Okay but like the whole blending herself together with the Winter King just makes so much sense, she's only the madness of the crown.
She doesn't feel whole because it's only madness without its maker. The only thing she is missing is the wearer, the supposed to be bearer of the curse.
Like if I were the madness that laid within the crown I would also go to any measure to be reunited with my wearer. If dating and marriage is refused I too would just decide to blend myself with my user. I wouldn't be whole, I'm just the curse without the body I'm meant to be in. Blended we are right, apart we are just wrong.
You’ve got this! Go for it! You’ve got nothing to lose!
This is your reminder to KEEP PERSISTING!!!
DO NOT GIVE UP!!! Do not give up. You are so worthy of your desires. Why would you give your power away and ditch your desires all because of the 3D?? You're literally so SO powerful! You can manifest literally anything you want in the blink of an eye. You literally have sooo000 much strength in your mind. Why give up on your desires? You're too good to be doing this to yourself, I swear.
Remember why you started! Why did you start manifesting your desire in the first place? What motivated you to start consciously manifesting it? Pull yourself back up, dust yourself off, and get back on track. Your desires are already yours. Keep up with your mental diet and your self concept and you'll see movement in no time. It's that simple! Just be patient and trust the process, ok?
ok i've been thinking about how to answer The Color Asks for so long now. Once I start talking about colors I never stop, it seems. This is just me attempting to explain my personal thought process and not any universal rules or anything like that.
None of this is going to look very realistic at all. You need to exaggerate a little. That being said, having fundamental knowledge on how shadows and ligh tsources work is very useful. Know the rules before breaking them and all that.
Boiled down to its basics, what I think of is: if a lightsource is cold toned, make the highlight bright blue. if a light source is warm, make the highlight bright orange. Then contrast the light with a complementary shadow color that does not compete for dominance with the light. Or alternatively make the light source more neutral with a complimentary tone for the shaded areas and then add a highly saturated color in the deepest shadows.
Having both a highly saturated light source and a shadow color will compete with each other, instead choose one to be the dominant and one to be the um. submissive i suppose.
Just using a random doodle from my sketchbook for the purpose of throwing some color on:
^^^ Here the midtones and the areas in the shade are predominantly of a low saturated cool blueish tone, while the highlight is stark and warm with orange and red light bouncing off. The orange and red hues you often see in skin that is lit by a strong light is called subsurface scattering (sss), one of the most important concepts in art IMO. It livens things up so much.
^^^Opposite from image 1, here the shaded area is a saturated golden color while the light source is a dull blue with hints of more vivid blue throughout. the blue balances the strong yellows and browns. Since the shaded area is bigger than the highlighted area, the subject matter could look quite monochromatic without the blue hints.
^^^Get wild with it. Lets say your highlight is blue toned: instead of just using a blue, introduce purple, teal, turquoise, ultramarine, cyan, etc around where the light is hitting. Add several light sources in different colors, make it not make sense, get crazy.
Though what is important above all else is that the image reads clearly. Unless you're doing abstract art then you'd probably want the audience to understand what they're looking at. That's where values come in, probably the number one cause of confusing pieces of art. If you can turn the painting black and white and still see the subject matter clearly then the values are good.
I find that i love using colors that most people find garish, especially when they're on their own, for small highlights and points of interest. When paired with other more neutral colors, a bright orange or a chartreuse etc can really brighten up a painting.
And colors are never what they seem, the human eye will interpret colors differently depending on what color they are next to. Make full use of this.
Hope this long ass post helps anyone who is struggling with color, I know I used to struggle severely myself xoxo
I spend every episode trying to decide if Iwanaga or Miyata is my favorite character and the answer is BOTH okay they are both my favorite what amazing characters I love this shoooooooooooooow
One more bc I'm an anxious bitch who can't keep a surprise to save my life.
I painted it in crayon and 1.99 markers. Also liquid paper bc I didn't have paint. But I'm kinda proud. Anyways. Um. @sugarpasteltmnt I'm sorry I keep tagging you it will happen again 😭