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#wow this list is growing
peeniless · 2 years
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Every time that someone credits Taika Waititi for Wellington paranormal - which he had no involvement in - I lose ten years off of my life.
Jemaine Clement is one of my favourite actors and writers and producers and he deserve the credit is is working HARD to deserve.
Edit: wwdits series, too. So much great work
Edit: OFMD, too. Yeah, he’s executive producer. But there was a BOARD of writers, and a creator, and although the fandom was pretty good at crediting Jenkins et al. when I left it, there are so many more people than just Taika Waititi that made the film, which he certainly didn’t do most of, however much I follow his work.
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Some day... I'll find the way... and money lol
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volfoss · 2 months
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honestly the more grant morrison comics i read/more i learn about them, the more i want them to blow up violently
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kristylae · 3 months
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Playing Rhea as primarily Dogmatic with Iconoclast choices makes the moments of making peace with Aeldari, and romancing Yrliet so much more fun for me. I see her as this person who finds comfort in her faith due to her upbringing, but doesn't let it stop her from actually liking Xenos, and realising that allying with them can lead to good things.
As well as the reactions of her retinue. Especially Argenta. I just love the idea of Argenta meeting her, growing to respect and like her due to her great faith, a shared love of killing heretics, and Rhea's constant support of her quest. Then her slow realisation of horror as Rhea just talks to Aeldari, tries to help them, and eventualy gets together with Yrliet.
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speakeasier · 11 months
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OHH MY SHIT. i'm legit a day late, but ZLATAN JUST ANNOUNCED HE'S RETIRING??? OHH MY GOSHHHH. too bad sweden didn't qualify for the world cup last year. sad. " 8'D "
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hojlundaise · 11 months
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currently on a bleach binge watch so i can watch the new season and now my friends think its the perfect time to recommend other animes like girl help i have 300+ episodes i cant multitask this
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the-kipsabian · 1 year
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full offense but i think most rp blogs are illiterate tbh
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nothingunrealistic · 1 year
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Extreme wealth, more often skewered than celebrated, dominates the chatter about television these days, from masters of the hedge-fund universe sparring with federal prosecutors on Billions to the familial power plays on Succession to the vacation foibles of the merely rich on The White Lotus. And the popularity of these shows—a subgenre that we’ve termed Helipad Drama—among the demographic they feature is linked directly to how well the art imitates life. 
[…]
With these shows’ binge-ability and viral moments, each visual choice is under a microscope, scrutinized online in single-frame screengrabs, from running tallies of every Aston Martin, Bentley and Ferrari driven by Damian Lewis’s Bobby Axelrod on Billions to the many watches worn—and occasionally discarded—on Succession. 
The bling is a bit more overt on Billions, to convey just how far Axelrod has come from his humble working-class roots. “It was really about trying to sell the amount of privilege people with extreme wealth have and the access and power that comes with that,” says Michael Shaw, production designer on the show’s first two seasons. “A lot of rich people can buy really nice wine, but not everybody can buy a football team.” Which explains why Mark Cuban, owner of the Dallas Mavericks, makes a cameo in the second season as Axelrod considers buying his own pro franchise. 
[…]
Fanny Pereire, who worked on the pilots for Billions and Succession, has a full-time job securing art for TV and film. Her process starts with a wish list of original works. She then secures single-use permission to feature each piece from the copyright holders, generally by paying out fees to artists or estates. The works shown on-screen are mostly very good official copies of sometimes priceless originals, laser-printed on canvas and touched up by the show’s art department to add brushstroke texture. After shooting wraps, Pereire usually films herself slashing the approved fakes—she’s contractually obligated to destroy or return the works—and sometimes sends them back to the artist in pieces, as proof of destruction. 
Those works, often lurking in the background, subtly move the story forward, adding insight into a particular character or scene, whether it’s the Basquiat hanging ostentatiously outside Axelrod’s office or the giant photo of a melting glacier by Frank Thiel in the boardroom at the Roy family’s corporate headquarters.
“We’re telling a story, and hopefully if we do our job right, just as the production design or the costumes will tell you something about the character, the art will, too, without being part of the dialogue,” says Pereire.
[…]
Blue-chip art has been integral to setting the right tone for Billions from the beginning. Before designing the set for Axe Capital, Axelrod’s hedge-fund office in Connecticut, Shaw toured some investment firms for inspiration. “It seemed like everybody we would visit would have certain key artworks,” he says. “It was almost de rigueur that certain artists were represented—Koons, Basquiat, Warhol—because they conveyed status.” 
[…]
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Driven individual: Not every rich guy has a chauffeur. On Billions, Bobby Axelrod frequently steers his own Range Rover Sport.
The interiors devised by the production-design teams on Succession and Billions often have an intentionally sterile, impersonal quality. “Early on, I wanted things to feel kind of staged,” Carter says. “You want to feel these aren’t people who have the time or inclination to spend the time actually decorating their own places. They have a team of people who are paid to do it, and they’re probably a little scared for their jobs, so they make choices straight out of the magazines everybody’s been looking at.” 
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Billions’ power players always sit at the best table, as when Axe closes a deal at the Lobster Club in NYC.
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The right food and drink add yet another layer. Both Axelrod and his nemesis, US Attorney Chuck Rhoades (Paul Giamatti), love to dine out in New York, visiting the city’s buzziest restaurants (some now shuttered), from Sushi Nakazawa and Momofuku Ko to Del Posto and Daniel. “In the first season, it was really hard to get in anywhere,” says Shaw. “After the show came out, the second season everybody wanted us in.” 
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Art helps paint the picture. On Billions, David Lynch’s Broken Heart hangs in Mike Price’s office.
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When you’re in the business of re-creating worlds with rigor and authenticity, there’s perhaps no greater achievement than dreaming up a simulacrum that outstrips reality. Like students surpassing their teacher, the Billions team created such a compelling backdrop when they built the offices of Axe Capital—shot on location in Rockland County, N.Y.—that an investment firm later hired Shaw to consult on its real offices, in Manhattan’s shiny Hudson Yards. 
“The owners of the company wanted the interior to feel like the Billions world,” says Shaw. “That was life really imitating art.” 
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kordeliiius · 1 year
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Stop the presses I just realized Monster Kid is the key to figuring out the time frame between Chara’s death and Frisk’s fall
Assuming UT and DR are 100% parallel to each other, all age differences would remain consistent. MK and Kris, who both teens in DR, are likely only a few years younger than young adult Asriel. It’s easy to conclude that Asriel and Chara are/were the same age as well. So because MK and Frisk are both young kids in UT (not to mention the brief allusion to Susie being around), that means that means Frisk couldn’t have fallen that long after the prologue. And they could even be in the same generation as Chara rather than there being a generational gap between the two.
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alien-tidays · 2 months
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every fuckin damn time starship troopers gets brought up and when people even slightly suggest the federation is actually the bad guys cuz they started a war with the bugs all the people who didnt get the message of the movies just come out of the wood works callin anyone a commie bug lover
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c1nn4-bunny · 3 months
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[through coughs of blood] HEHURHEUDUE YOU GUYS DONT EVEN KNOW THE NICE STUFF IM WRITING ABOUT YOU RIGHT NOW !!!!! [hacks up a lung] !!!!!!! JIST YOU WAIT [collapses]
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valengory1234 · 4 months
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Would you believe this article is about adoptive parents?
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volfoss · 3 months
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me and my beautiful mental pipebomb list or something
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cheswirls · 11 months
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reading sa fic in vietnamese like. why have i never thought of this before. ik 2 viets that were active sa creators a few yrs back.
anyway it's a goldmine as always to discover a new fic database in a foreign language. this rly will end up being the year where i comb the entire internet for sa fic.
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sweetfirebird · 2 years
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I just read something about some fanfic readers on TikTok, mostly younger ones, are against AO3 because it doesn't recommend fic to them. As in, it doesn't track them and auto-feed them content using an algorithm.
I am sure it's not every younger fanfiction-reading nerd. But....
The generational divide between old internet and new internet users is so stark sometimes. Like. That younger people don't remember the individual fanfiction websites days... okay. I get that. Some of them weren't even born and time is time and it moves on. It's fine.
But to grow up with an internet where you do not get a choice, or not much of a choice, except to be fed content? Oh wow that's a yikes I've never thought about before.
Yeah, there's some filter capabilities but companies override that all the time with subtle little changes. Youtube recommends stuff constantly (often conservative videos even to me who has no history of watching or liking that shit). Twitter and Facebook got rid of chronological posts and even when you try to get rid of suggested posts, they come back. Instagram is basically all ads now. And then TikTok literally doesn't even ask you to search (and as I recall, their search function sucks), and you can like videos to change what you see *a little* but ultimately the algorithm will lead you wherever it wants.
That's so sad to grow up with that. Choice and searching and relying on your judgment and the recommendations of people you like... those are good things.
I am not like "oh those youths!" here. I am "fuck these corporations!" here. Look at this shit. It's not a rec list from someone you like and trust--it's what corporate has decided you should like. And a lot of these kids have not known anything else. That's scary and infuriating.
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luveline · 26 days
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also didn’t realise that amanda was their little baby but here’s an idea if ur up for it. amanda inherits like spencer’s smartness i guess and so when she starts spewing facts about the random-est stuff spencer’s overjoyed and then bombshells just staring at them with adoration in her eyes?? idk something really fluffy
“Shoes?” Amanda asks. 
“Yeah, babe.” 
“No thanks.” 
You hold Amanda’s socked feet in your hands. “You need shoes to keep your feet warm.” 
“I’ll have socks.” 
You look past her tiny face to her father for some assistance. Spencer scratches his neck, looking absolutely exhausted, though he’s dressed sharply. You’d spent a few minutes finger curling his hair this morning before it dried, and he’s brushed them out gently, giving him a windblown look. You pretend to take a photo of him. He rolls his eyes. 
“Amy,” he says lovingly, baby-voice in play as he leans over the back of the couch, “you know why you have to wear shoes?” 
“Why?” 
“Because growing up, your feet are very small, and very fragile. They need time to grow in proper structures, and they can’t do that if you don’t wear shoes when you’re walking a lot.” He gives her shoulder a rub. “Don’t you wanna match me and mommy?” 
“You wear shoes… different. Mom has heels,” she insists. 
“What if I wear flats?” you ask, eager to leave the house before afternoon. 
She shakes her head, crossing her arms over her chest with a Spencer style pout. 
Spencer sits down next to her with a sigh. You’re both aware of how smart she is for her age, and while it can be interesting, it’s also made some stuff so, so hard. Like explaining shoes. “I’m not want to wear them. It’s good for my skin to breathe.” All her r’s sound soft, like w’s.
You rub your eyes. Spencer sucks in an excited breath. “Yes! Skin can’t really breathe, but it’s good to have it uncovered sometimes to help your circulation and your pores.” 
“‘Xactly,” Amy says. 
“And, you know, shoes that don’t fit right force your feet into narrow positions, which can cause a whole bunch of problems.” 
“No shoes,” Amy says. 
“But…” Spencer backtracks, thumbing under her eyelashes gently. “If you don’t wear your shoes, we can’t go out to the store for groceries and we can’t go to the bakery on the way home. Which means you won’t get your sugar donuts, mommy won’t get her slice of cake, and that’s gonna make me so sad.” 
“Why?” 
“Because I love when your mom is happy. It makes me happy when she’s happy. She doesn’t look very happy now, does she?” 
In all honesty, you’re much too pretty to be sitting on the floor, tights to the carpeting and your cute black dress bunching up your thighs. You refuse to close yourself into the ‘mom’ box some may expect of you, dressing as you had before you became a mom, but you’ve allowed Amanda the opportunity to choose your necklace; a gold pendant ring with green and pink sapphires. It’s gorgeous, colourful, and doesn’t even slightly go with your outfit. Spencer reaches for it now, tugging it straight carefully against your neck. 
You frown deeply, pulling your widest, softest doe eyes. “Please, lovely girl, put your shoes on. Or I’m gonna have to be strict, and I hate being strict.” 
“Don’t fw-own, mommy,” she says, listing into Spencer’s side, “you’ll get wrinkles. Worse wrinkles, ‘cos your muscles remember.” 
And again, all her r’s are w’s, her pronunciation lispy and sweet despite her amazing expertise. Spencer laughs and takes her face into two hands, kissing “Wow, smarty pants,” into her crown. “You’re so smart! I can’t believe it!” 
You feel your annoyance softening. Fine, she’s a smarty pants, and you secretly love it so so much. You’ll just have to carry her to the car. Or her genius dad can carry her. Actually, that could be great, Spencer’s never looked so handsome as he does carrying around your little baby, especially now he’s started working out every now and then. 
“Better role your sleeves up, Spence,” you say, standing up off of your knees. “I’m keeping my heels on. Daddy’s gonna carry you, and you’re gonna get wonky feet.” 
“That’s fine,” Spencer says to her in a whisper, “I’ll carry you forever if you want me to, even if you do get all wonky, bubby.”  
Amy preens as she wraps her arms around him and he picks her up. He takes her shoes from your hand without her seeing. 
“Isn’t she amazing?” he mouths, and he means it, his eyes wide with it. 
“She’s gonna protest socks, next, Spencer Reid, and then what are you gonna do?” you ask. You aren’t half as concerned as you’re pretending to be. Amy’s a baby. She’ll learn how important shoes are soon enough. 
“I’m gonna hold her in my coat, like this,” he says, pulling his coat over her legs. 
“Like that,” you say to yourself, grinning. “Okay, you two do what you want. Can we go now? We really need to get some groceries.” 
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