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fellthemarvelous · 4 months

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Staged and Good Omens: The discontinuity of a story within a story within a story.

I'm watching the third season of Staged again right now, and I think I've figured something out.

The discontinuity that people are talking about of Good Omens 2.

Staged 3 was a very modern version of A Christmas Carol. Ep 1. Is there a version? (David and Michael work with Simon again) Ep 2. Who's Playing Who? (Scrooge, episode was a farce) Ep 3. Past (Michael and David are co-dependent af) Ep 4. Present (Michael and David fail to write a script) Ep 5. Future (David tells everyone they are doing a live show) Ep 6. Knock, Knock (Simon gets even, ending is sad but not really because they are just taking a break and breaks don't last forever, and Simon gets a job offer based on his script for Knock, Knock, the one story he didn't write.)

The epic trainwreck that is David and Michael's live version of A Christmas Carol is actually a hit, but everyone else has to convince them to stop the show because it can't go on forever. So they end it with Michael and David agreeing to take a break from working together even though it makes both of them sad.

But the whole premise of Staged was that everything was filmed on iPads, computers and cell phones. And it was submitted to Simon so he could piece it together.

Simon Evans wrote Staged as a love story between David and Michael. Simon writes what he sees and finds ways to incorporate fiction into reality. He saw them on Good Omens together and he saw the chemistry between David and Michael, and he turned it into a comedy about these two eccentric actors who clearly love each other. And they agreed to star in it.

They improvised most of it, but Simon laid out the framework of the plot for them to follow, and then he let them be themselves.

The entire show has layers upon layers of meta weaved into it.

Anyway, my point is...

This post is one of several that covers the different ways discontinuity seems to occur during Good Omens 2. The evidence is very compelling.

I'm not here to point all that out because I don't have the strength of some of the meta writers in this fandom, and they're already on top of it, but if we look to Staged as an example, what is the plotline that Good Omens 2 is following?

Good Omens 2 is a modern version of.... Ep 1. The Arrival Ep 2. The Clue (A Companion to Owls) Ep 3. I Know Where I'm Going (The Resurrectionists) Ep 4. The Hitchhiker (Nazi Zombie Flesheaters) Ep 5. The Ball Ep 6. Every Day

What are the stories happening around Aziraphale and Crowley? They're the focal point of season two, but what else is happening?

Neil Gaiman has said that everything means something. They aren't just showing us these things by accident. There is a story happening outside of Crowley and Aziraphale's relationship. And we are all looking closely for that person doing a very odd thing just out of sight or objects being moved around without knowing how they got there in the first place.

There was literally an entire scene in Staged where they are trying to figure out who is playing Scrooge and Simon is so anxious that he keeps moving his plant between two different spots in the room. It also ends up with Georgia accidentally planning her own birthday party because David is in Tokyo. But then they cut at one point and you learn David was actually in his bedroom and not a hotel room in Japan and Georgia didn't really just plan her own birthday party. That chaos was scripted. David has to change clothes, they have to go several minutes back in the scene they just did, but as Anna points out, the sun is not in the same place it was when they started the scene. And then Michael loses his shit at Simon and storms off.

You think that's the reason Simon left, but then we get the episode where Georgia tells David Michael wants to write the script and then tells Michael that David wants to write the script. She does it so she can get them alone in a room together because people love watching them argue. They find out she set them up about six hours later. They are hungry and hot and annoyed and mad at her so she gets Simon to come back to work with David and Michael. Simon comes back from cosplaying as a dentist, brings the food Michael ordered hours ago, and sits down to write. Michael gets pissed off at Simon again because Simon forgot the prawn crackers, so he throws his food at Simon.

Some of these are of the past. Some are of the present. They were all filmed at the same time though so you don't know what happened when or why.

These scenes are all cobbled together. They tell a complete story though. The order just isn't exact.

The story we are seeing in season 2 isn't the real story. It was happening around Aziraphale and Crowley, but with them at the focal point, you get a romantic comedy and it distracts you from what's going on in the background.

There is more than one story in season 2. It's basically a jigsaw puzzle that we can try to piece together, but we won't know what's actually happening until we get the much needed context of season 3.

There are clues all over the place in Good Omens 2. The story is being told through so many other methods except for the one that makes the most sense to us because someone doesn't want us to see what's coming, so we get distracted by Nina and Maggie, Jim, Aziraphale and Crowley.

We know Muriel and Saraqael are up to something. We know Shax and Furfur are up to something. We know the Metatron is up to something. What we don't know is where God went. We hear God's voice in Companion to Owls and we hear God's voice speaking through and with Jim when Crowley orders him to tell them what is going on. It ties directly to the first time Crowley and Aziraphale ever worked together.

We know that Aziraphale is going to Edinburgh and he knows exactly where he's going because he and Crowley have been there before. It challenges the concept of good and evil because Crowley does the good thing and gets sucked into Hell. Right next to Gabriel's statue.

We know that Aziraphale picks up a hitchhiker even though he doesn't want to, and it turns out to be Shax. She reminds Aziraphale of the time that Furfur caught them working together. There were zombies and human magic tricks and Aziraphale uses sleight of hand to save Crowley from being dragged back down into Hell again.

The episode titles of Staged 3 all represent different chapters of A Christmas Carol. But it was more than that because Michael is upset with David for doing adverts without him after they were both asked to work together at first. They love each other and they love working together, but it's preventing them from doing other things they want to do. Hence the break from working together.

It's a story within another story within another story.

And I think that's what we are witnessing in Good Omens. Things aren't happening in the right order. Beyond the sadness of Aziraphale and Crowley splitting up, there is still the next apocalypse to deal with. The story we are getting in season two isn't happening sequentially. It's being manipulated to hide the signs that things are already underway by giving us a love story as a distraction.

And it works very damn well. Because the love story was beautiful.

Staged 3 ending

Good Omens 2 ending

#good omens #good omens meta #good omens theories #i am in no way saying that this is the answer #but it hit me while i was watching staged #staged #david tennant #michael sheen #aziraphale #crowley #ineffable husbands #michael and david

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antimony-medusa · 10 months

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I just have vauge thoughts about Fandom, and Creator Notices, and Boundaries, and I'm just gonna ramble for a second here.

Okay, so you end up really liking a show or event to the point that you want to make something for it, generally you want to show it off. You want to share it with other people who like the show or event, and have them go !!!!!!!. That's fun, that's normal. We all want to be enthusiastic about [show/event] together. That's our starting point.

Enter social media and official actor/streamer/writer accounts.

Now fan artists, a good portion of the time, can make their art and then thanks to the wonders of social media, they can go straight up to the actual people who made the show and show their art, and have them go !!!!, and get the actual creators to like it. Maybe not if they're drawing hard gore or NSFW, but if you're drawing a soft canon family moment, or a cyberpunk au, or behind the scenes look illuminated, or kick-ass character design, you can get a creator notice.

Fan writers, by and large, do not get creator notices. This is because looking at art takes two seconds, and reading a fic takes between ten minutes to ten hours. Creators can be out there scrolling art in a way that most of them, frankly, do not have the time to devote to Ao3 searches sorted by kudos. And I think among writers there's a little bit of a sense that that's unfair, and writing is just as much as art as visual art is, so we should be getting creator notices, and we should all act as though we might get a creator notice at any time. On all platforms. Cause what we're doing is real art, right? And we all saw the art get retweeted?

And this sense that creator notices— cause we've all seen them happen with art— spreads until we all think that they could happen at any time. Thanks to the wonders of social media. And very rapidly, the "you can get a creator notice" turns into "the highest honour is a creator notice", and we're all gunning for that, and you SHOULD be gunning for that. You should be looking for the creator to weigh in on your art. You should make sure that there's nothing in your work that the creator doesn't like. If you're an artist, you shouldn't be playing with gender in your art, or draw them being tortured, or anythign NSFW, and if you're a writer, you need to make sure that you don't have anything "weird" in your writing. In practice, let's be honest, this just turns into demonizing NSFW work and saying that anything we don't like is NSFW. Looking at you the "you can't draw the streamers with boobs" discourse.

Anyways, I think going after creator notices is a bad idea for many reasons— a, let them rest, b, bad atmosphere for the fandom, c, let's be honest, an awful lot of fandom stuff is weird from the outside. Let it stay in the fandom.

First thing is like, there are only so many hours in a day. Fan artists can tag their people but it's SO much of a huge and rude demand on someone's time to ask them to read your fic and tell you if it's good. That's the request you make cautiously to your beta reader, and then everybody else on this planet earth gets to opt in to your work. Do not TTS stories to people, do not hand them copies at cons, like— if they want to find it they can find it.

Second thing, creator notices hovering over the fandom like a sword is not a good attitude for creativity. Fan work is supposed to be transformative, it's about taking the original work and going "oh but what if they didn't die" and "what if they lived in space" and "what if they were a family" and "what if they kissed". Gunning towards a creator notice at all times takes you from an independent person following your creativity to a contractor working under someone else's vision. All the time.

Trying to adhere to the source material isn't bad in essence, there's a spectrum of "how do you feel about canon" in fan work that ranges from "trying to hit all the same beats just with a twist" to straight up adversarial attacks, and all of that is fine and part of what fan works are. But if the only stuff that gets written is the stuff that we think the creator would approve of, a) that's stifling to both creativity and people who have an adversarial relationship with canon, you shouldn't start to be branded as "weird within the fandom" cause you're mad at a plot arc b) you very rapidly run into the issue where you're adhering to someone else's morals, and sometimes you don't agree with random person's morals. Anne McCaffrey famously said that fan works were okay as long as you didn't make any of the dragon riders gay. I guesture at you about that. Sometimes a creator is way more comfortable with NSFW stuff than you are, that doesn't mean you should feel forced to make NSFW stuff for their approval! You shouldn't have to 100% agree with someone's vision for an art piece to be able to roll up and go "yes but I think there should be like 50% more evicerations in here" and acting like the creators are the ultimate authority in fan spaces is a bad atmosphere for making fan works.

Sure, absolutely, showrunners get to decide canon. But the whole point of fandom is that sometimes I have a better vision for my story, and maybe I don't want to think about what the creator says at all. If I'm not gunning for the creator's approval, let me stay in my little circle with the creator blocked and adding more pregnancy to the QSMP, or whatever. Follow your bliss.

Third thing, like, okay. There has been a move in fan circles, and especially in mcyt circles, to say that if we just cut the NSFW stuff out, everything we're doing isn't weird, and the creators can look at it. I honestly think this is a failure of both imagination and perspective.

If you have written someone being vivisected, it's gonna be a trifle weird for the actor of that someone to come into contact with that. It is doubly weird if you're depicting a character who shares the same name as the actor. Is it bad to write the vivisection? No, this is fandom, we get to do terrible things to characters here, and that's not for the actors, that's for the audience of two hundred people who saw the words "Schlackity vivisection cannibalism necromancy" and said "clear my schedule, I know what I'm doing tonight". Awesome, continue with the gore.

And like, again, this isn't just NSFW. You can have something that is the fluffiest most platonic story in the world, and I'm saying look at me, look at me honestly, consider this; isn't it going to be just a little bit weird for a grown-ass man to open up a story where they've been aged down to four years old and they're lost and sad and their friends are their family and rescue them and there's cuddling and petting and snackies and pet names and they get their blanket and suck their thumb and take a nap. Look me in the eye and tell me that's not gonna be weird for an adult to read that about their character who shares their name. Okay? We're all on the same page here? Awesome. Is it bad to write kidfic? No. Kidfic rocks. I am your target audience, I am clicking through. I am leaving a keysmash comment. It is also, like, look at me here, focus— it's weird if you're outside the fandom. Platonic? Yes. for the actors/streamers? No. And that's because it's not FOR outsiders to the fandom, it's for the fandom. It's for people who rotate the characters so much that they go 'wouldn't it be sooooo cute if they were babies wouldn't it be adorable', it's not for the actual guys who had a meeting with an accountant today.

MCYT in particular has a horrible practice of saying that because everything has to be for the streamers, nothing can be NSFW unless they've approved it specifically, but somehow everything else is cool? I cannot express to you how much stuff I've read and enjoyed that even the smallest amount of thinking about should let you know that we keep that stuff away from the guys driving the block men around. Fine to write it, I say again, go for it. Please completely divorce yourself of the idea of a creator notice for it at the same time.

Should we show the streamers porn? No. We also should not show the streamers the thing where they're physically abusive parents of their friends. We should not show them the stuff where they're babies. We should not show them things where they're bigots. We should not show them things where they have hybrid instincts that tell them to kidnap someone. Really not sure about showing them a story where they're a cop who takes bribes. Like come on now. Really, as soon as you diverge from canon you're getting into stuff that's probably going to be weird for the crdeators. And that's why again, we don't show it to them, because it shouldn't be for them, it should be for the other people who are like "oh you're doing something fun with the character there, awesome" and click through. Weird for the creators, because it's for us.

Fandom should not be for for the creators. We can make stuff for the creators ocassionally, but I really think it's healthier for the fandom, and probably a lot less weird for the actors/streamers/writers, if we stop acting like what we make is all for them and should be shown to them. Some of it is just for us! That's fine! Make it for the people who have an rss feed for "autistic technoblade" on Ao3! Make it for the people who show up in your inbox asking about your "Philza gets arranged married to a different QSMP guy every week" au! ! Make it for the people who have three spellings of "charlie slimecicle" followed on Tumblr! Make it for the people making helsmit fancams! Make it for the fifteen people who suscribed to you after you posted that fic about the various wilbur bursonas kissing each other! Make it for the people who have Puffychu art saved to their phones! Make it for the fandom!

Leave the creators alone, make the fandom for the fans.

#discourse #dsmp #qsmp #fandom meta

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hotvintagepoll · 6 days

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Propaganda

Gladys Cooper (Now, Voyager, My Fair Lady)— Best known for tyrannical mothers or put upon wives, she was a gorgeous early star too. Bette Davis thought exceptionally highly of her 'On the day following Cooper's death, her Now, Voyager co-star Bette Davis appeared on The Dick Cavett Show and called Cooper "Without a doubt, the most beautiful person as well as actress, and a professional ... never was she late one minute, never didn't she know every line."'

Joan Crawford (Dancing Lady, Mildred Pierce, The Women)— God, where do I start!!! Her face is so UNIQUE and compelling and stands out so much. I love her thick brows and high cheekbones. She has a school-marmy hardness too her that makes her a little scary and therefore sexy. Her low thick voice also does it for me. Despite being an unusual looking woman with an unusual face, she never loses her glamour. Just a gorgeous talented actress, AND she was some sort of gay!!!

This is round 4 of the tournament. All other polls in this bracket can be found here. Please reblog with further support of your beloved hot sexy vintage woman.

[additional propaganda submitted under the cut.]

Gladys Cooper:

Joan Crawford:

I just love women that are very mean.

she was a smoke show in every decade, from the 20s to the 60s.

The classic matronly beauty with amazing eyebrows

of course there's a space for MILF joan but i want to just take a second and say she was so cute in her early movies (like grand hotel and the women)! those parts often get forgotten but her stardom shines in them just as much as in her older #queen #icon roles

Misremembered for wire hanger hatred, this original screen queen mastered the art of the comeback and refused to let Hollywood toss her aside as she aged. The term “auteur” is usually revered for directors or writer-directors, but most critics have one actor they’ll give that title to as well: Crawford—anyone who knows classic movies already has a “Crawford picture” in their head. She knew how to style herself and promote herself. She made herself a star and kept herself fixated in the Hollywood firmament. What’s hotter than knowing just how hot you are?

(don’t think about Mommie Dearest right now) Joan was known for being super nice to all the like crew of the movies she worked on and she’d get everyone gifts. Joan would hold movie nights at her house and knit at the back of her home theater. Joan was sooo obsessed with other women including Greta Garbo, whos dressing room she would obsessively and purposefully walk by. She said that while working on Grand Hotel, Garbo grabbed her face and “if there ever was a time in my life where I would’ve been a lesbian, that was it.” But like Joan also probably did sleep with women including Barbara Stanwyck. Joan was so obsessed with Bette Davis, screening multiple movies of hers in a day at her watch party, constantly trying to spend time with her or do a movie together, insisting on the dressing room next to hers at Warners and sending her daily gifts… etc. Once Bette said that sex was gods joke to humanity and Joan said “I think the joke is on her.” Joan fucked a lot. Joan got caught publicly fucking a man and sent a letter to the woman who saw them basically saying “I bet it excited you” and the woman was like you know what. It did. Joan was best friends with a gay man. Joan was an actually genuinely good actress even though people mocked her a lot for being like cheap and stupid (partially because she never finished school because her family was broke). Joan was so insane and so cool that’s all.

#joan crawford #gladys cooper #hotvintagepoll #fuck that old woman #ladies 4

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toomanystoriessolittletime · 4 months

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Cookie Kisses

Week 3 of the Winter Writing Challenge

prompts: hot chocolate / baking / dancing

Summary: Dieter finds you baking cookies in your home after being away to shoot his series for months.

Pairing: Dieter Bravo x fem. reader

wordcount: 1.9k

Rating: T

Warnings: fluff, making out, suggestive language (?), talk of future plans involving kids

follow @toomanystoriessolittletime-fics and turn on notifications to get notified when I post new fics

It’s funny how much your life can change in less than a year.

A year ago you were living in a shitty apartment with four other people, working three jobs and still not being able to afford a dollar more than you needed to survive.

LA had turned into a fucking pipe dream for you.

You knew thousands of people tried to make their dream come true by moving to the city of stars.

Just like you did. You were a writer. You wanted to work in television or the movies.

Yet after months and months you did not even get one call back or anyone interested in your work. You were getting frustrated.

You were at your lowest point a year ago just before Christmas. Not being able to afford the flight back to see you parents for the holidays, and not enough money to treat yourself to a shitty Christmas dinner from the supermarket.

You were working 16 hour shifts at the diner just to not be back in your shitty apartment where you would spend all your time talking yourself out of just giving up and moving back home.

It was one of those 16 hour shifts, at 3 am on a Thursday that Dieter Bravo stepped into your life.

You had heard that he had been shooting in a studio not far away from the diner from some time from one of your co workers. Apparently he had been to the diner quite regularly in the last two weeks, just not ever when you had been there.

You welcomed him to the diner with a tired smile, handing him the menu, missing the way he looked after you, when you left to get his order of a hot chocolate.

You had missed a lot in the weeks after that first meeting too.

Like that he somehow managed to now always showed up in your shift, seated in your section.

How he tried to keep talking to you, when all you were doing was going through your to do list while taking his order.

How he seemed to tip you always more than average on days you looked sad.

Of course you knew who Dieter Bravo was.

You had seen some of his movies and the very successful series two years ago he stared in. An HBO series about… fungi zombies. Or…. Whatever.

It was another nightly visit from him almost six weeks after your first meeting where you finally realised that maybe Dieter Bravo was interested in more than your ability to deliver food and the best hot chocolate he ever had (his words).

The diner had been busy and there had been no free space in your section. You had seen him come in, giving him a friendly smile as you walked by and back into the kitchen. You put in the latest orders and excused yourself for a small restroom break after.

When you stepped back into the diner it was completely empty.

Safe for Dieter’s preferred table where the man was waiting for you. Two hot chocolates waiting in front of him, looking at you with big brown puppy eyes.

When you thought back to this night it still seemed like the beginning of a fairytale.

He had told you that he paid off everyone in the diner to leave, including most of the staff. He had told you that he had been trying to get your attention for weeks.

You thought it was a joke first, why would Oscar winning actor Dieter Bravo wanting to get your attention?

He could have everyone, why would he want you?

You would learn months later that he was pretty sure he had fallen in love with you that first time he saw you, just before Christmas when he walked into the diner.

Your life had changed significantly after Dieter stepped into your life.

Dieter and you started hanging out outside of your work quite frequently before he asked you out on a date.

And dating you did.

He took you out to have dinner, flew you out to Canada when he was shooting the second season of his HBO series. He made you teach him how to make the perfect hot chocolate so he could make it for you.

He kissed and fucked you whenever you where together.

The Dieter you got to know, and the persona he let the outside world know, were two completely different people.

He told you he loved you and that for the first time in his life he felt like he did not need drugs to make it through the day. Not that he did not do anymore drugs, just significantly less (as you learned from him and his manager). And only rarely in front of you.

When the lease of your apartment was up, he asked you to move in with him. Into his new house he had bought in the hidden hills and help him make it feel like home.

Your home.

Now, a week before Christmas you were standing in a kitchen that was double as big as your apartment before, preparing another batch of Christmas cookies you were making for your guests next week.

Dieter had insisted on inviting his and your parents over for the holidays and you could not wait for them to get here.

Dieter was due to be back from Canada for some reshoots later that day and you hoped you would be finished by the time he was back.

You hoped he liked how you decorated the house, save for the Christmas tree you wanted to decorate with him once he was back.

Moving in with Dieter had been an experience. While you were on the border of being OCD tidy, he was… not. You were both still learning how to get used to this new normal, but excited to do it together.

You hadn’t spend much time together with Dieter in this house yet. You moved in in the beginning of October and he had to leave before Halloween to continue to shoot his series. You had only seen each other since then once when he was back for a brief meeting for another movie he would be shooting in Italy the next year.

Humming along to the radio to some Christmas song you loaded up the dishwasher, waiting for the timer of the oven to go off, you missed the garage door opening and footsteps making their way inside the house.

It’s why you almost had a heart attack once you turned around and found Dieter grinning at you over his sunglasses, standing at the kitchen island.

„Holy shit,“ you gasped, your hand pressing against your chest and your wild beating heart.

„Hey babe,“ his grin widened and you laughed, before you practically ran around the counter, throwing yourself into his arms.

„I missed you baby,“ you murmured and he kissed you, sighing audibly against your lips.

„You taste like cookies,“ he mumbled against your lips, kissing you all over your face, his hands both on your ass, pulling you against him.

„Want some?“ You asked.

„Cookies?“ He asked. You nodded. He shook his head.

„Want something different,“ he kissed you again, slowly walking you backwards until you felt the counter against your back.

He kissed down your neck, his fingers pulling at your shirt.

„Missed your tits,“ he dipped his nose into your cleavage and you bit your lip.

„Baby…“ you gasped and he helped you sit on the counter.

„Missed all of you,“ he murmured.

Parting your legs so he could stand between them he pushed your shirt up, kissing your stomach.

„Canada is too fucking cold. Colder than your feet at night,“ he hummed and you giggled. He playfully bit into your hip before his hands both came to rest on your upper thighs. You pulled him into your arms, your fingers brushing through his hair as he rested his head against your chest.

„I really missed you Dieter,“ you whispered and he snuggled even closer against you.

„Love that I get to come home to you now,“ he said and propped his chin up against your chest, looking up at you.

The timer of the oven let you both jump, and you chuckled.

„One more batch to go and then you get to do whatever you want to me,“ you whispered, kissing his forehead. He pouted, sighing dramatically before he let go of you and helped you off the counter.

He hovered behind you, following you like a puppy, as you took the finished batch out and put the last batch into the oven.

You gently slapped his fingers away as he tried to steal a cookie.

„Let them cool down for a second, will you?“ You chastised him playfully and pouted. You carefully pulled his glasses off, your hands on his cheeks.

„There you are,“ you smiled and got on your tiptoes to kiss him again. His arms wrapped around you again, running soothingly up and down your back.

„Can we make that pie I love so much tomorrow?“ He asked.

„We as in us two?“ You asked, an eyebrow raised.

He pursed his lips.

„Well you are gonna bake and I am gonna lick all the bowls. I’m very good at licking“ he said seriously, wiggling his eyebrows.

You shook your head with a laugh, your hands crossing behind his neck.

„You are very good at licking,“ you agreed.

„Want a demonstration?“ He offered, his hands on your ass again and you could feel how hard he was as he rubbed himself against you.

„In… twenty minutes. Can’t let those cookies burn,“ you said and he pouted again.

„You’re so damn mean,“ he whined.

„But you love it,“ you say.

„Yeah. Yeah I do,“ he sighed before he kissed you.

It was a minute or so later that he slowly began to swing you to the beat of the music, some Michael Bublé Christmas song in the background. Smiling you let your head rest against his shoulder, one of his hands now in the middle of your back, gently guiding the impromptu slow dance.

Sometimes you imagined moments like this years in the future. Maybe with a dog and cat around. Maybe a kid or two.

As long as Dieter was in your future, you would be okay with everything life could throw at you.

„You still got that meeting on Friday?“ He asked, his head resting on top of yous.

„Yeah. They seemed really interested,“ you mumbled against his shirt.

While you still hadn’t gotten your first big job, it looked like that might change in the near future.

Dieter and you bonded over your love for writing and you both had been working on a script, which you sent out to some studios under different pseudonyms.

You did not want to use Dieter’s connections to make it. Ever since you went public with your relationship, people knew who you were. And may it be stubborn, you did not want to use his name to finally get the recognition you always dreamed of.

You already had two meetings with studios, a third one just around the corner before Dieter would join you to reveal who the second writer was.

„You excited for Christmas?“ He asked you. You looked up at him.

„So much. We gotta decorate the tree together this week,“ you said.

He nodded and leaned in to kiss you, humming against your lips. You did not know it then, but a week later he would ask you to marry him.

„I love you,“ Dieter mumbled against your lips.

„I love you too.“

#my fic #Dieter Bravo #Dieter Bravo x fem. reader #Pedro Pascal #stephswinterwritingchallenge #fanfiction #fanfic #fan fiction

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pieheda · 5 months

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So, I realized only after watching the Todd In The Shadows video AND the hbomberguy video that I, too, have caught James Somerton just making shit up.

I’m not going to cite actual video titles because he changes them all the time anyway so why bother, but he has one that’s about Angels in America and Rent. This is my jam, I’m a theater gay, so I watched them - and immediately felt like the main thesis would fail an English 101 class. The thesis was “people have the misperception that Rent was made before Angels in America, and why is that?” which is not a thing that people believe, actually. At least, not people who know how google works and can just look up release dates. I found myself thinking that maybe he and some friends were surprised at this, and he decided it was a widely held misperception. But I kept watching the video, and when talking about how popular Rent was when it premiered on Broadway, he said that it was taboo to even mention AIDS at the time.

That is completely untrue. I was an adult in 1996 when Rent was released on Broadway, and AIDS was no longer a taboo subject in the US. There is plenty of data out there to support this, but I think it’s particularly compelling that in 1993, the movie Philadelphia, about a man suing his employers for firing him upon learning that he has HIV, was an enormous box office hit. It won Tom Hanks and Bruce Springsteen both Oscars, for Best Actor and Best Original Song. The Oscars aren’t very daring, perhaps you’ve heard. They aren’t big on giving out awards for things that everyone is terrified to talk about.

In another video that is cited by Todd in the Shadows, I realized that I had ALSO caught James making shit up in that one. When I watched the video for Red, White, and Royal Blue, James said that all these straight women wanted gay romance without sex and I laughed and said “they most definitely do not want that”, because I’m a fan girl and I’ve seen AO3. No research needed to debunk that, most if not all women who knowingly consume gay romance absolutely want there to be some fucking. The only person who would complain about that would be some exceptionally clueless homophobe who accidentally stumbled into this movie.

Both of those things, when I saw them, made me shake my head and say “that’s just not true.” I even commented on the Rent video.

What I did not do is think hard about what exactly is going on here. My opinion of Somerton went down with each of those discoveries, but it wasn’t very high to begin with; I never have liked his presentation style, because of how often he talks down to the people he’s discussing or to his audience. But frankly, there’s a lot of content out there that plays free and loose with the facts or starts with a bad premise (“people have this misperception” with no evidence of that isn’t far off from “Marvel fans on twitter hate this movie!” followed by only 5 tweets cited in the article). I just accept that people lie on the internet, I didn’t expect better. I didn’t stop to consider that gays really should do better, particularly we should not lie to one another about gay culture and history, and ESPECIALLY not when claiming to be doing what we do for the purpose of uplifting gays. I didn’t google to see if there were other issues with him, because if I had I would have learned about him getting into it with Jessie Gender and wouldn’t have given him a view ever again.

We’ve reached such a garbage state that I overlooked that. Seeing everything he’s done all lined up in these two videos had a real impact on me. Todd is absolutely right that it’s abominable to add to all the misinformation in the world, and hbomberguy is right that it’s particularly egregious for James to rob from gay writers who don’t have the funds and attention that James does. But it’s especially bad to just make shit up about gay history and the current state of gay acceptance, particularly when James constantly had the perspective that it’s always bad and gay men always have it the worst. Most likely the “everyone hates gays like me especially” was a calculated choice to create an attitude of persecution within his fandom so that they would accuse anyone calling him out of homophobia. But misinformation about acceptance is ALSO harmful to our community. It’s harmful to go around believing that people are out to get you when they aren’t. The cost of damaged mental health is ALSO important.

And he coldly exploited that because there’s a stupid fucking app that is tailor made for grifters to make cash hand over fist by confirming their audience’s worst fears and creating new anxieties in them. It’s absolutely ghoulish.

#hbomberguy #todd in the shadows #james somerton

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your-mums-nuts · 10 months

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It’s so insane to me that everyone tries to justify roman being in love with Gerri with “mummy issues” or some other physco-sexual thing that completely dismisses Gerri as a person in favour of seeing her as an outlet for Roman’s sexual fantasies. Like, have we even been watching the same show?

Roman has been on Gerri’s side from season 1 episode 2- this guy saw her on screen in season 4 and had to immediately sit down, this man has been following her around every single season with no agenda other then to talk to her, to listen to her opinion on things!! My man literally trips over himself trying to get her to laugh!!! she’s the quasi-love of his life!! His final scene was him ordering her favourite drink!! Neither the actors or writers have ever said anything like “she likes him because of the power it gives her” or, “he likes her cause he wants a mummy”, you could say a million things about tomshiv, tomgreg or kenstewy- (hell, I don’t see anyone putting a magnifying glass over Marcia’s love and devotion for Logan) but with Roman and Gerri, it seriously just boils down to, they like eachother. Why do you have to justify it? Because she’s an older woman? As if Toms hair isn’t already grey but nooo, millions of people are still shipping tomgreg and tomshiv.

Anyway, Gerri Kellman is fucking funny and intelligent and hot and Roman Roy loves her and not enough people talk about it.

#romangerri #Gerri kellman #I love her so much you guys don’t understand #this all boils down to ‘why is Roman into Gerri?’ and my only response is ‘have you SEEN GERRI??’#Roman Roy #marcia roy #Logan Roy #tom wamsgans #greg hirsch #shiv roy #kenstewy #Kendall Roy #kendall x stewy #Roman x Gerri #gerriroman

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astoundingbeyondbelief · 4 months

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Kaiju Week in Review (December 10-16, 2023)

Suit actor Kenpachiro Satsuma, who originated the roles of Gigan and Hedorah and played Godzilla in all of the Heisei films, passed away on Saturday at the age of 76. A serious performer paired with a serious Godzilla, he approached the role with near-religious reverence. Asked to give advice to Godzilla's next actor following the completion of Godzilla vs. Destoroyah, he said, "Be Godzilla. Don't do anything else. Write books about playing Godzilla, talk to reporters about playing Godzilla, but don't do anything else. Just be Godzilla." His second stint as the character, Godzilla vs. Biollante, is my favorite movie of all time, and it's pretty staggering how many of its key people are gone now. Rest in peace.

Monarch: Legacy of Monsters finally brought Godzilla into the present-day storyline—and finally let him enter Japanese waters in the flashbacks to 1955. (The only other time he's done this in the Monsterverse is in the debatably-canon Godzilla: Awakening.) I enjoyed the flashbacks a lot more than the main story this time, as the latter is just piling on the Ominous Pronouncements while withholding details to a degree that seems unrealistic from a Watsonian perspective. Give me a well-acted, doomed love triangle any day.

Comic book sales data is nigh-impossible to find these days, but 2022's Godzilla vs. the Mighty Morphin Power Rangers must have made bank, since it's getting a sequel! Writer Cullen Bunn and colorist Andrew Dalhouse are back, with Baldemar Rivas now handling the art. First issue's coming in April. The logline:

Worlds collide a second time as everyone’s favorite kaiju meets up with Earth’s mightiest warriors once again to take on the most fearsome monsters from both sides of the multiverse, with Rita Repulsa egging them on! This one has it all: SpaceGodzilla! Clawhammer! Tentacreep! But what exactly does Rita intend to do with their collective might, and how have her mysterious new allies, Astronema and the Alliance of Evil, given her added reach across worlds? The Power Rangers are on a mission to find out, but first…all roads lead back to Godzilla!

I recognize some of the proper nouns in there, at least!

Godzilla Minus One added even more North American theaters (from 2,540 to 2,622), but with stiffer competition in the form of Wonka, it fell to fourth with $5 million. That gets it over $30 million here; we'll see how much of a boost it gets from the holidays. The film is piling up accolades from regional critic groups, as well as a nomination at the Critics Choice Awards for Best Foreign Language Film.

I'm also making my way through all the videos Toho put on YouTube when I was desperately dodging spoilers, so look forward to more Minus One gifs and screenshots.

youtube

One more trailer for the Kaiju No. 8 anime, which is, for whatever reason, going to stream worldwide via X/Twitter. (Maybe they saw that users there already upload entire movies and decided to get ahead of the curve?) Don't worry, it'll be on Crunchyroll too.

#kaiju week in review #kenpachiro satsuma #power rangers #kaiju no. 8 #godzilla #godzilla minus one #kaiju #monarch legacy of monsters

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agentsofmarvel · 1 year

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some of my favorite agents of shield fun facts (season 3 edition) (part 1!!)

season one & two fun facts are on my page!! this may be the last season i do though :)

- the little tagline they used in the writers room for season two was “what will i become?” to reference skye’s new powers and learning about her family, coulson’s new position as director, and other character changes. in season three the tagline became “what have i become?” showing the characters evolution into season three and onwards.

- many of the writers also said that the season focused on emotional balance between characters. it was focused on the emotional connection between may & andrew, daisy & lincoln, coulson & rosalind, and fitz & simmons.

- after being taken by the monolith at the end of season two, elizabeth got no confirmation that jemma was alive and she still had a job playing her until being brought back for season three months later.

- the writers were a bit unsure of mack’s character evolution after season two but when they saw henry simmons acting they immediately saw “leading man material” and began to discuss him as a possible director.

- they had a “skye jar” in the writers room when writing season three because everyone kept forgetting daisy and writing skye.

- apparently jed & maurissa’s newborn guest starred in the first episode [03x01] sometime during the opening scene with joey. i watched the episode on Disney+ and i couldn’t find her though, maybe y’all can! [the bts picture i found has her in a blue stroller, dm me for the pic if you want!]

- the inhuman lash is played by matthew willig, a former NFL offensive tackle. he was chosen because not only his huge stature but his previous acting work. he had to take 4 hours in the makeup chair daily for the role.

- the character rosalind price was created to give coulson a role other than “the surrogate father”. both the writers and clark wanted to give him a romantic role. however, when they talked about her to the costume department they described her as a “female coulson”.

- as skye was written as the “eyes of the audience” in season one and bobbi was the same for season two, the writers created the character of joey gutierrez as the eyes of the audience of season 3 with inhumans.

- the writers created the relationship between daisy introducing joey into shield/inhumans to mirror coulson introducing skye into shield back in season one.

- joey’s character was supposed to be a more permanent character in the following seasons but actor who plays him, juan pablo raba, had just booked another show and he couldn’t do both.

- according to the costume designers, they describe coulson’s season three look as his “bad ass civilian look”

———

i am working on more season three facts rn, but i wanted to post some now!! also i wanted to take this time to show my support for the writers currently on strike (some of which wrote the scenes we love in aos!), they ask so little for the amazing work they do and i hope they get what they deserve in the near future !!

#agents of shield #aos #marvel agents of shield #clark gregg #phil coulson #melinda may #ming na wen #skye agents of shield #daisy johnson #chloe bennet #elizabeth henstridge #jemma simmons #leo fitz #ian de caestecker #henry simmons #alphonso mack mackenzie #alphonso mackenzie #Joey gutierrez

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piratecaptainscaptainpirates · 5 months

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To the person who sent me an ask worrying about this article from Consequence TV maybe being the start of OFMD being cancelled, I accidentally deleted it so I'm responding here!

Tl;dr: absent any other information, I'm not worried about it. When I first saw it, it was paired with a headline that said somehting along the the lines of "Taika Waititi hints he won't be returning for OFMD season 3," which seems to have changed and just isn't actually said anywhere in the article itself.

The first part of the article is immediately a bit scary:

When Consequence asks writer/director/actor Taika Waititi if he’s feeling optimistic about a third season of Our Flag Means Death, his initial response is this: “Have you seen the end?”

While this looks scary, I encourage you to stop, breathe for a moment, read that again: crucially, that's not really an answer to the fucking question, and it's presented without context or even any indication that was TW's full answer. It's such a vague opener and without any follow-up it's practically meaningless.

The next parts of the article that a lot of people are concerned about are these paragraphs:

Max has yet to announce plans for a third season but Our Flag Means Death has become a fan favorite for its loving portrayal of its core relationship between Ed and Stede. For Waititi, though, the Season 2 finale “feels like a natural end to their story. Just because I feel like, you know, they’ve been through so much and then wind up in that nice place at a happy ending.” Waititi calls Our Flag Means Death “a really special show,” adding that “I love the show so much and maybe it can survive without Rhys and I. Maybe, I don’t know. I do I think the character of Blackbeard is something I’m really proud of.” Waititi says, though, that “I don’t want it to feel like Rambo III suddenly, you know, when you’re like, ‘Oh man, they have to leave their idyllic life again.'”

When I first read that headline, I was obviously like what the fuck, but when I clicked the link I immediately dismissed this whole article. I'm a person naturally given to anxiety and over-thinking - I'm not saying that to dismiss anyone who is worried about that, I'm saying that to emphasize just how contextless and clickbait-y this article is.

It's important to remember two things: OFMD is a mainstream property that is still generating a lot of traffic due to speculation on whether it's going to be renewed, and Taika Waititi, as a person, attracts a lot of divisive media attention that is often very clickbait-y in nature. He's also the biggest name attached to OFMD.

If we look at this article, all of TW's lines are presented to us out of context. We are not given the questions he was asked or told anything about when this interview took place (other than after the finale, obviously).

A breakdown of what TW says with possible, more likely context:

"The s2 finale felt like a natural, happy ending for Stede and Ed." This is true, and we also know this was intentional in case the show doesn't get renewed. This is not new information.

"Maybe the show can survive without Rhys and I." This is what people are (understandably) worried about, but this is both not a firm statement of "I don't want to come back for s3" and completely devoid of context. A possible explanation is that DJenks has mentioned possible spin-offs; TW could be here referring to spin-offs that don't involve him or Rhys Darby. As an executive producer, there is literally no way TW doesn't know at lesat the broad outline of DJenks' plan for s3.

"I don't want it to feel like they're leaving their idyllic life again." TW doesn't want Ed and Stede's story to be beaten to death, he wants it to have a satisfying, happy ending. Again, this should not be surprising information, it's just presented in a way that makes it seem like he definitely thinks s2 should be the end of Ed and Stede when that is not what he says.

This article is completely devoid of context, and because of that I consider all TW's statements in here to be essentially meaningless because we don't know any of the questions he was asked. I believe the most logical context for these quotations were him talking about the finale and how it was satisfying in case they didn't get s3, speculating about possible spin-offs, and then talking about how he doesn't want the story to be one of those TV shows that go on too long.

A bit of additional context: Consequence is, primarily, a music review and news site. They have a TV segment, where this article is housed, but music is their main focus and they are not a website where you expect to find actual breaking TV news, let alone from big names like TW. Larger film and TV publications we've seen covering the recent release of Next Goal Wins, in comparison, universely refer to the OFMD s2 as "successful" and refer to a "likely" third season - for publications actually focused on TV, the predominant view seems to be that OFMD is successful and a 3rd season seems very likely.

This article is very clickbait-y and tells us absolutely nothing. It absolutely does not say that TW is uninterested in returning for s3 (in fact, it says the opposite, he repeats again how much he loves the show) or that OFMD will be cancelled.

We're okay. Even if we do get news that OFMD hasn't been greenlit for s3, I promise it's not going to break on Consequence TV of all places.

#ofmd #our flag means death

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itsjustbyler · 6 months

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Ok. I decided to write this to make my position on this very clear to all the people who follow me and also to those who, if they want, block me straight away.

I've been in several fandons where actors, actresses, directors or writers were incredibly disgusting people, so I had to learn to separate the work from the artist. I have several focus problems, I suffer from depression related to childhood trauma and I'm not in a very good phase. So I'm not going to apologize for continuing to support Byler and for continuing to watch and talk about Stranger Things, because Byler was one of the only things that managed to distract me from the problems going on in my private life.

I understand those who prefer to stay away from the fandom and I give all my support to those people. What I don't agree with is the idea that if you continue to interact with the fandom, you are a despicable, heartless human being. People come to tag byler for many different reasons that aren't just limited to the actor. When people say to leave Noah Schnapp out of the byler tag, it's because a lot of people are running away from their own reality and that doesn't mean they're supporting or ignoring Noah and everything that's happening, but rather doing it in other ways and using the tag byler for distraction.

I'm not a fan of Noah Schnapp, I don't engage with his posts. For me, I don't care what the actors do or don't do, so being called genocidal simply for talking about Byler bothers me a lot. I can separate the work from the artist. There are people who don't and I respect that and I understand a lot because the situation is very complicated. What I don't agree with is the antisemitism and homophobia accompanying all the hate he is suffering and this is not because I'm a fan of Noah, but because one thing does not justify the other. When I went onto his social media to understand what he had done, I saw people commenting on Hitler's photo on his Twitter posts, being extremely homophobic and I could understand why he blocked the terms "Palestine" and "Israel" from social media.

Regarding the conflict, I researched everything that has been happening for years, I saw the different points of view from different people to understand why there are people defending Israel and people defending Palestine because I wanted to learn about it. I have my own opinion and disagree with many of Noah's attitudes regarding this and I can understand the hate. I hope this get better soon and that all of this to end soon.

I also looked for ways to help as I can here in Brazil and if you are also brazilian and want to know how, click on this link and you will be able to help with donations:

Anyway, I will continue on the tag and interacting with the fandom. Feel free to block me whenever you want. This will be my only post about this.

#byler #stranger things

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ingravinoveritas · 6 months

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(**Warning: Spoilers for the OFMD 2 season finale follow. Read at your own risk.)

I've just watched the finale of season 2 of Our Flag Means Death, and it has stirred a lot of thoughts and feelings in me (as it has many of us, unquestionably). I had initially planned to include some of these thoughts in my review of GO 2 (which I still have not written), but the death of Izzy Hands (Con O'Neill) has brought back some of the feelings I had a few months ago, so I'd like to talk about the theme of ableism in GO 2 and OFMD.

Since the first season, Izzy Hands has seemingly been a polarizing figure, but there has been a clear emotional resonance on the part of fans toward him, and especially now in season 2. To have his arc and "redemption" come in such an ignominious fashion certainly feels like a slap in the face to those fans. I would characterize myself as "Izzy neutral" (that is, I did not hate him, but I didn't necessarily feel a deep connection to him, either), but what troubles me is how Izzy was ultimately treated as a disabled character.

Earlier in episode 8, the Revenge crew is jailed, and Prince Ricky pulls Izzy out of the cell to have a drink, and during this exchange Izzy says this line, which we had previously heard in one of the trailers:

It was Izzy who the writers/creative team specifically chose to have say this line, and because of that, I find it very difficult to swallow the idea that he was the one character who was later killed. That in the end, the character who speaks about belonging is the one who doesn't get to belong. As if he was there to further Ed's storyline, to be an object lesson for him, and was then disposable after that.

Further compounding the issue was the crew using Izzy's prosthetic leg as a grave marker (presumably under the assumption that he no longer needed it). But for many disabled people, prostheses and wheelchairs and other accommodations are what help us thrive in the world and are part of who we are, so to me, taking that away from him inadvertently diminished how complex and multifaceted Izzy had become as a character and seemingly reduced him to little more than a mascot.

As a person on the autism spectrum who works in the field of disability, Izzy's line about belonging resonated with me extremely deeply. For many of us who are neurodivergent or disabled, this is the stuff of our everyday lives--being told through childhood, adolescence, and even adulthood that we are nothing, and that our lives do not have value. I spent so many years searching for that sense of belonging, to know that I had a place in the world, and it was not something anyone could give to me, but something I had to fight for. To make that space, because no one else would.

As I've said before, while I have watched both shows, I am far more into and emotionally connected to GO than OFMD. This leads me to GO season 2, and the parallels to this that I saw there. In GO 2, we have the character of Saraqael (Liz Carr), who is an angel that uses a wheelchair (as does the actor who plays them). It's shown in one of the episodes that Saraqael's power is to miracle wheelchair ramps everywhere they go, and in nearly all of the reviews and articles I've read about the second season, this trait is met with widespread praise.

But to me it mirrored precisely what we see in real life--that is, that the burden of accessibility is often placed on disabled people ourselves. I would have loved to have seen one of the able-bodied angels have not only the power, but the desire to create those ramps. It was disheartening to me to think that even in a seemingly ideal place like Heaven (although we know it certainly isn't), it is the disabled character who has to create a place for themselves.

The character choices around Saraqael and Izzy are something I would describe as benevolent ableism, in that while no harm was likely intended, it still reinforces long-ingrained prejudices and ideas about disability. There is so much intersectionality between queerness and disability as well, and so it is disappointing to see an opportunity to have that idea of "belonging" encompass every character only encompass certain characters instead.

I truly think this will only change if and when we have disabled people behind the camera as well as in front of it. And I hope that day comes sooner rather than later so that all of the fans who see themselves in Izzy or Saraqael are not left feeling the way they do now...

#our flag means death #ofmd 2 #ofmd 2 spoilers #izzy hands #con o'neill #good omens #good omens 2 #saraqael #liz carr #ableism #disability #media and disability #i'm feeling a lot of feelings #so i hope this all makes sense #not trying to hate on either show but really wishing things had been done better #thoughts #discourse #gif by me

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charmac · 2 months

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They’re not allowed to read fanfic? Darn, I kind of assumed Rob found your Twitter handle from reading your fic since he didn’t seem to do anything else on twitter when he followed you

So it comes down to the basic idea of copyright. It’s not illegal or technically even banned, but since RCG are creators, writers, producers, etc. on Sunny and not just actors, it’s really a dicey area for them.

The copyright laws/legality of fanfiction is actually really interesting, there’s a long, messy modern history of fighting for the right to publish and protect fanfiction from studios and/or creators claiming copyright infringement. This use to be a huge issue where authors would send cease and desists to websites like Fanfiction.net to take down all fanfiction of their work. OTW (Ao3) kind of spearheaded the right for fanfiction to exist apart from what it's derived from. The T standing for Transformative argues that because fanworks ‘transform’ the content they are based off, they are exempt from copyright law, as long as there’s no profit. So we cannot find ourselves in legal trouble for publishing fanfiction. As long as it's transformative (aka you're not just republishing source material), it's new/original content.

So that means fanfiction kinda has its own protections in return. As long as you're not profiting off of your work, you have a right to claim that your fanfiction and the ideas that are new/original belong to you. Which means if there is ever any proof that a creator read your work and then a later episode (or sequel, book, etc.) reflected anything you wrote that was not already in the source material prior to that, it can get very messy, in that there may be grounds for you to claim they profited off of your work. So most creators (writers especially) avoid reading fan works.

You can see why for a show like Sunny they might be especially careful reading anything, since there’s so much you can do in that show. If RCG have an idea for something as simple as The Gang Goes Camping, for example, but they’ve previously seen or read a fan work that hit that plot they’d be pretty inclined to never make the episode.

The basic idea being that you don’t want to hinder what you can in good conscience, with no legal issues, write, so you avoid fanworks all together.

I'll give you an example based on what happened with Charlie: he was in public and surrounded by fans and one fan hands him his spec script, or plot idea for an episode. If he had read it, all of a sudden whatever was on that paper becomes a legally grey issue in the writers room. If they liked the plot idea or dialogue (or whatever was on that paper) and end up using something in an actual episode, what claim does the fan now have? Everyone at the event could potentially tell you that this fan contributed to the show, so it's best not to read it. Don't risk ruling out a plot line you may have wanted, don't risk accidentally stealing from a fan, don't risk the show ending up in a legal battle.

Also, first anon: I still don't know why or have any solid proof as to how Rob found my account, but at the time he followed me I did have a 5hr old Tweet with ~15k likes reposting one of his TikToks and calling him the cringiest person alive. I didn't tag him or name him, he didn't like it, or interact with it or any of the replies or literally any other Tweet that day, but I have to imagine he saw it and that's why he followed me. Degradation kink overrules everything else.

#ask #fanfiction #what about aus? :)#could my plot ever happen? not until they invent time machines..#nah its still an issue i think they'd avoid bc dialogue and other potential plots #dennis is circumcised bc the first ever fanfic was about him being uncut and they couldnt risk the infringement #i made that up tbc... there were no fanfic claims back then #that fic was and is real tho #imagine the first thing anyone writes about your show is about your dick anatomy #well thats on brand for them im sure rob had a blast finding that

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patdkoala · 11 months

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Familiar Feeling

Pairing: Sebastian Stan x Female reader

Warnings: SMUT NO PLOT (They literally just met), unprotected sex, they fuck everywhere

I just moved into a new apartment with my two best friends, Faith and Lane.

Faith is a writer and swears that the Marvel actor, Sebastian Stan lives in our apartment building. Lane is an actor and she agrees with me and thinks that Faith is losing her mind.

None of us have seen him in the building. He is like our own little myth.

One day, Faith was out at a meeting and Lane was at an audition.

I was left alone so I was just cleaning up the apartment. I cleaned my room and the main courters. I then decided to take the trash out and on my way, I swear I saw Sebastian taking his trash out.

He smiled at me as he passed by me.

I quickly turned around and spoke.

"You're Sebastian Stan aren't you," I said as he nodded.

"Yeah, we're neighbors I think. I've seen you around," He said.

"You've seen me around? My two roommates have been on the lookout for you ever since my one roommate thought she saw you in the laundry room."

"Yeah, I've seen you around. You always wear those shorts with the pink string," He said as he eyed me up and down.

"If I didn't know any better I'd say you were flirting with me, Mr. Stan," I said as I smirked at him.

"What if I was? And it's Sebastian."

I just smiled at him and then walked past him to dump my garbage.

"I'm going to go back up to my apartment where my two roommates are not and I am going to run a bath to wash off the trash shoute," I said as I sashayed past him. I could feel his eyes on my ass as I moved past him.

"Take a picture, it'll last longer," I said as his eyes averted back to my eyes.

He dropped his trash off and then followed me into the elevator.

I stood against one wall and he stood against the other with his hands in his pockets.

I was the one standing closest to the buttons so I pushed the emergency stop button.

Sebastian practically flung his body over to me and pinned me against a wall.

"Needy girl needs me so bad, huh?" He asked as he wrapped a hand in my hair and neck. He kissed me so deeply and passionately. I'd never been touched like this before and didn't want it to stop.

He went over and turned the elevator back on.

We got off on my floor. I do quite literally mean, got off.

I held his hand and led him into my apartment.

"It's really clean in here. It smells like you," He said as he took a deep breath.

I smiled at the thought that he already likes the smell of me after one day together. Not even one day. Maybe a couple minutes. We've just immediately clicked with each other.

"Do you want something to drink? Maybe something to eat? We might have some leftovers in the fridge."

"No, only you," He said as he sighed and sat down on my couch.

I smiled and walked over to him on the couch.

I stood in front of him and he pulled my pants down along with my panties. He then pulled down his pants and underwear.

I sat down on him facing him.

He moaned out as I rode him. He grabbed at my hips and I tugged on him all over.

"Fuck, you feel better than I thought," He said as he grabbed my ass and squeezed tightly.

"Oh my god," I moaned as I came around him. He pushed me off of him before he came inside of me.

I pulled my pants and he pulled up his haphazardly right before we heard the door open to the apartment.

"Oh my god! Did you hear? Apparently, someone saw Sebastian Stan leave the elevator on THIS floor!" Faith yelled as she and Lane entered the room.

"HOLY FUCK!" Lane screamed as she smacked her hand to her face.

"You're Sebastian Stan," Faith said as Sebastian stood up and he shyly smiled and waved at the two girls.

"Yeah, he's going to be here for a bit. We were just uhm. Hanging out," I said as Sebastian turned pink and the girls quickly gathered their belongings and then turned around and left the apartment.

"I'm sorry about them. They are just fangirls and I was just-"

He pulled me into another kiss. A kiss that felt like we knew each other. Like we are closer than we actually are.

"You taste so good and I can't get enough of it," He said as I jumped up and wrapped my legs around his hips.

He carried me to the kitchen counter and sat me down on top of it.

He pulled my soaked panties down along with his pants to show that he was already hard again.

I was trembling and waiting for him again.

He pushed himself into me and found a steady pace as he hit my G-Spot ever so often. Enough to make me squirm and scream under his touch.

He had one hand on my lower back, holding me up so I don't fall off the counter. The other hand was on the counter steadying himself so he didn't fall to his knees.

I came again and he pulled out again.

"I think that just about finished me off," He said as he put his pants on. I slid off the counter like a puddle.

"I don't even think I remember how to walk," I said as he held me by the waist to stabilize me.

"Oh, Sebastian. Don't touch me like that unless you want me all over you again," I said as he removed his hands ever so slowly. I thought I was going to fall right then and there.

So I did.

I slowly fell to my knees. His hands went to my hair as I undid his pants that were on his body for less than a few minutes.

I sucked him off as he braced himself by holding onto the counter behind me.

"Please," He moaned as I continued. I knew he barely had anything left in him and this was probably hurting him. But, him begging me like that felt so good.

He tugged on my head a little once he released it in my mouth.

I stood up and wiped my mouth off.

"Go spit in the sink," He said as I opened my mouth to show him I'd already swallowed.

"That's disgusting," He said with a hidden smirk.

We both cleaned up and I went to change.

He was sitting on the couch just scrolling through his phone when I came back.

"I should get going because I have an appointment for a photoshoot but, I would love to take you out on a real date sometime. Today was the best day I've had in a really long time," He said as he handed me a piece of paper with his number on it.

"Call me," He said as he walked over and kissed me before walking out the door.

Lane and Faith came home later that night and I felt dirty so I cleaned the counter and I mopped the floor. But I forgot about the couch.

It wasn't until late late that night when Faith was sitting on the couch next to me. "What are these stains?" She asked as I just looked between her and Lane.

"Those stains are-" I paused before trying to come up with something. "Yeah, I don't know what those stains are."

#sebastian stan smut #sebastian stan x reader #sebastian stan #sebastian stan can do whatever he wants to me and I would be grateful

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ooihcnoiwlerh · 4 months

Text

In terms of queer content creators who Somerton ripped off who people should follow, one I am familiar with, is Joelle Monique. She is a bisexual Black woman who I'm sure has been made fully aware of how she was plagiarized. I've read a couple of her articles and saw her guest appearances on Girlship TV before seeing the Hbomberguy video. I don't presume to know what it's like to be in her position except that I can't imagine it feels good to be plagiarized by a white guy who espouses misogynist rhetoric and incorrectly labels bisexual women as being straight.

Funny thing is, while I really liked the Eddie/Richie ship in the adaptation of IT and was familiar with a couple of Joelle Monique's articles, if I'd seen Somerton's video on queer film horror I would not have realized he was ripping off her work in part. When he's not ripping off a lot of other people. I wouldn't have guessed. Somerton was in my recommendations page and I always went, "Ooh, that sounds interesting, I'll check it out when I have more time!" but the channel has been nuked.

And that sucks in that in his video on plagiarism HBomberguy said his intent was to make sure all monetization from his video went to writers/actors who Somerton plagiarized and thus unless he downloaded every Youtube video that isn't possible.*

*Apparently HBomberguy has, in fact, downloaded every video. That's great to hear.

#joelle monique #james somerton #hbomberguy

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elitesheepi · 29 days

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Thinking about Zutara and how they would get together in a canon divergence. Despite the popular belief, I actually don't think they'd struggle with their feelings for each other once their post TSR. Before, yeah, absolutely. Katara hated Zuko and Zuko was still mid-redemption arc and dealing with his character backslide. But I also can believe that they both had lingering feelings for each other that started in the Crystal Catacombs.

We saw how both of them acted when in their own romantic pursuits, Jet and Mai respectively. Zuko was pretty much all in in their relationship before it fell apart, and Katara didn't mask her feelings for him like that. Sure it wasn't an all out relationship, but it was pretty obvious where'd it potentially go had things not turn so bad for Jet.

So, by Ember Island Players, they're both pretty comfortable with one another. Katara comfortably teasing Zuko, also showing concern when the Iroh part of the play happens. Heck, Katara was pretty involved towards the end of his arc, between encouraging him to talk to Iroh and Zuko asking her to come with him for his final confrontation with Azula. (and also hello???? the lightning scene??? HELLOOOOO???)

(shoujo romance shit seriously)

Anywhizzle, we have two characters with feelings for each other and in a place where they have that comfort and honesty with each other. Despite how easy it would be for them to get together, I think both of them would hold off from getting together because of their own individual relationships to Aang.

Saying it now, Katara does not owe Aang a relationship just because he's had a crush on her longer.

And Zuko shouldn't back away from his feelings for Katara just because of Aang's crush.

Despite that, they would hesistate heavily about purusing their feelings for each other because of Aang.

Throughout the show, Katara has gone above and beyond to constantly accomdate Aang's feelings. She's repeatedly pulled him out of the Avatar state, she's constantly been there to comfort him throughout the show. The Desert episode alone proved that Katara is the stable rock of the Gaang who had to hold everything together. Other people have written stronger metas on her, but I'm gonna summarize it with: Katara puts others before her, a'lot. It's a part of her character. She cares, and often that means having to be the strong one in tough situations, even to her own detriment or safety.

Zuko is fully in the realm of yearning for a real friendship with Aang and the gang by this point. He offered up being a prisoner to them, that's a pretty bold move on his part. Zuko held a'lot of guilt over his past actions and went above and beyond to make it up to them. In the case of Aang and Zuko, it's very obvious Zuko cares about their relationship. The Zuko-Aang friendship really is underrated, but it really tells the narrative of second chances, seeing the good in people, and just strength of bonds between people.

Which leads to the major problem and the biggest obstacle in Zutara: their friendship with Aang.

I like Aang, but the writers definitely created a precedent with his character in regards to romance. That precedent being, he's...not that good with the idea of Katara having feelings for other people. The Ember Island players gave us this gem of a conversation between him and Kataraz:

And that was just two actors in a horribly done (yet hilarious) propaganda play. He knows the play is completely nonsense, but still got jealous enough that he'd go into the Avatar State if he could. Like, that's a pretty wild line to just drop, and then to that eventually be followed up with the attempted kiss when she just said she was confused. It's not a good look for Aang. The writers really began to drop the ball here with Aang's character. But that meta debate aside, this sets the stage that Zutara would have problems getting together because of Aang's feelings. Katara knows he has a crush on her, whether Zuko knows or not is up to headcanon. But, more importantly, she knows and because she knows, it would cause her hesitation in getting with Zuko because of how Aang would react.

Katara doesn't belong to anyone, Aang, Zuko or otherwise, but a 112-year old's first crush isn't an easy thing to get over. Maybe, Katara would feel some level of responsibility for his feelings for her, that urge to protect Aang even from himself. Even from her own desired relationship. There's the complicated question Katara would have to grapple with: that urge to protect Aang vs Katara being "take what I want, do what I want" person and just choosing to be selfish of her own feelings. She doesn't want to hurt Aang, but she doesn't want to keep herself away from happiness just for his sake, it's a complicated problem. For Zuko, even with how determined he can be to do what he wants, he's not callous (now.) If he knew about Aang's crush on Katara, I'd think he'd hesitate on the basis of knowing that a first crush is hard to deal with especially if it's unrequited. Worst, if said crush ends up falling for the other friend.

As I type this, I'd think the Aang obstacle would be harder on Katara then it would be on Zuko, but both would feel that pressure of how Aang would react if he knew about their relationship. Zuko hadn't been friends with Aang long (an understatement), but Katara has. She'd feel the weight of his emotions and has more or less taken on the role of being his emotional balancer.

Now I think there's alot of avenues you can take with all this analysis, but I personally like the idea of a secret relationship blooming from this and the angst that comes with it. It'd be fine for awhile, but both of them have too much pride in themselves to want to keep it secret for long. How'd Aang react, I think might put a massive strain on the Gaang. It just feels thematically appropriate and sadly in charcater when you consider in the lore of ATLA never let go of his attachment to Katara and that whole scene from the Ember Island Players. Where'd it go from there, I think depends on the writer and how'd they interpret Aang's character personally.

Me personally? Idk. Either he'd get over it or he doesn't idk. I'll take either/or depending on the fic.

Either way, once Zutara passes that obstacle, I'd like to think they'd be a pretty strong and secure relationship.

#im avoiding work can you tell?#zutara #sheep writes a meta #atla #Zuko #katara #THIS IS ALL MY OPINION AND TAKES FROM THE SHOW #WROTE THIS IN A MILD FRENZY SO IGNORE ANY TYPOS

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