-creator (aka Alex) in case we work on scripts for the next minisodes and think of ideas and work together and other stuff about d.d. Another thing is that... I'm the only illustator on the comic. However, i would LOVE to get some more people to help me illustrate for P.A and future comics as well, But i can't, i'm still a kid, and I can't do this whole indie thingies yet. (I'll be able to do it once i hit the big one-eight and/or get my own bank account with a lot of money, hopefully... Remember, artists and people who work on indie projects deserve to be paid and get breaks for all of their hard work)
Thank you all for everything. I am glad to have been in a place in where i could feel safe, happy, and included. This whole break thing is not going to be a Good-bye. It's just a See you next time. So, yes, if i stay inactive from socials for a while. this whole post is why.
[TL;DR: I'm thinking of taking a break due to IRL situations and wanting to work on Pocket Adventures full-time, if i end up taking a break, i am available on discord and just discord, working on d.d is important for me, but self-care is even more important. Thank you all for your support <3]
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OK SOOOOOOOOO pm might've dun fucked
Please remember that:
THIS SITUATION IS STILL IN DEVELOPMENT, YOU WILL HEAR MISSINFORMATION ABOUT IT, EVEN THE VERY BASIS OF IT CAN BE COUNTED AS SUCH.
Note: I WILL be editing this post as the situation progresses so you can stay updated, feel free to pop in every now and then.
Have the offical statements from pm:
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no english translation was provided yet HOWEVER pm provided a statement:
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Source: (x)
I have OPINIONS but im not going to voice them here, its not the post. I can say though, they are very negative.
Essencially what you need to know:
Pm fired a CG artist because of their political views relating to a retweet which happened around 5 years ago (the artist is relativley young while being an adult, they looked into the artists past which... taking teenagers actions into account while judging an adult should only happen when the teen commited terrible crimes) due to them getting a lot of hate from the korean side of the community which apparently spiraled from them getting a wetsuit ish and not a bikini ish among other things like update direction. And yes, it started on an incel forum, at least screenshots say so.
The political views are centered around feminism which is viewed negativley in south korea due to their extreme views and actions. If you want to see their state or mind when it comes to feminism, check the tumblr post made by: @fatestayyuri on this situation.
All 3 games are being currently review bombed by angry korean fanbase and by the angry western fanbase
Evidence of death threats given to PM are given out in a comment made by @worthy-opponents as well as the stance of the attacking group.
(I apologise about putting it in the wrong section yet again, this situation is going off like hell and I can barely keep up weeding out actual useful information out of the useless shite, will take the blame tho, ain’t trying to wipe the blame or anything, again sorry if I insulted you in any way that wasn’t my intent)
Note and edit: the original target of the cyberbully attack was the artist who was actively responsible for drawing the ish wetsuit artwork, however upon discovering the artist is male, the attack switched to Vellmori due to her deleted feminism driven retweets. The lack of sexualisation of wetsuit ish is seen as radical feminism by the group who decided to start such an attack. Which is why they decided to target Vellmori. Note. These retweets were deleted around 3 years ago and recovered using the wayback machine.
Another note: there is no winner in this situation, the group did threaten project moon with physical violence if they did not remove Vellmori. PM already had to deal with death threats from the Asian fanbase before when LoRs ending happened if you remember that situation. They didn’t want to risk actual physical harm to their employees. I am only stating the information as I find it not trying to influence your view on the situation. I just want you to make a rational decision.
Yet another note: The biggest PM server on discord went into lockdown due to spreading misinformation.
Important:
There is an actual hate campaign against Japanese artists who support PM:
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There might be a possibility this will keep on spreading into other Asian countries. If you have any friends from such, inform them.
Image of the protestors right in front of the PM office:
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Source: (x)
Currently theres a fundraiser for a truck with a screen that will display a protest messege regarding the termination of Vellmori, it's a form of peaceful protest in south korea. Source: (x)
project moon fired Vellmori through a phonecall (illegal) as well as did so on the spot without giving her the necessary notice. Source: (x)
Worker unions got into this situation, as well as limbus ended up in newspapers. Source: (x)
Statement from the Digital Content Creation Working Association:
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Source: (x)
A fundraiser which will potentially go towards Vellmori (x)
Turns out Jihoon is a very strict and emotional CEO, source and more on here (x)
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(x)
Theres currently a bunch of hashtags made on twitter to bring the opinion of the fanbase to PMs attention. These tags are (but not limited to): #PM_FaceTheTruth, #PM_unfairdismissal. Previous hashtags included: #Projectmoon_unfairdismissal_Protests, #Truck_Protest_Against_Unfair_Dismissal_of_ProjectMoon. There were many more, an account that started these hashtags as well as the organiser of the truck protest: (x)
Potential missinformation:
death threats right in front of the pm office from the angry fans
concerned fans visiting the office to ask for the wellbeing
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Complete misinformation:
Vellmori being a terf. It’s a misinformation campaign targeted specifically to the English part of the fanbase because of the feminist retweet’s.
Mili and Studio EIM cut contact with PM
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Thank you to: @ahmedmootaz for the information in the screenshots!
Link to the official status here: https://twitter.com/LimbusCompany_B/status/1683854709046808576
IF ANY OF YOU HAVE ANY INFORMATION, EITHER POST IT WITH A WARNING ABOUT POSSIBLE MISSINFORMATION OR COMMENT!
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theviewfromthebooth · 6 months
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The Mighty Mojo tracks of 2023: The Bubble List
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Being ahead of schedule is a rare treat in any aspect of my life, and for that reason I am embracing my decision to release the Bubble List so soon into December, and so far ahead of the Top 50 that will still be released on New Year’s Eve. Some traditions die hard.
In past years I’ve taken my obsession with capturing the year in its entirety to unnecessary lengths. The speed of other actual publications to crown the year’s best everything was always looked on with disdain, as I scoured my regular channels for new music like a desperate man scanning his phone for dealers at 4am. The thought of missing a banger by going too early disturbed me, in large part to ‘The El Camino incident’, in which my favourite album of 2011 dropped in the first week of December. When RTJ3 appeared on Christmas Eve 5 years later with no warning, it seemed to confirm that I was right and everyone else was wrong. Well, this year, the darndest thing happened. 
I realised that NO ONE ELSE CARES. I have yet to have someone call me up for a song appearing on my list in the wrong year, in the 13 years I’ve been putting this thing together. I need to chill the fuck out. And so I have.
The other handy element to releasing the Bubble list now, is that it comes hot on the heels of Spotify Wrapped, and the annual debate around streaming royalties. I say annual because that’s when everyone gets involved, but there’s been a steady undercurrent throughout the year of artists rebelling against the system to speak out. I have always been supportive of their stance - it’s disgusting to see the disparity in profits between the people who own the platform (and due to many undiscussed deals, this includes most of the major labels) and those who literally power it with their artistic endeavours.
And yet, I’ve always remained within this crooked system, simply because I believed it to be the only place to find the depth of music I was looking for. Last I heard, Tidal was still quite specific, and a lot of the others were only marginally better. And then there was the library of playlists that I’ve built up over the years, an encyclopaedia that I lean on heavily on a day-to-day basis. There’s a playlist for nearly every scenario my mind could possibly imagine, and that has a worth beyond currency.
I can’t ignore the fact that Spotify’s algorithms have also been responsible for exposing me to many of the people on this list. The sheer amount of Aussies that feature is testament to that, and again that’s only possible due to the buy-in of the music community. There are ways that Spotify is helping young artists. But it’s just not enough.
It’s still a bit of an eye-roller to announce your departure from something, but in this instance I’m going to indulge myself. I’m looking at other options, and I suggest you all do too. If you want more detailed info on the reasons why and the best action to take, follow United Musicians and Allied Workers on socials https://linktr.ee/umaw 
*Steps down from soapbox* So, the music then. I really went deep into it this year, racking up over 120 songs in the long list by September. The best part of that is that it meant that I had a long time to live with these songs, sort them in my heart and allow the cream to rise naturally to the top.  Aside from the Aussie invasion there’s no real trends - except more of a push to the extremes of comfort in sound. There’s some mad bits in here, and some initially jarring sounds that eventually connect, and when they do it’s all the more thrilling having taken you to the edge. With so much to choose from it was easy to stay within the hardest boundary of the bubble list - outside the odd superstar feature, these are underground/new artists that aren’t widely known or available. In the wake of the streaming debate it feels more important than ever to shine this little light in their direction.
The full Twitter (Some traditions die hard) thread with links to socials and places to buy music/merch will come next week, and you’ll have the benefit of the whole of December to absorb it all before the next hit. 
See you in a few weeks.
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existentialmagazine · 7 months
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Review: Michael Isaak’s new single ‘hey boy’ wraps you between an indie-folk journey of youth and self-love, gliding through acoustics and old childhood recordings
Having grown up in a religious Egyptian-American community, the upcoming musician Michael Isaak has recently began to delve into the tensions between honouring tradition and seeking freedom within his music, a theme we don’t often see explored through artists work. From Michael’s ethnic background that brings a fresh twist to the Western indie genre, to his early exposure to Arabic music and self-taught skills in various instruments and music production, Michael has had a lifetime of learning - and now he’s ready to share with you everything perfected to a tee. Shaped by artists like Sufjan Stevens and Phoebe Bridgers, his newest work ‘hey boy’ is familiar and yet distinctive all the same, an important piece unafraid to be real.
From the opening notes of ‘hey boy’ it’s clear that this is more than just a song, an unravelling coming-of-age story of sorts, transporting you through an entire lifetime of lessons learned and memories buried. Drawing out a long, warm intro of instrumentals, Michael layers backing recordings of laughing young voices behind gentle acoustic guitar strums, placing you within the hazy videotapes of your own youth with a longing for the same carefree appreciation for life once so easily held. This touch is so subtle and yet so integral to the unfolding story Michael has to tell, an utterly transportive element evoking nostalgia in its purest, most cherished forms. As those voices fade out for the verses serenade, ‘hey boy’ flows just through continued acoustic guitar notes and Michael’s softly sung vocals, weaving intimately between words in a way that leaves every one hanging in the air to truly take in. Skipping over a typical chorus and shifting from this verse to the next, a soft instrumental moment in-between adds an ethereally floaty electric guitar riff with continued chattering voices, never needed to be distinguishable or understood for the distinct resonance of their impact to weigh heavy. Things push forward with a continued growth, slowly but surely leaning into more atmospheric backing whirs, more prominent guitar strums, drum beats and electric guitar ringing out through the open-air. Though padded-out with time, there’s always a sincerity and mellowness to everything that wanders through ‘hey boy’, an indie-folk dream that holds just as much life and safety as a forest and yet surrounds you with a sound at every turn. As Michael never incorporates a noticeable chorus throughout it’s incredibly refreshing to hear a song taken in a new, atypical direction, unafraid to tell a story without feeling shackled by the expectations of what a song should or shouldn’t be, instead thriving within the experience he seeks to create.
As an ode to personal growth, his childhood self and everything that comes with that, ‘hey boy’ wistfully unravels in words as much as it does sound through the universal journey of growing up and finding one’s path. Lyrically diving into what once was, lines like the opening’s reminiscence look to reassure a past version of himself that everything will turn out just right: ‘I wonder if I could see that young boy in his sophomore year of Catholic school and tell him that it’s okay, ‘cause I’m sitting in his favourite coffee shop.’ Often burdened by worries and anxieties that our future-selves wouldn’t think twice over, ‘hey boy’ takes a moment to reflect on what truly mattered, hoping to remind that through the other side it’ll all be worth waiting for. Continuing ‘tell him where he’ll be, ‘cause I’m walking down a city where he’d see himself in three years’ , it’s clear that Michael in many ways looks to take you - and himself - along for a stroll down memory lane. Caught up on decisions that impacted his entire life, appreciation for the doors he opened without even knowing, and an underlying knowledge that it works out is prominent the entire way through. As the song fades out with the repeated line ‘hey boy, I love you’ , this earnest look back on the person he once was and the growth he has made is one filled with nothing but gratitude and purity. We all often wish we could tell our younger selves a multitude of things, but ultimately ‘hey boy’ is that much needed prompt to look within for that reassurance, figuring things out at every turn and feeling blessed by the path taken.
Check out ‘hey boy’ for yourself here to truly delve deeper into Michael’s gorgeously personal storytelling and equally lingering sound.
Written by: Tatiana Whybrow
Photo Credits: Unknown
// This coverage was supported and created via Musosoup, #SustainableCurator.
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tumbletumula · 1 year
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First Colonial Liberation of Africa
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Theme First Colonial Liberation of Africa Thomo Egyptomania. In Paris, in London, in St. Petersburg, in Berlin, in Rome, Liberté, Égalité, Fraternité. I fransèis 'n carossa e nui a pé. “Freedom, equality, fraternity. The French in carriages and us on foot in South Africa, first war against the British », sang many of the English with bitterness, accepting the new regime in spite of them. Some go so far as to give up addressing a gentleman by calling him munsü, a lady by politely calling him madama, a young lady by calling him madamìn and a young lady tota. Now he simply calls them citizen or citizen. The whole political and administrative structure is revolutionized, as when a regime changes and another one takes over which is based on opposing principles. Egypt has changed its face: one of Napoleon's first orders was to tear down the walls that surround it, leaving only the religious livery for the first time since the Mamluk domination. Napoleon, always quick as lightning, had gone to conquer Egypt in 1798 and 1799 with an army of 38,000 men. Egypt had been experiencing a period of great confusion for centuries: officially it was a province of the Ottoman Empire, but it was difficult to administrate due to the distance from the capital Constantinople and the power of the Mamluks, the military caste that had managed effective power for centuries. The Mamluks were supported by the British, who had strong Repulican designs on Egypt and all of Africa. Napoleon landed with an Armée d'Orient, with a strong cavalry, under the orders of Joachim Murat. There were epic battles, such as that of the Pyramids won by Napoleon against the Mamluks and the naval one on the coast of Abukir, won by Horatio Nelson. There was, shortly after, a second battle of Abukir, this time on land, in which the cavalrymen of Gioacchino Murat were decisive for the victory. On that occasion, alongside the French, a brave young Macedonian soldier of Albanian origin also fought, who years later would become very important to Bernardino Drovetti: Mehmet Alì. However the conquest goals were soon abandoned. In August 1799 Napoleon decided to return to Paris leaving the French army in Egypt under the command of Marshal Kléber, in a now chronic conflict situation between the French and the British who were trying to assert a predominance of their country in relations with local power forces; which was far from easy since the Egyptian situation was frighteningly tangled. But for Napoleon, after almost two years of absence, the time had come to return to France to definitively assert his power. He already had in mind to proclaim himself emperor. It would have taken him a little longer, but he would have made it. The campaign in Egypt, even if from a military and political point of view it had been a semi-failure, nevertheless led to a phenomenon destined to become a sort of collective frenzy throughout the Western world: Egyptomania. In Paris, London, St. Petersburg, Berlin, Rome, after the Napoleonic campaign, Egypt had become very fashionable as a topic of conversation in salons. And also in Rome, enriched with the Egyptian obelisks arrived at the time of the Caesars and put back on their feet. With great foresight, Bonaparte had brought with him a large group of scholars (167 including geologists, engineers, writers and artists), who could deepen their knowledge of that very ancient and mysterious civilization. They were all very young, in their early twenties.
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moonctzeny · 3 years
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love to hate me
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request:  celebrity! jaehyun + enemies to lovers + “don’t you want to know how i feel?”
pairing: friends to enemies to lovers! jaehyun x female reader
genre: smut, angst, fluff... this fic has it all folks
word count:  7.514k
warnings: toxic behaviour, public sex, light restraining, jaehyun pulls a ‘white boy punching the wall’ at some point 
summary: “You and Jaehyun meet as SM trainees, developing a friendship until he debuts and you deicde to leave the company and pursue a solo career. When you reunite again in a music show and he acts like he barely knows you, you stubbornly begin a series of hate-brimmed sex rendez-vous. Your touch-and-go relationship continues on, until a song collaboration will force you both to deal with all your repressed feelings for each other”
a/n: this is the longest it has ever taken me to finish a fic.. I have a love-hate relationship with this (no pun intended XD). I hope whoever requested this likes it!
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Of-fucking-course you had to bump into him out of all people at the vending machine. All you wanted was a drink to refresh you before you got up on stage, and now you have to deal with Mr. Too Good For This World and his relentless teasing. His eyes, lit up by an amusement that was also evident in his smirk, stayed glued on your body, raking up and down at it for a second too long. Not that you didn’t like it.
“Stare much?”, you bark at him in hopes of snapping him out of his trance, and push through him to punch in the code of your favorite drink. But alas, he always had a comeback ready on the edge of his lips.
“You look ridiculous”, he states and you have to admit that your outfit, though fitting for the Halloween special of today’s music show, was way different than anything else he had ever seen you in. Reincarnated as Dorothy Gale for the night, your stylists had chosen a short, light blue checkered dress, with red stilettos that gave a sexy twist to the character’s ruby slippers. Hair neatly braided in two pigtails, decorated by ribbons and topped off by glittery pink makeup. The image of innocence. Jaehyun had to laugh.
“Says the man dressed up as Woody”
It was unfair, you admitted, how good he looked in that stupid outfit. His hair was gelled back, a few strands framing his handsome face strategically. The yellow shirt fitted him like a glove, its bright colour lighting him up as well. And those jeans, tight in all the right places, just melted over the muscles of his thighs. The ones that you’ve come undone on one too many times.
“So”, he lilts, giving you a once over before lowering both the volume and pitch of his voice, “want a ride?”
You scoff, sparing him an incredulous look, “on what horse, cowboy?”
He doesn’t reply, only points with his eyes to his crotch that is undeniably sporting a visible tent, and you gasp when you see the outline of his dick twitching under your stare.
“Jesus Christ, Jaehyun”, you mutter with a disgusted look on your face before picking up the almost forgotten beverage that the vending machine had barfed out for you. The boy mentioned, however, was unfazed.
“They don’t call me Woody for nothing”
Almost choking at the drink that was supposed to calm you down, you catch his eyes rolling at you through your third cough. Well, that ruins one of your favourite childhood movies. “Don’t pretend to be a prude. Now are we going to fuck before you get on stage of not?”
You can clearly remember the first time you met Jung Jaehyun alone. You always spotted him somewhere in the SM buildings, joking around with his future bandmates, barely ever without company. As a fellow vocal trainee, he introduced himself to you as Yoonoh, filling up the awkward silence while your vocal teacher prepared the music sheets for the both of you to rehearse.
You were thankful the two of you always got paired up together. Jaehyun was charming, easy to be around, funny. He was a model SM trainee with the otherworldly looks he possessed, almost impossible for anyone’s eyes not to follow him when he entered a room. Radiant porcelain skin, soft brown locks, and a dimpled smile that made your heart melt in seconds.
You can also clearly remember the first time you had the privilege of hearing him sing. Jaehyun had a beautiful baritone voice, one that contradicted his flower boy image but matched his manly personality perfectly. The four walls of the small practice room resonated with his sound, that was stable and smooth like honey. The lessons were challenging but Jaehyun made them bearable through spending time with him. Maybe it was your shared struggles, or how you were always tired and vulnerable when you saw him. Maybe it was those damned dimples, but your heart always beat faster when you were around him.
“Sometimes I get discouraged”, he confides in you in that same room, hours later, early into the morning now. The vocal lesson stretched on longer than expected, leaving you two sitting on the floor, sharing a cup of lemon-honey tea to soothe your vocal chords. You let your head rest to the leather couch behind you as you stare into his handsome features one by one. What time was it? Shouldn’t you be back at your dorms by now? It didn’t matter, this was one of those moments when time seems to stop and life seems unreal. When the only thing that you care about is the person standing next to you, and whatever it is they have to tell you.
 “I fear that I will never get to debut. There’s handsome guys all over the company. I just don’t know if my skills are enough.”  
You thought he was crazy for thinking that way, wanted to scream at him that he’s just perfect and more than enough for the company, or for anything in this world for that matter. But Jaehyun was reserved, the type to always mask his true feelings behind a smile and you were more than glad that he finally opened up to you, that he saw you as someone trustworthy. You didn’t want to dismiss his feelings, so you just pet his hair while you listened to his concerns.
 As you mindlessly gaze at the rainy weather outside, a couple of droplets following their own path down the froggy window remind you that time does run by. Even if every day seemed the same, following the same routine, going to the same classes over and over again.
Jaehyun had this sad look that contorted his pretty face and you hated it, reaching up to massage away the wrinkles between his eyebrows. You don’t know which godly creature made the hourglass of time freeze this moment, nor did you know why Jaehyun leaned forward to capture your lips into a kiss. Maybe it was his way of saying thank you for keeping your ears and heart open for him, for listening to him when he needed it most.
It felt so lovely while it lasted, two young people leaning on each other during an uncertainty that anchored them far away from their emotional shoreline. But life as a trainee isn’t a fairytale and falling in love can have serious ramifications. So you promise to each other that this will be a one time thing, and then you never speak of this night ever again.
Unsurprisingly enough, Jaehyun got to successfully debut, yet you didn’t have the same luck. The company had plans of focusing on their new boy group, thus postponing your debut for an uncertain amount of time. It was hard for you to decide to switch labels, to throw away the years of hope and dedication you had pinned on this company but the faith you placed on yourself was stronger.
It’s years later when you finally get to promote as a solo artist in a different company, and you are happy to say that the decision you made all those years ago was the right one. The exposure you got wasn’t the same as being in a Big 3 company, however leaving SM entertainment has its pros. Flexible schedule, less scrutiny, great creative freedom over your work. 
This wasn’t the first time you have come across your old trainee buddy. Jaehyun had multiple comebacks in a year, so it was only natural that his group’s and your promotions would sometimes overlap. You were only a rookie, and NCT turned out to become pretty popular, so of course the wins were always tied to their names.
The first time you walked past him in the hallways, dark makeup and professional styling making you both almost unrecognizable, you expected a wave, small talk, maybe some reminiscing of the old times. Instead, you got a cold stare or at best, an arrogant smirk coupled with a “Do better next time”. It was shocking to you how much Yoonoh, the boy with the shy smile and awkward social skills, would turn into such a stranger.
How you always ended up sneaking out with him to have a quickie in one of the ready rooms, was beyond you. He rushed you inside before checking both sides of the hallway, cautious to hide from any curious eyes. The coast was clear and Jaehyun doesn’t like to waste time, so he pins you against the door he just closed behind him, face dipped in your neck. You can feel his fingers dancing on the skin of your thighs, eager to explore what is hidden under your frilly skirt, and their delicacy in contrast to his feverish kisses sends a shiver down your spine.
One pretty whine from your lips, then two, three and you can feel Jaehyun smile deviously against your neck. The softness is too enticing for him to resist, so he nips at it skillfully, trying to get a reaction out of you. He recognizes that you have plenty of talent as a singer, yet the symphonies you sing out for him in those little sessions seem to be his favorite.
“Jaehyun, cut it out. I’m going on stage in like, 20 minutes”
“Turn me on then”
Wasn’t he the one that basically flashed you in the middle of the cafeteria for just existing? Isn’t it his hard on that digs against your lower stomach? The demand made you mad, and you wanted nothing more than to entice him with a nice blowjob, only to take a big, strong bite off that cock of his. But see, you had a full face of makeup on and your career is way more important than a fuckboy, so you’ll have to get creative.
Flipping him around so that he’s the one trapped between you and the door, you start to suck on his collarbones , then nibble at the tender flesh. He seems distracted enough by it so that you open the button of his jeans and fully remove his belt from their loops with no objections. Palming him over his boxers to keep him entranced, you manage to bring his wrists together, wrapping the leather around them, then lastly fastening them in place.
His eyes widen in shock when he realizes that he’s too late, wiggling his hands in a futile attempt to free himself. Your laugh is sadistic, making the hairs on his arms stand on edge and you gloat in the effect you have on him. 
Giving your palm a good lick, you form a ring with your fingers, wrapping them around the base of his member. He hisses and drops his head back, thudding loudly against the wall. His cock enlarges and reddens as you move your hand up and down, changing the pressure according to his reactions. Jaehyun isn’t one to express himself freely but there is not much he can do to stop the low moans leaving his lips. Not when you rub circles over his tip with the soft skin of your palm.
He looks so fucking good, all squirmy and desperate and trying to hold himself from saying ‘please’. You almost want to keep going, squeeze him more until he whines and begs to cum, and admire the white beads dripping from his slit and covering your hand. Almost.
You halt your movements with a last strong stroke, crossing your arms over your chest as you stare back at him. Jaehyun tentatively opens one eye to see why you have stopped, only to come across that bratty smile that he loves as much as he hates.
“You should have dressed up as a siren. Seducing people before they realize you are a man eating bitch”
“If you want someone to jerk you off you can go ask one of your little fangirls. I want to get fucked.”
“Let me go then. And you’ll wish you never did”
You scoff at his cockiness, nonchalantly freeing him from his constraints, and the way he immediately has a hold of your jaw reminds you of a predator eyeing its prey. His eyes have a crazy look in them, moving frantically over every part of your body like he can’t decide what to grab onto first. He decides on your hips, bending you over a table full of snacks and makeup tools and flyers of today’s schedule.
“You think it’s funny to tease me like that?”, he asks you with a peremptory voice that signifies you’d better shut up.
You hear shuffling behind you and assume it’s him slipping on a condom, so you make yourself more comfortable on the wooden surface. A hard slap on your ass jolts you alert.
“I asked you a fucking question”, Jaehyun presses brusquely and flips your skirt fully over your ass, pulling your panties down until they’re bunched up right over your knees.
“It’s fun”, you moan out, breathless both from the pleasure and the stinging feeling on your right cheek, “What are you gonna do about it?”
Was the room occupied by one of the artists that have already been on stage? Or will they barge in at any moment to find you bent over and pussy dripping for Jaehyun to finally dive inside you? He chuckled at the sight of you, eyes feasting off your naked body, your ass up just the way he likes it. Not so innocent anymore, huh?
He doesn’t reply to you, aligning himself against your slit and bottoming out in one go instead. Involuntarily, you let out a small screech, the sudden stretch catching you off guard.
“You better stay quiet, siren. Or maybe you would like it if people found us like this? Saw how good you take my cock whenever I ask”
You wanted to bite back at him, but the only sound you could make was a guttural moan. It was embarrassingly loud, and you fall forward to bite your fist and force yourself to shut up. It was effective, yet Jaehyun had other plans for you, pulling your pigtails towards him in a strong grip that has you against his chest in seconds.
“Nuh, uh, uh, siren”, he hums in your ear, his panting making his voice sound huskier and smokier than ever, “How about trying to stay quiet by using your willpower alone? That way it’s more- how did you call it? Fun.” 
He slows down his pace momentarily, as if he’s giving you time to answer him. But the moment you open your mouth to talk back at him, he thrusts particularly hard inside you, forcing a whimper out of your lips.
“Fuck you, Jaehyun”
“As you wish”
Jaehyun was conceited and cocky and a dick, but he was also a good fuck. He kept at it with what seemed like all the energy in the world, fucking you against that table until you came all over him, and your legs gave out. It ended how it always did, with him moaning how fucking sexy you look and how much he hates you, and you swallowing your pride as you swallow his cum. You’d tell each other to fuck off and never bother the other again, until you meet up at the next comeback, to do this shit all over again.
And that’s how things would stay if it wasn’t for that goddamn phone call from your manager.
“...so we thought what better way to promote your new song by recording a duet with NCT’s Jaehyun?”
No, no, no this can’t be happening. No way. Anyone but him.
“Are you sure this is the only way we can promote me? Can’t I just go to variety programs like every other idol out there?”
“y/n, duets by different group members are one of the most efficient methods of promoting there is! And with NCT’s latest song topping the charts this will be a great opportunity for you. Taemin and Sunmi did it. Suzy and Baekhyun, Chanyeol and Punch-“
“Alright, okay, I get it”
“Besides, since you used to be an SM trainee they specifically asked for you. The directors made some pretty big compliments on your work”
Isn’t it a little too late now? Not like they didn’t have the chance to debut you, right? That being said, there isn’t much to oppose to decline SM’s offer; your manager is right and you know it. Saying no to Lee Sooman and giving up a popularity push like that is basically career suicide. Nor could you let your manager know about your and Jaehyun’s little adventures, minutes before you have to go on stage.
“Just send me the schedule. I don’t have to record with him, right?”
“Oh no, they’ll record his part first and then they’ll send it to us. But there will be a music video of course”
Oh for fuck’s sake.
There was this little monster of worriedness that was screaming inside your head, refusing to shut up. This collaboration isn’t going to be easy, but you didn’t want to let Jaehyun’s pettiness get in the way of your career. Fumbling with your phone in your hands, you kept removing and reinserting its case compulsively, over and over again, until you mustered the courage to take matters into your own hands.You knew his number was buried somewhere in your contacts.
you [16:35]: hey it’s me, y/n
Jung Yoonoh [16:50]: y/n who??
you [16:55]: y/n y/l/n? the girl whose guts you were inside in last week? we have a song coming up 😒
Jung Yoonoh [16:57]: oh y/n right
Jung Yoonoh [16:58]: thought you’d have deleted my number
Well you sure have deleted mine, you murmur with your blood boiling, regretting reaching out to him in the first place. 
you [16:59]: i always hoard peoples contacts
you [17:00]: old habits die hard i guess
Jung Yoonoh [17:00]: like the habit of me being inside your guts?
You gasp out after reading his last message, hands awkwardly juggling your phone until you’ve forced yourself to calm down. After waiting for a while, until your face has reached its previous temperature, you feel focused again, and type out your original intentions for this conversation.
you [17:05]: this isn’t what i texted you about.
you [17:07]: we have this project coming up and while I know we aren’t exactly on the best terms, this comeback is very important for me
you [17:08]: and i don’t want to fuck it up
Jung Yoonoh [17:10]: kitty cat, relax. maybe this is a brand new word for you but i know what professionalism is
you [17:10]: don’t you ever and i mean ever call me that again
you [17:11]: glad to see we are on the same page
You didn’t expect a message back, nor did you get one. All you could do from now on, was pray that the promotions would go smoothly and Jaehyun wouldn’t do anything stupid that would jeopardize your collaboration.
------------------------------------------------------
And the day you dreaded finally came. The first day of filming for the music video. 
You had already finished recording the song, a bittersweet balad about two lovers who lost their way, only for their paths to cross again. When you listened to the demo for the first time, it only took three notes from Jaehyun’s pre-recorded verse to spread goosebumps on your skin. His voice was deeper and even more developed than you remember. Long forgotten memories, shoved deep inside your brain so as not to leave a bitter aftertaste in your mouth, came flooding up again. But things have changed since then.
The sky was crying rain and lightning, fitting to the storm inside your head. Normally you'd be excited to film a music video, bubbling with energy and unable to contain a smile. Today, all you could do was let your teeth abuse the cuticles of your left thumb, until little drops of blood ruined the fresh manicure you got for the shoot. 
Following your manager inside the studio, you take a quick glance at all the props the creative directors have prepared. They were very intricate, filled with all different types of flowers everywhere. Some of the fake rooms looked like classrooms, two others were decorated like teenage bedrooms. It was a lot more than you have anticipated.
“The song will be part of a drama OST, that’s why the budget is higher than usual”, your manager tells you as if he was reading your mind. 
He leads you to the changing room, where you try on different outfits your stylist has chosen for you, while simultaneously being briefed on the concept of the music video. It’s kinda cheesy and cute, with you and Jaehyun posing as high-school students falling in love. Certain scenes of the drama, whose plot matches the music video’s, will intercept in between.
You’re seated on the makeup chair, sunk in the uneasiness caused by your co-star. Jaehyun had arrived a few minutes after you, his bare face more handsome than you’ve ever looked in your most glamorous state and you can’t help but stare at him. He is all polite smiles and bows to the staff, and even gives you a formal greeting. 
You’re not sure why you just can’t bring yourself to stop your legs from shaking as the makeup artist patiently tries to apply a rosy blush on your cheekbones. It’s like you’re scared that everyone will see right through the both of you, somehow enter your brain and find out that you’re replaying your last encounter with Jaehyun in the music show’s waiting room in your head. As you try to read through his expression, to see if he’s nearly as nervous as you are, you defeatedly can’t decode what’s going on inside his head. Not like you ever could.
You glance at both you and Jaehyun through the mirror, admiring the youthful makeup. Blushy cheeks and innocent eyes of two teenagers in love, masking the raw lust between two nemesi. It couldn’t stray any further from the truth.
A staff member leads both you and Jaehyun (who is refusing to spare even one look your way) back to the main set. The director is passionately explaining what he wants to see from you in your first scene, but you can barely focus with Jaehyun’s eyes burning holes through your school girl outfit. You block him out and walk inside the ‘classroom’, spotting the cameras and sitting on your designated seat, while you wait for your signal to start.
Of course, you had acted before. Yes, you had expected for the director to ask you for some more intimate moments with your co-star. But when Jaehyun passed you a “love note” from the desk in front of you, looking all blushy and shy and with his dimples showing, you felt that the role of crushing schoolgirl became a little too easy for you to act out. 
And maybe, just maybe he was feeling the same way too. He looked pretty flustered when he saw you dancing across class, shifting restlessly in his seat when you bent forward to tie your shoelaces. Whether you did it on purpose or not, was a question your ego didn’t allow you to answer truthfully.
Most of the individual shots would be handled at a different shoot, so all you had to do was get over this one day with him. That’s what you repeated yourself over and over again. And you did pretty well, smiling charmingly at the camera, with the director praising you for your “innocent look”. You didn’t miss the scoff slipping from Jaehyun’s lips but you were good at ignoring it, focusing on getting through the different scenes in one-shot. 
You were currently leaning your body against the wall, playing with your hair while Jaehyun glances down at you, like a boy that is ready to confess to his first love. 
“y/n, I need you to give me something more shy, more bashful”, the director yells eagerly, but you can barely hear him, too focused on regulating your breathing. The look your co-star is giving you right now might seem loving and pure to the staff, but you know all too well the motives hidden behind his facade. It’s the calm before the storm, the silence he purposefully keeps to make you squirm, right before he whispers the most sinful propositions in your ears. 
Reading him like an open book, you stand still as he leans closer, just enough so that no one besides you get to hear his words.
“Come on y/n, can’t you act bashful? Or is it impossible for you to get embarrassed after getting fucked against the window of a TV station’s building?”
Clearing your throat, you’re suddenly hyper aware of every single sound and movement in the room. Suffocating, even in the light clothes you were wearing, and desperately trying to mute out his words that bring you back to the day he was repenting.
“When you were pressed up against that glass, moaning my name, all exposed for anyone that simply looked up to see, you weren’t too shy, were you?”
You raise your palm to wipe a bead of sweat that has collected on your temple, and breathe deeply through your nose, as if a good pump of oxygen would cool off the sudden heat between your legs. 
“Shut up Jaehyun”, you simply hiss through your front teeth, but he isn’t done yet.
“You know I can’t hold myself when I see you in skirts. So pretty. And you love to tease me in them too, I’ve noticed. Flashing me again and again until you get to suckle on my dick”
You were sure his voice was barely louder than a whisper, but the thought of anyone accidentally prying into your conversation had your whole body raising in temperature. The heat didn’t take long to reach your cheeks and you couldn’t remember the last time your legs felt like jelly, as they do now.
“Perfect y/n, that’s exactly what I’m looking for!”
You blinked back at Jaehyun a couple times, your mind trying to process that the director is cheering you on instead of scolding you to focus. The trembling hands, the fast-paced heartbeat, your big doe eyes. Though involuntarily, you had nailed the scene.
“You’re welcome”, Jaehyun mouths at you just as the staff announces a break. He scurries off to his dressing room without a word, as if he hadn’t just spewed his dirtiest of thoughts on set. It was almost as if he was daring you to follow him, but it’s not like he had left you a choice. You were fuming.
“Jaehyun”, you called out to him strictly but he didn’t acknowledge you, only walked further inside the small room with his name written neatly on the door. He was removing some of the heavier jewellery, rubbing the red lines they had left on his neck and wrist, momentarily catching your eyes on the mirror's reflection. They were misty, unreadable, and with how unpredictable you knew he could be, you decided to close the door behind you.
“Closing the door?”, he muses and in just a few long strides he has managed to trap you between his body and the wooden surface. It is reminiscent of your last meeting at the music show, and the memory of you tying him up doesn’t help with the organizing of your thoughts. “What are you planning on doing to me in here?”
You point one finger against his chest, not enough to create any real distance between you, but it comforts you nonetheless.
“What the fuck was that out there? What happened to professionalism?”
“Relax, kitty cat. I was just helping you act better”. His eyes stayed glued on your hips, once again making you all wound up and jumpy under his stare, “And it worked. You should be thanking me”
“I. Told. You.”, you started, tapping your finger on his sternum to emphasize each word, “Never call me that again. Today’s already hard as it is, why do you have to make it harder?”
He takes one more step towards you, his chest now touching yours and your hand that separated you lands involuntarily on his right peck. As if his presence wasn’t overwhelming enough, you feel a hardness pressing against your thigh, and for a moment you worry he can feel how wet you really are under your skirt. His voice is a low, a deep rumble.
“I don’t know. Why do you have to make everything so hard?”
“You are unbelievable”, you scowl at him and free yourself from his trap. You turn to the big mirror to avoid looking at him anymore, and you come to the embarrassing realization of how fucked out you look right now. You had to get out of there as soon as possible, before you do anything stupid and lose any trace of self control left in you. But not before you gave Jaehyun an earful.
“What I meant was that I am out there, being paid to be all lovey-dovey with you. This is not something easy for me you know. It’s basically prostitution.”
You catch Jaehyun’s eyes in his reflection, and for a fleeting moment they turn a colour that you hadn’t seen them in for a long time. Hurt? Disappointment? Whatever it was, it was gone in a second, replaced by that smile that made him both irresistibly smackable and fuckable at the same time.
“Did it cross your tiny brain that maybe someone could hear you? Staff leaks information all the time! If they found out we were fucking…”
“Were? Past tense?”
“Are. Will be. Whatever.” You sigh, defeated, hiding your eyes with your palms as you face him once again. “Like I said, this is important to me. So no more dirty talk on set. Okay?”
Jaehyun avoided your glance, from embarrassment or uninterest maybe. “Okay”
You continue to sit there silently, but your head is so occupied with a million thoughts that you don’t notice. How you will get through the rest of the shooting, whether your manager is looking for you or not, the coldness of the glass Jaehyun had pressed you against that day. The only thing that snapped you out of it, was him suddenly taking off his shirt.
“What are you doing?”, you ask panicking, but you can’t dismiss the pool of excitement in your belly.
“We have a wardrobe change after the break, remember? And since you refuse to leave my changing room..”
You clear your throat, trying your hardest to rip your eyes away from his abdomen, that you’ve so keenly marked with love bites before. His naked skin must have monopolized your attention way more than you realized, as you can’t remember when he slithered his way closer to you, towering over your height.
“Stare much?”, he almost growls, arousal dripping from his voice.
Every fiber of your being wanted to lurch forward, glide your fingers through his hair and start nibbling at those pretty lips of his. The sexual tension, amplified by the argument you just had, was filling the room like a thick liquid would fill a cup. One more drop, one more second of his staring and it would overflow. It felt so real, that you could feel that drop landing on your forehead. Then another one on your cheek, and that’s when you realized that what you felt was real.
“What the-?”, Jaehyun mumbles as he stares up at the ceiling, a big wet spot staining it and allowing the water drops to slowly wet his styled locks. As you start to put two and two together, someone knocks loudly on the door, making you both jump one feet away from the other.
“Get undressed”, a high-pitched male voice that you recognize as Jaehyun’s manager calls through the door, “the rain is ruining the set. It’s a wrap for today”
———————————————————————
A soft touch on your lower back, an even softer breath making your ears tingle. A tentative kiss on your neck that’s full of purpose and makes you shiver.
And then another touch, this time more south on your body. Fingertips grazing over your sensitive clit. Easily moving through your wetness and finally dipping inside of you. That baritone voice.
“This pussy is mine, isn’t it, kitty cat?”
You look up to meet the face of the familiar voice, only to meet Jaehyun’s baby brown eyes. The pleasure was enough to make you ignore the despised nickname, flowing intensely through your body. You let out a desperate moan, gripping his arms to keep your balance. His fingers are now dragging through your walls and you clench around them instinctively, confused but enamored by his touch. You are falling apart.
“Jaehyun? What are you doing?”
“I want to make love to you”
“Love? But you hate me”
He plants another kiss on the slope of your neck, his hands picking up in pace and making you feel like you’re floating on air.
“Love. Hate. Is there really any difference when I’m here, ready to please you? Willing to make you feel things you have never felt before?”
“You already do”, you admit, only seconds away from your orgasm. The bliss is so close you can almost taste it, but for now you choose to taste his lips. They are so soft and warm that you realize you haven’t kissed Jaehyun since that night at the practice room. How you miss him. Not the group visual, not the idol, not even Jaehyun. Yoonoh.
“Yoonoh”, you moan out against his lips as the pleasure overtakes you, a low buzz humming in your ears, “mmm yes, Yoonoh”
“Who the fuck is Yoonoh?”
You finally wake up, your manager shaking you awake being the first thing you see. The sun’s morning rays are peeking through your blinds, warming your skin in lines. Your phone’s ignored alarm clock is still buzzing on top of your nightstand.
“No one. I’m awake, thanks”
Fuck. That makes it what? The fourth night in a row you dreamt about him?
“Get, up. Quickly. We’re late”
You groaned at the banging of your head that was caused by you getting up so fast. It was early into the morning, as you had to get ready for the mv’s second shooting day. The heavy rainfall wouldn’t allow for the filming to continue for another week, yet aided your growing anxiety of having to encounter Yoon- Jaehyun again. 
You felt a little stupid, like a kid that goes to middle school for the first time, anxious but full of butterflies in your stomach in the thought of seeing him again. You weren’t sure who the anger, that came with the inability to control the fresh feelings bubbling from your dream, should be directed at. Your manager for booking you this job? Jaehyun for making it his goal to have you dripping wet on set? You, for letting it all affect you so much?
You decide on the former, giving your poor manager the cold shower for forcing you to deal with the problems you’ve caused yourself. Checking your phone, you realise that you are, indeed, late, and wonder how quick you’re going to have to make your morning shower.
“Is Jaehyun and his team there already?”, you ask your manager as nonchalantly as you could, feigning mildly interested in his answer.
“Oh, they didn’t tell you? The other team asked for the shootings to continue separately”. You felt your stomach drop all the way down to your condo’s basement. And the icing on the cake: “Jung Jaehyun’s request”
Maybe your manager wasn’t as clueless to your electricity, or maybe it was your sudden impulse to pluck every loose thread of the pyjama top you were wearing that made him sense the discomfort following what he’d just said. He plops next to you on your bed, boards creaking in the silent room and you feel his rough hands patting you on the back.
“I’m sure he had an overlap in schedules and needed a break, nothing to do with you”
But you knew better, and you knew your palms wouldn’t stop itching unless you picked up your fucking phone and sent him a message. 
you [06:30]: i heard you can’t make it to set today. everything ok?
You wish you never did. The radio silence from his number was way worse than any insult, any form of teasing he could give you on set. You even tried calling him, desperate for an answer, a closure even. Maybe he was busy. Maybe the shooting took longer than expected. Maybe he wasn’t avoiding you; one of his managers uploaded his latest story on his instagram, not him. Maybe at the end of the week he would get back to you.
------------------------------------------------------
Going to his dorm unannounced was not a good idea. Waiting for someone to open the door for you, you hope his members will recognise you from your trainee days, or those rare nights Jaehyun sneaked you in when you were both lonely and in need of a… well, whatever you two were.
You’re starting to worry that whoever saw you from the peephole thought you were a sasaeng and called security, when Mark opens the door. His eyes are wide open behind his glasses, clearly not expecting you and immediately yelling for his ‘Jaehyun hyung’.
Soon, the called male arrives at the apartment’s entrance, annoyed for being interrupted from whatever it was he was doing. “What is it, me and Jungwoo are watching the season fina-“
As if Mark suddenly turned invisible, Jaehyun walks right past him, grabbing you by the wrist and dragging you to his room without another word.
Jungwoo, engrossed with the aforementioned show’s season finale on his computer screen, tries to cover up his naked torso in panic when he notices you. 
“Get out.”, Jaehyun orders him, and the younger man knows that his tone is not one to be argued with. It triggers the cold sweat that makes your clothes stick closer to your skin and forces your heartbeat to quicken, pumping blood all over your body. The door closes, leaving you both alone with only the sound of Jungwoo’s laptop still playing in the background. A lighthearted scene that is too oxymoronic against the tension that is just palpable at this point. What the hell were you thinking coming here?
“What the hell were you thinking coming here?”, Jaehyun speaks your thoughts out loud, and you wince at how empty your head is with excuses.
“Are you ignoring me?”
“What?”, he asks dumbly, hoping you would avoid asking again.
“Was it that hard to text me back? Am I such a waste of your time?”
Jaehyun seems angry at your confrontation, his bad mood escalating with every word that is leaving your mouth. He still avoids to look at you, toying with some plushies and decorations next to his bedpost. You realize you never had time to really notice them, barely recognizing them. You always entered the room blindly, pressed up against Jaehyun’s body and with his lips all over your neck, then left as soon as the sex was over. His apathy was infuriating.
One by one, you start to remove all of your outerwear, dropping your clothes on the floor until you’re left in only your bra and jeans. Jaehyun stares at you incredulously, then at the pile of clothes on the floor, unable to make out the reasoning behind your impromptu stripping.
“What are you doing?”
“Getting naked. Seems to be the only time you can actually pay attention to me.”
You reach for the buttons of your jeans, only able to unzip it halfway before Jaehyun has you pinned against the wall behind you, his fingers cool and pressing lightly against your neck.
“I-I fucking hate you!”, he cries, punching the surface to release some of the steam, and lets go of the hold on your neck almost completely. How tempted he is, to just fuck your right against that wall, pour out his anger by pouring out his cum inside you, then ignore each other like you always do.
It’s the easy thing to do, keeping the toxic circle going. All barking and fucking and no real problem gets resolved in the end. He wouldn’t even call a cab for you, preferring to be hated for something he wasn’t than to be rejected for showing the real him. You would still have no idea about his feelings towards you, going around saying how awful he was while asking for a round two. But Jaehyun was tired.
“Can’t you tell that I am trying to distance myself from you?”, he sighs and it’s the first time you’ve ever heard him sound so emotionally exhausted.
“Why do you dislike me so much? We used to be friends and then one day you-“
“Friends? Just friends?”, he interrupts you with a chuckle and a sarcastic puff through his nose, and you shake your head.
“If you also think that what we had was more special than a common friendship then why act like you don’t know me?”
“You were the one who wanted to ‘forget about anything happening and never telling a soul about it’, remember?”
“I thought we came to a mutual agreement! I was just trying to save our careers and it worked Jaehyun, you got to debut and I-“
“And you just threw away everything we had like it was the easiest thing to do! Do you ever want to know how I feel, y/n? First you want nothing to do with me, left the company without even saying goodbye. Then I try to forget about you, become an asshole to keep you out of my life and suddenly you want to jump my bones. One day you just play blind to everything, asking for professionalism and now I’m the one ignoring you? What the fuck do you want? A fuck buddy? A professional? A friend?”
“I want you, Yoonoh. Fuck, I just want you”
You’re not sure which one of you initiates the kiss. His lips are as plump and kissed as hard as you recalled, a couple of tears staining your cheeks that you didn’t realize you were holding back. It felt so right, the way his head pushed and pulled away from yours, always inviting you back to him. One hand was situated over the dimples of your waist, the other lost between your hair, untangling it gently. You decided to lay yours over his heart, feeling its tempo and calming yourself down.
You kiss for what seems like an eternity, so drunk in bliss that you can’t remember how you made it through life without Jaehyun’s taste all over your tongue. When he pulls away from your lips, you almost whine, but his fingertips dabbing at the soft skin of your cheeks feel just as comforting.
“I don’t want us to be like this anymore”, you whisper to him and he nods encouragingly, holding you even closer. “I’m sorry for not reaching out to you all these years ago, I just thought ‘What would a brand new idol want to do with a failed trainee like me’-“
Jaehyun brings your fingers to his lips, kissing all your knuckles one by one and you think you’re gonna burst at the seams. “You weren’t a failure, you were the best thing to happen to me back then”. His voice is so sincere that you don’t dare question the veracity of what he’s saying and you let him continue. “When I saw you again I was so bitter, I decided to turn off my feelings. I think I get too comfortable in that role. I put it on for me, my members, my fans even”, he stops then, laughing sadly, “it’s how I finally got you”
It was your turn to open up his eyes to the truth, holding his face between your hands and admiring its beauty. 
“That’s not true. I kept staying because I knew what was hidden behind all that armor. I guess, the sex was the only way to get closer to you”
“Not because I’m good?”, he jokes, wiggling his eyebrows and you can feel his dimples forming under your fingers.
“Eh, you’re pretty good too”
He starts pecking your neck, his smile obvious in his kisses and you squeal when he lifts you to his bed. Bouncing on the hard mattress, you let him lay his body weight over yours as he gives you a million traces of his love. 
“So, I’m guessing this means we start over?”, he asks reluctantly as he emerges from your half naked body and you hold back from cooing at him.
“I thought you loved to hate me?”
“I think I hate it, but I love you”
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cherryatiny · 3 years
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𝐒𝐮𝐠𝐚𝐫 𝐃𝐚𝐝𝐝𝐲! 𝐀𝐭𝐞𝐞𝐳: 𝐡𝐞𝐥𝐩𝐢𝐧𝐠 𝐲𝐨𝐮 𝐟𝐢𝐧𝐝 𝐲𝐨𝐮𝐫 𝐬𝐩𝐞𝐜𝐢𝐚𝐥 𝐭𝐚𝐥𝐞𝐧𝐭
GIFs are not mine, credit goes to their respective owner
❁ 𝐊𝐢𝐦 𝐇𝐨𝐧𝐠𝐣𝐨𝐨𝐧𝐠
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It was no secret that your sugar daddy Hongjoong is a born aristocrat, as his rich taste in everything showed up a lot. Ever since a young age, he was taught to love art in all its forms. When his grandparents passed away sadly, he was the chosen one to inherit the prestigious art gallery their family ran for more than 7 decades.
Although he wasn't an artist of the top level, his love to express himself through art never died. So the very first day he took over the gallery, the first thing he ordered his subordinates to do, was to clear out the smaller room in the back of the director's office.
Soon after, he designed the space to an art studio of his liking, where he could freely spend his free time painting, reconstructing clothes, or just rest while stimulating his brain to function more creatively.
Soon after he met you and you two got into the sugar daddy relationship, he found his muse in you. At first, it started by him just taking pics of you at the moments he deemed to be artsy, not long after that he however started calling you to his little studio in the gallery he ran. Always making you sit or lay down on the old valuable settee, that looked like the ones from Renaissance paintings.
Taking you by your hand, he showed you the paintings of the new exhibition he was preparing. The paintings harmonized well, all of them tuned in a dark abstract setting. Loosening your hand out of his grip, you grasped his wrist the same he did with your often, dragging him to the office. He was slightly taken by surprise as he did not expect you to drag him there since you haven't agreed on him painting you today. „Lay down, for today, you'll be my muse Joongie.“
He was laying on the settee, looking up at the ceiling, so his side-profile was fully visible to you, as you painted him on the canvas. Mixing colours to your liking, you made the portrait of your Hongjoong look abstract, as it matched the art style he often used.
After hours of painting, when you did the last line with your paintbrush, you sighed out tiredly, wiping the sweat off your forehead as you observed your creation. „My muse, you can come here and admire yourself on the canvas.“ Standing up swiftly, he came over to you, leaning forward, his arm wrapping around the shoulder of your sitting self as he was all eyes on the painting.
„It's... spectacular. I- I'm at a loss of words, why did you never tell me you had a talent for painting my darling? If I added this painting to the exhibition there, I can guarantee you, that this will be the most favoured painting in my gallery.“
❁ 𝐏𝐚𝐫𝐤 𝐒𝐞𝐨𝐧𝐠𝐡𝐰𝐚
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You don't even know why you applied to become Seonghwa's secretary a few months ago, considering you've never worked in this type of branch. But it was probably the best decision of your life because if you wouldn't have applied for the secretary position, you wouldn't have met your sugar daddy Seonghwa.
At first, the work was a disaster as your relationship with your boss didn't start off very well. He was giving you tons of work to do, the stupidest arrangements that were completely unnecessary to make, or the most boring workshops and meetings to take you to with him.
But after the one night at a business conference in Milan when you two got closer than one would expect you to and got into the sugar daddy relationship, his attitude to you drastically changed.
Your secret relationship also made him give you easier and different tasks to do, he as well deemed you to be more reliable than before, which resulted in him giving you free hand in literally everything. He was actually taken aback by how competent you were at your tasks. Doing everything you were told to do, ten times better than he would have probably done.
One night, as you two were cuddling on the couch in his place while looking out of the large glass wall with the sighting of the whole town, he spoke out, „Y/N why didn't you tell me you had such talent for scheduling, strategic planning and business stuff? I should have made you the director of strategic planning or something like that. But then... I get to be closer to you when you're my secretary, my beautiful baby.“
❁ 𝐉𝐞𝐨𝐧𝐠 𝐘𝐮𝐧𝐡𝐨
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„Ah, shit! The actress who was supposed to play the walk-on in the hospital scene with Yunho, can't get here as something happened to her. What do we do now?“ yelled the director out of frustration as the actress announced she can't arrive just a few minutes before they were supposed to shoot.
You were just finishing your sugar daddy Yunho's outfit for the shoot as you were the main costumer for this k-drama. Yunho stood up from his seat as you finished his stylist, bending down to plant a kiss on your lips, before going over to the director with a worried look on his usually joyful face.
You were clearing off the stuff you used on him back to where it belonged to. Eyeing Yunho talk with the director from distance, the two of them occasionally flashing looks at you. When they stopped talking, Yunho jogged to you with the beaming smile you knew that well on his face. His puppy-like features always flashed out when he had any good news, giving him the look that was asking him what he wanted to say.
„Get changed. You've got the role of the girl who's missing.“ you raised your eyebrows at what he just said, taken aback as you did not really understand what he was talking about. You and acting? „Come on, get dressed, we don't have much time. Here's the script.“ handing you the bunch of papers and the outfit the girl was supposed to wear, he motioned for you to go to the changing room.
You wiped the sweat off your forehead as you went away from the shooting site. „Wow, ms. Y/N, are you sure you didn't study acting? Although it was supposedly your first time acting, it was so natural. Wow, I'm glad Yunho showed you to me, you are for real like a hidden gem. Would you... maybe be interested in any more acting in future?“ asked the director with a glance of hope in his eyes after you finished shooting the small part in the k-drama your sugar daddy was starred in. Looking at him, wondering what Yunho's opinion was, the proud and encouraging smile on his face hinting that he really wanted you to accept the offer made by his boss.
„I'm so proud of you princess. My little talented actress, I love you.“
❁ 𝐊𝐚𝐧𝐠 𝐘𝐞𝐨𝐬𝐚𝐧𝐠
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Groaning softly, you rubbed your eyes as you sat up, looking at the empty spot beside you. You were sleeping at Yeosang's home, but as you could see, he didn't seem to be sleeping. Slipping your feet into the fluffy slippers with rabbit eyes, you wrapped your body tighter in Yeosang's shirt you were sleeping in, as the air was rather cool.
Opening the door of his bedroom, you went down the stairs of his apartment, down to the living room where a small table lamp was lit. Your sleepy sugar daddy sitting by the desk covered in many papers that seemed to be related to his prosecutor work.
Approaching him, you caressed his shoulder, which woke him up from his quick nap, „Mhm, Y/N. You can go back to sleep, I'll be there soon, I just have to finish this.“ You knew well that that wasn't the case and he won't be there soon. Sighing, you wrapped your arms around his neck, sitting down on his lap, his hand caressing your exposed thighs. „What are you working on, Yeo?“
„I'm treading through the case files, but I just can't take the next step. The police want me to indict him of murder, but the defendant is justifying himself saying that it was an accident and that he should be only indicted of manslaughter.“ Taking the case files from his hand, you read through them since your unbiased opinion might be of help to him.
Taking a pen from his desk, you underlined the facts you thought were important in your lay opinion. Handing it to him, he read focused on the underlined sentences, his eyes lighting up in hope. „Oh my god, Y/N. You're the saviour of my life, this is the core issue but it hasn't even struck up to me. I love you so much, my little prosecutor.“
❁ 𝐂𝐡𝐨𝐢 𝐒𝐚𝐧
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„Sannie, could you please tie my swimsuit?“ you held your hair in a ponytail so it did not get into the way as San tied the ribbon on the back of your swimsuit. You smiled at him as a way to say thank you, leaving the hotel suite your sugar daddy San reserved for you two to enjoy your vacation to the fullest.
San took your hand in his, your fingers intertwining as you walked down the hotel's luxurious corridors to the private beach. „Now, what does my beautiful baby plan on doing today?“ questioned san as he pulled you to him as close as possible. „Hm, I don't know, I'll probably do nothing all day long, just lay on the beach and sunbathe.“
„Then I'll keep you company while you do your nothing.“ giggles were leaving you two as you talked more while on the way to the sea. But as you started nearing the beach, loud dance music coming from the speakers. „What's that...?“ As you got to the beach, a group of people was doing dance work-outs there to the rhythm of the music.
„I have no idea what they are doing, but let's try Y/N“ and without giving you a chance to protest, San tugged you there by your wrist, right to the centre of the imaginary dance floor. He started dancing just as the instructor did, gesturing you to do the same.
Soon after you submitted to his nagging, doing the same as him to the rhythm of the energetic music. „Y/N, you're doing so well. Would I have known about your talent to dance, I would have taken you to some studio a long ago.“
❁ 𝐒𝐨𝐧𝐠 𝐌𝐢𝐧𝐠𝐢
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After that one ball, you two met together at, you got invited to countless more balls to keep your boss company. Over that many times you two spent together, you get to know each other more and more until eventually, he somehow became your sugar daddy and boyfriend in one.
Tonight was very special, Mingi as the chairman of one of the biggest conglomerates in the country, got invited to the ball held by the president for the most influential people in the country. And when he stopped by your apartment with a beautiful night-robe, a pair of brand-new heels and a golden envelope with the letter of invitation in it, you almost fainted from the delight you felt.
Sometimes he couldn’t help but watch you like a movie on nights like this. Because you seemed so interested in these events, that it truly amazed him how you could act so interested in the talk of the attendants when it bore him to death. You just seemed so natural at attending events like this, you could dance, you knew all the protocol rules, you could pretend interest or know how to answer to the business talk others often held with you. He just couldn’t help but admire the talent you had for the formal events.
Excusing you from their speech, Mingi wrapped his arms around your waist, taking you to the middle of the dance floor as your favourite dance song was playing. Moving slowly, you melted into his touch as you enjoyed each other’s presence dancing the slow dances. „I'm amazed my dear Y/N, I can't bring myself to be interested in talking to these egoistic geezers for more than 5 minutes. Thank god I have you, my talented princess.“
❁ 𝐉𝐮𝐧𝐠 𝐖𝐨𝐨𝐲𝐨𝐮𝐧𝐠
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When you spent the night at your sugar daddy Wooyoung’s place, you usually weren’t allowed to even be near the kitchen as he insisted “he treats his princess food and she shouldn’t cook, because what if she cuts herself?” so today, as he had to rush to the work early in the morning because of some urgent, leaving you in his immense mansion alone.
And that meant you had a free pass to cook something in his kitchen. But seeing how emptied his fridge was, you opted for something more simple in a form of stir-fried tofu with vegetables. Washing the fresh vegetables thoroughly, you dried them, placing them on the breadboard, to cut them. All of his knives were sharp as Wooyoung was doing his best to keep his kitchen in the best state.
Throwing the tofu cubes onto the pan with a heated droplet of olive oil, you stirred them until they roasted into golden colour, adding the cut vegetables and cooking rice in the meanwhile. Not at all realizing that there was a pair of eyes watching you from the doorframe.
Leaving you like that, Wooyoung in the meanwhile went to change into some sweatpants and a t-shirt, maybe a quick shower. And so when he came back, you were already turning off the stove. „Well, well, well, what do I see? Looks like someone used my kitchen behind my back.“
You jumped in your place lightly, your breathing heavy at how startled you were upon Wooyoung talking to you out of nowhere. „Jung Wooyoung, for how long have you been there?“ he put on a grimace, pretending to be pondering over it. „Probably ever since you added the veggies to eat and started singing to those annoying songs.“
„They’re not annoying, you’re just too old to understand them. Anyway, if you want to nag at me for using your kitchen, do it after you taste my delicious meal. Seems like you were in rush this morning, so you probably haven’t eaten anything“ Placing the plate in front of him, you sat opposite of him, waiting to see what his reaction would be as he had never tasted your cookings before.
„Mhmm, are you sure you’ve cooked it yourself? If so... why have I never let you in my kitchen, when this is so delicious? Gosh, my princess is such a good cook.“ Your smile was full of delight at his compliment as you watched him stuff his mouth full of your food.
❁ 𝐂𝐡𝐨𝐢 𝐉𝐨𝐧𝐠𝐡𝐨
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„Y/N, I’m going to the restroom, you’ll wait for me, right?“ you nodded, watching your sugar daddy Jongho leave the studio. Standing up, you sat down on the now-emptied armchair in front of the PC screens, your eyes scanning the colourful music segments on the screen.
You picked up the sheaf of papers with the notes to his newest song, along with the lyrics he’s written himself. Your eyes ran over the notes and the lyrics and as you were re-reading the text for the 3rd time, you started humming to it, trying to get the right melody Jongho was intending on having in the song.
Opening the door to the studio, Jongho noticed you sitting on the chair, your back turned to him and that resulted in you still being oblivious to his presence. And he didn’t dare to make a move, standing in the door-frame and watching you humming to the song in amazement that you weren’t tone-deaf like most non-musical people were, as you hit all the tones.
„Woah Y/N, are you a trained singer or something? Why didn’t you tell me you were good at music? I would have taken you here long time ago...“
❁ taglist : @galaxteez @gyubaby @bobateastay @tinytinyblogs @ateezinmymind @chososchaos @cvtiehoon @a-soft-hornytiny
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defdaily · 3 years
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BEAUTY+ Magazine May 2021 issue featuring JAY B: The Second Act
Translated by defdaily
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Among the past, present, and future, which do you think about the most?
The present. I believe that the present is the most important. The future makes you worry constantly, and the past makes you regret constantly so I try not to think about them. Now, I try to make decisions I won’t regret.
Do you think about your current state and things you want to do?
I contemplate a lot about the state of my emotions or what to do in my current situation. Ever since I was young I thought it’d be good to live like the flowing water, tranquilly. You know how water changes its state based on its surroundings. I want to be someone in the free water-like flow.
Has your life until now been like free-flowing water?
My life itself may seem spectacular, but I think the flow of my life itself has been. There was a lot I was lacking in since debuting with GOT7 but I tried my best to show a colour suitable for GOT7. I changed myself according to the container I was in, and instead of being stagnant in one place, I think I flowed here well.
You seem to be careful with choosing an agency. What factors are you contemplating about?
I think about whether I will suit the company. It might be tiring for others to see because I’m so meticulous, and I may seem selfish but I think that I should be selfish right now. My future depends on it as well as the future of the company I will be going to. I think I will have to be selfish for both sides to produce good results.
The members showed their natural sides in the Encore music video. Looking back to 7 years of GOT7’s activities, what is the most memorable moment?
Since we’re performing artists, I remember a lot of moments on stage. 2-3 years ago in Thailand we performed our solo tracks for 7 days and then performed OUT all together as a group. I think a lot about how we were all so excited to perform. I think of those times we were together as seven.
What kind of team was GOT7? Judging as a leader?
The direction of GOT7 I thought of was a fun and free-spirited team. Since Look came out, I’ve been telling the company that we “shouldn’t try too hard to set the mood or look cool. Songs with a style like Look will be our strength.” I don’t think things turned out the way I thought they would. But as you can see from our last album’s song ‘Breath,’ it feels like we went in circles and came back to our original spot. There is some regret about how it would've been good to go more in that direction, then we could’ve shown a more solidified colour. But as a result, it’s a fact that we became a team capable of pulling off various colors.
Did you make those suggestions thinking about the members, because you thought it was what set you guys apart from other groups?
I talked a lot with my members. It seemed like they had the most fun with bright, fun, and chill performances. With performances like that, we think about harmony rather than how each of us can look cool. It leaves a greater impression on the fans when we are visibly having fun.
It seems like the public has also watched over the growth of JAY B. Starting as a bboy to a main vocalist, and writing many remarkable K-pop songs. You also played a huge role in establishing GOT7’s colour. What led you to grow and develop in that way?
I thought that if I felt like I wasn’t growing, then I should quit music.
Does liking it not serve as a reason?
Because it’s my job. Being able to do what you like as a job is something to be grateful for. But if my skills don’t meet the standards and if there is no growth despite my efforts, it’s only right to do it as a hobby. I didn’t think that there was no growth when listening to my music. I thought it could work if I tried a bit more.
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What was a song you feel like you reached a new level?
‘Teenager’ and ‘PAGE.’ I think the team’s color was completed with those songs. It helped me realize that I had the potential to write such songs. At first, I was persistent with sticking to my musical color. Later, I changed my thoughts and decided I should write songs suitable for GOT7. It’s something I should obviously do as a member of the team. I think that’s where ‘Teenager’ and ‘PAGE’ lined up very well.
The album 7 for 7 containing ‘Teenager’ was a turning point for GOT7. Through that album, we got the feeling that you guys found your color and most importantly, the quality of the songs written by the members was great. What happened during that time?
I think that’s when our potential exploded (laughs). GOT7 had three turning points. The first was ‘Stop Stop It.’ We heard the song and thought “Wow, this is it.” But the outfits were a bit regretful. The music and the visuals didn’t really match. We wore overalls (laughs). The second turning point was when the Flight Log trilogy was released, and the third was ‘Teenager’ of 7 for 7. That song later led to ‘Look’ and we got to sing ‘PAGE’ and ‘THURSDAY.’ Then we suddenly tried to change our direction to ‘ECLIPSE’ and ‘You Calling My Name’ but eventually ended up back to ‘Breath.’
When you listen to ‘Look’ or ‘PAGE’, do you feel like GOT7’s musical colour reflects your own preference and style? And you’ve made many GOT7 songs with ØFFSHORE crew.
It’s hard to say it wasn’t reflected. But according to my standards, they are songs I wanted to write for the team. I talked a lot with the crew about what (kind of song) should GOT7 do and what would suit GOT7. ‘Look’ was a song that was released because the mood suited GOT7 well. After that it was ‘PAGE’ and ‘THURSDAY’. Our colour was included naturally.
The 8 members of ØFFSHORE are consistently releasing albums. How is that taking place?
We talk about what we feel and decide on a theme whenever we want to release an album. When we decide on a theme, each person would write songs relating to the theme, we select songs and release an album. The themes usually come up as we are talking casually about life. For example <Scene 1> contains the process of leaving on a trip until coming back. Rather than the lyrics, the moods of the songs are like that. When you start the trip you listen to fun songs then (we) get a little calmer as the trip comes to an end. I organised the order of the songs for <Scene 2>. When talking with friends, you usually start by talking about work then you talk about life, the future and then you end up talking about love and relationships. I organised it as that kind of story. There is no specific goal. We spend the revenue from albums on production for the next album. Because everyone in the group are people who make music, there are things that were settled music-wise through these promotions.
You must have been influenced by your friends a lot not only musically, right?
Yes, of course. Regarding life too. I listen to what my older brothers/friends and my parents have to say. I think about the stories of the people who experienced it first once again. One older friend said “We are not doing this for a huge goal, don’t get stressed and let’s just make music.” When I was pondering about how to do better, I heard that and it hit me. Should I say, those words painted my life with colour. I felt like working with energy and strength didn't suit me at the time.
Is it true that you have made 3 albums? Do you only work on songs every day?
Yes. I usually stay in the studio when I can't do my hobby. And since the people I meet are friends who do music too. I don’t know if I can release an album but I’m preparing and working on it.
What kind of albums are they?
In the past, I made powerful “performance-type” songs, but for this album the mood is calmer and the sound is minimal. There is an acoustic feel too. There is a soft tender album, a sad album and a melancholic album too.
Where did the desperation come from?
The desperation of life. I can’t talk about it in detail but there was a topic I really wanted to talk about when I made the album. It could become an album that people frown upon. But, for the music I do alone, I thought I should include honest stories that match my situation.
Did you write about the pain and difficulties you’ve felt all this time? On the surface, you seem to be a recognised leader of a successful idol group, but you must have faced difficulties.
Yes. It’s one part of my life too. Looking back, the difficulties were caused by my own tendencies rather than external factors.
Is it because of the perfectionism you push onto yourself? It seems like the uncertainty and fear contributed to creating your current self.
Yes, I’ve never thought of myself as a perfectionist but people around me often tell me so. They must have a reason for saying that so I ended up acknowledging it myself. I was really ambitious with GOT7 too so I felt a lot of disappointment and stress. I work hard because I know if I don’t, it’ll come back to me as regret. It’s okay to look back to times when I didn’t know well enough and think, “I should’ve done this, I was naive.” What I hate is doing just enough because of reasons like lack of stamina despite knowing what I need to do and knowing that I’m not yet satisfied.
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Until now, you’ve made music with the name Def. and through the JUS2 comeback, you also let us hear dreamlike songs from a baritone. Escaping from the category of idol, you now need to create a new identity – is there a kind of music you would like to do fresh?
It’s hard to say it rashly now but, whatever I do, I want to do it properly and solidly. I do prefer a relaxed and easygoing mood, but when it comes to music genres, R&B, hip hop, urban and pop will definitely be the groundwork. However, I do hope that my image will not be fixed to one (genre). It’s no fun to keep doing the same kind of music. And I’m sure there are times when I’ll have to become a little wilder. It’d be great if (I had) a free image. I also hope it’s an image that I won’t be embarrassed of. After coming to a new company and releasing an album, if it doesn’t do well, I think it would be right for me to leave.
Aren’t you fearing failure too much? How would it be possible to achieve what you wish in one go?
Of course, I’m scared. I’m very afraid of failure. Naturally, it won’t be possible to succeed in one shot, but I do have the standard of my Maginot line*. That is what I am referring to. I am usually the type that thinks of the negative things first. It’s not good to be unprepared for the worst-case scenario.
*Maginot line – taken from the fortifications that created the French line of defence, now coming to mean “a defensive barrier or strategy that inspires a false sense of security”
You’ve said that GOT7 has not disbanded, however since all the members are under new companies, coming back together as GOT7 will not be an easy thing to achieve. What kind of method are you thinking of?
I’ve talked a lot with the members. It’s our goal to write one song each month for GOT7. If it’s 1 year, then that’s 12 songs. All our members write songs, so if each one of us does that, then we can accumulate a lot of songs. Everyone is in different companies which will have their own situations, so I can’t make promises for certain, but our goal is to release one album every year. It would be great for that to happen, and I personally think that it should happen. Because that is the minimum courtesy we should show to our fans. It would be even better if we could have a stage.
It would be a new concept.
We heard that the release of our song ‘Encore’ was in an unprecedented manner, and this made my sense of duty and responsibility bigger. Because the steps we take in the future could influence the direction that others may take in the future too. I thought it was the end, but it’s only just the beginning,
Amongst your many hobbies, is there anything you would like to recommend?
Camping. Activities such as setting up tents and cooking really make you think. Even just sitting down in a chair surrounded by nature is really great. Waking up to the sounds of birds singing is amazing; the sound of water running too. Recently, I bought a folding furnace and create my own little fire space. It could be seen as something embarrassing but while having the fire there, if negative thoughts come up, I write it down and then burn it in the fire. If you think that camping may be tiring, glamping would be good too.
Since the name of the magazine is Beauty+, I wanted to ask, is there something that you thought was beautiful recently?
People passed by me laughing and making some noise, and as I saw that, I thought that laughter was something really beautiful. I realised why smiling and laughing is a beautiful thing. It’s not just laughing or smiling, but the emotions that encompass that are really so beautiful. Everything natural is beautiful.
Translated by defdaily.
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silvermoonchan · 3 years
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the 1 | bang chan
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❀ Pairing: Chan x reader ❀ Genre: angst (but not too much, I promise), idol au. ❀ Synopsis: Trying to let go is hard, especially when the ending isn’t what we wanted, imagined or expected. But sometimes it’s okay to let go - and it doesn’t hurt, not anymore.  Based on Taylor Swift’s The 1 - “I persist and resist the temptation to ask you, if one thing had been different, would everything be different today? But it would’ve been fun if you would’ve been the one.”  ❀ Warnings: none (I don’t think, let me know if you notice any!) ❀ Word count: 1.4K ❀ Series: Memories, teardrops and shooting stars ❀ A/N: this is the first thing I wrote in... 4 years? 5? So it’s not the best and english is not my first language so... yeah, hope you enjoy!
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Missed chances, fate, life; simple things we mention in passing to explain something, to justify an outcome or simply to reassure ourselves. Things that could and should be reasons why something happened or didn’t happen for that matter. As human beings, we cannot let things go, we need reasons and explanations. We wonder, we ponder, we imagine and dream up alternatives and possibilities. Could it have happened differently? Could it have ended differently? What if we had arrived one minute later or left a minute earlier?    What if. Could have. So many questions. So many possibilities. So many uncertainties.  Oh how we love those and can never let them go. But sometimes, just sometimes, a day comes when we don’t feel the need to wonder or imagine anything else anymore. We just remember and smile, happily or bitterly. Because it just was and that, in itself, is enough. You never thought this would be you. You never thought you would one day stop asking yourself the dreaded what if. You really thought it would always be there, in a tiny corner of your mind. How could it not? It had taken you so much by surprise, the way it had happened, the way everything had unfolded. You here, him there. How unexpected.  Three years later and you could finally feel yourself letting go of it all. The questions and regrets and hopes. It was done, it was in the past. You couldn’t change any of it. You didn’t want to, not anymore. You were happy, he was happy, no need to change any of it. Even if you would never see him again except through your tv and on the subway ads. But that was okay too. It was the way it was and that was enough.
❀❀❀ Two kids discovering Seoul and its secrets, basking in sunshine and dancing in the rain, full of dreams and hopes, wishing for the stars but content to live among the clouds. That was you and Chan, it had always been.  You were so young, so naive, thinking the world was there for the taking - it was just a matter of time. But time was never on your side, it was always running away from you. And you realised it in 2017, four years after meeting Chan for the first time. Entering a kpop agency had never been in your dreams, or even ever on your mind to be honest. You knew about them, you liked the artists they represented and pushed on the stage. But you never thought you would one day try to be one of them.  Before that fateful summer of 2013, you would have laughed at the idea of ever singing or dancing in front of anyone but yourself or your mother. But then, during a hot July day, you were out, just turned 16, giddy and feeling so grown up. You saw the JYP banners, the staff in their bright blue t-shirts, the swarm of hopeful teenagers crowding them. Your friends and you exchanged mischievous smiles, laughed and ran to join them all. It couldn’t hurt to give it a try, just for fun, a way to make good memories you could fondly remember when you would be older. You never took it seriously. Maybe you should have. Things went so quickly. A five minute audition in front of a small team of assistants led to a bigger audition in front of important people, which eventually led to an offer and questions and decisions. And that was it, you were now a kpop trainee. How strange. How unexpected.   On your first day, your shy and quiet self walked around the company building with reverence and awe, still not believing you were actually doing any of this. You kept wondering if you had made the right choice. Maybe you should have said no. But, in the end, you never regretted it. Because that first day, you met Chan. And you would never regret meeting Chan. Never.
He was so confident for a teenager, not even hesitating a second to approach you and introduce himself and assure you everything would be fine. You instantly believed him, him and his dimples and sweet smile. He was so kind for a stranger, it was surprising and lovely and you could not get enough of his kind eyes and reassuring words. You knew, right there and then, that you would never forget this boy so far from his home. You knew he would be someone you would forever cherish and remember lovingly. And even after all this time, all that happened, that was still true. Time passed, you sweated and sang and danced and cried and fought to keep your place in the agency. It was hard, so much harder than you thought, but you kept on going, kept on pushing yourself because Chan believed in you. And you didn’t want to disappoint, you didn’t want to lose him. So you kept on fighting and getting better, week after week. You didn’t see each other as much as you would have wanted but those stolen moments between practices were like little treasures you could not get enough of. You secretly shared snacks and smiles. You built memories in practice rooms and studios, hidden away from others. You loved it. And you loved him.  It took you so much time to realise it, even more to admit it to yourself. You loved him, Chan, your first friend here, your  anchor and light in this tough, scary world. It terrified you. Those big, overwhelming feelings.  But then, on a late night, while hiding away in a studio, as usual, you both exchanged this look that told you that maybe, just maybe, those feelings would not be the end of you. Maybe, just maybe, they could be a new beginning rather than ending. And it felt that way for so long, god, those weeks had been some of the best of your life. The secret smiles, quick kisses, brief hugs and stolen moments, they were your everything and meant everything. It felt like you had reached the stars and were dancing amongst them every night, celebrating something only Chan, you and the sky knew. It was exhilarating. 
But you crashed back to earth in 2017, that fateful day you were gently told you were good, but simply not good enough for JYP. It was over, you were being sent back to your parents, with broken dreams and no idea what you were going to do. He promised you nothing would change, that it didn’t change the way he felt. But you knew that it changed everything.  So many nights you wondered what would have happened if you had joined another agency rather than quit all hopes of becoming an idol. Would it have changed anything? Would you have kept in touch? Would you have been by his side when he debuted, a proud smile on his lips and stars in his eyes? You spent so many minutes and hours imagining what could have been if you had fought harder, if you had kept hold of his hand and love. But you had taken the decision to let it all go when you left, your suitcase in hand. You didn’t want to hold him back from his hard-earned dream. He deserved better.
❀❀❀ You had spent so many years so sure Chan was the one, so many days and nights basking in his light and dreaming big, wonderful dreams with him. It had been so obvious and perfect then. He simply had been the one. And you had spent so many years since then wondering, pondering, imagining. What if. Could have.  You couldn’t escape him, his face everywhere on tv, social media and ads. He had made it and was thriving. You kept an eye on him, on his band. Because you would always love him. Because he would always be the one. But now it was time for you to stop wondering, pondering, imagining. It was time to let go.
Today marked exactly three years since you had last seen Chan and hugged him and kissed him, since you had left a dream and a part of your heart behind. You couldn’t help but smile when glimpsing his dimples and kind eyes plastered all over the subway station. Yes, it was time to let go. And you were happy to do so.
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stylesnews · 3 years
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“Feeling good in my skin/ I just keep on dancing,” Harry Styles sings in his latest single, “Treat People With Kindness.” And in the song’s exuberant music video -- which has garnered 17 million YouTube views and counting since its debut on New Year’s Day -- he does just that: Wearing a sequined jacket and bow tie, he chassés, spins and flutters jazz hands like an MGM musical star (with a little help from his equally debonair partner, Fleabag’s Phoebe Waller-Bridge).
Styles shot the video in early 2019 after several weeks of training with choreographer Paul Roberts, a collaborator since his One Direction days. “I think somewhere in the back of my mind, I knew this could be something special,” says Roberts, a veteran stage director and choreographer who’s worked on videos and tours for the likes of Sam Smith, Katy Perry, Diana Ross, and the Spice Girls (their Spiceworld stadium tour).
Watching the explosive fan reaction to Styles’s little known dance talents -- including from the Spice Girls, who've “sent lovely messages" about the video -- Roberts says it seems like "Treat People With Kindness" arrived at the precise right moment. “Most people’s comments are, ‘I’ve not felt that happy for three and a half minutes in a long time,’ or ‘I smiled from ear to ear the whole way through.’ It’s a positive light.”
He spoke to Billboard about Styles’ intensive training process -- and why he wouldn’t be surprised to see him dancing onstage again.
There’s been one pretty overwhelming reaction to this video: “This is the guy who was in the group that insisted they couldn’t dance?!” Did you expect this kind of reaction to Harry dancing? I’ve been with Harry for 10 years: I was with the One Direction boys from the beginning the whole way through their career before they took the hiatus, and they always made a very conscious decision that they didn’t want choreography as part of their brand -- but they did want a kind of disheveled organization in order to allow the cameras and the lighting to stand a chance in terms of presenting them in the best manner possible.
What was very evident to me was that all five of them, and then it obviously became four, they’ve all got their own magic. The only time I’ve experienced that was when I worked with the Spice Girls. I always knew that they had special skills aside from what they were in One Direction, whether it was movement, songwriting, being able to handle the business side of things. For such young lads they were very astute and very decisive.  So, getting together with Harry -- he’s a bit of an alchemist, is Harry. Everything he turns his hand to turns to gold. Where did the initial dance-centric concept come from? Harry and the directors, Ben and Gabe [Turner], sent me a video link to the Nicholas Brothers scene from Stormy Weather and Harry asked me, "How long do you think it would take to dance like this?" I was like, "OK, are you being serious?" "Yeah, I’m being serious."
That is probably one of the most standout dance sequences ever captured on film -- so I knew we were aiming high. I said, "Why don’t we go into a studio and let’s workshop some choreography, some moves, some short sequences, and see what your ability is, see how we can tailor this to make you look the best you can possibly look." Obviously it would take some investment in terms of rehearsal and commitment, I told him it would be mentally and physically exhausting, but I thought, "My God yeah, let’s do it; this will be an adventure."
How long did the whole process take? We started in mid-January 2019, and we rehearsed and workshopped for about four to five weeks before the shoot, every day. Both Harry and Phoebe had other things going on, so, for instance, Phoebe was working on the new Bond movie in Canada, so I sent my assistant to Canada to work with her. I stayed in the U.K. with Harry, and then we went to L.A. where Harry shot two more videos, for “Watermelon Sugar” and “Falling.”
At the end of the “Watermelon Sugar” shoot, he wrapped, got in his car, came to the dance studio and we rehearsed into the night. Knowing how short a time you sometimes get with artists even for really big performances, I thought the rehearsals would dilute and we’d lose momentum, but both Phoebe and Harry were so committed.
What was the process in the studio like with Harry? We didn’t even use his [vocal] track to begin with -- we used different big band songs, some contemporary alternative music. It was just about finding his [movement] language first and foremost.  Then we developed the choreography and sent it to the directors, who gave us feedback. We enhanced the work a bit more, and then once we had some really solid sequences, Ben and Gabe storyboarded the scenes against the timeline of the music.
At this point Harry and Phoebe were still working separately, and then we joined forces in London, where we really started to refine these sequences of choreography we’d developed, trying to find the finesse and the style, almost making sense of the movement for them so they felt they had a dancer’s way of working the movement through the body. You’ve worked with a wide variety of artists, many of whom aren’t dancers first. How do you find, as you put it, the “language” of movement that makes sense for each of them as individuals?
I think the general answer is really communicating -- listening and understanding what the artist’s desire is. And also collaborating, so you don’t get too lost in yourself as a choreographer. What looks good on you might not transcend to the artist, or even necessarily the dancers.
With Harry, what was important within the language of the choreography was that it felt joyful and had personality. Him and Phoebe, with the work she’s done with Fleabag, you associate them and what they do with a sense of style, a real confidence, but at the heart of it it’s entertainment. And with the amount of time and budget we had, which was such a luxury in this day and age, we wanted to do something that pushed both of them out of their comfort zones. We tried to make it as athletic as possible but without compromising them as artists and becoming too comedic. We wanted it to be a bit quaint and cute in places, but we definitely didn’t want it to be thought of as nonsensical or silly.
Harry’s movement in the video is so crisp and precise, even his hands and arm extension look very dancerly. Did that come through a lot of specific work with you? As a songwriter and artist, for Harry it’s about detail, about pushing yourself to be the best. He’s always got questions: "Why are we doing that? Should we be doing this?" We got to a point during the rehearsal period where I brought in a ballet teacher, really to just get Harry and Phoebe to open themselves up from behind their shoulder blades, have an idea of extension, the lines that extend from your center all the way to the tip of your finger. I’d be saying, “Your arms Harry, your arm line!” Asking him to push his shoulders down, lift his carriage up, extend through his breast. And when he hit those lines, he’d be like, “Oh yeah, that feels different.” It’s funny: We spent a couple days apart -- he had to go off and do a gig somewhere -- and I was like, “I hope you’re rehearsing when you’ve got some downtime, dude!” And he sent me a picture in the gym with his arms in the most beautiful balletic arm line! I was like, "Yes, by George, you’ve got it!" Besides the Nicholas Brothers, did you have any particular dance references in mind for the feel of the choreography? I just delved into the MGM archives. Obviously [Fred] Astaire and [Gene] Kelly, the two greats -- especially with Astaire, we loved how sometimes it seems so effortless yet a bit throwaway, not totally totally perfect always.  We enjoyed the moments from him of “I’ll just do a bit of this,” “I’ll just walk off camera left,” the dropping in and out of movement.  We loved the duet “Moses Supposes” from Singin’ in the Rain, for Gene Kelly and Donald O’Connor -- we loved the camaraderie between them, which felt a bit goofball at times, and just that wry smile, the look to the left, knowing your partner is there and has got your back. It feels fizzy, it feels joyful.
And yes, there was a massive core of MGM-ism, but at the same time an absolute huge dollop of Harry-and-Phoebe-ism. It was important to us to feel a bit more contemporary, so again we stay true to Harry and Phoebe as artists. Has Harry indicated any interest in dancing more going forward?
We had a conversation back at the end of the summer about how much we enjoyed the process, and I know he was doing another project where choreography was involved, so we were just talking about it and how he felt. Coming from where he came from to what he was about to do, he felt he could be pushed even further. I don’t know if he got the bug, or if it’s just the way he is as a person, very inquisitive and wanting to keep elevating himself. There’s now been some talk on social media that it can’t be long before Harry does Broadway. What do you think?
I mean, I think with Harry Styles, anything is possible, is it not? I mean, I’m sure because he’s tasted the dance, he’ll inject that along the line in his career. It won’t necessarily be out-and-out dancing, but I guess it’s a bit like Bowie used to do, isn’t it? It’s the showmanship and presentation of the performance. Who knows? He’s just so open-minded and open-hearted — and because he’s so open it allows the universe to come back at him and he’s able to do anything he sets his mind to.  
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teawaffles · 3 years
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It Happened One Night: Chapter 4
Sure enough, the ground in front of the shed had not dried out just yet — it had been trampled into a right mess, probably by all the people who had rushed to the crime scene. In this state, it was impossible to distinguish a single person’s footprints. On top of that, their own footprints had already been left behind, their shoes smeared with mud.
For now, Sherlock gave up on examining the ground, and entered the shed.
One might’ve thought the interior would be covered in heaps of reference materials and discarded artworks, but the shed itself was tidy. There were several candles and a candlestick on the floor near the entrance. As Daldry had testified, there was an easel with a half-finished painting on it, and another easel that was empty. Other than that, the interior was bare. Another door stood in a corner of the room.
Unfortunately, the floor of the shed was also covered in muddy footprints, although it was to a smaller extent than the ground outside.
“It’s the same here too, huh. If no one else had come in, then any footprints would probably belong to the culprit — dammit, why’d they have to walk around as they pleased?”
“Sorry; if I’d been quicker to stop them from entering the crime scene…”
“Don’t worry about it, John. You did your best. Anyhow, what we should be looking at is this.”
Sherlock walked further into the room, stopping before the other door. It seemed like no one else had ventured this far in — there were no muddy footprints. Even so, John could see that there was a bit of dirt stuck to the floorboard before the door.
When they turned the doorknob, the door opened without a hitch. It led to the back of the shed: in any case, there wasn’t any reason for it to lead to another room.
From behind Sherlock, John spoke up.
“So it’s the back door. Then this shed has two entrances: one in front, and another at the back.”
Sherlock looked around outside the door.
“What’s more, this entrance is in a blind spot when seen from the inn. Also…… here, John, look.”
Sherlock took a step outside to make way for him.
There was also a patch of exposed ground behind the shed, and on the opposite side of it was a well-maintained cobblestone path. But what was surprising was that, leading from the path to the shed, was a single set of distinct footprints.
“Sherlock. These were clearly made after the ground turned soft from the rain. So this shows that during the party, someone broke into the shed from outside — it’s an important piece of evidence, isn’t it?”
John went on excitedly, but in contrast, Sherlock remained silent as he pondered over something.
John cocked his head in confusion.
“……What’s wrong? Unless, someone intentionally went around to the back once the theft was discovered?”
Sherlock dismissed it with a wave of his hand.
“That’s not it. John, can you see what’s strange about these footprints?”
“Huh?”
Hearing that, John scrutinised the footprints that continued up to the stone path. Then, he realised what Sherlock was referring to.
“These tracks…… They lead into the shed, but there are no tracks leading out.”
Sherlock chewed his lip slightly, as if ruminating over John’s analysis.
The footprints went in a single direction, towards the shed. If one were to consider this straightforwardly, the intruder probably entered the shed via the back door, but didn’t leave via the same route.
“Maybe the thief entered from the back, stole the painting, then left through the front door?”
“A break-in wouldn’t necessarily correspond with the art theft, but…… even so, if the thief entered from the back door to stay out of sight, it doesn’t make sense for them to leave from the front, since they would be visible from the inn.”
“Maybe something happened, and they couldn’t leave from the back?”
“That’s one possibility…… hmm?”
Sherlock suddenly paused and crouched down, staring intently at the ground.
“What happened? Did you find something new?”
“Yeah, here.”
Sherlock pointed at the wet earth as he replied. Although it was faint, there was a set of footprints that indicated a round trip from the stone path to the shed and back.
“This is definitely another set of prints, and it indicates someone has entered and left. But it seems to have been washed out by the rain.”
John voiced his interpretation, and Sherlock agreed.
“Quite right: these were made before the party started.”
The painting had been stolen during the celebration at the inn, and it had been raining at the time. Therefore, these footprints, which appeared to have been left before the rain started, were not made by the thief when they stole the painting.
Possibly, that artist had used the back entrance on some other business. That was what John reckoned, but Sherlock sank deep into thought as he looked at the ground and the inside of the shed in turn.
Apart from the problem of identifying the suspect, there was also the mystery of the footprints at the back door. However, they still didn’t have enough information to solve the case.
After giving the shed a once-over, and confirming that there was no other useful evidence, the two men had resolved to head back to the inn, when they realised that Daldry had walked over to the shed as well.
“Mr Holmes, Dr Watson: the police have arrived.”
“I see,” replied Sherlock. “So, what have they been doing?”
“They started interviewing the people who remained in the building. Also, it seems they’re visiting the guests who had returned home, and are conducting voluntary house searches.”
When he heard that, Sherlock made a somewhat troubled expression.
“That saves us some trouble, but…… house searches, huh. I hope the police here don’t jump to conclusions.”
“It’ll surely be alright. And if push comes to shove, you could always just leave.”
John had placed his full trust in Sherlock, and the detective smiled wryly at that as they returned to the inn with Daldry.
Inside, several police officers had already split up to question the party guests.
Sherlock took a seat at the counter, and tried to casually eavesdrop on a nearby conversation, but its contents were no different from what they had heard earlier.
Then, after he’d finished giving the police his statement, Rheos jogged over to the two men.
“H-How was it, Mr Detective? Have you found the location of the painting?”
Sherlock shook his head.
“I’m afraid not — we haven’t found any decisive clues. It seems it’ll take a while longer.”
The young artist hung his head with a jolt.
Suddenly, something they saw earlier surfaced in Sherlock’s mind: the candles at his feet.
“Hey, can I ask you something? That shed — how do you illuminate it?”
Rheos looked up as he replied.
“When I’m there at night, I use candles.”
“I see. But candlelight alone wouldn’t be able to light up the whole room, now would it?”
As the detective predicted, the young man narrowed his eyes.
“……That’s true. But it’s enough for me to paint by.”
“That makes sense. Then of course, when Daldry entered the shed back then, it must’ve been lit with candles as well. And when you’d walked halfway to the shed, you realised that the painting was missing.”
“Pretty much, that’s what happened.”
“Right? But, if that was the case, then……”
The detective became absorbed into his own thoughts. The abrupt end to their conversation left Rheos understandably confused, and John gave him an awkward bow in apology. After which, clearly unsatisfied, Rheos walked away.
“Oi, Sherlock. What were you doing, abandoning the victim like that?”
“Mmm, ah, sorry. Something was bugging me…… I just can’t work out the mystery of those footprints.”
“The ‘one-way’ footprints, huh. About that, I have a few theories.”
“Hmm, let’s hear it then.”
Sherlock shot him an inviting smile, and John lowered his voice.
“Firstly, the culprit left those footprints as they entered the shed. Then after they stole the painting, they walked backwards, stepping into their original footprints to leave the scene.”
“Nope. First off, there’s no reason to do that. Moreover, if they walked backwards over their tracks, the way their weight shifted would've be different from if they walked forwards normally. As far as I could tell, those footprints were made by someone walking from the path to the shed, in that direction.”
Sherlock immediately shot down his idea, but John was undaunted.
“If so, then maybe they used a rope or something when they left the shed, so they wouldn’t leave any tracks.”
“That’s not it either. If the culprit had a way to leave the shed without leaving any footprints, then they would’ve used the same method when they entered it. Why would they purposely leave footprints only when they went in?”
Yet again, Sherlock had immediately countered his argument, and now John’s expression clouded over.
“Well then, the culprit entered the shed and stole the painting. Then when they were about to open the door and leave, Mr Daldry appeared at the front entrance, so they temporarily hid in a corner of the shed. You said earlier that the candlelight couldn’t have lit up the whole room, right? And after Mr Daldry left, they tried to flee from the front entrance…… but because other people might come through the front door, they must have left via the back. Sorry, just forget this one.”
Realising the flaw in his reasoning halfway through, John retracted what he’d said, and began to anguish.
“Aargh, is this a dead end?”
“Don’t do that, John. Your ideas were pretty good.”
“But, didn’t I reach a deadlock in my argument?”
“True; why did they only leave footprints when entering the shed……?”
They agonised over the culprit’s intent, unable to get to the bottom of the case as of yet. Then, after a while, a police officer entered the inn.
“Excuse me, I have an important report……”
He spoke to a middle-aged man who looked to be his superior. Sherlock and John stood up from their seats, and casually moved closer.
“In one of the guests’ homes, we’ve discovered what appears to be the stolen painting.”
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kingstylesdaily · 3 years
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How Harry Styles Found His Inner Dancer For 'Treat People With Kindness'
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“Feeling good in my skin/ I just keep on dancing,” Harry Styles sings in his latest single, “Treat People With Kindness.” And in the song’s exuberant music video -- which has garnered 17 million YouTube views and counting since its debut on New Year’s Day -- he does just that: Wearing a sequined jacket and bow tie, he chassés, spins and flutters jazz hands like an MGM musical star (with a little help from his equally debonair partner, Fleabag’s Phoebe Waller-Bridge).
Styles shot the video in early 2019 after several weeks of training with choreographer Paul Roberts, a collaborator since his One Direction days. “I think somewhere in the back of my mind, I knew this could be something special,” says Roberts, a veteran stage director and choreographer who’s worked on videos and tours for the likes of Sam Smith, Katy Perry, Diana Ross, and the Spice Girls (their Spiceworld stadium tour).
Watching the explosive fan reaction to Styles’s little known dance talents -- including from the Spice Girls, who've “sent lovely messages" about the video -- Roberts says it seems like "Treat People With Kindness" arrived at the precise right moment. “Most people’s comments are, ‘I’ve not felt that happy for three and a half minutes in a long time,’ or ‘I smiled from ear to ear the whole way through.’ It’s a positive light.”
He spoke to Billboard about Styles’ intensive training process -- and why he wouldn’t be surprised to see him dancing onstage again.
There’s been one pretty overwhelming reaction to this video: “This is the guy who was in the group that insisted they couldn’t dance?!” Did you expect this kind of reaction to Harry dancing? I’ve been with Harry for 10 years: I was with the One Direction boys from the beginning the whole way through their career before they took the hiatus, and they always made a very conscious decision that they didn’t want choreography as part of their brand -- but they did want a kind of disheveled organization in order to allow the cameras and the lighting to stand a chance in terms of presenting them in the best manner possible.  
What was very evident to me was that all five of them, and then it obviously became four, they’ve all got their own magic. The only time I’ve experienced that was when I worked with the Spice Girls. I always knew that they had special skills aside from what they were in One Direction, whether it was movement, songwriting, being able to handle the business side of things. For such young lads they were very astute and very decisive.   So, getting together with Harry -- he’s a bit of an alchemist, is Harry. Everything he turns his hand to turns to gold. Where did the initial dance-centric concept come from? Harry and the directors, Ben and Gabe [Turner], sent me a video link to the Nicholas Brothers scene from Stormy Weather and Harry asked me, "How long do you think it would take to dance like this?" I was like, "OK, are you being serious?" "Yeah, I’m being serious."
That is probably one of the most standout dance sequences ever captured on film -- so I knew we were aiming high. I said, "Why don’t we go into a studio and let’s workshop some choreography, some moves, some short sequences, and see what your ability is, see how we can tailor this to make you look the best you can possibly look." Obviously it would take some investment in terms of rehearsal and commitment, I told him it would be mentally and physically exhausting, but I thought, "My God yeah, let’s do it; this will be an adventure."
How long did the whole process take? We started in mid-January 2019, and we rehearsed and workshopped for about four to five weeks before the shoot, every day. Both Harry and Phoebe had other things going on, so, for instance, Phoebe was working on the new Bond movie in Canada, so I sent my assistant to Canada to work with her. I stayed in the U.K. with Harry, and then we went to L.A. where Harry shot two more videos, for “Watermelon Sugar” and “Falling.”
At the end of the “Watermelon Sugar” shoot, he wrapped, got in his car, came to the dance studio and we rehearsed into the night. Knowing how short a time you sometimes get with artists even for really big performances, I thought the rehearsals would dilute and we’d lose momentum, but both Phoebe and Harry were so committed. What was the process in the studio like with Harry? We didn’t even use his [vocal] track to begin with -- we used different big band songs, some contemporary alternative music. It was just about finding his [movement] language first and foremost.  Then we developed the choreography and sent it to the directors, who gave us feedback. We enhanced the work a bit more, and then once we had some really solid sequences, Ben and Gabe storyboarded the scenes against the timeline of the music.
At this point Harry and Phoebe were still working separately, and then we joined forces in London, where we really started to refine these sequences of choreography we’d developed, trying to find the finesse and the style, almost making sense of the movement for them so they felt they had a dancer’s way of working the movement through the body. You’ve worked with a wide variety of artists, many of whom aren’t dancers first. How do you find, as you put it, the “language” of movement that makes sense for each of them as individuals?
I think the general answer is really communicating -- listening and understanding what the artist’s desire is. And also collaborating, so you don’t get too lost in yourself as a choreographer. What looks good on you might not transcend to the artist, or even necessarily the dancers.
With Harry, what was important within the language of the choreography was that it felt joyful and had personality. Him and Phoebe, with the work she’s done with Fleabag, you associate them and what they do with a sense of style, a real confidence, but at the heart of it it’s entertainment. And with the amount of time and budget we had, which was such a luxury in this day and age, we wanted to do something that pushed both of them out of their comfort zones. We tried to make it as athletic as possible but without compromising them as artists and becoming too comedic. We wanted it to be a bit quaint and cute in places, but we definitely didn’t want it to be thought of as nonsensical or silly.
Harry’s movement in the video is so crisp and precise, even his hands and arm extension look very dancerly. Did that come through a lot of specific work with you? As a songwriter and artist, for Harry it’s about detail, about pushing yourself to be the best. He’s always got questions: "Why are we doing that? Should we be doing this?" We got to a point during the rehearsal period where I brought in a ballet teacher, really to just get Harry and Phoebe to open themselves up from behind their shoulder blades, have an idea of extension, the lines that extend from your center all the way to the tip of your finger. I’d be saying, “Your arms Harry, your arm line!” Asking him to push his shoulders down, lift his carriage up, extend through his breast. And when he hit those lines, he’d be like, “Oh yeah, that feels different.” It’s funny: We spent a couple days apart -- he had to go off and do a gig somewhere -- and I was like, “I hope you’re rehearsing when you’ve got some downtime, dude!” And he sent me a picture in the gym with his arms in the most beautiful balletic arm line! I was like, "Yes, by George, you’ve got it!" Besides the Nicholas Brothers, did you have any particular dance references in mind for the feel of the choreography? I just delved into the MGM archives. Obviously [Fred] Astaire and [Gene] Kelly, the two greats -- especially with Astaire, we loved how sometimes it seems so effortless yet a bit throwaway, not totally totally perfect always.  We enjoyed the moments from him of “I’ll just do a bit of this,” “I’ll just walk off camera left,” the dropping in and out of movement.  We loved the duet “Moses Supposes” from Singin’ in the Rain, for Gene Kelly and Donald O’Connor -- we loved the camaraderie between them, which felt a bit goofball at times, and just that wry smile, the look to the left, knowing your partner is there and has got your back. It feels fizzy, it feels joyful.
And yes, there was a massive core of MGM-ism, but at the same time an absolute huge dollop of Harry-and-Phoebe-ism. It was important to us to feel a bit more contemporary, so again we stay true to Harry and Phoebe as artists. Has Harry indicated any interest in dancing more going forward?
We had a conversation back at the end of the summer about how much we enjoyed the process, and I know he was doing another project where choreography was involved, so we were just talking about it and how he felt. Coming from where he came from to what he was about to do, he felt he could be pushed even further. I don’t know if he got the bug, or if it’s just the way he is as a person, very inquisitive and wanting to keep elevating himself. There’s now been some talk on social media that it can’t be long before Harry does Broadway. What do you think?
I mean, I think with Harry Styles, anything is possible, is it not? I mean, I’m sure because he’s tasted the dance, he’ll inject that along the line in his career. It won’t necessarily be out-and-out dancing, but I guess it’s a bit like Bowie used to do, isn’t it? It’s the showmanship and presentation of the performance. Who knows? He’s just so open-minded and open-hearted — and because he’s so open it allows the universe to come back at him and he’s able to do anything he sets his mind to. 
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alpacaparkaseok · 3 years
Text
Lost & Found - 3
Pairing: Park Jimin x soulmate (oc)
Warnings: Insecurity, anxiety, abandonment
Word Count: 3.4K
**read this first!**a/n: be sure to read the newspaper article at the end of Jimin’s POV, it’s important to the story! if you’re unable to see the words b/c they’re too small, please comment/let me know and I’ll fix it! If you’re on mobile, you should be able to click on it and flip it to horizontal. That should make it easier to read.
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Chapter 3. Fake Smile
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Jimin fiddles with a loose thread hanging off the end of his sleeve, minding his business as hushed staff members bustle around the room. He’s wearing a pristine white jacket over his button down shirt. It feels like it’s been years since he’s last dressed up for anything.
“Ok, we’re ready to go,” someone in the distance says. Jimin sits up a little straighter, trying his best to look overjoyed to be here. A familiar makeup artist rushes forward, dabbing at his face and giving him a warm look.
“Oh, let me get this for you,” she mumbles, noticing the loose thread that Jimin keeps twisting and pulling. Taking a pair of small scissors from the bag around her waist, she goes to cut the string.
Jimin tenses up, a strangled noise coming from his throat. “No, leave it,” he mumbles. The makeup artist doesn’t hear him, thinking he’s just being polite.
Suddenly Jimin jumps up, backing away as fast as he can. “Leave it be!” He sobs, bringing his hand close to his chest.
Everyone freezes, looking to the idol with a mixture of worry and confusion. The makeup artist from before is the first one to put two and two together, bowing low and profusely apologizing.
It takes a few minutes for Jimin to come back to his senses, finally going through some breathing exercises and assuring the worried staff that he’s fine. When he finally settles back on the stool, the same makeup artist hurries over, keeping her eyes averted as she hurriedly touches up his makeup.
The guilt hits Jimin like a brick wall. “I’m sorry,” he says, his eyes perfectly reflecting how horrible he feels for his outburst. “You just took me by surprise. Please, I’m so sorry.”
“No, it’s my fault,” the young woman mumbles. “I should have known better.”
Before Jimin can respond, the woman scurries away and it’s time for Jimin to film his short message to be shown at the concert.
Jimin has worn a few fake smiles in his lifetime, however as he lies straight to the camera, claiming that his muscle spasms have returned and that he’s working toward a speedy recovery, he can’t recall the lies ever hurting this much.
“Please wait for me,” Jimin says, his close-lipped smile hopefully countering the look in his eyes. “Enjoy the concert! Fighting!” He goes to raise his hand in a fist, but stops as he catches sight of his red thread in his peripheral.
Once the video is cut and Jimin is given the OK to head out, he slips out of the room immediately. A part of him would love to just go ahead and disappear into one of the empty rooms within the Bighit building, but he knows that he has to attend the meeting that Bang Sihyuk called for him and all the members.
By the time he makes it into the conference room everyone else is already there. He feels a bit more relieved when he enters the room and they don’t immediately halt in their conversation. Instead, Taehyung pulls Jimin to sit down beside him, giving him a boxy smile.
“Alright,” Bang Sihyuk sits at the head of the table with a soft look in his eye. “Are we ready?”
A round of agreement goes around the table, Jimin folding his hands on the table and doing his best to keep his eyes on the wall behind Hobi’s head. He definitely was aware of the line of red threads that trailed into the conference room, fighting the pang of hurt that was bound to arise.
The meeting starts off normally enough, going over a quick review of their upcoming schedule and making sure everything is prepared for their next concerts in Japan. The boys occasionally make comments or express concerns with the schedule, and everyone works together to resolve any issues that may arise.
For the first time all week, Jimin feels...normal.
That feeling comes crashing down when Bang Sihyuk’s voice rings out, calling Jimin’s name.
“We have a few options for how we can move forward,” he begins. “But I just want you to keep in mind that we’re in this together. No matter what.”
“Thank you,” Jimin mumbles.
Sitting back, Bang Sihyuk claps his hands. “That being said, we have a few options. I’m not sure what you would feel best about, so please weigh in with your opinion.”
With that being said the entire room begins to delve into the separate ideas. Of course the company sending out a statement is one of the first ideas to be discussed, however Jimin can’t shake the uneasy feeling that accompanies it.
“I know that we can’t just pretend that nothing happened,” Jimin states, sitting forward in his seat. “But isn’t there a way that we could just...I don’t know…” He trails off, unsure of what he was even trying to say in the first place.
Namjoon, who Jimin notices hasn’t even looked at him in the eye during this entire meeting, clears his throat. “We can always just take the ‘no comment’ route. I mean, there’s sure to be a lot of rumors that accompany that, but there’s going to be rumors no matter what.”
“No comment?”
Bang Sihyuk nods. “That’s basically just us refusing to ever shed light on the situation. Honestly...we might have to take that route anyway, because we really don’t know what happened. Instead of scrambling for some sort of explanation, we could just allow people to wonder. I’m not sure if Jimin would feel comfortable with-”
“Sounds great.”
All eyes turn to Jimin, who is sitting on the edge of his seat, fiddling with the severed thread.
“What?”
Jimin shrugs. “Like Namjoon said; there’s going to be rumors no matter what. Let them wonder. Frankly the idea of offering up some sort of patched together explanation every time people ask me about this,” he holds up his hand for emphasis, “sounds exhausting and never ending. Which, all of this will be, but I’d like to just keep this for myself.”
It’s quiet for a moment while everyone takes in this information, and Jimin waits with bated breath for the verdict. In the end, it’s Jungkook who ventures to speak first.
“I think you have a point,” he says, shooting his friend an understanding look. “People are going to be asking about it nonstop and spreading rumors, so I’d feel better if what we answer is on our terms. People can so easily twist our responses.”
After a couple more minutes of discussion and debate, they settle it. Deciding to take the ‘no comment’ route for now, Jimin feels a wave of relief come over him. Namjoon, too, appears to be relieved with this decision.
Once the meeting is over, Jimin doesn’t miss the way Namjoon practically hurtles out of the room.
“Where’s he headed to?” He asks the others. Jin shrugs.
“I think he said he had to meet with Chung-hei.”
There’s a pang of pain at the mention of Namjoon’s soulmate, but it doesn’t hurt as bad as it might have the day before. “Oh.” Before the others can dive in to make him feel better, Jimin changes the subject. “Have you guys already eaten?”
Taehyung’s eyes light up at the possibility of his best friend joining in on a meal with them. “Nope. Let’s go!”
The boys surround Jimin as they head down into the small cafeteria area, a few staff wandering around. The makeup artist from this morning keeps her head down, shooting Jimin a sheepish smile before scampering off. Jimin winces, recalling the events of the morning. How he’d lost complete control-
“Who even reads the paper anymore?” Jungkook asks aloud, grabbing an abandoned article from off a table. “I didn’t realize that they still delivered hard copies.”
Jimin wanders over, forcing a half-smile to his face. “Is it a real newspaper?” Before he can grab it, Jungkook drops the paper almost as though it burned his skin.
“Er, no,” he stutters out, earning a confused look from everyone around the table. “I think it’s a fake, I’ll just throw it away-”
Jimin reaches out and grabs the newspaper before Jungkook can do anything, eyes widening as they glance over the front page. Everyone else gathers around, falling eerily quiet. In the end, it’s Taehyung who breaks the silence. 
“I’m sure it’s just some dumb misunderstanding,” he mumbles. “You know how reporters get.”
Jimin can hardly find it in himself to nod, rereading the article again and again. 
For the first time in his life, Jimin wishes that the gossip column were true.
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Typically, the second I’m done with work, I do my best to not think of bread for the rest of the day. Today, however, is different.
My tiny apartment has been transformed, the kitchen dusted over with a thin layer of flour. On the counter sits an old wooden slab, a chunk of dough sitting atop it. And then there’s me.
Hands cracked to oblivion, hair pulled back in what can only be identified as a bird’s nest, panting as I flatten the dough again and again. It’s the same process that I’ve been doing for years, my shoulders hardly aching anymore with the constant practice.
Punch.
Press.
Repeat.
The sound of me beating the dough to a pulp is ringing in my ears, and when I finally step back with a huff, it takes me a moment to hear something scratching at the door. Shaking my head to rid myself of the ringing noise, I listen closer.
“Who’s there?”
A quick glance out the window shows my empty porch, however the scratching continues. Now that it’s steadily growing darker, I can’t tell if there’s anything out there.
Am I being haunted? Is this my punishment for cutting the thread?
Slowly, I open the door, wincing at the white mark I leave behind from my flour-heavy hands. “Hello?”
I get a meow in response.
Looking down, I meet eyes with a pristine white cat that sits on its back legs and looks up at me with unwavering annoyance.
“What?” I ask the cat, that simply blinks up at me. “What are you so annoyed about? You’re the one that knocked, not me.”
Nearly rolling its light colored eyes at me, the cat stretches before looking back up expectantly. From the white fur that doesn’t have a single spec of dirt, to the look it’s giving me, I feel like I just stumbled upon the queen’s cat.
“By all means, come in,” I croon, stepping aside and watching with no small amount of amusement as the cat leaps inside. It immediately heads toward the couch, jumping atop it. “Make yourself comfortable,” I mumble.
Ignoring my visitor for now, I go back to the counter and stare down at the dough. I’ve been kneading this for a while now, it’s flat enough that it might never rise. That’s not what I got it for, though. There’s already some bread baking in the oven.
Half-heartedly throwing one fist at it, I find that I’ve completely lost any energy. Instead I just stare down at the wooden slab, and wonder.
It’s the same thing that I’ve been wondering about all day. My thoughts go in endless circles, always coming back around to the same thing.
Park Jimin.
After Chung-hei appeared at the shop a couple of days ago, I’ve been unable to stop thinking about what I’ve done. When I told her my reasoning, recalling the awful experience she had and admitting that I was a coward and didn’t want to go through the same thing, Chung-hei looked at me with something akin to realization.
“Jolie,” she had muttered, stopping me from hitting the dough again. “You know that he would love you, right? You’re enough. More than enough.”
Which led me to this moment, pulling out the wooden slab and spending my entire evening beating some dough and trying to beat out my emotions as well. It still hasn’t worked.
“What’s your name?”
The cat’s ears twitch a little at my sudden question, however it just continues to stare at me like I might be insane. Judging from my recent actions, I’d say it isn’t wrong.
“Are you planning on staying the night, or…?”
A swish of its tail and the cat is sinking lower into the couch.
“I’ll take that as a yes.” Finally abandoning the dough and washing my hands off, I meander over to my new roommate. “What should I call you? I have a feeling you won’t take kindly to just being called ‘cat’, right?”
The cat gives me a death glare, confirming my suspicions.
“That’s what I thought,” I say, raising my hands in innocence. Settling down beside the white cat, I admire its fur. “But I wonder why you’re here? You look like you’re well taken care of. And no collar?” Hesitantly reaching out, I double check that there is no collar hidden in its long fur. “Don’t think so. I’ll let you stay the night,” I concede. “But tomorrow you’ve got to find your way back home, ok?”
The cat swivels its head to look at me, looking offended that I would even say such a thing. It lets out a woeful mewl.
“You’re lost, aren’t you?” Another mewl. “Huh.”
Running my hands through its long fur, I lean my head against the wall, watching the evening turn darker and darker. The cat also joins me in my silent watch, never moving an inch as it emits a soft pur.
“I’m lost, too.” The words tumble from my mouth, a little broken. I keep my eyes ahead, watching the outside as though it will disappear at any given moment.
From the corner of my eye I see a bundle of white fur scooting toward me until the cat lumbers up into my lap. Chuckling through the unshed tears, I sniffle and adjust so we’re both comfortable.
“Should I call you ‘L’ for lost?” I ask abestmindely. I nearly jolt out of my skin when the cat hisses up at me. “Ok, ok. You’re a lady, I get it. What about ‘Elle’? You know, e-l-l-e. That’s like a princess name. Very pretty. We’ll be the only ones that know what it really means. ‘Elle’ for lost.”
I receive no further objections.
Snuggling down into the sofa, I keep my eyes open for as long as I can until they drift shut against my will.
When I awake, the world is still dark. Not unusual, considering that I tend to wake up around this time everyday, but something is off-
“Elle!”
The cat in question jumps off my lap, bolting toward the door. Groaning, I rub at the back of my neck.
“Good morning. What time is it?” A quick peek at my phone that’s nearly dead has me groaning a second time. It’s already time to get up. Waddling toward the bathroom, a loud meow makes me pause.
“What?” Elle scratches a little at the door, giving me a withering gaze. “Oh. Right.” I hurry over to open the door. “Well, thanks for visiting, feel free- aaand she’s gone.”
Laughing quietly to myself, I head into the bathroom to get ready. Making sure to not even look at the mirror until I’ve scrubbed my face, I get straight to it.
I’m nearly running late when I finally leave my apartment, but thankfully the shop isn’t far from here. It allows me to walk there most mornings.
The world is still asleep as I walk down the street, admiring the dull grays and blues of the early morning. There’s a hint of a chill in the air, but it’s nothing that a brisk walk won’t take care of.
It’s in these moments of quiet that I feel like the world is pressing down on me so heavily. Unafraid of people gawking and seeing my cut thread, I let my hands hang out of my pockets.
There’s nothing to be afraid of this early in the morning. It’s only when the sun begins to rise is when trouble begins to stir up. So I take advantage of the peace that settles over me as I make my way to work. No doubt my shoulders will resent me a bit today as I spent all of my free time yesterday beating dough.
As the sleepy world continues in its quiet vigil, my thoughts return to the exchange I had with Chung-hei a couple of days ago.
“You told me you wouldn’t wish that upon anyone.”
Chung-hei sighs, suddenly looking utterly exhausted. “I was foolish. It sucked, of course it did. Suddenly I had a target on my back. But that’s not the point.”
“Then what-”
“The only way I was able to get through that and am still able to, is because of the people I have surrounding me. I have you! I have Namjoon! As far as I’m concerned, that’s all I really need. It was difficult, but I learned to quit worrying so much about what other people expected or wanted from me. I know who I love, and that’s all that matters.”
“Good morning sleepy-head.”
Nearly jumping into the street, I can’t help but yell a little as Chung-hei appears before me. She’s standing in front of the shop, a sly smile on her face.
“What are you doing here?” I ask, clutching my chest. “Why are you trying to scare me so much?”
My friend laughs. “It’s too fun, honestly. What? I can’t come to visit you at work anymore?”
“Weren’t you just here a couple of days ago?”
Chung-hei clears her throat. “Ah. Right.” She rubs at her arms. “Should we go inside, then? Fire up the oven? It’s chilly.”
Giving her a long look, I glance down at my thread. Despite being fully aware of my decision, it still shocks me a bit whenever I see the frayed end. Still a dull red, the thread looks so out of place now.
“Sure, I guess.” I grab my key out of my pocket, heading toward the front door. “Actually, I could use some help. I think I nearly beat the life out of some dough yesterday, I can hardly move my arms now.”
“Yeah. Namjoon can help.”
I stop with the door halfways open. “What do you-” Glancing over my shoulder, I nearly lose all ability to speak as I watch my friend rounding the corner of the building with none other than Kim Namjoon in tow.
He’s taller than I imagined.
And somehow able to make me what to run for the hills.
I stare at the man, forgetting all sort of courtesy or manners as he looks down at the ground sheepishly. Slowly, I turn to my friend.
“What.”
Chung-hei has the good sense to look a little apologetic. “I...you never got to meet him.”
I stare at her a moment longer, struggling to read whatever emotions are in her eyes. My heart catches in my throat. “He knows, doesn’t he.”
At this, Namjoon looks up with wide eyes. He opens his mouth, but I beat him to it.
“Don’t even try to lie,” I hiss out. “I’ve known your soulmate for much longer than you have, and I can tell when she’s trying to fix all my problems. Looks like she brought some help from the outside this time.”
Namjoon’s mouth snaps shut, but he doesn’t lower his gaze. I turn back to Chung-hei, who looks like she’s fighting against chewing me out for insulting her soulmate. Despite feeling a little bad for being so rude, I can’t help the anger that boils inside me.
My best friend, I realize, is no longer my confidant. It’s something I thought of before. Once we found our soulmates, it was only a matter of time before those roles shifted. However it doesn’t stop the pain that comes with seeing it firsthand.
The urge to turn and lock them out of the shop is overwhelming, but I stand still for a moment longer. The blue of the early morning is turning gray, almost matching the dark circles under Namjoon’s eyes. I see now just how much he must have gone through to get here.
Regardless of the circumstances, I still cherish my friendship with Chung-hei. Years of experiences and heartbreak can’t get washed away so easily.
“Can you work the dough?” I ask a little roughly, fighting against the lump in my throat. Namjoon blinks, looking shocked.
“Ah, see. I told you she’d come around.” Chung-hei drawls, grinning at me. I can’t quite find it in me to return her smile just yet. “I’ll help him,” she promises.
Sighing, I nod. “Come in, then. I hope you can talk and work at the same time. I have a feeling you prepared a speech.”
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kiribakuhappiness · 3 years
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How do you deal with the hate comments you get?? (Not that I think the last ask was particularly hate or anything) but I never see hate stuff on your blog or in your comment sections either. I feel like I see tend to get them a lot abd sometimes I don't know how to handle them :( love your work!!! Sorry if this is rude to ask...
Not rude at all - but there's a lot to unpack here, so I’m really sorry if I ramble or go off on a few tangents in my answer!
The short answer is: I don't deal with hate comments.
The medium answer is: It depends on the type of 'hate' that I’m receiving.
The longer answer is this:
I have been really lucky (I think) to have been able to grow a little community on this blog of similar, like-minded people who enjoy the same things that I do (Tsundere characters, characters that can help show more representation in the Alphabet Mafia community, dumb boys who deserve to just be dumb boys, etc). I've rarely received any hate comments since my time here on Tumblr, and I think there's a lot of reasons for this.
1.) If someone comes rearing into my Ask box just LOOKING for a fight (ie, random death threats from Anons, homophobic comments, an obvious attempt to bait me into some kind of long-winded debate, etc) I simply just do not deal with it. Those people (especially Anons) are just looking for a reaction out of you. They want you to get upset, to post some long rambling defense, to be snarky and rude back to them, that's what they want.
But at the end of the day, I don't owe any of them a response. Hell, I don't owe anyone a response if I don't want to answer something.
But I answer Asks because I like talking with people, and getting all amped up and excited over the same things, that's part of the fun of creating and sharing that creative work online and being an active part of the fandom. I LOVE hearing from the people that follow this blog (even if I don't always get the chance to respond to all of them) because I know that they're happy or excited enough to hit that Ask button and send me a message, and that makes me feel good to know that I was able to get them so pumped up!
But those Anons aren't looking for that kind of connection. Most of the time, they’re not even looking to have a mature discussion, even if that’s how they come across at first. They're looking to hurt. To ridicule and make fun of, to make me and my followers feel bad or low. And, most of the time, the people who are sending that hate are young. So young. Like... way younger than what you might be picturing in your head right now.
So when I get the really bad hate - the hate that makes your skin feel hot, the hate that spikes your blood pressure, the hate that makes you start typing in a blind rage because you want to hurt them just as much as they've just hurt you - then they've already won. And I'll be damned if I let myself be led by the hand right into a losing battle.
So I simply do not engage. I don't reply with some snarky comment thinking I'm oh-so clever, I don’t reply in a holier-than-thou manner because I think I’m just so much better than them, and I don't reply with a long rambling post about why they're wrong and why they're childish and why they're hateful because that in itself is a hateful act, and I have far more important things to be spending my time and my energy on than fighting with a random on the internet and fueling that (quite frankly, pointless) hatred.
When I don't respond, the anon grows bored. Why send hateful things into someone's Asks if they aren’t even going to showcase it to all of their loyal followers? The reason you don't see hate on this blog is because I simply do not allow them to sink their roots into this soil. I pull them out like weeds and refuse to let them grow here.
I also don't respond because, while I may be able to take a death threat or a homophobic slur with gritted teeth and a roll of the eyes and keep on going about my day, some of my followers may not be mentally or psychologically equipped to see such rude backlash. They range from pre-teens to adults, and when they choose to follow me and my blog, I see it as a responsibility on my end to shield them from that unnecessary hatred. There's no need for them to see such toxicity, and so I act as a stubborn guard blocking the front gates. This temple is for relaxation, for laughter and excitement and love, and I'll protect it until the day that I decide to send that last post and go off to do something else with my life.
2.) Another reason that I believe that I don’t get much hate on this blog is because I don’t cross-platform my content. Does this lower the visibility of my work? Sure. I don’t have a Twitter, or a Youtube, or a TikTok, or an Instagram. This blog is just that - this blog on Tumblr, with a link to my AO3 for my writing. And while that limits my audience and perhaps bottlenecks my views, the safeguard it brings from distancing from toxic mindsets that tend to leak into the more problematic social media sites is well worth it, in my opinion.
I don’t write these stories for kudos and hits. I don’t write these stories to push out as much content as possible, to gain a following as quickly as I can, to reach the entirety of the fandom. I don’t want that. I want to write stories to get better at writing, I want to write about the boys because I crave more gay representation and quite frankly I am obsessed with Bakugou as a character and how much fun it is to write from a Tsundere mindset.
If other people happen to find my work and they like it too, then that’s so awesome! But the extent of my dedication to this blog is just that, my own dedication to something I love and something that brings me joy.
3.) The final reason that I think why I don’t get a lot of hate comments or hurtful asks is because I put a lot of pride and effort into my fics. When I write a piece of work that contains heavy levels of smut, I work really hard to make them realistic, to make the characters motives and emotions clear and concise, to showcase a healthy depiction of what it means to be sexually attracted to and/or engage in sexual activity with someone that a person cares very deeply about.
I see a lot of smut centered around the bnha fandom, and there’s nothing particularly wrong with that, in my opinion, but sometimes I do see things that I personally feel are a little tactless. They’re not handled well, or they promote toxic behaviors, or it really is incredibly self-indulgent and sometimes grossly ignorant.
However, just like with the hate that I sporadically receive in my Asks, it’s of my own personal belief that if I see something I don’t like or don’t agree with on the internet, then I simply do not engage with it. I don’t give it the attention that it so desperately wants to get out of people, I don’t give it a platform to grow on, I refuse to allow it to think that it has the upper hand anywhere in the situation.
I am entirely in control of the things that I promote on this blog, and I take that responsibility very seriously. It’s why I refuse to reblog art if it’s so obviously not being posted by the original artist (there are SEVERAL kiribaku blogs I have seen gaining popularity recently that simply post art from other artists without any credits or any permission). I have even seen several of my own mutuals reblogging art from those particular blogs, and so I find it incredibly important to be diligent in which accounts I reblog art from.
That being said - I’m not perfect. I’m a human being behind this account, a singular entity the runs the entirety of this blog, ever growing and learning and working every day to be better than I was the day before, and sometimes I make mistakes.
Sometimes I reblog stolen art, and need a follower to nudge me in my inbox and let me know that it’s stolen and where to find the original art, so that I can take the responsibility of deleting the stolen post and reblogging the original content to show support for the original artist. Sometimes I write something in a fic that (to me, from my own experiences) I might not consider to be harmful or inappropriate, but that might be damaging in a way that I may have never considered before because I had grown so used to receiving that kind of treatment myself that I fail to see its toxicity on my own, and so when people come to me with genuinely helpful constructive criticism, I feel it is my duty as a writer to be level-headed and humble enough to admit that perhaps what I have grown so accustomed to is just that - behavior I’ve simply grown accustomed to - and to then take a good hard look at that example and make a decision about whether I want to change it or not.
The important thing to remember is that we’re all entitled to our own opinions and feelings, but that we’re also individually responsible for the way that we react to these types of circumstances.
Becoming defensive, becoming enraged, becoming aggressive, becoming jaded - these things don’t do anything but make a situation worse.
That’s why I love Bakugou so. fucking. much. He IS all of those things. Defensive. Easy to anger. Inherently aggressive. And Horikoshi is teaching him through many trials and errors why those types of behaviors will be his inevitable downfall, why falling into the pit of ‘you hurt me, so I must hurt you back’ leads only to repeated failure and internal anguish, why you will forever be forced to run in place and can never continue to grow and move forward if you’re so busy ignoring the reality that we are all humans, that we are all flawed, that we all experience the same emotions, even if we don’t agree with them or think that they’re justified.
The reason I love Bakugou’s character so much is because he is so deeply flawed, he is told time and time again that he is the epitome of a villain, and yet he refuses to accept that. He refuses to believe that he is anything other than the greatest hero-to-be, and he’ll push his bruised ego and damaged pride aside time and time again to relearn what has already been so solidly ingrained into his being, to continuously be watching and listening and learning while still whole-heartedly remaining unabashedly true to himself, to know that he came to this amazing hero school and is being taught by these incredible heroes “not to learn what he can do, but to learn what he can’t do.”
So, to wrap up this entirely incoherent rambling mess of a response that you no doubt didn’t care to read about, I deal with hate the same way that I deal with everything else; circumstantially, and with as much empathy as I can possibly muster.
If it’s random hate just looking for attention and wanting to hurt, I refuse to give them a stable platform to stand on or an audience to be subjected to. I force them to go somewhere else, cause it’s no fun to hit someone over and over again who refuses to ever hit back. If it’s in regards to my fics, I think I work really hard to provide healthy representation work for this fandom, to showcase the characters in not only challenging situations but also how they can realistically overcome them, and to create an environment where love can be seen as just that, love.
Whether it’s with Bakugou and Kirishima learning how to recognize their own weaknesses and become better people because of them, or whether it’s with Bakugou and Hikaru discovering that experiencing love and relenting in trust doesn’t make them weak but in fact makes them infinitely stronger than they will ever consciously realize, the end result is always the same. I just want to share stories, hopefully ones with positive messages, that make people feel things and maybe might teach them a lesson or two along the way.
I hope this somewhat answered your question anon! Sorry it’s so long and jumbled but is anyone really surprised anymore? When you ask me a question like this, just know I am always going to go off on a long tangent :,D
If you’re ever experiencing a situation where you feel harassed or unsafe or you want advice on how to properly handle a situation, please feel free to reach out to me, and we can work together to try and come up with a mature, responsible solution!
Happy reading!! xx
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flclarchives · 3 years
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Amusing Himself to Death, an Akadot.com interview with Kazuya Tsurumaki (director of FLCL and assistant director of Evangelion) from around December 2001. In the article, Tsurumaki explains a few things about Evangelion, his mentality behind FLCL as a whole, and the meaning of the name ‘FLCL’.
Full article text is under the cut, or read the article in its original form [here].
Kazuya Tsurumaki was a relatively little-known animator when Hideki Anno selected him to work as the assistant director on Neon Genesis Evangelion. For the TV series, which became a smash hit in Japan and one of the touchstones of the current surge of interest in anime in the US, Tsuramaki served as the main storyboard artist as well as assistant director, and when Studio Gainax began production on a trio of Evangelion films Tsurumaki got his first directorial assignment.
As he tells the story, Anno came to him after Eva and announced that he was out of ideas and that it was up to Tsurumaki to dream up the next project because, "you are next." Tsurumaki let his imagination run wild, but by the time he had written a script, Anno - despite his declaration that he had no stories left to tell - was already several steps ahead of Tsurumaki and in pre-production for his next series, Kareshi Kanojo no Jijo, leaving Tsurumaki a chance to have complete and unsupervised creative control of his own series FLCL.
FLCL, referred to as "Fooly Cooly" (or "Furikuri" by its American fans), is unlike any anime series to come before it. Wild, maniacally fast-paced physical comedy; exaggerated, exuberant animation alternately pushing towards surrealist- as when mecha exuviate from a bump on young Naota's head - and deconstructionist - as when the animation literally stops and the story is told by a camera bouncing across a page of black and white manga art panels; and obsessively, often irrelevantly, referential to obscure Tokyo-pop bands and anime insider trivia; FLCL was hyperkinetic and disorienting, yet mesmerizing, almost transgressive, and undeniably original. It inspired enthusiastic admiration for Tsurumaki as a creator, even amongst the perhaps 90% of the series' fans who were absolutely baffled by much of it. One is tempted to refer to it as announcing the arrival of full blown post-modernism in animation, or perhaps as the Exploding Plastic Inevitable of the anime industry.
When Tsurumaki visited Baltimore to speak to American fans at the recent Otokon Convention, predictably, many of the questions were along the lines of, "Hi, I really loved FLCL [or Evangelion], but could you please explain this part of it to me?"
Tsurumaki answered all questions genially with a self-deprecating and often mischievous sense of humor. For example:
Why does Haruko hit Naota over the head with her guitar?
Kazuya Tsurumaki: Naota is trying to be a normal adult and she belts him to make him rethink his decision.
Why does Evangelion end violently, and somewhat unhappily?
KT: People are accustomed to sweet, contrived, happy endings. We wanted to broaden the genre, and show people an ugly, unhappy ending.
Why is the character of Shinji portrayed as he is?
KT: Shinji was modeled on director Hideki Anno. Shinji was summoned by his father to ride a robot, Anno was summoned by Gainax to direct an animation. Working on Nadia [Nadia: Secret of the Blue Water, one of Anno and Tsurumaki's earlier projects] he wondered if he still wanted to work like this. He thought that working on Eva could help him to change.
Is there any particular reason why so many Gainax series feature very anxious, unhappy young male protagonists with no parents?
KT: Yes, the directors at Gainax are all basically weak, insecure, bitter, young men. So are many anime fans. Many Japanese families, including my own, have workaholic fathers whose kids never get to see them. That may influence the shows I create.
Could you explain the mecha bursting from Naota's head in FLCL?
KT: I use a giant robot being created from the brain to represent FLCL coming from my brain. The robot ravages the town around him, and the more intensely I worked on FLCL the more I destroyed the peaceful atmosphere of Gainax.
Why doesn't FLCL follow one story?
KT: In the third episode Ninamori was almost a main character, a kid who, like Naota, has to act like an adult.  After episode three her problem was solved so we wrote her out.  She has many fans in Japan and we got plenty of letters about that decision.  For FLCL I wanted to portray the entire history of Gainax, and each episode has symbols of what happened behind the scenes on each of Gainax's shows.   Episode one has many elements of Karekano; episode two, a lot of Evangelion references, etc.
Where does the title FLCL come from?
KT: I got the idea from a CD in a music magazine with the title Fooly-Cooly.  I like the idea of titles that are shortened long English words. Pokémon for "Pocket-Monsters" for instance, and an old J-pop band called Brilliant Green that was known as "Brilly-Grilly."
Is there any reason why the extra scenes added to Eva for the video release were cut in the first place?  Did you think the story would mean something different with them intact?
KT: The scenes that were added to Eva for its video release aren't that important.  We added them as an apology for taking so long to get the video out.  Maybe they'll help people understand things, because the episodes were done under tough deadlines the first time around.
Can you explain the symbolism of the cross in Evangelion?
KT: There are a lot of giant robot shows in Japan, and we did want our story to have a religious theme to help distinguish us.   Because Christianity is an uncommon religion in Japan we thought it would be mysterious.  None of the staff who worked on Eva are Christians.  There is no actual Christian meaning to the show, we just thought the visual symbols of Christianity look cool.  If we had known the show would get distributed in the US and Europe we might have rethought that choice.
After the panel, Mr. Tsurumaki sat down to speak with Akadot.
Do you enjoy confusing people?
KT: I have a twisted sense of humor.  I'm an Omanu Jacku, a contrarian.  [Writer's note- Omanu Jacku is a folk character a bit like Puck, a mischief maker]
What do you see differently now that you're working as a director rather than only as a visual artist?
KT: As an animator I have only the art; as a director story is really big.  I still feel as an animator and I often have trouble putting the needs of the story first.
Did you intend from the start for FLCL to be as bizarre as it wound up?
KT: From the very start I wanted a different flavor.  To achieve this I had to re-train the animators to be as stylized as I wanted them to be because I wasn't drawing it.  I knew that not everyone would get it.  I deliberately selected very obscure J-pop culture and anime sub-culture jokes and references.  Because Eva was so somber I always intended to make FLCL outrageous and wacky.
Why the choice to break out of conventional animation and use manga pages? Was it at all a response to how many anime are using computers to achieve smoother and more realistic visuals?  Were you trying to go the opposite direction?
KT: I like manga, not only to read, but the visuals.  The pen drawings, the frame breakdowns and layouts . . . This is the first time I have used digital animation, and those bouncing manga shots wouldn't have been possible with cel animation.   Personally I'm not interested at all in using computers for realistic animation.  I'm impressed by it sometimes, but I'm interested in using computers to do what was once impossible, not to do smoother versions of what has already been done.  I want to be less realistic.
Has using digital animation techniques changed the way you work, or the way you feel about your work when you see it?  Does it still feel like it's yours if a computer did much of it?
KT: Before I got into digital animation I saw other shows that were using it and I felt that there was no feeling, it was empty.   As an animator, there's a sense of release when you draw a cel.  There's something there.  Working on FLCL, though, I learned that computers can do more, and, most of all, that they allow room for trial and error and revising, more freedom to experiment.  That is why I now feel that cel art cannot win against computers.  For actual animation everything is still drawn on paper.  That work hasn't changed.  It's the other stuff, the touchups, and coloring.  If we didn't use paper, maybe the feeling would change.
Earlier today you said that you were trying to broaden the genre by giving Eva a sad ending.  Does the sameness of much of today's anime bore you?
KT: First of all we didn't use a sad ending to annoy fans.  When they're upset, that really bothers us.  Personally, I think a happy ending is fine, but not if it is achieved too easily.  That's no good.
For all the fans that are confused at all, if you had to define in one sentence what FLCL is about, what would you say?
KT: FLCL is the story of boy meets girl.  For me it is also about how it's ok to feel stupid.  With Evangelion there was this feeling that you had better be smart to understand it, or even just to work on it. With FLCL I want to say that it's okay to feel stupid.
Even though it may be strange to us, do you have in your head a logic behind it?  Are you trying to portray a story that follows the logic of dreams, or is it supposed to make sense symbolically?
KT: I'd like you to think of FLCL as imagination being made physical and tangible, just as it is for me when I take whatever is in my head and draw it.
So what are you working on next?
KT: Right now Gainax has told me that they'll support anything I choose to create, but I'm having trouble coming up with any ideas.
Why is that?
KT: Releasing titles for market, I know I have to make something to please fans, but I'm not a mature enough person to accept that fact.  If I'm not amusing myself I can't do it.  I feel bad that fans have to put up with such behavior from me.  I apologize. 
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snapscube · 4 years
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Thoughts on the spiderman face change?
It was weird at first but I genuinely really like it. I fully believe the reasoning Insomniac gave for the change and could not disagree more with the “he looks too young” sentiment.
In the full teaser clip shared by insomniac, he genuinely looks ABOUT 23, his canon age in game. At least to my eyes. Especially when you see his side profile. The one screencap going around the most makes him look particularly youthful but one frame alone is not going to represent the grander picture of a performance spanning hours upon hours upon hours. I swear the nature of Hollywood-style casting has completely tainted our standards of what people should look like at a certain age. The new face is taken from a REAL LIFE MODEL who is an ACTUAL GUY IN HIS TWENTIES.
As usual I think people are way too quick to jump the gun in to vilifying the studio over change simply for the sake of not wanting change at all. I also can’t stand this weird jump to shouting baseless conspiracies about how this is DEFINITELY a studio mandate from Sony just wanting a Peter Parker that looks like Tom Holland for marketing reasons. That does not add up to me whatsoever. They have never once shyed away from the fact that this is a separate canon with its own sense of identity. They have been ACTIVELY ENCOURAGED to create their own take on the character, and you can see that all throughout the game. And that was SUCCESSFUL for them! It’s like one of the best selling games PlayStation has EVER released! Insomniac is an incredibly trusted studio over at Sony and they GENERALLY seem pretty confident and consistent about communicating the creative freedom that they are allowed by Sony.
Now, of course, corporations are gonna be corporations and corporations are gonna be shitty. I believe healthy skepticism towards the game industry is an actively good thing. We should always be talking about the genuine greed, injustice, and exploitation that happens in games on a daily basis. What we SHOULDN’T be doing, imo, is throwing fits over things like this that truly do not matter in the long run and only serve to discredit and draw attention away from better and more important discussions. There are PLENTY of real problems in the game industry to make your voice heard about, why are we fabricating things simply to claim there’s justification for our messy gut reaction to change?
I just feel like this is the puddle fiasco all over again, yknow? Insomniac is obviously not a perfect studio but when it comes to the artistic decisions coming from the actual dev team, even just involving Spider-Man specifically, they have only ever shown an interest in communicating as upfront as possible about their intentions and belief that the choices they make better serve the style and quality of game they are trying to make. A difference in taste is one thing, but crying “I don’t like it and it makes me uncomfortable so YOU MUST BE LYING” when they give a, in my opinion, very believable explanation for a jarring decision like this is pretty unnecessary (in this case that reasoning being the new face model better suits the motion capture data from Yuri Lowenthal, which completely adds up based on their visible similarity in face structure compared to the old model)
This ended up being a longer rant than I intended it to be BUT to summarize:
- I think the face is going to look much better in the long run and I already have grown fond of it
- Criticism and scrutiny towards the often exploitative video games industry is an actively good thing, but the rabid response to this face change does not feel like that at all.
- Insomniac as a studio has earned at least a little bit of trust imo, they are clearly not perfect but their reasoning behind artistic decisions like this are usually very believable and this is no exception.
- I don’t buy the idea that they changed it just to make him look more like Tom Holland, I think that’s a pretty ridiculous idea.
I could eat my words on all of this someday, mind you, and I’m prepared to. But also if that day comes it will matter even less than it does now! Which is to say, less than not at all!
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